Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Electronic Dance Music). Showing records 1 – 30 of 38 total matches.

[1] [2]

Search Limiters

Last 2 Years | English Only

▼ Search Limiters


University of Cincinnati

1. Merkowitz, Jennifer Bernard. The Cardiac Dance—The Spirals of Life.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

  <i>The Cardiac Dance—The Spirals of Life</i>is a one-act ballet inspired by the work of Drs. Francisco Torrent-Guasp and Gerald Buckberg. The "cardiac dance" is… (more)

Subjects/Keywords: Music; cardiac dance spirals electronic music composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Merkowitz, J. B. (2007). The Cardiac Dance—The Spirals of Life. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849

Chicago Manual of Style (16th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

MLA Handbook (7th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Web. 19 Oct 2019.

Vancouver:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

Council of Science Editors:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849


University of Iowa

2. Palamara, Jason Andrew. Dysphonia, for solo violin, chamber ensemble and live electronics.

Degree: PhD, Music, 2015, University of Iowa

  DYSPHONIA is a music and dance work, for violin soloist with a live chamber orchestra, including multiple laptops and a custom-built gesture detection system… (more)

Subjects/Keywords: publicabstract; Electroacoustic Music; Electronic Music; Live Electronics; Modern Dance; Music for Dance; Wearable Electronics; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palamara, J. A. (2015). Dysphonia, for solo violin, chamber ensemble and live electronics. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1718

Chicago Manual of Style (16th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Doctoral Dissertation, University of Iowa. Accessed October 19, 2019. https://ir.uiowa.edu/etd/1718.

MLA Handbook (7th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Web. 19 Oct 2019.

Vancouver:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Internet] [Doctoral dissertation]. University of Iowa; 2015. [cited 2019 Oct 19]. Available from: https://ir.uiowa.edu/etd/1718.

Council of Science Editors:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Doctoral Dissertation]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1718


Universitat Pompeu Fabra

3. Gómez Marín, Daniel. Similarity and style in electronic dance music drum rhythms.

Degree: Departament de Tecnologies de la Informació i les Comunicacions, 2018, Universitat Pompeu Fabra

 Esta tesis presenta una investigación original llevada a cabo en el área de la secuenciación de baterías de música electrónica de baile (EDM), un tema… (more)

Subjects/Keywords: EDM; Electronic dance music; Rhythms; 62

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gómez Marín, D. (2018). Similarity and style in electronic dance music drum rhythms. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/543841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gómez Marín, Daniel. “Similarity and style in electronic dance music drum rhythms.” 2018. Thesis, Universitat Pompeu Fabra. Accessed October 19, 2019. http://hdl.handle.net/10803/543841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gómez Marín, Daniel. “Similarity and style in electronic dance music drum rhythms.” 2018. Web. 19 Oct 2019.

Vancouver:

Gómez Marín D. Similarity and style in electronic dance music drum rhythms. [Internet] [Thesis]. Universitat Pompeu Fabra; 2018. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10803/543841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gómez Marín D. Similarity and style in electronic dance music drum rhythms. [Thesis]. Universitat Pompeu Fabra; 2018. Available from: http://hdl.handle.net/10803/543841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

4. Walker, Malone H. Holy Bass: Spirituality in Electronic Dance Music Culture.

Degree: MA, Anthropology, 2015, Georgia State University

  Throughout human history, religious systems have provided individuals with basic knowledge and guidance used to understand and navigate the world. The modern world is… (more)

Subjects/Keywords: Electronic Dance Music Culture (EDMC); Religion; Spirituality; Cultural anthropology; Music; Dance culture

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walker, M. H. (2015). Holy Bass: Spirituality in Electronic Dance Music Culture. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/anthro_theses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Malone H. “Holy Bass: Spirituality in Electronic Dance Music Culture.” 2015. Thesis, Georgia State University. Accessed October 19, 2019. https://scholarworks.gsu.edu/anthro_theses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Malone H. “Holy Bass: Spirituality in Electronic Dance Music Culture.” 2015. Web. 19 Oct 2019.

Vancouver:

Walker MH. Holy Bass: Spirituality in Electronic Dance Music Culture. [Internet] [Thesis]. Georgia State University; 2015. [cited 2019 Oct 19]. Available from: https://scholarworks.gsu.edu/anthro_theses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker MH. Holy Bass: Spirituality in Electronic Dance Music Culture. [Thesis]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/anthro_theses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.

Degree: 2011, University of North Texas

 Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force… (more)

Subjects/Keywords: Popular music; trance; house; electronic dance music; breakdown; buildup; anthem

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iler, D. (2011). Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iler, Devin. “Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.” 2011. Thesis, University of North Texas. Accessed October 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc103332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iler, Devin. “Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.” 2011. Web. 19 Oct 2019.

Vancouver:

Iler D. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iler D. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

6. Skoczkowski, Philip. Sonic City: an exhibition of photography, A/V installation, community action.

Degree: 2016, Ryerson University

 By taking participatory action research, utilizing sound as a means of harnessing the socio-cultural, and documentary exhibiting as mimesis, this paper takes themes of contemporary… (more)

Subjects/Keywords: Electronic dance music  – Social aspects  – Great Britain  – London; Electronic dance music  – Social aspects  – Germany  – Berlin; Electronic dance music  – Social aspects  – Ontario  – Toronto; Discotheques  – Social aspects

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Skoczkowski, P. (2016). Sonic City: an exhibition of photography, A/V installation, community action. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A7249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skoczkowski, Philip. “Sonic City: an exhibition of photography, A/V installation, community action.” 2016. Thesis, Ryerson University. Accessed October 19, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A7249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skoczkowski, Philip. “Sonic City: an exhibition of photography, A/V installation, community action.” 2016. Web. 19 Oct 2019.

Vancouver:

Skoczkowski P. Sonic City: an exhibition of photography, A/V installation, community action. [Internet] [Thesis]. Ryerson University; 2016. [cited 2019 Oct 19]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skoczkowski P. Sonic City: an exhibition of photography, A/V installation, community action. [Thesis]. Ryerson University; 2016. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

7. Barnes, Duncan Martin. Selling the modern day tribe: The commodification of rave culture.

Degree: 2018, Edith Cowan University

 This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local… (more)

Subjects/Keywords: Rave culture; dance culture; EDM; Electronic Dance Music; subculture; Burning Man; Music Photography; Moral Panic; Techno; Music; Photography; Sociology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnes, D. M. (2018). Selling the modern day tribe: The commodification of rave culture. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Thesis, Edith Cowan University. Accessed October 19, 2019. https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Web. 19 Oct 2019.

Vancouver:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2019 Oct 19]. Available from: https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

8. Carroll, Adrian Dominic. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.

Degree: 2012, Queensland University of Technology

 This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic… (more)

Subjects/Keywords: Beat-mixing; Electronic Dance Music; Splatterheads; Musical immediacy; Rock Music; Creative synthesis; Transformational Learning; Heuristic Inquiry; DJ Techniques; Hybrid music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carroll, A. D. (2012). Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/61231/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carroll, Adrian Dominic. “Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.” 2012. Thesis, Queensland University of Technology. Accessed October 19, 2019. https://eprints.qut.edu.au/61231/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carroll, Adrian Dominic. “Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.” 2012. Web. 19 Oct 2019.

Vancouver:

Carroll AD. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. [Internet] [Thesis]. Queensland University of Technology; 2012. [cited 2019 Oct 19]. Available from: https://eprints.qut.edu.au/61231/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carroll AD. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. [Thesis]. Queensland University of Technology; 2012. Available from: https://eprints.qut.edu.au/61231/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Tallroth, Linus. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.

Degree: Sound and Music Production, 2017, Dalarna University

  Syftet med denna undersökning är att få en djupare förståelse om hur elektronisk dansmusik i form av house skapas av etablerade musikskapare idag. Resultaten… (more)

Subjects/Keywords: House; electronic; dance; music; production; process; workflow; DAW.; Media and Communication Technology; Medieteknik

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tallroth, L. (2017). Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. (Thesis). Dalarna University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tallroth, Linus. “Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.” 2017. Thesis, Dalarna University. Accessed October 19, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tallroth, Linus. “Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.” 2017. Web. 19 Oct 2019.

Vancouver:

Tallroth L. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. [Internet] [Thesis]. Dalarna University; 2017. [cited 2019 Oct 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tallroth L. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. [Thesis]. Dalarna University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

10. Sheridan, G. Hard ass: representation, diaspora and globalisation in kuduro.

Degree: 2014, RMIT University

 In recent years a range of new music genres have developed in the global South that fuse regional elements with electronic dance music, creating new… (more)

Subjects/Keywords: Fields of Research; kuduro; ethnomusicology; practice-based research; lusophone; electronic dance music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sheridan, G. (2014). Hard ass: representation, diaspora and globalisation in kuduro. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheridan, G. “Hard ass: representation, diaspora and globalisation in kuduro.” 2014. Thesis, RMIT University. Accessed October 19, 2019. http://researchbank.rmit.edu.au/view/rmit:161325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheridan, G. “Hard ass: representation, diaspora and globalisation in kuduro.” 2014. Web. 19 Oct 2019.

Vancouver:

Sheridan G. Hard ass: representation, diaspora and globalisation in kuduro. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:161325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheridan G. Hard ass: representation, diaspora and globalisation in kuduro. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Curtin University of Technology

11. Green, Rachael Renee. An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia .

Degree: 2012, Curtin University of Technology

 This thesis explores the social contexts and cultural significance of amphetamine-type stimulant (ATS) and alcohol use among a social network of young adults in Perth,… (more)

Subjects/Keywords: electronic dance music enthusiasts; an ethnographic study; Western Australia; Perth; identity management; recreational drug use

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Green, R. R. (2012). An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia . (Thesis). Curtin University of Technology. Retrieved from http://hdl.handle.net/20.500.11937/1461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Green, Rachael Renee. “An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia .” 2012. Thesis, Curtin University of Technology. Accessed October 19, 2019. http://hdl.handle.net/20.500.11937/1461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Green, Rachael Renee. “An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia .” 2012. Web. 19 Oct 2019.

Vancouver:

Green RR. An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia . [Internet] [Thesis]. Curtin University of Technology; 2012. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/20.500.11937/1461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Green RR. An ethnographic study of recreational drug use and identity management among a network of electronic dance music enthusiasts in Perth, Western Australia . [Thesis]. Curtin University of Technology; 2012. Available from: http://hdl.handle.net/20.500.11937/1461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Goodman, Edward. Summary of Dissertation Recitals Three Programs of Saxophone Music.

Degree: AMU, Music: Performance, 2016, University of Michigan

 In fulfillment of my doctorate, I chose the following recitals in order to expand my scope as an artist within electronic music, chamber music, and… (more)

Subjects/Keywords: Three saxophone recitals were given in lieu of a written dissertation that explored electronic music, chamber music, and early vaudeville music.; Music and Dance; Arts

Page 1 Page 2

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodman, E. (2016). Summary of Dissertation Recitals Three Programs of Saxophone Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/133293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodman, Edward. “Summary of Dissertation Recitals Three Programs of Saxophone Music.” 2016. Thesis, University of Michigan. Accessed October 19, 2019. http://hdl.handle.net/2027.42/133293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodman, Edward. “Summary of Dissertation Recitals Three Programs of Saxophone Music.” 2016. Web. 19 Oct 2019.

Vancouver:

Goodman E. Summary of Dissertation Recitals Three Programs of Saxophone Music. [Internet] [Thesis]. University of Michigan; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2027.42/133293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodman E. Summary of Dissertation Recitals Three Programs of Saxophone Music. [Thesis]. University of Michigan; 2016. Available from: http://hdl.handle.net/2027.42/133293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

13. Neille, Merryl. Teaching Artistry of the Flute: A Summary of Dissertation Recitals.

Degree: AMU, Music: Performance, 2018, University of Michigan

 Three dissertation recitals were performed in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Flute Performance). The first recital, “Orchestral… (more)

Subjects/Keywords: Doctor of Musical Arts (Music: Performance), dissertation recitals, Orchestral Music, Baroque Flute Pedagogy: A Lecture Recital, Electronic Music; Music and Dance; Arts

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neille, M. (2018). Teaching Artistry of the Flute: A Summary of Dissertation Recitals. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/145934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neille, Merryl. “Teaching Artistry of the Flute: A Summary of Dissertation Recitals.” 2018. Thesis, University of Michigan. Accessed October 19, 2019. http://hdl.handle.net/2027.42/145934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neille, Merryl. “Teaching Artistry of the Flute: A Summary of Dissertation Recitals.” 2018. Web. 19 Oct 2019.

Vancouver:

Neille M. Teaching Artistry of the Flute: A Summary of Dissertation Recitals. [Internet] [Thesis]. University of Michigan; 2018. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2027.42/145934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neille M. Teaching Artistry of the Flute: A Summary of Dissertation Recitals. [Thesis]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/145934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

14. Pettauer, Philipp. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.

Degree: 2018, University of Vienna

Die Masterarbeit befasst sich mit aktuellen Strömungen im Feld der elektronischen Tanzmusik (EDM). Grundlage dieser ethnographisch ausgerichteten Forschungsarbeit bildet die Auswertung von qualitativem Datenmaterial, das… (more)

Subjects/Keywords: 71.59 Kultursoziologie: Sonstiges; 71.52 Kulturelle Prozesse; 71.50 Kultursoziologie: Allgemeines; 71.39 Soziale Gruppen: Sonstiges; 71.30 Soziale Gruppen: Allgemeines; 71.14 Städtische Gesellschaft; 71.11 Gesellschaft; elektronische Tanzmusik / EDM / EDMC / Clubkultur / House / Lo-Fi House / Sound / Techno / Ästhetik / Ethnographie / Szene / Subkultur; electronic dance music / electronic dance music studies / electronic dance music culture / EDM / EDMC / club culture / house / lo-fi house / techno / sound / aesthetics / ethnography / scenes / subcultures

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pettauer, P. (2018). Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Thesis, University of Vienna. Accessed October 19, 2019. http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Web. 19 Oct 2019.

Vancouver:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Internet] [Thesis]. University of Vienna; 2018. [cited 2019 Oct 19]. Available from: http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Thesis]. University of Vienna; 2018. Available from: http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

15. Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.

Degree: Master, Communication and Information, 2010, Vytautas Magnus University

Informacinė sklaida šiomis dienomis yra kaip niekad intensyvi ir įvairialypė. Komunikacinių kanalų gausa ir įvairovė sukuria galimybę aktyviai dalyvauti komunikaciniuose procesuose net pačioms mažiausioms ir… (more)

Subjects/Keywords: Kultūra; Masinė kultūra; Elektroninės šokių muzikos subkultūra; Žiniasklaida; Komunikacija; Culture; Mass culture; Electronic dance music subculture; Media; Communication

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liaukevičiūtė, Rasa. (2010). Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Liaukevičiūtė, Rasa. “Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.” 2010. Masters Thesis, Vytautas Magnus University. Accessed October 19, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Liaukevičiūtė, Rasa. “Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.” 2010. Web. 19 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. [Internet] [Masters thesis]. Vytautas Magnus University; 2010. [cited 2019 Oct 19]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. [Masters Thesis]. Vytautas Magnus University; 2010. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

16. Rodgers, Naomi Alice. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.

Degree: Faculty of Arts and Sciences, 2015, Linköping UniversityLinköping University

  Berlin is heralded worldwide as being a city that is open, innovative and diverse: a true multicultural metropolis. Music plays a central role in… (more)

Subjects/Keywords: Electronic dance music; EDMC; nightlife; diversity; post-colonial theory; homonationalism; intersectionality; race; sexuality; gender; identity; discourse; multiculturalism; Berlin; Germany

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodgers, N. A. (2015). “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. (Thesis). Linköping UniversityLinköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodgers, Naomi Alice. ““House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.” 2015. Thesis, Linköping UniversityLinköping University. Accessed October 19, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodgers, Naomi Alice. ““House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.” 2015. Web. 19 Oct 2019.

Vancouver:

Rodgers NA. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. [Internet] [Thesis]. Linköping UniversityLinköping University; 2015. [cited 2019 Oct 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodgers NA. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. [Thesis]. Linköping UniversityLinköping University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Herrington, James. Towards an interactive environment for the performance of Dubstep music.

Degree: 2015, Edith Cowan University

 This Masters by Research project explores the integration of different concepts relating to the presence of the human body in Dubstep music performance. Three intended… (more)

Subjects/Keywords: Electronic dance music; MaxMSP; Ableton Live; Music; Musicology; Music Practice

…who make electronic dance music have been going to great lengths to divert people’s… …order to resolve the issue of Electronic Dance Music performativity, and as part of my Masters… …musical instrument). 1.3: Features of Dubstep music Dubstep is a genre of electronic dance… …is just another subgenre of the greater Electronic Dance Music, and is therefore a computer… …performance As with many matters surrounding live electronic dance music performance; the issue of… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Herrington, J. (2015). Towards an interactive environment for the performance of Dubstep music. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/1582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Herrington, James. “Towards an interactive environment for the performance of Dubstep music.” 2015. Thesis, Edith Cowan University. Accessed October 19, 2019. http://ro.ecu.edu.au/theses/1582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Herrington, James. “Towards an interactive environment for the performance of Dubstep music.” 2015. Web. 19 Oct 2019.

Vancouver:

Herrington J. Towards an interactive environment for the performance of Dubstep music. [Internet] [Thesis]. Edith Cowan University; 2015. [cited 2019 Oct 19]. Available from: http://ro.ecu.edu.au/theses/1582.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Herrington J. Towards an interactive environment for the performance of Dubstep music. [Thesis]. Edith Cowan University; 2015. Available from: http://ro.ecu.edu.au/theses/1582

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

18. Chan, Sara Wei-Ming. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.

Degree: 2003, Ryerson University

 This study is an exploration into how dance music cultures (better known as "rave" or "club" cultures) find ways to straddle the divide between human… (more)

Subjects/Keywords: Electronic music; Underground dance music; Rave culture; Virtual reality; Cultural anthropology; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chan, S. W. (2003). Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Thesis, Ryerson University. Accessed October 19, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Web. 19 Oct 2019.

Vancouver:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Internet] [Thesis]. Ryerson University; 2003. [cited 2019 Oct 19]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Thesis]. Ryerson University; 2003. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Lozej, Martino. The Arpeggiator: A Compositional tool for Performance and Production.

Degree: MA -MA, Music, 2016, York University

 The properties of the arpeggiator bring forth a creative process that marries production, composition, improvisation and performance in a manner that inspires the musician/producer, helped… (more)

Subjects/Keywords: Performing arts; Electronic dance music; Synthesizers; Repetition; Computer Music; Interactive music; Music production; Automation in music; Music technology; Looping; Techno; House music; EDM; Improvisation; Trance; African-American music; Keyboards; Production and composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lozej, M. (2016). The Arpeggiator: A Compositional tool for Performance and Production. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32712

Chicago Manual of Style (16th Edition):

Lozej, Martino. “The Arpeggiator: A Compositional tool for Performance and Production.” 2016. Masters Thesis, York University. Accessed October 19, 2019. http://hdl.handle.net/10315/32712.

MLA Handbook (7th Edition):

Lozej, Martino. “The Arpeggiator: A Compositional tool for Performance and Production.” 2016. Web. 19 Oct 2019.

Vancouver:

Lozej M. The Arpeggiator: A Compositional tool for Performance and Production. [Internet] [Masters thesis]. York University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10315/32712.

Council of Science Editors:

Lozej M. The Arpeggiator: A Compositional tool for Performance and Production. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32712

20. Lucas, Stephen Michael. Triple Synthesis.

Degree: MA -MA, Music, 2014, York University

 This thesis investigates the result of merging three musical approaches (jazz fusion, breakbeat/IDM and Electronic Dance Music) and their respective methodologies as applied to music(more)

Subjects/Keywords: Music; IDM; Music composition; Jazz fusion; Electronic dance music; EDM; Intelligent dance music

…Head Hunters & Weather Report, and contemporary EDM (Electronic Dance Music) music… …as minimal = minimal tech, etc. While electronic dance music is usually created with a… …genres; the rhythms of breakbeat and IDM (Intelligent Dance Music) style drum… …Dance Music‖ or ―IDM‖ developed in the mid 1990s, best represented by the sub-genres… …compatible with the other two electronic music-based components. In fact, jazz-fusion artists share… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lucas, S. M. (2014). Triple Synthesis. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/27678

Chicago Manual of Style (16th Edition):

Lucas, Stephen Michael. “Triple Synthesis.” 2014. Masters Thesis, York University. Accessed October 19, 2019. http://hdl.handle.net/10315/27678.

MLA Handbook (7th Edition):

Lucas, Stephen Michael. “Triple Synthesis.” 2014. Web. 19 Oct 2019.

Vancouver:

Lucas SM. Triple Synthesis. [Internet] [Masters thesis]. York University; 2014. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10315/27678.

Council of Science Editors:

Lucas SM. Triple Synthesis. [Masters Thesis]. York University; 2014. Available from: http://hdl.handle.net/10315/27678


University of Iowa

21. Farrugia, Rebekah L. Spin-sters: women, new media technologies and electronic/dance music.

Degree: PhD, Communication Studies, 2004, University of Iowa

  The purpose of this project is to understand how it is that women become electronic/dance music (E/DM) DJs and intervene in the dominant discourses… (more)

Subjects/Keywords: gender and technology; popular music; women; Internet; electronic/dance music; subcultures; Communication

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Farrugia, R. L. (2004). Spin-sters: women, new media technologies and electronic/dance music. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/112

Chicago Manual of Style (16th Edition):

Farrugia, Rebekah L. “Spin-sters: women, new media technologies and electronic/dance music.” 2004. Doctoral Dissertation, University of Iowa. Accessed October 19, 2019. https://ir.uiowa.edu/etd/112.

MLA Handbook (7th Edition):

Farrugia, Rebekah L. “Spin-sters: women, new media technologies and electronic/dance music.” 2004. Web. 19 Oct 2019.

Vancouver:

Farrugia RL. Spin-sters: women, new media technologies and electronic/dance music. [Internet] [Doctoral dissertation]. University of Iowa; 2004. [cited 2019 Oct 19]. Available from: https://ir.uiowa.edu/etd/112.

Council of Science Editors:

Farrugia RL. Spin-sters: women, new media technologies and electronic/dance music. [Doctoral Dissertation]. University of Iowa; 2004. Available from: https://ir.uiowa.edu/etd/112

22. Gage, Alexander David. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.

Degree: MA -MA, Music, 2018, York University

 This study is an ethnographic investigation of rave and its culture, focusing on the motivational structures of individuals within the community. The aim of the… (more)

Subjects/Keywords: Psychology; Music; Rave; Electronic dance music; Ethnomusicology; Ethnography; Phenomenology; Logotherapy; Flow; Optimal experience; Motivational psychology; Drugs; Altered states of consciousness; Cognition; Escapism; Adorno; Alternative reality; Subculture; Aesthetic culture; Meaning

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gage, A. D. (2018). What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34534

Chicago Manual of Style (16th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Masters Thesis, York University. Accessed October 19, 2019. http://hdl.handle.net/10315/34534.

MLA Handbook (7th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Web. 19 Oct 2019.

Vancouver:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10315/34534.

Council of Science Editors:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34534

23. Heller, David Francis. I-Rave : digiphrenia's transformation of a culture.

Degree: 2015, University of Hawaii – Manoa

M.A. University of Hawaii at Manoa 2014.

Over the last five years, electronic dance music culture, originally known as Rave has made dramatic shifts due… (more)

Subjects/Keywords: electronic dance music; Rave; media; smartphones; social networking; technology

…networks. Many Ravers now prefer to dance privately at home instead of electronic dance music… …Raves, causing a switch from Rave to EDM (electronic dance music) events. This has… …dance styles associated with electronic dance music. The reviewed text discusses the roots… …electronic dance music, and the associated dance styles. ! $(! Literature: History and… …of Electronic Dance Music (EDM). Author Bill Brewster devotes entire chapters to… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heller, D. F. (2015). I-Rave : digiphrenia's transformation of a culture. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/100325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heller, David Francis. “I-Rave : digiphrenia's transformation of a culture.” 2015. Thesis, University of Hawaii – Manoa. Accessed October 19, 2019. http://hdl.handle.net/10125/100325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heller, David Francis. “I-Rave : digiphrenia's transformation of a culture.” 2015. Web. 19 Oct 2019.

Vancouver:

Heller DF. I-Rave : digiphrenia's transformation of a culture. [Internet] [Thesis]. University of Hawaii – Manoa; 2015. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10125/100325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heller DF. I-Rave : digiphrenia's transformation of a culture. [Thesis]. University of Hawaii – Manoa; 2015. Available from: http://hdl.handle.net/10125/100325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Fowle, Kyle. Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep.

Degree: 2013, University of Western Ontario

 This thesis examines discourses on dubstep, a currently popular form of electronic dance music (EDM). The thesis identifies discursive patterns in the received historical narrative… (more)

Subjects/Keywords: Dubstep; Electronic Dance Music; Authenticity; Mainstreaming; Subcultural Capital; Gender

…x29; thoughts on the meaning and value of electronic dance music, as it encapsulates much of… …within electronic dance music cultures. Chapter two establishes a brief history of various… …electronic dance music (EDM) genres since disco, detailing the splintering of genre names… …place within the larger narrative of electronic dance music. Before delving into a historical… …underground and the mainstream found within the electronic dance music scene across its historical… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fowle, K. (2013). Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/1203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fowle, Kyle. “Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep.” 2013. Thesis, University of Western Ontario. Accessed October 19, 2019. https://ir.lib.uwo.ca/etd/1203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fowle, Kyle. “Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep.” 2013. Web. 19 Oct 2019.

Vancouver:

Fowle K. Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep. [Internet] [Thesis]. University of Western Ontario; 2013. [cited 2019 Oct 19]. Available from: https://ir.lib.uwo.ca/etd/1203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fowle K. Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep. [Thesis]. University of Western Ontario; 2013. Available from: https://ir.lib.uwo.ca/etd/1203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Pompeu Fabra

25. Ó Nuanáin, Cárthach. Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains.

Degree: Departament de Tecnologies de la Informació i les Comunicacions, 2018, Universitat Pompeu Fabra

 La práctica de la composición musical parte a menudo de una pequeña idea o motivo que florece en una obra completa mediante una cuidadosa aplicación… (more)

Subjects/Keywords: Genetic algorithms; Rhythm similarity; Concatenative synthesis; Timbre analysis; Electronic dance music; Algoritmos genéticos; Similaridad de ritmos; Síntesis concatenativa; Análisis del timbre; Música electrónica; 62

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ó Nuanáin, C. (2018). Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/482191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ó Nuanáin, Cárthach. “Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains.” 2018. Thesis, Universitat Pompeu Fabra. Accessed October 19, 2019. http://hdl.handle.net/10803/482191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ó Nuanáin, Cárthach. “Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains.” 2018. Web. 19 Oct 2019.

Vancouver:

Ó Nuanáin C. Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains. [Internet] [Thesis]. Universitat Pompeu Fabra; 2018. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10803/482191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ó Nuanáin C. Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains. [Thesis]. Universitat Pompeu Fabra; 2018. Available from: http://hdl.handle.net/10803/482191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

26. Chlebus, Jiří. Vizuální ztvárnění vybraných elektronických hudebních stylů .

Degree: 2012, Brno University of Technology

 Tato práce je výsledkem přenesení hudebních prožitků, vjemů a představ autora do statické vizuální podoby. Vybrané elektronické hudební styly jako dubstep, breakbeat, drumandbass, tekkno, techno… (more)

Subjects/Keywords: elektronický; hudba; taneční; styl; plakát; rytmus; dubstep; breakbeat; drumandbass; tekkno; techno; psytrance; electronic; music; dance; style; poster; rhythm; dubstep; breakbeat; drumandbass; tekkno; techno; psytrance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chlebus, J. (2012). Vizuální ztvárnění vybraných elektronických hudebních stylů . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/21951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chlebus, Jiří. “Vizuální ztvárnění vybraných elektronických hudebních stylů .” 2012. Thesis, Brno University of Technology. Accessed October 19, 2019. http://hdl.handle.net/11012/21951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chlebus, Jiří. “Vizuální ztvárnění vybraných elektronických hudebních stylů .” 2012. Web. 19 Oct 2019.

Vancouver:

Chlebus J. Vizuální ztvárnění vybraných elektronických hudebních stylů . [Internet] [Thesis]. Brno University of Technology; 2012. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/11012/21951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chlebus J. Vizuální ztvárnění vybraných elektronických hudebních stylů . [Thesis]. Brno University of Technology; 2012. Available from: http://hdl.handle.net/11012/21951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

27. Lopez Ramirez-Gaston, Jose Ignacio. Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context.

Degree: Music, 2008, University of California – San Diego

 The work I present here explores the situation of the technology-based musical worlds of Latin America. Focusing on the electronic experimental popular music scene of… (more)

Subjects/Keywords: Peru. Popular music; Peru. Underground dance music; Peru. Electronic music; User interfaces (Computer systems)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lopez Ramirez-Gaston, J. I. (2008). Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9r3229qm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lopez Ramirez-Gaston, Jose Ignacio. “Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context.” 2008. Thesis, University of California – San Diego. Accessed October 19, 2019. http://www.escholarship.org/uc/item/9r3229qm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lopez Ramirez-Gaston, Jose Ignacio. “Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context.” 2008. Web. 19 Oct 2019.

Vancouver:

Lopez Ramirez-Gaston JI. Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context. [Internet] [Thesis]. University of California – San Diego; 2008. [cited 2019 Oct 19]. Available from: http://www.escholarship.org/uc/item/9r3229qm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lopez Ramirez-Gaston JI. Constructing musical spaces beyond technological Eden : a participative initiative for musical interface development based in the Peruvian context. [Thesis]. University of California – San Diego; 2008. Available from: http://www.escholarship.org/uc/item/9r3229qm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Kotch, Alex H. Composers on the Decks .

Degree: 2013, Duke University

  Composers on the Decks is comprised of three related chapters: an original composition for amplified chamber ensemble and laptop DJ, Alleys Of Your Mind;… (more)

Subjects/Keywords: Music; Social research; classical; club; electronic dance music; hybridity; instrumental; remix

…241! Live Instrumental-Electronic Dance Music: some difficulties… …piece is fundamentally a work of electronic dance music and is designed to be performed at a… …Note Alleys Of Your Mind combines styles from electronic dance music genres such as techno… …recommended due to the dance and popular nature of the music. Because of the prominent bass and… …153! Classical, dance and disco… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kotch, A. H. (2013). Composers on the Decks . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/8252

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kotch, Alex H. “Composers on the Decks .” 2013. Thesis, Duke University. Accessed October 19, 2019. http://hdl.handle.net/10161/8252.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kotch, Alex H. “Composers on the Decks .” 2013. Web. 19 Oct 2019.

Vancouver:

Kotch AH. Composers on the Decks . [Internet] [Thesis]. Duke University; 2013. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10161/8252.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kotch AH. Composers on the Decks . [Thesis]. Duke University; 2013. Available from: http://hdl.handle.net/10161/8252

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

29. Motl, Kaitlyne A. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.

Degree: 2018, University of Kentucky

 The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature… (more)

Subjects/Keywords: Music Festivals; Jam Bands; Electronic Dance Music (EDM); Gender; Sexuality; Risk; American Popular Culture; Domestic and Intimate Partner Violence; Feminist, Gender, and Sexuality Studies; Gender and Sexuality; Leisure Studies; Public Health; Recreation, Parks and Tourism Administration; Social and Cultural Anthropology; Social Psychology and Interaction; Sociology of Culture

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Motl, K. A. (2018). “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/sociology_etds/38

Chicago Manual of Style (16th Edition):

Motl, Kaitlyne A. ““WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.” 2018. Doctoral Dissertation, University of Kentucky. Accessed October 19, 2019. https://uknowledge.uky.edu/sociology_etds/38.

MLA Handbook (7th Edition):

Motl, Kaitlyne A. ““WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.” 2018. Web. 19 Oct 2019.

Vancouver:

Motl KA. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. [Internet] [Doctoral dissertation]. University of Kentucky; 2018. [cited 2019 Oct 19]. Available from: https://uknowledge.uky.edu/sociology_etds/38.

Council of Science Editors:

Motl KA. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. [Doctoral Dissertation]. University of Kentucky; 2018. Available from: https://uknowledge.uky.edu/sociology_etds/38

30. Richards, Samuel Levi. The Glow Within Our Steps.

Degree: AMU, Music: Composition, 2013, University of Michigan

 The Glow Within Our Steps is a multimedia interactive gallery installation in conjunction with a 45-minute aural, video, and choreographic performance designed to take place… (more)

Subjects/Keywords: Installation; Work Concept; Choreography; Multimedia; Projection; Electronic Music; Music and Dance; Arts

…challenge to the conventional work-concept which has operated in western classical music for over… …practice which a laymen would most readily associate with “music,” is rarely accounted for in… …x29;.2 Nicholas Cook has written that “we are led to think of music as we might think of… …widespread cultural implementation as the modus operandi for conceptualizing music as “works… …we seem to have forgotten that music is a performance art at all, and more than that, we… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, S. L. (2013). The Glow Within Our Steps. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/100008

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richards, Samuel Levi. “The Glow Within Our Steps.” 2013. Thesis, University of Michigan. Accessed October 19, 2019. http://hdl.handle.net/2027.42/100008.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richards, Samuel Levi. “The Glow Within Our Steps.” 2013. Web. 19 Oct 2019.

Vancouver:

Richards SL. The Glow Within Our Steps. [Internet] [Thesis]. University of Michigan; 2013. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2027.42/100008.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richards SL. The Glow Within Our Steps. [Thesis]. University of Michigan; 2013. Available from: http://hdl.handle.net/2027.42/100008

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.