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You searched for subject:(Edward Burne Jones). Showing records 1 – 9 of 9 total matches.

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University of Melbourne

1. Mooney, Susan Jennifer. William Morris: illuminating a life.

Degree: 2016, University of Melbourne

 Drawing on biographical, literary and other sources pertaining to the life and work of nineteenth-century English writer and artist William Morris, this thesis examines and… (more)

Subjects/Keywords: William Morris; William Morris; Jane Morris; Georgiana Burne-Jones; Edward Burne-Jones; Dante Gabriel Rossetti; Elizabeth Siddal; nineteenth-century gender relations; nineteenth-century poetry; biography; Pre-Raphaelites

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APA (6th Edition):

Mooney, S. J. (2016). William Morris: illuminating a life. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/118568

Chicago Manual of Style (16th Edition):

Mooney, Susan Jennifer. “William Morris: illuminating a life.” 2016. Doctoral Dissertation, University of Melbourne. Accessed September 28, 2020. http://hdl.handle.net/11343/118568.

MLA Handbook (7th Edition):

Mooney, Susan Jennifer. “William Morris: illuminating a life.” 2016. Web. 28 Sep 2020.

Vancouver:

Mooney SJ. William Morris: illuminating a life. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/11343/118568.

Council of Science Editors:

Mooney SJ. William Morris: illuminating a life. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/118568


University of Ottawa

2. Tittle, Miles C. Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality .

Degree: 2012, University of Ottawa

 My dissertation, Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality, considers William Morris’s influence on the rise of paratextual awareness, his negotiation… (more)

Subjects/Keywords: Pre-Raphaelite; William Morris; Edward Burne-Jones; Paratextuality; Print Culture; Kelmscott Press; Illuminations; Book Design; Typography; Calligraphy; Incunabula; Victorian Printing

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APA (6th Edition):

Tittle, M. C. (2012). Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/20581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tittle, Miles C. “Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality .” 2012. Thesis, University of Ottawa. Accessed September 28, 2020. http://hdl.handle.net/10393/20581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tittle, Miles C. “Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality .” 2012. Web. 28 Sep 2020.

Vancouver:

Tittle MC. Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality . [Internet] [Thesis]. University of Ottawa; 2012. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10393/20581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tittle MC. Pen and Printing-Block: William Morris and the Resurrection of Medieval Paratextuality . [Thesis]. University of Ottawa; 2012. Available from: http://hdl.handle.net/10393/20581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

3. Collins, Meaghan. The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones.

Degree: 2012, Ryerson University

 The female nude has been researched extensively over the history of Art, and continues to fascinate researchers and art enthusiasts alike. However it is difficult… (more)

Subjects/Keywords: Women in art; Sex in art; Feminist theory; Burne-Jones; Edward Coley; 1833-1898  – Criticism and interpretation; Moore; Albert Joseph; 1841-1893  – Criticism and interpretation; Aesthetic movement (Art)  – Great Britain

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APA (6th Edition):

Collins, M. (2012). The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collins, Meaghan. “The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones.” 2012. Thesis, Ryerson University. Accessed September 28, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collins, Meaghan. “The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones.” 2012. Web. 28 Sep 2020.

Vancouver:

Collins M. The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones. [Internet] [Thesis]. Ryerson University; 2012. [cited 2020 Sep 28]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collins M. The Semi-Nude and Collapsing Female Figure: Sexuality in the Aesthetic Paintings of Albert Moore and Edward Burne-Jones. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

4. Gabriel, Schenk. A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature.

Degree: PhD, 2014, University of Oxford

 This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and… (more)

Subjects/Keywords: 820.9; English and Old English literature; King Arthur; Arthurian; T.H. White; E.A. Robinson; Clemence Housman; Coningsby Dawson; Alfred Lord Tennyson; Edward Bulwer Lytton; Henry Irving; J. Comyns Carr; Edward Burne-Jones; David Jones; Eglinton tournament; chivalry; medievalism; Victorian; Edwardian; First World War; Second World War

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APA (6th Edition):

Gabriel, S. (2014). A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655057

Chicago Manual of Style (16th Edition):

Gabriel, Schenk. “A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature.” 2014. Doctoral Dissertation, University of Oxford. Accessed September 28, 2020. http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655057.

MLA Handbook (7th Edition):

Gabriel, Schenk. “A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature.” 2014. Web. 28 Sep 2020.

Vancouver:

Gabriel S. A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2020 Sep 28]. Available from: http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655057.

Council of Science Editors:

Gabriel S. A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655057


University of Georgia

5. Golobish, Laura. Building and traversing a pocket cathedral.

Degree: 2014, University of Georgia

 In 1894, Edward Burne-Jones, an illustrator who often worked with William Morris, compared the Kelmscott Press’s edition of The Works of Geoffrey Chaucer to a… (more)

Subjects/Keywords: “pocket cathedral; ” Kelmscott Press; William Morris; Edward Burne-Jones; Arts and Crafts Movement; Wood Beyond the World; Works of Geoffrey Chaucer; architecture; structure; home; Emery Walker; Pre-Raphaelite Brotherhood; typography; moveable type; Ni

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APA (6th Edition):

Golobish, L. (2014). Building and traversing a pocket cathedral. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/26636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Golobish, Laura. “Building and traversing a pocket cathedral.” 2014. Thesis, University of Georgia. Accessed September 28, 2020. http://hdl.handle.net/10724/26636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Golobish, Laura. “Building and traversing a pocket cathedral.” 2014. Web. 28 Sep 2020.

Vancouver:

Golobish L. Building and traversing a pocket cathedral. [Internet] [Thesis]. University of Georgia; 2014. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10724/26636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Golobish L. Building and traversing a pocket cathedral. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/26636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Anderson, Amelia. Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance.

Degree: MA, Department of the History of Art and Architecture, 2017, University of Oregon

 This thesis centers around three pianos designed and/or decorated by the Victorian artist Sir Edward Coley Burne-Jones: the Priestley Piano, the Graham Piano, and the… (more)

Subjects/Keywords: Aestheticism; Edward Burne-Jones; Gender performance; Piano performance; Piano; Richard Wagner

…Faulkner the Victorian artist Sir Edward Coley Burne-Jones wrote, I have been wanting for years… …Burne-Jones, Memorials of Edward Burne-Jones, (New York: Macmillan, 1904), 111… …Burne-Jones, Memorials of Edward Burne-Jones, 111. 3 This piano is sometimes called the… …useful machine. While the literature on Edward Burne-Jones is extensive, the scholarship on his… …painted and designed by Edward Burne-Jones, but as inherently feminine objects played upon by… 

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APA (6th Edition):

Anderson, A. (2017). Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22641

Chicago Manual of Style (16th Edition):

Anderson, Amelia. “Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance.” 2017. Masters Thesis, University of Oregon. Accessed September 28, 2020. http://hdl.handle.net/1794/22641.

MLA Handbook (7th Edition):

Anderson, Amelia. “Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance.” 2017. Web. 28 Sep 2020.

Vancouver:

Anderson A. Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance. [Internet] [Masters thesis]. University of Oregon; 2017. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1794/22641.

Council of Science Editors:

Anderson A. Performing Upon Her Painted Piano: The Burne-Jones Pianos and The Victorian Female Gender Performance. [Masters Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22641


Penn State University

7. Lippert, Sarah Jordan. THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART .

Degree: 2009, Penn State University

 My topic springs from many years of studying the paragone, which is the ‘comparison’ or rivalry between the arts, such as that between poets and… (more)

Subjects/Keywords: paragone; artistic rivalry; Narcissus; Pygmalion; Galatea; Medusa; Salome; Gustave Moreau; Edward Burne-Jones; Anne-Louis Girodet-Trioson; Jean-Leon Gerome; Aubrey Beardsley

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lippert, S. J. (2009). THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART . (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/9174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lippert, Sarah Jordan. “THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART .” 2009. Thesis, Penn State University. Accessed September 28, 2020. https://submit-etda.libraries.psu.edu/catalog/9174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lippert, Sarah Jordan. “THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART .” 2009. Web. 28 Sep 2020.

Vancouver:

Lippert SJ. THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART . [Internet] [Thesis]. Penn State University; 2009. [cited 2020 Sep 28]. Available from: https://submit-etda.libraries.psu.edu/catalog/9174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lippert SJ. THEORY, PRACTICE, AND COMPETITION IN THE VISUAL ARTS: THE FORTUNES OF THE PARAGONE IN FRENCH AND BRITISH NINETEENTH-CENTURY ART . [Thesis]. Penn State University; 2009. Available from: https://submit-etda.libraries.psu.edu/catalog/9174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

8. Bargoveanu, Andreea. Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire.

Degree: 2009, Université de Montréal

Subjects/Keywords: Peinture; Painting; Sommeil; Sleep; Hypnos; Autoportrait; Self-portrait; Dix-neuvième siècle; Nineteenth century; Anne-Louis Girodet de Roucy; Gustave Courbet; Edward Coley Burne-Jones; Fernand Khnopff

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APA (6th Edition):

Bargoveanu, A. (2009). Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/7352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bargoveanu, Andreea. “Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire.” 2009. Thesis, Université de Montréal. Accessed September 28, 2020. http://hdl.handle.net/1866/7352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bargoveanu, Andreea. “Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire.” 2009. Web. 28 Sep 2020.

Vancouver:

Bargoveanu A. Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire. [Internet] [Thesis]. Université de Montréal; 2009. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1866/7352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bargoveanu A. Les métaphores d'Hypnos dans la peinture européenne du dix-neuvième siècle : de la crise du dispositif classique au jeu identitaire. [Thesis]. Université de Montréal; 2009. Available from: http://hdl.handle.net/1866/7352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Αθανασέκου, Μαρία. Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό.

Degree: 2011, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ)

Subjects/Keywords: Ροσέτι, Ντάντε Γκάμπριελ; Μπέρν - Τζόουνς, Έντουαρντ; Προραφαηλίτες; Αδελφότητα; Συμβολισμός; Ζωγραφική; 19ος αιώνας; 20ος αιώνας; Rossetti, Dante Gabriel; Burne - Jones, Edward; Pre - raphaelites; Brotherhoods; Symbolism; Painting; 19th century; 20th century

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APA (6th Edition):

Αθανασέκου, . . (2011). Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό. (Thesis). National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Retrieved from http://hdl.handle.net/10442/hedi/26489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Αθανασέκου, Μαρία. “Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό.” 2011. Thesis, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Accessed September 28, 2020. http://hdl.handle.net/10442/hedi/26489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Αθανασέκου, Μαρία. “Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό.” 2011. Web. 28 Sep 2020.

Vancouver:

Αθανασέκου . Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό. [Internet] [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2011. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10442/hedi/26489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Αθανασέκου . Η ζωγραφική των Dante Gabriel Rossetti και Edward Burne-Jones και ο απόηχος αυτής στον ελληνικό Συμβολισμό. [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2011. Available from: http://hdl.handle.net/10442/hedi/26489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.