subject:(Female gothic)

University of Debrecen

1. Pinczés, Mariann. Lady Gaga and the Monster Theory .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

► After the release of her first album The Fame in 2008, Lady Gaga became one of the most influential celebrities in the world as well… (more)

Subjects/Keywords: female monster; Gothic tradition

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APA (6^th Edition):

Pinczés, M. (2013). Lady Gaga and the Monster Theory . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Thesis, University of Debrecen. Accessed March 04, 2021. http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pinczés, Mariann. “Lady Gaga and the Monster Theory .” 2013. Web. 04 Mar 2021.

Vancouver:

Pinczés M. Lady Gaga and the Monster Theory . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2437/156261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinczés M. Lady Gaga and the Monster Theory . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Adelaide

2. Jager, Michelle Caroline. Irrelevant bodies.

Degree: 2018, University of Adelaide

URL: http://hdl.handle.net/2440/113391

► This creative writing thesis comprises a creative work, the novel ‘Irrelevant Bodies’, and its accompanying exegesis ‘Violent, Antagonistic, Morally Ambiguous: Anti-heroines and the Female Gothic.’… (more)

▼ This creative writing thesis comprises a creative work, the novel ‘Irrelevant Bodies’, and its accompanying exegesis ‘Violent, Antagonistic, Morally Ambiguous: Anti-heroines and the Female Gothic.’ Both the novel and the exegesis are concerned with female protagonists that challenge the traditional image of the Gothic heroine as either a passive, virtuous woman or an heroic figure by interrogating their use of violence, their callousness and morally ambiguous motivations. ‘Irrelevant Bodies’ is a Female Gothic novel that explores the impact of a traumatic event and its repercussions on the identity and behaviour of the protagonist, Vera. It is concerned with examining and disrupting narrative expectations connected with gender, traumatic victimisation and self-harm. Vera’s disturbed and disturbing ‘coming of age’ narrative is interwoven with the core or linear narrative on which the novel hinges, that of Vera and her partner Oswald’s holiday at the farmhouse of her childhood vacations. The sections depicting the past reveal that her early life has been punctuated by a personally experienced trauma and the loss of a friend through tragic circumstances. The novel explores the protagonist’s progression from victim to villain over the course of the narrative. The exegesis analyses specific works of Female Gothic fiction that centre on a morally ambiguous female anti-heroine: Shirley Jackson’s We Have Always Lived in the Castle (1962); Lionel Shriver’s We Need to Talk about Kevin (2003); and my own creative work, ‘Irrelevant Bodies’, an original novel in the Female Gothic subgenre. As one of the key tenets of the mode, the Gothic heroine has shared a long and fraught relationship with the genre. Whether the text is male- or female-centred, the expectation in conventional texts is that the narrative will, in some sense, revolve around her suffering. The Female Gothic has been identified as a subgenre and critical area of study that devotes itself to the trials, torments and anxieties of the Gothic heroine. As such, one of the main critical points raised in relation to these narratives is that the subgenre promotes ‘victim feminism’ and vilifies men particularly when narratives revolve around a blameless, victimised heroine being threatened by a villainous male figure. Alternatively, works such as Charlotte Dacre’s Zofloya; or The Moor (1806) and Gillian Flynn’s Gone Girl (2012) have been accused of being ‘more “misogynist” than feminist’ due to their villainous femme fatales (Davison, ‘Knickers in a Twist’ 34). Following on from Carol Margaret Davison’s contestation that the Female Gothic should be determined by ‘the sex of the protagonist’ and her reading of Zofloya; or The Moor as a work of Female Gothic (‘Knickers in a Twist’ 34), the exegesis engages in close readings of each of the novels interrogating the choices made, motivations, feelings or actions exhibited by the ‘heroine’ of the narrative. It argues that the protagonists in these texts are corruptions of the traditional Gothic heroine and her female foil,… Advisors/Committee Members: Schwerdt, Dianne Ona (advisor), Nettelbeck, Amanda E. (advisor), School of Humanities (school).

Subjects/Keywords: creative writing; female gothic; gothic literature; anti-heroine; difficult women

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APA (6^th Edition):

Jager, M. C. (2018). Irrelevant bodies. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/113391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jager, Michelle Caroline. “Irrelevant bodies.” 2018. Thesis, University of Adelaide. Accessed March 04, 2021. http://hdl.handle.net/2440/113391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jager, Michelle Caroline. “Irrelevant bodies.” 2018. Web. 04 Mar 2021.

Vancouver:

Jager MC. Irrelevant bodies. [Internet] [Thesis]. University of Adelaide; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2440/113391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jager MC. Irrelevant bodies. [Thesis]. University of Adelaide; 2018. Available from: http://hdl.handle.net/2440/113391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

3. Monsour, Tricia 1991-. FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL.

Degree: 2019, University of Saskatchewan

URL: http://hdl.handle.net/10388/12287

► Conventions of nineteenth-century British society restricted the subjects of women’s authorship and biased the reception of women’s writing. By publishing anonymously, or using a male… (more)

▼ Conventions of nineteenth-century British society restricted the subjects of women’s authorship and biased the reception of women’s writing. By publishing anonymously, or using a male pseudonym, women could evade the gender bias imposed on their literary works. The author’s name, however, was not the only means by which women could influence society’s reception of their works; a male narrator allowed the author not only a male persona, but a male voice through which to convey her writing. This paper will explore the characters of Captain Robert Walton in Mary Shelley’s Frankenstein, and Mr. Lockwood in Emily Brontë’s Wuthering Heights. As frame narratives, both Frankenstein and Wuthering Heights rely on these characters to shape the entire narrative. Walton and Lockwood enable Shelley and Brontë, respectively, to code their voices as male; publishing without identifying themselves as women allows these writers to further the perception. While comparisons have been drawn between Frankenstein and Wuthering Heights, research has not focused specifically on the male narrators in the text in synonymy with anonymous publication and the combined significance for the Gothic nature of these tales. The framing narrative structure of the novels fittingly accompanies their Gothic genre, which maintains a transgressive quality in its use of uncertainty. As expectations are thwarted and explanations are often withheld, the reader must surrender themselves to the narrative, granting Gothic authors immersive power over their readers. Within Frankenstein and Wuthering Heights, Shelley and Brontë use uncertainty to heighten the fearful nature of their Gothic tales for the reader. The authors create a sense of horror for a readership reliant on gender confines, the realization that such confines are permeable. By depicting their tales through frame narratives and publishing without revealing themselves as women, Shelley and Brontë engage a broader readership of both men and women, increase the freedom of their narrative voice, and heighten the uncertain nature of Gothic tales for the reader. Gothic tales thrive on uncertainty, which Shelley and Brontë then intensify through unreliable narrators and anonymity, leaving the readers uncertain of the authors’ gender. Advisors/Committee Members: Vargo, Lisa.

Subjects/Keywords: British Gothic; Female Authorship; Nineteenth Century

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APA (6^th Edition):

Monsour, T. 1. (2019). FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/12287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Monsour, Tricia 1991-. “FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL.” 2019. Thesis, University of Saskatchewan. Accessed March 04, 2021. http://hdl.handle.net/10388/12287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Monsour, Tricia 1991-. “FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL.” 2019. Web. 04 Mar 2021.

Vancouver:

Monsour T1. FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL. [Internet] [Thesis]. University of Saskatchewan; 2019. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10388/12287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monsour T1. FRANKENSTEIN AND WUTHERING HEIGHTS: THE UNRELIABLE MALE NARRATOR AND ANONYMOUS FEMALE AUTHORSHIP IN THE GOTHIC NOVEL. [Thesis]. University of Saskatchewan; 2019. Available from: http://hdl.handle.net/10388/12287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Otago

4. Da Gama, Clement. Un sous-genre parasitaire: continuité et changements dans le female gothic .

Degree: 2013, University of Otago

URL: http://hdl.handle.net/10523/4305

► This thesis surveys the origin and development of the female gothic in feature-length fiction films. Highly influenced by gothic and female gothic literature, this feminine… (more)

Subjects/Keywords: female gothic; gender; second-wave feminism; gothic literature; generic parasitism; hollywood; american cinema

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APA (6^th Edition):

Da Gama, C. (2013). Un sous-genre parasitaire: continuité et changements dans le female gothic . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/4305

Chicago Manual of Style (16^th Edition):

Da Gama, Clement. “Un sous-genre parasitaire: continuité et changements dans le female gothic .” 2013. Doctoral Dissertation, University of Otago. Accessed March 04, 2021. http://hdl.handle.net/10523/4305.

MLA Handbook (7^th Edition):

Da Gama, Clement. “Un sous-genre parasitaire: continuité et changements dans le female gothic .” 2013. Web. 04 Mar 2021.

Vancouver:

Da Gama C. Un sous-genre parasitaire: continuité et changements dans le female gothic . [Internet] [Doctoral dissertation]. University of Otago; 2013. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10523/4305.

Council of Science Editors:

Da Gama C. Un sous-genre parasitaire: continuité et changements dans le female gothic . [Doctoral Dissertation]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/4305

University of Iowa

5. Williams, Anna. My Gothic dissertation: a podcast.

Degree: PhD, English, 2019, University of Iowa

URL: https://ir.uiowa.edu/etd/7046

► In My Gothic Dissertation, I perform an intertextual analysis of Gothic fiction and modern-day graduate education in the humanities. First, looking particularly at the… (more)

Subjects/Keywords: Female Gothic; Gothic fiction; Graduate education; Humanities; Pedagogy; Podcast; English Language and Literature

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APA (6^th Edition):

Williams, A. (2019). My Gothic dissertation: a podcast. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/7046

Chicago Manual of Style (16^th Edition):

Williams, Anna. “My Gothic dissertation: a podcast.” 2019. Doctoral Dissertation, University of Iowa. Accessed March 04, 2021. https://ir.uiowa.edu/etd/7046.

MLA Handbook (7^th Edition):

Williams, Anna. “My Gothic dissertation: a podcast.” 2019. Web. 04 Mar 2021.

Vancouver:

Williams A. My Gothic dissertation: a podcast. [Internet] [Doctoral dissertation]. University of Iowa; 2019. [cited 2021 Mar 04]. Available from: https://ir.uiowa.edu/etd/7046.

Council of Science Editors:

Williams A. My Gothic dissertation: a podcast. [Doctoral Dissertation]. University of Iowa; 2019. Available from: https://ir.uiowa.edu/etd/7046

University of Iowa

6. Kierstead, Joshua Anthony. Noir of the past: anatomy of the historical film noir.

Degree: PhD, Film Studies, 2017, University of Iowa

URL: https://ir.uiowa.edu/etd/5791

► This dissertation documents how a series of cynical 1940s Hollywood films set in historical eras served as a forum for Hollywood to reconcile the… (more)

Subjects/Keywords: Female Gothic; Genre; Gothic Horror; Heterotopia; Historical Film; Noir; Film and Media Studies

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APA (6^th Edition):

Kierstead, J. A. (2017). Noir of the past: anatomy of the historical film noir. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/5791

Chicago Manual of Style (16^th Edition):

Kierstead, Joshua Anthony. “Noir of the past: anatomy of the historical film noir.” 2017. Doctoral Dissertation, University of Iowa. Accessed March 04, 2021. https://ir.uiowa.edu/etd/5791.

MLA Handbook (7^th Edition):

Kierstead, Joshua Anthony. “Noir of the past: anatomy of the historical film noir.” 2017. Web. 04 Mar 2021.

Vancouver:

Kierstead JA. Noir of the past: anatomy of the historical film noir. [Internet] [Doctoral dissertation]. University of Iowa; 2017. [cited 2021 Mar 04]. Available from: https://ir.uiowa.edu/etd/5791.

Council of Science Editors:

Kierstead JA. Noir of the past: anatomy of the historical film noir. [Doctoral Dissertation]. University of Iowa; 2017. Available from: https://ir.uiowa.edu/etd/5791

University of North Texas

7. Laredo, Jeanette A. Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853.

Degree: 2016, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc862792/

► Using trauma theory, I analyze the disjointed narrative structure of gothic works from 1764-1853 as symptomatic of the traumatic experience. Gothic novels contain multiple structural… (more)

Subjects/Keywords: trauma; detection; narrative; gothic; fragments; fragmentation; supernatural; female detective

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APA (6^th Edition):

Laredo, J. A. (2016). Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862792/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Laredo, Jeanette A. “Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853.” 2016. Thesis, University of North Texas. Accessed March 04, 2021. https://digital.library.unt.edu/ark:/67531/metadc862792/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Laredo, Jeanette A. “Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853.” 2016. Web. 04 Mar 2021.

Vancouver:

Laredo JA. Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853. [Internet] [Thesis]. University of North Texas; 2016. [cited 2021 Mar 04]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862792/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Laredo JA. Reading the Ruptured Word: Detecting Trauma in Gothic Fiction from 1764-1853. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862792/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Virginia Tech

8. Skelley, Chelsea Atkins. Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans.

Degree: MA, English, 2011, Virginia Tech

URL: http://hdl.handle.net/10919/42432

► I argue that to understand the gender dynamics of New Orleans, Hurricane Katrina, and the stormâ s aftermath, one must interrogate the cultural conflation of… (more)

Subjects/Keywords: gothic; black female body; Jezebel; Hurricane Katrina; New Orleans; gender

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APA (6^th Edition):

Skelley, C. A. (2011). Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/42432

Chicago Manual of Style (16^th Edition):

Skelley, Chelsea Atkins. “Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans.” 2011. Masters Thesis, Virginia Tech. Accessed March 04, 2021. http://hdl.handle.net/10919/42432.

MLA Handbook (7^th Edition):

Skelley, Chelsea Atkins. “Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans.” 2011. Web. 04 Mar 2021.

Vancouver:

Skelley CA. Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans. [Internet] [Masters thesis]. Virginia Tech; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10919/42432.

Council of Science Editors:

Skelley CA. Re-visioning Katrina: Exploring Gender in pre- and post-Katrina New Orleans. [Masters Thesis]. Virginia Tech; 2011. Available from: http://hdl.handle.net/10919/42432

University of South Africa

9. Smith, Julie Lynne. Fashioning the gothic female body : the representation of women in three of Tim Burton's films .

Degree: 2016, University of South Africa

URL: http://hdl.handle.net/10500/22190

► This study explores the construction of the Gothic female body in three films by the director Tim Burton, specifically Batman Returns (1992), Sweeney Todd: The… (more)

Subjects/Keywords: Tim Burton; Gothic; Abjection; Monstrous-feminine; The Angel in the House; Gothic heroine; Virgin/Whore; Female Other; Embodiment; Femme fatale

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APA (6^th Edition):

Smith, J. L. (2016). Fashioning the gothic female body : the representation of women in three of Tim Burton's films . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/22190

Chicago Manual of Style (16^th Edition):

Smith, Julie Lynne. “Fashioning the gothic female body : the representation of women in three of Tim Burton's films .” 2016. Masters Thesis, University of South Africa. Accessed March 04, 2021. http://hdl.handle.net/10500/22190.

MLA Handbook (7^th Edition):

Smith, Julie Lynne. “Fashioning the gothic female body : the representation of women in three of Tim Burton's films .” 2016. Web. 04 Mar 2021.

Vancouver:

Smith JL. Fashioning the gothic female body : the representation of women in three of Tim Burton's films . [Internet] [Masters thesis]. University of South Africa; 2016. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10500/22190.

Council of Science Editors:

Smith JL. Fashioning the gothic female body : the representation of women in three of Tim Burton's films . [Masters Thesis]. University of South Africa; 2016. Available from: http://hdl.handle.net/10500/22190

University of Colorado

10. Leone, Shannon. Giving Up the Ghost: the Gothic Maternity of Literary Modernism.

Degree: PhD, 2018, University of Colorado

URL: https://scholar.colorado.edu/engl_gradetds/124

► <i>Giving Up the Ghost: The Gothic Maternity of Literary Modernism</i> explores Gothic maternal images and motifs in modernist fiction that have been previously disregarded… (more)

Subjects/Keywords: female; feminist; gender; gothic; maternal; modernism; English Language and Literature; Feminist, Gender, and Sexuality Studies

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APA (6^th Edition):

Leone, S. (2018). Giving Up the Ghost: the Gothic Maternity of Literary Modernism. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/engl_gradetds/124

Chicago Manual of Style (16^th Edition):

Leone, Shannon. “Giving Up the Ghost: the Gothic Maternity of Literary Modernism.” 2018. Doctoral Dissertation, University of Colorado. Accessed March 04, 2021. https://scholar.colorado.edu/engl_gradetds/124.

MLA Handbook (7^th Edition):

Leone, Shannon. “Giving Up the Ghost: the Gothic Maternity of Literary Modernism.” 2018. Web. 04 Mar 2021.

Vancouver:

Leone S. Giving Up the Ghost: the Gothic Maternity of Literary Modernism. [Internet] [Doctoral dissertation]. University of Colorado; 2018. [cited 2021 Mar 04]. Available from: https://scholar.colorado.edu/engl_gradetds/124.

Council of Science Editors:

Leone S. Giving Up the Ghost: the Gothic Maternity of Literary Modernism. [Doctoral Dissertation]. University of Colorado; 2018. Available from: https://scholar.colorado.edu/engl_gradetds/124

11. Hallberg, Therese. Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada.

Degree: Culture and Education, 2015, Södertörn University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505

► Autobiographies and documentaries usually aim to elicit a discussion about social issues by shocking and horrifying readers and viewers, often through graphic imagery. This… (more)

Subjects/Keywords: gothic; literary gothic; gothic horror; body horror; female gothic; self-harm; self-injury; autobiography; abject; Julia Kristeva; Reviving Ophelia; Mary Pipher; Vingklippt ängel; Berny Pålsson; Zebraflickan; Sofia Åkerman; Slutstation rättspsyk; Carrie; The Exorcist; Stephen King; William Peter Blatty

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APA (6^th Edition):

Hallberg, T. (2015). Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hallberg, Therese. “Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada.” 2015. Thesis, Södertörn University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hallberg, Therese. “Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada.” 2015. Web. 04 Mar 2021.

Vancouver:

Hallberg T. Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada. [Internet] [Thesis]. Södertörn University; 2015. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hallberg T. Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada. [Thesis]. Södertörn University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

McMaster University

12. Kruk, Laurie. "A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe.

Degree: MA, 1986, McMaster University

URL: http://hdl.handle.net/11375/15824

►

In an attempt better to understand the appeal of the Gothic novel during its initial appearance in eighteenth-century England, particularly that of the 'female Gothic' –… (more)

Subjects/Keywords: female Gothic; female sexuality; female creativity; desire; hidden woman artist; eighteenth-century; identity

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APA (6^th Edition):

Kruk, L. (1986). "A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/15824

Chicago Manual of Style (16^th Edition):

Kruk, Laurie. “"A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe.” 1986. Masters Thesis, McMaster University. Accessed March 04, 2021. http://hdl.handle.net/11375/15824.

MLA Handbook (7^th Edition):

Kruk, Laurie. “"A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe.” 1986. Web. 04 Mar 2021.

Vancouver:

Kruk L. "A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe. [Internet] [Masters thesis]. McMaster University; 1986. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11375/15824.

Council of Science Editors:

Kruk L. "A Thousand Nameless Flowers Among the Grass": The Hidden Discourse of Ann Radcliffe. [Masters Thesis]. McMaster University; 1986. Available from: http://hdl.handle.net/11375/15824

Universidade do Rio Grande do Sul

13. Moura, Caroline Navarrina de. A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre.

Degree: 2017, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/172913

►

O objetivo desta dissertação é apresentar uma leitura de O Morro dos Ventos Uivantes (1847), de Emily Brontë, e de Jane Eyre (1847), de Charlotte… (more)

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O objetivo desta dissertação é apresentar uma leitura de O Morro dos Ventos Uivantes (1847), de Emily Brontë, e de Jane Eyre (1847), de Charlotte Brontë, com foco nas convenções góticas contidas nas duas obras e observando as maneiras como tais convenções interferem nos movimentos das duas protagonistas, Catherine e Jane, cada uma lutando para se adaptar ao seu espaço e, ao mesmo tempo, para realizar seus anseios. Apesar de as duas obras serem estruturalmente diferentes uma da outra, ambas compartilham uma atmosfera gótica intensa, bem como uma consequente densidade psicológica que influencia a disposição mental das duas protagonistas. A leitura dos dois romances foi conduzida com a finalidade de explorar as relações encontradas entre os aspectos estruturais, sociais e psicológicos envolvidos, ressaltando os elementos góticos que representam os desafios que Catherine e Jane são forçadas a enfrentar. A obra The Coherence of Gothic Conventions (1986), da crítica literária Eve Kosofsky Sedgwick, é utilizada para identificar e contextualizar a capacidade que as imagens góticas têm de traduzir o peso imposto pelas convenções sociais sobre o processo natural de crescimento das duas protagonistas. Considerando que esse peso é consideravelmente ampliado pelas práticas sociais ligadas a questões de gênero, foi explorado o conceito de Gótico Feminino, como apresentado pela Professora Carol Margaret Davison. Especial atenção é reservada para as imagens relacionadas com espaço – o espaço psicológico necessário para o crescimento emocional das protagonistas; e o espaço físico, que determina onde e como elas devem se movimentar. Aqui o suporte teórico é oferecido pelas poéticas dos elementos primitivos, de Gaston Bachelard, para análise do corpo de imagens apresentadas nos dois romances. A conclusão comenta as soluções encontradas por Catherine Earnshaw e Jane Eyre para abrir caminho e superar os obstáculos que se lhes apresentam; e também ressalta o quanto as convenções góticas conseguem revelar sobre a estrutura social que elas representam.

This thesis consists of a reading of Emily Brontë‘s Wuthering Heights (1847) and Charlotte Brontë‘s, Jane Eyre (1847), focusing on the body of Gothic conventions they hold, and the ways in which such conventions interfere with the movements of the two female protagonists, Catherine and Jane, each struggling to fit into their space, while trying to accomplish their desires. Although the two works are structurally different in several ways, they share an intense Gothic atmosphere and its consequent psychological density, which influences the mental frame of the two protagonists. In order to explore the relations among the structural, social and psychological aspects involved, a reading of the novels has been conducted, focusing on the presence of Gothic elements that stand for the challenges Catherine and Jane are bound to face. Literary critic Eve Kosofsky Sedgwick‘s work The Coherence of Gothic Conventions (1986) is used to identify and contextualise the capacity of Gothic imagery to…

Advisors/Committee Members: Maggio, Sandra Sirangelo.

Subjects/Keywords: Brontë, Emily Jane, 1818-1848. Wuthering heights : Crítica e interpretação; Victorian literature; Brontë, Charlotte, 1816-1855. Jane Eyre : Crítica e interpretação; Literary criticism; Gotico na literatura; Female Gothic; Gothic Conventions

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APA (6^th Edition):

Moura, C. N. d. (2017). A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/172913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Moura, Caroline Navarrina de. “A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed March 04, 2021. http://hdl.handle.net/10183/172913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Moura, Caroline Navarrina de. “A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre.” 2017. Web. 04 Mar 2021.

Vancouver:

Moura CNd. A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10183/172913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moura CNd. A walk with Catherine and Jane : the exposure of gothic conventions in Emily Brontë’s Wuthering Heights and Charlotte Brontë’s Jane Eyre. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/172913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Brownell, Eric. Gothic heroines and cultural trauma in 20th Century literature and film.

Degree: PhD, English, 2015, University of Minnesota

URL: http://hdl.handle.net/11299/170948

► Analyzes how 20th Century British writers and Hollywood filmmakers have adapted common features of the Gothic literary tradition - the imperiled but investigative heroine, the… (more)

Subjects/Keywords: British modernism; Female Gothic; Film melodrama; Gothic; Trauma studies; English

…In my second chapter, on Joseph L. Mankiewicz’s 1946 “female Gothic” film Dragonwyck, I… …suggests that the female Gothic cycle has no significant relationship to the Second World War… …first interpretation of All About Eve (1950) in relation to the female Gothic film… …placed within the female Gothic film tradition to better understand its relationship to the… …film and the female Gothic film, I argue that the villain, Candyman, solicits both the…

1 more image…

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APA (6^th Edition):

Brownell, E. (2015). Gothic heroines and cultural trauma in 20th Century literature and film. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/170948

Chicago Manual of Style (16^th Edition):

Brownell, Eric. “Gothic heroines and cultural trauma in 20th Century literature and film.” 2015. Doctoral Dissertation, University of Minnesota. Accessed March 04, 2021. http://hdl.handle.net/11299/170948.

MLA Handbook (7^th Edition):

Brownell, Eric. “Gothic heroines and cultural trauma in 20th Century literature and film.” 2015. Web. 04 Mar 2021.

Vancouver:

Brownell E. Gothic heroines and cultural trauma in 20th Century literature and film. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11299/170948.

Council of Science Editors:

Brownell E. Gothic heroines and cultural trauma in 20th Century literature and film. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/170948

University of Georgia

15. Stocker, Jacqueline Lee. The prisoner's friend.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/28609

► Gothic, Romantic, and Victorian novels display an interest in friendship. My dissertation, "The Prisoner's Friend: Feeling and Judgment in Radcliffe, Austen, Shelley, Brontë, and Eliot,"… (more)

Subjects/Keywords: Female Gothic; Gothic; Romantic; Victorian; friendship; Ann Radcliffe; Mary Shelley; Jane Austen; Charlotte Brontë; George Eliot; Azar Nafisi; feminist theory; strong objectivity; emotion; reason; sensibility

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APA (6^th Edition):

Stocker, J. L. (2014). The prisoner's friend. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/28609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stocker, Jacqueline Lee. “The prisoner's friend.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/28609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stocker, Jacqueline Lee. “The prisoner's friend.” 2014. Web. 04 Mar 2021.

Vancouver:

Stocker JL. The prisoner's friend. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/28609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stocker JL. The prisoner's friend. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/28609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stockholm University

16. Bornlöf, Julia. Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror.

Degree: Fashion Studies, 2019, Stockholm University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175535

► There is an ongoing fascination with the Victorian era as well as the genre of horror, and the characters originating from the first 18^th… (more)

Subjects/Keywords: Victorian; Gothic; horror; female sexuality; feminism; agency; sadomasochism; gender; visual culture; sexual history.; Other Humanities not elsewhere specified; Övrig annan humaniora

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bornlöf, J. (2019). Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bornlöf, Julia. “Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror.” 2019. Thesis, Stockholm University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bornlöf, Julia. “Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror.” 2019. Web. 04 Mar 2021.

Vancouver:

Bornlöf J. Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror. [Internet] [Thesis]. Stockholm University; 2019. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bornlöf J. Bloody Penny Picture Pose : A comparative study on the representation of sexuality and violence within the aesthetics of Victorian Gothic horror. [Thesis]. Stockholm University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Dayton

17. Hoskinson, Katie E. An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World.

Degree: MA, English, 2011, University of Dayton

URL: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600

► Stephenie Meyer’s four-part series, Twilight, has caused a ruckus in popular culture; however, this love triangle among a high school student and two supernatural… (more)

Subjects/Keywords: Literature; Twilight; Stephenie Meyer; Forks, Washington; female gothic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hoskinson, K. E. (2011). An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World. (Masters Thesis). University of Dayton. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600

Chicago Manual of Style (16^th Edition):

Hoskinson, Katie E. “An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World.” 2011. Masters Thesis, University of Dayton. Accessed March 04, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600.

MLA Handbook (7^th Edition):

Hoskinson, Katie E. “An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World.” 2011. Web. 04 Mar 2021.

Vancouver:

Hoskinson KE. An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World. [Internet] [Masters thesis]. University of Dayton; 2011. [cited 2021 Mar 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600.

Council of Science Editors:

Hoskinson KE. An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World. [Masters Thesis]. University of Dayton; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600

RMIT University

18. Harvey, Y. Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction.

Degree: 2018, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:162654

► Twitch Gothic is a creative practice-based PhD consisting of fifteen short stories, a short film and a creative practice exegesis. This project contemplates the creation… (more)

Subjects/Keywords: Fields of Research; Female Gothic; Australian short story; David Unaipon; Henry Lawson; Chi Vu; Patrick White; Kate Grenville; Peter Carey; Mary Fortune; Waif Wander; Christina Stead; Angela Carter; Barbara Baynton; Creative practice; Poe; Character; Female protagonist; Kristeva Abject; Freud Uncanny; Burke Sublime; Todorov Fantastic; Twitch Gothic; Australian short fiction; Aboriginal Gothic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Harvey, Y. (2018). Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Harvey, Y. “Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction.” 2018. Thesis, RMIT University. Accessed March 04, 2021. http://researchbank.rmit.edu.au/view/rmit:162654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Harvey, Y. “Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction.” 2018. Web. 04 Mar 2021.

Vancouver:

Harvey Y. Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction. [Internet] [Thesis]. RMIT University; 2018. [cited 2021 Mar 04]. Available from: http://researchbank.rmit.edu.au/view/rmit:162654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harvey Y. Twitch Gothic: An exploration of the female protagonist in contemporary Australian Gothic short fiction. [Thesis]. RMIT University; 2018. Available from: http://researchbank.rmit.edu.au/view/rmit:162654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

19. Sluis, Roline. The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction.

Degree: 2014, Leiden University

URL: http://hdl.handle.net/1887/28691

Subjects/Keywords: Female Gothic; Gothic; Shirley Jackson; Hangsaman; The Haunting of Hill House; We Have Always Lived in the Castle

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sluis, R. (2014). The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/28691

Chicago Manual of Style (16^th Edition):

Sluis, Roline. “The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction.” 2014. Masters Thesis, Leiden University. Accessed March 04, 2021. http://hdl.handle.net/1887/28691.

MLA Handbook (7^th Edition):

Sluis, Roline. “The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction.” 2014. Web. 04 Mar 2021.

Vancouver:

Sluis R. The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1887/28691.

Council of Science Editors:

Sluis R. The Many Faces of the Housewife: The Female Gothic in Shirley Jackson's Fiction. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/28691

Universidade do Estado do Rio de Janeiro

20. Ana Paula Araujo dos Santos. O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida .

Degree: Master, 2017, Universidade do Estado do Rio de Janeiro

URL: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11742 ;

►

Desde a sua origem na Inglaterra do século XVIII, a ficção gótica contou com uma significativa contribuição de escritoras. Da relação entre o Gótico e… (more)

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Desde a sua origem na Inglaterra do século XVIII, a ficção gótica contou com uma significativa contribuição de escritoras. Da relação entre o Gótico e a escrita feminina originou-se uma tradição ficcional que Ellen Moers (1976) nomeou de Gótico feminino. A adoção de uma perspectiva aliada aos interesses da mulher trouxe para o Gótico horrores específicos: os segredos domésticos; os abusos físicos e/ou psicológicos sofridos; e o cotidiano dominado por figuras patriarcais opressoras. Propõe-se, nesta dissertação, em primeiro lugar, descrever as principais características das obras do Gótico feminino, tendo por base teórica os estudos empreendidos por David Punter (1996) e Fred Botting (1996), bem como as proposições de Anne Williams (1995) a respeito dos enredos e das principais temáticas dessa tradição. Buscamos ainda demonstrar que esta linhagem do Gótico ofereceu às escritoras brasileiras do século XIX recursos para retratarem a difícil condição da mulher na sociedade. Para tal, empreendemos uma análise da obra da escritora carioca Júlia Lopes de Almeida, cujo livro de contos Ânsia eterna (1903) apresenta amplas consonâncias com a tradição feminina da literatura gótica.

Since its genesis in the eighteenth-century England, Gothic fiction has been counting on considerable contributions from works by women. The relation between Gothic and the women writing has brought about a fictional tradition named Female Gothic, term coined by Ellen Moers (1976). A perspective framed by womens concerns has added distinctive horrors to the Gothic, such as (a) domestic secrets, (b) physical and/or psychological abuses, and (c) daily oppressions from patriarchal figures. In this dissertation, we first and foremost aim at highlighting the main features of Female Gothic texts. As for that, we will be based theoretically on David Punter (1996) and Fred Botting (1996), as much as on statements by Anne Williams (1995) regarding plots and motifs upon this tradition. We will also be pointing out that such branch of Gothic fiction furnished nineteenth-century Brazilian women writers with tools to depict the hardships of being a woman. We have scrutinized, for this reason, the book Ânsia eterna (1903), by Júlia Lopes de Almeida. We believe that her short stories offer close connections with the women tradition of Gothic literature.

Advisors/Committee Members: Fernando Monteiro de Barros Junior, Anna Faedrich Martins Lopez, Júlio César França Pereira.

Subjects/Keywords: Literatura brasileira; Literatura gótica; Gótico feminino; Júlia Lopes de Almeida; Brazilian literature; Gothic literature; Female Gothic; TEORIA LITERARIA; Almeida, Júlia Lopes de, 1862-1934. Ânsia eterna; Almeida, Júlia Lopes de, 1862-1934 Crítica e interpretação; Ficção gótica (Gênero literário) História e crítica; Mulheres na literatura

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Santos, A. P. A. d. (2017). O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida . (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11742 ;

Chicago Manual of Style (16^th Edition):

Santos, Ana Paula Araujo dos. “O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida .” 2017. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed March 04, 2021. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11742 ;.

MLA Handbook (7^th Edition):

Santos, Ana Paula Araujo dos. “O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida .” 2017. Web. 04 Mar 2021.

Vancouver:

Santos APAd. O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida . [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2017. [cited 2021 Mar 04]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11742 ;.

Council of Science Editors:

Santos APAd. O Gótico feminino na literatura brasileira: um estudo de Ânsia eterna, de Júlia Lopes de Almeida . [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2017. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=11742 ;

21. Wallner, Lars. The Forgotten Gothic of Christina Rossetti.

Degree: Faculty of Arts and Sciences, 2010, Linköping UniversityLinköping University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-73141

► In this essay, the author analyzes the Gothic of Christina Rossetti in such poems as A Coast Nightmare, Shut Out, but also the well-known… (more)

Subjects/Keywords: rossetti; christina; gothic; poetry; pre-raphaelites; female gothic; women poets; the prince's progress; goblin market; a coast nightmare; shut out

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wallner, L. (2010). The Forgotten Gothic of Christina Rossetti. (Thesis). Linköping UniversityLinköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-73141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wallner, Lars. “The Forgotten Gothic of Christina Rossetti.” 2010. Thesis, Linköping UniversityLinköping University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-73141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wallner, Lars. “The Forgotten Gothic of Christina Rossetti.” 2010. Web. 04 Mar 2021.

Vancouver:

Wallner L. The Forgotten Gothic of Christina Rossetti. [Internet] [Thesis]. Linköping UniversityLinköping University; 2010. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-73141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wallner L. The Forgotten Gothic of Christina Rossetti. [Thesis]. Linköping UniversityLinköping University; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-73141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Lopes, Elisabete Cristina Simões. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.

Degree: 2012, Universidade Aberta

URL: http://hdl.handle.net/10400.2/2372

► This research aims at examining the way Sylvia Plath, Anne Sexton, Francesca Woodman and Cindy Sherman have carried out female’s body representation, in the light… (more)

Subjects/Keywords: Plath, Sylvia, 1932-1963; Sexton, Anne, 1928-1974; Sherman, Cindy, 1954-; Woodman, Francesca, 1958-1981; Literatura americana; Cultura americana; Mulheres; Corpo humano; Feminilidade; Gótico; Fotógrafos; Gothic; Female gothic; Body; Uncanny; Mirrors; Ghosts; Monsters; Horror; Death; ODS::04:Educação de Qualidade; ODS::05:Igualdade de Género

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APA (6^th Edition):

Lopes, E. C. S. (2012). Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. (Doctoral Dissertation). Universidade Aberta. Retrieved from http://hdl.handle.net/10400.2/2372

Chicago Manual of Style (16^th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Doctoral Dissertation, Universidade Aberta. Accessed March 04, 2021. http://hdl.handle.net/10400.2/2372.

MLA Handbook (7^th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Web. 04 Mar 2021.

Vancouver:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Internet] [Doctoral dissertation]. Universidade Aberta; 2012. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10400.2/2372.

Council of Science Editors:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Doctoral Dissertation]. Universidade Aberta; 2012. Available from: http://hdl.handle.net/10400.2/2372

23. Klee, Márcia Morales. Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta.

Degree: 2008, Universidade Federal do Rio Grande

URL: http://repositorio.furg.br/handle/1/2660

►

Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Letras, Instituto de Letras e Artes, 2008.

O presente trabalho propõe o estudo de… (more)

▼

Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Letras, Instituto de Letras e Artes, 2008.

O presente trabalho propõe o estudo de Changing Heaven – romance de Jane Urquhart publicado em Toronto, Canadá, pela editora Emblem Editions, em 1990. Com ele, pretendo demonstrar a relação existente entre o universo romanesco proposto por Urquhart e aquele da tradição gótica inglesa de autoria feminina, com a qual ela abertamente dialoga. Além disso, aproximo Changing Heaven da série anglo-canadense para o mesmo gênero, estabelecendo, entre eles, relações que visam a caracterizar a feição assumida por esta narrativa junto ao país de Urquhart. Por fim, discorro brevemente sobre de que forma Changing Heaven dialoga com ou revisa a linhagem/ancestralidade de romances góticos de autoria feminina. O conceito de gótico feminino utilizado aqui é aquele cunhado por Ellen Moers (1977). Para o estudo do gótico, embora muitas fontes tenham sido consultadas, vali-me principalmente das concepções de Eugenia DeLamotte e seu Perils of the night: a feminist study of the nineteenth century Gothic (1990). Neste estudo, defendo que a moldura gótica adotada por Urquhart em Changing Heaven permite-lhe sublinhar os temas da identidade, alteridade, memória e o processo de criação artística, bem como reafirmar sua escritura através do diálogo com o romance Wuthering Heights (1897), da inglesa Emily Brontë, a grande matriz narratológica por trás do seu romance.

The present work proposes a study of Jane Urquhart’s Changing Heaven, a novel first published in Toronto, Canada, by Emblem Editions Press in 1990. It aims at demonstrating the relation between the novelistic universe as conceived by Urquhart and that of the female Gothic English tradition, with which she overtly dialogs. Moreover, I bring Changing Heaven near the Anglo-Canadian series of the same genre so as to trace parallels that ultimately intend do explicit the features that shape this kind of narrative in Urquhart’s country. Last, I briefly go over on how Changing Heaven dialogs with or contributes to revise the lineage/tradition of female Gothic novels. The concept of female Gothic used here is the one coined by Ellen Moers (1977). For the study of the Gothic itself, even though many sources have been consulted, Eugenia Delamotte’s Perils of the night: a feminist study of the nineteenth century Gothic (1990) has proved to be especially relevant. In this work, the point made is that the Gothic frame used by Urquhart allows this writer to underline issues concerning identity, otherness, memory and the process of artistic creation, as well as to restate her own writing praxis through the dialog with the novel Wuthering Heights (1897), by Emily Brönte, the main intertext behind Urquhart’s novel.

Advisors/Committee Members: Campello, Eliane Terezinha do Amaral.

Subjects/Keywords: Literatura canadense; Gótico feminino; Jane Urquhart; Canadian literature; Female Gothic

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APA (6^th Edition):

Klee, M. M. (2008). Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta. (Masters Thesis). Universidade Federal do Rio Grande. Retrieved from http://repositorio.furg.br/handle/1/2660

Chicago Manual of Style (16^th Edition):

Klee, Márcia Morales. “Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta.” 2008. Masters Thesis, Universidade Federal do Rio Grande. Accessed March 04, 2021. http://repositorio.furg.br/handle/1/2660.

MLA Handbook (7^th Edition):

Klee, Márcia Morales. “Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta.” 2008. Web. 04 Mar 2021.

Vancouver:

Klee MM. Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta. [Internet] [Masters thesis]. Universidade Federal do Rio Grande; 2008. [cited 2021 Mar 04]. Available from: http://repositorio.furg.br/handle/1/2660.

Council of Science Editors:

Klee MM. Fantasmas da paisagem gótica feminina: tradição dialoga em Changing Heaven, de Jane Urquharta. [Masters Thesis]. Universidade Federal do Rio Grande; 2008. Available from: http://repositorio.furg.br/handle/1/2660

Boise State University

24. Franklin, Kelly. The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts.

Degree: 2020, Boise State University

URL: https://scholarworks.boisestate.edu/td/1675

► This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the… (more)

Subjects/Keywords: Gothic conventions; female oppression; slavery; infanticide; hybridity; resistance; African American Studies; American Literature; Comparative Literature; Literature in English, North America, Ethnic and Cultural Minority; Women's Studies

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APA (6^th Edition):

Franklin, K. (2020). The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts. (Thesis). Boise State University. Retrieved from https://scholarworks.boisestate.edu/td/1675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Franklin, Kelly. “The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts.” 2020. Thesis, Boise State University. Accessed March 04, 2021. https://scholarworks.boisestate.edu/td/1675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Franklin, Kelly. “The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts.” 2020. Web. 04 Mar 2021.

Vancouver:

Franklin K. The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts. [Internet] [Thesis]. Boise State University; 2020. [cited 2021 Mar 04]. Available from: https://scholarworks.boisestate.edu/td/1675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Franklin K. The Gothic Other: A Critique of Race, Gender, Slavery, and Systemic Oppression Found in Nathaniel Hawthorne, Toni Morrison, and Hannah Crafts. [Thesis]. Boise State University; 2020. Available from: https://scholarworks.boisestate.edu/td/1675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universitat de Girona

25. Abella Villar, Pablo. Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350).

Degree: Departament d'Història i Història de l'Art, 2016, Universitat de Girona

URL: http://hdl.handle.net/10803/392161

► This thesis is devoted to the study of the Cistercian Abbey of Las Huelgas de Burgos from its foundation at the end of the 12th… (more)

Subjects/Keywords: Monasterio de Santa María la Real de Las Huelgas (Burgos); Arquitectura gótica hispana; Architecture, Gothic; Monasterios cistercienses; Cistercian monasteries; Monestirs cistercencs; Monacato femenino; Monaquisme femení; Female monasticism; 93

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APA (6^th Edition):

Abella Villar, P. (2016). Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350). (Thesis). Universitat de Girona. Retrieved from http://hdl.handle.net/10803/392161

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Abella Villar, Pablo. “Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350).” 2016. Thesis, Universitat de Girona. Accessed March 04, 2021. http://hdl.handle.net/10803/392161.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Abella Villar, Pablo. “Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350).” 2016. Web. 04 Mar 2021.

Vancouver:

Abella Villar P. Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350). [Internet] [Thesis]. Universitat de Girona; 2016. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10803/392161.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abella Villar P. Patronazgo regio castellano y vida monástica femenina: morfogénesis arquitectónica y organización funcional del monasterio cisterciense de Santa María la Real de Las Huelgas de Burgos (ca. 1187-1350). [Thesis]. Universitat de Girona; 2016. Available from: http://hdl.handle.net/10803/392161

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Louisville

26. Ma, Zuqiong Caroline, 1980-. Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers.

Degree: PhD, 2010, University of Louisville

URL: 10.18297/etd/872 ; https://ir.library.louisville.edu/etd/872

► This study seeks to situate our understanding of Zhang Ailing's Chuanqi as part of global women's efforts to establish a voice of their own by… (more)

Subjects/Keywords: Female Gothic; Carson McCullers; Zhang Ailing; Chinese literature; Eudora Welty; American literature

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APA (6^th Edition):

Ma, Zuqiong Caroline, 1. (2010). Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers. (Doctoral Dissertation). University of Louisville. Retrieved from 10.18297/etd/872 ; https://ir.library.louisville.edu/etd/872

Chicago Manual of Style (16^th Edition):

Ma, Zuqiong Caroline, 1980-. “Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers.” 2010. Doctoral Dissertation, University of Louisville. Accessed March 04, 2021. 10.18297/etd/872 ; https://ir.library.louisville.edu/etd/872.

MLA Handbook (7^th Edition):

Ma, Zuqiong Caroline, 1980-. “Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers.” 2010. Web. 04 Mar 2021.

Vancouver:

Ma, Zuqiong Caroline 1. Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers. [Internet] [Doctoral dissertation]. University of Louisville; 2010. [cited 2021 Mar 04]. Available from: 10.18297/etd/872 ; https://ir.library.louisville.edu/etd/872.

Council of Science Editors:

Ma, Zuqiong Caroline 1. Female Gothic, Chinese and American styles : Zhang Ailing's Chuanqi in comparison with stories by Eudora Welty and Carson McCullers. [Doctoral Dissertation]. University of Louisville; 2010. Available from: 10.18297/etd/872 ; https://ir.library.louisville.edu/etd/872

Linnaeus University

27. Holmestrand, Wilma. Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca.

Degree: Film and Literature, 2021, Linnaeus University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101019

► The aim of this essay is to investigate the meaning and importance of the female friendship within Ellen Moers tradition and theory regarding the… (more)

Subjects/Keywords: Female Gothic; Gone Girl; Kvinnlig gotik; Kvinnlig vänskap; Gotisk litteratur; Gotik; Rebecca; Modern gotik; Nutida gotik; Kvinnliga relationer; Dubbelgångare; Languages and Literature; Språk och litteratur; General Literature Studies; Litteraturvetenskap

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APA (6^th Edition):

Holmestrand, W. (2021). Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Holmestrand, Wilma. “Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca.” 2021. Thesis, Linnaeus University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Holmestrand, Wilma. “Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca.” 2021. Web. 04 Mar 2021.

Vancouver:

Holmestrand W. Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca. [Internet] [Thesis]. Linnaeus University; 2021. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holmestrand W. Kvinnlig vänskap i Gotisk Litteratur : En komperativ studie av Gillian Flynns Gone Girl och Daphne du Mauriers Rebecca. [Thesis]. Linnaeus University; 2021. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Royal Holloway, University of London

28. Le Fevre, Victoria Frances Louise. Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900.

Degree: PhD, 2014, Royal Holloway, University of London

URL: https://pure.royalholloway.ac.uk/portal/en/publications/fin-de-siecle-horrors(a364ea6c-e9a4-4166-b41c-a7a622d42747).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792210

► I aim to make an important contribution to academic discussion of the modes of women's presence in the literatures of modernity, by approaching documentary texts… (more)

Subjects/Keywords: phantasmagoria; gothic; factory girl; New Woman; flaneuse; prostitute; female consumer; commercial display; grotesque body; degeneration; slum narratives; venereal disease; Walter Benjamin; match women; commodity fetish; Gissing; Maugham; Arthur Morrison; Margaret Harkness; Besant; Kipling

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APA (6^th Edition):

Le Fevre, V. F. L. (2014). Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/fin-de-siecle-horrors(a364ea6c-e9a4-4166-b41c-a7a622d42747).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792210

Chicago Manual of Style (16^th Edition):

Le Fevre, Victoria Frances Louise. “Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900.” 2014. Doctoral Dissertation, Royal Holloway, University of London. Accessed March 04, 2021. https://pure.royalholloway.ac.uk/portal/en/publications/fin-de-siecle-horrors(a364ea6c-e9a4-4166-b41c-a7a622d42747).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792210.

MLA Handbook (7^th Edition):

Le Fevre, Victoria Frances Louise. “Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900.” 2014. Web. 04 Mar 2021.

Vancouver:

Le Fevre VFL. Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2014. [cited 2021 Mar 04]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/fin-de-siecle-horrors(a364ea6c-e9a4-4166-b41c-a7a622d42747).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792210.

Council of Science Editors:

Le Fevre VFL. Fin de siècle horrors : women, streetwalking, spectacle and contagion in london slum narratives, 1880-1900. [Doctoral Dissertation]. Royal Holloway, University of London; 2014. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/fin-de-siecle-horrors(a364ea6c-e9a4-4166-b41c-a7a622d42747).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792210

University of the Western Cape

29. Davids, Courtney Laurey. Female identity and landscape in Ann Radcliffe's Gothic Novels .

Degree: 2008, University of the Western Cape

URL: http://hdl.handle.net/11394/2800

► The purpose of this dissertation is to chart the development of an ambivalent female identity in the Gothic genre, as exemplified by Ann Radcliffe's late… (more)

Subjects/Keywords: Gothic literature; Ann Radcliffe; The mysteries of Udolpho; Female identity; Romanticism; Domestic space; Surveillance; Sensibility; The sublime; Landscape

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APA (6^th Edition):

Davids, C. L. (2008). Female identity and landscape in Ann Radcliffe's Gothic Novels . (Thesis). University of the Western Cape. Retrieved from http://hdl.handle.net/11394/2800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Davids, Courtney Laurey. “Female identity and landscape in Ann Radcliffe's Gothic Novels .” 2008. Thesis, University of the Western Cape. Accessed March 04, 2021. http://hdl.handle.net/11394/2800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Davids, Courtney Laurey. “Female identity and landscape in Ann Radcliffe's Gothic Novels .” 2008. Web. 04 Mar 2021.

Vancouver:

Davids CL. Female identity and landscape in Ann Radcliffe's Gothic Novels . [Internet] [Thesis]. University of the Western Cape; 2008. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11394/2800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davids CL. Female identity and landscape in Ann Radcliffe's Gothic Novels . [Thesis]. University of the Western Cape; 2008. Available from: http://hdl.handle.net/11394/2800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Zhuang, Jie. Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen.

Degree: English, 2018, University of California – Irvine

URL: http://www.escholarship.org/uc/item/91g2z8c7

► This dissertation examines the configuration of feminine subjectivity under the mask of proper femininity in the Female Gothic genre and focuses primarily on the works… (more)

▼ This dissertation examines the configuration of feminine subjectivity under the mask of proper femininity in the Female Gothic genre and focuses primarily on the works of Frances Burney, Ann Radcliffe, Charlotte Brontë, and Jane Austen. By investigating the figure of the proper lady in the novels by these women writers, I argue that, despite the women writer’s conformity to the patriarchal demands of proper femininity, they create an ambiguous discourse through their employment of gothic tropes, thereby producing a discourse of resistance that undermines their conservative stances. The ambiguity enabled by the Gothic mode allows them to create a discursive site for the construction of female agency under the mask of the proper lady. Arguing that these women writers negotiate their ideological positions through such performative strategies in response to the rigid control of patriarchy, I provide a feminist account that recognizes a form of agency that I call “ambiguous” as a by-product of the particular historical period. While performative and gender theories provide a theoretical framework for my study, my attention to textual nuances allows me to uncover the masked discourses underneath the surface texts of normative femininity. Chapter one investigates the construction of gender through the ambiguity of the mask in Burney’s The Wanderer. Chapter two examines the ambiguities of the veil in producing female agency in Radcliffe’s The Mysteries of Udolpho and The Italian. Chapter three presents the figure of the ghost as a figure of ambiguity that enables the burgeoning of female subjectivity in Brontë’s Jane Eyre. Chapter four discusses Austen’s irony as a figure of mask and its performative function in Northanger Abby. By showing how my key writers all manage to embed an ambiguous discourse in their narratives through the Gothic mode, I demonstrate that the feminist aspect of the Female Gothic genre lies in the ambiguous discourse present in women’s writing, and that such ambiguity enables the burgeoning of female agency, albeit ambiguously, out of the masquerade of the proper lady.

Subjects/Keywords: English literature; Ambiguous Agency; Charlotte Brontë; Female Gothic; Frances Burney; Jane Austen; Masquerade and Femininity

…in the Female Gothic genre and focuses primarily on the works of Frances Burney, Ann… …Gothic mode, I demonstrate that the feminist aspect of the Female Gothic genre lies in the… …inquiry of the construction of femininity and of female agency in the Female Gothic genre – a… …Ellen Moers in Literary Women, the Female Gothic has been recognized as a genre seeking to… …such as Claire Kahane and Juliann Fleenor insist that the Female Gothic presents “the…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zhuang, J. (2018). Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/91g2z8c7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Zhuang, Jie. “Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen.” 2018. Thesis, University of California – Irvine. Accessed March 04, 2021. http://www.escholarship.org/uc/item/91g2z8c7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Zhuang, Jie. “Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen.” 2018. Web. 04 Mar 2021.

Vancouver:

Zhuang J. Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen. [Internet] [Thesis]. University of California – Irvine; 2018. [cited 2021 Mar 04]. Available from: http://www.escholarship.org/uc/item/91g2z8c7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhuang J. Ambiguous Agency: The Construction of Femininity in the Gothic Writing of Burney, Radcliffe, Brontë, and Austen. [Thesis]. University of California – Irvine; 2018. Available from: http://www.escholarship.org/uc/item/91g2z8c7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations