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You searched for subject:(Farce). Showing records 1 – 29 of 29 total matches.

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Michigan State University

1. Schutz, Walter Stanley. The nature of farce : definition and devices.

Degree: PhD, Department of Speech, 1967, Michigan State University

Subjects/Keywords: Farce

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APA (6th Edition):

Schutz, W. S. (1967). The nature of farce : definition and devices. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:21315

Chicago Manual of Style (16th Edition):

Schutz, Walter Stanley. “The nature of farce : definition and devices.” 1967. Doctoral Dissertation, Michigan State University. Accessed October 14, 2019. http://etd.lib.msu.edu/islandora/object/etd:21315.

MLA Handbook (7th Edition):

Schutz, Walter Stanley. “The nature of farce : definition and devices.” 1967. Web. 14 Oct 2019.

Vancouver:

Schutz WS. The nature of farce : definition and devices. [Internet] [Doctoral dissertation]. Michigan State University; 1967. [cited 2019 Oct 14]. Available from: http://etd.lib.msu.edu/islandora/object/etd:21315.

Council of Science Editors:

Schutz WS. The nature of farce : definition and devices. [Doctoral Dissertation]. Michigan State University; 1967. Available from: http://etd.lib.msu.edu/islandora/object/etd:21315


The Ohio State University

2. Pinter, Martha Pereszlenyi. Theatricality in the late farce of Molière, 1666-1671 .

Degree: PhD, Graduate School, 1981, The Ohio State University

Subjects/Keywords: Literature; Moliere; Farce

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APA (6th Edition):

Pinter, M. P. (1981). Theatricality in the late farce of Molière, 1666-1671 . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487157953418025

Chicago Manual of Style (16th Edition):

Pinter, Martha Pereszlenyi. “Theatricality in the late farce of Molière, 1666-1671 .” 1981. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487157953418025.

MLA Handbook (7th Edition):

Pinter, Martha Pereszlenyi. “Theatricality in the late farce of Molière, 1666-1671 .” 1981. Web. 14 Oct 2019.

Vancouver:

Pinter MP. Theatricality in the late farce of Molière, 1666-1671 . [Internet] [Doctoral dissertation]. The Ohio State University; 1981. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487157953418025.

Council of Science Editors:

Pinter MP. Theatricality in the late farce of Molière, 1666-1671 . [Doctoral Dissertation]. The Ohio State University; 1981. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487157953418025


Baylor University

3. Buck, Daniel Andrew. Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers".

Degree: Theatre Arts., 2010, Baylor University

 American playwright David Lindsay-Abaire’s central subject of interest is a world turned upside down by hardship and pain. Although commonly labeled a dark farce, Lindsay-Abaire’s… (more)

Subjects/Keywords: Fuddy Meers.; Farce.; David Lindsay-Abaire.

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APA (6th Edition):

Buck, D. A. (2010). Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers". (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/7930

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buck, Daniel Andrew. “Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers". ” 2010. Thesis, Baylor University. Accessed October 14, 2019. http://hdl.handle.net/2104/7930.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buck, Daniel Andrew. “Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers". ” 2010. Web. 14 Oct 2019.

Vancouver:

Buck DA. Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers". [Internet] [Thesis]. Baylor University; 2010. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2104/7930.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buck DA. Memory, identity, and farce in carnival mirrors : a director's approach to David Lindsay-Abaire's "Fuddy Meers". [Thesis]. Baylor University; 2010. Available from: http://hdl.handle.net/2104/7930

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

4. Fargo, Matthew Thomas. Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke.

Degree: East Asian Languages & Cultures, Japanese Language, 2011, University of California – Berkeley

 This paper undertakes a survey the creation and reception of Japanese comedic literature in the period leading up to World War 2. Much of the… (more)

Subjects/Keywords: Asian literature; Farce; Humor; Irony; Japanese

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APA (6th Edition):

Fargo, M. T. (2011). Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8937g8ch

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fargo, Matthew Thomas. “Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke.” 2011. Thesis, University of California – Berkeley. Accessed October 14, 2019. http://www.escholarship.org/uc/item/8937g8ch.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fargo, Matthew Thomas. “Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke.” 2011. Web. 14 Oct 2019.

Vancouver:

Fargo MT. Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Oct 14]. Available from: http://www.escholarship.org/uc/item/8937g8ch.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fargo MT. Makino Shinichi, Sakaguchi Ango, and Oda Sakunosuke: Modern Japanese Literature as a Joke. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/8937g8ch

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Chafaa, Nadia. La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens.

Degree: Docteur es, Littérature française, 2010, Avignon

La thèse commence par une ébauche sur l'apparition et l'évolution de la farce, en prenant comme exemple la troupe des Deschiens qui s'en est inspirée,… (more)

Subjects/Keywords: Farce; Evolution; Théâtre; Practical joke; Evolution; Théâtre

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APA (6th Edition):

Chafaa, N. (2010). La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens. (Doctoral Dissertation). Avignon. Retrieved from http://www.theses.fr/2010AVIG1094

Chicago Manual of Style (16th Edition):

Chafaa, Nadia. “La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens.” 2010. Doctoral Dissertation, Avignon. Accessed October 14, 2019. http://www.theses.fr/2010AVIG1094.

MLA Handbook (7th Edition):

Chafaa, Nadia. “La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens.” 2010. Web. 14 Oct 2019.

Vancouver:

Chafaa N. La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens. [Internet] [Doctoral dissertation]. Avignon; 2010. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2010AVIG1094.

Council of Science Editors:

Chafaa N. La farce contemporaine : les Deschiens : Contemporary practical joke : the Deschiens. [Doctoral Dissertation]. Avignon; 2010. Available from: http://www.theses.fr/2010AVIG1094

6. Rémond, François. Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686).

Degree: Docteur es, Études théâtrales, 2014, Université Sorbonne Nouvelle – Paris III

Si le genre théâtral de la farce médiévale est un sujet exploré depuis longtemps par la recherche théâtrale, l’étude de sa postérité au XVIIème siècle… (more)

Subjects/Keywords: Farce; XVIIème siècle; Interprète; Personnage-type; Théâtre parisien; Culture populaire; Farce; 17th century; Performer; Stock Character; Parisian Theatre; Popular Culture

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APA (6th Edition):

Rémond, F. (2014). Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686). (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2014PA030041

Chicago Manual of Style (16th Edition):

Rémond, François. “Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686).” 2014. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed October 14, 2019. http://www.theses.fr/2014PA030041.

MLA Handbook (7th Edition):

Rémond, François. “Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686).” 2014. Web. 14 Oct 2019.

Vancouver:

Rémond F. Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686). [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2014PA030041.

Council of Science Editors:

Rémond F. Le personnage de farce et son interprète : Pratiques des farceurs professionnels parisiens (1610-1686) : The farce character and its performer : Practices of the parisian professional farce players (1610-1686). [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. Available from: http://www.theses.fr/2014PA030041

7. Simon-Walckenaer, Marie-Emmanuelle. La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité.

Degree: Docteur es, Littérature Française, 2015, Université Paris X – Nanterre

Le sacrement de confession, dont l’obligation annuelle est décidée par le concile de Latran IV (1215), est une pratique religieuse qui marque profondément la civilisation… (more)

Subjects/Keywords: Théâtre médiéval; Confession; Pénitence; Mystère; Moralité; Farce; Medieval theatre; Morality play; Mystère; Farce; Confession; Penance; 840

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APA (6th Edition):

Simon-Walckenaer, M. (2015). La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2015PA100004

Chicago Manual of Style (16th Edition):

Simon-Walckenaer, Marie-Emmanuelle. “La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité.” 2015. Doctoral Dissertation, Université Paris X – Nanterre. Accessed October 14, 2019. http://www.theses.fr/2015PA100004.

MLA Handbook (7th Edition):

Simon-Walckenaer, Marie-Emmanuelle. “La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité.” 2015. Web. 14 Oct 2019.

Vancouver:

Simon-Walckenaer M. La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2015. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2015PA100004.

Council of Science Editors:

Simon-Walckenaer M. La confession dans le théâtre de la fin du Moyen Âge : farce, mystère, moralité : Confession in the late medieval franche theatre : farce, mystère, moralité. [Doctoral Dissertation]. Université Paris X – Nanterre; 2015. Available from: http://www.theses.fr/2015PA100004


Université Toulouse II – Le Mirail

8. Besson, Dina. La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link.

Degree: Docteur es, Psychopathologie, 2016, Université Toulouse II – Le Mirail

En 1920, au sortir de la Grande Guerre qui sonna le glas de quatre siècles de domination ottomane, le Grand Liban fut proclamé, d’abord mandaté… (more)

Subjects/Keywords: Liban; Lien social; Discours capitaliste; Farce; Humour; Psychanalyse; Lebanon; Social link; Capitalist discourse; Farce; Humor; Psychoanalysis

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APA (6th Edition):

Besson, D. (2016). La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2016TOU20046

Chicago Manual of Style (16th Edition):

Besson, Dina. “La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link.” 2016. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed October 14, 2019. http://www.theses.fr/2016TOU20046.

MLA Handbook (7th Edition):

Besson, Dina. “La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link.” 2016. Web. 14 Oct 2019.

Vancouver:

Besson D. La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2016. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2016TOU20046.

Council of Science Editors:

Besson D. La farce ou La condition humaine post-tragique : une clinique psychanalytique du lien social du Liban : Farce or Post-tragic human condition : a psychoanalytical and clinical approach of the Lebanese social link. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2016. Available from: http://www.theses.fr/2016TOU20046

9. Pyle, James. Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century.

Degree: 1947, North Texas State Teachers College

 A farce, insofar as this study is concerned, is any afterpiece which has plot, dialogue, and characters. This embraces such widely scattered varieties as burlesque,… (more)

Subjects/Keywords: farce; drama; comedy; sentimentalism; Farce  – History and criticism.

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APA (6th Edition):

Pyle, J. (1947). Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc75630/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pyle, James. “Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century.” 1947. Thesis, North Texas State Teachers College. Accessed October 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc75630/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pyle, James. “Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century.” 1947. Web. 14 Oct 2019.

Vancouver:

Pyle J. Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century. [Internet] [Thesis]. North Texas State Teachers College; 1947. [cited 2019 Oct 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc75630/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pyle J. Sentimentalism and the Survival of the Comedy of Manners as Reflected in the Farces of the Eighteenth Century. [Thesis]. North Texas State Teachers College; 1947. Available from: https://digital.library.unt.edu/ark:/67531/metadc75630/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Sandra Regina Klafke. Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna.

Degree: 2011, Universidade do Vale do Rio do Sinos

Esta dissertação investiga as formas de instauração do humor na literatura carnavalizada, de acordo com Bakhtin, em A cultura popular na Idade Média e no… (more)

Subjects/Keywords: farce; humor; carnavalização; farsa; LINGUISTICA APLICADA; carnavalization; humor

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APA (6th Edition):

Klafke, S. R. (2011). Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna. (Thesis). Universidade do Vale do Rio do Sinos. Retrieved from http://bdtd.unisinos.br/tde_busca/arquivo.php?codArquivo=1945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Klafke, Sandra Regina. “Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna.” 2011. Thesis, Universidade do Vale do Rio do Sinos. Accessed October 14, 2019. http://bdtd.unisinos.br/tde_busca/arquivo.php?codArquivo=1945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Klafke, Sandra Regina. “Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna.” 2011. Web. 14 Oct 2019.

Vancouver:

Klafke SR. Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna. [Internet] [Thesis]. Universidade do Vale do Rio do Sinos; 2011. [cited 2019 Oct 14]. Available from: http://bdtd.unisinos.br/tde_busca/arquivo.php?codArquivo=1945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Klafke SR. Traços de carnavalização na instauração do humor em a farsa da boa preguiça, de Ariano Suassuna. [Thesis]. Universidade do Vale do Rio do Sinos; 2011. Available from: http://bdtd.unisinos.br/tde_busca/arquivo.php?codArquivo=1945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Mrozewski, Matjash Victor. The Comedy of Errors: A Romantic Comedy.

Degree: MFA - Master of Fine Arts, Theatre, 2016, York University

 The Comedy of Errors by William Shakespeare is mostly performed as a knockabout farce. Despite undeniable farcical moments the play possesses a strong romantic strain,… (more)

Subjects/Keywords: Theater; William Shakespeare; Comedy of Errors; Farce; Romance; Comedy

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APA (6th Edition):

Mrozewski, M. V. (2016). The Comedy of Errors: A Romantic Comedy. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32086

Chicago Manual of Style (16th Edition):

Mrozewski, Matjash Victor. “The Comedy of Errors: A Romantic Comedy.” 2016. Masters Thesis, York University. Accessed October 14, 2019. http://hdl.handle.net/10315/32086.

MLA Handbook (7th Edition):

Mrozewski, Matjash Victor. “The Comedy of Errors: A Romantic Comedy.” 2016. Web. 14 Oct 2019.

Vancouver:

Mrozewski MV. The Comedy of Errors: A Romantic Comedy. [Internet] [Masters thesis]. York University; 2016. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10315/32086.

Council of Science Editors:

Mrozewski MV. The Comedy of Errors: A Romantic Comedy. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32086


University of New Orleans

12. Bupp, Justin G. Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.".

Degree: M.F.A., Film and Theatre, 2015, University of New Orleans

  Noises Off is the epitome of farce. Doors everywhere, mistaken identities, and unrequited love. The characters push themselves to the limit, both mentally… (more)

Subjects/Keywords: Acting, Stanislavsky, Strasberg, Noises Off, Frayn, Bupp, Farce; Acting

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APA (6th Edition):

Bupp, J. G. (2015). Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.". (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bupp, Justin G. “Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.".” 2015. Thesis, University of New Orleans. Accessed October 14, 2019. https://scholarworks.uno.edu/td/2059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bupp, Justin G. “Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.".” 2015. Web. 14 Oct 2019.

Vancouver:

Bupp JG. Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.". [Internet] [Thesis]. University of New Orleans; 2015. [cited 2019 Oct 14]. Available from: https://scholarworks.uno.edu/td/2059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bupp JG. Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.". [Thesis]. University of New Orleans; 2015. Available from: https://scholarworks.uno.edu/td/2059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

13. Ramberran, Kevin. Piñata: a dark comedy.

Degree: English, Film, and Theatre, 2015, University of Manitoba

 Piñata: A Dark Comedy is a dark comedy written to explore what an audience is willing to laugh at and what remains when the laughter… (more)

Subjects/Keywords: Dark comedy; Theatre; Play; Comedy; Semiotics; Laughter; Farce; Stage; Oppression

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APA (6th Edition):

Ramberran, K. (2015). Piñata: a dark comedy. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/31042

Chicago Manual of Style (16th Edition):

Ramberran, Kevin. “Piñata: a dark comedy.” 2015. Masters Thesis, University of Manitoba. Accessed October 14, 2019. http://hdl.handle.net/1993/31042.

MLA Handbook (7th Edition):

Ramberran, Kevin. “Piñata: a dark comedy.” 2015. Web. 14 Oct 2019.

Vancouver:

Ramberran K. Piñata: a dark comedy. [Internet] [Masters thesis]. University of Manitoba; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1993/31042.

Council of Science Editors:

Ramberran K. Piñata: a dark comedy. [Masters Thesis]. University of Manitoba; 2015. Available from: http://hdl.handle.net/1993/31042


University of Western Australia

14. Dalla Costa, Dario. The complexities of farce : with a case study on Fawlty Towers.

Degree: MA, 2004, University of Western Australia

This thesis will counter the argument that farce is a simplistic dramatic form low in the theatrical hierarchy and demonstrate that it is both complex… (more)

Subjects/Keywords: Fawlty Towers (Television program); Farce; Laughter

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APA (6th Edition):

Dalla Costa, D. (2004). The complexities of farce : with a case study on Fawlty Towers. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6649&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

Dalla Costa, Dario. “The complexities of farce : with a case study on Fawlty Towers.” 2004. Masters Thesis, University of Western Australia. Accessed October 14, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6649&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

Dalla Costa, Dario. “The complexities of farce : with a case study on Fawlty Towers.” 2004. Web. 14 Oct 2019.

Vancouver:

Dalla Costa D. The complexities of farce : with a case study on Fawlty Towers. [Internet] [Masters thesis]. University of Western Australia; 2004. [cited 2019 Oct 14]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6649&local_base=GEN01-INS01.

Council of Science Editors:

Dalla Costa D. The complexities of farce : with a case study on Fawlty Towers. [Masters Thesis]. University of Western Australia; 2004. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6649&local_base=GEN01-INS01


University of Kansas

15. Ross, Scott Andrew Michael. Isle of Man.

Degree: M.F.A., English, 2014, University of Kansas

 This five-act comedy presents an isolated community of men thirty years after being stranded on a desert isle in circumstances reminiscent of Lord of the… (more)

Subjects/Keywords: Fine arts; Theater; Castaway; Comedy; Farce; Lord of the Flies; Play; Satire

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APA (6th Edition):

Ross, S. A. M. (2014). Isle of Man. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/14613

Chicago Manual of Style (16th Edition):

Ross, Scott Andrew Michael. “Isle of Man.” 2014. Masters Thesis, University of Kansas. Accessed October 14, 2019. http://hdl.handle.net/1808/14613.

MLA Handbook (7th Edition):

Ross, Scott Andrew Michael. “Isle of Man.” 2014. Web. 14 Oct 2019.

Vancouver:

Ross SAM. Isle of Man. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1808/14613.

Council of Science Editors:

Ross SAM. Isle of Man. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/14613


University of New South Wales

16. Milner, Jessica R. The Mechanics of European Farce.

Degree: Drama : Faculty of Arts, 1971, University of New South Wales

 This thesis examines the mechanical comic techniques which are characteristic of farce as a dramatic forma in the European theatre. It briefly traces the origins… (more)

Subjects/Keywords: farce; history; European theatre; vaudeville; comedy

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APA (6th Edition):

Milner, J. R. (1971). The Mechanics of European Farce. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Milner, Jessica R. “The Mechanics of European Farce.” 1971. Doctoral Dissertation, University of New South Wales. Accessed October 14, 2019. http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true.

MLA Handbook (7th Edition):

Milner, Jessica R. “The Mechanics of European Farce.” 1971. Web. 14 Oct 2019.

Vancouver:

Milner JR. The Mechanics of European Farce. [Internet] [Doctoral dissertation]. University of New South Wales; 1971. [cited 2019 Oct 14]. Available from: http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true.

Council of Science Editors:

Milner JR. The Mechanics of European Farce. [Doctoral Dissertation]. University of New South Wales; 1971. Available from: http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true

17. Porter, Corinne Allyce. A Scenic Design Process for a Production of Noises Off.

Degree: MFA, Theatre, 2009, The Ohio State University

 Michael Frayn's Noises Off was a theatrical production presented by The Ohio State University Department of Theatre during autumn quarter of 2008. This thesis is… (more)

Subjects/Keywords: Design; Theater; Noises Off; Michael Frayn; farce

…x28;Britannica). Michael Frayn's farce, Noises Off, is a play within a play. It… …Noises Off is a farce. Farce is a kind of comedy in which the humor is a result of physical… …entertaining than what's on stage. Nothing On, the play within Noises Off, is a sex farce. A sex… …farce is a comedy with a lot of physical action and a number of sexual rendezvous. They… …underwear. Having the play within the play of Noises Off be a sex farce adds to the confusion, and… 

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APA (6th Edition):

Porter, C. A. (2009). A Scenic Design Process for a Production of Noises Off. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1243601318

Chicago Manual of Style (16th Edition):

Porter, Corinne Allyce. “A Scenic Design Process for a Production of Noises Off.” 2009. Masters Thesis, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243601318.

MLA Handbook (7th Edition):

Porter, Corinne Allyce. “A Scenic Design Process for a Production of Noises Off.” 2009. Web. 14 Oct 2019.

Vancouver:

Porter CA. A Scenic Design Process for a Production of Noises Off. [Internet] [Masters thesis]. The Ohio State University; 2009. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243601318.

Council of Science Editors:

Porter CA. A Scenic Design Process for a Production of Noises Off. [Masters Thesis]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243601318


RMIT University

18. Lee, S. “The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film.

Degree: 2016, RMIT University

 Despite the genre of farce being old fashioned, it can still pull an audience and make money. This can be shown in the recent box… (more)

Subjects/Keywords: Fields of Research; Farce; Comedy; Screenwriting; Screenplay; Genre; Script; Scriptwriting; Eric Bentley; Jessica Milner Davis; Albert Bermel

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, S. (2016). “The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, S. ““The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film.” 2016. Thesis, RMIT University. Accessed October 14, 2019. http://researchbank.rmit.edu.au/view/rmit:161987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, S. ““The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film.” 2016. Web. 14 Oct 2019.

Vancouver:

Lee S. “The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 14]. Available from: http://researchbank.rmit.edu.au/view/rmit:161987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee S. “The Wedding Jackpot”: a critical and creative investigation of the farce genre in the context of screenwriting and feature film. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

19. Mordy, Lloyd Murle. The farcical elements in selected comedies of Moliere.

Degree: MS, 1965, Kansas State University

Subjects/Keywords: Farce.; Molière, 1622-1673 – Criticism and interpretation.; Masters theses

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APA (6th Edition):

Mordy, L. M. (1965). The farcical elements in selected comedies of Moliere. (Masters Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/25958

Chicago Manual of Style (16th Edition):

Mordy, Lloyd Murle. “The farcical elements in selected comedies of Moliere.” 1965. Masters Thesis, Kansas State University. Accessed October 14, 2019. http://hdl.handle.net/2097/25958.

MLA Handbook (7th Edition):

Mordy, Lloyd Murle. “The farcical elements in selected comedies of Moliere.” 1965. Web. 14 Oct 2019.

Vancouver:

Mordy LM. The farcical elements in selected comedies of Moliere. [Internet] [Masters thesis]. Kansas State University; 1965. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2097/25958.

Council of Science Editors:

Mordy LM. The farcical elements in selected comedies of Moliere. [Masters Thesis]. Kansas State University; 1965. Available from: http://hdl.handle.net/2097/25958


University of Arizona

20. Mackey, Patricia Therese, 1926-. Noel Coward's technique of farce .

Degree: 1970, University of Arizona

Subjects/Keywords: Coward, Noel, 1899-1973  – Criticism and interpretation.; Farce.

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APA (6th Edition):

Mackey, Patricia Therese, 1. (1970). Noel Coward's technique of farce . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/317884

Chicago Manual of Style (16th Edition):

Mackey, Patricia Therese, 1926-. “Noel Coward's technique of farce .” 1970. Masters Thesis, University of Arizona. Accessed October 14, 2019. http://hdl.handle.net/10150/317884.

MLA Handbook (7th Edition):

Mackey, Patricia Therese, 1926-. “Noel Coward's technique of farce .” 1970. Web. 14 Oct 2019.

Vancouver:

Mackey, Patricia Therese 1. Noel Coward's technique of farce . [Internet] [Masters thesis]. University of Arizona; 1970. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10150/317884.

Council of Science Editors:

Mackey, Patricia Therese 1. Noel Coward's technique of farce . [Masters Thesis]. University of Arizona; 1970. Available from: http://hdl.handle.net/10150/317884

21. Giantsiou Watrinet, Chrysi. Le mime grec antique : Mime in Ancient Greece.

Degree: Docteur es, Littérature comparée, 2010, Avignon

Le théâtre dans la Grèce Antique a développé quatre genres dramatiques : la tragédie, la comédie, le drame satyrique et le mime. Le Mime est le… (more)

Subjects/Keywords: Comédie; Comédie sicilienne; Farce; Mime; Mime alexandrin; Mime dorien; Théâtre dorien; Alexandrie; Doriens; Grèce Antique; Sicile; Comedy; Sicilian comedy; Farce; Mime; Alexandrian mime; Dorian mime; Dorian theatre; Alexandria; Dorians; Ancient Greece; Sicily

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APA (6th Edition):

Giantsiou Watrinet, C. (2010). Le mime grec antique : Mime in Ancient Greece. (Doctoral Dissertation). Avignon. Retrieved from http://www.theses.fr/2010AVIG1090

Chicago Manual of Style (16th Edition):

Giantsiou Watrinet, Chrysi. “Le mime grec antique : Mime in Ancient Greece.” 2010. Doctoral Dissertation, Avignon. Accessed October 14, 2019. http://www.theses.fr/2010AVIG1090.

MLA Handbook (7th Edition):

Giantsiou Watrinet, Chrysi. “Le mime grec antique : Mime in Ancient Greece.” 2010. Web. 14 Oct 2019.

Vancouver:

Giantsiou Watrinet C. Le mime grec antique : Mime in Ancient Greece. [Internet] [Doctoral dissertation]. Avignon; 2010. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2010AVIG1090.

Council of Science Editors:

Giantsiou Watrinet C. Le mime grec antique : Mime in Ancient Greece. [Doctoral Dissertation]. Avignon; 2010. Available from: http://www.theses.fr/2010AVIG1090


University of Vienna

22. Slauf, Katja. Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory.

Degree: 2009, University of Vienna

Die vorliegende Diplomarbeit beinhaltet eine Analyse der Quellen des Komischen in der Britischen Farce aus psychoanalytischer Sicht. Als Grundlage dienen Freuds Kulturtheorien ebenso wie Freuds Witztheorien. Anhand zahlreicher Beispiele wird gezeigt wie die Freudsche Psychoanalyse herangezogen werden kann um ein tieferes Verständnis für das Wesen der Farce gewinnen zu können.

Subjects/Keywords: 24.13 Theatergattungen, Theatersparten; 10.99 Geisteswissenschaften allgemein: Sonstiges; Psychoanalyse und Britische Farce; Psychoanalysis and British Farce

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APA (6th Edition):

Slauf, K. (2009). Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/6592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Slauf, Katja. “Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory.” 2009. Thesis, University of Vienna. Accessed October 14, 2019. http://othes.univie.ac.at/6592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Slauf, Katja. “Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory.” 2009. Web. 14 Oct 2019.

Vancouver:

Slauf K. Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory. [Internet] [Thesis]. University of Vienna; 2009. [cited 2019 Oct 14]. Available from: http://othes.univie.ac.at/6592/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Slauf K. Sources of the comic in the British farce in the light of Freud´s psychoanalytic theory. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/6592/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

23. Buchler, Danièle J. Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett.

Degree: 2003, University of Florida

Subjects/Keywords: Clowns; Dunes; Farce; Masques; Pantomime; Parody; Satire; Sickles; Theater; Valets

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APA (6th Edition):

Buchler, D. J. (2003). Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00020964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buchler, Danièle J. “Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett.” 2003. Thesis, University of Florida. Accessed October 14, 2019. http://ufdc.ufl.edu/AA00020964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buchler, Danièle J. “Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett.” 2003. Web. 14 Oct 2019.

Vancouver:

Buchler DJ. Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett. [Internet] [Thesis]. University of Florida; 2003. [cited 2019 Oct 14]. Available from: http://ufdc.ufl.edu/AA00020964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buchler DJ. Le bouffon et le carnavalesque dans le Theatre Franciase, d'Adam de La Halle à Samuel Beckett. [Thesis]. University of Florida; 2003. Available from: http://ufdc.ufl.edu/AA00020964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

24. Βερβεροπούλου, Ζωή. La farce medievale en France: mise en scene du corps.

Degree: 2000, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Θέατρο, Γαλλικό; Μεσαίωνας; Φάρσα; Σώμα; Παιχνίδια; Γιορτή; Θεατρικότητα; Τέχνασμα; Theatre francais; Moyen age; Farce; Corps; Jeu; Fete; Theatralite; Ruse

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APA (6th Edition):

Βερβεροπούλου, . . (2000). La farce medievale en France: mise en scene du corps. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/23669

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Βερβεροπούλου, Ζωή. “La farce medievale en France: mise en scene du corps.” 2000. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/23669.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Βερβεροπούλου, Ζωή. “La farce medievale en France: mise en scene du corps.” 2000. Web. 14 Oct 2019.

Vancouver:

Βερβεροπούλου . La farce medievale en France: mise en scene du corps. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2000. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/23669.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Βερβεροπούλου . La farce medievale en France: mise en scene du corps. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2000. Available from: http://hdl.handle.net/10442/hedi/23669

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

25. Turner, Irene. Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard.

Degree: MA, 1987, University of Hong Kong

published_or_final_version

Literary Studies

Master

Master of Arts

Subjects/Keywords: Farce.; English drama - 20th century - History and criticism.; English drama - 19th century - History and criticism.; English drama (Comedy) - History and criticism.

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APA (6th Edition):

Turner, I. (1987). Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard. (Masters Thesis). University of Hong Kong. Retrieved from Turner, I.. (1987). Farce on the borderline with special reference to plays by Oscar Wilde, Joe Orton and Tom Stoppard. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3194920 ; http://dx.doi.org/10.5353/th_b3194920 ; http://hdl.handle.net/10722/28089

Chicago Manual of Style (16th Edition):

Turner, Irene. “Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard.” 1987. Masters Thesis, University of Hong Kong. Accessed October 14, 2019. Turner, I.. (1987). Farce on the borderline with special reference to plays by Oscar Wilde, Joe Orton and Tom Stoppard. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3194920 ; http://dx.doi.org/10.5353/th_b3194920 ; http://hdl.handle.net/10722/28089.

MLA Handbook (7th Edition):

Turner, Irene. “Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard.” 1987. Web. 14 Oct 2019.

Vancouver:

Turner I. Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard. [Internet] [Masters thesis]. University of Hong Kong; 1987. [cited 2019 Oct 14]. Available from: Turner, I.. (1987). Farce on the borderline with special reference to plays by Oscar Wilde, Joe Orton and Tom Stoppard. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3194920 ; http://dx.doi.org/10.5353/th_b3194920 ; http://hdl.handle.net/10722/28089.

Council of Science Editors:

Turner I. Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard. [Masters Thesis]. University of Hong Kong; 1987. Available from: Turner, I.. (1987). Farce on the borderline with special reference to plays by Oscar Wilde, Joe Orton and Tom Stoppard. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3194920 ; http://dx.doi.org/10.5353/th_b3194920 ; http://hdl.handle.net/10722/28089


University of Vienna

26. Gruber, Gabriele. Die Sommerspiele Grein.

Degree: 2010, University of Vienna

 Das historische Stadttheater in Grein wurde 1964 von einer Schauspielgruppe aus Wien aus dem Dornröschenschlaf erweckt. Seitdem gibt es jeden Sommer - von Anfang Juli… (more)

Subjects/Keywords: 24.06 Theatergeschichte; 24.12 Regie, Dramaturgie; 24.03 Theorie und Ästhetik des Theaters; das historische Stadttheater Grein / die Entstehung der ersten Sommerspiele Oberösterreichs 1964 / Intendant Michael Gert / Spielplan 1964 bis 2009 / Inszenierungsanalyse "Viktoria" / Farce v. W.S. Maugham

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APA (6th Edition):

Gruber, G. (2010). Die Sommerspiele Grein. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10290/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gruber, Gabriele. “Die Sommerspiele Grein.” 2010. Thesis, University of Vienna. Accessed October 14, 2019. http://othes.univie.ac.at/10290/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gruber, Gabriele. “Die Sommerspiele Grein.” 2010. Web. 14 Oct 2019.

Vancouver:

Gruber G. Die Sommerspiele Grein. [Internet] [Thesis]. University of Vienna; 2010. [cited 2019 Oct 14]. Available from: http://othes.univie.ac.at/10290/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gruber G. Die Sommerspiele Grein. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10290/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

27. Huber, Aimee M. Reviving the Seventies.

Degree: MFA, Theatre, 2007, Virginia Commonwealth University

 Design Analysis of the VCU Mainstage production process for The Nerd The comedic farce, The Nerd, written by Larry Shue and directed by Drew Fracher… (more)

Subjects/Keywords: theater; set execution; The Nerd; farce; set design; 1970s; stage set; Arts and Humanities; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huber, A. M. (2007). Reviving the Seventies. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huber, Aimee M. “Reviving the Seventies.” 2007. Thesis, Virginia Commonwealth University. Accessed October 14, 2019. https://scholarscompass.vcu.edu/etd/1491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huber, Aimee M. “Reviving the Seventies.” 2007. Web. 14 Oct 2019.

Vancouver:

Huber AM. Reviving the Seventies. [Internet] [Thesis]. Virginia Commonwealth University; 2007. [cited 2019 Oct 14]. Available from: https://scholarscompass.vcu.edu/etd/1491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huber AM. Reviving the Seventies. [Thesis]. Virginia Commonwealth University; 2007. Available from: https://scholarscompass.vcu.edu/etd/1491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Montzoli, Andromachi. Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία.

Degree: 2015, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

 Η Γαλλική Κωμωδία και ο Μολιέρος. Το Σχολείο Γυναικών και η «τριλογία».Το έργο Σχολείο Γυναικών, αποτελεί σταθμό στο παγκόσμιο θέατρο και ρεπερτόριο. Άμα τη εμφανίσει… (more)

Subjects/Keywords: Γαλλικό θέατρο; Κλασική κωμωδία; Γαλλική φάρσα; Λαϊκό θέατρο; Θέατρο δρόμου; Μολιέρος; Σχολείο Γυναικών; Αυτοσχεδιασμός των Βερσαλλιών; Παραστάσεις Μολιέρου; Λευτέρης Βογιατζής; Βασίλης Παπαβασιλείου; Λουδοβίκος ΙΔ; Θεατρική σημειολογία; Μολεριάδα; Θέατρο της Ημέρας; Γιατρός με το στανιό; Theatre Francais; Commedie classique; Comedie Francaise; Farce Francaise; Theatre populaire; Moliere; Ecole des femmes; L' impromptu des Versailles; Jacques Lassalle; Lefteris Vogiatzis; Clement Hervieu-Leger; Jean Luc Boute; Vassilis Papavassiliou; Louis XIV; Semiologie de theatre; Molieriade; Theatre du jour; Theatro tis Imeras; Medecin malgre lui

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Montzoli, A. (2015). Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/37691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Montzoli, Andromachi. “Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία.” 2015. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/37691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Montzoli, Andromachi. “Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία.” 2015. Web. 14 Oct 2019.

Vancouver:

Montzoli A. Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/37691.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Montzoli A. Η γαλλική κωμωδία και ο Μολιέρος: το Σχολείο Γυναικών και η τριλογία. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2015. Available from: http://hdl.handle.net/10442/hedi/37691

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

29. Kessler, Eli Mikael. One Hundred and Fifty Percent Elasticity.

Degree: MFA, Sculpture, 2008, Virginia Commonwealth University

 The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the… (more)

Subjects/Keywords: vaudeville; prop; role reversal; makeup; glam rock; Julian Eltinge; David Bowie; Ziggy Stardust; Fashion; Costume; Illusion; Uncanny; Thomas Edison; Drama; Sculpture; Theater; Transitory Sleeves; From Farce to Tragedy; stage; kinetoscope; Art and Design; Arts and Humanities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kessler, E. M. (2008). One Hundred and Fifty Percent Elasticity. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kessler, Eli Mikael. “One Hundred and Fifty Percent Elasticity.” 2008. Thesis, Virginia Commonwealth University. Accessed October 14, 2019. https://scholarscompass.vcu.edu/etd/649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kessler, Eli Mikael. “One Hundred and Fifty Percent Elasticity.” 2008. Web. 14 Oct 2019.

Vancouver:

Kessler EM. One Hundred and Fifty Percent Elasticity. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2019 Oct 14]. Available from: https://scholarscompass.vcu.edu/etd/649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kessler EM. One Hundred and Fifty Percent Elasticity. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.