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You searched for subject:(Film Studies). Showing records 1 – 30 of 2734 total matches.

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UCLA

1. Marriott, David. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.

Degree: Moving Image Archive Studies, 2014, UCLA

 While the moving image archival field has devoted considerable attention to theorizing preservation practice for traditional narrative cinema, comparatively little emphasis has been placed on… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marriott, D. (2014). Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Thesis, UCLA. Accessed April 18, 2021. http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marriott, David. “Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.” 2014. Web. 18 Apr 2021.

Vancouver:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Internet] [Thesis]. UCLA; 2014. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/80x3q0x0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marriott D. Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/80x3q0x0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Goetz, Christopher James. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.

Degree: Theatre Arts, 2016, University of California – Berkeley

 This dissertation engages conversations about the meaning and function of videogames within domestic spaces in 1990s and 2000s convergence culture. The introductory chapter discusses fantasy… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Goetz, C. J. (2016). At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Thesis, University of California – Berkeley. Accessed April 18, 2021. http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goetz, Christopher James. “At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.” 2016. Web. 18 Apr 2021.

Vancouver:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/2xz3k527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goetz CJ. At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/2xz3k527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. Kim, Anthony. Motions of Search: A Korean/American Epistemology.

Degree: Literature, 2016, University of California – San Diego

 Motions of Search: A Korean/American Epistemology is a transdisciplinary and transmedia project that presents a kinetic exploration and application of visual documentary practices through a… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Kim, A. (2016). Motions of Search: A Korean/American Epistemology. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Thesis, University of California – San Diego. Accessed April 18, 2021. http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Anthony. “Motions of Search: A Korean/American Epistemology.” 2016. Web. 18 Apr 2021.

Vancouver:

Kim A. Motions of Search: A Korean/American Epistemology. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/9rs1g6kz.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim A. Motions of Search: A Korean/American Epistemology. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/9rs1g6kz

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

4. Carpenter, Emily Catherine. PreOccupied Territories: Polar Landscapes in the Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 This dissertation argues against the tendency to elevate landscape as an aesthetic object over and against its function as setting and asks, instead, how landscape… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Carpenter, E. C. (2011). PreOccupied Territories: Polar Landscapes in the Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Thesis, University of California – Berkeley. Accessed April 18, 2021. http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Emily Catherine. “PreOccupied Territories: Polar Landscapes in the Cinema.” 2011. Web. 18 Apr 2021.

Vancouver:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/6bb0254c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter EC. PreOccupied Territories: Polar Landscapes in the Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/6bb0254c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

5. Hukku, Sanjay P. Plotting Sex: Pornography's Performatistic Screen.

Degree: Rhetoric, 2014, University of California – Berkeley

 The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Hukku, S. P. (2014). Plotting Sex: Pornography's Performatistic Screen. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Thesis, University of California – Berkeley. Accessed April 18, 2021. http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hukku, Sanjay P. “Plotting Sex: Pornography's Performatistic Screen.” 2014. Web. 18 Apr 2021.

Vancouver:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/2rd5j4k8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hukku SP. Plotting Sex: Pornography's Performatistic Screen. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/2rd5j4k8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. James-Erickson, Luke Hunter. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.

Degree: 2017, University of Colorado at Denver

  This paper critically examines films created with smart phones and similar devices in order to discuss how these films are understood within modern society,… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

James-Erickson, L. H. (2017). Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. (Thesis). University of Colorado at Denver. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Thesis, University of Colorado at Denver. Accessed April 18, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James-Erickson, Luke Hunter. “Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema.” 2017. Web. 18 Apr 2021.

Vancouver:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Internet] [Thesis]. University of Colorado at Denver; 2017. [cited 2021 Apr 18]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James-Erickson LH. Pocket Monsters| The Potential Power of Pocket Films, and the Birth of Pocket Cinema. [Thesis]. University of Colorado at Denver; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10289396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Roberts, Jason Kelly. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.

Degree: 2015, Northwestern University

  This dissertation examines the rhetoric of popular and academic film criticism across moments of major technological change, focusing on the coming of sound, television… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Roberts, J. K. (2015). The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. (Thesis). Northwestern University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Thesis, Northwestern University. Accessed April 18, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Jason Kelly. “The Awkward Ages| Film Criticism, Technological Change, and Cinephilia.” 2015. Web. 18 Apr 2021.

Vancouver:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Internet] [Thesis]. Northwestern University; 2015. [cited 2021 Apr 18]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts JK. The Awkward Ages| Film Criticism, Technological Change, and Cinephilia. [Thesis]. Northwestern University; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3741433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Bering-Porter, David. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.

Degree: PhD, Modern Culture and Media, 2011, Brown University

 This dissertation examines the shifts in reproduction, knowledge, and power that remap our notion of "life" in contemporary scientific and popular cultures through the uncanny… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Bering-Porter, D. (2011). Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11344/

Chicago Manual of Style (16th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Doctoral Dissertation, Brown University. Accessed April 18, 2021. https://repository.library.brown.edu/studio/item/bdr:11344/.

MLA Handbook (7th Edition):

Bering-Porter, David. “Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism.” 2011. Web. 18 Apr 2021.

Vancouver:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2021 Apr 18]. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/.

Council of Science Editors:

Bering-Porter D. Undead: Bodies and Codes of Uncanny Vitality in the Media of Late Capitalism. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11344/


University of California – San Diego

9. Zuniga, Paolo. Exilic Conditions: Reflections of Home and the Experiential Cinema.

Degree: Visual Arts, 2019, University of California – San Diego

 Exilic Conditions: Reflections of Home and the Experiential Cinema is a collection of writings that reflect on perceptions of home and identity while examining the… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Zuniga, P. (2019). Exilic Conditions: Reflections of Home and the Experiential Cinema. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2xh817v6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zuniga, Paolo. “Exilic Conditions: Reflections of Home and the Experiential Cinema.” 2019. Thesis, University of California – San Diego. Accessed April 18, 2021. http://www.escholarship.org/uc/item/2xh817v6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zuniga, Paolo. “Exilic Conditions: Reflections of Home and the Experiential Cinema.” 2019. Web. 18 Apr 2021.

Vancouver:

Zuniga P. Exilic Conditions: Reflections of Home and the Experiential Cinema. [Internet] [Thesis]. University of California – San Diego; 2019. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/2xh817v6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zuniga P. Exilic Conditions: Reflections of Home and the Experiential Cinema. [Thesis]. University of California – San Diego; 2019. Available from: http://www.escholarship.org/uc/item/2xh817v6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

10. Seros, Alexandra. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.

Degree: Film & TV, 2019, UCLA

 ABSTRACT OF THE DISSERTATIONThe Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968by Alexandra SerosDoctor of Philosophy in Film and TelevisionUniversity of California,… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Seros, A. (2019). The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/7v33406g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seros, Alexandra. “The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.” 2019. Thesis, UCLA. Accessed April 18, 2021. http://www.escholarship.org/uc/item/7v33406g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seros, Alexandra. “The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968.” 2019. Web. 18 Apr 2021.

Vancouver:

Seros A. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. [Internet] [Thesis]. UCLA; 2019. [cited 2021 Apr 18]. Available from: http://www.escholarship.org/uc/item/7v33406g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seros A. The Exemplarity of Ida Lupino: A Cross Media Strategist, 1949 to 1968. [Thesis]. UCLA; 2019. Available from: http://www.escholarship.org/uc/item/7v33406g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

11. Broodryk, Chris Willem. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.

Degree: Image, Centre for Film and Media Studies, 2016, University of Cape Town

 This thesis develops a conceptual and theoretical framework within which to position contemporary Afrikaans cinema as a cinema of political impotence. Afrikaans cinema is first… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Broodryk, C. W. (2016). Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Thesis, University of Cape Town. Accessed April 18, 2021. http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Broodryk, Chris Willem. “Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014.” 2016. Web. 18 Apr 2021.

Vancouver:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11427/20299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Broodryk CW. Absences, exclusivities and utopias: Afrikaans film as a cinema of political impotence, 1994 - 2014. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

12. Rácsok, Gabriella. Ingmar Bergman's Concept of God in his Trilogy .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 A dolgozat Ingmar Bergman filmtrilógiájának istenfogalmát vizsgálja. A bevezetőben röviden ismerteti a trilógia műfaji sajátosságait és stílusjegyeit. Önálló fejezetekben elemzi a trilógia egyes epizódjait, mely… (more)

Subjects/Keywords: film studies

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APA (6th Edition):

Rácsok, G. (2013). Ingmar Bergman's Concept of God in his Trilogy . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Thesis, University of Debrecen. Accessed April 18, 2021. http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rácsok, Gabriella. “Ingmar Bergman's Concept of God in his Trilogy .” 2013. Web. 18 Apr 2021.

Vancouver:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2437/174242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rácsok G. Ingmar Bergman's Concept of God in his Trilogy . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

13. Lu, Megan. Orientals in Hollywood: Asian American representation in early U.S. cinema.

Degree: MFA, Film & Television, 2017, Boston University

 Modern Asian American activists are shining a spotlight on the lack of diversity in media, and the root of this inequality traces back to the… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Lu, M. (2017). Orientals in Hollywood: Asian American representation in early U.S. cinema. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/26423

Chicago Manual of Style (16th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Masters Thesis, Boston University. Accessed April 18, 2021. http://hdl.handle.net/2144/26423.

MLA Handbook (7th Edition):

Lu, Megan. “Orientals in Hollywood: Asian American representation in early U.S. cinema.” 2017. Web. 18 Apr 2021.

Vancouver:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Internet] [Masters thesis]. Boston University; 2017. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2144/26423.

Council of Science Editors:

Lu M. Orientals in Hollywood: Asian American representation in early U.S. cinema. [Masters Thesis]. Boston University; 2017. Available from: http://hdl.handle.net/2144/26423


Boston University

14. Crane, Sarah Constable. “It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell.

Degree: MFA, Film & Television, 2016, Boston University

 Myrna Loy and William Powell appeared in fourteen films together, made from 1934 to 1947, resulting in an unprecedented number of cinematic pairing within the… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crane, S. C. (2016). “It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/39000

Chicago Manual of Style (16th Edition):

Crane, Sarah Constable. ““It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell.” 2016. Masters Thesis, Boston University. Accessed April 18, 2021. http://hdl.handle.net/2144/39000.

MLA Handbook (7th Edition):

Crane, Sarah Constable. ““It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell.” 2016. Web. 18 Apr 2021.

Vancouver:

Crane SC. “It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell. [Internet] [Masters thesis]. Boston University; 2016. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2144/39000.

Council of Science Editors:

Crane SC. “It’s delightful to be married” depictions of marriage in the films of Myrna Loy and William Powell. [Masters Thesis]. Boston University; 2016. Available from: http://hdl.handle.net/2144/39000


University of the Arts London

15. Scott-Webb, Shirley. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.

Degree: 2011, University of the Arts London

 An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. This practice-based PhD comprises an original screenplay… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott-Webb, S. (2011). An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Thesis, University of the Arts London. Accessed April 18, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott-Webb, Shirley. “An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting.” 2011. Web. 18 Apr 2021.

Vancouver:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2021 Apr 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/6515/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott-Webb S. An exploration of the applicability of Linda Aronson's flashback theory as a framework for the practice of screenwriting. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/6515/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

16. Ciammaroni, Stefano. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).

Degree: 2011, University of the Arts London

 This study narrates a history of Italian cinema from 1943 to 1980 by the light of its evolving imaginary of violence and death. As both… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ciammaroni, S. (2011). The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). (Thesis). University of the Arts London. Retrieved from https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Thesis, University of the Arts London. Accessed April 18, 2021. https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciammaroni, Stefano. “The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980).” 2011. Web. 18 Apr 2021.

Vancouver:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Internet] [Thesis]. University of the Arts London; 2011. [cited 2021 Apr 18]. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciammaroni S. The Way of All Flesh: A History and Historiography of Violence and Death in Italian Cinema (1943-1980). [Thesis]. University of the Arts London; 2011. Available from: https://search-proquest-com.arts.idm.oclc.org/pqdt/docview/886410692/abstract/CB5ECA4BB28641A0PQ/1?accountid=10342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

17. Walters, Elizabeth. "Cinematic art in all its forms": Netflix and the film festival network.

Degree: MFA, Film & Television, 2020, Boston University

 This thesis examines the complex and dynamic relationship between the streaming platform Netflix and the world’s most renowned and prestigious film festivals. Film festivals like… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walters, E. (2020). "Cinematic art in all its forms": Netflix and the film festival network. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/41044

Chicago Manual of Style (16th Edition):

Walters, Elizabeth. “"Cinematic art in all its forms": Netflix and the film festival network.” 2020. Masters Thesis, Boston University. Accessed April 18, 2021. http://hdl.handle.net/2144/41044.

MLA Handbook (7th Edition):

Walters, Elizabeth. “"Cinematic art in all its forms": Netflix and the film festival network.” 2020. Web. 18 Apr 2021.

Vancouver:

Walters E. "Cinematic art in all its forms": Netflix and the film festival network. [Internet] [Masters thesis]. Boston University; 2020. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2144/41044.

Council of Science Editors:

Walters E. "Cinematic art in all its forms": Netflix and the film festival network. [Masters Thesis]. Boston University; 2020. Available from: http://hdl.handle.net/2144/41044


Boston University

18. Kynigopoulou, Elisavet. Touching the world: a way of making meaning in film.

Degree: MFA, Film & Television, 2020, Boston University

 This thesis explores different aspects of touch and the role of the body in three works by Robert Bresson: Un condamné à mort s'est échappé… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kynigopoulou, E. (2020). Touching the world: a way of making meaning in film. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/41045

Chicago Manual of Style (16th Edition):

Kynigopoulou, Elisavet. “Touching the world: a way of making meaning in film.” 2020. Masters Thesis, Boston University. Accessed April 18, 2021. http://hdl.handle.net/2144/41045.

MLA Handbook (7th Edition):

Kynigopoulou, Elisavet. “Touching the world: a way of making meaning in film.” 2020. Web. 18 Apr 2021.

Vancouver:

Kynigopoulou E. Touching the world: a way of making meaning in film. [Internet] [Masters thesis]. Boston University; 2020. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2144/41045.

Council of Science Editors:

Kynigopoulou E. Touching the world: a way of making meaning in film. [Masters Thesis]. Boston University; 2020. Available from: http://hdl.handle.net/2144/41045


University of Cape Town

19. Drummer, Aurora. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 This dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drummer, A. (2014). Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Thesis, University of Cape Town. Accessed April 18, 2021. http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drummer, Aurora. “Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film.” 2014. Web. 18 Apr 2021.

Vancouver:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11427/12877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/12877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

20. De Villiers, Jacques. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.

Degree: Image, Centre for Film and Media Studies, 2013, University of Cape Town

 This dissertation centres on an examination of Gummo, the provocative directorial debut by filmmaking enfant terrible, Harmony Korine. While largely dismissed by critics who were… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

De Villiers, J. (2013). Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Thesis, University of Cape Town. Accessed April 18, 2021. http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Villiers, Jacques. “Between the norm and a hard place: representing marginality in Harmony Korine's Gummo.” 2013. Web. 18 Apr 2021.

Vancouver:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11427/14087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Villiers J. Between the norm and a hard place: representing marginality in Harmony Korine's Gummo. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

21. Petousis, Simone. A death in the family: meditations on mourning in contemporary cinema.

Degree: Image, Centre for Film and Media Studies, 2012, University of Cape Town

 This thesis examines cinematic depictions of traumatic loss and mourning, with particular focus on representation. My study merges a theoretical and analytical investigation. I aim… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Petousis, S. (2012). A death in the family: meditations on mourning in contemporary cinema. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Thesis, University of Cape Town. Accessed April 18, 2021. http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petousis, Simone. “A death in the family: meditations on mourning in contemporary cinema.” 2012. Web. 18 Apr 2021.

Vancouver:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11427/12094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petousis S. A death in the family: meditations on mourning in contemporary cinema. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/12094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

22. Gobel, Alper. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.

Degree: MA, Film Studies, 2019, The Ohio State University

 This thesis focuses on two documentaries: Kirsten Johnson’s Cameraperson (2016) and Sarah Polley’s Stories We Tell (2012). By proposing the term affective listening, it foregrounds… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Gobel, A. (2019). Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041

Chicago Manual of Style (16th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Masters Thesis, The Ohio State University. Accessed April 18, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

MLA Handbook (7th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Web. 18 Apr 2021.

Vancouver:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Internet] [Masters thesis]. The Ohio State University; 2019. [cited 2021 Apr 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

Council of Science Editors:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Masters Thesis]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041


University of Cape Town

23. Du Plooy, Alta. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.

Degree: Image, Centre for Film and Media Studies, 2014, University of Cape Town

 South African cinemas, and Afrikaans cinemas in particular, have mostly been studied for its political, representational and socio-political value and its often-problematic furnishing in these… (more)

Subjects/Keywords: Film Studies

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APA (6th Edition):

Du Plooy, A. (2014). Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Thesis, University of Cape Town. Accessed April 18, 2021. http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Plooy, Alta. “Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays.” 2014. Web. 18 Apr 2021.

Vancouver:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/11427/13349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Plooy A. Die ongelooflike avonture van Afrikaanse filmaanpassings: filmic adaptations of Afrikaans literature with specific focus on novels, youth literature and stage plays. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


York University

24. Radwanski, Kazik James. Scaffold.

Degree: MFA - Master of Fine Arts, Film And Video, 2018, York University

 Scaffold is a narrative short with structuralist and documentary aspects. Filmed in fragmentary close-up, Scaffold stitches together the conversations, interactions, and people-watching that make up… (more)

Subjects/Keywords: Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Radwanski, K. J. (2018). Scaffold. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34490

Chicago Manual of Style (16th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Masters Thesis, York University. Accessed April 18, 2021. http://hdl.handle.net/10315/34490.

MLA Handbook (7th Edition):

Radwanski, Kazik James. “Scaffold.” 2018. Web. 18 Apr 2021.

Vancouver:

Radwanski KJ. Scaffold. [Internet] [Masters thesis]. York University; 2018. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10315/34490.

Council of Science Editors:

Radwanski KJ. Scaffold. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34490


York University

25. Garrity, Sean Michael James. Blind.

Degree: MFA - Master of Fine Arts, Film And Video, 2014, York University

 “Blind” tells the story of a man who quits his job and buys an RV to drive his daughter, who is losing her sight, across… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Garrity, S. M. J. (2014). Blind. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/27591

Chicago Manual of Style (16th Edition):

Garrity, Sean Michael James. “Blind.” 2014. Masters Thesis, York University. Accessed April 18, 2021. http://hdl.handle.net/10315/27591.

MLA Handbook (7th Edition):

Garrity, Sean Michael James. “Blind.” 2014. Web. 18 Apr 2021.

Vancouver:

Garrity SMJ. Blind. [Internet] [Masters thesis]. York University; 2014. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10315/27591.

Council of Science Editors:

Garrity SMJ. Blind. [Masters Thesis]. York University; 2014. Available from: http://hdl.handle.net/10315/27591


York University

26. Dillon-Davis, Julia Kate Elizabeth. Aum, She Who is Most Auspicious.

Degree: MFA - Master of Fine Arts, Film And Video, 2015, York University

 Light seekers. Familial secrets. And parentified children. AUM, SHE WHO IS MOST AUSPICIOUS is a coming-of-age screenplay about what it means to care for others… (more)

Subjects/Keywords: Film studies

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APA (6th Edition):

Dillon-Davis, J. K. E. (2015). Aum, She Who is Most Auspicious. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30619

Chicago Manual of Style (16th Edition):

Dillon-Davis, Julia Kate Elizabeth. “Aum, She Who is Most Auspicious.” 2015. Masters Thesis, York University. Accessed April 18, 2021. http://hdl.handle.net/10315/30619.

MLA Handbook (7th Edition):

Dillon-Davis, Julia Kate Elizabeth. “Aum, She Who is Most Auspicious.” 2015. Web. 18 Apr 2021.

Vancouver:

Dillon-Davis JKE. Aum, She Who is Most Auspicious. [Internet] [Masters thesis]. York University; 2015. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10315/30619.

Council of Science Editors:

Dillon-Davis JKE. Aum, She Who is Most Auspicious. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30619


University of Debrecen

27. Soltész, Edina. An Overview of Film Noir from the 1940's up to Nowadays .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 In my essay I would like to give an overview of film noir, why and how it developed and what influenced it. For a better… (more)

Subjects/Keywords: film studies; film noir

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APA (6th Edition):

Soltész, E. (2013). An Overview of Film Noir from the 1940's up to Nowadays . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Thesis, University of Debrecen. Accessed April 18, 2021. http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soltész, Edina. “An Overview of Film Noir from the 1940's up to Nowadays .” 2013. Web. 18 Apr 2021.

Vancouver:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/2437/174259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soltész E. An Overview of Film Noir from the 1940's up to Nowadays . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/174259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

28. McGill, Genevieve. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: Film studies; Film & Video

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APA (6th Edition):

McGill, G. (2013). Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Thesis, University of the Arts London. Accessed April 18, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 18 Apr 2021.

Vancouver:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2021 Apr 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

29. McGill, Genevieve. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: PhD, 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: 791.43; Film studies; Film & Video

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APA (6th Edition):

McGill, G. (2013). Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Doctoral Dissertation, University of the Arts London. Accessed April 18, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 18 Apr 2021.

Vancouver:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2021 Apr 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

Council of Science Editors:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881


York University

30. Paz, Maya. Slumber Party.

Degree: MFA - Master of Fine Arts, Film and Video, 2015, York University

 Slumber Party is a short film about the constant struggle between expectation and reality. Over the course of one, meaningful night, Libby realizes that everything… (more)

Subjects/Keywords: Film studies; Fine arts; film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paz, M. (2015). Slumber Party. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30724

Chicago Manual of Style (16th Edition):

Paz, Maya. “Slumber Party.” 2015. Masters Thesis, York University. Accessed April 18, 2021. http://hdl.handle.net/10315/30724.

MLA Handbook (7th Edition):

Paz, Maya. “Slumber Party.” 2015. Web. 18 Apr 2021.

Vancouver:

Paz M. Slumber Party. [Internet] [Masters thesis]. York University; 2015. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10315/30724.

Council of Science Editors:

Paz M. Slumber Party. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30724

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