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You searched for subject:(Faqir Fadia 1956 Criticism AND interpretation). Showing records 1 – 30 of 5144 total matches.

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1. Benenhaley, Anne Z. "DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN.

Degree: 2015, East Carolina University

 This thesis explores both works of fiction and non-fiction through which several Middle Eastern and Arab-American women writers have rebelled against traditional religious and ethical… (more)

Subjects/Keywords: Women's studies; Middle Eastern studies; Brothers; Childlessness; Incest; Mental illness; Patriarchy; Rape; Fathers and daughters in literature; Brothers and sisters in literature; Absentee fathers – In literature; Middle Eastern literature; Arab American women – In literature; Arab American women – Fiction; Women – Middle East – Fiction; Al-Joundi, Darina, 1968-  – Criticism and interpretation; Faqir, Fadia, 1956-  – Criticism and interpretation; Lagnado, Lucette – Criticism and interpretation; Shafak, Elif, 1971-  – Criticism and interpretation; Nicholas, Teresa – Criticism and interpretation; Golley, Nawar Al-Hassan, 1961-  – Criticism and interpretation; Adnan, Etel – Criticism and interpretation; Ṭūqān, Fadwá – Criticism and interpretation; Joseph, Suad – Criticism and interpretation

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APA (6th Edition):

Benenhaley, A. Z. (2015). "DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/4644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benenhaley, Anne Z. “"DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN.” 2015. Thesis, East Carolina University. Accessed March 30, 2020. http://hdl.handle.net/10342/4644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benenhaley, Anne Z. “"DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN.” 2015. Web. 30 Mar 2020.

Vancouver:

Benenhaley AZ. "DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN. [Internet] [Thesis]. East Carolina University; 2015. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10342/4644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benenhaley AZ. "DARKNESS, DIRT, DEVIANCE" – AND DADDY : PATRILINEAL RELATIONSHIPS AND THE NEGOTIATION OF WOMANHOOD IN THE LITERATURE OF MIDDLE EASTERN AND ARAB-AMERICAN WOMEN. [Thesis]. East Carolina University; 2015. Available from: http://hdl.handle.net/10342/4644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

2. Fischer, Bettina. Athol Fugard's use of Bertolt Brecht as a source and influence.

Degree: 2014, University of Johannesburg

M.A. (English)

The aim of this d i s s e r t a t i on is to identify the influence of Bertolt Bretht… (more)

Subjects/Keywords: Fugard, Athol - Criticism and interpretation; Brecht, Bertolt, 1898-1956 - Influence - Fugard

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APA (6th Edition):

Fischer, B. (2014). Athol Fugard's use of Bertolt Brecht as a source and influence. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/9834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fischer, Bettina. “Athol Fugard's use of Bertolt Brecht as a source and influence.” 2014. Thesis, University of Johannesburg. Accessed March 30, 2020. http://hdl.handle.net/10210/9834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fischer, Bettina. “Athol Fugard's use of Bertolt Brecht as a source and influence.” 2014. Web. 30 Mar 2020.

Vancouver:

Fischer B. Athol Fugard's use of Bertolt Brecht as a source and influence. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10210/9834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fischer B. Athol Fugard's use of Bertolt Brecht as a source and influence. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/9834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Oregon State University

3. Margoni, Travis. A material approach : Anne Frances Wysocki and new media.

Degree: MA, English, 2010, Oregon State University

 Anne Frances Wysocki, a scholar in the field of new media and composition studies, has published many articles, book chapters, a textbook, and is a… (more)

Subjects/Keywords: new media; Wysocki, Anne Frances, 1956-  – Criticism and interpretation

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APA (6th Edition):

Margoni, T. (2010). A material approach : Anne Frances Wysocki and new media. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/17404

Chicago Manual of Style (16th Edition):

Margoni, Travis. “A material approach : Anne Frances Wysocki and new media.” 2010. Masters Thesis, Oregon State University. Accessed March 30, 2020. http://hdl.handle.net/1957/17404.

MLA Handbook (7th Edition):

Margoni, Travis. “A material approach : Anne Frances Wysocki and new media.” 2010. Web. 30 Mar 2020.

Vancouver:

Margoni T. A material approach : Anne Frances Wysocki and new media. [Internet] [Masters thesis]. Oregon State University; 2010. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/1957/17404.

Council of Science Editors:

Margoni T. A material approach : Anne Frances Wysocki and new media. [Masters Thesis]. Oregon State University; 2010. Available from: http://hdl.handle.net/1957/17404


East Carolina University

4. Conwell, Joan. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.

Degree: 2011, East Carolina University

 This thesis explores the idea that transnational women writers are liminal figures: marginal as women marginal as writers and marginal as transnational personae "betwixt and… (more)

Subjects/Keywords: Patriarchy in literature; Women authors; Literature and transnationalism; Transnationalism; Adichie, Chimamanda Ngozi, 1977- Purple hibiscus – Criticism and interpretation; Shafak, Elif. Bastard of Istanbul – Criticism and interpretation; Danticat, Edwidge, 1969- Dew breaker – Criticism and interpretation; Faquir, Fadia. Pillars of salt – Criticism and interpretation

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APA (6th Edition):

Conwell, J. (2011). Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13995

Chicago Manual of Style (16th Edition):

Conwell, Joan. “Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.” 2011. Masters Thesis, East Carolina University. Accessed March 30, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13995.

MLA Handbook (7th Edition):

Conwell, Joan. “Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.” 2011. Web. 30 Mar 2020.

Vancouver:

Conwell J. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. [Internet] [Masters thesis]. East Carolina University; 2011. [cited 2020 Mar 30]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13995.

Council of Science Editors:

Conwell J. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. [Masters Thesis]. East Carolina University; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13995

5. Conwell, Joan. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.

Degree: 2013, NC Docks

 This thesis explores the idea that transnational women writers are liminal figures: marginal as women marginal as writers and marginal as transnational personae "betwixt and… (more)

Subjects/Keywords: Patriarchy in literature; Women authors; Literature and transnationalism; Transnationalism; Adichie, Chimamanda Ngozi, 1977- Purple hibiscus – Criticism and interpretation; Shafak, Elif. Bastard of Istanbul – Criticism and interpretation; Danticat, Edwidge, 1969- Dew breaker – Criticism and interpretation; Faquir, Fadia. Pillars of salt – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Conwell, J. (2013). Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Conwell, Joan. “Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.” 2013. Thesis, NC Docks. Accessed March 30, 2020. http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Conwell, Joan. “Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women.” 2013. Web. 30 Mar 2020.

Vancouver:

Conwell J. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Mar 30]. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Conwell J. Dismantling the Center from the Margins : Patriarchy and Transnational Literature by Women. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Portland State University

6. Ghosh, Yashowanto Narayan. Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre.

Degree: MA, World Languages and Literatures, 2018, Portland State University

  The history of Bertolt Brecht's play Leben des Galilei extends through the writing of its three versions during 1938 to 1955  – a period… (more)

Subjects/Keywords: Bertolt Brecht (1898-1956). Leben des Galilei; Bertolt Brecht (1898-1956)  – Criticism and interpretation; German Language and Literature

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APA (6th Edition):

Ghosh, Y. N. (2018). Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/4557

Chicago Manual of Style (16th Edition):

Ghosh, Yashowanto Narayan. “Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre.” 2018. Masters Thesis, Portland State University. Accessed March 30, 2020. https://pdxscholar.library.pdx.edu/open_access_etds/4557.

MLA Handbook (7th Edition):

Ghosh, Yashowanto Narayan. “Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre.” 2018. Web. 30 Mar 2020.

Vancouver:

Ghosh YN. Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre. [Internet] [Masters thesis]. Portland State University; 2018. [cited 2020 Mar 30]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/4557.

Council of Science Editors:

Ghosh YN. Bertolt Brecht's <i>Leben des Galilei</i>: a Mythic Dimension in Epic Theatre. [Masters Thesis]. Portland State University; 2018. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/4557


University of British Columbia

7. Hu, Lingyi. Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction .

Degree: 1990, University of British Columbia

 This M.A. thesis is a critical study of Chen Jiangong's fiction, chiefly attempting to reveal the process of thematic development in this author's works by… (more)

Subjects/Keywords: Chen; Jian'gong; 1956  – Criticism and interpretation

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APA (6th Edition):

Hu, L. (1990). Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/29934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hu, Lingyi. “Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction .” 1990. Thesis, University of British Columbia. Accessed March 30, 2020. http://hdl.handle.net/2429/29934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hu, Lingyi. “Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction .” 1990. Web. 30 Mar 2020.

Vancouver:

Hu L. Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction . [Internet] [Thesis]. University of British Columbia; 1990. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/2429/29934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hu L. Hero, non-hero, and anti-hero : a critical study of the development of Chen Jiangong's fiction . [Thesis]. University of British Columbia; 1990. Available from: http://hdl.handle.net/2429/29934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

8. Van den Heever, Frieda. Bertolt Brecht en die funksionele gebruik van musiek.

Degree: Drama, 2009, Stellenbosch University

Thesis (MDram (Drama)) – University of Stellenbosch, 2009.

This study focuses on Bertolt Brecht`s use of music in his epic theatre. After looking at his objectives… (more)

Subjects/Keywords: Drama; Brecht, Bertolt, 1898-1956  – Criticism and interpretation; Music in the theater

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APA (6th Edition):

Van den Heever, F. (2009). Bertolt Brecht en die funksionele gebruik van musiek. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van den Heever, Frieda. “Bertolt Brecht en die funksionele gebruik van musiek.” 2009. Thesis, Stellenbosch University. Accessed March 30, 2020. http://hdl.handle.net/10019.1/2921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van den Heever, Frieda. “Bertolt Brecht en die funksionele gebruik van musiek.” 2009. Web. 30 Mar 2020.

Vancouver:

Van den Heever F. Bertolt Brecht en die funksionele gebruik van musiek. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10019.1/2921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van den Heever F. Bertolt Brecht en die funksionele gebruik van musiek. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

9. [No author]. Indigenous aesthetics and narratives in the works of Black South African artists in local art museums.

Degree: 2009, University of KwaZulu-Natal

 This dissertation is an amalgam of reformulated essays on artists who had connections with 20-21st century KwaZulu-Natal: They appeared in exhibition catalogues that accompanied the… (more)

Subjects/Keywords: Makhoba, Trevor, 1956-2003 – Criticism and interpretation.; Shilakoe, Cyprian 1946-1972 – Criticism and interpretation.; Mbatha, Azaria, 1941 – Criticism and interpretation.; Artists, Black – KwaZulu-Natal.; Artists – KwaZulu-Natal.

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APA (6th Edition):

author], [. (2009). Indigenous aesthetics and narratives in the works of Black South African artists in local art museums. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/618

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Indigenous aesthetics and narratives in the works of Black South African artists in local art museums. ” 2009. Thesis, University of KwaZulu-Natal. Accessed March 30, 2020. http://hdl.handle.net/10413/618.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Indigenous aesthetics and narratives in the works of Black South African artists in local art museums. ” 2009. Web. 30 Mar 2020.

Vancouver:

author] [. Indigenous aesthetics and narratives in the works of Black South African artists in local art museums. [Internet] [Thesis]. University of KwaZulu-Natal; 2009. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10413/618.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Indigenous aesthetics and narratives in the works of Black South African artists in local art museums. [Thesis]. University of KwaZulu-Natal; 2009. Available from: http://hdl.handle.net/10413/618

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

10. Sinclair, Tara Jernigan. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.

Degree: 2012, East Carolina University

 The disempowerment of women involves factors that influence every aspect of their lives birthing deep oppression victimization and sometimes violence. Fadia Faqir's Pillars of Salt… (more)

Subjects/Keywords: Power (Social sciences) in literature; Females in literature; African literature – Women authors; Middle Eastern literature – Women authors; Faquir, Fadia. Pillars of salt – Criticism and interpretation; Mernissi, Fatima. Dreams of trespass – Criticism and interpretation; Dangarembga, Tsitsi. Nervous conditions – Criticism and interpretation; Adichie, Chimamanda Ngozi, 1977- Purple hibiscus – Criticism and interpretation

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APA (6th Edition):

Sinclair, T. J. (2012). Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13832

Chicago Manual of Style (16th Edition):

Sinclair, Tara Jernigan. “Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.” 2012. Masters Thesis, East Carolina University. Accessed March 30, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13832.

MLA Handbook (7th Edition):

Sinclair, Tara Jernigan. “Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.” 2012. Web. 30 Mar 2020.

Vancouver:

Sinclair TJ. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. [Internet] [Masters thesis]. East Carolina University; 2012. [cited 2020 Mar 30]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13832.

Council of Science Editors:

Sinclair TJ. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. [Masters Thesis]. East Carolina University; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=13832

11. NC DOCKS at East Carolina University; Sinclair, Tara Jernigan. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.

Degree: 2013, NC Docks

 The disempowerment of women involves factors that influence every aspect of their lives birthing deep oppression victimization and sometimes violence. Fadia Faqir's Pillars of Salt… (more)

Subjects/Keywords: Power (Social sciences) in literature; Females in literature; African literature – Women authors; Middle Eastern literature – Women authors; Faquir, Fadia. Pillars of salt – Criticism and interpretation; Mernissi, Fatima. Dreams of trespass – Criticism and interpretation; Dangarembga, Tsitsi. Nervous conditions – Criticism and interpretation; Adichie, Chimamanda Ngozi, 1977- Purple hibiscus – Criticism and interpretation

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APA (6th Edition):

NC DOCKS at East Carolina University; Sinclair, T. J. (2013). Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at East Carolina University; Sinclair, Tara Jernigan. “Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.” 2013. Thesis, NC Docks. Accessed March 30, 2020. http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at East Carolina University; Sinclair, Tara Jernigan. “Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature.” 2013. Web. 30 Mar 2020.

Vancouver:

NC DOCKS at East Carolina University; Sinclair TJ. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Mar 30]. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at East Carolina University; Sinclair TJ. Beyond Their Control : The Disempowerment of Women in Middle Eastern and African Literature. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

12. Lansang, Rachael Leigh, 1987-. Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century.

Degree: PhD, Composition, 2019, Rutgers University

“I confess I enjoyed accentuating the character, perhaps as a provocation!” Thus Isabelle Aboulker, a renowned contemporary French composer, justified setting a viciously misogynistic text… (more)

Subjects/Keywords: Music; Women composers  – 21st century  – Criticism and interpretation; Aboulker, Isabelle  – Criticism and interpretation; Larsen, Libby  – Criticism and interpretation; Shaw, Caroline (Caroline Adelaide)  – Criticism and interpretation; Z, Pamela, 1956-  – Criticism and interpretation

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APA (6th Edition):

Lansang, Rachael Leigh, 1. (2019). Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60817/

Chicago Manual of Style (16th Edition):

Lansang, Rachael Leigh, 1987-. “Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century.” 2019. Doctoral Dissertation, Rutgers University. Accessed March 30, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/60817/.

MLA Handbook (7th Edition):

Lansang, Rachael Leigh, 1987-. “Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century.” 2019. Web. 30 Mar 2020.

Vancouver:

Lansang, Rachael Leigh 1. Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2020 Mar 30]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60817/.

Council of Science Editors:

Lansang, Rachael Leigh 1. Songs for contemporary voices: perspectives and strategies of women making music in the twenty-first century. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60817/


McGill University

13. Fowler, Kenneth Ray. Received truths : problems of the music-text relationship and Bertolt Brecht.

Degree: MA, Department of German., 1987, McGill University

Subjects/Keywords: Brecht, Bertolt, 1898-1956  – Musical settings.; Brecht, Bertolt, 1898-1956  – Criticism and interpretation.

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APA (6th Edition):

Fowler, K. R. (1987). Received truths : problems of the music-text relationship and Bertolt Brecht. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile66168.pdf

Chicago Manual of Style (16th Edition):

Fowler, Kenneth Ray. “Received truths : problems of the music-text relationship and Bertolt Brecht.” 1987. Masters Thesis, McGill University. Accessed March 30, 2020. http://digitool.library.mcgill.ca/thesisfile66168.pdf.

MLA Handbook (7th Edition):

Fowler, Kenneth Ray. “Received truths : problems of the music-text relationship and Bertolt Brecht.” 1987. Web. 30 Mar 2020.

Vancouver:

Fowler KR. Received truths : problems of the music-text relationship and Bertolt Brecht. [Internet] [Masters thesis]. McGill University; 1987. [cited 2020 Mar 30]. Available from: http://digitool.library.mcgill.ca/thesisfile66168.pdf.

Council of Science Editors:

Fowler KR. Received truths : problems of the music-text relationship and Bertolt Brecht. [Masters Thesis]. McGill University; 1987. Available from: http://digitool.library.mcgill.ca/thesisfile66168.pdf


Rhodes University

14. Townsend, Rosemary. Dream and the preternatural in the poetry of Walter de la Mare.

Degree: Faculty of Humanities, English, 1984, Rhodes University

From Chapter 1: In this chapter I hope to illustrate in general terms how de la Mare's interest in dream and the preternatural pervades his… (more)

Subjects/Keywords: De la Mare; Walter; 1873-1956  – Criticism and interpretation

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APA (6th Edition):

Townsend, R. (1984). Dream and the preternatural in the poetry of Walter de la Mare. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1004501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Townsend, Rosemary. “Dream and the preternatural in the poetry of Walter de la Mare.” 1984. Thesis, Rhodes University. Accessed March 30, 2020. http://hdl.handle.net/10962/d1004501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Townsend, Rosemary. “Dream and the preternatural in the poetry of Walter de la Mare.” 1984. Web. 30 Mar 2020.

Vancouver:

Townsend R. Dream and the preternatural in the poetry of Walter de la Mare. [Internet] [Thesis]. Rhodes University; 1984. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10962/d1004501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Townsend R. Dream and the preternatural in the poetry of Walter de la Mare. [Thesis]. Rhodes University; 1984. Available from: http://hdl.handle.net/10962/d1004501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

15. Speirs, Ronald. A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929.

Degree: PhD, 1975, University of Stirling

 This thesis is the first to examine chronologically the earliest published versions of all the full-length plays wrilten by Bertolt Brecht in the years 1918-1929.… (more)

Subjects/Keywords: Brecht; Bertolt; 1898-1956 Criticism and interpretation

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APA (6th Edition):

Speirs, R. (1975). A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/3430

Chicago Manual of Style (16th Edition):

Speirs, Ronald. “A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929.” 1975. Doctoral Dissertation, University of Stirling. Accessed March 30, 2020. http://hdl.handle.net/1893/3430.

MLA Handbook (7th Edition):

Speirs, Ronald. “A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929.” 1975. Web. 30 Mar 2020.

Vancouver:

Speirs R. A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929. [Internet] [Doctoral dissertation]. University of Stirling; 1975. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/1893/3430.

Council of Science Editors:

Speirs R. A study of thematic and stylistic expressions of conflict in the plays of Bertolt Brecht, 1918 - 1929. [Doctoral Dissertation]. University of Stirling; 1975. Available from: http://hdl.handle.net/1893/3430


Portland State University

16. DeWolfe, Brigitte. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht.

Degree: MA, World Languages and Literatures, 1978, Portland State University

  Brecht's concept of character and its influence on the content and style of his works Brecht's concept of character, based on the Marxist-socialist premise… (more)

Subjects/Keywords: Bertolt Brecht (1898-1956)  – Criticism and interpretation; German Literature

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APA (6th Edition):

DeWolfe, B. (1978). Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/2868

Chicago Manual of Style (16th Edition):

DeWolfe, Brigitte. “Aspekte des Charakterbegriffs im Werk von Bertolt Brecht.” 1978. Masters Thesis, Portland State University. Accessed March 30, 2020. https://pdxscholar.library.pdx.edu/open_access_etds/2868.

MLA Handbook (7th Edition):

DeWolfe, Brigitte. “Aspekte des Charakterbegriffs im Werk von Bertolt Brecht.” 1978. Web. 30 Mar 2020.

Vancouver:

DeWolfe B. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. [Internet] [Masters thesis]. Portland State University; 1978. [cited 2020 Mar 30]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/2868.

Council of Science Editors:

DeWolfe B. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. [Masters Thesis]. Portland State University; 1978. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/2868


Massey University

17. Longly-Bierhoff, Jeanne. Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal".

Degree: MA, German, 1978, Massey University

 Ein textkritischer Vergleich zwischen den früheren Fassungen und der letzten Fassung von Bertolt Brechts Baal macht, wie gezeigt werden soll, eine Wandlung der Gestalt Baals… (more)

Subjects/Keywords: Brecht, Bertolt, 1898-1956; Criticism and interpretation

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APA (6th Edition):

Longly-Bierhoff, J. (1978). Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal". (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/12908

Chicago Manual of Style (16th Edition):

Longly-Bierhoff, Jeanne. “Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal".” 1978. Masters Thesis, Massey University. Accessed March 30, 2020. http://hdl.handle.net/10179/12908.

MLA Handbook (7th Edition):

Longly-Bierhoff, Jeanne. “Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal".” 1978. Web. 30 Mar 2020.

Vancouver:

Longly-Bierhoff J. Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal". [Internet] [Masters thesis]. Massey University; 1978. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10179/12908.

Council of Science Editors:

Longly-Bierhoff J. Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal". [Masters Thesis]. Massey University; 1978. Available from: http://hdl.handle.net/10179/12908


McGill University

18. Kaplan, Florence R. Max Beerbohm : an appreciation.

Degree: MA., Department of English., 1932, McGill University

 That colorful period knovm (according to one's taste) as "the gay nineties", "the yellow nineties" , "Tthe decadent nineties",or "the romantic ninetiestt , produced one… (more)

Subjects/Keywords: English.; Beerbohm, Max, Sir, 1872-1956  – Criticism and interpretation.

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APA (6th Edition):

Kaplan, F. R. (1932). Max Beerbohm : an appreciation. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile135162.pdf

Chicago Manual of Style (16th Edition):

Kaplan, Florence R. “Max Beerbohm : an appreciation.” 1932. Masters Thesis, McGill University. Accessed March 30, 2020. http://digitool.library.mcgill.ca/thesisfile135162.pdf.

MLA Handbook (7th Edition):

Kaplan, Florence R. “Max Beerbohm : an appreciation.” 1932. Web. 30 Mar 2020.

Vancouver:

Kaplan FR. Max Beerbohm : an appreciation. [Internet] [Masters thesis]. McGill University; 1932. [cited 2020 Mar 30]. Available from: http://digitool.library.mcgill.ca/thesisfile135162.pdf.

Council of Science Editors:

Kaplan FR. Max Beerbohm : an appreciation. [Masters Thesis]. McGill University; 1932. Available from: http://digitool.library.mcgill.ca/thesisfile135162.pdf


Stellenbosch University

19. Weyer, Christine Louise. Joan Metelerkamp : poet of connection.

Degree: English, 2007, Stellenbosch University

Thesis (MA (English)) – University of Stellenbosch, 2007.

This thesis examines the academically neglected work of contemporary South African poet Joan Metelerkamp. It focuses specifically on… (more)

Subjects/Keywords: English literature; Metelerkamp, Joan,1956-  – Criticism and interpretation

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APA (6th Edition):

Weyer, C. L. (2007). Joan Metelerkamp : poet of connection. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/1767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weyer, Christine Louise. “Joan Metelerkamp : poet of connection.” 2007. Thesis, Stellenbosch University. Accessed March 30, 2020. http://hdl.handle.net/10019.1/1767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weyer, Christine Louise. “Joan Metelerkamp : poet of connection.” 2007. Web. 30 Mar 2020.

Vancouver:

Weyer CL. Joan Metelerkamp : poet of connection. [Internet] [Thesis]. Stellenbosch University; 2007. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10019.1/1767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weyer CL. Joan Metelerkamp : poet of connection. [Thesis]. Stellenbosch University; 2007. Available from: http://hdl.handle.net/10019.1/1767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

20. Reid-Walsh, Jacqueline, 1951-. The burning-glass : a developmental study of Walter de la Mare's poetry.

Degree: PhD, Department of English., 1988, McGill University

 This dissertation offers a revaluation of Walter de la Mare's poetry; it counters two common critical misconceptions; escapism and lack of development. The overall pattern… (more)

Subjects/Keywords: De la Mare; Walter; 1873-1956  – Criticism and interpretation

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APA (6th Edition):

Reid-Walsh, Jacqueline, 1. (1988). The burning-glass : a developmental study of Walter de la Mare's poetry. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile75903.pdf

Chicago Manual of Style (16th Edition):

Reid-Walsh, Jacqueline, 1951-. “The burning-glass : a developmental study of Walter de la Mare's poetry.” 1988. Doctoral Dissertation, McGill University. Accessed March 30, 2020. http://digitool.library.mcgill.ca/thesisfile75903.pdf.

MLA Handbook (7th Edition):

Reid-Walsh, Jacqueline, 1951-. “The burning-glass : a developmental study of Walter de la Mare's poetry.” 1988. Web. 30 Mar 2020.

Vancouver:

Reid-Walsh, Jacqueline 1. The burning-glass : a developmental study of Walter de la Mare's poetry. [Internet] [Doctoral dissertation]. McGill University; 1988. [cited 2020 Mar 30]. Available from: http://digitool.library.mcgill.ca/thesisfile75903.pdf.

Council of Science Editors:

Reid-Walsh, Jacqueline 1. The burning-glass : a developmental study of Walter de la Mare's poetry. [Doctoral Dissertation]. McGill University; 1988. Available from: http://digitool.library.mcgill.ca/thesisfile75903.pdf


University of Arizona

21. Witmeyer, Dorothy Sharp, 1925-. Pío Baroja, Costumbrista and psychological novelist .

Degree: 1954, University of Arizona

Subjects/Keywords: Baroja; Pío; 1872-1956  – Criticism and interpretation.

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APA (6th Edition):

Witmeyer, Dorothy Sharp, 1. (1954). Pío Baroja, Costumbrista and psychological novelist . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/319073

Chicago Manual of Style (16th Edition):

Witmeyer, Dorothy Sharp, 1925-. “Pío Baroja, Costumbrista and psychological novelist .” 1954. Masters Thesis, University of Arizona. Accessed March 30, 2020. http://hdl.handle.net/10150/319073.

MLA Handbook (7th Edition):

Witmeyer, Dorothy Sharp, 1925-. “Pío Baroja, Costumbrista and psychological novelist .” 1954. Web. 30 Mar 2020.

Vancouver:

Witmeyer, Dorothy Sharp 1. Pío Baroja, Costumbrista and psychological novelist . [Internet] [Masters thesis]. University of Arizona; 1954. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10150/319073.

Council of Science Editors:

Witmeyer, Dorothy Sharp 1. Pío Baroja, Costumbrista and psychological novelist . [Masters Thesis]. University of Arizona; 1954. Available from: http://hdl.handle.net/10150/319073


University of Arizona

22. Duffy, Yvonne Victoire, 1917-. Syntax, structure, and style of Pío Baroja .

Degree: 1944, University of Arizona

Subjects/Keywords: Baroja; Pío; 1872-1956  – Criticism and interpretation.

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APA (6th Edition):

Duffy, Yvonne Victoire, 1. (1944). Syntax, structure, and style of Pío Baroja . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553658

Chicago Manual of Style (16th Edition):

Duffy, Yvonne Victoire, 1917-. “Syntax, structure, and style of Pío Baroja .” 1944. Masters Thesis, University of Arizona. Accessed March 30, 2020. http://hdl.handle.net/10150/553658.

MLA Handbook (7th Edition):

Duffy, Yvonne Victoire, 1917-. “Syntax, structure, and style of Pío Baroja .” 1944. Web. 30 Mar 2020.

Vancouver:

Duffy, Yvonne Victoire 1. Syntax, structure, and style of Pío Baroja . [Internet] [Masters thesis]. University of Arizona; 1944. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10150/553658.

Council of Science Editors:

Duffy, Yvonne Victoire 1. Syntax, structure, and style of Pío Baroja . [Masters Thesis]. University of Arizona; 1944. Available from: http://hdl.handle.net/10150/553658


Portland State University

23. Hamor, Magdalena M. ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“).

Degree: MA, World Languages and Literatures, 1966, Portland State University

  Except for literary historians and Germanists, Robert Walser (1878-1956), the Swiss poet, was known until recently only to a small circle of readers. The… (more)

Subjects/Keywords: Robert Walser  – 1878-1956  – Criticism and interpretation; Identity (Philosophical concept)

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APA (6th Edition):

Hamor, M. M. (1966). ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“). (Masters Thesis). Portland State University. Retrieved from http://pdxscholar.library.pdx.edu/open_access_etds/525

Chicago Manual of Style (16th Edition):

Hamor, Magdalena M. “ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“).” 1966. Masters Thesis, Portland State University. Accessed March 30, 2020. http://pdxscholar.library.pdx.edu/open_access_etds/525.

MLA Handbook (7th Edition):

Hamor, Magdalena M. “ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“).” 1966. Web. 30 Mar 2020.

Vancouver:

Hamor MM. ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“). [Internet] [Masters thesis]. Portland State University; 1966. [cited 2020 Mar 30]. Available from: http://pdxscholar.library.pdx.edu/open_access_etds/525.

Council of Science Editors:

Hamor MM. ROBERT WALSER: EIN BEITRAG ZUM THEMA DER IDENTITÄT (Interpretation von “Helbling’s Geschichte“). [Masters Thesis]. Portland State University; 1966. Available from: http://pdxscholar.library.pdx.edu/open_access_etds/525


Michigan State University

24. Mukherjee, Kaustav. Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India.

Degree: 2015, Michigan State University

Thesis Ph. D. Michigan State University. English 2015

This dissertation focuses on the works of Amitav Ghosh and tries to see how literature has tried… (more)

Subjects/Keywords: Ghosh, Amitav, 1956 – Criticism and interpretation; Tagore, Rabindranath, 1861-1941 – Influence; Literature and history – India; History in literature; Silence in literature; Literature; South Asian studies; Asian literature

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APA (6th Edition):

Mukherjee, K. (2015). Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:2430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mukherjee, Kaustav. “Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India.” 2015. Thesis, Michigan State University. Accessed March 30, 2020. http://etd.lib.msu.edu/islandora/object/etd:2430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mukherjee, Kaustav. “Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India.” 2015. Web. 30 Mar 2020.

Vancouver:

Mukherjee K. Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India. [Internet] [Thesis]. Michigan State University; 2015. [cited 2020 Mar 30]. Available from: http://etd.lib.msu.edu/islandora/object/etd:2430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mukherjee K. Chasing ghosts and making history : Ghosh, Tagore, and postcolonial India. [Thesis]. Michigan State University; 2015. Available from: http://etd.lib.msu.edu/islandora/object/etd:2430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

25. Schmiedendorf, Isabel Morgan. A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja .

Degree: 1937, University of Arizona

Subjects/Keywords: Social classes in literature.; Baroja, Pío, 1872-1956  – Criticism and interpretation.; Dickens, Charles, 1812-1870  – Criticism and interpretation.

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APA (6th Edition):

Schmiedendorf, I. M. (1937). A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553341

Chicago Manual of Style (16th Edition):

Schmiedendorf, Isabel Morgan. “A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja .” 1937. Masters Thesis, University of Arizona. Accessed March 30, 2020. http://hdl.handle.net/10150/553341.

MLA Handbook (7th Edition):

Schmiedendorf, Isabel Morgan. “A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja .” 1937. Web. 30 Mar 2020.

Vancouver:

Schmiedendorf IM. A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja . [Internet] [Masters thesis]. University of Arizona; 1937. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10150/553341.

Council of Science Editors:

Schmiedendorf IM. A comparison of the treatment of the lower classes in the novels of Charles Dickens and in those of Pío Baroja . [Masters Thesis]. University of Arizona; 1937. Available from: http://hdl.handle.net/10150/553341


Texas Christian University

26. Wright, Andrea Rohlfs. Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright.

Degree: 1998, Texas Christian University

Subjects/Keywords: Paley, Grace – Criticism and interpretation; Walker, Alice, 1944 – Criticism and interpretation; Obejas, Achy, 1956 – Criticism and interpretation; Oates, Joyce Carol, 1938 – Criticism and interpretation; Literature, Modern – 20th century – History and criticism; Memory in literature; History in literature

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APA (6th Edition):

Wright, A. R. (1998). Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright. (Thesis). Texas Christian University. Retrieved from https://repository.tcu.edu/handle/116099117/32713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wright, Andrea Rohlfs. “Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright.” 1998. Thesis, Texas Christian University. Accessed March 30, 2020. https://repository.tcu.edu/handle/116099117/32713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wright, Andrea Rohlfs. “Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright.” 1998. Web. 30 Mar 2020.

Vancouver:

Wright AR. Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright. [Internet] [Thesis]. Texas Christian University; 1998. [cited 2020 Mar 30]. Available from: https://repository.tcu.edu/handle/116099117/32713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wright AR. Imagining a past : memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates / by Andrea Rohlfs Wright. [Thesis]. Texas Christian University; 1998. Available from: https://repository.tcu.edu/handle/116099117/32713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

27. Mudzanani, Nndanduleni Bethuel. Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier.

Degree: Faculty of Humanities, School of Languages, 1990, Rhodes University

 Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating… (more)

Subjects/Keywords: Olivier, Gerrit, 1954-; Hambidge, Joan, 1956-; De Jong, Marianne; Afrikaans literature  – History and criticism; Afrikaans literature  – Criticism and interpretation

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APA (6th Edition):

Mudzanani, N. B. (1990). Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mudzanani, Nndanduleni Bethuel. “Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier.” 1990. Thesis, Rhodes University. Accessed March 30, 2020. http://hdl.handle.net/10962/d1002174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mudzanani, Nndanduleni Bethuel. “Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier.” 1990. Web. 30 Mar 2020.

Vancouver:

Mudzanani NB. Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier. [Internet] [Thesis]. Rhodes University; 1990. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10962/d1002174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mudzanani NB. Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier. [Thesis]. Rhodes University; 1990. Available from: http://hdl.handle.net/10962/d1002174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

28. McLaren, Greg, 1967-. Translations under the trees : Australian poets' integration of Buddhist ideas and images .

Degree: 2005, University of Sydney

Subjects/Keywords: Australian poetry  – 20th century  – History and criticism.; Australian poetry  – 20th century  – Themes, motives; Buddhism in literature; Stewart, Harold  – Criticism and interpretation.; Gray, Robert, 1945-  – Criticism and interpretation; Beveridge, Judith, 1956-  – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McLaren, Greg, 1. (2005). Translations under the trees : Australian poets' integration of Buddhist ideas and images . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/6830

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McLaren, Greg, 1967-. “Translations under the trees : Australian poets' integration of Buddhist ideas and images .” 2005. Thesis, University of Sydney. Accessed March 30, 2020. http://hdl.handle.net/2123/6830.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McLaren, Greg, 1967-. “Translations under the trees : Australian poets' integration of Buddhist ideas and images .” 2005. Web. 30 Mar 2020.

Vancouver:

McLaren, Greg 1. Translations under the trees : Australian poets' integration of Buddhist ideas and images . [Internet] [Thesis]. University of Sydney; 2005. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/2123/6830.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McLaren, Greg 1. Translations under the trees : Australian poets' integration of Buddhist ideas and images . [Thesis]. University of Sydney; 2005. Available from: http://hdl.handle.net/2123/6830

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Northridge

29. Schulweis, Malkah Muriel. The concept of the self in Saul Bellow's novels.

Degree: MA, Department of English, 1975, California State University – Northridge

 This thesis traces the development of the self in four of Bellow's major novels: ???The Adventures of Augie March???, ???Seize The Day???, ???Henderson The Rain… (more)

Subjects/Keywords: Bellow, Saul – Criticism and interpretation.; Bellow, Saul. Novels, 1956-1964; Dissertations, Academic  – CSUN  – English

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schulweis, M. M. (1975). The concept of the self in Saul Bellow's novels. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/5219

Chicago Manual of Style (16th Edition):

Schulweis, Malkah Muriel. “The concept of the self in Saul Bellow's novels.” 1975. Masters Thesis, California State University – Northridge. Accessed March 30, 2020. http://hdl.handle.net/10211.2/5219.

MLA Handbook (7th Edition):

Schulweis, Malkah Muriel. “The concept of the self in Saul Bellow's novels.” 1975. Web. 30 Mar 2020.

Vancouver:

Schulweis MM. The concept of the self in Saul Bellow's novels. [Internet] [Masters thesis]. California State University – Northridge; 1975. [cited 2020 Mar 30]. Available from: http://hdl.handle.net/10211.2/5219.

Council of Science Editors:

Schulweis MM. The concept of the self in Saul Bellow's novels. [Masters Thesis]. California State University – Northridge; 1975. Available from: http://hdl.handle.net/10211.2/5219

30. Starnes, Ted Duncan. Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht.

Degree: 1982, North Texas State University

 This study explored the relationship between the dramatic and the educational theories developed by Bertolt Brecht and selected twentieth-century theories of pedagogy. A survey of… (more)

Subjects/Keywords: Bertolt Brecht; teaching methods; learning theories; dramatic theories; Gestaltism; Brecht, Bertolt, 1898-1956  – Criticism and interpretation.; Learning, Psychology of.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Starnes, T. D. (1982). Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331941/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Starnes, Ted Duncan. “Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht.” 1982. Thesis, North Texas State University. Accessed March 30, 2020. https://digital.library.unt.edu/ark:/67531/metadc331941/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Starnes, Ted Duncan. “Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht.” 1982. Web. 30 Mar 2020.

Vancouver:

Starnes TD. Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht. [Internet] [Thesis]. North Texas State University; 1982. [cited 2020 Mar 30]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331941/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Starnes TD. Education Through Alienation: Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht. [Thesis]. North Texas State University; 1982. Available from: https://digital.library.unt.edu/ark:/67531/metadc331941/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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