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Pontifícia Universidade Católica de São Paulo

1. Adriana Inês Martos Stefens. O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector.

Degree: 2008, Pontifícia Universidade Católica de São Paulo

The current thesis aims to analyze the novel A Paixão segundo G.H. (1964) by Clarice Lispector. From the hypothesis that the narrator-character, identified only by GH, in reporting her via crucis of existence also reports, through a plurissignificative speech, her experience as a writer-sculptor. In her kind of writing, she uses metaphors that can be read and compared with the investigative act of writing and effects produced by ephiphanic writing. The G.H. character, after becoming conscious of her existence, is able to report it and give it the form of ephiphanic experience. She needs the writing form to understand, arrest and formalize the reality. Writing, for her, is an attempt to give shape to what she had experienced (the cockroach) and by writing (form), to revive and give it the illusion of poetic sense. G.H. talks about the passion in her own point of view, the reason for why we analyzed the narrators speech as a loving writing of I(s), loaded from a pathos of an I who writes. The alterity experience can be seen in contrast of G.H. to the other, represented in the figure of Janair, the cockroach, the imaginary interlocutor, whom she calls to work together in her sculpture-writing. The exotopic experience and the contact with the others view provided the ephiphanic moment lived by the authorheroin, therefore, the alterity and epiphany are functionally interlinked and interdependent. But only the experience of writing can promote ethical and aesthetic completion to the experience. The subject approached in A Paixão segundo G.H. was borned in the tension between the saying and the how to write, materializing the drama of language into act sculpture, the writing experienced by GH into an act of waiting for a final form. The first chapter approaches the narrative as a writing in its formal specificity. The second chapter deals with the experience by Clarice Lispectors alteritys writing in discordance with the content, transformed by the sculptural form, in which the whole heroin-author-reader narrative process is coparticipated by her. This chapter still approaches the issue of aesthetics epiphany of form-content, generated by ephiphanic time that wins the form-content desired by heroin-author and by the author-sculpture of the alterity reported artistic form. The narrator-character emerge on the meaning and limits of the poetic word, therefore, the G.Hs report is a pure concrete manifestation of form of an aesthetic consciousness. We stress that, for analyzing the effects produced by the loving speech, we passed over the works of Roland Barthes and ideas raised by the critical word and translator of Leyla Perrone-Moises

A presente dissertação tem por objetivo analisar o romance A Paixão segundo G.H. (1964) de Clarice Lispector. Partimos da hipótese de que a narradora personagem, identificada apenas pelas iniciais G.H., ao relatar sua via crucis existencial relata também, através de um discurso plurissignificativo, sua experiência como escritora-escultora. Nesse modo de escrever, trabalha metáforas que podem…

Advisors/Committee Members: Maria José Pereira Gordo Palo.

Subjects/Keywords: LITERATURA COMPARADA; Escrita de alteridades; Dramaturgia da palavra; Loving sculpture; Clarice Lispector; Escritura epifânica; Escultura amorosa; Ephiphanic scripture; Analise do discurso literario; Alteritys writing; Dramaturgy of the word; Lispector, Clarice  – 1925-1977  – A paixao segundo G. H  – Critica e interpretacao

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APA (6th Edition):

Stefens, A. I. M. (2008). O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stefens, Adriana Inês Martos. “O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector.” 2008. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed March 03, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stefens, Adriana Inês Martos. “O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector.” 2008. Web. 03 Mar 2021.

Vancouver:

Stefens AIM. O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2008. [cited 2021 Mar 03]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stefens AIM. O diálogo de alteridades na escritura de A paixão segundo G.H., de Clarice Lispector. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2008. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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