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You searched for subject:(Dramatic structure). Showing records 1 – 8 of 8 total matches.

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Miami University

1. Panaite, Cristian P. The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play.

Degree: MA, Theatre, 2007, Miami University

 The critical side of this creative thesis has at its core the developmental process of my full length play “The Rise and Fall of Voivode… (more)

Subjects/Keywords: Theater; Eastern European history; Romanian history; Playwriting; New Romanian plays; Historical plays; Dramatic structure

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APA (6th Edition):

Panaite, C. P. (2007). The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1179942628

Chicago Manual of Style (16th Edition):

Panaite, Cristian P. “The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play.” 2007. Masters Thesis, Miami University. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1179942628.

MLA Handbook (7th Edition):

Panaite, Cristian P. “The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play.” 2007. Web. 18 Jun 2019.

Vancouver:

Panaite CP. The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play. [Internet] [Masters thesis]. Miami University; 2007. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1179942628.

Council of Science Editors:

Panaite CP. The Rise and Fall of Peter Earring... The Making of a Romanian Historical Play. [Masters Thesis]. Miami University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1179942628

2. Boneva, Ralitza. Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke.

Degree: Docteur es, Arts (Histoire, Théorie, Pratique), 2012, Université Michel de Montaigne – Bordeaux III

Notre étude se propose de montrer qu'au cours des deux dernières décennies, des années 1989-2009, avec les films de Michael Haneke réalisés pour le cinéma,… (more)

Subjects/Keywords: Effet-de-réel; Effet-de-vraisemblable; Structure du récit; Contingence du récit; Événement dramatique; Typologie d'événements dramatiques; Rythme de l'événement; Instance actorielle; Personnage; Actant; Acteur; Dispositif de la mise en scène; Procédés documentarisants; Attitudes de réception; Effect-of-real; Effect-of-likely; Structure of the narrative; Contingency of the narrative; Dramatic event; Typology of dramatic events; Rhythm of the event; Acting instance; Agent; Character; Actor; Device of the direction; Documentary Proceeding; Attitude of reception

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APA (6th Edition):

Boneva, R. (2012). Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2012BOR30072

Chicago Manual of Style (16th Edition):

Boneva, Ralitza. “Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke.” 2012. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed June 18, 2019. http://www.theses.fr/2012BOR30072.

MLA Handbook (7th Edition):

Boneva, Ralitza. “Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke.” 2012. Web. 18 Jun 2019.

Vancouver:

Boneva R. Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2012. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2012BOR30072.

Council of Science Editors:

Boneva R. Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke : Reality and representation : the fiction subjected to their test : in the Work of Michael Haneke. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2012. Available from: http://www.theses.fr/2012BOR30072


RMIT University

3. Wicks, D. Divining the structure: the use of graphic representation in the analysis and performance of dramatic material.

Degree: 2010, RMIT University

 The PhD concentrates on the use of simple, hand-drawn graphs and their use as analytical tools to represent conflict, tension, interest and other aspects of… (more)

Subjects/Keywords: Fields of Research; Dramatic structure; graphic representation; performance; actor; director; Aristotle; Shakespeare; Freytag; well-made play; Stanislavsky; Michael Chekhov; Klee; Krier; Siza; Cook; Underwood; Kleinert &; Neale; Bergson; William James; Palladio; Nietzsche; van Schaik

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APA (6th Edition):

Wicks, D. (2010). Divining the structure: the use of graphic representation in the analysis and performance of dramatic material. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:7532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wicks, D. “Divining the structure: the use of graphic representation in the analysis and performance of dramatic material.” 2010. Thesis, RMIT University. Accessed June 18, 2019. http://researchbank.rmit.edu.au/view/rmit:7532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wicks, D. “Divining the structure: the use of graphic representation in the analysis and performance of dramatic material.” 2010. Web. 18 Jun 2019.

Vancouver:

Wicks D. Divining the structure: the use of graphic representation in the analysis and performance of dramatic material. [Internet] [Thesis]. RMIT University; 2010. [cited 2019 Jun 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:7532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wicks D. Divining the structure: the use of graphic representation in the analysis and performance of dramatic material. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:7532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

4. Maungedzo, Avhurengwi Edward. The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga.

Degree: 1999, University of South Africa

 The purpose of this research is to make a literary appreciation of the detective story in Tshivenda. Chapter 1 is the introductory chapter which discusses… (more)

Subjects/Keywords: Tshivenda detective fiction; S N Mahamba; N M Mphaphuli; Metadiegetic story; Diegetic story; Mystery; Dramatic irony; Plot structure; Setting; Characterisation

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APA (6th Edition):

Maungedzo, A. E. (1999). The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga. (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/23246

Chicago Manual of Style (16th Edition):

Maungedzo, Avhurengwi Edward. “The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga.” 1999. Doctoral Dissertation, University of South Africa. Accessed June 18, 2019. http://hdl.handle.net/10500/23246.

MLA Handbook (7th Edition):

Maungedzo, Avhurengwi Edward. “The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga.” 1999. Web. 18 Jun 2019.

Vancouver:

Maungedzo AE. The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga. [Internet] [Doctoral dissertation]. University of South Africa; 1999. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10500/23246.

Council of Science Editors:

Maungedzo AE. The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga. [Doctoral Dissertation]. University of South Africa; 1999. Available from: http://hdl.handle.net/10500/23246


Université de Montréal

5. Bleau, Melynda. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .

Degree: 2013, Université de Montréal

Subjects/Keywords: André Campra; Antoine Danchet; divinité; tragédie en musique; tragédie lyrique; dieux; opéra; structure dramatique; Vénus; théâtre; Neptune; French theatre of the 18th century; gods; dramatic structure

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APA (6th Edition):

Bleau, M. (2013). Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bleau, Melynda. “Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .” 2013. Thesis, Université de Montréal. Accessed June 18, 2019. http://hdl.handle.net/1866/9987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bleau, Melynda. “Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .” 2013. Web. 18 Jun 2019.

Vancouver:

Bleau M. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/1866/9987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bleau M. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

6. Matulík, Martin. Modelování a animace biologických struktur .

Degree: 2018, Brno University of Technology

 Následující práce se zabývá problematikou digitálního modelování a animace biologických struktur. Probrány jsou v praxi používané softwarové nástroje pro počítačové generování obrazů (CGI) i nástroje… (more)

Subjects/Keywords: Biovizualizace; vědecká komunikace; vizuálně atraktivní obsah; řeč obrazů; struktura dramatu; získávání dat; modelování biologických struktur; animace; fyzikální simulace; simulace částic; počítačově generované obrazy; CGI; renderování; renderování v příkazové řádce; dávkové zpracování souborů; sekvencér; Autodesk MAYA; krevní oběh; polygonální modelování; krycí materiály; procedurální materiály; fyzikálně správné osvětlení.; Bio-visualization; scientific communication; visually appealing content; visual language; dramatic structure; data acquisition; biological structures modelling; animation; physical simulation; particle simulation; computer generated imagery; CGI; rendering; command line rendering; batch file processing; sequencer; Autodesk MAYA; blood flow; surface materials; procedural materials; physically accurate lighting.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Matulík, M. (2018). Modelování a animace biologických struktur . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/81553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Matulík, Martin. “Modelování a animace biologických struktur .” 2018. Thesis, Brno University of Technology. Accessed June 18, 2019. http://hdl.handle.net/11012/81553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Matulík, Martin. “Modelování a animace biologických struktur .” 2018. Web. 18 Jun 2019.

Vancouver:

Matulík M. Modelování a animace biologických struktur . [Internet] [Thesis]. Brno University of Technology; 2018. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/11012/81553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matulík M. Modelování a animace biologických struktur . [Thesis]. Brno University of Technology; 2018. Available from: http://hdl.handle.net/11012/81553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed June 18, 2019. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 18 Jun 2019.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488


Brno University of Technology

8. Matulík, Martin. Modelování a animace biologických struktur .

Degree: Brno University of Technology

 Následující práce se zabývá problematikou digitálního modelování a animace biologických struktur. Probrány jsou v praxi používané softwarové nástroje pro počítačové generování obrazů (CGI) i nástroje… (more)

Subjects/Keywords: Biovizualizace; vědecká komunikace; vizuálně atraktivní obsah; řeč obrazů; struktura dramatu; získávání dat; modelování biologických struktur; animace; fyzikální simulace; simulace částic; počítačově generované obrazy; CGI; renderování; renderování v příkazové řádce; dávkové zpracování souborů; sekvencér; Autodesk MAYA; krevní oběh; polygonální modelování; krycí materiály; procedurální materiály; fyzikálně správné osvětlení.; Bio-visualization; scientific communication; visually appealing content; visual language; dramatic structure; data acquisition; biological structures modelling; animation; physical simulation; particle simulation; computer generated imagery; CGI; rendering; command line rendering; batch file processing; sequencer; Autodesk MAYA; blood flow; surface materials; procedural materials; physically accurate lighting.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Matulík, M. (n.d.). Modelování a animace biologických struktur . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/65463

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Matulík, Martin. “Modelování a animace biologických struktur .” Thesis, Brno University of Technology. Accessed June 18, 2019. http://hdl.handle.net/11012/65463.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Matulík, Martin. “Modelování a animace biologických struktur .” Web. 18 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Matulík M. Modelování a animace biologických struktur . [Internet] [Thesis]. Brno University of Technology; [cited 2019 Jun 18]. Available from: http://hdl.handle.net/11012/65463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Matulík M. Modelování a animace biologických struktur . [Thesis]. Brno University of Technology; Available from: http://hdl.handle.net/11012/65463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.