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You searched for subject:(Dramma per musica). Showing records 1 – 4 of 4 total matches.

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1. Eskenazy, Nathanaël. L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini.

Degree: Docteur es, Arts plastiques, musicologie, 2017, Paris Saclay

Au XVIIIe siècle, les échanges intellectuels sont nombreux entre la France et l'Italie. Cet échange permet de repenser dans les deux pays le genre lyrique.… (more)

Subjects/Keywords: Dramma per musica

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APA (6th Edition):

Eskenazy, N. (2017). L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini. (Doctoral Dissertation). Paris Saclay. Retrieved from http://www.theses.fr/2017SACLE009

Chicago Manual of Style (16th Edition):

Eskenazy, Nathanaël. “L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini.” 2017. Doctoral Dissertation, Paris Saclay. Accessed April 25, 2019. http://www.theses.fr/2017SACLE009.

MLA Handbook (7th Edition):

Eskenazy, Nathanaël. “L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini.” 2017. Web. 25 Apr 2019.

Vancouver:

Eskenazy N. L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini. [Internet] [Doctoral dissertation]. Paris Saclay; 2017. [cited 2019 Apr 25]. Available from: http://www.theses.fr/2017SACLE009.

Council of Science Editors:

Eskenazy N. L'influence française dans les opéras issus de Gerusalemme liberata de Vivaldi à Rossini : The french influence in the operas from Gerusalemme liberata from Vivaldi to Rossini. [Doctoral Dissertation]. Paris Saclay; 2017. Available from: http://www.theses.fr/2017SACLE009


University of Newcastle

2. Landers, Heath A. W. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.

Degree: MPhil, 2015, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

An understanding of the art of rhetoric was considered an essential part of a liberal arts education up… (more)

Subjects/Keywords: Mozart; rhetoric; Aristotle; drammi per musica; dramma per musica; Metastasio; oration; opera

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APA (6th Edition):

Landers, H. A. W. (2015). Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1310003

Chicago Manual of Style (16th Edition):

Landers, Heath A W. “Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.” 2015. Masters Thesis, University of Newcastle. Accessed April 25, 2019. http://hdl.handle.net/1959.13/1310003.

MLA Handbook (7th Edition):

Landers, Heath A W. “Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.” 2015. Web. 25 Apr 2019.

Vancouver:

Landers HAW. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. [Internet] [Masters thesis]. University of Newcastle; 2015. [cited 2019 Apr 25]. Available from: http://hdl.handle.net/1959.13/1310003.

Council of Science Editors:

Landers HAW. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. [Masters Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1310003

3. Piffaut, Ludovic. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).

Degree: Docteur es, Musicologie, 2012, Université François-Rabelais de Tours

L’univers médiéval tient une place importante dans la culture poétique italienne du XVème au XVIIIème siècle. Emblèmes de cet univers, les poèmes épiques de l’Arioste… (more)

Subjects/Keywords: Italie; Opéra; Moyen Âge; Dramma per musica; Représentation; Figures; Livret; Gerusalemme Liberata; Orlando Furioso; Venise; Naples; Air; Décor; Musicologie; Italia; Opera; Middle Ages; Dramma per musica; Representation; Figures; Libretto; Gerusalemme Liberata; Orlando Furioso; Venice; Naples; Air; Scenery; Musicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Piffaut, L. (2012). L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2012TOUR2006

Chicago Manual of Style (16th Edition):

Piffaut, Ludovic. “L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).” 2012. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed April 25, 2019. http://www.theses.fr/2012TOUR2006.

MLA Handbook (7th Edition):

Piffaut, Ludovic. “L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730).” 2012. Web. 25 Apr 2019.

Vancouver:

Piffaut L. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2012. [cited 2019 Apr 25]. Available from: http://www.theses.fr/2012TOUR2006.

Council of Science Editors:

Piffaut L. L'univers médiéval et ses figures de représentations dans l'opéra italien (1690-1730) : medieval universe and its representation's figures in Italian Opera (1690-1730). [Doctoral Dissertation]. Université François-Rabelais de Tours; 2012. Available from: http://www.theses.fr/2012TOUR2006


University of Cambridge

4. Clausius, Katharina Anne Crawford. OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS .

Degree: 2017, University of Cambridge

 With its bold combination of epic style and vernacular prose, François Fénelon’s Les Aventures de Télémaque (1699) created a stir that preoccupied the literary, theatrical,… (more)

Subjects/Keywords: Dramma per musica; Enlightenment; Mozart; Fenelon; de la Motte; Diderot; Les Aventures de Telemaque; tragedy; epic; neoclassicism; prose poetry; Idomeneo; Mitridate; Racine

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clausius, K. A. C. (2017). OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/267190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clausius, Katharina Anne Crawford. “OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS .” 2017. Thesis, University of Cambridge. Accessed April 25, 2019. https://www.repository.cam.ac.uk/handle/1810/267190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clausius, Katharina Anne Crawford. “OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS .” 2017. Web. 25 Apr 2019.

Vancouver:

Clausius KAC. OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS . [Internet] [Thesis]. University of Cambridge; 2017. [cited 2019 Apr 25]. Available from: https://www.repository.cam.ac.uk/handle/1810/267190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clausius KAC. OPERA AFTER POETRY: ENLIGHTENMENT DRAMMA PER MUSICA AMID THE ARTS . [Thesis]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/267190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.