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You searched for subject:(Feminist film theory). Showing records 1 – 30 of 49 total matches.

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University of Southern California

1. Lindstrom, Ashley Nicole. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.

Degree: MA, Journalism (Print Journalism), 2009, University of Southern California

 2007 was a big year for accidental pregnancies carried to term in the movies. Comedic films Knocked Up, Juno, and Waitress all hinged on this… (more)

Subjects/Keywords: accidental pregnancy films; film criticism; feminist theory

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APA (6th Edition):

Lindstrom, A. N. (2009). Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458

Chicago Manual of Style (16th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Masters Thesis, University of Southern California. Accessed October 21, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458.

MLA Handbook (7th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Web. 21 Oct 2019.

Vancouver:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Oct 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458.

Council of Science Editors:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1458


Duke University

2. Warren, Shilyh J. Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms .

Degree: 2010, Duke University

  For a brief moment in feminist time, from 1968 to 1974, women's documentaries were influential in the emerging field of feminist film studies and… (more)

Subjects/Keywords: Cinema; Women's Studies; Documentary; Feminist film theory; Feminist subjects; Women's Movement

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APA (6th Edition):

Warren, S. J. (2010). Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/2441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warren, Shilyh J. “Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms .” 2010. Thesis, Duke University. Accessed October 21, 2019. http://hdl.handle.net/10161/2441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warren, Shilyh J. “Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms .” 2010. Web. 21 Oct 2019.

Vancouver:

Warren SJ. Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms . [Internet] [Thesis]. Duke University; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10161/2441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warren SJ. Real Politics and Feminist Documentaries: Re-Visioning Seventies Film Feminisms . [Thesis]. Duke University; 2010. Available from: http://hdl.handle.net/10161/2441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Clemson University

3. Johnson, Madison Alisa. Woman as Place: The Utilization of the Female Body in Horror Film.

Degree: MA, English, 2016, Clemson University

 By combining the works of theorists like Yi-Fu Tuan, Luce Irigaray, and Carol Clover, with the films Rosemary's Baby (Dir. Roman Polanski, 1968) and It… (more)

Subjects/Keywords: feminist film theory; horror genre; slasher film; space and place philosophy

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APA (6th Edition):

Johnson, M. A. (2016). Woman as Place: The Utilization of the Female Body in Horror Film. (Masters Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/2354

Chicago Manual of Style (16th Edition):

Johnson, Madison Alisa. “Woman as Place: The Utilization of the Female Body in Horror Film.” 2016. Masters Thesis, Clemson University. Accessed October 21, 2019. https://tigerprints.clemson.edu/all_theses/2354.

MLA Handbook (7th Edition):

Johnson, Madison Alisa. “Woman as Place: The Utilization of the Female Body in Horror Film.” 2016. Web. 21 Oct 2019.

Vancouver:

Johnson MA. Woman as Place: The Utilization of the Female Body in Horror Film. [Internet] [Masters thesis]. Clemson University; 2016. [cited 2019 Oct 21]. Available from: https://tigerprints.clemson.edu/all_theses/2354.

Council of Science Editors:

Johnson MA. Woman as Place: The Utilization of the Female Body in Horror Film. [Masters Thesis]. Clemson University; 2016. Available from: https://tigerprints.clemson.edu/all_theses/2354


University of Melbourne

4. BLISS, LAUREN. The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body.

Degree: 2015, University of Melbourne

 Adopting the figural model of film analysis outlined by Nicole Brenez in her reading of early film theorist Jean Epstein, this thesis develops articulations of… (more)

Subjects/Keywords: The Virgin Mary; film theory; figuration; Jean Epstein; European witch-hunts; feminist film theory

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APA (6th Edition):

BLISS, L. (2015). The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/56531

Chicago Manual of Style (16th Edition):

BLISS, LAUREN. “The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body.” 2015. Doctoral Dissertation, University of Melbourne. Accessed October 21, 2019. http://hdl.handle.net/11343/56531.

MLA Handbook (7th Edition):

BLISS, LAUREN. “The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body.” 2015. Web. 21 Oct 2019.

Vancouver:

BLISS L. The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body. [Internet] [Doctoral dissertation]. University of Melbourne; 2015. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11343/56531.

Council of Science Editors:

BLISS L. The witch, the Virgin Mary, and the antipodean, cinematic figurations of the body. [Doctoral Dissertation]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/56531


University of Edinburgh

5. Kazemi, Farshid. Interpreter of desires : Iranian cinema and psychoanalysis.

Degree: PhD, 2019, University of Edinburgh

 The goal of this thesis is the study of the structure of desire and sexuality in post-revolutionary Iranian cinema, through the prism of Lacanian psychoanalytic… (more)

Subjects/Keywords: post-revolutionary Iranian cinema; psychoanalytic film theory; Freud; Lacan; feminist film theory; desire and sexuality

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APA (6th Edition):

Kazemi, F. (2019). Interpreter of desires : Iranian cinema and psychoanalysis. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/36003

Chicago Manual of Style (16th Edition):

Kazemi, Farshid. “Interpreter of desires : Iranian cinema and psychoanalysis.” 2019. Doctoral Dissertation, University of Edinburgh. Accessed October 21, 2019. http://hdl.handle.net/1842/36003.

MLA Handbook (7th Edition):

Kazemi, Farshid. “Interpreter of desires : Iranian cinema and psychoanalysis.” 2019. Web. 21 Oct 2019.

Vancouver:

Kazemi F. Interpreter of desires : Iranian cinema and psychoanalysis. [Internet] [Doctoral dissertation]. University of Edinburgh; 2019. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1842/36003.

Council of Science Editors:

Kazemi F. Interpreter of desires : Iranian cinema and psychoanalysis. [Doctoral Dissertation]. University of Edinburgh; 2019. Available from: http://hdl.handle.net/1842/36003


University of Exeter

6. Green, Caroline Ann. "She has to be controlled" : exploring the action heroine in contemporary science fiction cinema.

Degree: PhD, 2010, University of Exeter

 In this dissertation I explore a number of contemporary science fiction franchises in order to ascertain how the figure of the action heroine has evolved… (more)

Subjects/Keywords: Science Fiction Cinema : Feminism : Film Studies : Feminist Theory : Deleuze and Guattari

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APA (6th Edition):

Green, C. A. (2010). "She has to be controlled" : exploring the action heroine in contemporary science fiction cinema. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/3052

Chicago Manual of Style (16th Edition):

Green, Caroline Ann. “"She has to be controlled" : exploring the action heroine in contemporary science fiction cinema.” 2010. Doctoral Dissertation, University of Exeter. Accessed October 21, 2019. http://hdl.handle.net/10036/3052.

MLA Handbook (7th Edition):

Green, Caroline Ann. “"She has to be controlled" : exploring the action heroine in contemporary science fiction cinema.” 2010. Web. 21 Oct 2019.

Vancouver:

Green CA. "She has to be controlled" : exploring the action heroine in contemporary science fiction cinema. [Internet] [Doctoral dissertation]. University of Exeter; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10036/3052.

Council of Science Editors:

Green CA. "She has to be controlled" : exploring the action heroine in contemporary science fiction cinema. [Doctoral Dissertation]. University of Exeter; 2010. Available from: http://hdl.handle.net/10036/3052


The Ohio State University

7. Dancey, Angela Clair. Before and after: the makeover in film and culture.

Degree: PhD, English, 2005, The Ohio State University

 If the popularity of current “reality” television programs such as <i>Extreme Makeover</i> is any indication, our culture is obsessed with the ritualized physical transformation known… (more)

Subjects/Keywords: Film; Makeover; Transformation; Feminist Theory

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APA (6th Edition):

Dancey, A. C. (2005). Before and after: the makeover in film and culture. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1126899524

Chicago Manual of Style (16th Edition):

Dancey, Angela Clair. “Before and after: the makeover in film and culture.” 2005. Doctoral Dissertation, The Ohio State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1126899524.

MLA Handbook (7th Edition):

Dancey, Angela Clair. “Before and after: the makeover in film and culture.” 2005. Web. 21 Oct 2019.

Vancouver:

Dancey AC. Before and after: the makeover in film and culture. [Internet] [Doctoral dissertation]. The Ohio State University; 2005. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1126899524.

Council of Science Editors:

Dancey AC. Before and after: the makeover in film and culture. [Doctoral Dissertation]. The Ohio State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1126899524


Stockholm University

8. Peksel, Öykü. Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia.

Degree: Media Studies, 2012, Stockholm University

  This study investigated the cinematic representations of women in ‘Climates’ ‘Three Monkeys’ and ‘Once upon a time in Anatolia’ created by Nuri Bilge Ceylan.… (more)

Subjects/Keywords: new Turkish cinema; women; patriarchy; femininity; masculinity; film; feminist film theory; Mulvey; Semiotics

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APA (6th Edition):

Peksel, . (2012). Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peksel, Öykü. “Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia”.” 2012. Thesis, Stockholm University. Accessed October 21, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peksel, Öykü. “Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia”.” 2012. Web. 21 Oct 2019.

Vancouver:

Peksel . Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia”. [Internet] [Thesis]. Stockholm University; 2012. [cited 2019 Oct 21]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peksel . Women in New Turkish Cinema : An Analysis of “Climates”, “Three Monkeys” and  “Once upon a time in Anatolia”. [Thesis]. Stockholm University; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

9. Jennings, Morgan J. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.

Degree: 2017, University of South Florida

 In this project, I examine the relationship between female masochism, performance, and spectatorship in Michael Haneke’s film La Pianiste (2001). The film stages a relationship… (more)

Subjects/Keywords: psychoanalysis; masochism; courtly love; feminist film theory; French cinema; Film and Media Studies

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APA (6th Edition):

Jennings, M. J. (2017). "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Thesis, University of South Florida. Accessed October 21, 2019. https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jennings, Morgan J. “"There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.” 2017. Web. 21 Oct 2019.

Vancouver:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Internet] [Thesis]. University of South Florida; 2017. [cited 2019 Oct 21]. Available from: https://scholarcommons.usf.edu/etd/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jennings MJ. "There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

10. Adams, Megan E. Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema.

Degree: MA, American Culture Studies/Popular Culture, 2011, Bowling Green State University

 Women’s masturbation has the potential to disrupt the patriarchal constructions of sexuality by presenting an alternative wherein women can control their own pleasure independently of… (more)

Subjects/Keywords: American Studies; Film Studies; Gender; Gender Studies; Womens Studies; Feminist film theory; gaze theory; feminism; women's sexuality; masturbation

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APA (6th Edition):

Adams, M. E. (2011). Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024

Chicago Manual of Style (16th Edition):

Adams, Megan E. “Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema.” 2011. Masters Thesis, Bowling Green State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024.

MLA Handbook (7th Edition):

Adams, Megan E. “Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema.” 2011. Web. 21 Oct 2019.

Vancouver:

Adams ME. Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema. [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024.

Council of Science Editors:

Adams ME. Flicking the Bean on the Silver Screen: Women’s Masturbation as Self-Discovery and Subversion in American Cinema. [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300749024

11. Pozo, Diana Mari. Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015.

Degree: 2016, University of California – eScholarship, University of California

 The rise of haptic technologies in the media industries—from touchscreens that touch back, to vibrating videogame controllers and moving and vibrating cinema seat technologies—is just… (more)

Subjects/Keywords: Film studies; Gender studies; Communication; Adult Industry; Feminist Film Theory; Queer Theory; Sexuality; Videogames; Virtual Reality

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APA (6th Edition):

Pozo, D. M. (2016). Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/3924m17g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pozo, Diana Mari. “Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015.” 2016. Thesis, University of California – eScholarship, University of California. Accessed October 21, 2019. http://www.escholarship.org/uc/item/3924m17g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pozo, Diana Mari. “Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015.” 2016. Web. 21 Oct 2019.

Vancouver:

Pozo DM. Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/3924m17g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pozo DM. Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/3924m17g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

12. Yue, Genevieve. Medusan optics: film, feminism, and the forbidden image.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation uses the Greek mythological figure of Medusa, the snake-haired gorgon who possesses the power of turning anyone who looks upon her into stone,… (more)

Subjects/Keywords: avant-garde film; feminist film theory; Medusa; Medusan optics; China girl; J-horror; visuality; violence; decapitation; sexuality; hair

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yue, G. (2012). Medusan optics: film, feminism, and the forbidden image. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031

Chicago Manual of Style (16th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Doctoral Dissertation, University of Southern California. Accessed October 21, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

MLA Handbook (7th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Web. 21 Oct 2019.

Vancouver:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Oct 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

Council of Science Editors:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031


McMaster University

13. Trimble, Sarah. Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television.

Degree: PhD, 2012, McMaster University

My dissertation explores the counter-histories of trans-Atlantic modernity that surface in contemporary apocalyptic visuality. Framing twenty-first-century apocalypse films and televisual narratives as “new world”… (more)

Subjects/Keywords: Apocalypticism; Neoliberalism; Biopolitics; Transatlantic studies; Survivalism; Feminist Theory; Film and Media Studies; Film and Media Studies

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APA (6th Edition):

Trimble, S. (2012). Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television. (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/12546

Chicago Manual of Style (16th Edition):

Trimble, Sarah. “Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television.” 2012. Doctoral Dissertation, McMaster University. Accessed October 21, 2019. http://hdl.handle.net/11375/12546.

MLA Handbook (7th Edition):

Trimble, Sarah. “Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television.” 2012. Web. 21 Oct 2019.

Vancouver:

Trimble S. Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television. [Internet] [Doctoral dissertation]. McMaster University; 2012. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11375/12546.

Council of Science Editors:

Trimble S. Undead Ends: Contested Re-beginnings in Apocalyptic Film and Television. [Doctoral Dissertation]. McMaster University; 2012. Available from: http://hdl.handle.net/11375/12546


University of Melbourne

14. BELLAS, ATHENA. Rituals of girlhood: fairy tales on the teen screen.

Degree: 2015, University of Melbourne

 The research question that this dissertation asks is: can contemporary teen screen media include representations of adolescent girls who oppose their subordinate, objectified position within… (more)

Subjects/Keywords: film; television; girlhood studies; feminist screen theory; feminism; teen film and television; film theory; liminality; fairy tales; rites of passage; teen screen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

BELLAS, A. (2015). Rituals of girlhood: fairy tales on the teen screen. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/55145

Chicago Manual of Style (16th Edition):

BELLAS, ATHENA. “Rituals of girlhood: fairy tales on the teen screen.” 2015. Doctoral Dissertation, University of Melbourne. Accessed October 21, 2019. http://hdl.handle.net/11343/55145.

MLA Handbook (7th Edition):

BELLAS, ATHENA. “Rituals of girlhood: fairy tales on the teen screen.” 2015. Web. 21 Oct 2019.

Vancouver:

BELLAS A. Rituals of girlhood: fairy tales on the teen screen. [Internet] [Doctoral dissertation]. University of Melbourne; 2015. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11343/55145.

Council of Science Editors:

BELLAS A. Rituals of girlhood: fairy tales on the teen screen. [Doctoral Dissertation]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/55145


University of Florida

15. Tobin, Erin. Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film.

Degree: MA, Women's Studies, 2010, University of Florida

 Cinematic representations of queer female sexuality prior to the 1970s relied on codes and innuendos to (mis)represent lesbian characters and emphasize their ?Otherness,? leaving the… (more)

Subjects/Keywords: Female homosexuality; Feminist film theory; Keys; Male gaze; Masculinity; Motion picture industry; Movies; Narratives; Visual fixation; Women; cinema, feminist, film, gaze, gender, lesbian, queer, representation, sexuality, spectatorship, women

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APA (6th Edition):

Tobin, E. (2010). Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0041416

Chicago Manual of Style (16th Edition):

Tobin, Erin. “Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film.” 2010. Masters Thesis, University of Florida. Accessed October 21, 2019. http://ufdc.ufl.edu/UFE0041416.

MLA Handbook (7th Edition):

Tobin, Erin. “Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film.” 2010. Web. 21 Oct 2019.

Vancouver:

Tobin E. Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film. [Internet] [Masters thesis]. University of Florida; 2010. [cited 2019 Oct 21]. Available from: http://ufdc.ufl.edu/UFE0041416.

Council of Science Editors:

Tobin E. Toward a Queer Gaze Cinematic Representations of Queer Female Sexuality in Experimental/Avant-Garde and Narrative Film. [Masters Thesis]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0041416


Temple University

16. Palmieri, Stephanie Jane. Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series.

Degree: PhD, 2016, Temple University

Media & Communication

In this study, I use social constructionist feminist and queer theory and narrative analysis to identify messages about gender, sexuality, and sexual… (more)

Subjects/Keywords: Communication; Mass communication;

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APA (6th Edition):

Palmieri, S. J. (2016). Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,416269

Chicago Manual of Style (16th Edition):

Palmieri, Stephanie Jane. “Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series.” 2016. Doctoral Dissertation, Temple University. Accessed October 21, 2019. http://digital.library.temple.edu/u?/p245801coll10,416269.

MLA Handbook (7th Edition):

Palmieri, Stephanie Jane. “Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series.” 2016. Web. 21 Oct 2019.

Vancouver:

Palmieri SJ. Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series. [Internet] [Doctoral dissertation]. Temple University; 2016. [cited 2019 Oct 21]. Available from: http://digital.library.temple.edu/u?/p245801coll10,416269.

Council of Science Editors:

Palmieri SJ. Assessing Industry Ideologies: Representations of Gender, Sexuality, and Sexual Violence in the Book Versions and Film Adaptations of The Hunger Games Trilogy, The Divergent Trilogy, and The Vampire Academy Series. [Doctoral Dissertation]. Temple University; 2016. Available from: http://digital.library.temple.edu/u?/p245801coll10,416269


Freie Universität Berlin

17. Haugg, Birgit Gabriele. A critical analysis of patriarchal cinema.

Degree: 2016, Freie Universität Berlin

 The aim of this study is to analyze the representation of gender in selected Hollywood films from the 21st century for patriarchal cinema patterns. Where… (more)

Subjects/Keywords: film; gender; patriarchal cinema; crisis of masculinity; feminist film theory; 700 Künste und Unterhaltung::790 Sport, Spiele, Unterhaltung::791 Öffentliche Darbietungen, Film, Rundfunk

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APA (6th Edition):

Haugg, B. G. (2016). A critical analysis of patriarchal cinema. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-9422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haugg, Birgit Gabriele. “A critical analysis of patriarchal cinema.” 2016. Thesis, Freie Universität Berlin. Accessed October 21, 2019. http://dx.doi.org/10.17169/refubium-9422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haugg, Birgit Gabriele. “A critical analysis of patriarchal cinema.” 2016. Web. 21 Oct 2019.

Vancouver:

Haugg BG. A critical analysis of patriarchal cinema. [Internet] [Thesis]. Freie Universität Berlin; 2016. [cited 2019 Oct 21]. Available from: http://dx.doi.org/10.17169/refubium-9422.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haugg BG. A critical analysis of patriarchal cinema. [Thesis]. Freie Universität Berlin; 2016. Available from: http://dx.doi.org/10.17169/refubium-9422

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

18. Vezzelli, V. LGBT Acceptance in Dutch High Schools. The case of Educational Short Films.

Degree: 2015, Universiteit Utrecht

Subjects/Keywords: queer theory; queer pedagogy; education; film; feminist ethnography

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APA (6th Edition):

Vezzelli, V. (2015). LGBT Acceptance in Dutch High Schools. The case of Educational Short Films. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/320643

Chicago Manual of Style (16th Edition):

Vezzelli, V. “LGBT Acceptance in Dutch High Schools. The case of Educational Short Films.” 2015. Masters Thesis, Universiteit Utrecht. Accessed October 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/320643.

MLA Handbook (7th Edition):

Vezzelli, V. “LGBT Acceptance in Dutch High Schools. The case of Educational Short Films.” 2015. Web. 21 Oct 2019.

Vancouver:

Vezzelli V. LGBT Acceptance in Dutch High Schools. The case of Educational Short Films. [Internet] [Masters thesis]. Universiteit Utrecht; 2015. [cited 2019 Oct 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/320643.

Council of Science Editors:

Vezzelli V. LGBT Acceptance in Dutch High Schools. The case of Educational Short Films. [Masters Thesis]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/320643


University of Colorado

19. Mehls, Robert. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.

Degree: MA, Art & Art History, 2015, University of Colorado

  Horror films, like any cultural product, are a result of their time and place in the world. The traditional reading of horror films focuses… (more)

Subjects/Keywords: 1970s; 1980s; 1990s; Feminism; Film; Horror; Other Feminist, Gender, and Sexuality Studies; Theory and Criticism; Visual Studies

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APA (6th Edition):

Mehls, R. (2015). In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/arth_gradetds/28

Chicago Manual of Style (16th Edition):

Mehls, Robert. “In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.” 2015. Masters Thesis, University of Colorado. Accessed October 21, 2019. http://scholar.colorado.edu/arth_gradetds/28.

MLA Handbook (7th Edition):

Mehls, Robert. “In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.” 2015. Web. 21 Oct 2019.

Vancouver:

Mehls R. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. [Internet] [Masters thesis]. University of Colorado; 2015. [cited 2019 Oct 21]. Available from: http://scholar.colorado.edu/arth_gradetds/28.

Council of Science Editors:

Mehls R. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. [Masters Thesis]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/arth_gradetds/28


University of California – Irvine

20. Icreverzi, Kimberly. Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema.

Degree: Comparative Literature, 2015, University of California – Irvine

 To refer to the Japanese postwar collapses multiple postwars into a single entity. This dissertation works to further distinguish Japanese cinema’s postwars by advocating for… (more)

Subjects/Keywords: Asian studies; Gender studies; Film studies; feminist theory; high growth; Japanese cinema; reproduction; the sexual division of labor

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APA (6th Edition):

Icreverzi, K. (2015). Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/40d339hm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Icreverzi, Kimberly. “Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema.” 2015. Thesis, University of California – Irvine. Accessed October 21, 2019. http://www.escholarship.org/uc/item/40d339hm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Icreverzi, Kimberly. “Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema.” 2015. Web. 21 Oct 2019.

Vancouver:

Icreverzi K. Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/40d339hm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Icreverzi K. Reproduction Without End: The Gendered Labor of Japanese High Growth Cinema. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/40d339hm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

21. Holtsclaw, Anita. To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art.

Degree: 2014, Queensland University of Technology

 To See and Be Seen: Cinematic Constructions of Gender and Spectatorship in Contemporary Screen-Based Art addresses how gendered representation can be structured within visual art… (more)

Subjects/Keywords: Contemporary Art; Screen-Based Installation; Re-Performance; Video Performance; Video Art; Feminist Film Theory; Scopophilia; Gendered Representation; Cinema; Installation Art

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APA (6th Edition):

Holtsclaw, A. (2014). To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/76536/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holtsclaw, Anita. “To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art.” 2014. Thesis, Queensland University of Technology. Accessed October 21, 2019. https://eprints.qut.edu.au/76536/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holtsclaw, Anita. “To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art.” 2014. Web. 21 Oct 2019.

Vancouver:

Holtsclaw A. To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art. [Internet] [Thesis]. Queensland University of Technology; 2014. [cited 2019 Oct 21]. Available from: https://eprints.qut.edu.au/76536/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holtsclaw A. To see and be seen : cinematic constructions of gender and spectatorship in contemporary screen-based art. [Thesis]. Queensland University of Technology; 2014. Available from: https://eprints.qut.edu.au/76536/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

22. Sotomayor, Hector. He_rtland: The Violence of Neoliberalism.

Degree: 2015, University of South Florida

 Perhaps, under the consciousness of today, “neoliberalism” has defined our world during the previous and current centuries more than any other socioeconomic system. But the… (more)

Subjects/Keywords: Neoliberalism; Reaganism; Gendered Violence; 1980s Cinema; Farm Crisis; Economic Theory; Feminist, Gender, and Sexuality Studies; Film and Media Studies

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APA (6th Edition):

Sotomayor, H. (2015). He_rtland: The Violence of Neoliberalism. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sotomayor, Hector. “He_rtland: The Violence of Neoliberalism.” 2015. Thesis, University of South Florida. Accessed October 21, 2019. https://scholarcommons.usf.edu/etd/6027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sotomayor, Hector. “He_rtland: The Violence of Neoliberalism.” 2015. Web. 21 Oct 2019.

Vancouver:

Sotomayor H. He_rtland: The Violence of Neoliberalism. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 Oct 21]. Available from: https://scholarcommons.usf.edu/etd/6027.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sotomayor H. He_rtland: The Violence of Neoliberalism. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/6027

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

23. Cherry, Brigid S. G. The female horror film audience : viewing pleasures and fan practices.

Degree: PhD, School of Arts and Humanities, 1999, University of Stirling

 What is at stake for female fans and followers of horror cinema? This study explores the pleasures in horror film viewing for female members of… (more)

Subjects/Keywords: Horror films; Film theory Feminist criticism; Motion picture audiences

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APA (6th Edition):

Cherry, B. S. G. (1999). The female horror film audience : viewing pleasures and fan practices. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/2268

Chicago Manual of Style (16th Edition):

Cherry, Brigid S G. “The female horror film audience : viewing pleasures and fan practices.” 1999. Doctoral Dissertation, University of Stirling. Accessed October 21, 2019. http://hdl.handle.net/1893/2268.

MLA Handbook (7th Edition):

Cherry, Brigid S G. “The female horror film audience : viewing pleasures and fan practices.” 1999. Web. 21 Oct 2019.

Vancouver:

Cherry BSG. The female horror film audience : viewing pleasures and fan practices. [Internet] [Doctoral dissertation]. University of Stirling; 1999. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1893/2268.

Council of Science Editors:

Cherry BSG. The female horror film audience : viewing pleasures and fan practices. [Doctoral Dissertation]. University of Stirling; 1999. Available from: http://hdl.handle.net/1893/2268


Miami University

24. Lee, Insoo. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.

Degree: MA, Theatre, 2004, Miami University

 This thesis is a feminist research on Korean gender ideology through the actual case of the popular actress Whang Sujung’s drug abuse and adultery case.… (more)

Subjects/Keywords: Theater; gender ideology; feminist theatre; feminist media and film theory; play

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APA (6th Edition):

Lee, I. (2004). A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903

Chicago Manual of Style (16th Edition):

Lee, Insoo. “A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.” 2004. Masters Thesis, Miami University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903.

MLA Handbook (7th Edition):

Lee, Insoo. “A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.” 2004. Web. 21 Oct 2019.

Vancouver:

Lee I. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. [Internet] [Masters thesis]. Miami University; 2004. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903.

Council of Science Editors:

Lee I. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. [Masters Thesis]. Miami University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903


University of Canterbury

25. Harrington, Erin Jean. Gynaehorror: Women, theory and horror film.

Degree: Cultural Studies, School of Humanities and Creative Arts, 2014, University of Canterbury

 This thesis offers an analysis of women in horror film through an in depth exploration of what I term ‘gynaehorror’ – horror films that are… (more)

Subjects/Keywords: Horror; horror film; popular culture; film theory; feminist film theory; post-structural feminism; sex; women in film; gender; corporeality; embodiment; subjectivity; virginity; vagina dentata; heteronormativity; pregnancy; foetal subjectivity; childbirth; abortion; reproductive technology; mad science; motherhood; schizoanalysis; Deleuze and Guattari

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APA (6th Edition):

Harrington, E. J. (2014). Gynaehorror: Women, theory and horror film. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/9586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harrington, Erin Jean. “Gynaehorror: Women, theory and horror film.” 2014. Thesis, University of Canterbury. Accessed October 21, 2019. http://hdl.handle.net/10092/9586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harrington, Erin Jean. “Gynaehorror: Women, theory and horror film.” 2014. Web. 21 Oct 2019.

Vancouver:

Harrington EJ. Gynaehorror: Women, theory and horror film. [Internet] [Thesis]. University of Canterbury; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10092/9586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harrington EJ. Gynaehorror: Women, theory and horror film. [Thesis]. University of Canterbury; 2014. Available from: http://hdl.handle.net/10092/9586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

26. Roll, Julia. Female violence in the Marvel cinematic universe.

Degree: 2018, University of Vienna

Die vorliegende Arbeit beschäftigt sich mit dem Marvel Cinematic Universe, einer auf Comics basierenden Reihe an Superheld*innenfilmen und seinen weiblichen Charakteren. Das Marvel Cinematic Universe… (more)

Subjects/Keywords: 10.03 Methoden und Techniken der geisteswissenschaftlichen Forschung; 24.30 Film: Allgemeines; Feministische Filmtheorie / Postfeminismus / Filmanalyse / Actionfilme / Marvel / Superhelden / Frauen im Film; feminist film theory / postfeminism / film analysis / action films / Marvel / superheroes / women in film

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APA (6th Edition):

Roll, J. (2018). Female violence in the Marvel cinematic universe. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/52762/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roll, Julia. “Female violence in the Marvel cinematic universe.” 2018. Thesis, University of Vienna. Accessed October 21, 2019. http://othes.univie.ac.at/52762/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roll, Julia. “Female violence in the Marvel cinematic universe.” 2018. Web. 21 Oct 2019.

Vancouver:

Roll J. Female violence in the Marvel cinematic universe. [Internet] [Thesis]. University of Vienna; 2018. [cited 2019 Oct 21]. Available from: http://othes.univie.ac.at/52762/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roll J. Female violence in the Marvel cinematic universe. [Thesis]. University of Vienna; 2018. Available from: http://othes.univie.ac.at/52762/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

27. Scott, Gabrielle. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi .

Degree: 2010, Université de Montréal

 Le présent mémoire consiste en une analyse thématique des représentations féminines dans l’œuvre de Satoshi Kon, de Perfect Blue à Paprika. L’objectif de ce travail… (more)

Subjects/Keywords: Satoshi Kon; Perfect Blue; Paprika; Anime; Animation japonaise; Japanese animation; Théories féministes du cinéma; Feminist film theory; Femmes; Japon; Women; Japan; Violence; Double; Sexuality; Sexualité

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APA (6th Edition):

Scott, G. (2010). Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Gabrielle. “Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi .” 2010. Thesis, Université de Montréal. Accessed October 21, 2019. http://hdl.handle.net/1866/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Gabrielle. “Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi .” 2010. Web. 21 Oct 2019.

Vancouver:

Scott G. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1866/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott G. Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

28. Ramirez, Ricardo R. Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance.

Degree: MAin English Composition, English, 2017, California State University – San Bernardino

  Typified rhetorical situations are often a result of normalized ideologies within cultures; however, they also have the capability to produce new ideology. Within these… (more)

Subjects/Keywords: gamer theory; abjection; gameism; julia kristeva; game studies; Arts and Humanities; Digital Humanities; Feminist, Gender, and Sexuality Studies; Other Film and Media Studies

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APA (6th Edition):

Ramirez, R. R. (2017). Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd/560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramirez, Ricardo R. “Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance.” 2017. Thesis, California State University – San Bernardino. Accessed October 21, 2019. http://scholarworks.lib.csusb.edu/etd/560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramirez, Ricardo R. “Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance.” 2017. Web. 21 Oct 2019.

Vancouver:

Ramirez RR. Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance. [Internet] [Thesis]. California State University – San Bernardino; 2017. [cited 2019 Oct 21]. Available from: http://scholarworks.lib.csusb.edu/etd/560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramirez RR. Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance. [Thesis]. California State University – San Bernardino; 2017. Available from: http://scholarworks.lib.csusb.edu/etd/560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Sequeira, Vanessa. A dedramatized Minor Cinema: regional perspectives by Central American women.

Degree: MA, Media Studies, 2013, Penn State University

 Cinema has helped shape a collective sense of belonging for decades, as it renders particular depictions of local accounts. Yet, Central American imaginaries have been… (more)

Subjects/Keywords: Cinema; Minor Cinema; Central America; Feminist Film Theory

feminist film theories that are no longer in accordance with these emerging productions. Minor… …Regional Film Projects (CARFP), as I will call these developing bonds, and which will… …regional film festivals and organizations like CINERGIA. In this sense, CARFP can be understood… …international film festivals, academic research has slowly taken a new interest in the region… …character who had died and was buried in one film and for whose misfortune, tears of affliction… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sequeira, V. (2013). A dedramatized Minor Cinema: regional perspectives by Central American women. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/19000

Chicago Manual of Style (16th Edition):

Sequeira, Vanessa. “A dedramatized Minor Cinema: regional perspectives by Central American women.” 2013. Masters Thesis, Penn State University. Accessed October 21, 2019. https://etda.libraries.psu.edu/catalog/19000.

MLA Handbook (7th Edition):

Sequeira, Vanessa. “A dedramatized Minor Cinema: regional perspectives by Central American women.” 2013. Web. 21 Oct 2019.

Vancouver:

Sequeira V. A dedramatized Minor Cinema: regional perspectives by Central American women. [Internet] [Masters thesis]. Penn State University; 2013. [cited 2019 Oct 21]. Available from: https://etda.libraries.psu.edu/catalog/19000.

Council of Science Editors:

Sequeira V. A dedramatized Minor Cinema: regional perspectives by Central American women. [Masters Thesis]. Penn State University; 2013. Available from: https://etda.libraries.psu.edu/catalog/19000


IUPUI

30. Mitchell, Amber N. Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema.

Degree: 2017, IUPUI

Indiana University-Purdue University, Indianapolis

The goal of this thesis is to understand the relationship between the evolving representations of African American women in post-Civil Rights… (more)

Subjects/Keywords: public history; black feminist theory; film history; cinema; representation; african american women; American Chattel Slavery; Quentin Tarantino; Hallie Gerima; Steve McQueen; Oprah Winfrey

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mitchell, A. N. (2017). Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema. (Thesis). IUPUI. Retrieved from http://hdl.handle.net/1805/15327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mitchell, Amber N. “Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema.” 2017. Thesis, IUPUI. Accessed October 21, 2019. http://hdl.handle.net/1805/15327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mitchell, Amber N. “Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema.” 2017. Web. 21 Oct 2019.

Vancouver:

Mitchell AN. Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema. [Internet] [Thesis]. IUPUI; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1805/15327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mitchell AN. Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema. [Thesis]. IUPUI; 2017. Available from: http://hdl.handle.net/1805/15327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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