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You searched for subject:(Etching Technique). Showing records 1 – 7 of 7 total matches.

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1. Howard, William R. Recent work: William R. Howard.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 The work that I have accomplished during my graduate degree reflects an integration of traditional printmaking with some of the technological advancements in photography and… (more)

Subjects/Keywords: Etching  – Technique; Computer art  – Technique

…Plate 2. Six People , Etching, 7 6" X 95" 2 Plate 3. 25 People, Etching, 37… …x22; X 61" 3 Plate 4. Twins , Etching, 28" X 71.5" 4… …Plate 5. 12 Heads , Etching, 44" X 49" 5 ---· - ---_I ' Ii. Plate 6. 12… …People , Etching, 75" X 90.75" 6 Plate 7. Mike , Etching, 9" X 3.5" 7… …Plate 8. Dave , Etching, 9" X 3.5" 8 Plate 9. Crowd, Etching, 32" X 54"… 

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APA (6th Edition):

Howard, W. R. (2016). Recent work: William R. Howard. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/173174

Chicago Manual of Style (16th Edition):

Howard, William R. “Recent work: William R. Howard.” 2016. Masters Thesis, Colorado State University. Accessed January 23, 2020. http://hdl.handle.net/10217/173174.

MLA Handbook (7th Edition):

Howard, William R. “Recent work: William R. Howard.” 2016. Web. 23 Jan 2020.

Vancouver:

Howard WR. Recent work: William R. Howard. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10217/173174.

Council of Science Editors:

Howard WR. Recent work: William R. Howard. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/173174


Rochester Institute of Technology

2. Porter, Paul. The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols.

Degree: School of Art (CIAS), 1972, Rochester Institute of Technology

None provided. Advisors/Committee Members: Williams, Lawrence.

Subjects/Keywords: Drypoint technique; Etching; Fine and applied art; Printmaking; Thesis

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APA (6th Edition):

Porter, P. (1972). The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3624

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porter, Paul. “The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols.” 1972. Thesis, Rochester Institute of Technology. Accessed January 23, 2020. https://scholarworks.rit.edu/theses/3624.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porter, Paul. “The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols.” 1972. Web. 23 Jan 2020.

Vancouver:

Porter P. The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols. [Internet] [Thesis]. Rochester Institute of Technology; 1972. [cited 2020 Jan 23]. Available from: https://scholarworks.rit.edu/theses/3624.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porter P. The Carousel: An Exploration of Etching and Drypoint Techniques Through Integration of Organic and Mechanical Symbols. [Thesis]. Rochester Institute of Technology; 1972. Available from: https://scholarworks.rit.edu/theses/3624

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Mott, Cynthia. Naturaleza muerta.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 I am constantly seeking out images that surround my daily life. I am attracted to the refuse of man-made objects that are left behind in… (more)

Subjects/Keywords: Life in art; Lithography; Etching  – technique

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APA (6th Edition):

Mott, C. (2016). Naturaleza muerta. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/176177

Chicago Manual of Style (16th Edition):

Mott, Cynthia. “Naturaleza muerta.” 2016. Masters Thesis, Colorado State University. Accessed January 23, 2020. http://hdl.handle.net/10217/176177.

MLA Handbook (7th Edition):

Mott, Cynthia. “Naturaleza muerta.” 2016. Web. 23 Jan 2020.

Vancouver:

Mott C. Naturaleza muerta. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10217/176177.

Council of Science Editors:

Mott C. Naturaleza muerta. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/176177


Florida State University

4. Summers, Nancy S. An evaluation of a record of development.

Degree: 1952, Florida State University

"My understanding of the purpose of this paper is the criticism and evaluation of the candidate's exhibition, as partial fulfillment of the requirements for the… (more)

Subjects/Keywords: Themes, motives; Summers, Nancy S; Painting; Themes, motives; Etching; Technique

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APA (6th Edition):

Summers, N. S. (1952). An evaluation of a record of development. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_historic_akp4871 ;

Chicago Manual of Style (16th Edition):

Summers, Nancy S. “An evaluation of a record of development.” 1952. Masters Thesis, Florida State University. Accessed January 23, 2020. http://purl.flvc.org/fsu/fd/FSU_historic_akp4871 ;.

MLA Handbook (7th Edition):

Summers, Nancy S. “An evaluation of a record of development.” 1952. Web. 23 Jan 2020.

Vancouver:

Summers NS. An evaluation of a record of development. [Internet] [Masters thesis]. Florida State University; 1952. [cited 2020 Jan 23]. Available from: http://purl.flvc.org/fsu/fd/FSU_historic_akp4871 ;.

Council of Science Editors:

Summers NS. An evaluation of a record of development. [Masters Thesis]. Florida State University; 1952. Available from: http://purl.flvc.org/fsu/fd/FSU_historic_akp4871 ;


University of Texas – Austin

5. Cavanaugh, Jan. The "Marges Symphoniques" of Félix Buhot.

Degree: MA, Art History, 1980, University of Texas – Austin

Subjects/Keywords: Buhot, Félix Hilaire, 1847-1898; Etching – 19th century; Prints – Technique

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APA (6th Edition):

Cavanaugh, J. (1980). The "Marges Symphoniques" of Félix Buhot. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/917

Chicago Manual of Style (16th Edition):

Cavanaugh, Jan. “The "Marges Symphoniques" of Félix Buhot.” 1980. Masters Thesis, University of Texas – Austin. Accessed January 23, 2020. http://dx.doi.org/10.26153/tsw/917.

MLA Handbook (7th Edition):

Cavanaugh, Jan. “The "Marges Symphoniques" of Félix Buhot.” 1980. Web. 23 Jan 2020.

Vancouver:

Cavanaugh J. The "Marges Symphoniques" of Félix Buhot. [Internet] [Masters thesis]. University of Texas – Austin; 1980. [cited 2020 Jan 23]. Available from: http://dx.doi.org/10.26153/tsw/917.

Council of Science Editors:

Cavanaugh J. The "Marges Symphoniques" of Félix Buhot. [Masters Thesis]. University of Texas – Austin; 1980. Available from: http://dx.doi.org/10.26153/tsw/917


Georgia Tech

6. Morris, Bryan George Oneal. In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor.

Degree: PhD, Electrical and Computer Engineering, 2009, Georgia Tech

 This research explores a novel in-situ technique for monitoring film thickness in the reactive etching process that incorporates a micromachined sensor. The sensor correlates film… (more)

Subjects/Keywords: Capacitive interface circuit; Sacrificial layer technique; Integrated MEMS sensor; RIE process control; Etch rate monitoring; Resonant MEMS sensor; RIE; Reactive ion etching; Plasma etching; Semiconductor industry

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APA (6th Edition):

Morris, B. G. O. (2009). In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor. (Doctoral Dissertation). Georgia Tech. Retrieved from http://hdl.handle.net/1853/31688

Chicago Manual of Style (16th Edition):

Morris, Bryan George Oneal. “In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor.” 2009. Doctoral Dissertation, Georgia Tech. Accessed January 23, 2020. http://hdl.handle.net/1853/31688.

MLA Handbook (7th Edition):

Morris, Bryan George Oneal. “In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor.” 2009. Web. 23 Jan 2020.

Vancouver:

Morris BGO. In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor. [Internet] [Doctoral dissertation]. Georgia Tech; 2009. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/1853/31688.

Council of Science Editors:

Morris BGO. In situ monitoring of reactive ion etching using a surface micromachined integrated resonant sensor. [Doctoral Dissertation]. Georgia Tech; 2009. Available from: http://hdl.handle.net/1853/31688

7. Roche, Lucile. L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789).

Degree: Docteur es, Histoire de l'art moderne, 2018, Paris 1

«Au commencement, Dieu créa le Ciel et la Terre». À l’ouverture du récit de la Genèse, le plus célèbre des incipit condense ce qui a… (more)

Subjects/Keywords: Art religieux; Art et science; Création du monde; Illustration biblique; Image technique; XVIIe siècle; XVIIIe siècle; Philosophie naturelle; Gravure; Peinture française; Alchimie; Cosmogonie; Religious art; Art and science relationship; Creation of the world; Biblical illustration; Technical image; XVIIth century; XVIIIth century; Etching; French painting; Alchemy; Cosmogony; Book illustration; 704.948; 709.032; 709.033

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roche, L. (2018). L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789). (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2018PA01H039

Chicago Manual of Style (16th Edition):

Roche, Lucile. “L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789).” 2018. Doctoral Dissertation, Paris 1. Accessed January 23, 2020. http://www.theses.fr/2018PA01H039.

MLA Handbook (7th Edition):

Roche, Lucile. “L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789).” 2018. Web. 23 Jan 2020.

Vancouver:

Roche L. L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789). [Internet] [Doctoral dissertation]. Paris 1; 2018. [cited 2020 Jan 23]. Available from: http://www.theses.fr/2018PA01H039.

Council of Science Editors:

Roche L. L'ombre de Dieu : représenter la Création du monde en France (1610-1789) : The Shadow of God : representing the Creation of the World in France (1610 – 1789). [Doctoral Dissertation]. Paris 1; 2018. Available from: http://www.theses.fr/2018PA01H039

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