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You searched for subject:(Electronic Dance Music Culture EDMC ). Showing records 1 – 30 of 76859 total matches.

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Georgia State University

1. Walker, Malone H. Holy Bass: Spirituality in Electronic Dance Music Culture.

Degree: MA, Anthropology, 2015, Georgia State University

  Throughout human history, religious systems have provided individuals with basic knowledge and guidance used to understand and navigate the world. The modern world is… (more)

Subjects/Keywords: Electronic Dance Music Culture (EDMC); Religion; Spirituality; Cultural anthropology; Music; Dance culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walker, M. H. (2015). Holy Bass: Spirituality in Electronic Dance Music Culture. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/anthro_theses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Malone H. “Holy Bass: Spirituality in Electronic Dance Music Culture.” 2015. Thesis, Georgia State University. Accessed October 17, 2019. https://scholarworks.gsu.edu/anthro_theses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Malone H. “Holy Bass: Spirituality in Electronic Dance Music Culture.” 2015. Web. 17 Oct 2019.

Vancouver:

Walker MH. Holy Bass: Spirituality in Electronic Dance Music Culture. [Internet] [Thesis]. Georgia State University; 2015. [cited 2019 Oct 17]. Available from: https://scholarworks.gsu.edu/anthro_theses/100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker MH. Holy Bass: Spirituality in Electronic Dance Music Culture. [Thesis]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/anthro_theses/100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

2. Pettauer, Philipp. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.

Degree: 2018, University of Vienna

Die Masterarbeit befasst sich mit aktuellen Strömungen im Feld der elektronischen Tanzmusik (EDM). Grundlage dieser ethnographisch ausgerichteten Forschungsarbeit bildet die Auswertung von qualitativem Datenmaterial, das… (more)

Subjects/Keywords: 71.59 Kultursoziologie: Sonstiges; 71.52 Kulturelle Prozesse; 71.50 Kultursoziologie: Allgemeines; 71.39 Soziale Gruppen: Sonstiges; 71.30 Soziale Gruppen: Allgemeines; 71.14 Städtische Gesellschaft; 71.11 Gesellschaft; elektronische Tanzmusik / EDM / EDMC / Clubkultur / House / Lo-Fi House / Sound / Techno / Ästhetik / Ethnographie / Szene / Subkultur; electronic dance music / electronic dance music studies / electronic dance music culture / EDM / EDMC / club culture / house / lo-fi house / techno / sound / aesthetics / ethnography / scenes / subcultures

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APA (6th Edition):

Pettauer, P. (2018). Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Thesis, University of Vienna. Accessed October 17, 2019. http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Web. 17 Oct 2019.

Vancouver:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Internet] [Thesis]. University of Vienna; 2018. [cited 2019 Oct 17]. Available from: http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Thesis]. University of Vienna; 2018. Available from: http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Rodgers, Naomi Alice. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.

Degree: Faculty of Arts and Sciences, 2015, Linköping UniversityLinköping University

  Berlin is heralded worldwide as being a city that is open, innovative and diverse: a true multicultural metropolis. Music plays a central role in… (more)

Subjects/Keywords: Electronic dance music; EDMC; nightlife; diversity; post-colonial theory; homonationalism; intersectionality; race; sexuality; gender; identity; discourse; multiculturalism; Berlin; Germany

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APA (6th Edition):

Rodgers, N. A. (2015). “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. (Thesis). Linköping UniversityLinköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodgers, Naomi Alice. ““House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.” 2015. Thesis, Linköping UniversityLinköping University. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodgers, Naomi Alice. ““House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs.” 2015. Web. 17 Oct 2019.

Vancouver:

Rodgers NA. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. [Internet] [Thesis]. Linköping UniversityLinköping University; 2015. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodgers NA. “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs. [Thesis]. Linköping UniversityLinköping University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

4. Barnes, Duncan Martin. Selling the modern day tribe: The commodification of rave culture.

Degree: 2018, Edith Cowan University

 This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local… (more)

Subjects/Keywords: Rave culture; dance culture; EDM; Electronic Dance Music; subculture; Burning Man; Music Photography; Moral Panic; Techno; Music; Photography; Sociology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnes, D. M. (2018). Selling the modern day tribe: The commodification of rave culture. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Thesis, Edith Cowan University. Accessed October 17, 2019. https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Web. 17 Oct 2019.

Vancouver:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2019 Oct 17]. Available from: https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

5. Merkowitz, Jennifer Bernard. The Cardiac Dance—The Spirals of Life.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

  <i>The Cardiac Dance—The Spirals of Life</i>is a one-act ballet inspired by the work of Drs. Francisco Torrent-Guasp and Gerald Buckberg. The "cardiac dance" is… (more)

Subjects/Keywords: Music; cardiac dance spirals electronic music composition

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APA (6th Edition):

Merkowitz, J. B. (2007). The Cardiac Dance—The Spirals of Life. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849

Chicago Manual of Style (16th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

MLA Handbook (7th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Web. 17 Oct 2019.

Vancouver:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

Council of Science Editors:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849


Vytautas Magnus University

6. Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.

Degree: Master, Communication and Information, 2010, Vytautas Magnus University

Informacinė sklaida šiomis dienomis yra kaip niekad intensyvi ir įvairialypė. Komunikacinių kanalų gausa ir įvairovė sukuria galimybę aktyviai dalyvauti komunikaciniuose procesuose net pačioms mažiausioms ir… (more)

Subjects/Keywords: Kultūra; Masinė kultūra; Elektroninės šokių muzikos subkultūra; Žiniasklaida; Komunikacija; Culture; Mass culture; Electronic dance music subculture; Media; Communication

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APA (6th Edition):

Liaukevičiūtė, Rasa. (2010). Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Liaukevičiūtė, Rasa. “Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.” 2010. Masters Thesis, Vytautas Magnus University. Accessed October 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Liaukevičiūtė, Rasa. “Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis.” 2010. Web. 17 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. [Internet] [Masters thesis]. Vytautas Magnus University; 2010. [cited 2019 Oct 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Liaukevičiūtė, Rasa. Elektroninės šokių muzikos subkultūros ir žiniasklaidos komunikaciniai ypatumai: naujienų portalo Delfi.lt atvejis. [Masters Thesis]. Vytautas Magnus University; 2010. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100615_153625-37420 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Iowa

7. Palamara, Jason Andrew. Dysphonia, for solo violin, chamber ensemble and live electronics.

Degree: PhD, Music, 2015, University of Iowa

  DYSPHONIA is a music and dance work, for violin soloist with a live chamber orchestra, including multiple laptops and a custom-built gesture detection system… (more)

Subjects/Keywords: publicabstract; Electroacoustic Music; Electronic Music; Live Electronics; Modern Dance; Music for Dance; Wearable Electronics; Music

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APA (6th Edition):

Palamara, J. A. (2015). Dysphonia, for solo violin, chamber ensemble and live electronics. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1718

Chicago Manual of Style (16th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Doctoral Dissertation, University of Iowa. Accessed October 17, 2019. https://ir.uiowa.edu/etd/1718.

MLA Handbook (7th Edition):

Palamara, Jason Andrew. “Dysphonia, for solo violin, chamber ensemble and live electronics.” 2015. Web. 17 Oct 2019.

Vancouver:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Internet] [Doctoral dissertation]. University of Iowa; 2015. [cited 2019 Oct 17]. Available from: https://ir.uiowa.edu/etd/1718.

Council of Science Editors:

Palamara JA. Dysphonia, for solo violin, chamber ensemble and live electronics. [Doctoral Dissertation]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1718


Universitat Pompeu Fabra

8. Gómez Marín, Daniel. Similarity and style in electronic dance music drum rhythms.

Degree: Departament de Tecnologies de la Informació i les Comunicacions, 2018, Universitat Pompeu Fabra

 Esta tesis presenta una investigación original llevada a cabo en el área de la secuenciación de baterías de música electrónica de baile (EDM), un tema… (more)

Subjects/Keywords: EDM; Electronic dance music; Rhythms; 62

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APA (6th Edition):

Gómez Marín, D. (2018). Similarity and style in electronic dance music drum rhythms. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/543841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gómez Marín, Daniel. “Similarity and style in electronic dance music drum rhythms.” 2018. Thesis, Universitat Pompeu Fabra. Accessed October 17, 2019. http://hdl.handle.net/10803/543841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gómez Marín, Daniel. “Similarity and style in electronic dance music drum rhythms.” 2018. Web. 17 Oct 2019.

Vancouver:

Gómez Marín D. Similarity and style in electronic dance music drum rhythms. [Internet] [Thesis]. Universitat Pompeu Fabra; 2018. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10803/543841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gómez Marín D. Similarity and style in electronic dance music drum rhythms. [Thesis]. Universitat Pompeu Fabra; 2018. Available from: http://hdl.handle.net/10803/543841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

9. Chan, Sara Wei-Ming. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.

Degree: 2003, Ryerson University

 This study is an exploration into how dance music cultures (better known as "rave" or "club" cultures) find ways to straddle the divide between human… (more)

Subjects/Keywords: Electronic music; Underground dance music; Rave culture; Virtual reality; Cultural anthropology; Music

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APA (6th Edition):

Chan, S. W. (2003). Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Thesis, Ryerson University. Accessed October 17, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Web. 17 Oct 2019.

Vancouver:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Internet] [Thesis]. Ryerson University; 2003. [cited 2019 Oct 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Thesis]. Ryerson University; 2003. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Gage, Alexander David. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.

Degree: MA -MA, Music, 2018, York University

 This study is an ethnographic investigation of rave and its culture, focusing on the motivational structures of individuals within the community. The aim of the… (more)

Subjects/Keywords: Psychology; Music; Rave; Electronic dance music; Ethnomusicology; Ethnography; Phenomenology; Logotherapy; Flow; Optimal experience; Motivational psychology; Drugs; Altered states of consciousness; Cognition; Escapism; Adorno; Alternative reality; Subculture; Aesthetic culture; Meaning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gage, A. D. (2018). What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34534

Chicago Manual of Style (16th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Masters Thesis, York University. Accessed October 17, 2019. http://hdl.handle.net/10315/34534.

MLA Handbook (7th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Web. 17 Oct 2019.

Vancouver:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10315/34534.

Council of Science Editors:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34534


University of Southern California

11. Letsoalo, Tshegofatso, S. Ash riser and the rise of LA Dubstep.

Degree: MA, Specialized Journalism (The Arts), 2012, University of Southern California

 Dubstep is an electronic music dance genre born right in the heart of South London in the early 2000s. The scene crossed over to America… (more)

Subjects/Keywords: music; dubstep; Los Angeles; culture; electronic music

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APA (6th Edition):

Letsoalo, Tshegofatso, S. (2012). Ash riser and the rise of LA Dubstep. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924

Chicago Manual of Style (16th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Masters Thesis, University of Southern California. Accessed October 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

MLA Handbook (7th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Web. 17 Oct 2019.

Vancouver:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Oct 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

Council of Science Editors:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924


University of North Texas

12. Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.

Degree: 2011, University of North Texas

 Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force… (more)

Subjects/Keywords: Popular music; trance; house; electronic dance music; breakdown; buildup; anthem

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APA (6th Edition):

Iler, D. (2011). Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iler, Devin. “Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.” 2011. Thesis, University of North Texas. Accessed October 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc103332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iler, Devin. “Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems.” 2011. Web. 17 Oct 2019.

Vancouver:

Iler D. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103332/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iler D. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103332/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

13. Kavka, Daniel Robert. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.

Degree: MM, Music Ethnomusicology, 2010, Bowling Green State University

 Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie's Young… (more)

Subjects/Keywords: Music; pop; pop music; popular music; rock; disco; club culture; dance music; 1970s; american; ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kavka, D. R. (2010). Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797

Chicago Manual of Style (16th Edition):

Kavka, Daniel Robert. “Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.” 2010. Masters Thesis, Bowling Green State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

MLA Handbook (7th Edition):

Kavka, Daniel Robert. “Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.” 2010. Web. 17 Oct 2019.

Vancouver:

Kavka DR. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. [Internet] [Masters thesis]. Bowling Green State University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

Council of Science Editors:

Kavka DR. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. [Masters Thesis]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797


Ryerson University

14. Skoczkowski, Philip. Sonic City: an exhibition of photography, A/V installation, community action.

Degree: 2016, Ryerson University

 By taking participatory action research, utilizing sound as a means of harnessing the socio-cultural, and documentary exhibiting as mimesis, this paper takes themes of contemporary… (more)

Subjects/Keywords: Electronic dance music  – Social aspects  – Great Britain  – London; Electronic dance music  – Social aspects  – Germany  – Berlin; Electronic dance music  – Social aspects  – Ontario  – Toronto; Discotheques  – Social aspects

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APA (6th Edition):

Skoczkowski, P. (2016). Sonic City: an exhibition of photography, A/V installation, community action. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A7249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skoczkowski, Philip. “Sonic City: an exhibition of photography, A/V installation, community action.” 2016. Thesis, Ryerson University. Accessed October 17, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A7249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skoczkowski, Philip. “Sonic City: an exhibition of photography, A/V installation, community action.” 2016. Web. 17 Oct 2019.

Vancouver:

Skoczkowski P. Sonic City: an exhibition of photography, A/V installation, community action. [Internet] [Thesis]. Ryerson University; 2016. [cited 2019 Oct 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skoczkowski P. Sonic City: an exhibition of photography, A/V installation, community action. [Thesis]. Ryerson University; 2016. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A7249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal de Mato Grosso do Sul

15. Gonçalves, Rodrigo Teixeira. O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) .

Degree: 2014, Universidade Federal de Mato Grosso do Sul

 A música tradicional paraguaia passa por um momento de transformação no cenário cultural de Campo Grande. A capital de Mato Grosso do Sul tem uma… (more)

Subjects/Keywords: Música; Polca; Paraguai; Cultura; Music; Polka (Dance); Paraguay; Culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gonçalves, R. T. (2014). O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) . (Thesis). Universidade Federal de Mato Grosso do Sul. Retrieved from http://repositorio.cbc.ufms.br:8080/jspui/handle/123456789/2756

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonçalves, Rodrigo Teixeira. “O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) .” 2014. Thesis, Universidade Federal de Mato Grosso do Sul. Accessed October 17, 2019. http://repositorio.cbc.ufms.br:8080/jspui/handle/123456789/2756.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonçalves, Rodrigo Teixeira. “O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) .” 2014. Web. 17 Oct 2019.

Vancouver:

Gonçalves RT. O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) . [Internet] [Thesis]. Universidade Federal de Mato Grosso do Sul; 2014. [cited 2019 Oct 17]. Available from: http://repositorio.cbc.ufms.br:8080/jspui/handle/123456789/2756.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonçalves RT. O lugar da música tradicional paraguaia no cenário cultural de Campo Grande (MS) . [Thesis]. Universidade Federal de Mato Grosso do Sul; 2014. Available from: http://repositorio.cbc.ufms.br:8080/jspui/handle/123456789/2756

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

16. Motl, Kaitlyne A. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.

Degree: 2018, University of Kentucky

 The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature… (more)

Subjects/Keywords: Music Festivals; Jam Bands; Electronic Dance Music (EDM); Gender; Sexuality; Risk; American Popular Culture; Domestic and Intimate Partner Violence; Feminist, Gender, and Sexuality Studies; Gender and Sexuality; Leisure Studies; Public Health; Recreation, Parks and Tourism Administration; Social and Cultural Anthropology; Social Psychology and Interaction; Sociology of Culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Motl, K. A. (2018). “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/sociology_etds/38

Chicago Manual of Style (16th Edition):

Motl, Kaitlyne A. ““WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.” 2018. Doctoral Dissertation, University of Kentucky. Accessed October 17, 2019. https://uknowledge.uky.edu/sociology_etds/38.

MLA Handbook (7th Edition):

Motl, Kaitlyne A. ““WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES.” 2018. Web. 17 Oct 2019.

Vancouver:

Motl KA. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. [Internet] [Doctoral dissertation]. University of Kentucky; 2018. [cited 2019 Oct 17]. Available from: https://uknowledge.uky.edu/sociology_etds/38.

Council of Science Editors:

Motl KA. “WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES. [Doctoral Dissertation]. University of Kentucky; 2018. Available from: https://uknowledge.uky.edu/sociology_etds/38

17. Augrand, Alexandre. Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures.

Degree: Docteur es, Arts plastiques, musicologie, 2015, Paris Saclay

À travers ma thèse intitulée "Le Dj, médiateur de transferts culturels dans la Dance Culture. comment des cultures locales sont devenues globales", je mets en… (more)

Subjects/Keywords: Dance culture

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APA (6th Edition):

Augrand, A. (2015). Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures. (Doctoral Dissertation). Paris Saclay. Retrieved from http://www.theses.fr/2015SACLE021

Chicago Manual of Style (16th Edition):

Augrand, Alexandre. “Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures.” 2015. Doctoral Dissertation, Paris Saclay. Accessed October 17, 2019. http://www.theses.fr/2015SACLE021.

MLA Handbook (7th Edition):

Augrand, Alexandre. “Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures.” 2015. Web. 17 Oct 2019.

Vancouver:

Augrand A. Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures. [Internet] [Doctoral dissertation]. Paris Saclay; 2015. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2015SACLE021.

Council of Science Editors:

Augrand A. Le Dj, médiateur de transferts culturels dans la Dance Culture : comment des cultures locales sont devenues globales : DJ, cultural transfers mediator in the Dance Culture : how local cultures became global cultures. [Doctoral Dissertation]. Paris Saclay; 2015. Available from: http://www.theses.fr/2015SACLE021

18. Kondrath, Jessica Marie. The visibility of music.

Degree: 2012, California State University, Long Beach

  In fulfillment of the requirements for a Master of Fine Arts degree, three dances were choreographed and performed at the Martha B. Knoebel Dance(more)

Subjects/Keywords: Dance; Music

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APA (6th Edition):

Kondrath, J. M. (2012). The visibility of music. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1517710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kondrath, Jessica Marie. “The visibility of music.” 2012. Thesis, California State University, Long Beach. Accessed October 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1517710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kondrath, Jessica Marie. “The visibility of music.” 2012. Web. 17 Oct 2019.

Vancouver:

Kondrath JM. The visibility of music. [Internet] [Thesis]. California State University, Long Beach; 2012. [cited 2019 Oct 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1517710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kondrath JM. The visibility of music. [Thesis]. California State University, Long Beach; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1517710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

19. Leaman, Kara Yoo. Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score.

Degree: 2017, Yale University

  George Balanchine was one of the most prolific and influential choreographers of the twentieth century. He was also a skilled musician, trained at the… (more)

Subjects/Keywords: Dance; Music

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APA (6th Edition):

Leaman, K. Y. (2017). Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10584953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leaman, Kara Yoo. “Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score.” 2017. Thesis, Yale University. Accessed October 17, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10584953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leaman, Kara Yoo. “Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score.” 2017. Web. 17 Oct 2019.

Vancouver:

Leaman KY. Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score. [Internet] [Thesis]. Yale University; 2017. [cited 2019 Oct 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10584953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leaman KY. Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score. [Thesis]. Yale University; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10584953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

20. Searcy, Anne Ashby. Soviet and American Cold War Ballet Exchange, 1959–1962.

Degree: PhD, 2016, Harvard University

The spring of 1959 marked the beginning of a hugely successful ballet exchange between the United States and the Soviet Union that lasted over three… (more)

Subjects/Keywords: Music; Dance

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APA (6th Edition):

Searcy, A. A. (2016). Soviet and American Cold War Ballet Exchange, 1959–1962. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493533

Chicago Manual of Style (16th Edition):

Searcy, Anne Ashby. “Soviet and American Cold War Ballet Exchange, 1959–1962.” 2016. Doctoral Dissertation, Harvard University. Accessed October 17, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493533.

MLA Handbook (7th Edition):

Searcy, Anne Ashby. “Soviet and American Cold War Ballet Exchange, 1959–1962.” 2016. Web. 17 Oct 2019.

Vancouver:

Searcy AA. Soviet and American Cold War Ballet Exchange, 1959–1962. [Internet] [Doctoral dissertation]. Harvard University; 2016. [cited 2019 Oct 17]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493533.

Council of Science Editors:

Searcy AA. Soviet and American Cold War Ballet Exchange, 1959–1962. [Doctoral Dissertation]. Harvard University; 2016. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493533


Florida State University

21. Schommer, Nicole Violet. We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience.

Degree: MM, College of Music, 2016, Florida State University

This thesis is a study of the functions of music and dance in Zumba classes held at the Forest Meadows Park community center in Tallahassee,… (more)

Subjects/Keywords: Music; Dance

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APA (6th Edition):

Schommer, N. V. (2016). We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_2016SP_Schommer_fsu_0071N_13274 ;

Chicago Manual of Style (16th Edition):

Schommer, Nicole Violet. “We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience.” 2016. Masters Thesis, Florida State University. Accessed October 17, 2019. http://purl.flvc.org/fsu/fd/FSU_2016SP_Schommer_fsu_0071N_13274 ;.

MLA Handbook (7th Edition):

Schommer, Nicole Violet. “We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience.” 2016. Web. 17 Oct 2019.

Vancouver:

Schommer NV. We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience. [Internet] [Masters thesis]. Florida State University; 2016. [cited 2019 Oct 17]. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SP_Schommer_fsu_0071N_13274 ;.

Council of Science Editors:

Schommer NV. We Share in Each Other's Joys: An Ethnography of Zumba as a Musical and Cultural Experience. [Masters Thesis]. Florida State University; 2016. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SP_Schommer_fsu_0071N_13274 ;


Florida State University

22. Strickland, Michael. Swing Dancing: How Dance Effectiveness May Influence Music Preference.

Degree: MA, College of Music, 2014, Florida State University

 The overall purpose of this study is to establish the baseline for a new line of research into the effective relationship between traditional jazz musicians… (more)

Subjects/Keywords: Music; Dance

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APA (6th Edition):

Strickland, M. (2014). Swing Dancing: How Dance Effectiveness May Influence Music Preference. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-9253 ;

Chicago Manual of Style (16th Edition):

Strickland, Michael. “Swing Dancing: How Dance Effectiveness May Influence Music Preference.” 2014. Masters Thesis, Florida State University. Accessed October 17, 2019. http://purl.flvc.org/fsu/fd/FSU_migr_etd-9253 ;.

MLA Handbook (7th Edition):

Strickland, Michael. “Swing Dancing: How Dance Effectiveness May Influence Music Preference.” 2014. Web. 17 Oct 2019.

Vancouver:

Strickland M. Swing Dancing: How Dance Effectiveness May Influence Music Preference. [Internet] [Masters thesis]. Florida State University; 2014. [cited 2019 Oct 17]. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-9253 ;.

Council of Science Editors:

Strickland M. Swing Dancing: How Dance Effectiveness May Influence Music Preference. [Masters Thesis]. Florida State University; 2014. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-9253 ;


Tampere University

23. Talvitie-Kella, Tuuli. Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana .

Degree: Musiikintutkimuksen laitos - Department of Music Anthropology, 2010, Tampere University

 Tuuli Talvitie-Kella väittelee 11.12.2010 Tampereen yliopistossa aiheella Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten soittajien kertomana, kokemana ja soittamana. Väitöskirja kertoo eteläpohjalaisista tanssisoittajista, heidän elämänkertomuksistaan… (more)

Subjects/Keywords: musiikki; tanssimusiikkikulttuuri; elämäkerta; taiteellinen tutkimus; toimintatutkimus; music; dance music culture; biography; artistic research; action research

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Talvitie-Kella, T. (2010). Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana . (Doctoral Dissertation). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/66683

Chicago Manual of Style (16th Edition):

Talvitie-Kella, Tuuli. “Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana .” 2010. Doctoral Dissertation, Tampere University. Accessed October 17, 2019. https://trepo.tuni.fi/handle/10024/66683.

MLA Handbook (7th Edition):

Talvitie-Kella, Tuuli. “Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana .” 2010. Web. 17 Oct 2019.

Vancouver:

Talvitie-Kella T. Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana . [Internet] [Doctoral dissertation]. Tampere University; 2010. [cited 2019 Oct 17]. Available from: https://trepo.tuni.fi/handle/10024/66683.

Council of Science Editors:

Talvitie-Kella T. Hääpolskasta haitarijatsiin - 1900-luvun alun tanssimusiikkikulttuuri eteläpohjalaisten tanssisoittajien kertomana, kokemana ja soittamana . [Doctoral Dissertation]. Tampere University; 2010. Available from: https://trepo.tuni.fi/handle/10024/66683

24. Jamieson, Evelyn. From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016.

Degree: PhD, 2016, University of Chester

 The first part of this thesis provides an autobiographical reflection and three contextualising histories to illustrate the increasing codification of late twentieth century UK contemporary… (more)

Subjects/Keywords: 792.8; dance culture; dance ecology

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APA (6th Edition):

Jamieson, E. (2016). From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016. (Doctoral Dissertation). University of Chester. Retrieved from http://hdl.handle.net/10034/620561

Chicago Manual of Style (16th Edition):

Jamieson, Evelyn. “From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016.” 2016. Doctoral Dissertation, University of Chester. Accessed October 17, 2019. http://hdl.handle.net/10034/620561.

MLA Handbook (7th Edition):

Jamieson, Evelyn. “From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016.” 2016. Web. 17 Oct 2019.

Vancouver:

Jamieson E. From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016. [Internet] [Doctoral dissertation]. University of Chester; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10034/620561.

Council of Science Editors:

Jamieson E. From dance cultures to dance ecology : a study of developing connections across dance organisations in Edinburgh and North West England, 2000 to 2016. [Doctoral Dissertation]. University of Chester; 2016. Available from: http://hdl.handle.net/10034/620561


Louisiana State University

25. Hsu, Chung-Hui. The solo string works of J. S. Bach: the relationship between dance and musical elements.

Degree: DMA, Music, 2012, Louisiana State University

 In 1685, the Doge of Genoa made a visit to the French court and asked Louis XIV to host a ball. Louis XIV responded affirmatively… (more)

Subjects/Keywords: Tempo; Interpretation; Dance Music; Dance

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APA (6th Edition):

Hsu, C. (2012). The solo string works of J. S. Bach: the relationship between dance and musical elements. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04242012-192522 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1308

Chicago Manual of Style (16th Edition):

Hsu, Chung-Hui. “The solo string works of J. S. Bach: the relationship between dance and musical elements.” 2012. Doctoral Dissertation, Louisiana State University. Accessed October 17, 2019. etd-04242012-192522 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1308.

MLA Handbook (7th Edition):

Hsu, Chung-Hui. “The solo string works of J. S. Bach: the relationship between dance and musical elements.” 2012. Web. 17 Oct 2019.

Vancouver:

Hsu C. The solo string works of J. S. Bach: the relationship between dance and musical elements. [Internet] [Doctoral dissertation]. Louisiana State University; 2012. [cited 2019 Oct 17]. Available from: etd-04242012-192522 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1308.

Council of Science Editors:

Hsu C. The solo string works of J. S. Bach: the relationship between dance and musical elements. [Doctoral Dissertation]. Louisiana State University; 2012. Available from: etd-04242012-192522 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1308

26. Bodiford, James. Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement.

Degree: PhD, Music: Musicology, 2017, University of Michigan

 In recent years technological advances have triggered radical shifts in the ways people produce, disseminate, perform, and consume music across the globe. This dissertation contributes… (more)

Subjects/Keywords: netlabels; chile; creative commons; electronic music; media; free culture; Music and Dance; Arts

electronic music scene flourishing in South America’s Southern Cone. 1 ! ! ! Fig. 1.1… …the electronic music duo Lluvia Acida – formed by Punta Arenas residents Hector Aguilar and… …electronic music in all its myriad forms – each artist involved in the Exploradores del Sonido… …conventions regarding the circulation of recorded music. Having released multiple electronic and/or… …the medium does attract various forms of electronic music more than others.9 Despite its… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bodiford, J. (2017). Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/136959

Chicago Manual of Style (16th Edition):

Bodiford, James. “Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement.” 2017. Doctoral Dissertation, University of Michigan. Accessed October 17, 2019. http://hdl.handle.net/2027.42/136959.

MLA Handbook (7th Edition):

Bodiford, James. “Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement.” 2017. Web. 17 Oct 2019.

Vancouver:

Bodiford J. Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2027.42/136959.

Council of Science Editors:

Bodiford J. Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/136959


SUNY College at Brockport

27. Bailey, Danisha Nicole. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.

Degree: MFA, Dance, 2006, SUNY College at Brockport

  TheROOTS: Bridging the Gap between Afi"ica, Minstrelsy and Hip Hop IS a thesis project written to look at the effects minstrelsy had on the… (more)

Subjects/Keywords: Dance; hip hop; minstrelsy; African culture; slave culture; black music; black dance; Dance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bailey, D. N. (2006). TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/dns_theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bailey, Danisha Nicole. “TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.” 2006. Thesis, SUNY College at Brockport. Accessed October 17, 2019. https://digitalcommons.brockport.edu/dns_theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bailey, Danisha Nicole. “TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.” 2006. Web. 17 Oct 2019.

Vancouver:

Bailey DN. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. [Internet] [Thesis]. SUNY College at Brockport; 2006. [cited 2019 Oct 17]. Available from: https://digitalcommons.brockport.edu/dns_theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bailey DN. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. [Thesis]. SUNY College at Brockport; 2006. Available from: https://digitalcommons.brockport.edu/dns_theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

28. Carroll, Adrian Dominic. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.

Degree: 2012, Queensland University of Technology

 This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic… (more)

Subjects/Keywords: Beat-mixing; Electronic Dance Music; Splatterheads; Musical immediacy; Rock Music; Creative synthesis; Transformational Learning; Heuristic Inquiry; DJ Techniques; Hybrid music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carroll, A. D. (2012). Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/61231/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carroll, Adrian Dominic. “Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.” 2012. Thesis, Queensland University of Technology. Accessed October 17, 2019. https://eprints.qut.edu.au/61231/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carroll, Adrian Dominic. “Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays.” 2012. Web. 17 Oct 2019.

Vancouver:

Carroll AD. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. [Internet] [Thesis]. Queensland University of Technology; 2012. [cited 2019 Oct 17]. Available from: https://eprints.qut.edu.au/61231/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carroll AD. Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays. [Thesis]. Queensland University of Technology; 2012. Available from: https://eprints.qut.edu.au/61231/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Sydney

29. Miranda Nieto, Alejandro. Mobilities of practice : the circulation of traditional music making across Mexico and the United States.

Degree: 2015, University of Western Sydney

Music making, amongst a myriad of cultural practices, is on the move. This phenomenon has been reflected in the increasing interest of scholarly debates on… (more)

Subjects/Keywords: music; culture; folk dance music; Mexico; United States; dissemination of music; son jarocho; Thesis (Ph.D.) – University of Western Sydney, 2015

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miranda Nieto, A. (2015). Mobilities of practice : the circulation of traditional music making across Mexico and the United States. (Thesis). University of Western Sydney. Retrieved from http://hdl.handle.net/1959.7/uws:34441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miranda Nieto, Alejandro. “Mobilities of practice : the circulation of traditional music making across Mexico and the United States.” 2015. Thesis, University of Western Sydney. Accessed October 17, 2019. http://hdl.handle.net/1959.7/uws:34441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miranda Nieto, Alejandro. “Mobilities of practice : the circulation of traditional music making across Mexico and the United States.” 2015. Web. 17 Oct 2019.

Vancouver:

Miranda Nieto A. Mobilities of practice : the circulation of traditional music making across Mexico and the United States. [Internet] [Thesis]. University of Western Sydney; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1959.7/uws:34441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miranda Nieto A. Mobilities of practice : the circulation of traditional music making across Mexico and the United States. [Thesis]. University of Western Sydney; 2015. Available from: http://hdl.handle.net/1959.7/uws:34441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Tallroth, Linus. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.

Degree: Sound and Music Production, 2017, Dalarna University

  Syftet med denna undersökning är att få en djupare förståelse om hur elektronisk dansmusik i form av house skapas av etablerade musikskapare idag. Resultaten… (more)

Subjects/Keywords: House; electronic; dance; music; production; process; workflow; DAW.; Media and Communication Technology; Medieteknik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tallroth, L. (2017). Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. (Thesis). Dalarna University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tallroth, Linus. “Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.” 2017. Thesis, Dalarna University. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tallroth, Linus. “Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house.” 2017. Web. 17 Oct 2019.

Vancouver:

Tallroth L. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. [Internet] [Thesis]. Dalarna University; 2017. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tallroth L. Etablerade produktionsprocesser inom housemusik : En studie om musikproducenters produktionsprocesser vid skapande av elektronisk dansmusik i form av house. [Thesis]. Dalarna University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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