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You searched for subject:(Electronic Music). Showing records 1 – 30 of 539 total matches.

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1. Sagesser, Marcel. Seeking the Unstable: A Practice Amidst Digital Analogies.

Degree: Computer Music and Multimedia Composition, 2018, Brown University

 This essay is a thorough documentation of the live music performance "Pulsations [Bitumen]" realized under the author's artist moniker 'Marcel Zaes' in 2018. The author… (more)

Subjects/Keywords: Electronic music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sagesser, M. (2018). Seeking the Unstable: A Practice Amidst Digital Analogies. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Thesis, Brown University. Accessed January 15, 2021. https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Web. 15 Jan 2021.

Vancouver:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Internet] [Thesis]. Brown University; 2018. [cited 2021 Jan 15]. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Moses, James. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.

Degree: Department of Music, 2018, Brown University

 Oscillator Pond is a sound installation project developed as part of an environment art-science conference program, Atmospheres. The work introduced a randomized soundscape into a… (more)

Subjects/Keywords: Electronic music

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APA (6th Edition):

Moses, J. (2018). Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Thesis, Brown University. Accessed January 15, 2021. https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Web. 15 Jan 2021.

Vancouver:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Internet] [Thesis]. Brown University; 2018. [cited 2021 Jan 15]. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

3. Milloway, Shawn. Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics.

Degree: DMA, College-Conservatory of Music: Composition, 2020, University of Cincinnati

 The video art of Steina and Woody Vasulka as well as Steve Rutt and Bill Etra inspired me to write Cathode Green. These pioneers helped… (more)

Subjects/Keywords: Music; Electronic Music; Music Composition; Laptop Ensemble

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APA (6th Edition):

Milloway, S. (2020). Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592170249875699

Chicago Manual of Style (16th Edition):

Milloway, Shawn. “Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics.” 2020. Doctoral Dissertation, University of Cincinnati. Accessed January 15, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592170249875699.

MLA Handbook (7th Edition):

Milloway, Shawn. “Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics.” 2020. Web. 15 Jan 2021.

Vancouver:

Milloway S. Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics. [Internet] [Doctoral dissertation]. University of Cincinnati; 2020. [cited 2021 Jan 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592170249875699.

Council of Science Editors:

Milloway S. Cathode Green: For Laptop Ensemble, Player Piano, and Fixed Electronics. [Doctoral Dissertation]. University of Cincinnati; 2020. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592170249875699


Queen Mary, University of London

4. Tubb, Robert H. Creativity, exploration and control in musical parameter spaces.

Degree: PhD, 2016, Queen Mary, University of London

 This thesis investigates the use of multidimensional control of synthesis parameters in electronic music, and the impact of controller mapping techniques on creativity. The theoretical… (more)

Subjects/Keywords: Electronic Engineering and Computer Science; electronic music

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APA (6th Edition):

Tubb, R. H. (2016). Creativity, exploration and control in musical parameter spaces. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284

Chicago Manual of Style (16th Edition):

Tubb, Robert H. “Creativity, exploration and control in musical parameter spaces.” 2016. Doctoral Dissertation, Queen Mary, University of London. Accessed January 15, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284.

MLA Handbook (7th Edition):

Tubb, Robert H. “Creativity, exploration and control in musical parameter spaces.” 2016. Web. 15 Jan 2021.

Vancouver:

Tubb RH. Creativity, exploration and control in musical parameter spaces. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2016. [cited 2021 Jan 15]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284.

Council of Science Editors:

Tubb RH. Creativity, exploration and control in musical parameter spaces. [Doctoral Dissertation]. Queen Mary, University of London; 2016. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284


University of Aberdeen

5. Nasciuti, Luca. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.

Degree: PhD, 2019, University of Aberdeen

 The PhD examines ways in which environmental sounds are being employed for the production of musical works in different media. Drawing on the analysis of… (more)

Subjects/Keywords: 780; Electronic composition; Electronic music; Sounds

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nasciuti, L. (2019). Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. (Doctoral Dissertation). University of Aberdeen. Retrieved from https://eu03.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152409390005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082

Chicago Manual of Style (16th Edition):

Nasciuti, Luca. “Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.” 2019. Doctoral Dissertation, University of Aberdeen. Accessed January 15, 2021. https://eu03.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152409390005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082.

MLA Handbook (7th Edition):

Nasciuti, Luca. “Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.” 2019. Web. 15 Jan 2021.

Vancouver:

Nasciuti L. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. [Internet] [Doctoral dissertation]. University of Aberdeen; 2019. [cited 2021 Jan 15]. Available from: https://eu03.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152409390005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082.

Council of Science Editors:

Nasciuti L. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. [Doctoral Dissertation]. University of Aberdeen; 2019. Available from: https://eu03.alma.exlibrisgroup.com/view/delivery/44ABE_INST/12152409390005941 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082


University of California – San Diego

6. Kaiser, Jeffrey Glen. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.

Degree: Music, 2013, University of California – San Diego

 This dissertation is an ethnographic examination of contemporary musicians who improvise with new, repurposed and reinvented electronic technologies, along with a critical examination of how… (more)

Subjects/Keywords: Improvisation (Music); Electronic musical instruments

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APA (6th Edition):

Kaiser, J. G. (2013). Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6bg2c417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kaiser, Jeffrey Glen. “Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.” 2013. Thesis, University of California – San Diego. Accessed January 15, 2021. http://www.escholarship.org/uc/item/6bg2c417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kaiser, Jeffrey Glen. “Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.” 2013. Web. 15 Jan 2021.

Vancouver:

Kaiser JG. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2021 Jan 15]. Available from: http://www.escholarship.org/uc/item/6bg2c417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kaiser JG. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/6bg2c417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

7. Terrell, Michael John. Perceptual mixing for musical production.

Degree: PhD, 2012, Queen Mary, University of London

 A general model of music mixing is developed, which enables a mix to be evaluated as a set of acoustic signals. A second model describes… (more)

Subjects/Keywords: 621.389; Electronic Engineering; Music mixing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Terrell, M. J. (2012). Perceptual mixing for musical production. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075

Chicago Manual of Style (16th Edition):

Terrell, Michael John. “Perceptual mixing for musical production.” 2012. Doctoral Dissertation, Queen Mary, University of London. Accessed January 15, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075.

MLA Handbook (7th Edition):

Terrell, Michael John. “Perceptual mixing for musical production.” 2012. Web. 15 Jan 2021.

Vancouver:

Terrell MJ. Perceptual mixing for musical production. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2012. [cited 2021 Jan 15]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075.

Council of Science Editors:

Terrell MJ. Perceptual mixing for musical production. [Doctoral Dissertation]. Queen Mary, University of London; 2012. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075

8. Horn, Maria. Pressure and movements : Gender constructions in experimental electronic music.

Degree: Composition and Conducting, 2013, Royal College of Music in Stockholm

The aim of this text is to examine the field of experimental electronic music with a focus on gender constructions and in particular electronic(more)

Subjects/Keywords: experimental electronic music; composition; gender

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APA (6th Edition):

Horn, M. (2013). Pressure and movements : Gender constructions in experimental electronic music. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horn, Maria. “Pressure and movements : Gender constructions in experimental electronic music.” 2013. Thesis, Royal College of Music in Stockholm. Accessed January 15, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horn, Maria. “Pressure and movements : Gender constructions in experimental electronic music.” 2013. Web. 15 Jan 2021.

Vancouver:

Horn M. Pressure and movements : Gender constructions in experimental electronic music. [Internet] [Thesis]. Royal College of Music in Stockholm; 2013. [cited 2021 Jan 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horn M. Pressure and movements : Gender constructions in experimental electronic music. [Thesis]. Royal College of Music in Stockholm; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Aberdeen

9. Thompson, Bill. Towards the non-objective.

Degree: Dept. of Music., 2009, University of Aberdeen

Subjects/Keywords: Electronic music.

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APA (6th Edition):

Thompson, B. (2009). Towards the non-objective. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Thompson, Bill. “Towards the non-objective.” 2009. Doctoral Dissertation, University of Aberdeen. Accessed January 15, 2021. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Thompson, Bill. “Towards the non-objective.” 2009. Web. 15 Jan 2021.

Vancouver:

Thompson B. Towards the non-objective. [Internet] [Doctoral dissertation]. University of Aberdeen; 2009. [cited 2021 Jan 15]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer.

Council of Science Editors:

Thompson B. Towards the non-objective. [Doctoral Dissertation]. University of Aberdeen; 2009. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer


University of Aberdeen

10. Wyness, James. Portfolio of compositions and a commentary.

Degree: Dept. of Music., 2009, University of Aberdeen

Subjects/Keywords: Electronic music.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wyness, J. (2009). Portfolio of compositions and a commentary. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Doctoral Dissertation, University of Aberdeen. Accessed January 15, 2021. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Web. 15 Jan 2021.

Vancouver:

Wyness J. Portfolio of compositions and a commentary. [Internet] [Doctoral dissertation]. University of Aberdeen; 2009. [cited 2021 Jan 15]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer.

Council of Science Editors:

Wyness J. Portfolio of compositions and a commentary. [Doctoral Dissertation]. University of Aberdeen; 2009. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer


Royal Holloway, University of London

11. Whiter, Christopher. An exploration of compositional & improvisational approaches to jazz & electronics.

Degree: PhD, 2017, Royal Holloway, University of London

 This is a practical study focusing on the combination of acoustic jazz ensembles with live and studio electronics. The purpose of this research is to… (more)

Subjects/Keywords: Composition; Jazz; Electronic Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whiter, C. (2017). An exploration of compositional & improvisational approaches to jazz & electronics. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/an-exploration-of-compositional – improvisational-approaches-to-jazz – electronics(a062d554-416e-45c1-ad0a-2ba167dcf379).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792737

Chicago Manual of Style (16th Edition):

Whiter, Christopher. “An exploration of compositional & improvisational approaches to jazz & electronics.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 15, 2021. https://pure.royalholloway.ac.uk/portal/en/publications/an-exploration-of-compositional – improvisational-approaches-to-jazz – electronics(a062d554-416e-45c1-ad0a-2ba167dcf379).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792737.

MLA Handbook (7th Edition):

Whiter, Christopher. “An exploration of compositional & improvisational approaches to jazz & electronics.” 2017. Web. 15 Jan 2021.

Vancouver:

Whiter C. An exploration of compositional & improvisational approaches to jazz & electronics. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2021 Jan 15]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/an-exploration-of-compositional – improvisational-approaches-to-jazz – electronics(a062d554-416e-45c1-ad0a-2ba167dcf379).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792737.

Council of Science Editors:

Whiter C. An exploration of compositional & improvisational approaches to jazz & electronics. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/an-exploration-of-compositional – improvisational-approaches-to-jazz – electronics(a062d554-416e-45c1-ad0a-2ba167dcf379).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792737


University of Minnesota

12. Klein, Benjamin. The Wunderkammer Interface.

Degree: PhD, Music, 2017, University of Minnesota

 The Wunderkammer Interface is a nonhierarchical composition that invites an improvising musician to interact with twenty-five modules of composed digital audio processing. The musician who… (more)

Subjects/Keywords: Composition; Electronic Music; Improvisation; Music; SuperCollider; Wunderkammer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Klein, B. (2017). The Wunderkammer Interface. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/188951

Chicago Manual of Style (16th Edition):

Klein, Benjamin. “The Wunderkammer Interface.” 2017. Doctoral Dissertation, University of Minnesota. Accessed January 15, 2021. http://hdl.handle.net/11299/188951.

MLA Handbook (7th Edition):

Klein, Benjamin. “The Wunderkammer Interface.” 2017. Web. 15 Jan 2021.

Vancouver:

Klein B. The Wunderkammer Interface. [Internet] [Doctoral dissertation]. University of Minnesota; 2017. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/11299/188951.

Council of Science Editors:

Klein B. The Wunderkammer Interface. [Doctoral Dissertation]. University of Minnesota; 2017. Available from: http://hdl.handle.net/11299/188951


University of Southern California

13. Letsoalo, Tshegofatso, S. Ash riser and the rise of LA Dubstep.

Degree: MA, Specialized Journalism (The Arts), 2012, University of Southern California

 Dubstep is an electronic music dance genre born right in the heart of South London in the early 2000s. The scene crossed over to America… (more)

Subjects/Keywords: music; dubstep; Los Angeles; culture; electronic music

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APA (6th Edition):

Letsoalo, Tshegofatso, S. (2012). Ash riser and the rise of LA Dubstep. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924

Chicago Manual of Style (16th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Masters Thesis, University of Southern California. Accessed January 15, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

MLA Handbook (7th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Web. 15 Jan 2021.

Vancouver:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2021 Jan 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

Council of Science Editors:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924


University of New South Wales

14. Saintilan, Nicole. The electronic music of Don Banks.

Degree: Social Sciences, 2017, University of New South Wales

 The present study examines the electroacoustic music of Don Banks within the framework of a) previous analytical studies of his compositional process, and b) the… (more)

Subjects/Keywords: Electronic music; Don Banks; Australian music; Spectromorphology

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APA (6th Edition):

Saintilan, N. (2017). The electronic music of Don Banks. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Saintilan, Nicole. “The electronic music of Don Banks.” 2017. Doctoral Dissertation, University of New South Wales. Accessed January 15, 2021. http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true.

MLA Handbook (7th Edition):

Saintilan, Nicole. “The electronic music of Don Banks.” 2017. Web. 15 Jan 2021.

Vancouver:

Saintilan N. The electronic music of Don Banks. [Internet] [Doctoral dissertation]. University of New South Wales; 2017. [cited 2021 Jan 15]. Available from: http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true.

Council of Science Editors:

Saintilan N. The electronic music of Don Banks. [Doctoral Dissertation]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true

15. Gordon, David Eric. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.

Degree: 2016, University of California – eScholarship, University of California

 Part 1:While paintings, drawings, and sculptures have inspired composers and musicians since ancient times, before the modern era, they were rarely used specifically to generate… (more)

Subjects/Keywords: Music; Electronic Music; Music Composition; New Music; Painting; Transdisciplinary; Visual Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gordon, D. E. (2016). 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Thesis, University of California – eScholarship, University of California. Accessed January 15, 2021. http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Web. 15 Jan 2021.

Vancouver:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2021 Jan 15]. Available from: http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Garcia, Anthony Paul. I: At Any Point: an analysis and reflection II: Portfolio of Compositions.

Degree: 2016, University of California – eScholarship, University of California

 I:The first portion of this document is an in-depth analysis and full score of my work, At Any Point, for viola solo, chamber ensemble, live… (more)

Subjects/Keywords: Music; Ableton; Audio Processing; Electronic Music; Music Composition; New Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garcia, A. P. (2016). I: At Any Point: an analysis and reflection II: Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/4jr2s8bs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garcia, Anthony Paul. “I: At Any Point: an analysis and reflection II: Portfolio of Compositions.” 2016. Thesis, University of California – eScholarship, University of California. Accessed January 15, 2021. http://www.escholarship.org/uc/item/4jr2s8bs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garcia, Anthony Paul. “I: At Any Point: an analysis and reflection II: Portfolio of Compositions.” 2016. Web. 15 Jan 2021.

Vancouver:

Garcia AP. I: At Any Point: an analysis and reflection II: Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2021 Jan 15]. Available from: http://www.escholarship.org/uc/item/4jr2s8bs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garcia AP. I: At Any Point: an analysis and reflection II: Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/4jr2s8bs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

17. Becker, Matthew David. ...and the songs of another... for Six Voices & Live Electronics.

Degree: 2018, University of Western Ontario

 …and the songs of another… is a composition of five songs for six voices and live electronics. Voice is the principal tool of sound generation,… (more)

Subjects/Keywords: Electronic music; electroacoustic music; contemporary music; vocal music; Composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Becker, M. D. (2018). ...and the songs of another... for Six Voices & Live Electronics. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Becker, Matthew David. “...and the songs of another... for Six Voices & Live Electronics.” 2018. Thesis, University of Western Ontario. Accessed January 15, 2021. https://ir.lib.uwo.ca/etd/5499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Becker, Matthew David. “...and the songs of another... for Six Voices & Live Electronics.” 2018. Web. 15 Jan 2021.

Vancouver:

Becker MD. ...and the songs of another... for Six Voices & Live Electronics. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2021 Jan 15]. Available from: https://ir.lib.uwo.ca/etd/5499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Becker MD. ...and the songs of another... for Six Voices & Live Electronics. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

18. Holzborn, Damon Russell. Building Mobile Instruments for Improvised Musical Performance.

Degree: 2013, Columbia University

 This paper explores an approach to building electronic musical instruments for use in improvised music that I have found to be particularly effective for developing… (more)

Subjects/Keywords: Music; Improvisation (Music); Electronic musical instruments; Electronic musical instruments – Construction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holzborn, D. R. (2013). Building Mobile Instruments for Improvised Musical Performance. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8GX4JXX

Chicago Manual of Style (16th Edition):

Holzborn, Damon Russell. “Building Mobile Instruments for Improvised Musical Performance.” 2013. Doctoral Dissertation, Columbia University. Accessed January 15, 2021. https://doi.org/10.7916/D8GX4JXX.

MLA Handbook (7th Edition):

Holzborn, Damon Russell. “Building Mobile Instruments for Improvised Musical Performance.” 2013. Web. 15 Jan 2021.

Vancouver:

Holzborn DR. Building Mobile Instruments for Improvised Musical Performance. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2021 Jan 15]. Available from: https://doi.org/10.7916/D8GX4JXX.

Council of Science Editors:

Holzborn DR. Building Mobile Instruments for Improvised Musical Performance. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8GX4JXX


University of Melbourne

19. Dunscombe, Samuel Ekkehardt. Ruptured causality: laptop performance and the concert audience.

Degree: 2011, University of Melbourne

 This thesis examines the effect of the rupture of visual-aural causality on concert audiences at Laptop Performances. Laptop Performance has been criticised as unengaging, uninteresting,… (more)

Subjects/Keywords: laptop performance; electronic music; music performance; sound art; contemporary music; aesthetics of music; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dunscombe, S. E. (2011). Ruptured causality: laptop performance and the concert audience. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36434

Chicago Manual of Style (16th Edition):

Dunscombe, Samuel Ekkehardt. “Ruptured causality: laptop performance and the concert audience.” 2011. Masters Thesis, University of Melbourne. Accessed January 15, 2021. http://hdl.handle.net/11343/36434.

MLA Handbook (7th Edition):

Dunscombe, Samuel Ekkehardt. “Ruptured causality: laptop performance and the concert audience.” 2011. Web. 15 Jan 2021.

Vancouver:

Dunscombe SE. Ruptured causality: laptop performance and the concert audience. [Internet] [Masters thesis]. University of Melbourne; 2011. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/11343/36434.

Council of Science Editors:

Dunscombe SE. Ruptured causality: laptop performance and the concert audience. [Masters Thesis]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/36434


University of North Texas

20. Masone, Jolene. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.

Degree: 2016, University of North Texas

 As the bassoon has evolved over time, the music written for the instrument has evolved around it, and was many times the catalyst for its… (more)

Subjects/Keywords: Bassoon; Electronic music; Interactive electronics; Electroacoustic music; Bassoon and electronic music.; Computer music.; Music and technology.; Academic theses.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Masone, J. (2016). The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Masone, Jolene. “The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.” 2016. Thesis, University of North Texas. Accessed January 15, 2021. https://digital.library.unt.edu/ark:/67531/metadc849603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Masone, Jolene. “The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.” 2016. Web. 15 Jan 2021.

Vancouver:

Masone J. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. [Internet] [Thesis]. University of North Texas; 2016. [cited 2021 Jan 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Masone J. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

21. Hutson, William Moran. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.

Degree: Theater and Performance Studies 09A2, 2015, UCLA

 The last decade has witnessed an increase in scholarly attention paid to experimental electronic music, especially the subgenres of sound art and noise music. Numerous… (more)

Subjects/Keywords: Performing arts; Music; Affect; Electronic Music; Experimental Music; Performance Art

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APA (6th Edition):

Hutson, W. M. (2015). Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Thesis, UCLA. Accessed January 15, 2021. http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Web. 15 Jan 2021.

Vancouver:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Internet] [Thesis]. UCLA; 2015. [cited 2021 Jan 15]. Available from: http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alabama

22. Chong, Ten Yeen. Dialectic (ii) for soprano, flute, and piano.

Degree: 2014, University of Alabama

 Dialectic (II) is a multi-movement chamber piece for soprano, flute, and piano set to a poem of the same name, written by writer and musician… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; Chamber music; Music

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APA (6th Edition):

Chong, T. Y. (2014). Dialectic (ii) for soprano, flute, and piano. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/116183

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chong, Ten Yeen. “Dialectic (ii) for soprano, flute, and piano.” 2014. Thesis, University of Alabama. Accessed January 15, 2021. http://purl.lib.ua.edu/116183.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chong, Ten Yeen. “Dialectic (ii) for soprano, flute, and piano.” 2014. Web. 15 Jan 2021.

Vancouver:

Chong TY. Dialectic (ii) for soprano, flute, and piano. [Internet] [Thesis]. University of Alabama; 2014. [cited 2021 Jan 15]. Available from: http://purl.lib.ua.edu/116183.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chong TY. Dialectic (ii) for soprano, flute, and piano. [Thesis]. University of Alabama; 2014. Available from: http://purl.lib.ua.edu/116183

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alabama

23. Powell, Hilen. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.

Degree: 2013, University of Alabama

 The purpose of this study was to seek to identify and assess factors that contributed to undergraduate student acceptance, matriculation, and success in MUS 115,… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music education; Music; music theory; undergraduate

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APA (6th Edition):

Powell, H. (2013). An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/97229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Powell, Hilen. “An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.” 2013. Thesis, University of Alabama. Accessed January 15, 2021. http://purl.lib.ua.edu/97229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Powell, Hilen. “An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.” 2013. Web. 15 Jan 2021.

Vancouver:

Powell H. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. [Internet] [Thesis]. University of Alabama; 2013. [cited 2021 Jan 15]. Available from: http://purl.lib.ua.edu/97229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Powell H. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. [Thesis]. University of Alabama; 2013. Available from: http://purl.lib.ua.edu/97229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brunel University

24. Katan, Simon. Sight, sound, the chicken and the egg : audio-visual co-dependency in music.

Degree: PhD, 2012, Brunel University

 Amongst the modern day abundance of audio-visual media, where sounds represent everything from the swooping of virtual cameras through 3D spaces to the pressing of… (more)

Subjects/Keywords: 700; Music; Audio-visual; Electronic music; Audio-visual codependency; Computer music

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APA (6th Edition):

Katan, S. (2012). Sight, sound, the chicken and the egg : audio-visual co-dependency in music. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886

Chicago Manual of Style (16th Edition):

Katan, Simon. “Sight, sound, the chicken and the egg : audio-visual co-dependency in music.” 2012. Doctoral Dissertation, Brunel University. Accessed January 15, 2021. http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886.

MLA Handbook (7th Edition):

Katan, Simon. “Sight, sound, the chicken and the egg : audio-visual co-dependency in music.” 2012. Web. 15 Jan 2021.

Vancouver:

Katan S. Sight, sound, the chicken and the egg : audio-visual co-dependency in music. [Internet] [Doctoral dissertation]. Brunel University; 2012. [cited 2021 Jan 15]. Available from: http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886.

Council of Science Editors:

Katan S. Sight, sound, the chicken and the egg : audio-visual co-dependency in music. [Doctoral Dissertation]. Brunel University; 2012. Available from: http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886


University of Washington

25. Eaton, Kaley Lane. lily [bloom in my darkness]: an electroacoustic opera.

Degree: 2017, University of Washington

 Lily [bloom in my darkness] is a 35-minute electroacoustic opera for voice, live electronic processing, pulse sensors, two violas, saxophone doubling clarinet, electric harp, piano,… (more)

Subjects/Keywords: composition; electroacoustic; electronic; large ensemble; music; opera; Music; Music

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APA (6th Edition):

Eaton, K. L. (2017). lily [bloom in my darkness]: an electroacoustic opera. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eaton, Kaley Lane. “lily [bloom in my darkness]: an electroacoustic opera.” 2017. Thesis, University of Washington. Accessed January 15, 2021. http://hdl.handle.net/1773/40273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eaton, Kaley Lane. “lily [bloom in my darkness]: an electroacoustic opera.” 2017. Web. 15 Jan 2021.

Vancouver:

Eaton KL. lily [bloom in my darkness]: an electroacoustic opera. [Internet] [Thesis]. University of Washington; 2017. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/1773/40273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eaton KL. lily [bloom in my darkness]: an electroacoustic opera. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

26. Shiota, Kazuaki. The Signals From the Starlight.

Degree: M.M., College-Conservatory of Music : Composition, 2006, University of Cincinnati

 The focal point of the piece is the alteration of communications. Through the communication of the two people, their relationship may change as times goes… (more)

Subjects/Keywords: Music; electronic music; electroacoustic music

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APA (6th Edition):

Shiota, K. (2006). The Signals From the Starlight. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522

Chicago Manual of Style (16th Edition):

Shiota, Kazuaki. “The Signals From the Starlight.” 2006. Masters Thesis, University of Cincinnati. Accessed January 15, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522.

MLA Handbook (7th Edition):

Shiota, Kazuaki. “The Signals From the Starlight.” 2006. Web. 15 Jan 2021.

Vancouver:

Shiota K. The Signals From the Starlight. [Internet] [Masters thesis]. University of Cincinnati; 2006. [cited 2021 Jan 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522.

Council of Science Editors:

Shiota K. The Signals From the Starlight. [Masters Thesis]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522


The Ohio State University

27. Montague, Stephen. Voussoirs for large orchestra and electronic tapes.

Degree: PhD, Graduate School, 1972, The Ohio State University

Subjects/Keywords: Music; Orchestra music; Electronic music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Montague, S. (1972). Voussoirs for large orchestra and electronic tapes. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975

Chicago Manual of Style (16th Edition):

Montague, Stephen. “Voussoirs for large orchestra and electronic tapes.” 1972. Doctoral Dissertation, The Ohio State University. Accessed January 15, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975.

MLA Handbook (7th Edition):

Montague, Stephen. “Voussoirs for large orchestra and electronic tapes.” 1972. Web. 15 Jan 2021.

Vancouver:

Montague S. Voussoirs for large orchestra and electronic tapes. [Internet] [Doctoral dissertation]. The Ohio State University; 1972. [cited 2021 Jan 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975.

Council of Science Editors:

Montague S. Voussoirs for large orchestra and electronic tapes. [Doctoral Dissertation]. The Ohio State University; 1972. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975


University of Iowa

28. Palamara, Jason Andrew. Dysphonia, for solo violin, chamber ensemble and live electronics.

Degree: PhD, Music, 2015, University of Iowa

  DYSPHONIA is a music and dance work, for violin soloist with a live chamber orchestra, including multiple laptops and a custom-built gesture detection system… (more)

Subjects/Keywords: publicabstract; Electroacoustic Music; Electronic Music; Live Electronics; Modern Dance; Music for Dance; Wearable Electronics; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palamara, J. A. (2015). Dysphonia, for solo violin, chamber ensemble and live electronics. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1718

Chicago Manual of Style (16th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Doctoral Dissertation, University of Iowa. Accessed January 15, 2021. https://ir.uiowa.edu/etd/1718.

MLA Handbook (7th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Web. 15 Jan 2021.

Vancouver:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Internet] [Doctoral dissertation]. University of Iowa; 2015. [cited 2021 Jan 15]. Available from: https://ir.uiowa.edu/etd/1718.

Council of Science Editors:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Doctoral Dissertation]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1718

29. Jurkowski, Nicholas Wright. Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.

Degree: 2017, University of California – eScholarship, University of California

 The close of World War II and the advent of the Cold War had effects far beyond the oft-explored realms of global alliances and domestic… (more)

Subjects/Keywords: Music theory; Music history; Music; Babbitt; Electronic; Kagel; Mode 2; Music; Takemitsu

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jurkowski, N. W. (2017). Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/32m6c5w9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jurkowski, Nicholas Wright. “Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.” 2017. Thesis, University of California – eScholarship, University of California. Accessed January 15, 2021. http://www.escholarship.org/uc/item/32m6c5w9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jurkowski, Nicholas Wright. “Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music.” 2017. Web. 15 Jan 2021.

Vancouver:

Jurkowski NW. Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music. [Internet] [Thesis]. University of California – eScholarship, University of California; 2017. [cited 2021 Jan 15]. Available from: http://www.escholarship.org/uc/item/32m6c5w9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jurkowski NW. Joining Forces in Technology: Three Analytical Case Studies of Early Corporate-Sponsored Electronic Music. [Thesis]. University of California – eScholarship, University of California; 2017. Available from: http://www.escholarship.org/uc/item/32m6c5w9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

30. Hansen, Von Elton. An Introduction to Interactive Music for Percussion and Computers.

Degree: DMA, Music, 2014, University of Kansas

 Composers began combining acoustic performers with electronically produced sounds in the early twentieth century. As computer-processing power increased the potential for significant musical communication was… (more)

Subjects/Keywords: Music; computer music; Cort Lippe; Dan Trueman; electronic music; interactive music; percussion

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hansen, V. E. (2014). An Introduction to Interactive Music for Percussion and Computers. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/15513

Chicago Manual of Style (16th Edition):

Hansen, Von Elton. “An Introduction to Interactive Music for Percussion and Computers.” 2014. Doctoral Dissertation, University of Kansas. Accessed January 15, 2021. http://hdl.handle.net/1808/15513.

MLA Handbook (7th Edition):

Hansen, Von Elton. “An Introduction to Interactive Music for Percussion and Computers.” 2014. Web. 15 Jan 2021.

Vancouver:

Hansen VE. An Introduction to Interactive Music for Percussion and Computers. [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2021 Jan 15]. Available from: http://hdl.handle.net/1808/15513.

Council of Science Editors:

Hansen VE. An Introduction to Interactive Music for Percussion and Computers. [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/15513

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