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You searched for subject:(Film And Architecture). Showing records 1 – 30 of 31 total matches.

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University of Pennsylvania

1. Cortez, Cesar Ignacio Ruiz. Night On Earth: The Nocturnal Sensorium In World Cinema.

Degree: 2018, University of Pennsylvania

 “Night on Earth: The Nocturnal Sensorium in World Cinema” draws on cinema and media studies, psychoanalysis, affect theory, and new materialism to interrogate the relation… (more)

Subjects/Keywords: Cinema; Film; Media; Night; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cortez, C. I. R. (2018). Night On Earth: The Nocturnal Sensorium In World Cinema. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortez, Cesar Ignacio Ruiz. “Night On Earth: The Nocturnal Sensorium In World Cinema.” 2018. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/2961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortez, Cesar Ignacio Ruiz. “Night On Earth: The Nocturnal Sensorium In World Cinema.” 2018. Web. 22 Jan 2020.

Vancouver:

Cortez CIR. Night On Earth: The Nocturnal Sensorium In World Cinema. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/2961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortez CIR. Night On Earth: The Nocturnal Sensorium In World Cinema. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

2. Hayat, Sara. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.

Degree: MArch, Motion Pictures (Communication), 2010, University of Miami

  Critics have extensively explored filmmaker Douglas Sirk's personal involvement in numerous aspects of his cinema, especially in his mise-en-scene. Sirk's architectural vision however, is… (more)

Subjects/Keywords: Film And Architecture; Douglas Sirk; American Small Towns And Suburbia In Film; Narrative Space In Film

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APA (6th Edition):

Hayat, S. (2010). Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hayat, Sara. “Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.” 2010. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_theses/394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hayat, Sara. “Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.” 2010. Web. 22 Jan 2020.

Vancouver:

Hayat S. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. [Internet] [Thesis]. University of Miami; 2010. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_theses/394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hayat S. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

3. Ickes, Charlotte. Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen.

Degree: 2016, University of Pennsylvania

 My dissertation theorizes immersion as a Black radical aesthetic. More specifically, it traces how transatlantic filmmaker Melvin Van Peebles and a subsequent generation of transatlantic… (more)

Subjects/Keywords: Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Ickes, C. (2016). Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/1774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ickes, Charlotte. “Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen.” 2016. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/1774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ickes, Charlotte. “Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen.” 2016. Web. 22 Jan 2020.

Vancouver:

Ickes C. Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen. [Internet] [Thesis]. University of Pennsylvania; 2016. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/1774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ickes C. Radical Immersion in the Work of Melvin Van Peebles, Isaac Julien, and Steve Mcqueen. [Thesis]. University of Pennsylvania; 2016. Available from: https://repository.upenn.edu/edissertations/1774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

4. Nguyen, Thao Thanh. Elevating Communication.

Degree: 2010, University of South Florida

 The products of vehicular transportation have led the modern traveler into a crisis of place. The modern journey that is held within ceaseless flux, confine… (more)

Subjects/Keywords: architecture; art; cinema; film; photography; American Studies; Arts and Humanities

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APA (6th Edition):

Nguyen, T. T. (2010). Elevating Communication. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/1722

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nguyen, Thao Thanh. “Elevating Communication.” 2010. Thesis, University of South Florida. Accessed January 22, 2020. https://scholarcommons.usf.edu/etd/1722.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nguyen, Thao Thanh. “Elevating Communication.” 2010. Web. 22 Jan 2020.

Vancouver:

Nguyen TT. Elevating Communication. [Internet] [Thesis]. University of South Florida; 2010. [cited 2020 Jan 22]. Available from: https://scholarcommons.usf.edu/etd/1722.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nguyen TT. Elevating Communication. [Thesis]. University of South Florida; 2010. Available from: https://scholarcommons.usf.edu/etd/1722

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

5. Kauffman, Alexander Benjamin. "Faire Un Cinéma": Marcel Duchamp And The Moving Image.

Degree: 2017, University of Pennsylvania

 Marcel Duchamp was among the first artists in the transatlantic avant-garde to acquire his own movie camera in 1920. Yet he would produce only a… (more)

Subjects/Keywords: Avant-Garde; Cinema; Film; Marcel Duchamp; Modern Art; Moving Image; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Kauffman, A. B. (2017). "Faire Un Cinéma": Marcel Duchamp And The Moving Image. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kauffman, Alexander Benjamin. “"Faire Un Cinéma": Marcel Duchamp And The Moving Image.” 2017. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/2380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kauffman, Alexander Benjamin. “"Faire Un Cinéma": Marcel Duchamp And The Moving Image.” 2017. Web. 22 Jan 2020.

Vancouver:

Kauffman AB. "Faire Un Cinéma": Marcel Duchamp And The Moving Image. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/2380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kauffman AB. "Faire Un Cinéma": Marcel Duchamp And The Moving Image. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

6. Gozalo, Ignasi. Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015).

Degree: 2017, University of Pennsylvania

 This dissertation, “National Fantasies: Dispositifs in the Audiovisual Storytelling of Post-dictatorship Spain (1975-2015)”, focuses on the relationship between ideological discourse and audiovisual narratives about the… (more)

Subjects/Keywords: Audiovisual narrative; Contemporary Spain; Discourse; Dispositif; Film; Hegemony; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Gozalo, I. (2017). Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015). (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gozalo, Ignasi. “Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015).” 2017. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/2841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gozalo, Ignasi. “Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015).” 2017. Web. 22 Jan 2020.

Vancouver:

Gozalo I. Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015). [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/2841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gozalo I. Fantasías Nacionales: Dispositivos Del Relato Audiovisual En La España Contemporánea (1975-2015). [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

7. Jones, Nikkole R. La Gioconda.

Degree: M.F.A., Film and Theatre, 2014, University of New Orleans

  Set in 16th century Florence, Italy, "La Gioconda" takes you on the journey of Lisa del Gioconda, the woman behind one of the most… (more)

Subjects/Keywords: Italian Renaissance; Mona Lisa; 16th Century; Leonardo da Vinci; Arts and Humanities; Film and Media Studies; History of Art, Architecture, and Archaeology; Italian Literature; Other Film and Media Studies

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APA (6th Edition):

Jones, N. R. (2014). La Gioconda. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/1861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Nikkole R. “La Gioconda.” 2014. Thesis, University of New Orleans. Accessed January 22, 2020. https://scholarworks.uno.edu/td/1861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Nikkole R. “La Gioconda.” 2014. Web. 22 Jan 2020.

Vancouver:

Jones NR. La Gioconda. [Internet] [Thesis]. University of New Orleans; 2014. [cited 2020 Jan 22]. Available from: https://scholarworks.uno.edu/td/1861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones NR. La Gioconda. [Thesis]. University of New Orleans; 2014. Available from: https://scholarworks.uno.edu/td/1861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

8. Russell, Jayme C. Real Nightmares.

Degree: MA, English (Arts and Sciences), 2011, Ohio University

 This is a group of poems, prefaced by an attempt to explain Dario Argento's influence on me as a poet and how our approaches to… (more)

Subjects/Keywords: Families and Family Life; Film Studies; Landscape Architecture; Literature; Psychology; poetry; film; nightmares; dreams; Dario Argento; family roles; projections and reflections; Carl Jung

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APA (6th Edition):

Russell, J. C. (2011). Real Nightmares. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277

Chicago Manual of Style (16th Edition):

Russell, Jayme C. “Real Nightmares.” 2011. Masters Thesis, Ohio University. Accessed January 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277.

MLA Handbook (7th Edition):

Russell, Jayme C. “Real Nightmares.” 2011. Web. 22 Jan 2020.

Vancouver:

Russell JC. Real Nightmares. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2020 Jan 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277.

Council of Science Editors:

Russell JC. Real Nightmares. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307128277


University of Pennsylvania

9. Schmenner, William Driscoll. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.

Degree: 2017, University of Pennsylvania

 How to Hit the Ground: Motion and Measurement in Moving Pictures before The Great Crash Will Schmenner Karen Redrobe, Advisor On December 21, 1914, the… (more)

Subjects/Keywords: Cinematic Motion; Keaton; Slapstick; Visual Habits; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Schmenner, W. D. (2017). How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmenner, William Driscoll. “How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.” 2017. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/2571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmenner, William Driscoll. “How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash.” 2017. Web. 22 Jan 2020.

Vancouver:

Schmenner WD. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/2571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmenner WD. How To Hit The Ground: Motion And Measurement In Moving Pictures Before The Great Crash. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

10. Melnikova, Daria. Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan.

Degree: 2018, University of Pennsylvania

 This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situated in the transnational and comparative context of the 1960s… (more)

Subjects/Keywords: film; happenings; Japan; performance; photography; public art; Asian Studies; History of Art, Architecture, and Archaeology; Theatre and Performance Studies

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APA (6th Edition):

Melnikova, D. (2018). Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Melnikova, Daria. “Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan.” 2018. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/2902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Melnikova, Daria. “Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan.” 2018. Web. 22 Jan 2020.

Vancouver:

Melnikova D. Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan. [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/2902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Melnikova D. Body, Camera, Action: Understanding The Metamorphosis Of Performance Art In Japan. [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

11. Proverbs, Wendy Marjorie. Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria.

Degree: Dept. of Anthropology, 2011, University of Victoria

 In 1997 the University of Victoria began to develop a vision for a First Peoples House with the objective of constructing a welcoming Coast Salish… (more)

Subjects/Keywords: first peoples house; Coast Salish peoples and territory; Coast Salish artists; Kwakwaka'wakw; architecture; Coast Salish architecture; residential school architecture; material culture; cultural narrative; colonialism; historical development of first peoples house; space and place; film documentation of first peoples house; indigenous film

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APA (6th Edition):

Proverbs, W. M. (2011). Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/3763

Chicago Manual of Style (16th Edition):

Proverbs, Wendy Marjorie. “Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria.” 2011. Masters Thesis, University of Victoria. Accessed January 22, 2020. http://hdl.handle.net/1828/3763.

MLA Handbook (7th Edition):

Proverbs, Wendy Marjorie. “Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria.” 2011. Web. 22 Jan 2020.

Vancouver:

Proverbs WM. Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria. [Internet] [Masters thesis]. University of Victoria; 2011. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1828/3763.

Council of Science Editors:

Proverbs WM. Designing culture: intersections of Indigenous culture at the First Peoples House, University of Victoria. [Masters Thesis]. University of Victoria; 2011. Available from: http://hdl.handle.net/1828/3763


ETH Zürich

12. Drofiak, Nicholas Stefan. Irúsan or, canting for architects.

Degree: 2016, ETH Zürich

Subjects/Keywords: KRASNOYARSK, CITY AND KRAI (RUSSIA); DOKUMENTARISCHE PHOTOGRAPHIE, PHOTOGRAPHISCHE AUFZEICHNUNGEN (PHOTOGRAPHIE); CRITICISM AND INTERPRETATION OF AN ARCHITECT'S WORK; ERDACHTE STÄDTE + IDEALSTÄDTE (STÄDTEBAU); UTOPISCHE ARCHITEKTUR; ARCHITEKTURTHEORIE + ARCHITEKTURÄSTHETIK; REGIONAL GEOGRAPHY; ARCHITEKTUR (MOTIVE IN KUNST, LITERATUR UND FILM); IMAGINARY TOWNS + IDEAL CITIES (URBAN PLANNING); ARCHITECTURAL THEORY + ARCHITECTURAL AESTHETICS; REGIONALE GEOGRAFIE; KRASNOJARSK, STADT UND KRAI (RUSSLAND); ARCHITEKTURZEICHNUNGEN + ARCHITEKTONISCHE VORARBEITEN; ARCHITECTURAL DRAWINGS + ARCHITECTURAL METHODS; Leonidov, Ivan I.; PINHOLE CAMERAS (PHOTOGRAPHY); LOCHKAMERAS (PHOTOGRAPHIE); WERKKRITIK, WERKINTERPRETATION (ARCHITEKTUR); DOCUMENTARY PHOTOGRAPHY, PHOTOGRAPHIC RECORDS (PHOTOGRAPHY); ARCHITECTURE (MOTIFS IN ARTS, LITERATURE AND FILM); UTOPIAN ARCHITECTURE; info:eu-repo/classification/ddc/720; info:eu-repo/classification/ddc/700; info:eu-repo/classification/ddc/910; Architecture; The arts; Geography & travel

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APA (6th Edition):

Drofiak, N. S. (2016). Irúsan or, canting for architects. (Doctoral Dissertation). ETH Zürich. Retrieved from http://hdl.handle.net/20.500.11850/121779

Chicago Manual of Style (16th Edition):

Drofiak, Nicholas Stefan. “Irúsan or, canting for architects.” 2016. Doctoral Dissertation, ETH Zürich. Accessed January 22, 2020. http://hdl.handle.net/20.500.11850/121779.

MLA Handbook (7th Edition):

Drofiak, Nicholas Stefan. “Irúsan or, canting for architects.” 2016. Web. 22 Jan 2020.

Vancouver:

Drofiak NS. Irúsan or, canting for architects. [Internet] [Doctoral dissertation]. ETH Zürich; 2016. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/20.500.11850/121779.

Council of Science Editors:

Drofiak NS. Irúsan or, canting for architects. [Doctoral Dissertation]. ETH Zürich; 2016. Available from: http://hdl.handle.net/20.500.11850/121779

13. Huvenne, Martine. Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering.

Degree: 2012, Ghent University

 In deze dissertatie wordt de eigenheid van het geluid in de overdracht van een ervaring in film onderzocht vanuit de opvatting dat de waarneming van… (more)

Subjects/Keywords: Arts and Architecture; audiovisuele kunst; H700; film

Page 1

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APA (6th Edition):

Huvenne, M. (2012). Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering. (Thesis). Ghent University. Retrieved from http://hdl.handle.net/1854/LU-3138711

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huvenne, Martine. “Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering.” 2012. Thesis, Ghent University. Accessed January 22, 2020. http://hdl.handle.net/1854/LU-3138711.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huvenne, Martine. “Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering.” 2012. Web. 22 Jan 2020.

Vancouver:

Huvenne M. Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering. [Internet] [Thesis]. Ghent University; 2012. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1854/LU-3138711.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huvenne M. Het geluid als een innerlijke beweging in de overdracht van een ervaring in de film: een fenomenologische benadering. [Thesis]. Ghent University; 2012. Available from: http://hdl.handle.net/1854/LU-3138711

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Johnson, Kyle. Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films.

Degree: PhD, Materials Science and Engineering, 2017, University of Michigan

 The study of dynamic relaxations in polymer chains has been one of the cornerstones of polymer physics research for over half a century. Increased understanding… (more)

Subjects/Keywords: polymer melt dynamics; star-shaped polymer; polymer nanocomposite; polymer film; confinement; macromolecular architecture; Materials Science and Engineering; Engineering

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APA (6th Edition):

Johnson, K. (2017). Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/138512

Chicago Manual of Style (16th Edition):

Johnson, Kyle. “Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films.” 2017. Doctoral Dissertation, University of Michigan. Accessed January 22, 2020. http://hdl.handle.net/2027.42/138512.

MLA Handbook (7th Edition):

Johnson, Kyle. “Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films.” 2017. Web. 22 Jan 2020.

Vancouver:

Johnson K. Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/2027.42/138512.

Council of Science Editors:

Johnson K. Melt Dynamics in Complex Polymer Systems: Star-shaped Polymers and Polymer Nanocomposite Films. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/138512


ETH Zürich

15. Jost, Kilian. Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen.

Degree: 2015, ETH Zürich

Subjects/Keywords: ENGLISCHE GÄRTEN + LANDSCHAFTSGÄRTEN (LANDSCHAFTSARCHITEKTUR); BAULICHE ANLAGEN (GARTENARCHITEKTUR); PAVILLONS + GARTENPAVILLONS + LUSTHÄUSER (ARCHITEKTUR); WASSERANLAGEN (GARTENARCHITEKTUR); SCHWEIZER ALPEN; REZEPTION (KUNST, ARCHITEKTUR); BERGE (MOTIVE IN KUNST, LITERATUR UND FILM); WASSER + GEWÄSSER + MEER (MOTIVE IN KUNST, LITERATUR UND FILM); GARTENKUNST + GARTENSCHMUCK (LANDSCHAFTSARCHITEKTUR); GESCHICHTE DER GARTEN- UND LANDSCHAFTSARCHITEKTUR; NEUNZEHNTES JAHRHUNDERT N. CHR.; ENGLISH GARDENS + LANDSCAPE GARDENS (LANDSCAPE ARCHITECTURE); STRUCTURAL FEATURES (GARDEN ARCHITECTURE); PARK PAVILIONS + GARDEN PAVILIONS + FOLLIES (ARCHITECTURE); WATER FEATURES (GARDEN ARCHITECTURE); SWISS ALPS; RECEPTION (ART, ARCHITECTURE); MOUNTAINS (MOTIFS IN ART, LITERATURE AND FILM); WATER + WATERS + SEA (MOTIFS IN ART, LITERATURE AND FILM); GARDEN ORNAMENTS + GARDEN ARTS (LANDSCAPE ARCHITECTURE); HISTORY OF LANDSCAPE DESIGN AND GARDEN ARCHITECTURE; NINETEENTH CENTURY A.D.; info:eu-repo/classification/ddc/710; info:eu-repo/classification/ddc/720; Civic & landscape art; Architecture

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APA (6th Edition):

Jost, K. (2015). Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen. (Doctoral Dissertation). ETH Zürich. Retrieved from http://hdl.handle.net/20.500.11850/155688

Chicago Manual of Style (16th Edition):

Jost, Kilian. “Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen.” 2015. Doctoral Dissertation, ETH Zürich. Accessed January 22, 2020. http://hdl.handle.net/20.500.11850/155688.

MLA Handbook (7th Edition):

Jost, Kilian. “Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen.” 2015. Web. 22 Jan 2020.

Vancouver:

Jost K. Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen. [Internet] [Doctoral dissertation]. ETH Zürich; 2015. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/20.500.11850/155688.

Council of Science Editors:

Jost K. Felsenlandschaften - eine Bauaufgabe des 19. Jahrhunderts: Grotten, Wasserfälle und Felsen in landschaftlichen Gartenanlagen. [Doctoral Dissertation]. ETH Zürich; 2015. Available from: http://hdl.handle.net/20.500.11850/155688


Virginia Commonwealth University

16. Austin, Travis R. Laminated PAINT.

Degree: MFA, Kinetic Imaging, 2018, Virginia Commonwealth University

  Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments… (more)

Subjects/Keywords: Postminimalism; Sound; Materialism; Phenomenology; Sculpture; American Art and Architecture; American Film Studies; Ancient Philosophy; Art and Design; Art Practice; Arts and Humanities; Audio Arts and Acoustics; Composition; Contemporary Art; Esthetics; Film and Media Studies; Fine Arts; History of Art, Architecture, and Archaeology; Interactive Arts; Interdisciplinary Arts and Media; Metaphysics; Modern Art and Architecture; Music; Other Arts and Humanities; Other Film and Media Studies; Other Music; Painting; Philosophy; Poetry; Sculpture; Theory and Criticism; Visual Studies

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APA (6th Edition):

Austin, T. R. (2018). Laminated PAINT. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Austin, Travis R. “Laminated PAINT.” 2018. Thesis, Virginia Commonwealth University. Accessed January 22, 2020. https://scholarscompass.vcu.edu/etd/5462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Austin, Travis R. “Laminated PAINT.” 2018. Web. 22 Jan 2020.

Vancouver:

Austin TR. Laminated PAINT. [Internet] [Thesis]. Virginia Commonwealth University; 2018. [cited 2020 Jan 22]. Available from: https://scholarscompass.vcu.edu/etd/5462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Austin TR. Laminated PAINT. [Thesis]. Virginia Commonwealth University; 2018. Available from: https://scholarscompass.vcu.edu/etd/5462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

17. Reynolds, Alisa. Edward Steichen and Hollywood Glamour.

Degree: 2014, University of Kentucky

 As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the… (more)

Subjects/Keywords: Edward Steichen; Glamour; Celebrity Portraits; Close-Up; Vanity Fair; Cultural History; Fine Arts; Modern Art and Architecture; Other Film and Media Studies; Photography; Visual Studies

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APA (6th Edition):

Reynolds, A. (2014). Edward Steichen and Hollywood Glamour. (Masters Thesis). University of Kentucky. Retrieved from http://uknowledge.uky.edu/art_etds/9

Chicago Manual of Style (16th Edition):

Reynolds, Alisa. “Edward Steichen and Hollywood Glamour.” 2014. Masters Thesis, University of Kentucky. Accessed January 22, 2020. http://uknowledge.uky.edu/art_etds/9.

MLA Handbook (7th Edition):

Reynolds, Alisa. “Edward Steichen and Hollywood Glamour.” 2014. Web. 22 Jan 2020.

Vancouver:

Reynolds A. Edward Steichen and Hollywood Glamour. [Internet] [Masters thesis]. University of Kentucky; 2014. [cited 2020 Jan 22]. Available from: http://uknowledge.uky.edu/art_etds/9.

Council of Science Editors:

Reynolds A. Edward Steichen and Hollywood Glamour. [Masters Thesis]. University of Kentucky; 2014. Available from: http://uknowledge.uky.edu/art_etds/9


University of Colorado

18. Dial-Kay, Nicole Ashley. Community of the North: Postnationality in Contemporary Arctic Video Art.

Degree: MA, Art & Art History, 2013, University of Colorado

  This thesis aims to analyze the use of new media by contemporary Arctic artists as a means of redefining their region against the popularly… (more)

Subjects/Keywords: Arctic; Catarina Ryöppy; Ólöf Nordal; postnationality; Tanya Tagaq; video art; Contemporary Art; Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Dial-Kay, N. A. (2013). Community of the North: Postnationality in Contemporary Arctic Video Art. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/arth_gradetds/14

Chicago Manual of Style (16th Edition):

Dial-Kay, Nicole Ashley. “Community of the North: Postnationality in Contemporary Arctic Video Art.” 2013. Masters Thesis, University of Colorado. Accessed January 22, 2020. https://scholar.colorado.edu/arth_gradetds/14.

MLA Handbook (7th Edition):

Dial-Kay, Nicole Ashley. “Community of the North: Postnationality in Contemporary Arctic Video Art.” 2013. Web. 22 Jan 2020.

Vancouver:

Dial-Kay NA. Community of the North: Postnationality in Contemporary Arctic Video Art. [Internet] [Masters thesis]. University of Colorado; 2013. [cited 2020 Jan 22]. Available from: https://scholar.colorado.edu/arth_gradetds/14.

Council of Science Editors:

Dial-Kay NA. Community of the North: Postnationality in Contemporary Arctic Video Art. [Masters Thesis]. University of Colorado; 2013. Available from: https://scholar.colorado.edu/arth_gradetds/14


College of William and Mary

19. McLees-Frazier, Heather Armstrong. The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film.

Degree: MA, History, 2009, College of William and Mary

Subjects/Keywords: Film and Media Studies; History of Art, Architecture, and Archaeology

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APA (6th Edition):

McLees-Frazier, H. A. (2009). The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film. (Masters Thesis). College of William and Mary. Retrieved from https://scholarworks.wm.edu/etd/1539626594

Chicago Manual of Style (16th Edition):

McLees-Frazier, Heather Armstrong. “The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film.” 2009. Masters Thesis, College of William and Mary. Accessed January 22, 2020. https://scholarworks.wm.edu/etd/1539626594.

MLA Handbook (7th Edition):

McLees-Frazier, Heather Armstrong. “The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film.” 2009. Web. 22 Jan 2020.

Vancouver:

McLees-Frazier HA. The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film. [Internet] [Masters thesis]. College of William and Mary; 2009. [cited 2020 Jan 22]. Available from: https://scholarworks.wm.edu/etd/1539626594.

Council of Science Editors:

McLees-Frazier HA. The Image of a Woman's Authority: Representations of Elizabeth I in Portrait and Film. [Masters Thesis]. College of William and Mary; 2009. Available from: https://scholarworks.wm.edu/etd/1539626594


Washington University in St. Louis

20. Hogan, Adam S. A Composed Space.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2014, Washington University in St. Louis

  My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the… (more)

Subjects/Keywords: Sound; Art; Experimental cinema; physics; composition; technology; digital film; aural architecture; Art and Design; Audio Arts and Acoustics; Composition; Film and Media Studies; Fine Arts; Music Performance; Music Practice; Music Theory

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APA (6th Edition):

Hogan, A. S. (2014). A Composed Space. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hogan, Adam S. “A Composed Space.” 2014. Thesis, Washington University in St. Louis. Accessed January 22, 2020. https://openscholarship.wustl.edu/samfox_art_etds/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hogan, Adam S. “A Composed Space.” 2014. Web. 22 Jan 2020.

Vancouver:

Hogan AS. A Composed Space. [Internet] [Thesis]. Washington University in St. Louis; 2014. [cited 2020 Jan 22]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hogan AS. A Composed Space. [Thesis]. Washington University in St. Louis; 2014. Available from: https://openscholarship.wustl.edu/samfox_art_etds/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Pinar, Ekin. Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79.

Degree: 2015, University of Pennsylvania

 In 1961, filmmakers Bruce Baillie, Chick Strand, Larry Jordan, and film critic Ernest Callenbach founded Canyon Cinema for weekly film screenings of a diverse selection… (more)

Subjects/Keywords: Canyon Cinema; ethnographic film; experimental film; historiography in film; San Francisco; Film and Media Studies; History of Art, Architecture, and Archaeology

…Strand, Larry Jordan, and film critic Ernest Callenbach founded Canyon Cinema for weekly film… …1 Chick Strand and Jane Collings, Out of the Seventies, L.A.’s Women in Film and Video… …2! interrelated film production, their attention to audience reception, and the… …sociocultural atmosphere of the West Coast.4 In 1961, film enthusiasts Chick Strand and Bruce Baillie… …Jordan, and film critic Ernest Callenbach. They named the collective after Canyon, a small town… 

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APA (6th Edition):

Pinar, E. (2015). Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/1118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinar, Ekin. “Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79.” 2015. Thesis, University of Pennsylvania. Accessed January 22, 2020. https://repository.upenn.edu/edissertations/1118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinar, Ekin. “Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79.” 2015. Web. 22 Jan 2020.

Vancouver:

Pinar E. Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79. [Internet] [Thesis]. University of Pennsylvania; 2015. [cited 2020 Jan 22]. Available from: https://repository.upenn.edu/edissertations/1118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinar E. Canyon Collective Artists: Micropolitics in West Coast Experimental Film, 1960-79. [Thesis]. University of Pennsylvania; 2015. Available from: https://repository.upenn.edu/edissertations/1118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Jones, Stephanie. "The Chinese Animation Industry: from the Mao Era to the Digital Age".

Degree: MAPS, Asia Pacific Studies, 2019, University of San Francisco

  Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s… (more)

Subjects/Keywords: Chinese Animation; Cultural Revolution; Social Realism; National Style; Communist Party; Asia; Asian Art and Architecture; Asian History; Asian Studies; Chinese Studies; Communication; Contemporary Art; Cultural History; East Asian Languages and Societies; Ethnic Studies; Film and Media Studies; Film Production; History; International and Area Studies; International and Intercultural Communication; Japanese Studies; Language Interpretation and Translation; Mass Communication; Other Arts and Humanities; Other Film and Media Studies; Other History of Art, Architecture, and Archaeology; Other Political Science; Political Science; Social and Behavioral Sciences; Social Influence and Political Communication; Sociology; Sociology of Culture; Television; Theatre and Performance Studies

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APA (6th Edition):

Jones, S. (2019). "The Chinese Animation Industry: from the Mao Era to the Digital Age". (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/capstone/907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Stephanie. “"The Chinese Animation Industry: from the Mao Era to the Digital Age".” 2019. Thesis, University of San Francisco. Accessed January 22, 2020. https://repository.usfca.edu/capstone/907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Stephanie. “"The Chinese Animation Industry: from the Mao Era to the Digital Age".” 2019. Web. 22 Jan 2020.

Vancouver:

Jones S. "The Chinese Animation Industry: from the Mao Era to the Digital Age". [Internet] [Thesis]. University of San Francisco; 2019. [cited 2020 Jan 22]. Available from: https://repository.usfca.edu/capstone/907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones S. "The Chinese Animation Industry: from the Mao Era to the Digital Age". [Thesis]. University of San Francisco; 2019. Available from: https://repository.usfca.edu/capstone/907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Farouk, Sherief. Towards a filmic look and feel in real time computer graphics.

Degree: MS, Computer Science, 2013, University of Maine

Film footage has a distinct look and feel that audience can instantly recognize, making its replication desirable for computer generated graphics. This thesis presents… (more)

Subjects/Keywords: Real time computer generated graphics; Consumer hardware; Film; Computer and Systems Architecture; Hardware Systems; Other Film and Media Studies

…CHAPTER ONE: INTRODUCTION P roblem S tatement Film footage, due to the photography and… …tell the difference be­ tween film and TV Soap Opera footage after a quick glance, and that… …difference between film and TV footage in one of their sketches, titled “The Royal Society For… …different situation from the one encountered while shooting and processing film footage. This… …time computer generated rendering. The low hanging fruit like film grain and camera movement… 

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APA (6th Edition):

Farouk, S. (2013). Towards a filmic look and feel in real time computer graphics. (Masters Thesis). University of Maine. Retrieved from https://digitalcommons.library.umaine.edu/etd/1898

Chicago Manual of Style (16th Edition):

Farouk, Sherief. “Towards a filmic look and feel in real time computer graphics.” 2013. Masters Thesis, University of Maine. Accessed January 22, 2020. https://digitalcommons.library.umaine.edu/etd/1898.

MLA Handbook (7th Edition):

Farouk, Sherief. “Towards a filmic look and feel in real time computer graphics.” 2013. Web. 22 Jan 2020.

Vancouver:

Farouk S. Towards a filmic look and feel in real time computer graphics. [Internet] [Masters thesis]. University of Maine; 2013. [cited 2020 Jan 22]. Available from: https://digitalcommons.library.umaine.edu/etd/1898.

Council of Science Editors:

Farouk S. Towards a filmic look and feel in real time computer graphics. [Masters Thesis]. University of Maine; 2013. Available from: https://digitalcommons.library.umaine.edu/etd/1898


University of Western Ontario

24. Carter, William M. Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record.

Degree: 2017, University of Western Ontario

 We are of an era in which digital technology now enhances the method and practice of archaeology. In our rush to embrace these technological advances… (more)

Subjects/Keywords: Virtual Archaeology; Archaeology; Iroquoian Archaeology; The London Charter; Meaning-Making; Virtual Reality; Archaeological Anthropology; Digital Humanities; Game Design; Interactive Arts; Interdisciplinary Arts and Media; Museum Studies; Other Anthropology; Other Film and Media Studies; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Carter, W. M. (2017). Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carter, William M. “Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record.” 2017. Thesis, University of Western Ontario. Accessed January 22, 2020. https://ir.lib.uwo.ca/etd/4902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carter, William M. “Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record.” 2017. Web. 22 Jan 2020.

Vancouver:

Carter WM. Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record. [Internet] [Thesis]. University of Western Ontario; 2017. [cited 2020 Jan 22]. Available from: https://ir.lib.uwo.ca/etd/4902.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carter WM. Virtual Archaeology, Virtual Longhouses and "Envisioning the Unseen" Within the Archaeological Record. [Thesis]. University of Western Ontario; 2017. Available from: https://ir.lib.uwo.ca/etd/4902

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

25. White, Kelley. Space: A Discovery of Visual Language.

Degree: MFA, Design, 2011, Virginia Commonwealth University

  Space is a visual communicator. The act of perceiving space is a neurological soiree that projects and negotiates meaning in our constructed world. The… (more)

Subjects/Keywords: Space; Typography; Film; Architecture; Graphic Design; Confessions; Emotion; Perception; Displacement; Personification; Anthropomorphism; Installation; Transfer Marker; Letter Press; Marker Transfer; Stamping; Language; Wonder; Consciousness; Awareness; Art and Design; Arts and Humanities; Graphic Design

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APA (6th Edition):

White, K. (2011). Space: A Discovery of Visual Language. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/2487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Kelley. “Space: A Discovery of Visual Language.” 2011. Thesis, Virginia Commonwealth University. Accessed January 22, 2020. https://scholarscompass.vcu.edu/etd/2487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Kelley. “Space: A Discovery of Visual Language.” 2011. Web. 22 Jan 2020.

Vancouver:

White K. Space: A Discovery of Visual Language. [Internet] [Thesis]. Virginia Commonwealth University; 2011. [cited 2020 Jan 22]. Available from: https://scholarscompass.vcu.edu/etd/2487.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White K. Space: A Discovery of Visual Language. [Thesis]. Virginia Commonwealth University; 2011. Available from: https://scholarscompass.vcu.edu/etd/2487

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Lagacé, Brianna. Animated Art History: A Look into Disney’s Representation of Artwork in Film.

Degree: 2018, University of Western Ontario

 This thesis discusses the representation of artworks in Disney films. It is an innovative study of Disney’s films through an art historical lens. The first… (more)

Subjects/Keywords: Disney; Art History; Representation; Medieval Art History; Aura; Film; Gender; Identity.; History of Art, Architecture, and Archaeology

…Dwarfs also makes use of real statues and architecture. This was the first feature-length film… …the film, the viewer must first identify the characters and plot. Then, they must associate… …the story, and in the short running time of the film, it becomes a new reality. So, by using… …architecture from the “real” world. In turn, the real and the fictional become intertwined with one… …time in artwork is stagnant or frozen, time in film moves and changes. 16 So, in combining… 

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APA (6th Edition):

Lagacé, B. (2018). Animated Art History: A Look into Disney’s Representation of Artwork in Film. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lagacé, Brianna. “Animated Art History: A Look into Disney’s Representation of Artwork in Film.” 2018. Thesis, University of Western Ontario. Accessed January 22, 2020. https://ir.lib.uwo.ca/etd/5989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lagacé, Brianna. “Animated Art History: A Look into Disney’s Representation of Artwork in Film.” 2018. Web. 22 Jan 2020.

Vancouver:

Lagacé B. Animated Art History: A Look into Disney’s Representation of Artwork in Film. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2020 Jan 22]. Available from: https://ir.lib.uwo.ca/etd/5989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lagacé B. Animated Art History: A Look into Disney’s Representation of Artwork in Film. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Randall, William Sanford. How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts.

Degree: MFA, Art, 2016, The Ohio State University

 Methane Ghosts, a twelve-minute looping video installed in an art gallery, presents imagery of a landfill for aesthetic consideration. However, this periurban landscape was built… (more)

Subjects/Keywords: Fine Arts; Film Studies; Landscape Architecture; Agriculture; Philosophy; gardens, contemporary art, filmmaking, cinema, the body, landfill, waste, urban, rural, urbanism, landscape film, sensory ethnography, documentary, landscape architecture, art and technology, empiricism

…much to Dripps, R. D. The First House: Myth, Paradigm, and the Task of Architecture… …architecture at the country homes and palaces of the landed gentry. Matteo Vercelloni and Virgilio… …Landscape Architecture, Gardening, and Change. PhD thesis. Queensland, Australia: University of… …landscape architecture at Ohio State University, and studies in agricultural policy led by Dr… …mountain is lovely. So I went there to film it. Pappas, Nikolas. “Socrates, Cynics and Flat… 

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APA (6th Edition):

Randall, W. S. (2016). How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1460722538

Chicago Manual of Style (16th Edition):

Randall, William Sanford. “How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts.” 2016. Masters Thesis, The Ohio State University. Accessed January 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460722538.

MLA Handbook (7th Edition):

Randall, William Sanford. “How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts.” 2016. Web. 22 Jan 2020.

Vancouver:

Randall WS. How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts. [Internet] [Masters thesis]. The Ohio State University; 2016. [cited 2020 Jan 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1460722538.

Council of Science Editors:

Randall WS. How Methane Made the Mountain: The Material Ghost and the Technological Sublime in Methane Ghosts. [Masters Thesis]. The Ohio State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1460722538

28. Lin, Jenny Grace. Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth.

Degree: Art History, 2012, UCLA

 Shanghai (translated as Above Sea) has long been characterized as Mainland China's most East meets West, and modern metropolis. Throughout the twentieth and twenty-first centuries,… (more)

Subjects/Keywords: Art history; Asian studies; Cultural anthropology; Chinese Art; Chinese Visual Studies; Modern and Contemporary Architecture; Modern and Contemporary Art; Modern and Contemporary Film; Shanghai Visual Studies

…1 Chapter One: Modern Fashion and Print Media, Art, and Film in Shanghai during the 1920s… …30s …13 Chapter Two: New Fashion and Print Media, Art, and Film in Shanghai during the… …1960s-70s 65 Chapter Three: Contemporary Fashion and Print Media, Art, and Film in… …Will (Bixu), 1996. (Film still.) (Image courtesy the artist and… …Film still.) (Image courtesy the artist and ShanghART Gallery.) 198 Figure… 

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APA (6th Edition):

Lin, J. G. (2012). Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/02m1v8m1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Jenny Grace. “Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth.” 2012. Thesis, UCLA. Accessed January 22, 2020. http://www.escholarship.org/uc/item/02m1v8m1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Jenny Grace. “Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth.” 2012. Web. 22 Jan 2020.

Vancouver:

Lin JG. Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth. [Internet] [Thesis]. UCLA; 2012. [cited 2020 Jan 22]. Available from: http://www.escholarship.org/uc/item/02m1v8m1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin JG. Above Sea: Modern and Contemporary Art from the Ruins of Shanghai's New Heaven on Earth. [Thesis]. UCLA; 2012. Available from: http://www.escholarship.org/uc/item/02m1v8m1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Ghazi Asadollahi, Sara. Concrete Poetry.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2019, Washington University in St. Louis

  This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights… (more)

Subjects/Keywords: Brutalism; Stalker; Since-Fiction; Andrei Tarkovsky; Architectural History and Criticism; Art and Design; Film and Media Studies; Landscape Architecture; Modern Art and Architecture; Philosophy; Urban, Community and Regional Planning

architecture, and film. As explained in this text, I have divided my studio practice and the concept… …the material imposes. In Brutalist architecture, grayish and geometrical forms without any… …unnamed city at the beginning of the film is surrounded by fences and the police. It is a closed… …zone in the film. In Stalker the camera movements are long and slow and graceful, giving the… …film, creating both science-fictional and dream-like qualities, inspired me to create a… 

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APA (6th Edition):

Ghazi Asadollahi, S. (2019). Concrete Poetry. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Thesis, Washington University in St. Louis. Accessed January 22, 2020. https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Web. 22 Jan 2020.

Vancouver:

Ghazi Asadollahi S. Concrete Poetry. [Internet] [Thesis]. Washington University in St. Louis; 2019. [cited 2020 Jan 22]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ghazi Asadollahi S. Concrete Poetry. [Thesis]. Washington University in St. Louis; 2019. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Smith, Matthew Ryan. Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art.

Degree: 2012, University of Western Ontario

 This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry… (more)

Subjects/Keywords: Affect; trauma; contemporary art; autobiography; relational viewing; community; silence; touch; memory; identification; American Art and Architecture; American Material Culture; Art Practice; Book and Paper; Contemporary Art; Film and Media Studies; Fine Arts; Lesbian, Gay, Bisexual, and Transgender Studies; Theory and Criticism; Visual Studies

…87 Lisa Steele, Birthday Suit with Scars and Defects, (1974) …... 89 Bas… …101 Lisa Steele, Birthday Suit with Scars and Defects,(1974) 103 Colin… …x29; 126 Peter Kingstone, 400 Lies and 1 Truth About Me, (2003)… …129 Lisa Steele, Birthday Suit with Scars and Defects, (1974) …... 132… …Irene Loughlin, Considering: "Birthday Suit with Scars and Defects" by Lisa Steele… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, M. R. (2012). Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Matthew Ryan. “Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art.” 2012. Thesis, University of Western Ontario. Accessed January 22, 2020. https://ir.lib.uwo.ca/etd/787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Matthew Ryan. “Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art.” 2012. Web. 22 Jan 2020.

Vancouver:

Smith MR. Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art. [Internet] [Thesis]. University of Western Ontario; 2012. [cited 2020 Jan 22]. Available from: https://ir.lib.uwo.ca/etd/787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith MR. Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art. [Thesis]. University of Western Ontario; 2012. Available from: https://ir.lib.uwo.ca/etd/787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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.