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You searched for subject:(Debussy). Showing records 1 – 30 of 115 total matches.

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University of Arizona

1. Lee, Sun-Young. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .

Degree: 2017, University of Arizona

 Claude Debussy (1862-1918) was a prolific composer throughout his lifetime. His song output spans his entire compositional career and comprises over ninety songs from his… (more)

Subjects/Keywords: Banville; Claude Debussy; Debussy; Songs

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APA (6th Edition):

Lee, S. (2017). Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/625631

Chicago Manual of Style (16th Edition):

Lee, Sun-Young. “Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .” 2017. Doctoral Dissertation, University of Arizona. Accessed March 26, 2019. http://hdl.handle.net/10150/625631.

MLA Handbook (7th Edition):

Lee, Sun-Young. “Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .” 2017. Web. 26 Mar 2019.

Vancouver:

Lee S. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . [Internet] [Doctoral dissertation]. University of Arizona; 2017. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/10150/625631.

Council of Science Editors:

Lee S. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . [Doctoral Dissertation]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/625631

2. Miettunen, Hilkka. Impressionistiset viulusonaatit vuodelta 1917 .

Degree: 2018, Theseus

 Opinnäytetyössäni esitellään kahta impressionistista viulusonaattia vuodelta 1917. Tarkoituksena oli tutkia impressionistisia piirteitä Claude Debussyn ja Ottorino Respighin sonaateissa viululle ja pianolle. Työssä raportoidaan myös siihen… (more)

Subjects/Keywords: Debussy; Respighi

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APA (6th Edition):

Miettunen, H. (2018). Impressionistiset viulusonaatit vuodelta 1917 . (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/146567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miettunen, Hilkka. “Impressionistiset viulusonaatit vuodelta 1917 .” 2018. Thesis, Theseus. Accessed March 26, 2019. http://www.theseus.fi/handle/10024/146567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miettunen, Hilkka. “Impressionistiset viulusonaatit vuodelta 1917 .” 2018. Web. 26 Mar 2019.

Vancouver:

Miettunen H. Impressionistiset viulusonaatit vuodelta 1917 . [Internet] [Thesis]. Theseus; 2018. [cited 2019 Mar 26]. Available from: http://www.theseus.fi/handle/10024/146567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miettunen H. Impressionistiset viulusonaatit vuodelta 1917 . [Thesis]. Theseus; 2018. Available from: http://www.theseus.fi/handle/10024/146567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

3. Huang, Chia-Hua. Debussy piano works "Image".

Degree: Master, Music, 2002, NSYSU

 Abstract As a leading composer of Impressionism, Debussy constantly wrote works of piano music over his whole creative life and held an influential position in… (more)

Subjects/Keywords: Debussy

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APA (6th Edition):

Huang, C. (2002). Debussy piano works "Image". (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Chia-Hua. “Debussy piano works "Image".” 2002. Thesis, NSYSU. Accessed March 26, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Chia-Hua. “Debussy piano works "Image".” 2002. Web. 26 Mar 2019.

Vancouver:

Huang C. Debussy piano works "Image". [Internet] [Thesis]. NSYSU; 2002. [cited 2019 Mar 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang C. Debussy piano works "Image". [Thesis]. NSYSU; 2002. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

4. Chin, Reuben. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.

Degree: 2017, Victoria University of Wellington

 To ascribe the word ‘virtuosity’ to a single and absolute definition is an impossible task. It is a term that is multifaceted in its meaning… (more)

Subjects/Keywords: Debussy; Rapsodie; Altissimo

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APA (6th Edition):

Chin, R. (2017). Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6954

Chicago Manual of Style (16th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Masters Thesis, Victoria University of Wellington. Accessed March 26, 2019. http://hdl.handle.net/10063/6954.

MLA Handbook (7th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Web. 26 Mar 2019.

Vancouver:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/10063/6954.

Council of Science Editors:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6954


NSYSU

5. Jheng, Ru-fang. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.

Degree: Master, Music, 2009, NSYSU

 Claude Debussy is one of the most important composers in France in the late nineteenth century. Since Debussyâs compositional style is similar to with the… (more)

Subjects/Keywords: Violin Sonata; Debussy

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APA (6th Edition):

Jheng, R. (2009). The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jheng, Ru-fang. “The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.” 2009. Thesis, NSYSU. Accessed March 26, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jheng, Ru-fang. “The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.” 2009. Web. 26 Mar 2019.

Vancouver:

Jheng R. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. [Internet] [Thesis]. NSYSU; 2009. [cited 2019 Mar 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jheng R. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. [Thesis]. NSYSU; 2009. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Ko, Hsing-Yin. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux.

Degree: 2011, University of North Texas

 Claude Debussy is considered one of the most influential figures of the late 19th century and early 20th centuries. Among the various works that he… (more)

Subjects/Keywords: Debussy; Childhood; Joujoux

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APA (6th Edition):

Ko, H. (2011). Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67998/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ko, Hsing-Yin. “Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux.” 2011. Thesis, University of North Texas. Accessed March 26, 2019. https://digital.library.unt.edu/ark:/67531/metadc67998/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ko, Hsing-Yin. “Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux.” 2011. Web. 26 Mar 2019.

Vancouver:

Ko H. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Mar 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67998/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ko H. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte à Joujoux. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67998/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Lovern, Kenneth R. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.

Degree: 2015, University of North Texas

 Alberto Ginastera completed his ballet Panambí in 1937. The ballet was arranged as a symphonic suite, and was performed the same year at the Teatro… (more)

Subjects/Keywords: Ginasteva; Debussy; Starvinsky

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APA (6th Edition):

Lovern, K. R. (2015). The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Thesis, University of North Texas. Accessed March 26, 2019. https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Web. 26 Mar 2019.

Vancouver:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Mar 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Rader, Aaron Christian. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.

Degree: 2011, University of North Texas

 Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of… (more)

Subjects/Keywords: Defaye; Debussy; trombone; Maniere; manner

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APA (6th Edition):

Rader, A. C. (2011). Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103379/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rader, Aaron Christian. “Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.” 2011. Thesis, University of North Texas. Accessed March 26, 2019. https://digital.library.unt.edu/ark:/67531/metadc103379/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rader, Aaron Christian. “Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.” 2011. Web. 26 Mar 2019.

Vancouver:

Rader AC. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Mar 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103379/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rader AC. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103379/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

9. Davies, Benjamin John. Debussy and Stravinsky: friendship and interaction, 1910-1918.

Degree: 2000, University of Cambridge

Subjects/Keywords: Debussy; Stravinski

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APA (6th Edition):

Davies, B. J. (2000). Debussy and Stravinsky: friendship and interaction, 1910-1918. (Thesis). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/219100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davies, Benjamin John. “Debussy and Stravinsky: friendship and interaction, 1910-1918. ” 2000. Thesis, University of Cambridge. Accessed March 26, 2019. http://www.dspace.cam.ac.uk/handle/1810/219100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davies, Benjamin John. “Debussy and Stravinsky: friendship and interaction, 1910-1918. ” 2000. Web. 26 Mar 2019.

Vancouver:

Davies BJ. Debussy and Stravinsky: friendship and interaction, 1910-1918. [Internet] [Thesis]. University of Cambridge; 2000. [cited 2019 Mar 26]. Available from: http://www.dspace.cam.ac.uk/handle/1810/219100.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davies BJ. Debussy and Stravinsky: friendship and interaction, 1910-1918. [Thesis]. University of Cambridge; 2000. Available from: http://www.dspace.cam.ac.uk/handle/1810/219100

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

10. Mazza, Jamie. Graduation Recital, Piano.

Degree: MM, Music Performance, 2012, Duquesne University

 This graduate recital features significant piano works from the major periods in music history. The opening pieces - the Scarlatti sonatas - are technically challenging… (more)

Subjects/Keywords: Piano; Debussy; Music; Schumann

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APA (6th Edition):

Mazza, J. (2012). Graduation Recital, Piano. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Thesis, Duquesne University. Accessed March 26, 2019. https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Web. 26 Mar 2019.

Vancouver:

Mazza J. Graduation Recital, Piano. [Internet] [Thesis]. Duquesne University; 2012. [cited 2019 Mar 26]. Available from: https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mazza J. Graduation Recital, Piano. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Northridge

11. Bouffard, Nicole Renee. Love: human experience as expressed in music.

Degree: M.M., Department of Music, 2013, California State University – Northridge

 Music is a form of abstract and essential communication between individuals expressing their emotions, thoughts, troubles and blessings in a way that allows the message… (more)

Subjects/Keywords: Claude Debussy; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Bouffard, N. R. (2013). Love: human experience as expressed in music. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/3252

Chicago Manual of Style (16th Edition):

Bouffard, Nicole Renee. “Love: human experience as expressed in music.” 2013. Masters Thesis, California State University – Northridge. Accessed March 26, 2019. http://hdl.handle.net/10211.2/3252.

MLA Handbook (7th Edition):

Bouffard, Nicole Renee. “Love: human experience as expressed in music.” 2013. Web. 26 Mar 2019.

Vancouver:

Bouffard NR. Love: human experience as expressed in music. [Internet] [Masters thesis]. California State University – Northridge; 2013. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/10211.2/3252.

Council of Science Editors:

Bouffard NR. Love: human experience as expressed in music. [Masters Thesis]. California State University – Northridge; 2013. Available from: http://hdl.handle.net/10211.2/3252


Universiteit Utrecht

12. Kaptein, Mariet. La mer: context en analyse.

Degree: 2007, Universiteit Utrecht

 In het eerste gedeelte van de thesis wordt de context van het orkestwerk La mer van Claude Debussy besproken. Onder andere de relatie van Debussy(more)

Subjects/Keywords: Letteren; Claude Debussy; analyse; muziekwetenschap; La mer

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APA (6th Edition):

Kaptein, M. (2007). La mer: context en analyse. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/23343

Chicago Manual of Style (16th Edition):

Kaptein, Mariet. “La mer: context en analyse.” 2007. Masters Thesis, Universiteit Utrecht. Accessed March 26, 2019. http://dspace.library.uu.nl:8080/handle/1874/23343.

MLA Handbook (7th Edition):

Kaptein, Mariet. “La mer: context en analyse.” 2007. Web. 26 Mar 2019.

Vancouver:

Kaptein M. La mer: context en analyse. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2019 Mar 26]. Available from: http://dspace.library.uu.nl:8080/handle/1874/23343.

Council of Science Editors:

Kaptein M. La mer: context en analyse. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/23343


Louisiana State University

13. Buchanan, Vivian. Evolving Performance Practice of Debussy's Piano Preludes.

Degree: MM, Musicology, 2018, Louisiana State University

  Between 1910 and 1912 Claude Debussy recorded twelve of his solo piano works for the player piano company Welte-Mignon. Although Debussy frequently instructed his… (more)

Subjects/Keywords: Debussy; performance practice; baroque; preludes; piano

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APA (6th Edition):

Buchanan, V. (2018). Evolving Performance Practice of Debussy's Piano Preludes. (Masters Thesis). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_theses/4744

Chicago Manual of Style (16th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Masters Thesis, Louisiana State University. Accessed March 26, 2019. https://digitalcommons.lsu.edu/gradschool_theses/4744.

MLA Handbook (7th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Web. 26 Mar 2019.

Vancouver:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Internet] [Masters thesis]. Louisiana State University; 2018. [cited 2019 Mar 26]. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744.

Council of Science Editors:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Masters Thesis]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744

14. Wegberg, Emil. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.

Degree: Classical Music, 2016, Royal College of Music in Stockholm

Claude Debussy Cellosonat Dimitrij Shostakowitch Cellosonat op.40 Felix Mendelssohn-Barthodly Pianotrio nr.1 D-moll op.49 Medeverkande musiker: Emil Wegberg, Cello Katarina Abbas, Violin Leo Gavel, Piano Gerog Öquist, Piano

Subjects/Keywords: Claude Debussy; Impressionism; Cellosonat; Musikanalys; Interpretation

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APA (6th Edition):

Wegberg, E. (2016). Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Thesis, Royal College of Music in Stockholm. Accessed March 26, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Web. 26 Mar 2019.

Vancouver:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Internet] [Thesis]. Royal College of Music in Stockholm; 2016. [cited 2019 Mar 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Thesis]. Royal College of Music in Stockholm; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

15. Davies, Benjamin John. Debussy and Stravinsky : friendship and interaction, 1910-1918.

Degree: PhD, 2000, University of Cambridge

Subjects/Keywords: 780; Debussy; Stravinski

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APA (6th Edition):

Davies, B. J. (2000). Debussy and Stravinsky : friendship and interaction, 1910-1918. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822

Chicago Manual of Style (16th Edition):

Davies, Benjamin John. “Debussy and Stravinsky : friendship and interaction, 1910-1918.” 2000. Doctoral Dissertation, University of Cambridge. Accessed March 26, 2019. https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822.

MLA Handbook (7th Edition):

Davies, Benjamin John. “Debussy and Stravinsky : friendship and interaction, 1910-1918.” 2000. Web. 26 Mar 2019.

Vancouver:

Davies BJ. Debussy and Stravinsky : friendship and interaction, 1910-1918. [Internet] [Doctoral dissertation]. University of Cambridge; 2000. [cited 2019 Mar 26]. Available from: https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822.

Council of Science Editors:

Davies BJ. Debussy and Stravinsky : friendship and interaction, 1910-1918. [Doctoral Dissertation]. University of Cambridge; 2000. Available from: https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822


University of Toronto

16. Chan, Melody Yvonne. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).

Degree: 2015, University of Toronto

The Préludes (1928-1929) of Olivier Messiaen are central works of his early career which have surprisingly received much less attention and recognition than his other… (more)

Subjects/Keywords: Debussy; Messiaen; Piano Music; Préludes; 0413

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APA (6th Edition):

Chan, M. Y. (2015). A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/70860

Chicago Manual of Style (16th Edition):

Chan, Melody Yvonne. “A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).” 2015. Doctoral Dissertation, University of Toronto. Accessed March 26, 2019. http://hdl.handle.net/1807/70860.

MLA Handbook (7th Edition):

Chan, Melody Yvonne. “A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).” 2015. Web. 26 Mar 2019.

Vancouver:

Chan MY. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/1807/70860.

Council of Science Editors:

Chan MY. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/70860


Kansas State University

17. Meier, Michael. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 The saxophone is a versatile instrument utilized in a variety of musical styles. Paul Creston’s Concerto for Alto Saxophone and Orchestra, Claude Debussy’s Rhapsodie pour… (more)

Subjects/Keywords: Saxophone; Denisov; Creston; Debussy; Bach; Recital

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APA (6th Edition):

Meier, M. (2017). Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Thesis, Kansas State University. Accessed March 26, 2019. http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Web. 26 Mar 2019.

Vancouver:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Internet] [Thesis]. Kansas State University; 2017. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

18. Armstrong, Asher Ian. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.

Degree: 2015, University of Toronto

César Franck (1822-1890) is, for many, a problematic composer. He was born a Belgian, naturalized a Frenchman, but is often cited as an example (musically)… (more)

Subjects/Keywords: catholic; cortot; debussy; d'indy; erotic; Franck; 0413

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APA (6th Edition):

Armstrong, A. I. (2015). The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/69221

Chicago Manual of Style (16th Edition):

Armstrong, Asher Ian. “The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.” 2015. Doctoral Dissertation, University of Toronto. Accessed March 26, 2019. http://hdl.handle.net/1807/69221.

MLA Handbook (7th Edition):

Armstrong, Asher Ian. “The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.” 2015. Web. 26 Mar 2019.

Vancouver:

Armstrong AI. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/1807/69221.

Council of Science Editors:

Armstrong AI. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/69221


Princeton University

19. Sarno, Megan Elizabeth. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .

Degree: PhD, 2016, Princeton University

 This dissertation concerns an overlooked and misinterpreted connection in French aesthetics between Symbolist art and the age of Secularism. I argue that as the government… (more)

Subjects/Keywords: Claude Debussy; France; Modernism; Secularization; Symbolism

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APA (6th Edition):

Sarno, M. E. (2016). Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp018910jx06r

Chicago Manual of Style (16th Edition):

Sarno, Megan Elizabeth. “Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .” 2016. Doctoral Dissertation, Princeton University. Accessed March 26, 2019. http://arks.princeton.edu/ark:/88435/dsp018910jx06r.

MLA Handbook (7th Edition):

Sarno, Megan Elizabeth. “Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .” 2016. Web. 26 Mar 2019.

Vancouver:

Sarno ME. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . [Internet] [Doctoral dissertation]. Princeton University; 2016. [cited 2019 Mar 26]. Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx06r.

Council of Science Editors:

Sarno ME. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . [Doctoral Dissertation]. Princeton University; 2016. Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx06r


Virginia Tech

20. Bowman, Daniel Stewart. Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé.

Degree: MA, Foreign Languages, Cultures, and Literatures, 2013, Virginia Tech

 The relationship between music and poetry dramatically changed in France during the nineteenth century.  Music took a prominent place in artistic life, and certain figures… (more)

Subjects/Keywords: Claude Debussy; Stéphane Mallarmé; Richard Wagner; Symbolism

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APA (6th Edition):

Bowman, D. S. (2013). Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/23214

Chicago Manual of Style (16th Edition):

Bowman, Daniel Stewart. “Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé.” 2013. Masters Thesis, Virginia Tech. Accessed March 26, 2019. http://hdl.handle.net/10919/23214.

MLA Handbook (7th Edition):

Bowman, Daniel Stewart. “Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé.” 2013. Web. 26 Mar 2019.

Vancouver:

Bowman DS. Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé. [Internet] [Masters thesis]. Virginia Tech; 2013. [cited 2019 Mar 26]. Available from: http://hdl.handle.net/10919/23214.

Council of Science Editors:

Bowman DS. Mouvoir dans l\'espace : une esthétique musico-poétique chez Debussy et Mallarmé. [Masters Thesis]. Virginia Tech; 2013. Available from: http://hdl.handle.net/10919/23214

21. Carvalho, Diogo Salmeron. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Esta dissertação apresenta doze transcrições, realizadas pelo próprio autor, de obras selecionadas de Maurice Ravel e Claude Debussy. A realização das transcrições teve como referencial… (more)

Subjects/Keywords: Debussy; Debussy; guitar; interpretação; interpretation; Ravel; Ravel; repertoire; repertório; transcrição; transcription; violão

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carvalho, D. S. (2012). Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;

Chicago Manual of Style (16th Edition):

Carvalho, Diogo Salmeron. “Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.” 2012. Masters Thesis, University of São Paulo. Accessed March 26, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;.

MLA Handbook (7th Edition):

Carvalho, Diogo Salmeron. “Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.” 2012. Web. 26 Mar 2019.

Vancouver:

Carvalho DS. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Mar 26]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;.

Council of Science Editors:

Carvalho DS. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;

22. Kozar Stošič, Tanja. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.

Degree: 2016, Univerza v Mariboru

Impresionizem je obdobje umetnostne smeri s konca 19. stoletja, nastala je kot nekakšna revolucionarna smer, saj je kršila dotedanja pravila, ki so veljala v umetnosti,… (more)

Subjects/Keywords: impresionizem; simbolizem; Debussy; slikarstvo; književnost; glasba; impressionism; symbolism; Debussy; painting; literature; music; info:eu-repo/classification/udc/78.071.1Debussy C.:7.036.2(043.2)

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APA (6th Edition):

Kozar Stošič, T. (2016). USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=21852680&fmt=11

Chicago Manual of Style (16th Edition):

Kozar Stošič, Tanja. “USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.” 2016. Masters Thesis, Univerza v Mariboru. Accessed March 26, 2019. https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=21852680&fmt=11.

MLA Handbook (7th Edition):

Kozar Stošič, Tanja. “USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.” 2016. Web. 26 Mar 2019.

Vancouver:

Kozar Stošič T. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. [Internet] [Masters thesis]. Univerza v Mariboru; 2016. [cited 2019 Mar 26]. Available from: https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=21852680&fmt=11.

Council of Science Editors:

Kozar Stošič T. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. [Masters Thesis]. Univerza v Mariboru; 2016. Available from: https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; http://www.cobiss.si/scripts/cobiss?command=DISPLAY&base=cobib&rid=21852680&fmt=11

23. Socha, Eduardo. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.

Degree: Mestrado, Filosofia, 2009, University of São Paulo

Esta dissertação procura estabelecer uma confrontação teórica entre a filosofia da duração de Henri Bergson e o projeto composicional de Claude Debussy, no que diz… (more)

Subjects/Keywords: Bergson; Bergson; Bergsonismo musical; Debussy; Debussy; Duração; Duration; Forma aberta; Music; Música; Musical bergsonism; Open form; Tempo; Time

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APA (6th Edition):

Socha, E. (2009). Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;

Chicago Manual of Style (16th Edition):

Socha, Eduardo. “Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.” 2009. Masters Thesis, University of São Paulo. Accessed March 26, 2019. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;.

MLA Handbook (7th Edition):

Socha, Eduardo. “Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.” 2009. Web. 26 Mar 2019.

Vancouver:

Socha E. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Mar 26]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;.

Council of Science Editors:

Socha E. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;

24. Ahola, Hannele. Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia .

Degree: 2014, Theseus

 Opinnäytetyöni tarkoituksena oli perehtyä 1900-luvun alkupuolen ranskalaiseen musiikkiin ja syventää tietämystäni sen tyylillisistä haasteista eri säveltäjien kautta. Lisäksi halusin valmistaa konserttiohjelman, joka koostuisi kamarimusiikista, liedistä… (more)

Subjects/Keywords: Debussy, Claude; Ravel, Maurice; Satie, Erik; Poulenc, Francis

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APA (6th Edition):

Ahola, H. (2014). Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia . (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/82318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahola, Hannele. “Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia .” 2014. Thesis, Theseus. Accessed March 26, 2019. http://www.theseus.fi/handle/10024/82318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahola, Hannele. “Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia .” 2014. Web. 26 Mar 2019.

Vancouver:

Ahola H. Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia . [Internet] [Thesis]. Theseus; 2014. [cited 2019 Mar 26]. Available from: http://www.theseus.fi/handle/10024/82318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahola H. Matka Debussysta Poulenciin : 1900-luvun ranskalaista musiikkia . [Thesis]. Theseus; 2014. Available from: http://www.theseus.fi/handle/10024/82318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Laakso, Katri. Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista .

Degree: 2015, Theseus

 Musiikin kielin on opinnäyteproduktio, jonka konserttiosuus järjestettiin 27.11.2014 klo 15:30 Kuopion Musiikkikeskuksen Kamarimusiikkisalissa. Konsertin ohjelma käsitti neljä erimaalaista sävellystä klarinetille: Gioachino Rossinin Introduction, Theme and… (more)

Subjects/Keywords: Rossini, Gioachino; Brahms, Johannes; Debussy, Claude; Ferguson, Howard

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APA (6th Edition):

Laakso, K. (2015). Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista . (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/92728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Laakso, Katri. “Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista .” 2015. Thesis, Theseus. Accessed March 26, 2019. http://www.theseus.fi/handle/10024/92728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Laakso, Katri. “Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista .” 2015. Web. 26 Mar 2019.

Vancouver:

Laakso K. Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista . [Internet] [Thesis]. Theseus; 2015. [cited 2019 Mar 26]. Available from: http://www.theseus.fi/handle/10024/92728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Laakso K. Musiikin kielin : Raportti eurooppalaisen klarinettimusiikin konsertista . [Thesis]. Theseus; 2015. Available from: http://www.theseus.fi/handle/10024/92728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

26. SACHS, DANIEL. CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2.

Degree: DMA, College-Conservatory of Music : Piano, 2005, University of Cincinnati

 This dissertation provides a foundation for a different analytical approach to the music of Claude Debussy. As the musical description of a state of being… (more)

Subjects/Keywords: Music; Claude Debussy; polyphony; balance

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APA (6th Edition):

SACHS, D. (2005). CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1109016801

Chicago Manual of Style (16th Edition):

SACHS, DANIEL. “CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed March 26, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1109016801.

MLA Handbook (7th Edition):

SACHS, DANIEL. “CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2.” 2005. Web. 26 Mar 2019.

Vancouver:

SACHS D. CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Mar 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1109016801.

Council of Science Editors:

SACHS D. CLAUDE DEBUSSY AND EQUALIZING BALANCES: A DIFFERENT APPROACH TO ANALYSIS OF CLAUDE DEBUSSY'S MUSIC WITH EXAMPLES FROM PRELUDES, BOOKS 1 AND 2. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1109016801


NSYSU

27. Hsu, Yu-ping. The research of Fêtes Galantes I and Fêtes Galantes II.

Degree: Master, Music, 2008, NSYSU

 Claude Debussy (1862-1918) was an outstanding composer in French mélodie history. He composed approximately 80 songs, and chose to set poetry of his contemporaries, notably… (more)

Subjects/Keywords: Fêtes Galantes I; Watteau; Debussy; Verlaine; Fêtes Galantes II

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, Y. (2008). The research of Fêtes Galantes I and Fêtes Galantes II. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0125108-012230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Yu-ping. “The research of Fêtes Galantes I and Fêtes Galantes II.” 2008. Thesis, NSYSU. Accessed March 26, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0125108-012230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Yu-ping. “The research of Fêtes Galantes I and Fêtes Galantes II.” 2008. Web. 26 Mar 2019.

Vancouver:

Hsu Y. The research of Fêtes Galantes I and Fêtes Galantes II. [Internet] [Thesis]. NSYSU; 2008. [cited 2019 Mar 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0125108-012230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu Y. The research of Fêtes Galantes I and Fêtes Galantes II. [Thesis]. NSYSU; 2008. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0125108-012230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

28. Yen, Ying-Fang. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.

Degree: Master, Music, 2016, NSYSU

 This study is an extension of the authorâs lecture recital which focuses on the piano solo work âSuite Bergamasqueâ consisting of the "Prelude," "Minuet," "Clair… (more)

Subjects/Keywords: Impressionism; Symbolism; French Piano Music; Claude Debussy; Suite Bergamasque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yen, Y. (2016). A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Thesis, NSYSU. Accessed March 26, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Web. 26 Mar 2019.

Vancouver:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Internet] [Thesis]. NSYSU; 2016. [cited 2019 Mar 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

29. Wu, Yi-Ting. An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'.

Degree: Master, Music, 2016, NSYSU

 Achille-Claude Debussyï¼1862-1918ï¼is one of the most important French composer in the nineteenth century. The art songs in Ariettes Oubliées, which will be analyzed in this… (more)

Subjects/Keywords: Achille-Claude Debussy; Paul Verlaine; Ariettes Oubliées

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wu, Y. (2016). An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801116-140553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Yi-Ting. “An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'.” 2016. Thesis, NSYSU. Accessed March 26, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801116-140553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Yi-Ting. “An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'.” 2016. Web. 26 Mar 2019.

Vancouver:

Wu Y. An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'. [Internet] [Thesis]. NSYSU; 2016. [cited 2019 Mar 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801116-140553.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu Y. An Analysis and Interpretation of Claude Debussy's 'Ariettes Oubliées'. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801116-140553

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

30. Pascoal, Maria Lucia Senna Machado, 1937-. Preludios de Debussy : reflexo e projeção .

Degree: 1989, Universidade Estadual de Campinas

 Resumo: Existem peças musicais que se constituem em conjutos homogeneos e seu estudo pormenorizado nos leva a compreender o pensamento musical de um compositor. Um… (more)

Subjects/Keywords: Debussy, Claude, 1862-1918; Música

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pascoal, Maria Lucia Senna Machado, 1. (1989). Preludios de Debussy : reflexo e projeção . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pascoal, Maria Lucia Senna Machado, 1937-. “Preludios de Debussy : reflexo e projeção .” 1989. Thesis, Universidade Estadual de Campinas. Accessed March 26, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pascoal, Maria Lucia Senna Machado, 1937-. “Preludios de Debussy : reflexo e projeção .” 1989. Web. 26 Mar 2019.

Vancouver:

Pascoal, Maria Lucia Senna Machado 1. Preludios de Debussy : reflexo e projeção . [Internet] [Thesis]. Universidade Estadual de Campinas; 1989. [cited 2019 Mar 26]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pascoal, Maria Lucia Senna Machado 1. Preludios de Debussy : reflexo e projeção . [Thesis]. Universidade Estadual de Campinas; 1989. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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