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You searched for subject:(Electronic music History AND criticism ). Showing records 1 – 30 of 4823 total matches.

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Massey University

1. Black, Chris. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .

Degree: 2012, Massey University

 This thesis explores the relationship between human corporeality, space, sound and noise in twentieth-century art. The thesis introduces some novel concepts, notably that corporeality, noise… (more)

Subjects/Keywords: Sound; Gesture in music; Performance practice (Music); Art and music; Electronic music; History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Black, C. (2012). Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Black, Chris. “Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .” 2012. Thesis, Massey University. Accessed November 12, 2019. http://hdl.handle.net/10179/4523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Black, Chris. “Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice .” 2012. Web. 12 Nov 2019.

Vancouver:

Black C. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . [Internet] [Thesis]. Massey University; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10179/4523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Black C. Sound-as-art : the rise of the corporeal and noise in twentieth-century art practice . [Thesis]. Massey University; 2012. Available from: http://hdl.handle.net/10179/4523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 12 Nov 2019.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

3. Bowring, Lynette, 1987-. Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy.

Degree: PhD, Music, 2017, Rutgers University

The literacy of instrumentalists underwent a revolution in the sixteenth century. Previously, musicians who specialized in instrumental performance were often excluded from literate musical cultures:… (more)

Subjects/Keywords: Music – Italy – History and criticism

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APA (6th Edition):

Bowring, Lynette, 1. (2017). Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/53139/

Chicago Manual of Style (16th Edition):

Bowring, Lynette, 1987-. “Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy.” 2017. Doctoral Dissertation, Rutgers University. Accessed November 12, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/53139/.

MLA Handbook (7th Edition):

Bowring, Lynette, 1987-. “Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy.” 2017. Web. 12 Nov 2019.

Vancouver:

Bowring, Lynette 1. Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Nov 12]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53139/.

Council of Science Editors:

Bowring, Lynette 1. Orality, literacy, and the learning of instruments: professional instrumentalists and their music in early modern Italy. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53139/

4. Oliver La Rosa, Jaime Eduardo. A computer music instrumentarium.

Degree: Music, 2011, University of California – San Diego

 This dissertation reviews representative works of the history of electronic and computer music from the point of view of instrument design. It traces the way… (more)

Subjects/Keywords: Computer music History and criticism; Electronic music History and criticism; Electronic musical instruments History and criticism

…reviews representative works of the history of electronic and computer music from the point of… …my intention to write a history of electronic and computer music. If it were, it would be… …of Music . . 193 Figure 11.2. A Model of Music for the Electronic Music Studio… …electronic and computer music, however; Kartomi’s definition has guided its design. In other words… …In order to construe electronic music as new, its inventors and practitioners in the… 

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APA (6th Edition):

Oliver La Rosa, J. E. (2011). A computer music instrumentarium. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/4mf9458n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliver La Rosa, Jaime Eduardo. “A computer music instrumentarium.” 2011. Thesis, University of California – San Diego. Accessed November 12, 2019. http://www.escholarship.org/uc/item/4mf9458n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliver La Rosa, Jaime Eduardo. “A computer music instrumentarium.” 2011. Web. 12 Nov 2019.

Vancouver:

Oliver La Rosa JE. A computer music instrumentarium. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2019 Nov 12]. Available from: http://www.escholarship.org/uc/item/4mf9458n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliver La Rosa JE. A computer music instrumentarium. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/4mf9458n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Rostovtsev, Ilya Y. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.

Degree: 2010, University of North Texas

 Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical… (more)

Subjects/Keywords: Electroacoustic music; compositional aesthetics; composition; faktura; singing bowl; accordion; percussion; violin; clarinet; acoustic instruments; fixed media; Rostov︠t︡sev, Ilya Y. Understatements.; Composition (Music); Electronic music  – History and criticism.

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APA (6th Edition):

Rostovtsev, I. Y. (2010). Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Thesis, University of North Texas. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Web. 12 Nov 2019.

Vancouver:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

6. Boyer, Horace Clarence (1935 - 2009). The gospel song: a historical and analytical study.

Degree: MA, 2014, University of Rochester

 Mahalia Jackson was invited to sing at the Inaugural Party of the late President John Kennedy. Alex Bradford and Marian Williams performed in Black Nativity… (more)

Subjects/Keywords: Gospel music - History and criticism.; Spirituals (Songs) - History and criticism.

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APA (6th Edition):

Boyer, H. C. (. -. 2. (2014). The gospel song: a historical and analytical study. (Masters Thesis). University of Rochester. Retrieved from http://hdl.handle.net/1802/28797

Chicago Manual of Style (16th Edition):

Boyer, Horace Clarence (1935 - 2009). “The gospel song: a historical and analytical study.” 2014. Masters Thesis, University of Rochester. Accessed November 12, 2019. http://hdl.handle.net/1802/28797.

MLA Handbook (7th Edition):

Boyer, Horace Clarence (1935 - 2009). “The gospel song: a historical and analytical study.” 2014. Web. 12 Nov 2019.

Vancouver:

Boyer HC(-2. The gospel song: a historical and analytical study. [Internet] [Masters thesis]. University of Rochester; 2014. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1802/28797.

Council of Science Editors:

Boyer HC(-2. The gospel song: a historical and analytical study. [Masters Thesis]. University of Rochester; 2014. Available from: http://hdl.handle.net/1802/28797


University of Hong Kong

7. Fu, Ka-man, Francis. Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan.

Degree: M. Phil., 2014, University of Hong Kong

Vocaloids in Japan are at the nexus of home studio culture, manga dōjin derivative work culture and youth culture and is integral to post-millennial digital… (more)

Subjects/Keywords: Computer music - Japan - History and criticism

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APA (6th Edition):

Fu, Ka-man, F. (2014). Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. (Masters Thesis). University of Hong Kong. Retrieved from Fu, K. F. [傅嘉雯]. (2014). Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5570811 ; http://hdl.handle.net/10722/219994

Chicago Manual of Style (16th Edition):

Fu, Ka-man, Francis. “Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan.” 2014. Masters Thesis, University of Hong Kong. Accessed November 12, 2019. Fu, K. F. [傅嘉雯]. (2014). Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5570811 ; http://hdl.handle.net/10722/219994.

MLA Handbook (7th Edition):

Fu, Ka-man, Francis. “Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan.” 2014. Web. 12 Nov 2019.

Vancouver:

Fu, Ka-man F. Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2019 Nov 12]. Available from: Fu, K. F. [傅嘉雯]. (2014). Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5570811 ; http://hdl.handle.net/10722/219994.

Council of Science Editors:

Fu, Ka-man F. Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. [Masters Thesis]. University of Hong Kong; 2014. Available from: Fu, K. F. [傅嘉雯]. (2014). Playing with the voice : Hatsune Miku and vocaloid culture in contemporary Japan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5570811 ; http://hdl.handle.net/10722/219994


Rutgers University

8. Peterson, Daniel T., 1973-. A chronology of recorded long-form compositions in jazz.

Degree: MF, Jazz History and Research, 2015, Rutgers University

 Jazz composition is rarely given equal consideration in comparison to the attention given to iconic performers and improvisation. This, however, overlooks the important relationship artists… (more)

Subjects/Keywords: Jazz – History and criticism; Composition (Music)

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APA (6th Edition):

Peterson, Daniel T., 1. (2015). A chronology of recorded long-form compositions in jazz. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47687/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peterson, Daniel T., 1973-. “A chronology of recorded long-form compositions in jazz.” 2015. Thesis, Rutgers University. Accessed November 12, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/47687/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peterson, Daniel T., 1973-. “A chronology of recorded long-form compositions in jazz.” 2015. Web. 12 Nov 2019.

Vancouver:

Peterson, Daniel T. 1. A chronology of recorded long-form compositions in jazz. [Internet] [Thesis]. Rutgers University; 2015. [cited 2019 Nov 12]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47687/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peterson, Daniel T. 1. A chronology of recorded long-form compositions in jazz. [Thesis]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47687/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

9. Pasternak-Mazur, Renata J., 1968-. Silencing polo: controversial music in post-socialist Poland.

Degree: PhD, Music, 2017, Rutgers University

 Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the… (more)

Subjects/Keywords: Music – Poland – 20th century – History and criticism

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APA (6th Edition):

Pasternak-Mazur, Renata J., 1. (2017). Silencing polo: controversial music in post-socialist Poland. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/52247/

Chicago Manual of Style (16th Edition):

Pasternak-Mazur, Renata J., 1968-. “Silencing polo: controversial music in post-socialist Poland.” 2017. Doctoral Dissertation, Rutgers University. Accessed November 12, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/52247/.

MLA Handbook (7th Edition):

Pasternak-Mazur, Renata J., 1968-. “Silencing polo: controversial music in post-socialist Poland.” 2017. Web. 12 Nov 2019.

Vancouver:

Pasternak-Mazur, Renata J. 1. Silencing polo: controversial music in post-socialist Poland. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Nov 12]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52247/.

Council of Science Editors:

Pasternak-Mazur, Renata J. 1. Silencing polo: controversial music in post-socialist Poland. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52247/


University of North Texas

10. Smith, Jeffrey B., 1957-. Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others.

Degree: 1992, University of North Texas

 This study traces the significant developments in the late nineteenth and early twentieth centuries which led to the development of electronic music and increased writing… (more)

Subjects/Keywords: Hiller, Lejaren; Hiller, Lejaren, 1924-1994.  – Machine music.; Percussion music  – 20th century  – History and criticism.; Electronic music  – History and criticism.

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APA (6th Edition):

Smith, Jeffrey B., 1. (1992). Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279115/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Jeffrey B., 1957-. “Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others.” 1992. Thesis, University of North Texas. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc279115/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Jeffrey B., 1957-. “Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others.” 1992. Web. 12 Nov 2019.

Vancouver:

Smith, Jeffrey B. 1. Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279115/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith, Jeffrey B. 1. Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc279115/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Conway, Tess. The Histories of Charles Burney and John Hawkins: A Cultural Context.

Degree: School of Creative Arts. Discipline of Music, 2018, Trinity College Dublin

 The Histories of Charles Burney and John Hawkins are examined with reference to the observation by Carl Dahlhaus (1983) and Warren Dwight Allen (1939/62) that… (more)

Subjects/Keywords: Eighteenth-century perceptions of music; Music history; Music criticism

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APA (6th Edition):

Conway, T. (2018). The Histories of Charles Burney and John Hawkins: A Cultural Context. (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/83246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Conway, Tess. “The Histories of Charles Burney and John Hawkins: A Cultural Context.” 2018. Thesis, Trinity College Dublin. Accessed November 12, 2019. http://hdl.handle.net/2262/83246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Conway, Tess. “The Histories of Charles Burney and John Hawkins: A Cultural Context.” 2018. Web. 12 Nov 2019.

Vancouver:

Conway T. The Histories of Charles Burney and John Hawkins: A Cultural Context. [Internet] [Thesis]. Trinity College Dublin; 2018. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/2262/83246.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Conway T. The Histories of Charles Burney and John Hawkins: A Cultural Context. [Thesis]. Trinity College Dublin; 2018. Available from: http://hdl.handle.net/2262/83246

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

12. Wurz, Sarah. The evolutionary origins of music.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

The evolutionary origins of music, defined as “an intentional action in which complex, learned vocalizations (and/or instrumentally produced… (more)

Subjects/Keywords: Music; Music  – Physiological aspects; Music  – History and criticism

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APA (6th Edition):

Wurz, S. (2009). The evolutionary origins of music. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wurz, Sarah. “The evolutionary origins of music.” 2009. Thesis, Stellenbosch University. Accessed November 12, 2019. http://hdl.handle.net/10019.1/2909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wurz, Sarah. “The evolutionary origins of music.” 2009. Web. 12 Nov 2019.

Vancouver:

Wurz S. The evolutionary origins of music. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10019.1/2909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wurz S. The evolutionary origins of music. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

13. Vecchio, Ruth. Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective.

Degree: MM, Music, 2014, Texas State University – San Marcos

No abstract prepared. Advisors/Committee Members: Schüler, Nico (advisor), Ditto, Charles (committee member), Mooney, Kevin (committee member).

Subjects/Keywords: Industrial music; Industrial; Music; Analysis; Music theory; Decoded Feedback; SPK; Electronic music; Popular music; Wumpscut; :Wumpscut:; Front Line Assembly; Industrial music – History and criticism; Electronic music

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APA (6th Edition):

Vecchio, R. (2014). Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4987

Chicago Manual of Style (16th Edition):

Vecchio, Ruth. “Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective.” 2014. Masters Thesis, Texas State University – San Marcos. Accessed November 12, 2019. https://digital.library.txstate.edu/handle/10877/4987.

MLA Handbook (7th Edition):

Vecchio, Ruth. “Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective.” 2014. Web. 12 Nov 2019.

Vancouver:

Vecchio R. Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective. [Internet] [Masters thesis]. Texas State University – San Marcos; 2014. [cited 2019 Nov 12]. Available from: https://digital.library.txstate.edu/handle/10877/4987.

Council of Science Editors:

Vecchio R. Exploring the Evolution of Industrial Music: A Historical and Analytical Perspective. [Masters Thesis]. Texas State University – San Marcos; 2014. Available from: https://digital.library.txstate.edu/handle/10877/4987


University of North Texas

14. Welch, Chapman. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.

Degree: 2003, University of North Texas

 Examines the use of vernacular, country guitar styles in an electro-acoustic environment. Special attention is given to performance practices and explanation of techniques. Electro-acoustic techniques-including… (more)

Subjects/Keywords: Electric guitar music  – History and criticism.; Electronic music  – History and criticism.; Computer music  – Analysis, appreciation.; Electric guitar and electronic music  – Scores.; TELE; performance practice; vernacular; eight-channel; electric guitar music; electronic music; electro-acoustic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Welch, C. (2003). Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4282/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Chapman. “Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.” 2003. Thesis, University of North Texas. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc4282/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Chapman. “Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.” 2003. Web. 12 Nov 2019.

Vancouver:

Welch C. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4282/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch C. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4282/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

15. O'Hara, William Evan. The Art of Recomposition: Creativity, Aesthetics, and Music Theory.

Degree: PhD, 2017, Harvard University

Theoretical recomposition—the act of re-writing an existing piece of music in the service of a technical, aesthetic, or critical argument—is encountered frequently in critical and… (more)

Subjects/Keywords: music theory; music history; musicology; analysis; criticism; aesthetics; classical music; romantic music

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APA (6th Edition):

O'Hara, W. E. (2017). The Art of Recomposition: Creativity, Aesthetics, and Music Theory. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:41140209

Chicago Manual of Style (16th Edition):

O'Hara, William Evan. “The Art of Recomposition: Creativity, Aesthetics, and Music Theory.” 2017. Doctoral Dissertation, Harvard University. Accessed November 12, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:41140209.

MLA Handbook (7th Edition):

O'Hara, William Evan. “The Art of Recomposition: Creativity, Aesthetics, and Music Theory.” 2017. Web. 12 Nov 2019.

Vancouver:

O'Hara WE. The Art of Recomposition: Creativity, Aesthetics, and Music Theory. [Internet] [Doctoral dissertation]. Harvard University; 2017. [cited 2019 Nov 12]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:41140209.

Council of Science Editors:

O'Hara WE. The Art of Recomposition: Creativity, Aesthetics, and Music Theory. [Doctoral Dissertation]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:41140209


Massey University

16. Hextall, Pieta. An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand .

Degree: 2012, Massey University

 This thesis studies the use of aleatory techniques in Witold Lutoslawski’s music and the issues that arise when using aleatoricism, a branch of textural composition… (more)

Subjects/Keywords: Witold Lutosławski; Criticism and interpretation; Aleatory music; History and criticism; Composition (Music)

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APA (6th Edition):

Hextall, P. (2012). An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/3652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hextall, Pieta. “An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand .” 2012. Thesis, Massey University. Accessed November 12, 2019. http://hdl.handle.net/10179/3652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hextall, Pieta. “An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand .” 2012. Web. 12 Nov 2019.

Vancouver:

Hextall P. An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10179/3652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hextall P. An examination of the chance elements in Witold Lutosławski's music, with particular attention to its function as a model for compositional practice : a thesis and portfolio presented in fulfillment of the requirements for the degree of M.Mus. in Composition at the New Zealand School of Music, Wellington, New Zealand . [Thesis]. Massey University; 2012. Available from: http://hdl.handle.net/10179/3652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

17. Matambo, Lotta Eleonoora. The solo piano music of Einojuhani Rautavaara.

Degree: Faculty of Humanities, Music and Musicology, 2012, Rhodes University

 Einojuhani Rautavaara's oeuvre is characterised by four distinctive creative periods, each demonstrating a remarkable variety of compositional idioms and styles. His application of multifaceted elements,… (more)

Subjects/Keywords: Rautavaara, Einojuhani, 1928  – Piano music  – Criticism and interpretation; Piano music  – History and criticism

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APA (6th Edition):

Matambo, L. E. (2012). The solo piano music of Einojuhani Rautavaara. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Matambo, Lotta Eleonoora. “The solo piano music of Einojuhani Rautavaara.” 2012. Thesis, Rhodes University. Accessed November 12, 2019. http://hdl.handle.net/10962/d1002311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Matambo, Lotta Eleonoora. “The solo piano music of Einojuhani Rautavaara.” 2012. Web. 12 Nov 2019.

Vancouver:

Matambo LE. The solo piano music of Einojuhani Rautavaara. [Internet] [Thesis]. Rhodes University; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10962/d1002311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matambo LE. The solo piano music of Einojuhani Rautavaara. [Thesis]. Rhodes University; 2012. Available from: http://hdl.handle.net/10962/d1002311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Washington University

18. Yupari, Fabiola. Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity.

Degree: MMus, Music, 2019, Western Washington University

  The music of Peru evolved through the centuries. The conquest of Peru introduced European polyphony to the natives. Since the natives found enthusiasm towards… (more)

Subjects/Keywords: Music; Villancicos (Music) – Peru (Viceroyalty) – History and criticism; Church music – Peru – 17th century – History and criticism; Church music – Peru – 18th century – History and criticism; Peru (Viceroyalty); Peru; masters theses

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APA (6th Edition):

Yupari, F. (2019). Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity. (Thesis). Western Washington University. Retrieved from https://cedar.wwu.edu/wwuet/887

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yupari, Fabiola. “Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity.” 2019. Thesis, Western Washington University. Accessed November 12, 2019. https://cedar.wwu.edu/wwuet/887.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yupari, Fabiola. “Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity.” 2019. Web. 12 Nov 2019.

Vancouver:

Yupari F. Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity. [Internet] [Thesis]. Western Washington University; 2019. [cited 2019 Nov 12]. Available from: https://cedar.wwu.edu/wwuet/887.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yupari F. Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity. [Thesis]. Western Washington University; 2019. Available from: https://cedar.wwu.edu/wwuet/887

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

19. Garcia, Felipe. Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana.

Degree: MM, Music, 2014, Texas State University – San Marcos

Music in Texas is as diverse as the variety of cultures that make up the Texas population. Each one of these different cultures, while although… (more)

Subjects/Keywords: Texas; Popular Music; Música Tejana; Tejano music – Texas – History and criticism; Folk music – Texas – History and criticism; Popular music – Texas – History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garcia, F. (2014). Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4960

Chicago Manual of Style (16th Edition):

Garcia, Felipe. “Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana.” 2014. Masters Thesis, Texas State University – San Marcos. Accessed November 12, 2019. https://digital.library.txstate.edu/handle/10877/4960.

MLA Handbook (7th Edition):

Garcia, Felipe. “Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana.” 2014. Web. 12 Nov 2019.

Vancouver:

Garcia F. Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana. [Internet] [Masters thesis]. Texas State University – San Marcos; 2014. [cited 2019 Nov 12]. Available from: https://digital.library.txstate.edu/handle/10877/4960.

Council of Science Editors:

Garcia F. Twentieth Century Popular Music In Texas: History, Definitions, And Characterizations Of Selected Genres / Styles With An Emphasis On Música Tejana. [Masters Thesis]. Texas State University – San Marcos; 2014. Available from: https://digital.library.txstate.edu/handle/10877/4960


University of KwaZulu-Natal

20. [No author]. The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles.

Degree: Music, 2013, University of KwaZulu-Natal

 Amahubo songs are at the centre of the traditional Zulu cultural, religious and political lives. Their age is often associated with the very "beginning" of… (more)

Subjects/Keywords: Zulu (African people) – Music – History and criticism.; Music.

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APA (6th Edition):

author], [. (2013). The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/9503

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles. ” 2013. Thesis, University of KwaZulu-Natal. Accessed November 12, 2019. http://hdl.handle.net/10413/9503.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles. ” 2013. Web. 12 Nov 2019.

Vancouver:

author] [. The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles. [Internet] [Thesis]. University of KwaZulu-Natal; 2013. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10413/9503.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The re-emergence of Amahubo song styles and ideas in some modern Zulu musical styles. [Thesis]. University of KwaZulu-Natal; 2013. Available from: http://hdl.handle.net/10413/9503

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

21. Viljoen, W.D. (Willem Diederik). The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice.

Degree: Music, 2010, University of Pretoria

 This study sets out to examine the ornamentation in the manu¬script GB-Cfm 32.G.29 (known as the Fitzwilliam Virginal Book) as representative of late sixteenth-century practice.… (more)

Subjects/Keywords: Embellishment (music); Fitzwilliam virginal book; Harpsicord music history and criticism; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Viljoen, W. D. (. D. (2010). The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice. (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/24158

Chicago Manual of Style (16th Edition):

Viljoen, W D (Willem Diederik). “The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice.” 2010. Doctoral Dissertation, University of Pretoria. Accessed November 12, 2019. http://hdl.handle.net/2263/24158.

MLA Handbook (7th Edition):

Viljoen, W D (Willem Diederik). “The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice.” 2010. Web. 12 Nov 2019.

Vancouver:

Viljoen WD(D. The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice. [Internet] [Doctoral dissertation]. University of Pretoria; 2010. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/2263/24158.

Council of Science Editors:

Viljoen WD(D. The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice. [Doctoral Dissertation]. University of Pretoria; 2010. Available from: http://hdl.handle.net/2263/24158


University of Pretoria

22. Viljoen, W.D. (Willem Diederik). The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice .

Degree: 2010, University of Pretoria

 This study sets out to examine the ornamentation in the manu¬script GB-Cfm 32.G.29 (known as the Fitzwilliam Virginal Book) as representative of late sixteenth-century practice.… (more)

Subjects/Keywords: Embellishment (music); Fitzwilliam virginal book; Harpsicord music history and criticism; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Viljoen, W. D. (. D. (2010). The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice . (Doctoral Dissertation). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-04262010-150005/

Chicago Manual of Style (16th Edition):

Viljoen, W D (Willem Diederik). “The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice .” 2010. Doctoral Dissertation, University of Pretoria. Accessed November 12, 2019. http://upetd.up.ac.za/thesis/available/etd-04262010-150005/.

MLA Handbook (7th Edition):

Viljoen, W D (Willem Diederik). “The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice .” 2010. Web. 12 Nov 2019.

Vancouver:

Viljoen WD(D. The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice . [Internet] [Doctoral dissertation]. University of Pretoria; 2010. [cited 2019 Nov 12]. Available from: http://upetd.up.ac.za/thesis/available/etd-04262010-150005/.

Council of Science Editors:

Viljoen WD(D. The ornamentation in the Fitzwilliam Virginal Book with an introductory study of contemporary practice . [Doctoral Dissertation]. University of Pretoria; 2010. Available from: http://upetd.up.ac.za/thesis/available/etd-04262010-150005/


Baylor University

23. Ibarra, Kelly E. Opinions of railroad expansion viewed through the medium of song.

Degree: Music., 2009, Baylor University

 Although the first rail lines were built over 150 years ago, the railroad continues to remain an integral part of American society. Often, historical studies… (more)

Subjects/Keywords: Railroads  – Songs and music  – History and criticism.; Railroads - Songs and music.

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APA (6th Edition):

Ibarra, K. E. (2009). Opinions of railroad expansion viewed through the medium of song. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibarra, Kelly E. “Opinions of railroad expansion viewed through the medium of song. ” 2009. Thesis, Baylor University. Accessed November 12, 2019. http://hdl.handle.net/2104/5380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibarra, Kelly E. “Opinions of railroad expansion viewed through the medium of song. ” 2009. Web. 12 Nov 2019.

Vancouver:

Ibarra KE. Opinions of railroad expansion viewed through the medium of song. [Internet] [Thesis]. Baylor University; 2009. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/2104/5380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibarra KE. Opinions of railroad expansion viewed through the medium of song. [Thesis]. Baylor University; 2009. Available from: http://hdl.handle.net/2104/5380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

24. Wilson, Ana Maria. Margery Aber and Her Contributions to the Suzuki Method in the United States.

Degree: DMA, 2011, University of Oklahoma

 The purpose of this study is to recognize the work that Margery Aber did to spread the Suzuki Method in the United States. She also… (more)

Subjects/Keywords: Music – History and criticism; Music – Instruction and study

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APA (6th Edition):

Wilson, A. M. (2011). Margery Aber and Her Contributions to the Suzuki Method in the United States. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320322

Chicago Manual of Style (16th Edition):

Wilson, Ana Maria. “Margery Aber and Her Contributions to the Suzuki Method in the United States.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed November 12, 2019. http://hdl.handle.net/11244/320322.

MLA Handbook (7th Edition):

Wilson, Ana Maria. “Margery Aber and Her Contributions to the Suzuki Method in the United States.” 2011. Web. 12 Nov 2019.

Vancouver:

Wilson AM. Margery Aber and Her Contributions to the Suzuki Method in the United States. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/11244/320322.

Council of Science Editors:

Wilson AM. Margery Aber and Her Contributions to the Suzuki Method in the United States. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/320322

25. Carr, Angela B. Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present.

Degree: Thesis (D.A.), 2015, Ball State University

 This study traces the use of solo angel roles in vocal music from 1600 to the present, focusing specifically on one to two works from… (more)

Subjects/Keywords: Angels  – Songs and music  – History and criticism.; Sacred songs  – History and criticism.

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APA (6th Edition):

Carr, A. B. (2015). Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/200048

Chicago Manual of Style (16th Edition):

Carr, Angela B. “Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present.” 2015. Doctoral Dissertation, Ball State University. Accessed November 12, 2019. http://cardinalscholar.bsu.edu/handle/123456789/200048.

MLA Handbook (7th Edition):

Carr, Angela B. “Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present.” 2015. Web. 12 Nov 2019.

Vancouver:

Carr AB. Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present. [Internet] [Doctoral dissertation]. Ball State University; 2015. [cited 2019 Nov 12]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200048.

Council of Science Editors:

Carr AB. Solo angel roles in vocal music : tracing the use of angel roles from 1600 to the present. [Doctoral Dissertation]. Ball State University; 2015. Available from: http://cardinalscholar.bsu.edu/handle/123456789/200048


University of Victoria

26. Byrne, Mary Catherine Jett. Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927.

Degree: School of Music, 2018, University of Victoria

 Throughout the two hundred years of the Paris Conservatoire, the Professors of Flute have carefully documented their philosophies in numerous large-scale, comprehensive treatises. Building on… (more)

Subjects/Keywords: Flute; Instruction and study; History; Music; France; History and criticism

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APA (6th Edition):

Byrne, M. C. J. (2018). Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Byrne, Mary Catherine Jett. “Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927.” 2018. Thesis, University of Victoria. Accessed November 12, 2019. https://dspace.library.uvic.ca//handle/1828/9611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Byrne, Mary Catherine Jett. “Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927.” 2018. Web. 12 Nov 2019.

Vancouver:

Byrne MCJ. Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927. [Internet] [Thesis]. University of Victoria; 2018. [cited 2019 Nov 12]. Available from: https://dspace.library.uvic.ca//handle/1828/9611.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Byrne MCJ. Tooters and tutors: flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9611

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

27. Ferreira, Inara de Barros. The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.

Degree: MA, 2010, Florida Atlantic University

Summary: When John Cage invented the prepared piano in 1940, he created a sound world and body of music unlike anything heard before. The innovative… (more)

Subjects/Keywords: Cage, John; Cage, John – Criticism and interpretation; Prepared piano music; Music – United States – 20th century; Aleatory music – History and criticism; Avant-garde (Music) – History and criticism

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APA (6th Edition):

Ferreira, I. d. B. (2010). The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/1927866

Chicago Manual of Style (16th Edition):

Ferreira, Inara de Barros. “The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.” 2010. Masters Thesis, Florida Atlantic University. Accessed November 12, 2019. http://purl.flvc.org/FAU/1927866.

MLA Handbook (7th Edition):

Ferreira, Inara de Barros. “The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes.” 2010. Web. 12 Nov 2019.

Vancouver:

Ferreira IdB. The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes. [Internet] [Masters thesis]. Florida Atlantic University; 2010. [cited 2019 Nov 12]. Available from: http://purl.flvc.org/FAU/1927866.

Council of Science Editors:

Ferreira IdB. The prepared piano of John Cage: a new level of hearing the Sonatas and Interludes. [Masters Thesis]. Florida Atlantic University; 2010. Available from: http://purl.flvc.org/FAU/1927866


University of Oklahoma

28. Wollenberg, Célia Zambon. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).

Degree: DMA, 2012, University of Oklahoma

 This study investigates French eighteenth&ndashcentury musical aesthetics as they relate to style and performance practice in the early operas of Jean-Philippe Rameau. Through the analyses… (more)

Subjects/Keywords: Operas – Analysis, appreciation; Music – 18th century; Vocal music – History and criticism; Embellishment (Music) – 18th century

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APA (6th Edition):

Wollenberg, C. Z. (2012). A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318949

Chicago Manual of Style (16th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Doctoral Dissertation, University of Oklahoma. Accessed November 12, 2019. http://hdl.handle.net/11244/318949.

MLA Handbook (7th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Web. 12 Nov 2019.

Vancouver:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/11244/318949.

Council of Science Editors:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/318949


University of Oklahoma

29. Trammell, Brenda L. Jenks Public Schools Vocal Music Department: A 100 Year History.

Degree: PhD, 2012, University of Oklahoma

 The study is divided by decades into ten chapters documenting philosophies, instructors, honors, repertoire, and performances. Under the leadership of Danna Decker the choir grew… (more)

Subjects/Keywords: Vocal music – Oklahoma – History and criticism; Music – Instruction and study – Oklahoma – History

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APA (6th Edition):

Trammell, B. L. (2012). Jenks Public Schools Vocal Music Department: A 100 Year History. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318728

Chicago Manual of Style (16th Edition):

Trammell, Brenda L. “Jenks Public Schools Vocal Music Department: A 100 Year History.” 2012. Doctoral Dissertation, University of Oklahoma. Accessed November 12, 2019. http://hdl.handle.net/11244/318728.

MLA Handbook (7th Edition):

Trammell, Brenda L. “Jenks Public Schools Vocal Music Department: A 100 Year History.” 2012. Web. 12 Nov 2019.

Vancouver:

Trammell BL. Jenks Public Schools Vocal Music Department: A 100 Year History. [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/11244/318728.

Council of Science Editors:

Trammell BL. Jenks Public Schools Vocal Music Department: A 100 Year History. [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/318728

30. Buck, Allison. An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century.

Degree: Thesis (D.A.), 2013, Ball State University

 This study has investigated the influence of Central Italian folk music in select compositions of Ottorino Respighi, Peter Tchaikovsky, Felix Mendelssohn, and Jean Sibelius. Through… (more)

Subjects/Keywords: Folk music  – Italy, Central  – History and criticism; Bassoon music  – History and criticism; Symphony  – 19th century; Chamber music  – 19th century  – History and criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buck, A. (2013). An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/197777

Chicago Manual of Style (16th Edition):

Buck, Allison. “An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century.” 2013. Doctoral Dissertation, Ball State University. Accessed November 12, 2019. http://cardinalscholar.bsu.edu/handle/123456789/197777.

MLA Handbook (7th Edition):

Buck, Allison. “An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century.” 2013. Web. 12 Nov 2019.

Vancouver:

Buck A. An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century. [Internet] [Doctoral dissertation]. Ball State University; 2013. [cited 2019 Nov 12]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197777.

Council of Science Editors:

Buck A. An investigation of the influence of central Italian folk music on composers' use of bassoon in select symphonic and large chamber works of the nineteenth century. [Doctoral Dissertation]. Ball State University; 2013. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197777

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