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You searched for subject:(Film History). Showing records 1 – 30 of 733 total matches.

[1] [2] [3] [4] [5] … [25]

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1. Natoli, Marco. L'Italia allo Specchio: Quaranta Anni di Cinema Civile.

Degree: PhD, Italian Studies, 2011, Brown University

 The primary objective of my dissertation is to frame a new paradigm for the critical assessment of Italian political film (Cinema Civile) starting from the… (more)

Subjects/Keywords: Film History

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APA (6th Edition):

Natoli, M. (2011). L'Italia allo Specchio: Quaranta Anni di Cinema Civile. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11218/

Chicago Manual of Style (16th Edition):

Natoli, Marco. “L'Italia allo Specchio: Quaranta Anni di Cinema Civile.” 2011. Doctoral Dissertation, Brown University. Accessed December 01, 2020. https://repository.library.brown.edu/studio/item/bdr:11218/.

MLA Handbook (7th Edition):

Natoli, Marco. “L'Italia allo Specchio: Quaranta Anni di Cinema Civile.” 2011. Web. 01 Dec 2020.

Vancouver:

Natoli M. L'Italia allo Specchio: Quaranta Anni di Cinema Civile. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Dec 01]. Available from: https://repository.library.brown.edu/studio/item/bdr:11218/.

Council of Science Editors:

Natoli M. L'Italia allo Specchio: Quaranta Anni di Cinema Civile. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11218/


University of Debrecen

2. Nagy, Tímea. History on the Screen .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

In my MA thesis, I attempt to analyze the possiblities and risks of depicting historical entities on the movie screen, through the example of Pancho Villa's controversial representations in the Mexican and the American cinema. Advisors/Committee Members: Cadena, Agustín (advisor).

Subjects/Keywords: history; film

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APA (6th Edition):

Nagy, T. (2013). History on the Screen . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/168156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nagy, Tímea. “History on the Screen .” 2013. Thesis, University of Debrecen. Accessed December 01, 2020. http://hdl.handle.net/2437/168156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nagy, Tímea. “History on the Screen .” 2013. Web. 01 Dec 2020.

Vancouver:

Nagy T. History on the Screen . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2437/168156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nagy T. History on the Screen . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/168156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

3. -5664-9277. Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry.

Degree: PhD, Radio-Television-Film, 2016, University of Texas – Austin

 The Mexican film industry has experienced substantial ups and downs in terms of how many films national filmmakers have produced annually, as well as whether… (more)

Subjects/Keywords: Mexican film history; Film festivals

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APA (6th Edition):

-5664-9277. (2016). Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/72592

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-5664-9277. “Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry.” 2016. Doctoral Dissertation, University of Texas – Austin. Accessed December 01, 2020. http://hdl.handle.net/2152/72592.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-5664-9277. “Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry.” 2016. Web. 01 Dec 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-5664-9277. Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2016. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2152/72592.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-5664-9277. Mexican film festivals and industry development : Guanajuato, Guadalajara, and Morelia, and the reemergence of a national film industry. [Doctoral Dissertation]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/72592

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Vanderbilt University

4. Eiland, Mary Elizabeth. “Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945.

Degree: MA, Latin American Studies, 2012, Vanderbilt University

 This project analyzes the disparate images of women produced during the period of Getúlio Vargas’ Estado Nôvo from 1937-1945, discussing their significance in the state-driven… (more)

Subjects/Keywords: Brazil; film; history

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APA (6th Edition):

Eiland, M. E. (2012). “Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/11413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eiland, Mary Elizabeth. ““Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945.” 2012. Thesis, Vanderbilt University. Accessed December 01, 2020. http://hdl.handle.net/1803/11413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eiland, Mary Elizabeth. ““Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945.” 2012. Web. 01 Dec 2020.

Vancouver:

Eiland ME. “Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945. [Internet] [Thesis]. Vanderbilt University; 2012. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1803/11413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eiland ME. “Look at me and tell me if I don't have Brazil in every curve of my body:” women, propaganda, and nation during the Estado Nôvo, 1937-1945. [Thesis]. Vanderbilt University; 2012. Available from: http://hdl.handle.net/1803/11413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

5. Ni, Fan. Ri Koran/Li Xianglan Visual Reality and Historical Truth.

Degree: 2019, Victoria University of Wellington

 Li Xianglan, or Ri Koran in Japanese, was a screen sensation and popular culture icon during the Second Sino-Japanese War. Her story of success, however,… (more)

Subjects/Keywords: History; Propaganda; Film

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APA (6th Edition):

Ni, F. (2019). Ri Koran/Li Xianglan Visual Reality and Historical Truth. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8043

Chicago Manual of Style (16th Edition):

Ni, Fan. “Ri Koran/Li Xianglan Visual Reality and Historical Truth.” 2019. Masters Thesis, Victoria University of Wellington. Accessed December 01, 2020. http://hdl.handle.net/10063/8043.

MLA Handbook (7th Edition):

Ni, Fan. “Ri Koran/Li Xianglan Visual Reality and Historical Truth.” 2019. Web. 01 Dec 2020.

Vancouver:

Ni F. Ri Koran/Li Xianglan Visual Reality and Historical Truth. [Internet] [Masters thesis]. Victoria University of Wellington; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10063/8043.

Council of Science Editors:

Ni F. Ri Koran/Li Xianglan Visual Reality and Historical Truth. [Masters Thesis]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8043


University of Texas – Austin

6. Gleich, Joshua. Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975.

Degree: PhD, Radio-Television-Film, 2014, University of Texas – Austin

 This dissertation traces the impact of Hollywood’s widening practice of location shooting on the representation of San Francisco between 1945 and 1975. Over these three… (more)

Subjects/Keywords: Film history; Television history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gleich, J. (2014). Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68728

Chicago Manual of Style (16th Edition):

Gleich, Joshua. “Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed December 01, 2020. http://hdl.handle.net/2152/68728.

MLA Handbook (7th Edition):

Gleich, Joshua. “Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975.” 2014. Web. 01 Dec 2020.

Vancouver:

Gleich J. Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2152/68728.

Council of Science Editors:

Gleich J. Hollywood location shooting in San Francisco and the aesthetics of urban decline, 1945-1975. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/68728


University of Kansas

7. Swanson, Carl Joseph. Classified by Genre: Rhetorical Genrefication in Cinema.

Degree: PhD, Film & Media Studies, 2019, University of Kansas

 This dissertation argues for a rethinking and expansion of film genre theory. As the variety of media exhibition platforms expands and as discourse about films… (more)

Subjects/Keywords: Film studies; Film Criticism; Film History; Film Theory; Genre; Rhetoric

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APA (6th Edition):

Swanson, C. J. (2019). Classified by Genre: Rhetorical Genrefication in Cinema. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29902

Chicago Manual of Style (16th Edition):

Swanson, Carl Joseph. “Classified by Genre: Rhetorical Genrefication in Cinema.” 2019. Doctoral Dissertation, University of Kansas. Accessed December 01, 2020. http://hdl.handle.net/1808/29902.

MLA Handbook (7th Edition):

Swanson, Carl Joseph. “Classified by Genre: Rhetorical Genrefication in Cinema.” 2019. Web. 01 Dec 2020.

Vancouver:

Swanson CJ. Classified by Genre: Rhetorical Genrefication in Cinema. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1808/29902.

Council of Science Editors:

Swanson CJ. Classified by Genre: Rhetorical Genrefication in Cinema. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29902


University of California, Riverside

8. Wolf, Melissa Ann. From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios.

Degree: 2016, University of California, Riverside

  This thesis claims that between 1928 and 1934, technological developments, along with cultural shifts in the acceptance of machines in American society, led the… (more)

Subjects/Keywords: Art history; Film studies

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APA (6th Edition):

Wolf, M. A. (2016). From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios. (Thesis). University of California, Riverside. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10010562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wolf, Melissa Ann. “From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios.” 2016. Thesis, University of California, Riverside. Accessed December 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=10010562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wolf, Melissa Ann. “From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios.” 2016. Web. 01 Dec 2020.

Vancouver:

Wolf MA. From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios. [Internet] [Thesis]. University of California, Riverside; 2016. [cited 2020 Dec 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10010562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wolf MA. From Steamboats to Snow White| How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios. [Thesis]. University of California, Riverside; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10010562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

9. Urwand, Benjamin Alexander. Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany.

Degree: History, 2011, University of California – Berkeley

 From 1933 to 1940, the Hollywood studios came to an arrangement with the Nazis that both parties understood at the time as "collaboration [Zusammenarbeit]." The… (more)

Subjects/Keywords: History; Film studies; American studies

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APA (6th Edition):

Urwand, B. A. (2011). Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/97m7w0gs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Urwand, Benjamin Alexander. “Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany.” 2011. Thesis, University of California – Berkeley. Accessed December 01, 2020. http://www.escholarship.org/uc/item/97m7w0gs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Urwand, Benjamin Alexander. “Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany.” 2011. Web. 01 Dec 2020.

Vancouver:

Urwand BA. Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/97m7w0gs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Urwand BA. Hitler and Hollywood: The Collaboration of American Movie Studios with Nazi Germany. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/97m7w0gs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

10. Alford, Robert Garner. "To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical.

Degree: Interdisciplinary Studies, 2016, University of California – Berkeley

 This dissertation historicizes and theorizes how musical cultures shaped queer identity in the US in the 20th Century. By examining a broad range of neglected… (more)

Subjects/Keywords: Film studies; History; Gender studies

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APA (6th Edition):

Alford, R. G. (2016). "To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8vk2071b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alford, Robert Garner. “"To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical.” 2016. Thesis, University of California – Berkeley. Accessed December 01, 2020. http://www.escholarship.org/uc/item/8vk2071b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alford, Robert Garner. “"To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical.” 2016. Web. 01 Dec 2020.

Vancouver:

Alford RG. "To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/8vk2071b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alford RG. "To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/8vk2071b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

11. Ridlen, Timothy Michael. The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977.

Degree: Art Hist,Theory,Crit w/Con Art Prct, 2018, University of California – San Diego

 This dissertation looks at artists whose work was closely aligned with research and pedagogy in the American university from the late 1950s to the early… (more)

Subjects/Keywords: Art history; Film studies

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APA (6th Edition):

Ridlen, T. M. (2018). The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2fc1w4xm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ridlen, Timothy Michael. “The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977.” 2018. Thesis, University of California – San Diego. Accessed December 01, 2020. http://www.escholarship.org/uc/item/2fc1w4xm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ridlen, Timothy Michael. “The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977.” 2018. Web. 01 Dec 2020.

Vancouver:

Ridlen TM. The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977. [Internet] [Thesis]. University of California – San Diego; 2018. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/2fc1w4xm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ridlen TM. The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977. [Thesis]. University of California – San Diego; 2018. Available from: http://www.escholarship.org/uc/item/2fc1w4xm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


George Mason University

12. Massee, Sara Marie. The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture.

Degree: 2018, George Mason University

  This dissertation seeks to make sense of historicist media in America and the ideological work that they do. It examines a variety of discourses… (more)

Subjects/Keywords: American studies; History; Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Massee, S. M. (2018). The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture. (Thesis). George Mason University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10823611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Massee, Sara Marie. “The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture.” 2018. Thesis, George Mason University. Accessed December 01, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=10823611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Massee, Sara Marie. “The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture.” 2018. Web. 01 Dec 2020.

Vancouver:

Massee SM. The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture. [Internet] [Thesis]. George Mason University; 2018. [cited 2020 Dec 01]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10823611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Massee SM. The American Historical Imaginary| Memory, Wealth, and Privilege in American Mass Culture. [Thesis]. George Mason University; 2018. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10823611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

13. Baer, Nicholas Walter. Absolute Relativity: Weimar Cinema and the Crisis of Historicism.

Degree: Rhetoric, 2015, University of California – Berkeley

 This dissertation intervenes in the extensive literature within Cinema and Media Studies on the relationship between film and history. Challenging apparatus theory of the 1970s,… (more)

Subjects/Keywords: Film studies; Philosophy; History

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APA (6th Edition):

Baer, N. W. (2015). Absolute Relativity: Weimar Cinema and the Crisis of Historicism. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8w72p2qc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baer, Nicholas Walter. “Absolute Relativity: Weimar Cinema and the Crisis of Historicism.” 2015. Thesis, University of California – Berkeley. Accessed December 01, 2020. http://www.escholarship.org/uc/item/8w72p2qc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baer, Nicholas Walter. “Absolute Relativity: Weimar Cinema and the Crisis of Historicism.” 2015. Web. 01 Dec 2020.

Vancouver:

Baer NW. Absolute Relativity: Weimar Cinema and the Crisis of Historicism. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/8w72p2qc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baer NW. Absolute Relativity: Weimar Cinema and the Crisis of Historicism. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/8w72p2qc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

14. Akça, Deniz. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

15. Perry, Colin. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.

Degree: PhD, 2016, University of the Arts London

 This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry, C. (2016). Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

Chicago Manual of Style (16th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

MLA Handbook (7th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Web. 01 Dec 2020.

Vancouver:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

Council of Science Editors:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002


University of the Arts London

16. Akça, Deniz. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: PhD, 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

Council of Science Editors:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Doctoral Dissertation]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000


University of the Arts London

17. Perry, Colin. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.

Degree: 2016, University of the Arts London

 This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

Subjects/Keywords: History of Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry, C. (2016). Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Web. 01 Dec 2020.

Vancouver:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Thesis]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

18. Watschke, Erik Allen. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.

Degree: Visual Studies, 2014, University of California – Irvine

 ABSTRACT OF THE DISSERTATIONAllegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006ByErik WatschkeDoctor of Philosophy in Visual StudiesUniversity of California, Irvine, 2014Professor Catherine… (more)

Subjects/Keywords: Film studies; Film History; Film Studies; Industry Studies; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Watschke, E. A. (2014). Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/6xr6r3nd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watschke, Erik Allen. “Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.” 2014. Thesis, University of California – Irvine. Accessed December 01, 2020. http://www.escholarship.org/uc/item/6xr6r3nd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watschke, Erik Allen. “Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006.” 2014. Web. 01 Dec 2020.

Vancouver:

Watschke EA. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. [Internet] [Thesis]. University of California – Irvine; 2014. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/6xr6r3nd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watschke EA. Allegories of Industry and the Limits of Reflexivity in Hollywood, 1992-2006. [Thesis]. University of California – Irvine; 2014. Available from: http://www.escholarship.org/uc/item/6xr6r3nd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

19. Jacob, Clarissa K. Women & film (1972-75) : a history of the first feminist film magazine.

Degree: PhD, 2018, Royal Holloway, University of London

 This thesis provides a cultural and critical history of Women & Film, the first ever feminist film magazine, published in California between 1972 and 1975.… (more)

Subjects/Keywords: Feminist Film Criticism; women & film; feminist film history; camera obscura; feminist film; Women's writing; California

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jacob, C. K. (2018). Women & film (1972-75) : a history of the first feminist film magazine. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814

Chicago Manual of Style (16th Edition):

Jacob, Clarissa K. “Women & film (1972-75) : a history of the first feminist film magazine.” 2018. Doctoral Dissertation, Royal Holloway, University of London. Accessed December 01, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814.

MLA Handbook (7th Edition):

Jacob, Clarissa K. “Women & film (1972-75) : a history of the first feminist film magazine.” 2018. Web. 01 Dec 2020.

Vancouver:

Jacob CK. Women & film (1972-75) : a history of the first feminist film magazine. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2018. [cited 2020 Dec 01]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814.

Council of Science Editors:

Jacob CK. Women & film (1972-75) : a history of the first feminist film magazine. [Doctoral Dissertation]. Royal Holloway, University of London; 2018. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/women – film-197275(5dd25717-2646-4ad1-9643-819b4d1cbaca).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792814


University of the Arts London

20. Holdsworth, Claire. History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s.

Degree: 2015, University of the Arts London

 This thesis examines experimental film and video in 1980s Britain through a critical reassessment, mapping histories of these practices in relation to critical writing of… (more)

Subjects/Keywords: Film studies; British History; History of Cinematics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holdsworth, C. (2015). History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/10771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holdsworth, Claire. “History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/10771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holdsworth, Claire. “History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s.” 2015. Web. 01 Dec 2020.

Vancouver:

Holdsworth C. History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holdsworth C. History has Tongues: re-evaluating historiography of the moving image through analysis of the voice and critical writing in British artists’ film and video of the 1980s. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

21. Fielke, Giles Simon. Rational fictions: Hollis Frampton's Magellan and the atlas of film.

Degree: 2019, University of Melbourne

 This thesis analyses three films by Hollis Frampton (1936-1984): Magellan (1964–1984), Palindrome, (1969), and Zorns Lemma (1970). I argue that Frampton sought to organise knowledge… (more)

Subjects/Keywords: Hollis Frampton; atlas; film; modernism; photography; art history; structural film; history; experimental film; New York

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fielke, G. S. (2019). Rational fictions: Hollis Frampton's Magellan and the atlas of film. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/227678

Chicago Manual of Style (16th Edition):

Fielke, Giles Simon. “Rational fictions: Hollis Frampton's Magellan and the atlas of film.” 2019. Doctoral Dissertation, University of Melbourne. Accessed December 01, 2020. http://hdl.handle.net/11343/227678.

MLA Handbook (7th Edition):

Fielke, Giles Simon. “Rational fictions: Hollis Frampton's Magellan and the atlas of film.” 2019. Web. 01 Dec 2020.

Vancouver:

Fielke GS. Rational fictions: Hollis Frampton's Magellan and the atlas of film. [Internet] [Doctoral dissertation]. University of Melbourne; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/11343/227678.

Council of Science Editors:

Fielke GS. Rational fictions: Hollis Frampton's Magellan and the atlas of film. [Doctoral Dissertation]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/227678


University of Illinois – Urbana-Champaign

22. Jaher, Diana. "Painting with faces": The casting director in American theatre, cinema, and television.

Degree: PhD, 0162, 2014, University of Illinois – Urbana-Champaign

 In Casting By (2012), HBO’s documentary on the casting director, Martin Scorsese praises his close working relationship with his casting director. “More than 90% of… (more)

Subjects/Keywords: theatre history; film history; television history; industry; casting; women in theatre; women in film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jaher, D. (2014). "Painting with faces": The casting director in American theatre, cinema, and television. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49780

Chicago Manual of Style (16th Edition):

Jaher, Diana. “"Painting with faces": The casting director in American theatre, cinema, and television.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed December 01, 2020. http://hdl.handle.net/2142/49780.

MLA Handbook (7th Edition):

Jaher, Diana. “"Painting with faces": The casting director in American theatre, cinema, and television.” 2014. Web. 01 Dec 2020.

Vancouver:

Jaher D. "Painting with faces": The casting director in American theatre, cinema, and television. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2142/49780.

Council of Science Editors:

Jaher D. "Painting with faces": The casting director in American theatre, cinema, and television. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49780


University of California – Berkeley

23. Allred, Mason Kamana. Moving History: The Cinematic Regime of Historicity in Weimar Germany.

Degree: German, 2015, University of California – Berkeley

 This study shows how historical film confronted popular memory and the dominant sense of history, to deconstruct and supplant these modes, resulting in a media… (more)

Subjects/Keywords: Film studies; History; German literature; Embodiment; Historical Film; Historicity; Historiography; Media Studies; Silent Film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Allred, M. K. (2015). Moving History: The Cinematic Regime of Historicity in Weimar Germany. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/50h0z01v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allred, Mason Kamana. “Moving History: The Cinematic Regime of Historicity in Weimar Germany.” 2015. Thesis, University of California – Berkeley. Accessed December 01, 2020. http://www.escholarship.org/uc/item/50h0z01v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allred, Mason Kamana. “Moving History: The Cinematic Regime of Historicity in Weimar Germany.” 2015. Web. 01 Dec 2020.

Vancouver:

Allred MK. Moving History: The Cinematic Regime of Historicity in Weimar Germany. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/50h0z01v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allred MK. Moving History: The Cinematic Regime of Historicity in Weimar Germany. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/50h0z01v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

24. Roskelley, Amanda Rebekah. The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film.

Degree: MA, 2016, Brigham Young University

 This thesis is an observation and analysis of male performance in romantic comedy films released between 2005 and 2015. As a lasting genre, rom-com, like… (more)

Subjects/Keywords: film; romance; romcom; gender; masculinity; film history; film genre; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roskelley, A. R. (2016). The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7073&context=etd

Chicago Manual of Style (16th Edition):

Roskelley, Amanda Rebekah. “The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film.” 2016. Masters Thesis, Brigham Young University. Accessed December 01, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7073&context=etd.

MLA Handbook (7th Edition):

Roskelley, Amanda Rebekah. “The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film.” 2016. Web. 01 Dec 2020.

Vancouver:

Roskelley AR. The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film. [Internet] [Masters thesis]. Brigham Young University; 2016. [cited 2020 Dec 01]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7073&context=etd.

Council of Science Editors:

Roskelley AR. The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film. [Masters Thesis]. Brigham Young University; 2016. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=7073&context=etd


Boston University

25. Kriegel-Nicholas, Isadora. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.

Degree: PhD, French Language & Literatures, 2016, Boston University

 This dissertation documents and analyzes the reception of Japanese films in the French film journals of the 1950s, when postwar Paris was awash with cinephilia.… (more)

Subjects/Keywords: Film studies; Cahiers du cinéma; Cinephilia; Film criticism; Film festivals; History; New wave

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kriegel-Nicholas, I. (2016). The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/17742

Chicago Manual of Style (16th Edition):

Kriegel-Nicholas, Isadora. “The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.” 2016. Doctoral Dissertation, Boston University. Accessed December 01, 2020. http://hdl.handle.net/2144/17742.

MLA Handbook (7th Edition):

Kriegel-Nicholas, Isadora. “The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961.” 2016. Web. 01 Dec 2020.

Vancouver:

Kriegel-Nicholas I. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. [Internet] [Doctoral dissertation]. Boston University; 2016. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/2144/17742.

Council of Science Editors:

Kriegel-Nicholas I. The historical reception of Japanese cinema at Cahiers du cinéma: 1951-1961. [Doctoral Dissertation]. Boston University; 2016. Available from: http://hdl.handle.net/2144/17742


University of Iowa

26. Slowik, Michael James. Hollywood film music in the early sound era, 1926-1934.

Degree: PhD, Film Studies, 2012, University of Iowa

  This dissertation traces the history of the early Hollywood sound score for feature films between the years 1926 and 1934. In the growing literature… (more)

Subjects/Keywords: early sound era; film history; film music; Max Steiner; score; Film and Media Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Slowik, M. J. (2012). Hollywood film music in the early sound era, 1926-1934. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/3191

Chicago Manual of Style (16th Edition):

Slowik, Michael James. “Hollywood film music in the early sound era, 1926-1934.” 2012. Doctoral Dissertation, University of Iowa. Accessed December 01, 2020. https://ir.uiowa.edu/etd/3191.

MLA Handbook (7th Edition):

Slowik, Michael James. “Hollywood film music in the early sound era, 1926-1934.” 2012. Web. 01 Dec 2020.

Vancouver:

Slowik MJ. Hollywood film music in the early sound era, 1926-1934. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2020 Dec 01]. Available from: https://ir.uiowa.edu/etd/3191.

Council of Science Editors:

Slowik MJ. Hollywood film music in the early sound era, 1926-1934. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/3191


UCLA

27. Porst, Jennifer Anne. Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955.

Degree: Film & TV (MA or PHD), 2014, UCLA

 This project is located at the intersection of television and film studies and examines the causes and effects of disruption and convergence in the media… (more)

Subjects/Keywords: Film studies; Multimedia; History; Antitrust; Convergence; Disruption; Film; Media Industries; Television

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Porst, J. A. (2014). Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/14h0461n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porst, Jennifer Anne. “Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955.” 2014. Thesis, UCLA. Accessed December 01, 2020. http://www.escholarship.org/uc/item/14h0461n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porst, Jennifer Anne. “Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955.” 2014. Web. 01 Dec 2020.

Vancouver:

Porst JA. Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955. [Internet] [Thesis]. UCLA; 2014. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/14h0461n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porst JA. Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/14h0461n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

28. Haacke, Paul. The Vertical Turn: Topographies of Metropolitan Modernism.

Degree: Comparative Literature, 2011, University of California – Berkeley

 This dissertation argues that the dominant vertical orientation of metropolitan modernist culture was put into question above all in response to World War II and… (more)

Subjects/Keywords: Comparative literature; Film studies; Film; History; Literature; Modernism; Space; Time

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haacke, P. (2011). The Vertical Turn: Topographies of Metropolitan Modernism. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/1857736f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haacke, Paul. “The Vertical Turn: Topographies of Metropolitan Modernism.” 2011. Thesis, University of California – Berkeley. Accessed December 01, 2020. http://www.escholarship.org/uc/item/1857736f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haacke, Paul. “The Vertical Turn: Topographies of Metropolitan Modernism.” 2011. Web. 01 Dec 2020.

Vancouver:

Haacke P. The Vertical Turn: Topographies of Metropolitan Modernism. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/1857736f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haacke P. The Vertical Turn: Topographies of Metropolitan Modernism. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/1857736f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

29. Alston, Thomas. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.

Degree: 2015, Ryerson University

 Single reel abridgements of commercial feature films are entering moving image archives because home movie collections that contain them are slowly increasing in archival representation.… (more)

Subjects/Keywords: Film excerpts  – History and criticism.; Film excerpts.; Amateur films  – Social aspects.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alston, T. (2015). “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Thesis, Ryerson University. Accessed December 01, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alston, Thomas. ““Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements.” 2015. Web. 01 Dec 2020.

Vancouver:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Internet] [Thesis]. Ryerson University; 2015. [cited 2020 Dec 01]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alston T. “Shall we put the heart in now?” A comparative analysis between creature features and their single reel abridgements. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

30. Weaver, Tiffany Ileen. Spent Bullets: World War I Veterans in Pre-Code Film.

Degree: 2018, Penn State University

 Films depicting World War I and its aftermath began production almost as soon as the war began, although it would be roughly a decade before… (more)

Subjects/Keywords: World War I; Pre-Code film; american studies; film history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weaver, T. I. (2018). Spent Bullets: World War I Veterans in Pre-Code Film. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/15864tiw111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weaver, Tiffany Ileen. “Spent Bullets: World War I Veterans in Pre-Code Film.” 2018. Thesis, Penn State University. Accessed December 01, 2020. https://submit-etda.libraries.psu.edu/catalog/15864tiw111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weaver, Tiffany Ileen. “Spent Bullets: World War I Veterans in Pre-Code Film.” 2018. Web. 01 Dec 2020.

Vancouver:

Weaver TI. Spent Bullets: World War I Veterans in Pre-Code Film. [Internet] [Thesis]. Penn State University; 2018. [cited 2020 Dec 01]. Available from: https://submit-etda.libraries.psu.edu/catalog/15864tiw111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weaver TI. Spent Bullets: World War I Veterans in Pre-Code Film. [Thesis]. Penn State University; 2018. Available from: https://submit-etda.libraries.psu.edu/catalog/15864tiw111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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