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You searched for subject:(Exempt OR arena theatre A modern bulding of national drama theatre can t depend of only calssical schemes). Showing records 1 – 30 of 313919 total matches.

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Brno University of Technology

1. Hýl, Petr. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.

Degree: 2019, Brno University of Technology

SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor), Svoboda, Lukáš (referee).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA (6th Edition):

Hýl, P. (2019). Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Thesis, Brno University of Technology. Accessed January 17, 2021. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Web. 17 Jan 2021.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

2. Guthu, Sarah Elizabeth. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.

Degree: PhD, 2013, University of Washington

 This dissertation offers a cultural history of the arrival of the second wave of European modernist drama in America in the postwar period, 1950-1970. European… (more)

Subjects/Keywords: Epic Theatre; Modernist Drama; Regional Theatre; Theatre of the Absurd; United States; Theater history; Modern literature; American studies; drama

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APA (6th Edition):

Guthu, S. E. (2013). European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/23358

Chicago Manual of Style (16th Edition):

Guthu, Sarah Elizabeth. “European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.” 2013. Doctoral Dissertation, University of Washington. Accessed January 17, 2021. http://hdl.handle.net/1773/23358.

MLA Handbook (7th Edition):

Guthu, Sarah Elizabeth. “European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.” 2013. Web. 17 Jan 2021.

Vancouver:

Guthu SE. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. [Internet] [Doctoral dissertation]. University of Washington; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1773/23358.

Council of Science Editors:

Guthu SE. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. [Doctoral Dissertation]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/23358


York University

3. McQuinn, Thomas William Bryce. Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970.

Degree: PhD, English, 2015, York University

 _Parched_ mines the rich correlation between queerness and alcoholism on the modern American stage. It explores the peculiar seductions of the queer alcoholic via readings… (more)

Subjects/Keywords: Theater; American literature; GLBT studies; Queer Theory; Queer; Alcoholism; Alcoholic; Alcohol Use Disorder; AUD; Addiction Studies; History of Addiction; LGBT Studies; Eugene O'Neill; Tennessee Williams; Edward Albee; Mart Crowley; Semiotics; Theatrical Figures; Modern Drama; Modern American Drama; American Dramatic Literature; Broadway Theatre; Queer Theatre; Gay Theatre; The Iceman Cometh; Long Day's Journey Into Night; A Streetcar Named Desire; Cat on a Hot Tin Roof; Who's Afraid of Virginia Woolf?; The Boys in the Band; At Home at the Zoo

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APA (6th Edition):

McQuinn, T. W. B. (2015). Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/30636

Chicago Manual of Style (16th Edition):

McQuinn, Thomas William Bryce. “Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970.” 2015. Doctoral Dissertation, York University. Accessed January 17, 2021. http://hdl.handle.net/10315/30636.

MLA Handbook (7th Edition):

McQuinn, Thomas William Bryce. “Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970.” 2015. Web. 17 Jan 2021.

Vancouver:

McQuinn TWB. Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10315/30636.

Council of Science Editors:

McQuinn TWB. Parched: The Queer Alcoholic on the Modern American Stage, 1940-1970. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/30636

4. Silva, Jane Pessoa da. Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico.

Degree: Mestrado, Teoria Literária e Literatura Comparada, 2007, University of São Paulo

Este trabalho, composto de três volumes (I. Historiografia; II. Seleção de textos críticos; e III. Catálogo bibliográfico), tem como objetivo apresentar um panorama da recepção… (more)

Subjects/Keywords: Brazilian theatre; Dramaturgia moderna; Henrik Ibsen; Henrik Ibsen; História do teatro; History of the theatre; Modern drama; Teatro brasileiro

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APA (6th Edition):

Silva, J. P. d. (2007). Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8151/tde-01112007-141703/ ;

Chicago Manual of Style (16th Edition):

Silva, Jane Pessoa da. “Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico.” 2007. Masters Thesis, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-01112007-141703/ ;.

MLA Handbook (7th Edition):

Silva, Jane Pessoa da. “Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico.” 2007. Web. 17 Jan 2021.

Vancouver:

Silva JPd. Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico. [Internet] [Masters thesis]. University of São Paulo; 2007. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-01112007-141703/ ;.

Council of Science Editors:

Silva JPd. Ibsen no Brasil: historiografia, seleção de textos críticos e catálogo bibliográfico. [Masters Thesis]. University of São Paulo; 2007. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-01112007-141703/ ;


University of Washington

5. Ramis, Anna Gabriela. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.

Degree: PhD, 2013, University of Washington

 The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater is a semiotic study that, resorting to the contribution of the… (more)

Subjects/Keywords: Katona Jozsef Theatre; Linguistics; Odin Teatret; Russian formalism & Prague Linguistic Circle; Semiotics of theater; Spanish & Latin American theater; Theater; Theater history; Performing arts; drama

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APA (6th Edition):

Ramis, A. G. (2013). The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/22542

Chicago Manual of Style (16th Edition):

Ramis, Anna Gabriela. “The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.” 2013. Doctoral Dissertation, University of Washington. Accessed January 17, 2021. http://hdl.handle.net/1773/22542.

MLA Handbook (7th Edition):

Ramis, Anna Gabriela. “The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.” 2013. Web. 17 Jan 2021.

Vancouver:

Ramis AG. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. [Internet] [Doctoral dissertation]. University of Washington; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1773/22542.

Council of Science Editors:

Ramis AG. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. [Doctoral Dissertation]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/22542

6. Horowitz, Joshua R. Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut.

Degree: MA, Theatre, 2015, Miami University

 This thesis explores Donald Margulies’s play, Found a Peanut, and takes steps to dramaturgically link it to Robert Skloot’s Theatre of the Holocaust, through both… (more)

Subjects/Keywords: Theater; Theater Studies; Religion; Performing Arts; Judaic Studies; Found a Peanut; Donald Margulies; Jewish Identity; Theatre of the Holocaust; Trauma Acknowledgement; Holocaust; Jewish; Theatre; Jewish American Theatre; Jewish American Playwrights

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Horowitz, J. R. (2015). Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955

Chicago Manual of Style (16th Edition):

Horowitz, Joshua R. “Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut.” 2015. Masters Thesis, Miami University. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955.

MLA Handbook (7th Edition):

Horowitz, Joshua R. “Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut.” 2015. Web. 17 Jan 2021.

Vancouver:

Horowitz JR. Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut. [Internet] [Masters thesis]. Miami University; 2015. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955.

Council of Science Editors:

Horowitz JR. Cracking Open Peanuts: Exploring Jewish Identity and the Theatre of the Holocaust in Donald Margulies's Found a Peanut. [Masters Thesis]. Miami University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1438529955


University of Maryland

7. Lellock, Jasmine Shay. Staged Magic in Early English Drama.

Degree: English Language and Literature, 2013, University of Maryland

 In late medieval and early modern England, magic was everywhere. Although contested, occult beliefs and practices flourished among all classes of people, and they appeared… (more)

Subjects/Keywords: Literature; Theater; History of science; Alchemy; Drama; Magic; Medieval; Renaissance; Theater

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APA (6th Edition):

Lellock, J. S. (2013). Staged Magic in Early English Drama. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/14528

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lellock, Jasmine Shay. “Staged Magic in Early English Drama.” 2013. Thesis, University of Maryland. Accessed January 17, 2021. http://hdl.handle.net/1903/14528.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lellock, Jasmine Shay. “Staged Magic in Early English Drama.” 2013. Web. 17 Jan 2021.

Vancouver:

Lellock JS. Staged Magic in Early English Drama. [Internet] [Thesis]. University of Maryland; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1903/14528.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lellock JS. Staged Magic in Early English Drama. [Thesis]. University of Maryland; 2013. Available from: http://hdl.handle.net/1903/14528

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

8. Young, Vagios. Willy Loman and the American Dream.

Degree: MA, Liberal Studies, 2015, University of Michigan

 The unavoidable question in Death of a Salesman that lingers is whether Willy Loman is an attack, defense or ploy in the representation of the… (more)

Subjects/Keywords: Death of a Salesman; Miller, Arthur; American literature; theater; drama; Willy Loman

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APA (6th Edition):

Young, V. (2015). Willy Loman and the American Dream. (Masters Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/143408

Chicago Manual of Style (16th Edition):

Young, Vagios. “Willy Loman and the American Dream.” 2015. Masters Thesis, University of Michigan. Accessed January 17, 2021. http://hdl.handle.net/2027.42/143408.

MLA Handbook (7th Edition):

Young, Vagios. “Willy Loman and the American Dream.” 2015. Web. 17 Jan 2021.

Vancouver:

Young V. Willy Loman and the American Dream. [Internet] [Masters thesis]. University of Michigan; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2027.42/143408.

Council of Science Editors:

Young V. Willy Loman and the American Dream. [Masters Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/143408


University of Canterbury

9. Mageanu, Daniela Florentina. The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo.

Degree: MA, Japanese, 2015, University of Canterbury

 This thesis explores the various elements of Takarazukaʼs performance style, and analyses how they influence the adaptation of pieces which fall outside this style. As… (more)

Subjects/Keywords: Takarazuka; Japanese theatre; performance; theatre; gender performance; Elisabeth of Habsburg; modern Japanese theatre

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APA (6th Edition):

Mageanu, D. F. (2015). The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo. (Masters Thesis). University of Canterbury. Retrieved from http://dx.doi.org/10.26021/3571

Chicago Manual of Style (16th Edition):

Mageanu, Daniela Florentina. “The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo.” 2015. Masters Thesis, University of Canterbury. Accessed January 17, 2021. http://dx.doi.org/10.26021/3571.

MLA Handbook (7th Edition):

Mageanu, Daniela Florentina. “The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo.” 2015. Web. 17 Jan 2021.

Vancouver:

Mageanu DF. The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo. [Internet] [Masters thesis]. University of Canterbury; 2015. [cited 2021 Jan 17]. Available from: http://dx.doi.org/10.26021/3571.

Council of Science Editors:

Mageanu DF. The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo. [Masters Thesis]. University of Canterbury; 2015. Available from: http://dx.doi.org/10.26021/3571

10. Schaaf, Jeanne. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.

Degree: Docteur es, Études anglophones, 2018, Sorbonne université

En tant qu’espace public, la scène théâtrale est le lieu de la construction et de la déconstruction de représentations de la nation, dans un dialogue… (more)

Subjects/Keywords: Théâtre britannique; Théâtre écossais; Ecosse; Nation; Postnationalisme; Communauté; National Theatre of Scotland; Traverse Theatre; British theatre; Scottish theatre; Scotland; Nation; Postnationalism; Community; National Theatre of Scotland; Traverse Theatre

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APA (6th Edition):

Schaaf, J. (2018). Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL061

Chicago Manual of Style (16th Edition):

Schaaf, Jeanne. “Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.” 2018. Doctoral Dissertation, Sorbonne université. Accessed January 17, 2021. http://www.theses.fr/2018SORUL061.

MLA Handbook (7th Edition):

Schaaf, Jeanne. “Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.” 2018. Web. 17 Jan 2021.

Vancouver:

Schaaf J. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2021 Jan 17]. Available from: http://www.theses.fr/2018SORUL061.

Council of Science Editors:

Schaaf J. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL061


York University

11. Gingrich, Derek Randall. Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics.

Degree: PhD, English, 2020, York University

 Failures to Self-Locate examines the overlooked influence of quantum mechanics on the development of contemporary theatre aesthetics. Physicists began openly grappling with the ramifications of… (more)

Subjects/Keywords: Philosophy of science; Quantum theatre; Contemporary theatre; Modern theatre; Bertolt Brecht; Caryl Churchill; Yasmina Reza; John Mighton; Nick Payne; Jennifer Haley; Roland Schimmelpfennig; Martin Crimp; Odin Teatret; Modal ontology; Theatre and science; Theatre and philosophy; Drama and philosophy

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APA (6th Edition):

Gingrich, D. R. (2020). Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics. (Doctoral Dissertation). York University. Retrieved from https://yorkspace.library.yorku.ca/xmlui/handle/10315/37374

Chicago Manual of Style (16th Edition):

Gingrich, Derek Randall. “Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics.” 2020. Doctoral Dissertation, York University. Accessed January 17, 2021. https://yorkspace.library.yorku.ca/xmlui/handle/10315/37374.

MLA Handbook (7th Edition):

Gingrich, Derek Randall. “Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics.” 2020. Web. 17 Jan 2021.

Vancouver:

Gingrich DR. Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics. [Internet] [Doctoral dissertation]. York University; 2020. [cited 2021 Jan 17]. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/37374.

Council of Science Editors:

Gingrich DR. Failures to Self-Locate: Counterfactual Ontologies in Contemporary Theatre and Physics. [Doctoral Dissertation]. York University; 2020. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/37374


University of Vienna

12. Kitzler, Agnes Maria. The influence of absurdist theatre on contemporary in-yer-face plays.

Degree: 2010, University of Vienna

Die Arbeit behandelt einen möglichen Einfluss des absurden Theaters auf englische In-yer-Face Theaterstücke der 1990er. Dies geschieht anhand einer Auswahl mehrerer Stücke verschiedener Autoren aus… (more)

Subjects/Keywords: 17.82 Dramatik; 24.13 Theatergattungen, Theatersparten; modernes Drama / englisches Drama / absurdes Theater / in-yer-face Theater / Eugène Ionesco / Samuel Beckett / Jean Genet / Harold Pinter / Sarah Kane / Phyllis Nagy / Philip Ridley / Jez Butterworth / Nick Grosso; modern drama / english drama / theatre of the absurd / in-yer-face theatre / Samuel Beckett / Eugène Ionesco / Jean Genet / Harold Pinter / Sarah Kane / Phyllis Nagy / Philip Ridley / Jez Butterworth / Nick Grosso

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APA (6th Edition):

Kitzler, A. M. (2010). The influence of absurdist theatre on contemporary in-yer-face plays. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kitzler, Agnes Maria. “The influence of absurdist theatre on contemporary in-yer-face plays.” 2010. Thesis, University of Vienna. Accessed January 17, 2021. http://othes.univie.ac.at/10759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kitzler, Agnes Maria. “The influence of absurdist theatre on contemporary in-yer-face plays.” 2010. Web. 17 Jan 2021.

Vancouver:

Kitzler AM. The influence of absurdist theatre on contemporary in-yer-face plays. [Internet] [Thesis]. University of Vienna; 2010. [cited 2021 Jan 17]. Available from: http://othes.univie.ac.at/10759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kitzler AM. The influence of absurdist theatre on contemporary in-yer-face plays. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

13. Rygh, Todd Alan. Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage.

Degree: PhD, 2014, University of Washington

 Academic drama has, once again, been rediscovered after being largely ignored by the New Critics and the historicists during the second half of the last… (more)

Subjects/Keywords: Academic Drama; Early Modern Theatre; Medieval Theatre; Neolatin; The Christmas Prince; Thomas Chaundler; Literature; Medieval literature; Theater history; english

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APA (6th Edition):

Rygh, T. A. (2014). Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/25331

Chicago Manual of Style (16th Edition):

Rygh, Todd Alan. “Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage.” 2014. Doctoral Dissertation, University of Washington. Accessed January 17, 2021. http://hdl.handle.net/1773/25331.

MLA Handbook (7th Edition):

Rygh, Todd Alan. “Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage.” 2014. Web. 17 Jan 2021.

Vancouver:

Rygh TA. Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage. [Internet] [Doctoral dissertation]. University of Washington; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1773/25331.

Council of Science Editors:

Rygh TA. Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage. [Doctoral Dissertation]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/25331


Baylor University

14. Kennedy, Chad Landon, 1980-. Unpacking the individual : a director's approach to Ionesco's Rhinoceros.

Degree: M.F.A., Baylor University. Dept. of Theatre Arts., 2020, Baylor University

 In 1959, French-Romanian playwright Eugene Ionesco debuted his play, Rhinoceros, and the theatergoing world was captivated by the curious image of people turning into pachyderms.… (more)

Subjects/Keywords: Eugene Ionesco. Theatre of the Absurd. Rhinoceros. Individualism. Personalism. Herd mentality. French avant-garde. Modern drama.

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APA (6th Edition):

Kennedy, Chad Landon, 1. (2020). Unpacking the individual : a director's approach to Ionesco's Rhinoceros. (Masters Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/11015

Chicago Manual of Style (16th Edition):

Kennedy, Chad Landon, 1980-. “Unpacking the individual : a director's approach to Ionesco's Rhinoceros.” 2020. Masters Thesis, Baylor University. Accessed January 17, 2021. http://hdl.handle.net/2104/11015.

MLA Handbook (7th Edition):

Kennedy, Chad Landon, 1980-. “Unpacking the individual : a director's approach to Ionesco's Rhinoceros.” 2020. Web. 17 Jan 2021.

Vancouver:

Kennedy, Chad Landon 1. Unpacking the individual : a director's approach to Ionesco's Rhinoceros. [Internet] [Masters thesis]. Baylor University; 2020. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2104/11015.

Council of Science Editors:

Kennedy, Chad Landon 1. Unpacking the individual : a director's approach to Ionesco's Rhinoceros. [Masters Thesis]. Baylor University; 2020. Available from: http://hdl.handle.net/2104/11015


Bowling Green State University

15. Connick, Rob. Rethinking Artaud's Theoretical and Practical Works.

Degree: PhD, Theatre and Film, 2011, Bowling Green State University

 This study aims to counter the claims that Artaud was a practical failure and his theoretical writings had little value for theatre practice during his… (more)

Subjects/Keywords: Performing Arts; Theater; Theater History; Theater Studies; Antonin Artaud; Theatre of Cruelty; French Theatre; Alfred Jarry Theatre; The Cenci; 20th Century Theatre

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APA (6th Edition):

Connick, R. (2011). Rethinking Artaud's Theoretical and Practical Works. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

Chicago Manual of Style (16th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Doctoral Dissertation, Bowling Green State University. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

MLA Handbook (7th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Web. 17 Jan 2021.

Vancouver:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Internet] [Doctoral dissertation]. Bowling Green State University; 2011. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

Council of Science Editors:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Doctoral Dissertation]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063


University of Edinburgh

16. Boll, Julia. Unlisted character : on the representation of war and conflict on the contemporary stage.

Degree: PhD, 2011, University of Edinburgh

 The focus of this dissertation is the theatrical representation of both the individual and war in a time of disintegrating national states and the dramatisation… (more)

Subjects/Keywords: theatre; drama; new wars; adaption; In-Yer-Face Theatre; Homo Sacer; depiction of violence; war

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APA (6th Edition):

Boll, J. (2011). Unlisted character : on the representation of war and conflict on the contemporary stage. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/7987

Chicago Manual of Style (16th Edition):

Boll, Julia. “Unlisted character : on the representation of war and conflict on the contemporary stage.” 2011. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2021. http://hdl.handle.net/1842/7987.

MLA Handbook (7th Edition):

Boll, Julia. “Unlisted character : on the representation of war and conflict on the contemporary stage.” 2011. Web. 17 Jan 2021.

Vancouver:

Boll J. Unlisted character : on the representation of war and conflict on the contemporary stage. [Internet] [Doctoral dissertation]. University of Edinburgh; 2011. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1842/7987.

Council of Science Editors:

Boll J. Unlisted character : on the representation of war and conflict on the contemporary stage. [Doctoral Dissertation]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/7987


National University of Ireland – Galway

17. McHugh, Emer. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities .

Degree: 2019, National University of Ireland – Galway

 This dissertation explores the performance of Shakespeare by Irish theatre practitioners in Ireland and England at a time of significant biopolitical, social, and legislative change… (more)

Subjects/Keywords: Shakespeare; Performance Studies; Irish Theatre; Gender and Sexuality Studies; Early Modern Performance; Theatre History; British Theatre; Feminist Theatre; LGBTQ Theatre; Drama and Theatre Studies; Humanities; Drama, Theatre and Performance

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APA (6th Edition):

McHugh, E. (2019). Shakespeare, gender, and contemporary Ireland: performing and recreating national identities . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/14937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McHugh, Emer. “Shakespeare, gender, and contemporary Ireland: performing and recreating national identities .” 2019. Thesis, National University of Ireland – Galway. Accessed January 17, 2021. http://hdl.handle.net/10379/14937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McHugh, Emer. “Shakespeare, gender, and contemporary Ireland: performing and recreating national identities .” 2019. Web. 17 Jan 2021.

Vancouver:

McHugh E. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities . [Internet] [Thesis]. National University of Ireland – Galway; 2019. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10379/14937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McHugh E. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities . [Thesis]. National University of Ireland – Galway; 2019. Available from: http://hdl.handle.net/10379/14937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Avkhimovich, Irina Sergeyevna. Performing the national past: history on stage in imperial Russia.

Degree: PhD, Slavic Languages & Literature, 2017, University of Illinois – Urbana-Champaign

 This dissertation closely examines 18th- and 19th-century Russian historical dramas set in the Time of Troubles, which was the era of dynastic crisis and the… (more)

Subjects/Keywords: Russian; Drama; Theater; 19th century; National

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APA (6th Edition):

Avkhimovich, I. S. (2017). Performing the national past: history on stage in imperial Russia. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/98138

Chicago Manual of Style (16th Edition):

Avkhimovich, Irina Sergeyevna. “Performing the national past: history on stage in imperial Russia.” 2017. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 17, 2021. http://hdl.handle.net/2142/98138.

MLA Handbook (7th Edition):

Avkhimovich, Irina Sergeyevna. “Performing the national past: history on stage in imperial Russia.” 2017. Web. 17 Jan 2021.

Vancouver:

Avkhimovich IS. Performing the national past: history on stage in imperial Russia. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2017. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2142/98138.

Council of Science Editors:

Avkhimovich IS. Performing the national past: history on stage in imperial Russia. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2017. Available from: http://hdl.handle.net/2142/98138

19. Curado, Gustavo Idelbrando. Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas.

Degree: Mestrado, Pedagogia do Teatro, 2012, University of São Paulo

A presente dissertação objetiva investigar, relatar e analisar as ações culturais e artísticas promovidas pelo grupo de teatro Dolores Boca Aberta Mecatrônica De Artes. A… (more)

Subjects/Keywords: Ação Artística; Ação Cultural; Arboreal Arena; Arena Arbórea; Artist Worker; Artistical Action; Cultural Action; means of production; Modos de Produção; Political Theatre; Teatro Mutirão; Teatro Político; Theatre Community; Trabalhador-Artista

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APA (6th Edition):

Curado, G. I. (2012). Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27155/tde-17042013-092122/ ;

Chicago Manual of Style (16th Edition):

Curado, Gustavo Idelbrando. “Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas.” 2012. Masters Thesis, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-17042013-092122/ ;.

MLA Handbook (7th Edition):

Curado, Gustavo Idelbrando. “Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas.” 2012. Web. 17 Jan 2021.

Vancouver:

Curado GI. Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27155/tde-17042013-092122/ ;.

Council of Science Editors:

Curado GI. Pólen, Pólis, Política: encen[ações] de um coletivo de trabalhadores-artistas. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27155/tde-17042013-092122/ ;

20. Streeter, Joshua Aaron. Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon.

Degree: MA, Theatre, 2019, The Ohio State University

 Classicists and theater scholars have long identified the chorus as a “problem” for modern directors of Greek tragedies, a recurring label which Billings, Budelmann, and… (more)

Subjects/Keywords: Theater; Greek drama; Greek tragedy; Greek theater; Greek chorus; American Theater; Modern performances of Greek drama

…assume that a modern theater company would not experience the same sort of tragic choral… …23 Figure 3. A collage of Gorilla Theatre Productions’ early tragedies… …designers, and directors in the 21st century, the chorus of Ancient Greek theater presents a… …tragedy? The chorus’ centrality to the theater of Classical Athens cannot be overstated. As only… …x28;103). The choruses of the National Greek Theatre touring productions of Oedipus in 1952… 

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APA (6th Edition):

Streeter, J. A. (2019). Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454

Chicago Manual of Style (16th Edition):

Streeter, Joshua Aaron. “Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon.” 2019. Masters Thesis, The Ohio State University. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454.

MLA Handbook (7th Edition):

Streeter, Joshua Aaron. “Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon.” 2019. Web. 17 Jan 2021.

Vancouver:

Streeter JA. Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon. [Internet] [Masters thesis]. The Ohio State University; 2019. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454.

Council of Science Editors:

Streeter JA. Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon. [Masters Thesis]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454

21. Χάλκου, Κατερίνα. Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.

Degree: 2014, University of Patras

Την εργασία απασχολούν οι τεχνικές του θεάτρου εν θεάτρω στη νεοελληνική δραματουργία που χρησιμοποιεί τον αρχαίο μύθο ως ανακλαστικό καθρέπτη, ο οποίος τέμνει τις πλοκές… (more)

Subjects/Keywords: Θέατρο εν θεάτρω; Θέατρο; Δράμα; Μεταθέατρο; Έργο μέσα στο έργο; Μεταδράμα; Μεταδραματικό θέατρο; Αρχαίος μύθος; Αρχαιόθεμη δραματουργία; Αρχαιόμυθη δραματουργία; Νεοελληνική δραματουργία; Παύλος Μάτεσις; Ιάκωβος Καμπανέλλης; Γιώργος Σκούρτης; 889.234 090 15; Theater in theater; Theatre; Drama; Metatheater; Play within a play; Metadrama; Postdramatic theatre; Ancient tragedy; Myth; Modern Greek drama; Pavlos Matesis; Iakovos Kambanellis; Giorgos Skourtis

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Χάλκου, . (2014). Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. (Masters Thesis). University of Patras. Retrieved from http://hdl.handle.net/10889/7657

Chicago Manual of Style (16th Edition):

Χάλκου, Κατερίνα. “Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.” 2014. Masters Thesis, University of Patras. Accessed January 17, 2021. http://hdl.handle.net/10889/7657.

MLA Handbook (7th Edition):

Χάλκου, Κατερίνα. “Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.” 2014. Web. 17 Jan 2021.

Vancouver:

Χάλκου . Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. [Internet] [Masters thesis]. University of Patras; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10889/7657.

Council of Science Editors:

Χάλκου . Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. [Masters Thesis]. University of Patras; 2014. Available from: http://hdl.handle.net/10889/7657


Arizona State University

22. Schoenfelder, Joseph Walter. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.

Degree: Theatre, 2018, Arizona State University

 The purpose of this mixed methods case study was to evaluate a dramatic arts curriculum focused on building protective factors including resiliency, cognitive flexibility, self-efficacy,… (more)

Subjects/Keywords: Theater; Behavioral psychology; Applied Theatre; Hope; Performance; Resilience; Self-Efficacy; Theatre of the Oppressed

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APA (6th Edition):

Schoenfelder, J. W. (2018). Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/49354

Chicago Manual of Style (16th Edition):

Schoenfelder, Joseph Walter. “Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.” 2018. Doctoral Dissertation, Arizona State University. Accessed January 17, 2021. http://repository.asu.edu/items/49354.

MLA Handbook (7th Edition):

Schoenfelder, Joseph Walter. “Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.” 2018. Web. 17 Jan 2021.

Vancouver:

Schoenfelder JW. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2021 Jan 17]. Available from: http://repository.asu.edu/items/49354.

Council of Science Editors:

Schoenfelder JW. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/49354


University of Missouri – Kansas City

23. Anderson, Andrea Jane. Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse.

Degree: 2012, University of Missouri – Kansas City

 In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to… (more)

Subjects/Keywords: Little theater movement; Theater  – Tennessee  – Nashville - History; Thesis  – University of Missouri – Kansas City  – Theatre

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APA (6th Edition):

Anderson, A. J. (2012). Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse. (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/14079

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Andrea Jane. “Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse.” 2012. Thesis, University of Missouri – Kansas City. Accessed January 17, 2021. http://hdl.handle.net/10355/14079.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Andrea Jane. “Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse.” 2012. Web. 17 Jan 2021.

Vancouver:

Anderson AJ. Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse. [Internet] [Thesis]. University of Missouri – Kansas City; 2012. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10355/14079.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson AJ. Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse. [Thesis]. University of Missouri – Kansas City; 2012. Available from: http://hdl.handle.net/10355/14079

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Akron

24. Gambill, Christin N. " A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition.

Degree: MA, Theatre Arts, 2016, University of Akron

 This paper will explore the relationship between the English Renaissance theatre and the society in which it existed. Beginning with the reign of Elizabeth I,… (more)

Subjects/Keywords: Theater History; Theater; Theater Studies; Fine Arts; Performing Arts; English Renaissance theatre; Elizabeth I; early Stuarts; Interregnum; English theatre of the Restoration; Theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gambill, C. N. (2016). " A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition. (Masters Thesis). University of Akron. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=akron1458984846

Chicago Manual of Style (16th Edition):

Gambill, Christin N. “" A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition.” 2016. Masters Thesis, University of Akron. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=akron1458984846.

MLA Handbook (7th Edition):

Gambill, Christin N. “" A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition.” 2016. Web. 17 Jan 2021.

Vancouver:

Gambill CN. " A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition. [Internet] [Masters thesis]. University of Akron; 2016. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1458984846.

Council of Science Editors:

Gambill CN. " A Poor Player That Struts and Frets His Hour Upon the Stage..." The English Theatre in Transition. [Masters Thesis]. University of Akron; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1458984846


Louisiana State University

25. Hebert, Neal Anderson. Professional Wrestling: Local Performance History, Global Performance Praxis.

Degree: PhD, Theatre and Performance Studies, 2016, Louisiana State University

 Professional Wrestling: Local Performance History, Global Performance Praxis, is a work of interdisciplinary scholarship (combining elements of theatre history, performance studies, and philosophy) that addresses… (more)

Subjects/Keywords: theatre; theatre history; performance studies; Noel Carroll; Mary Sirridge; theater; theater history; professional wrestling; sport; analytic philosophy; aesthetics; philosophy of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hebert, N. A. (2016). Professional Wrestling: Local Performance History, Global Performance Praxis. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329

Chicago Manual of Style (16th Edition):

Hebert, Neal Anderson. “Professional Wrestling: Local Performance History, Global Performance Praxis.” 2016. Doctoral Dissertation, Louisiana State University. Accessed January 17, 2021. etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329.

MLA Handbook (7th Edition):

Hebert, Neal Anderson. “Professional Wrestling: Local Performance History, Global Performance Praxis.” 2016. Web. 17 Jan 2021.

Vancouver:

Hebert NA. Professional Wrestling: Local Performance History, Global Performance Praxis. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2021 Jan 17]. Available from: etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329.

Council of Science Editors:

Hebert NA. Professional Wrestling: Local Performance History, Global Performance Praxis. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329


Stockholm University

26. Weber, Minon. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).

Degree: English, 2020, Stockholm University

  Towards the end of the 19th century Oscar Wilde wrote the four society plays that would become his most famous dramatical works: Lady Windermere’s Fan (1892), A… (more)

Subjects/Keywords: Oscar Wilde; Victorian Literature; Drama; Theatre; 19th Century Literature; Renaissance Drama; Theatre; Elizabethan Drama; Jacobean Drama; A Florentine Tragedy; The Duchess of Padua; Wilde; Wilde Studies; Transgression; Feminist Criticism; Historicist Criticism; Genetic Criticism; Specific Languages; Studier av enskilda språk

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weber, M. (2020). Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weber, Minon. “Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).” 2020. Thesis, Stockholm University. Accessed January 17, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weber, Minon. “Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).” 2020. Web. 17 Jan 2021.

Vancouver:

Weber M. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). [Internet] [Thesis]. Stockholm University; 2020. [cited 2021 Jan 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weber M. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). [Thesis]. Stockholm University; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

27. [No author]. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people .

Degree: 2011, University of Pretoria

 This dissertation positions Community Theatre as an agency for development and education based on the educational principles of Freire and Boal’s Theatre for Development. The… (more)

Subjects/Keywords: Development; Appreciative inquiry; Theatre of the oppressed; Pedagogy of the oppressed; Social change; Meaningful participation.; Theatre for development; Drama in education; Theatre in education; Conscientisation; Peer education; Community theatre; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2011). An appreciative inquiry approach to community theatre on HIV and AIDS education for young people . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-02012011-203230/

Chicago Manual of Style (16th Edition):

author], [No. “An appreciative inquiry approach to community theatre on HIV and AIDS education for young people .” 2011. Masters Thesis, University of Pretoria. Accessed January 17, 2021. http://upetd.up.ac.za/thesis/available/etd-02012011-203230/.

MLA Handbook (7th Edition):

author], [No. “An appreciative inquiry approach to community theatre on HIV and AIDS education for young people .” 2011. Web. 17 Jan 2021.

Vancouver:

author] [. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people . [Internet] [Masters thesis]. University of Pretoria; 2011. [cited 2021 Jan 17]. Available from: http://upetd.up.ac.za/thesis/available/etd-02012011-203230/.

Council of Science Editors:

author] [. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people . [Masters Thesis]. University of Pretoria; 2011. Available from: http://upetd.up.ac.za/thesis/available/etd-02012011-203230/


University of Pretoria

28. Maritz, Gerrit Ulrich. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people.

Degree: Drama, 2011, University of Pretoria

 This dissertation positions Community Theatre as an agency for development and education based on the educational principles of Freire and Boal’s Theatre for Development. The… (more)

Subjects/Keywords: Development; Appreciative inquiry; Theatre of the oppressed; Pedagogy of the oppressed; Social change; Meaningful participation.; Theatre for development; Drama in education; Theatre in education; Conscientisation; Peer education; Community theatre; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maritz, G. (2011). An appreciative inquiry approach to community theatre on HIV and AIDS education for young people. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/26490

Chicago Manual of Style (16th Edition):

Maritz, Gerrit. “An appreciative inquiry approach to community theatre on HIV and AIDS education for young people.” 2011. Masters Thesis, University of Pretoria. Accessed January 17, 2021. http://hdl.handle.net/2263/26490.

MLA Handbook (7th Edition):

Maritz, Gerrit. “An appreciative inquiry approach to community theatre on HIV and AIDS education for young people.” 2011. Web. 17 Jan 2021.

Vancouver:

Maritz G. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people. [Internet] [Masters thesis]. University of Pretoria; 2011. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2263/26490.

Council of Science Editors:

Maritz G. An appreciative inquiry approach to community theatre on HIV and AIDS education for young people. [Masters Thesis]. University of Pretoria; 2011. Available from: http://hdl.handle.net/2263/26490


University of Washington

29. Henderson, Bria Samoné. Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design.

Degree: 2018, University of Washington

 Being Big, Black, & Ugly in a World that Ain’t Got Space for Your Fat Ass is a thesis solo show that examines the direct… (more)

Subjects/Keywords:

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Henderson, B. S. (2018). Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/42277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Henderson, Bria Samoné. “Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design.” 2018. Thesis, University of Washington. Accessed January 17, 2021. http://hdl.handle.net/1773/42277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Henderson, Bria Samoné. “Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design.” 2018. Web. 17 Jan 2021.

Vancouver:

Henderson BS. Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design. [Internet] [Thesis]. University of Washington; 2018. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1773/42277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Henderson BS. Being Big, Black & Ugly in a World that Ain't Got Space For Your Fat Ass: A Solo Performance of My Own Design. [Thesis]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/42277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

30. Glaser, Tamsen Michelle. STARDUST: A study of transformation.

Degree: 2018, University of Washington

 This thesis documents the creation of the capstone assignment for the Professional Actor Training Program - the creation and performance of a solo show entirely… (more)

Subjects/Keywords:

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glaser, T. M. (2018). STARDUST: A study of transformation. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/42281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glaser, Tamsen Michelle. “STARDUST: A study of transformation.” 2018. Thesis, University of Washington. Accessed January 17, 2021. http://hdl.handle.net/1773/42281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glaser, Tamsen Michelle. “STARDUST: A study of transformation.” 2018. Web. 17 Jan 2021.

Vancouver:

Glaser TM. STARDUST: A study of transformation. [Internet] [Thesis]. University of Washington; 2018. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1773/42281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glaser TM. STARDUST: A study of transformation. [Thesis]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/42281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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