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You searched for subject:(Ethnomusicology). Showing records 1 – 30 of 561 total matches.

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1. Whitmore, Aleysia K. Performing Pleasure: Africa and its Diaspora on the World Music Stage.

Degree: PhD, Ethnomusicology, 2014, Brown University

 This dissertation examines African and Afro-diasporic music in the contemporary world music industry. It looks specifically at Orchestra Baobab and AfroCubism, two world music bands… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whitmore, A. K. (2014). Performing Pleasure: Africa and its Diaspora on the World Music Stage. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386271/

Chicago Manual of Style (16th Edition):

Whitmore, Aleysia K. “Performing Pleasure: Africa and its Diaspora on the World Music Stage.” 2014. Doctoral Dissertation, Brown University. Accessed October 26, 2020. https://repository.library.brown.edu/studio/item/bdr:386271/.

MLA Handbook (7th Edition):

Whitmore, Aleysia K. “Performing Pleasure: Africa and its Diaspora on the World Music Stage.” 2014. Web. 26 Oct 2020.

Vancouver:

Whitmore AK. Performing Pleasure: Africa and its Diaspora on the World Music Stage. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Oct 26]. Available from: https://repository.library.brown.edu/studio/item/bdr:386271/.

Council of Science Editors:

Whitmore AK. Performing Pleasure: Africa and its Diaspora on the World Music Stage. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386271/


Wesleyan University

2. Strand, Julie Lynn. The Sambla Xylophone: Tradition and Identity in Burkina Faso.

Degree: Music, 2009, Wesleyan University

 The Sambla are a small ethnic group nestled in a hilly region of western Burkina Faso, West Africa, who play a xylophone called the baan.… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Strand, J. L. (2009). The Sambla Xylophone: Tradition and Identity in Burkina Faso. (Doctoral Dissertation). Wesleyan University. Retrieved from https://wesscholar.wesleyan.edu/etd_diss/3

Chicago Manual of Style (16th Edition):

Strand, Julie Lynn. “The Sambla Xylophone: Tradition and Identity in Burkina Faso.” 2009. Doctoral Dissertation, Wesleyan University. Accessed October 26, 2020. https://wesscholar.wesleyan.edu/etd_diss/3.

MLA Handbook (7th Edition):

Strand, Julie Lynn. “The Sambla Xylophone: Tradition and Identity in Burkina Faso.” 2009. Web. 26 Oct 2020.

Vancouver:

Strand JL. The Sambla Xylophone: Tradition and Identity in Burkina Faso. [Internet] [Doctoral dissertation]. Wesleyan University; 2009. [cited 2020 Oct 26]. Available from: https://wesscholar.wesleyan.edu/etd_diss/3.

Council of Science Editors:

Strand JL. The Sambla Xylophone: Tradition and Identity in Burkina Faso. [Doctoral Dissertation]. Wesleyan University; 2009. Available from: https://wesscholar.wesleyan.edu/etd_diss/3


University of Cape Town

3. Miya, Florence Ngale. Educational content in the performing arts : tradition and Christianity in Kenya.

Degree: Image, College of Music, 2004, University of Cape Town

 The performing arts (a combination of music, dance and dramatisation) in the church in Kenya have not received much scholarly attention. These performing arts as… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Miya, F. N. (2004). Educational content in the performing arts : tradition and Christianity in Kenya. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/7973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miya, Florence Ngale. “Educational content in the performing arts : tradition and Christianity in Kenya.” 2004. Thesis, University of Cape Town. Accessed October 26, 2020. http://hdl.handle.net/11427/7973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miya, Florence Ngale. “Educational content in the performing arts : tradition and Christianity in Kenya.” 2004. Web. 26 Oct 2020.

Vancouver:

Miya FN. Educational content in the performing arts : tradition and Christianity in Kenya. [Internet] [Thesis]. University of Cape Town; 2004. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/11427/7973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miya FN. Educational content in the performing arts : tradition and Christianity in Kenya. [Thesis]. University of Cape Town; 2004. Available from: http://hdl.handle.net/11427/7973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

4. Lumbwe, Kapambwe. Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia.

Degree: Image, College of Music, 2009, University of Cape Town

 This study has, by way of ethnographic investigation, compared the Bemba ubwinga ceremonies performed in Lusaka and the Copperbelt during the pre-colonial era and the… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Lumbwe, K. (2009). Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lumbwe, Kapambwe. “Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia.” 2009. Thesis, University of Cape Town. Accessed October 26, 2020. http://hdl.handle.net/11427/12141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lumbwe, Kapambwe. “Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia.” 2009. Web. 26 Oct 2020.

Vancouver:

Lumbwe K. Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia. [Internet] [Thesis]. University of Cape Town; 2009. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/11427/12141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lumbwe K. Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia. [Thesis]. University of Cape Town; 2009. Available from: http://hdl.handle.net/11427/12141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

5. Schloss, Joseph Glenn. Making beats: the art of sample-based hip hop.

Degree: PhD, 2000, University of Washington

 Since its birth two decades ago in New York's African-American and Latino communities, hip-hop music (also known as "rap") has become the most popular musical… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schloss, J. G. (2000). Making beats: the art of sample-based hip hop. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/10620

Chicago Manual of Style (16th Edition):

Schloss, Joseph Glenn. “Making beats: the art of sample-based hip hop.” 2000. Doctoral Dissertation, University of Washington. Accessed October 26, 2020. http://hdl.handle.net/1773/10620.

MLA Handbook (7th Edition):

Schloss, Joseph Glenn. “Making beats: the art of sample-based hip hop.” 2000. Web. 26 Oct 2020.

Vancouver:

Schloss JG. Making beats: the art of sample-based hip hop. [Internet] [Doctoral dissertation]. University of Washington; 2000. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1773/10620.

Council of Science Editors:

Schloss JG. Making beats: the art of sample-based hip hop. [Doctoral Dissertation]. University of Washington; 2000. Available from: http://hdl.handle.net/1773/10620


University of Washington

6. Douglas, Gavin Duncan. State patronage of Burmese traditional music.

Degree: PhD, 2001, University of Washington

 In the past decade the ruling junta of the Union of Myanmar has begun several large-scale projects aimed at preserving cultural heritage and forging national… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Douglas, G. D. (2001). State patronage of Burmese traditional music. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/10621

Chicago Manual of Style (16th Edition):

Douglas, Gavin Duncan. “State patronage of Burmese traditional music.” 2001. Doctoral Dissertation, University of Washington. Accessed October 26, 2020. http://hdl.handle.net/1773/10621.

MLA Handbook (7th Edition):

Douglas, Gavin Duncan. “State patronage of Burmese traditional music.” 2001. Web. 26 Oct 2020.

Vancouver:

Douglas GD. State patronage of Burmese traditional music. [Internet] [Doctoral dissertation]. University of Washington; 2001. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1773/10621.

Council of Science Editors:

Douglas GD. State patronage of Burmese traditional music. [Doctoral Dissertation]. University of Washington; 2001. Available from: http://hdl.handle.net/1773/10621


University of Washington

7. Killick, Andrew P. The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives.

Degree: PhD, 1998, University of Washington

 The musical story-telling form p'ansori is prized in the Republic of Korea as chont'ong yesul or 'traditional art'. Throughout the twentieth century, attempts have been… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Killick, A. P. (1998). The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/10622

Chicago Manual of Style (16th Edition):

Killick, Andrew P. “The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives.” 1998. Doctoral Dissertation, University of Washington. Accessed October 26, 2020. http://hdl.handle.net/1773/10622.

MLA Handbook (7th Edition):

Killick, Andrew P. “The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives.” 1998. Web. 26 Oct 2020.

Vancouver:

Killick AP. The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives. [Internet] [Doctoral dissertation]. University of Washington; 1998. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1773/10622.

Council of Science Editors:

Killick AP. The invention of traditional Korean opera and the problem of the traditionesque: chʾanggûk and its relation to pʾansori narratives. [Doctoral Dissertation]. University of Washington; 1998. Available from: http://hdl.handle.net/1773/10622


University of Washington

8. Hayes, Eileen M. Black women performers of women-identified music: "they cut off my voice, I grew two voices".

Degree: PhD, 1999, University of Washington

 Black women have played a critical role in women-identified music ("wim"), which is, demographically speaking, an intense but small world. The music industry term, "woman-identified… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Hayes, E. M. (1999). Black women performers of women-identified music: "they cut off my voice, I grew two voices". (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/10623

Chicago Manual of Style (16th Edition):

Hayes, Eileen M. “Black women performers of women-identified music: "they cut off my voice, I grew two voices".” 1999. Doctoral Dissertation, University of Washington. Accessed October 26, 2020. http://hdl.handle.net/1773/10623.

MLA Handbook (7th Edition):

Hayes, Eileen M. “Black women performers of women-identified music: "they cut off my voice, I grew two voices".” 1999. Web. 26 Oct 2020.

Vancouver:

Hayes EM. Black women performers of women-identified music: "they cut off my voice, I grew two voices". [Internet] [Doctoral dissertation]. University of Washington; 1999. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1773/10623.

Council of Science Editors:

Hayes EM. Black women performers of women-identified music: "they cut off my voice, I grew two voices". [Doctoral Dissertation]. University of Washington; 1999. Available from: http://hdl.handle.net/1773/10623

9. Byrne, John Henry. Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne.

Degree: MMus, 2005, Australian Catholic University

  Despite the authoritative and very explicit directions from the Vatican in 1903, the Catholic Archdiocese of Melbourne successfully resisted the demands for a major… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Byrne, J. H. (2005). Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne. (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Byrne, John Henry. “Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne.” 2005. Thesis, Australian Catholic University. Accessed October 26, 2020. https://researchbank.acu.edu.au/theses/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Byrne, John Henry. “Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne.” 2005. Web. 26 Oct 2020.

Vancouver:

Byrne JH. Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne. [Internet] [Thesis]. Australian Catholic University; 2005. [cited 2020 Oct 26]. Available from: https://researchbank.acu.edu.au/theses/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Byrne JH. Sacred or profane: The influence of Vatican legislation on music in the Catholic Archdiocese of Melbourne. [Thesis]. Australian Catholic University; 2005. Available from: https://researchbank.acu.edu.au/theses/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Hamnes, David Scott. In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen.

Degree: PhD, 2009, Australian Catholic University

  This study seeks to demonstrate how the chorale prelude, as presented in the Pro organo (1951-1958), a collection of 323 historical and 20th-century chorale… (more)

Subjects/Keywords: Ethnomusicology

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APA (6th Edition):

Hamnes, D. S. (2009). In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen. (Doctoral Dissertation). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/260

Chicago Manual of Style (16th Edition):

Hamnes, David Scott. “In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen.” 2009. Doctoral Dissertation, Australian Catholic University. Accessed October 26, 2020. https://researchbank.acu.edu.au/theses/260.

MLA Handbook (7th Edition):

Hamnes, David Scott. “In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen.” 2009. Web. 26 Oct 2020.

Vancouver:

Hamnes DS. In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen. [Internet] [Doctoral dissertation]. Australian Catholic University; 2009. [cited 2020 Oct 26]. Available from: https://researchbank.acu.edu.au/theses/260.

Council of Science Editors:

Hamnes DS. In service to the church: The neue Sachlichkeit and the organ chorale prelude in Norway: a study of Pro organo (1951-1958) by Rolf Karlsen and Ludvig Nielsen. [Doctoral Dissertation]. Australian Catholic University; 2009. Available from: https://researchbank.acu.edu.au/theses/260

11. Taylor, Paul. The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne.

Degree: PhD, 2010, Australian Catholic University

  This dissertation investigates the singing of chant by priests and people during Sunday Mass and the Church's liturgical year, in addition to the perceptions… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, P. (2010). The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne. (Doctoral Dissertation). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/307

Chicago Manual of Style (16th Edition):

Taylor, Paul. “The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne.” 2010. Doctoral Dissertation, Australian Catholic University. Accessed October 26, 2020. https://researchbank.acu.edu.au/theses/307.

MLA Handbook (7th Edition):

Taylor, Paul. “The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne.” 2010. Web. 26 Oct 2020.

Vancouver:

Taylor P. The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne. [Internet] [Doctoral dissertation]. Australian Catholic University; 2010. [cited 2020 Oct 26]. Available from: https://researchbank.acu.edu.au/theses/307.

Council of Science Editors:

Taylor P. The ministerial and congregational singing of chant: A study of practices and preceptions in the Catholic Archdiocese of Melbourne. [Doctoral Dissertation]. Australian Catholic University; 2010. Available from: https://researchbank.acu.edu.au/theses/307

12. Riches, Tanya Nicole. Shout to the Lord: Music and change at Hillsong, 1996-2007.

Degree: MPhil, 2010, Australian Catholic University

  The Christian pop-rock music of Hillsong is an iconic Australian phenomenon. According to Michael Hawn, ""The music of Hillsong is undoubtedly the best-known church… (more)

Subjects/Keywords: Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Riches, T. N. (2010). Shout to the Lord: Music and change at Hillsong, 1996-2007. (Thesis). Australian Catholic University. Retrieved from https://researchbank.acu.edu.au/theses/308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Riches, Tanya Nicole. “Shout to the Lord: Music and change at Hillsong, 1996-2007.” 2010. Thesis, Australian Catholic University. Accessed October 26, 2020. https://researchbank.acu.edu.au/theses/308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Riches, Tanya Nicole. “Shout to the Lord: Music and change at Hillsong, 1996-2007.” 2010. Web. 26 Oct 2020.

Vancouver:

Riches TN. Shout to the Lord: Music and change at Hillsong, 1996-2007. [Internet] [Thesis]. Australian Catholic University; 2010. [cited 2020 Oct 26]. Available from: https://researchbank.acu.edu.au/theses/308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Riches TN. Shout to the Lord: Music and change at Hillsong, 1996-2007. [Thesis]. Australian Catholic University; 2010. Available from: https://researchbank.acu.edu.au/theses/308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

13. Gillani, Karim Nooruddin. Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation.

Degree: PhD, Department of Music Religious Studies, 2012, University of Alberta

 For several centuries ginans have played an integral part of the Khoja Ismaili tradition. Community members learn, memorize, and sing ginans as part of their… (more)

Subjects/Keywords: Ethnomusicology; Southasia; Islam

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APA (6th Edition):

Gillani, K. N. (2012). Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/gt54kn36f

Chicago Manual of Style (16th Edition):

Gillani, Karim Nooruddin. “Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation.” 2012. Doctoral Dissertation, University of Alberta. Accessed October 26, 2020. https://era.library.ualberta.ca/files/gt54kn36f.

MLA Handbook (7th Edition):

Gillani, Karim Nooruddin. “Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation.” 2012. Web. 26 Oct 2020.

Vancouver:

Gillani KN. Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation. [Internet] [Doctoral dissertation]. University of Alberta; 2012. [cited 2020 Oct 26]. Available from: https://era.library.ualberta.ca/files/gt54kn36f.

Council of Science Editors:

Gillani KN. Sound and Recitation of Khoja Ismaili Ginans: Tradition and Transformation. [Doctoral Dissertation]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/gt54kn36f


University of Cambridge

14. Gabrillo, James. The New Manila Sound : music and mass culture, 1990s and beyond.

Degree: PhD, 2019, University of Cambridge

 This dissertation provides the first detailed account of the mass musical culture of the Philippines that originated in the 1990s and continues to be the… (more)

Subjects/Keywords: Philippines; ethnomusicology; music

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APA (6th Edition):

Gabrillo, J. (2019). The New Manila Sound : music and mass culture, 1990s and beyond. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.33534 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763811

Chicago Manual of Style (16th Edition):

Gabrillo, James. “The New Manila Sound : music and mass culture, 1990s and beyond.” 2019. Doctoral Dissertation, University of Cambridge. Accessed October 26, 2020. https://doi.org/10.17863/CAM.33534 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763811.

MLA Handbook (7th Edition):

Gabrillo, James. “The New Manila Sound : music and mass culture, 1990s and beyond.” 2019. Web. 26 Oct 2020.

Vancouver:

Gabrillo J. The New Manila Sound : music and mass culture, 1990s and beyond. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2020 Oct 26]. Available from: https://doi.org/10.17863/CAM.33534 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763811.

Council of Science Editors:

Gabrillo J. The New Manila Sound : music and mass culture, 1990s and beyond. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://doi.org/10.17863/CAM.33534 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763811

15. Wiedman, Kiara. Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody.

Degree: MS, Communication Studies, 2020, Eastern Washington University

  This study critically examines the popular rock anthem Bohemian Rhapsody to understand why the song has remained a lasting and eminently compelling standard for… (more)

Subjects/Keywords: Ethnomusicology; Music Theory

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APA (6th Edition):

Wiedman, K. (2020). Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody. (Thesis). Eastern Washington University. Retrieved from https://dc.ewu.edu/theses/632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wiedman, Kiara. “Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody.” 2020. Thesis, Eastern Washington University. Accessed October 26, 2020. https://dc.ewu.edu/theses/632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wiedman, Kiara. “Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody.” 2020. Web. 26 Oct 2020.

Vancouver:

Wiedman K. Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody. [Internet] [Thesis]. Eastern Washington University; 2020. [cited 2020 Oct 26]. Available from: https://dc.ewu.edu/theses/632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wiedman K. Rhetorical and musical synthesis and the strategies for inter-generational resonance in Queen's Bohemian rhapsody. [Thesis]. Eastern Washington University; 2020. Available from: https://dc.ewu.edu/theses/632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Liberty University

16. Long, Christopher. Saving Jazz: Applied Ethnomusicology and America's Classical Music.

Degree: 2014, Liberty University

 In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that the American audience for jazz music performances was both… (more)

Subjects/Keywords: Jazz; American Studies; Ethnomusicology; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Long, C. (2014). Saving Jazz: Applied Ethnomusicology and America's Classical Music. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/317

Chicago Manual of Style (16th Edition):

Long, Christopher. “Saving Jazz: Applied Ethnomusicology and America's Classical Music.” 2014. Masters Thesis, Liberty University. Accessed October 26, 2020. http://digitalcommons.liberty.edu/masters/317.

MLA Handbook (7th Edition):

Long, Christopher. “Saving Jazz: Applied Ethnomusicology and America's Classical Music.” 2014. Web. 26 Oct 2020.

Vancouver:

Long C. Saving Jazz: Applied Ethnomusicology and America's Classical Music. [Internet] [Masters thesis]. Liberty University; 2014. [cited 2020 Oct 26]. Available from: http://digitalcommons.liberty.edu/masters/317.

Council of Science Editors:

Long C. Saving Jazz: Applied Ethnomusicology and America's Classical Music. [Masters Thesis]. Liberty University; 2014. Available from: http://digitalcommons.liberty.edu/masters/317


Drexel University

17. Waldburger, Lucas C. Traditional Group Work Songs: Implications for Modern Music Therapy Practices.

Degree: 2018, Drexel University

Pre-industrial work songs performed in groups are an area of ethnomusicological literature that has not been sufficiently examined by music therapists. This capstone sought to… (more)

Subjects/Keywords: Music therapy; Work songs; Ethnomusicology

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APA (6th Edition):

Waldburger, L. C. (2018). Traditional Group Work Songs: Implications for Modern Music Therapy Practices. (Thesis). Drexel University. Retrieved from https://idea.library.drexel.edu/islandora/object/idea%3A8019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Waldburger, Lucas C. “Traditional Group Work Songs: Implications for Modern Music Therapy Practices.” 2018. Thesis, Drexel University. Accessed October 26, 2020. https://idea.library.drexel.edu/islandora/object/idea%3A8019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Waldburger, Lucas C. “Traditional Group Work Songs: Implications for Modern Music Therapy Practices.” 2018. Web. 26 Oct 2020.

Vancouver:

Waldburger LC. Traditional Group Work Songs: Implications for Modern Music Therapy Practices. [Internet] [Thesis]. Drexel University; 2018. [cited 2020 Oct 26]. Available from: https://idea.library.drexel.edu/islandora/object/idea%3A8019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Waldburger LC. Traditional Group Work Songs: Implications for Modern Music Therapy Practices. [Thesis]. Drexel University; 2018. Available from: https://idea.library.drexel.edu/islandora/object/idea%3A8019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

18. Linton, Sean. The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability .

Degree: 2013, University of Otago

 This thesis discusses the sustainability of contemporary and traditional music from 'Are'are, an area in the Solomon Islands. It examines the environmental influences and the… (more)

Subjects/Keywords: sustainability; environment; ethnomusicology; music

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APA (6th Edition):

Linton, S. (2013). The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/4368

Chicago Manual of Style (16th Edition):

Linton, Sean. “The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability .” 2013. Doctoral Dissertation, University of Otago. Accessed October 26, 2020. http://hdl.handle.net/10523/4368.

MLA Handbook (7th Edition):

Linton, Sean. “The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability .” 2013. Web. 26 Oct 2020.

Vancouver:

Linton S. The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability . [Internet] [Doctoral dissertation]. University of Otago; 2013. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/10523/4368.

Council of Science Editors:

Linton S. The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability . [Doctoral Dissertation]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/4368


Australian National University

19. Rickwood, Julie Ann. "We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation .

Degree: 2013, Australian National University

 This thesis examines the convergence of the community music movement and the reconciliation movement in Australia. It analyses the contextualised, contested and complicated nature of… (more)

Subjects/Keywords: Community music; reconciliation; Australia; ethnomusicology

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APA (6th Edition):

Rickwood, J. A. (2013). "We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/104305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rickwood, Julie Ann. “"We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation .” 2013. Thesis, Australian National University. Accessed October 26, 2020. http://hdl.handle.net/1885/104305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rickwood, Julie Ann. “"We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation .” 2013. Web. 26 Oct 2020.

Vancouver:

Rickwood JA. "We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation . [Internet] [Thesis]. Australian National University; 2013. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1885/104305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rickwood JA. "We are Australian": An Ethnographic Investigation of the convergence of community music and reconciliation . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/104305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Gregory, Jonathan. A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa.

Degree: PhD, 2018, Queen's University Belfast

 This research explores the interplay between culture and politics from a musical ethnography of the <i>Kaapse Klopse</i> carnival in Cape Town, South Africa. This cultural… (more)

Subjects/Keywords: klopse; carnival; anthropology; ethnomusicology

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APA (6th Edition):

Gregory, J. (2018). A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa. (Doctoral Dissertation). Queen's University Belfast. Retrieved from https://pure.qub.ac.uk/portal/en/theses/a-musical-ethnography-of-the-kaapse-klopse-carnival-in-cape-town-south-africa(d0e3e18d-34d9-4cc8-b2e4-2d5b7083a22d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.737783

Chicago Manual of Style (16th Edition):

Gregory, Jonathan. “A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa.” 2018. Doctoral Dissertation, Queen's University Belfast. Accessed October 26, 2020. https://pure.qub.ac.uk/portal/en/theses/a-musical-ethnography-of-the-kaapse-klopse-carnival-in-cape-town-south-africa(d0e3e18d-34d9-4cc8-b2e4-2d5b7083a22d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.737783.

MLA Handbook (7th Edition):

Gregory, Jonathan. “A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa.” 2018. Web. 26 Oct 2020.

Vancouver:

Gregory J. A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa. [Internet] [Doctoral dissertation]. Queen's University Belfast; 2018. [cited 2020 Oct 26]. Available from: https://pure.qub.ac.uk/portal/en/theses/a-musical-ethnography-of-the-kaapse-klopse-carnival-in-cape-town-south-africa(d0e3e18d-34d9-4cc8-b2e4-2d5b7083a22d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.737783.

Council of Science Editors:

Gregory J. A musical ethnography of the Kaapse Klopse carnival in Cape Town, South Africa. [Doctoral Dissertation]. Queen's University Belfast; 2018. Available from: https://pure.qub.ac.uk/portal/en/theses/a-musical-ethnography-of-the-kaapse-klopse-carnival-in-cape-town-south-africa(d0e3e18d-34d9-4cc8-b2e4-2d5b7083a22d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.737783


Victoria University of Wellington

21. Avery, Jonathon. Māori Performing Arts and the Weaving Together of Local, National and International Communities.

Degree: 2015, Victoria University of Wellington

 Māori performing arts provides a valuable contribution to Aotearoa New Zealand society. Māori performing arts has an intrinsic link to Māori culture and is used… (more)

Subjects/Keywords: Kapa Haka; Waiata; Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Avery, J. (2015). Māori Performing Arts and the Weaving Together of Local, National and International Communities. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4947

Chicago Manual of Style (16th Edition):

Avery, Jonathon. “Māori Performing Arts and the Weaving Together of Local, National and International Communities.” 2015. Masters Thesis, Victoria University of Wellington. Accessed October 26, 2020. http://hdl.handle.net/10063/4947.

MLA Handbook (7th Edition):

Avery, Jonathon. “Māori Performing Arts and the Weaving Together of Local, National and International Communities.” 2015. Web. 26 Oct 2020.

Vancouver:

Avery J. Māori Performing Arts and the Weaving Together of Local, National and International Communities. [Internet] [Masters thesis]. Victoria University of Wellington; 2015. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/10063/4947.

Council of Science Editors:

Avery J. Māori Performing Arts and the Weaving Together of Local, National and International Communities. [Masters Thesis]. Victoria University of Wellington; 2015. Available from: http://hdl.handle.net/10063/4947


Victoria University of Wellington

22. Thomas, Helen (Nell). Voices in the Reo: Music, Community and Membership in a Rātana Brass Band.

Degree: 2015, Victoria University of Wellington

 This study explores the brass bands of the Rātana community. Te Hāhi Rātana (the Rātana Church) is a Māori Christian church based in Aotearoa New… (more)

Subjects/Keywords: Ethnomusicology; Brass bands; Ethnography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thomas, H. (. (2015). Voices in the Reo: Music, Community and Membership in a Rātana Brass Band. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5072

Chicago Manual of Style (16th Edition):

Thomas, Helen (Nell). “Voices in the Reo: Music, Community and Membership in a Rātana Brass Band.” 2015. Masters Thesis, Victoria University of Wellington. Accessed October 26, 2020. http://hdl.handle.net/10063/5072.

MLA Handbook (7th Edition):

Thomas, Helen (Nell). “Voices in the Reo: Music, Community and Membership in a Rātana Brass Band.” 2015. Web. 26 Oct 2020.

Vancouver:

Thomas H(. Voices in the Reo: Music, Community and Membership in a Rātana Brass Band. [Internet] [Masters thesis]. Victoria University of Wellington; 2015. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/10063/5072.

Council of Science Editors:

Thomas H(. Voices in the Reo: Music, Community and Membership in a Rātana Brass Band. [Masters Thesis]. Victoria University of Wellington; 2015. Available from: http://hdl.handle.net/10063/5072


University of Maryland

23. Scally, William Donawerth. Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene.

Degree: Music, 2016, University of Maryland

 In the early twenty-first century, jazz has a history in Japan of approximately 100 years. In contemporary Tokyo, Japanese musicians demonstrate their right to access… (more)

Subjects/Keywords: Music; Ethnomusicology; Japan; Jazz; Tokyo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scally, W. D. (2016). Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18436

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scally, William Donawerth. “Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene.” 2016. Thesis, University of Maryland. Accessed October 26, 2020. http://hdl.handle.net/1903/18436.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scally, William Donawerth. “Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene.” 2016. Web. 26 Oct 2020.

Vancouver:

Scally WD. Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene. [Internet] [Thesis]. University of Maryland; 2016. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/1903/18436.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scally WD. Ideals, Aesthetics, and Practices of Professionalization in the Tokyo Jazz Scene. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18436

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Nevada – Las Vegas

24. Ku, Pei-Ning. Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan.

Degree: DMA, Music, 2014, University of Nevada – Las Vegas

  The purpose of this document is to understand Taiwanese composer Hsiao Tyzen's artistic persona through analysis of the textual and musical characteristics of his… (more)

Subjects/Keywords: Ethnomusicology; Music; Music Theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ku, P. (2014). Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/2279

Chicago Manual of Style (16th Edition):

Ku, Pei-Ning. “Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan.” 2014. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed October 26, 2020. https://digitalscholarship.unlv.edu/thesesdissertations/2279.

MLA Handbook (7th Edition):

Ku, Pei-Ning. “Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan.” 2014. Web. 26 Oct 2020.

Vancouver:

Ku P. Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2014. [cited 2020 Oct 26]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2279.

Council of Science Editors:

Ku P. Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2014. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2279


University of Sydney

25. Skipworth, Lachlan. HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU.

Degree: 2016, University of Sydney

 In learning honkyoku, the ancient solo repertoire for the Japanese bamboo shakuhachi, the student undertakes a lifelong search aspiring to make each piece an extension… (more)

Subjects/Keywords: shakuhachi; honkyoku; composition; ethnomusicology; analysis

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APA (6th Edition):

Skipworth, L. (2016). HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15435

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skipworth, Lachlan. “HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU. ” 2016. Thesis, University of Sydney. Accessed October 26, 2020. http://hdl.handle.net/2123/15435.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skipworth, Lachlan. “HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU. ” 2016. Web. 26 Oct 2020.

Vancouver:

Skipworth L. HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU. [Internet] [Thesis]. University of Sydney; 2016. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/2123/15435.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skipworth L. HONNIN NO SHIRABE : SEARCHING FOR A COMPOSITIONAL RESPONSE TO THE TRADITION OF SHAKUHACHI HONKYOKU. [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15435

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Lomanno, Mark Joseph. Improvising difference : constructing Canarian Jazz cultures.

Degree: PhD, Music, 2012, University of Texas – Austin

 This dissertation is a performance of and around borders, emphasizing how physical and virtual boundaries impact members of a community on the global periphery. More… (more)

Subjects/Keywords: Canary Islands; Jazz; Ethnomusicology

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APA (6th Edition):

Lomanno, M. J. (2012). Improvising difference : constructing Canarian Jazz cultures. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31588

Chicago Manual of Style (16th Edition):

Lomanno, Mark Joseph. “Improvising difference : constructing Canarian Jazz cultures.” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed October 26, 2020. http://hdl.handle.net/2152/31588.

MLA Handbook (7th Edition):

Lomanno, Mark Joseph. “Improvising difference : constructing Canarian Jazz cultures.” 2012. Web. 26 Oct 2020.

Vancouver:

Lomanno MJ. Improvising difference : constructing Canarian Jazz cultures. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/2152/31588.

Council of Science Editors:

Lomanno MJ. Improvising difference : constructing Canarian Jazz cultures. [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/31588


University of Texas – Austin

27. To, Kit Yan. The voice of the future : seeking freedom of expression through VOCALOID fandom.

Degree: MM, Music, 2014, University of Texas – Austin

 Hatsune Miku is a celebrity; she is also a virtual singer with no real entity. The phenomenon of her success in Japan and abroad provides… (more)

Subjects/Keywords: Vocaloid; Music; Ethnomusicology; Technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

To, K. Y. (2014). The voice of the future : seeking freedom of expression through VOCALOID fandom. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/26476

Chicago Manual of Style (16th Edition):

To, Kit Yan. “The voice of the future : seeking freedom of expression through VOCALOID fandom.” 2014. Masters Thesis, University of Texas – Austin. Accessed October 26, 2020. http://hdl.handle.net/2152/26476.

MLA Handbook (7th Edition):

To, Kit Yan. “The voice of the future : seeking freedom of expression through VOCALOID fandom.” 2014. Web. 26 Oct 2020.

Vancouver:

To KY. The voice of the future : seeking freedom of expression through VOCALOID fandom. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/2152/26476.

Council of Science Editors:

To KY. The voice of the future : seeking freedom of expression through VOCALOID fandom. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/26476


Liberty University

28. Johnson, William George. U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's.

Degree: 2017, Liberty University

 “Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de… (more)

Subjects/Keywords: Cuba; Ethnomusicology; Latin; Latino; Music; Puerto Rico; Ethnomusicology; Music

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APA (6th Edition):

Johnson, W. G. (2017). U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/469

Chicago Manual of Style (16th Edition):

Johnson, William George. “U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's.” 2017. Masters Thesis, Liberty University. Accessed October 26, 2020. http://digitalcommons.liberty.edu/masters/469.

MLA Handbook (7th Edition):

Johnson, William George. “U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's.” 2017. Web. 26 Oct 2020.

Vancouver:

Johnson WG. U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's. [Internet] [Masters thesis]. Liberty University; 2017. [cited 2020 Oct 26]. Available from: http://digitalcommons.liberty.edu/masters/469.

Council of Science Editors:

Johnson WG. U.S. Metropolitan Bridges to Puerto Rican Music Identity; Cuban and Puerto Rican Music Connections from the 1920's-1970's. [Masters Thesis]. Liberty University; 2017. Available from: http://digitalcommons.liberty.edu/masters/469


McMaster University

29. Savage, Patrick E. Musical Evolution and Human Migration: Classification, Quantification, and Application.

Degree: MSc, 2011, McMaster University

The cross-cultural study of music is important to our understanding of the evolution of human biological and cultural diversity. Early comparative musicologists failed to… (more)

Subjects/Keywords: Music; cultural evolution; migration; genetics; Taiwan; Cantometrics; Ethnomusicology; Ethnomusicology

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APA (6th Edition):

Savage, P. E. (2011). Musical Evolution and Human Migration: Classification, Quantification, and Application. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/10988

Chicago Manual of Style (16th Edition):

Savage, Patrick E. “Musical Evolution and Human Migration: Classification, Quantification, and Application.” 2011. Masters Thesis, McMaster University. Accessed October 26, 2020. http://hdl.handle.net/11375/10988.

MLA Handbook (7th Edition):

Savage, Patrick E. “Musical Evolution and Human Migration: Classification, Quantification, and Application.” 2011. Web. 26 Oct 2020.

Vancouver:

Savage PE. Musical Evolution and Human Migration: Classification, Quantification, and Application. [Internet] [Masters thesis]. McMaster University; 2011. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/11375/10988.

Council of Science Editors:

Savage PE. Musical Evolution and Human Migration: Classification, Quantification, and Application. [Masters Thesis]. McMaster University; 2011. Available from: http://hdl.handle.net/11375/10988


Indiana University

30. Moore, Rebekah Elizabeth. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .

Degree: 2015, Indiana University

 This dissertation focuses on music practices that have been largely uncharted in Balinese music studies. In the twelve years following the 2002 terrorist bombings, during… (more)

Subjects/Keywords: Applied Ethnomusicology; Bali; Ethnomusicology; Music Industry; Phenomenology; Popular Music

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APA (6th Edition):

Moore, R. E. (2015). Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Thesis, Indiana University. Accessed October 26, 2020. http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Web. 26 Oct 2020.

Vancouver:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Internet] [Thesis]. Indiana University; 2015. [cited 2020 Oct 26]. Available from: http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Thesis]. Indiana University; 2015. Available from: http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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