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Degree: DMA

You searched for subject:(Ex cution dans le d sordre). Showing records 1 – 16 of 16 total matches.

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Louisiana State University

1. Rubinstein, Eric Z. A Conductor's Guide to Alec Roth's "A Time to Dance".

Degree: DMA, Music Education, 2019, Louisiana State University

  The purpose of this monograph is to provide a comprehensive analysis and conductor’s guide for Alec Roth’s masterwork, A Time to Dance. This study… (more)

Subjects/Keywords: choral; Ex Cathedra; Summer Music Society of Dorset

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APA (6th Edition):

Rubinstein, E. Z. (2019). A Conductor's Guide to Alec Roth's "A Time to Dance". (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4822

Chicago Manual of Style (16th Edition):

Rubinstein, Eric Z. “A Conductor's Guide to Alec Roth's "A Time to Dance".” 2019. Doctoral Dissertation, Louisiana State University. Accessed December 06, 2019. https://digitalcommons.lsu.edu/gradschool_dissertations/4822.

MLA Handbook (7th Edition):

Rubinstein, Eric Z. “A Conductor's Guide to Alec Roth's "A Time to Dance".” 2019. Web. 06 Dec 2019.

Vancouver:

Rubinstein EZ. A Conductor's Guide to Alec Roth's "A Time to Dance". [Internet] [Doctoral dissertation]. Louisiana State University; 2019. [cited 2019 Dec 06]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4822.

Council of Science Editors:

Rubinstein EZ. A Conductor's Guide to Alec Roth's "A Time to Dance". [Doctoral Dissertation]. Louisiana State University; 2019. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4822


Louisiana State University

2. Galeano, Elisa Braga. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.

Degree: DMA, Music, 2016, Louisiana State University

  This document and the accompanying lecture/recital performance aim to call more attention to this intense and deeply emotional work. Focus will be placed on… (more)

Subjects/Keywords: considerations for the pianist; circular hand and arm movements; D minor trio; chamber music; technical challenges for pianist; concerto passages; a la memoire d’un grand artiste; heavy chordal sonorities; elevated wrist and arm; high thumb positions; keyboard cadenzas

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APA (6th Edition):

Galeano, E. B. (2016). Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125

Chicago Manual of Style (16th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Doctoral Dissertation, Louisiana State University. Accessed December 06, 2019. etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

MLA Handbook (7th Edition):

Galeano, Elisa Braga. “Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide.” 2016. Web. 06 Dec 2019.

Vancouver:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Dec 06]. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125.

Council of Science Editors:

Galeano EB. Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-08242016-090339 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4125


University of Southern California

3. Roihl, Daniel Kevin. Frank Martin's Le vin herbé: a critical analysis and guide to performance.

Degree: DMA, Choral Music, 2014, University of Southern California

 Frank Martin's secular chamber oratorio 'Le Vin Herbé' (1938-1941), originally scored for twelve singers and eight instruments, represents a watershed moment in the development of… (more)

Subjects/Keywords: Frank Martin; Le vin herbé;

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APA (6th Edition):

Roihl, D. K. (2014). Frank Martin's Le vin herbé: a critical analysis and guide to performance. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/513379/rec/2888

Chicago Manual of Style (16th Edition):

Roihl, Daniel Kevin. “Frank Martin's Le vin herbé: a critical analysis and guide to performance.” 2014. Doctoral Dissertation, University of Southern California. Accessed December 06, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/513379/rec/2888.

MLA Handbook (7th Edition):

Roihl, Daniel Kevin. “Frank Martin's Le vin herbé: a critical analysis and guide to performance.” 2014. Web. 06 Dec 2019.

Vancouver:

Roihl DK. Frank Martin's Le vin herbé: a critical analysis and guide to performance. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Dec 06]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/513379/rec/2888.

Council of Science Editors:

Roihl DK. Frank Martin's Le vin herbé: a critical analysis and guide to performance. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/513379/rec/2888

4. Cotik, Tomas. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.

Degree: DMA, Instrumental Performance (Music), 2013, University of Miami

  The purpose of this essay is to enhance the study and performance of Franz Schubert’s three major compositions for violin and piano: Duo in… (more)

Subjects/Keywords: Schubert; violin; violin and piano; Tomas Cotik; Duo in A major, op. posth. 162, D. 574, Rondo in B minor, op. 70, D. 895, and Fantasia in C major, op. posth. 159, D. 934; Schubert interpretation and performance style; Schubert violin and piano recording

…Review by Maria Nockin ............................. Appendix D: New Classical Tracks Review by… …159, D. 934, mm.19-20. ......................... 68 Example 2. Fantasy in C Major, Op… …posth. 159, D. 934, m. 424. ............................... 68 Example 3. Fantasy in C Major… …Op. posth. 159, D. 934, mm. 455-457. .................... 69 Example 4. Duo Sonata in A… …Major, Op. posth. 163, D. 574, Mvt. 4, mm.270-278 ... 70 Example 5. Fantasy in C Major, Op… 

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APA (6th Edition):

Cotik, T. (2013). Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/977

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cotik, Tomas. “Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.” 2013. Thesis, University of Miami. Accessed December 06, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/977.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cotik, Tomas. “Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934.” 2013. Web. 06 Dec 2019.

Vancouver:

Cotik T. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Dec 06]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/977.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cotik T. Aspects of Interpretation in Franz Schubert’s Music for Violin and Piano: Duo in A major, Op. posth. 162, D. 754, Rondo in B minor, Op. 70, D. 895, and Fantasia in C Major, Op. posth. 159, D. 934. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/977

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

5. Lanier, William Hudson. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.

Degree: DMA, Music, 2013, Arizona State University

 The German pianist and composer Johannes Brahms (1883-1897) wrote more than 122 works for a wide variety of ensembles and genres. Despite this remarkable productivity,… (more)

Subjects/Keywords: Music; Arranging; Brahms; Classical Music; Guitar; Performance Edition; Serenade in D

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APA (6th Edition):

Lanier, W. H. (2013). Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/21035

Chicago Manual of Style (16th Edition):

Lanier, William Hudson. “Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.” 2013. Doctoral Dissertation, Arizona State University. Accessed December 06, 2019. http://repository.asu.edu/items/21035.

MLA Handbook (7th Edition):

Lanier, William Hudson. “Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar.” 2013. Web. 06 Dec 2019.

Vancouver:

Lanier WH. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2019 Dec 06]. Available from: http://repository.asu.edu/items/21035.

Council of Science Editors:

Lanier WH. Serenade in D Major by Johannes Brahms: Aranged for Solo Guitar. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/21035

6. Kim, Youngmi. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.

Degree: DMA, College-Conservatory of Music: Voice, 2012, University of Cincinnati

 The secular cantata was one of the most popular genres in vocal chamber music during the seventeenth and eighteenth centuries. Similar to opera in its… (more)

Subjects/Keywords: Music; Cantata; Baroque; Barbara Strozzi; Elisabeth-Claude Jacquet de la Guerre; L'Astratto; Le Sommeil d'Ulisse

…125 APPENDIX C. Translation of La Guerre’s Le Sommeil d’Ulisse… …38 5b. Strozzi, L’Astratto, m. 110 … 39 6. Caccini, Le nuove… …x29; 51 13a. Caccini, Le nuove musiche, rhythmic alteration… …L’Astratto, m. 27 (vocal part only) ..... …. 54 15. La Guerre, Le… …Guerre, Le Sommeil d’Ulisse, final air, mm. 40–52 (obbligato and vocal parts only)… 

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APA (6th Edition):

Kim, Y. (2012). A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668

Chicago Manual of Style (16th Edition):

Kim, Youngmi. “A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668.

MLA Handbook (7th Edition):

Kim, Youngmi. “A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse.” 2012. Web. 06 Dec 2019.

Vancouver:

Kim Y. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668.

Council of Science Editors:

Kim Y. A Singer’s Guide to Performing Two Baroque Cantatas: Barbara Strozzi’s L’Astratto, Op. 8, No. 4, and Elisabeth-Claude Jacquet de La Guerre’s Le Sommeil d’Ulisse. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265668


University of Cincinnati

7. Cho, Sujung. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2011, University of Cincinnati

 As a practical performance guide, this document identifies performance issues for Franz Schubert’s Piano Sonata in B-flat Major, D. 960, and proposes possible solutions. The… (more)

Subjects/Keywords: Music; Schubert; Piano Sonata; Performance Challenges; Possible Solutions; B-flat Sonata; D. 960

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APA (6th Edition):

Cho, S. (2011). Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162

Chicago Manual of Style (16th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

MLA Handbook (7th Edition):

Cho, Sujung. “Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960.” 2011. Web. 06 Dec 2019.

Vancouver:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162.

Council of Science Editors:

Cho S. Performance Challenges and Their Possible Solutions: Franz Schubert’s Piano Sonata in B-flat Major, D. 960. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1312294162


Louisiana State University

8. Miller, Scott. Musical allusion to The Rite of Spring in four contemporary works for solo bassoon.

Degree: DMA, Music, 2011, Louisiana State University

 The bassoon solo that begins The Rite of Spring has had a profound and lasting influence on the treatment of the bassoon as a melodic… (more)

Subjects/Keywords: le sacre; borrowed music; unaccompanied bassoon

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APA (6th Edition):

Miller, S. (2011). Musical allusion to The Rite of Spring in four contemporary works for solo bassoon. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06022011-171502 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2769

Chicago Manual of Style (16th Edition):

Miller, Scott. “Musical allusion to The Rite of Spring in four contemporary works for solo bassoon.” 2011. Doctoral Dissertation, Louisiana State University. Accessed December 06, 2019. etd-06022011-171502 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2769.

MLA Handbook (7th Edition):

Miller, Scott. “Musical allusion to The Rite of Spring in four contemporary works for solo bassoon.” 2011. Web. 06 Dec 2019.

Vancouver:

Miller S. Musical allusion to The Rite of Spring in four contemporary works for solo bassoon. [Internet] [Doctoral dissertation]. Louisiana State University; 2011. [cited 2019 Dec 06]. Available from: etd-06022011-171502 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2769.

Council of Science Editors:

Miller S. Musical allusion to The Rite of Spring in four contemporary works for solo bassoon. [Doctoral Dissertation]. Louisiana State University; 2011. Available from: etd-06022011-171502 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2769


Louisiana State University

9. Gearheart, Sarah Kate. Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy.

Degree: DMA, Music, 2010, Louisiana State University

 The discussions that surround the topic of the French flute school and its approach to flute playing have yielded many conflicting assessments. Specifically, different opinions… (more)

Subjects/Keywords: influence of the French flute school; flute pedagogy; Paul Taffanel's influence; pedagogical approach of the French flute school; Georges Barrère's pedagogy; Marcel Moyse's pedagogy; René Le Roy's pedagogy

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APA (6th Edition):

Gearheart, S. K. (2010). Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01182011-183838 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1082

Chicago Manual of Style (16th Edition):

Gearheart, Sarah Kate. “Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy.” 2010. Doctoral Dissertation, Louisiana State University. Accessed December 06, 2019. etd-01182011-183838 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1082.

MLA Handbook (7th Edition):

Gearheart, Sarah Kate. “Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy.” 2010. Web. 06 Dec 2019.

Vancouver:

Gearheart SK. Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy. [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2019 Dec 06]. Available from: etd-01182011-183838 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1082.

Council of Science Editors:

Gearheart SK. Exploring the french flute school in North America: an examination of the pedagogical materials of Georges Barrère, Marcel Moyse, and René Le Roy. [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-01182011-183838 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1082

10. Su, Chiu-Ching. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.

Degree: DMA, College-Conservatory of Music : Viola, 2010, University of Cincinnati

 Franz Anton Hoffmeister's Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise… (more)

Subjects/Keywords: Music; Hoffmeister; Franz Anton Hoffmeister; Viola concerto in D; Performance Practice; Performance guide; Cadenza

…The number is Mark Mus. 3944-0-5 No. 582, and it is titled Concerto ex D# [sic] a… …ANALYSIS OF HOFFMEISTER’S VIOLA CONCERTO IN D MAJOR First Movement… …17 CHAPTER THREE – PERFORMANCE PRACTICE OF HOFFMEISTER’S VIOLA CONCERTO IN D MAJOR… …his Viola Concerto in D major, Opus 1. In the primary theme of the first movement, there is… …orchestral audition repertoires just like Hoffmeister’s Viola Concerto in D major. Stamitz’s… 

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APA (6th Edition):

Su, C. (2010). A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407

Chicago Manual of Style (16th Edition):

Su, Chiu-Ching. “A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407.

MLA Handbook (7th Edition):

Su, Chiu-Ching. “A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas.” 2010. Web. 06 Dec 2019.

Vancouver:

Su C. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407.

Council of Science Editors:

Su C. A Performance Guide to Franz Anton Hoffmeister's Viola Concerto in D Major with an Analytical Study of Published Cadenzas. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276955407


Arizona State University

11. Walker, Anne Elise. Mozart: A Musical Advocate.

Degree: DMA, Performance, 2010, Arizona State University

 W.A. Mozart was a masterful creator of music and drama as well as a keen observer of human relationships. Librettists were enamored of his ability… (more)

Subjects/Keywords: Music; W.A. Mozart; Nannerl Mozart; Anna Maria Mozart; Cosi fan tutte; Le nozze di Figaro

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APA (6th Edition):

Walker, A. E. (2010). Mozart: A Musical Advocate. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/8775

Chicago Manual of Style (16th Edition):

Walker, Anne Elise. “Mozart: A Musical Advocate.” 2010. Doctoral Dissertation, Arizona State University. Accessed December 06, 2019. http://repository.asu.edu/items/8775.

MLA Handbook (7th Edition):

Walker, Anne Elise. “Mozart: A Musical Advocate.” 2010. Web. 06 Dec 2019.

Vancouver:

Walker AE. Mozart: A Musical Advocate. [Internet] [Doctoral dissertation]. Arizona State University; 2010. [cited 2019 Dec 06]. Available from: http://repository.asu.edu/items/8775.

Council of Science Editors:

Walker AE. Mozart: A Musical Advocate. [Doctoral Dissertation]. Arizona State University; 2010. Available from: http://repository.asu.edu/items/8775


University of Cincinnati

12. Stieler, Kathryn Ann. Louis Durey's Le Bestiaire: A Performance Study.

Degree: DMA, College-Conservatory of Music : Voice, 2008, University of Cincinnati

 This document aims to enhance the understanding and appreciation of Louis Durey's setting of <i>Le Bestiaire</i> for both listener and performer by providing an in-depth,… (more)

Subjects/Keywords: Music; Durey; Le Bestiaire; Apollinaire; Dufy

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APA (6th Edition):

Stieler, K. A. (2008). Louis Durey's Le Bestiaire: A Performance Study. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1222939742

Chicago Manual of Style (16th Edition):

Stieler, Kathryn Ann. “Louis Durey's Le Bestiaire: A Performance Study.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1222939742.

MLA Handbook (7th Edition):

Stieler, Kathryn Ann. “Louis Durey's Le Bestiaire: A Performance Study.” 2008. Web. 06 Dec 2019.

Vancouver:

Stieler KA. Louis Durey's Le Bestiaire: A Performance Study. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1222939742.

Council of Science Editors:

Stieler KA. Louis Durey's Le Bestiaire: A Performance Study. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1222939742


University of Cincinnati

13. Roggero, Amanda Marie. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 Franz Schubert’s last piano Sonata in B-flat, major, D. 960, has always remained an intriguing piece of music for me ever since hearing it for… (more)

Subjects/Keywords: Music; Schubert, Franz Peter; Sonata in B-flat, D. 960; Wanderer; B-flat Sonata; Schubert, late compositions

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APA (6th Edition):

Roggero, A. M. (2004). Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681

Chicago Manual of Style (16th Edition):

Roggero, Amanda Marie. “Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.

MLA Handbook (7th Edition):

Roggero, Amanda Marie. “Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960.” 2004. Web. 06 Dec 2019.

Vancouver:

Roggero AM. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681.

Council of Science Editors:

Roggero AM. Retracing the Journey of Franz Schubert’s Wanderer: Musical Fingerprints in the B-flat Sonata, D. 960. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085535681


University of Cincinnati

14. TSAI, I-HSUAN. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 This thesis examines the approach to sonata form in Schubert’s two piano trios: D. 898 in B-flat major, and D. 929 in E-flat major, particularly… (more)

Subjects/Keywords: Music; Schubert; Piano Trios; Sonata Form; Sonata; Hepokoski and Darcy; Chamber music; D. 898; D. 929

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

TSAI, I. (2004). THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770

Chicago Manual of Style (16th Edition):

TSAI, I-HSUAN. “THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770.

MLA Handbook (7th Edition):

TSAI, I-HSUAN. “THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS.” 2004. Web. 06 Dec 2019.

Vancouver:

TSAI I. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770.

Council of Science Editors:

TSAI I. THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085690770


University of Oklahoma

15. Grissom, Onnie K. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.

Degree: DMA, School of Music, 2003, University of Oklahoma

 This paper offers a different interpretation from Wye J. Allanbrook's notion of the fitting comedic close. The comedic close may also be ironic. In this… (more)

Subjects/Keywords: Music.; Concerto.; Musical analysis.; Mozart, Wolfgang Amadeus, 1756-1791. Concertos, piano, K. 466, D minor.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grissom, O. K. (2003). Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/574

Chicago Manual of Style (16th Edition):

Grissom, Onnie K. “Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.” 2003. Doctoral Dissertation, University of Oklahoma. Accessed December 06, 2019. http://hdl.handle.net/11244/574.

MLA Handbook (7th Edition):

Grissom, Onnie K. “Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles.” 2003. Web. 06 Dec 2019.

Vancouver:

Grissom OK. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. [Internet] [Doctoral dissertation]. University of Oklahoma; 2003. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/11244/574.

Council of Science Editors:

Grissom OK. Mozart's Piano Concerto in D Minor, K. 466: The play with topics in the high, middle and low styles. [Doctoral Dissertation]. University of Oklahoma; 2003. Available from: http://hdl.handle.net/11244/574


University of Texas – Austin

16. Teel, Christopher Brown. "Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux.

Degree: DMA, Music, 2003, University of Texas – Austin

 The Gregorian chant “Te Deum laudamus” has been sung by the Roman Catholic faithful for over 1000 years. Consisting of 29 verses, the “Te Deum”… (more)

Subjects/Keywords: Tournemire, Charles, – 1870-1939 – Improvisations, – organ – Improvisation sur le Te Deum; Langlais, Jean, – 1907-1991 – Paraphrases grégoriennes – Hymne d'actions de grâces; Dupre, Marcel, – 1886-1971 – Paraphrase sur le Te Deum; Demessieux, Jeanne, – 1921-1968 – Te Deum, – organ; Te Deum laudamus (Music); Organ music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Teel, C. B. (2003). "Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/988

Chicago Manual of Style (16th Edition):

Teel, Christopher Brown. “"Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux.” 2003. Doctoral Dissertation, University of Texas – Austin. Accessed December 06, 2019. http://hdl.handle.net/2152/988.

MLA Handbook (7th Edition):

Teel, Christopher Brown. “"Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux.” 2003. Web. 06 Dec 2019.

Vancouver:

Teel CB. "Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2003. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/2152/988.

Council of Science Editors:

Teel CB. "Te Deum laudamus": chant fragments in four organ works by Tournemire, Langlais, Dupré, and Demessieux. [Doctoral Dissertation]. University of Texas – Austin; 2003. Available from: http://hdl.handle.net/2152/988

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