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You searched for subject:(Debussy). Showing records 1 – 30 of 136 total matches.

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University of Arizona

1. Lee, Sun-Young. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .

Degree: 2017, University of Arizona

 Claude Debussy (1862-1918) was a prolific composer throughout his lifetime. His song output spans his entire compositional career and comprises over ninety songs from his… (more)

Subjects/Keywords: Banville; Claude Debussy; Debussy; Songs

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APA (6th Edition):

Lee, S. (2017). Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/625631

Chicago Manual of Style (16th Edition):

Lee, Sun-Young. “Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .” 2017. Doctoral Dissertation, University of Arizona. Accessed September 30, 2020. http://hdl.handle.net/10150/625631.

MLA Handbook (7th Edition):

Lee, Sun-Young. “Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection .” 2017. Web. 30 Sep 2020.

Vancouver:

Lee S. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . [Internet] [Doctoral dissertation]. University of Arizona; 2017. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10150/625631.

Council of Science Editors:

Lee S. Claude Debussy's Mélodies by Théodore de Banville: Understanding Debussy's Musical Reflection . [Doctoral Dissertation]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/625631


NSYSU

2. Huang, Chia-Hua. Debussy piano works "Image".

Degree: Master, Music, 2002, NSYSU

 Abstract As a leading composer of Impressionism, Debussy constantly wrote works of piano music over his whole creative life and held an influential position in… (more)

Subjects/Keywords: Debussy

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APA (6th Edition):

Huang, C. (2002). Debussy piano works "Image". (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Chia-Hua. “Debussy piano works "Image".” 2002. Thesis, NSYSU. Accessed September 30, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Chia-Hua. “Debussy piano works "Image".” 2002. Web. 30 Sep 2020.

Vancouver:

Huang C. Debussy piano works "Image". [Internet] [Thesis]. NSYSU; 2002. [cited 2020 Sep 30]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang C. Debussy piano works "Image". [Thesis]. NSYSU; 2002. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0716102-152103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Tampereen ammattikorkeakoulu

3. Miettunen, Hilkka. Impressionistiset viulusonaatit vuodelta 1917.

Degree: 2018, Tampereen ammattikorkeakoulu

Opinnäytetyössäni esitellään kahta impressionistista viulusonaattia vuodelta 1917. Tarkoituksena oli tutkia impressionistisia piirteitä Claude Debussyn ja Ottorino Respighin sonaateissa viululle ja pianolle. Työssä raportoidaan myös siihen… (more)

Subjects/Keywords: Debussy; Respighi

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APA (6th Edition):

Miettunen, H. (2018). Impressionistiset viulusonaatit vuodelta 1917. (Thesis). Tampereen ammattikorkeakoulu. Retrieved from http://www.theseus.fi/handle/10024/146567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miettunen, Hilkka. “Impressionistiset viulusonaatit vuodelta 1917.” 2018. Thesis, Tampereen ammattikorkeakoulu. Accessed September 30, 2020. http://www.theseus.fi/handle/10024/146567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miettunen, Hilkka. “Impressionistiset viulusonaatit vuodelta 1917.” 2018. Web. 30 Sep 2020.

Vancouver:

Miettunen H. Impressionistiset viulusonaatit vuodelta 1917. [Internet] [Thesis]. Tampereen ammattikorkeakoulu; 2018. [cited 2020 Sep 30]. Available from: http://www.theseus.fi/handle/10024/146567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miettunen H. Impressionistiset viulusonaatit vuodelta 1917. [Thesis]. Tampereen ammattikorkeakoulu; 2018. Available from: http://www.theseus.fi/handle/10024/146567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Lovern, Kenneth R. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.

Degree: 2015, University of North Texas

 Alberto Ginastera completed his ballet Panambí in 1937. The ballet was arranged as a symphonic suite, and was performed the same year at the Teatro… (more)

Subjects/Keywords: Ginasteva; Debussy; Starvinsky

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APA (6th Edition):

Lovern, K. R. (2015). The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Thesis, University of North Texas. Accessed September 30, 2020. https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Web. 30 Sep 2020.

Vancouver:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Sep 30]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

5. Jheng, Ru-fang. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.

Degree: Master, Music, 2009, NSYSU

 Claude Debussy is one of the most important composers in France in the late nineteenth century. Since Debussyâs compositional style is similar to with the… (more)

Subjects/Keywords: Violin Sonata; Debussy

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APA (6th Edition):

Jheng, R. (2009). The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jheng, Ru-fang. “The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.” 2009. Thesis, NSYSU. Accessed September 30, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jheng, Ru-fang. “The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor.” 2009. Web. 30 Sep 2020.

Vancouver:

Jheng R. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. [Internet] [Thesis]. NSYSU; 2009. [cited 2020 Sep 30]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jheng R. The Performance and Technique Interpretation on Debussy's Violin Sonata in G Minor. [Thesis]. NSYSU; 2009. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0820109-144222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

6. Chin, Reuben. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.

Degree: 2017, Victoria University of Wellington

 To ascribe the word ‘virtuosity’ to a single and absolute definition is an impossible task. It is a term that is multifaceted in its meaning… (more)

Subjects/Keywords: Debussy; Rapsodie; Altissimo

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APA (6th Edition):

Chin, R. (2017). Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6954

Chicago Manual of Style (16th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Masters Thesis, Victoria University of Wellington. Accessed September 30, 2020. http://hdl.handle.net/10063/6954.

MLA Handbook (7th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Web. 30 Sep 2020.

Vancouver:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10063/6954.

Council of Science Editors:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6954


University of North Texas

7. Ko, Hsing-Yin. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux.

Degree: 2011, University of North Texas

 Claude Debussy is considered one of the most influential figures of the late 19th century and early 20th centuries. Among the various works that he… (more)

Subjects/Keywords: Debussy; Childhood; Joujoux

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APA (6th Edition):

Ko, H. (2011). Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67998/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ko, Hsing-Yin. “Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux.” 2011. Thesis, University of North Texas. Accessed September 30, 2020. https://digital.library.unt.edu/ark:/67531/metadc67998/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ko, Hsing-Yin. “Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux.” 2011. Web. 30 Sep 2020.

Vancouver:

Ko H. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Sep 30]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67998/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ko H. Evocations from Childhood: Stylistic Influences and Musical Quotations in Claude Debussy's Children's Corner and La Boîte À Joujoux. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67998/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

8. Loyd, Melanie. The development and synthesis of foundational ideas in four Debussy Prludes.

Degree: 2017, University of Missouri – Columbia

 This study examines specific themes, called foundational ideas, in four of Claude Debussy's Prludes. These foundational ideas are presented as discrete pieces, then developed, and… (more)

Subjects/Keywords: Preludes (Debussy; Claude)

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APA (6th Edition):

Loyd, M. (2017). The development and synthesis of foundational ideas in four Debussy Prludes. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/62058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loyd, Melanie. “The development and synthesis of foundational ideas in four Debussy Prludes.” 2017. Thesis, University of Missouri – Columbia. Accessed September 30, 2020. http://hdl.handle.net/10355/62058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loyd, Melanie. “The development and synthesis of foundational ideas in four Debussy Prludes.” 2017. Web. 30 Sep 2020.

Vancouver:

Loyd M. The development and synthesis of foundational ideas in four Debussy Prludes. [Internet] [Thesis]. University of Missouri – Columbia; 2017. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10355/62058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loyd M. The development and synthesis of foundational ideas in four Debussy Prludes. [Thesis]. University of Missouri – Columbia; 2017. Available from: http://hdl.handle.net/10355/62058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Rader, Aaron Christian. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.

Degree: 2011, University of North Texas

 Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of… (more)

Subjects/Keywords: Defaye; Debussy; trombone; Maniere; manner

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APA (6th Edition):

Rader, A. C. (2011). Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103379/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rader, Aaron Christian. “Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.” 2011. Thesis, University of North Texas. Accessed September 30, 2020. https://digital.library.unt.edu/ark:/67531/metadc103379/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rader, Aaron Christian. “Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices.” 2011. Web. 30 Sep 2020.

Vancouver:

Rader AC. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Sep 30]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103379/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rader AC. Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103379/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

10. Davies, Benjamin John. Debussy and Stravinsky: friendship and interaction, 1910-1918.

Degree: PhD, 2000, University of Cambridge

Subjects/Keywords: Debussy; Stravinski

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APA (6th Edition):

Davies, B. J. (2000). Debussy and Stravinsky: friendship and interaction, 1910-1918. (Doctoral Dissertation). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/219100https://www.repository.cam.ac.uk/bitstream/1810/219100/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/5/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/3/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/6/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.jpg

Chicago Manual of Style (16th Edition):

Davies, Benjamin John. “Debussy and Stravinsky: friendship and interaction, 1910-1918.” 2000. Doctoral Dissertation, University of Cambridge. Accessed September 30, 2020. http://www.dspace.cam.ac.uk/handle/1810/219100https://www.repository.cam.ac.uk/bitstream/1810/219100/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/5/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/3/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/6/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.jpg.

MLA Handbook (7th Edition):

Davies, Benjamin John. “Debussy and Stravinsky: friendship and interaction, 1910-1918.” 2000. Web. 30 Sep 2020.

Vancouver:

Davies BJ. Debussy and Stravinsky: friendship and interaction, 1910-1918. [Internet] [Doctoral dissertation]. University of Cambridge; 2000. [cited 2020 Sep 30]. Available from: http://www.dspace.cam.ac.uk/handle/1810/219100https://www.repository.cam.ac.uk/bitstream/1810/219100/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/5/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/3/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/6/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.jpg.

Council of Science Editors:

Davies BJ. Debussy and Stravinsky: friendship and interaction, 1910-1918. [Doctoral Dissertation]. University of Cambridge; 2000. Available from: http://www.dspace.cam.ac.uk/handle/1810/219100https://www.repository.cam.ac.uk/bitstream/1810/219100/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/5/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/3/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/219100/6/Debussy%20%26%20Stravinsky%20-%20DAVIES%201999.pdf.jpg


Duquesne University

11. Mazza, Jamie. Graduation Recital, Piano.

Degree: MM, Music Performance, 2012, Duquesne University

 This graduate recital features significant piano works from the major periods in music history. The opening pieces - the Scarlatti sonatas - are technically challenging… (more)

Subjects/Keywords: Piano; Debussy; Music; Schumann

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APA (6th Edition):

Mazza, J. (2012). Graduation Recital, Piano. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Thesis, Duquesne University. Accessed September 30, 2020. https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mazza, Jamie. “Graduation Recital, Piano.” 2012. Web. 30 Sep 2020.

Vancouver:

Mazza J. Graduation Recital, Piano. [Internet] [Thesis]. Duquesne University; 2012. [cited 2020 Sep 30]. Available from: https://dsc.duq.edu/etd/896.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mazza J. Graduation Recital, Piano. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/896

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

12. Kaptein, Mariet. La mer: context en analyse.

Degree: 2007, Universiteit Utrecht

 In het eerste gedeelte van de thesis wordt de context van het orkestwerk La mer van Claude Debussy besproken. Onder andere de relatie van Debussy(more)

Subjects/Keywords: Letteren; Claude Debussy; analyse; muziekwetenschap; La mer

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APA (6th Edition):

Kaptein, M. (2007). La mer: context en analyse. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/23343

Chicago Manual of Style (16th Edition):

Kaptein, Mariet. “La mer: context en analyse.” 2007. Masters Thesis, Universiteit Utrecht. Accessed September 30, 2020. http://dspace.library.uu.nl:8080/handle/1874/23343.

MLA Handbook (7th Edition):

Kaptein, Mariet. “La mer: context en analyse.” 2007. Web. 30 Sep 2020.

Vancouver:

Kaptein M. La mer: context en analyse. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2020 Sep 30]. Available from: http://dspace.library.uu.nl:8080/handle/1874/23343.

Council of Science Editors:

Kaptein M. La mer: context en analyse. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/23343


Princeton University

13. Sarno, Megan Elizabeth. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .

Degree: PhD, 2016, Princeton University

 This dissertation concerns an overlooked and misinterpreted connection in French aesthetics between Symbolist art and the age of Secularism. I argue that as the government… (more)

Subjects/Keywords: Claude Debussy; France; Modernism; Secularization; Symbolism

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APA (6th Edition):

Sarno, M. E. (2016). Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp018910jx06r

Chicago Manual of Style (16th Edition):

Sarno, Megan Elizabeth. “Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .” 2016. Doctoral Dissertation, Princeton University. Accessed September 30, 2020. http://arks.princeton.edu/ark:/88435/dsp018910jx06r.

MLA Handbook (7th Edition):

Sarno, Megan Elizabeth. “Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) .” 2016. Web. 30 Sep 2020.

Vancouver:

Sarno ME. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . [Internet] [Doctoral dissertation]. Princeton University; 2016. [cited 2020 Sep 30]. Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx06r.

Council of Science Editors:

Sarno ME. Symbolism and Catholicism in French Music at the Time of the Separation of Church and State (1888-1925) . [Doctoral Dissertation]. Princeton University; 2016. Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx06r


Virginia Tech

14. Bowman, Daniel Stewart. Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé.

Degree: MA, Foreign Languages, Cultures, and Literatures, 2013, Virginia Tech

 The relationship between music and poetry dramatically changed in France during the nineteenth century.  Music took a prominent place in artistic life, and certain figures… (more)

Subjects/Keywords: Claude Debussy; Stéphane Mallarmé; Richard Wagner; Symbolism

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APA (6th Edition):

Bowman, D. S. (2013). Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/23214

Chicago Manual of Style (16th Edition):

Bowman, Daniel Stewart. “Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé.” 2013. Masters Thesis, Virginia Tech. Accessed September 30, 2020. http://hdl.handle.net/10919/23214.

MLA Handbook (7th Edition):

Bowman, Daniel Stewart. “Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé.” 2013. Web. 30 Sep 2020.

Vancouver:

Bowman DS. Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé. [Internet] [Masters thesis]. Virginia Tech; 2013. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10919/23214.

Council of Science Editors:

Bowman DS. Mouvoir dans l'espace: une esthétique musico-poétique chez Debussy et Mallarmé. [Masters Thesis]. Virginia Tech; 2013. Available from: http://hdl.handle.net/10919/23214

15. Wegberg, Emil. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.

Degree: Classical Music, 2016, Royal College of Music in Stockholm

Claude Debussy Cellosonat Dimitrij Shostakowitch Cellosonat op.40 Felix Mendelssohn-Barthodly Pianotrio nr.1 D-moll op.49 Medeverkande musiker: Emil Wegberg, Cello Katarina Abbas, Violin Leo Gavel, Piano Gerog Öquist, Piano

Subjects/Keywords: Claude Debussy; Impressionism; Cellosonat; Musikanalys; Interpretation

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APA (6th Edition):

Wegberg, E. (2016). Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Thesis, Royal College of Music in Stockholm. Accessed September 30, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Web. 30 Sep 2020.

Vancouver:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Internet] [Thesis]. Royal College of Music in Stockholm; 2016. [cited 2020 Sep 30]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Thesis]. Royal College of Music in Stockholm; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

16. Armstrong, Asher Ian. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.

Degree: 2015, University of Toronto

César Franck (1822-1890) is, for many, a problematic composer. He was born a Belgian, naturalized a Frenchman, but is often cited as an example (musically)… (more)

Subjects/Keywords: catholic; cortot; debussy; d'indy; erotic; Franck; 0413

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APA (6th Edition):

Armstrong, A. I. (2015). The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/69221

Chicago Manual of Style (16th Edition):

Armstrong, Asher Ian. “The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.” 2015. Doctoral Dissertation, University of Toronto. Accessed September 30, 2020. http://hdl.handle.net/1807/69221.

MLA Handbook (7th Edition):

Armstrong, Asher Ian. “The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue.” 2015. Web. 30 Sep 2020.

Vancouver:

Armstrong AI. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/1807/69221.

Council of Science Editors:

Armstrong AI. The Catholic-Christian Masking of César Franck and Alternative Erotic Readings of his Piano Quintet, Violin Sonata, and Prelude, Chorale and Fugue. [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/69221


University of Toronto

17. Chan, Melody Yvonne. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).

Degree: 2015, University of Toronto

The Préludes (1928-1929) of Olivier Messiaen are central works of his early career which have surprisingly received much less attention and recognition than his other… (more)

Subjects/Keywords: Debussy; Messiaen; Piano Music; Préludes; 0413

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APA (6th Edition):

Chan, M. Y. (2015). A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/70860

Chicago Manual of Style (16th Edition):

Chan, Melody Yvonne. “A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).” 2015. Doctoral Dissertation, University of Toronto. Accessed September 30, 2020. http://hdl.handle.net/1807/70860.

MLA Handbook (7th Edition):

Chan, Melody Yvonne. “A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929).” 2015. Web. 30 Sep 2020.

Vancouver:

Chan MY. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/1807/70860.

Council of Science Editors:

Chan MY. A Study of Influence, Structure, and Performance in Messiaen's Préludes (1928-1929). [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/70860


California State University – Northridge

18. Bouffard, Nicole Renee. Love: human experience as expressed in music.

Degree: M.M., Department of Music, 2013, California State University – Northridge

 Music is a form of abstract and essential communication between individuals expressing their emotions, thoughts, troubles and blessings in a way that allows the message… (more)

Subjects/Keywords: Claude Debussy; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Bouffard, N. R. (2013). Love: human experience as expressed in music. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/3252

Chicago Manual of Style (16th Edition):

Bouffard, Nicole Renee. “Love: human experience as expressed in music.” 2013. Masters Thesis, California State University – Northridge. Accessed September 30, 2020. http://hdl.handle.net/10211.2/3252.

MLA Handbook (7th Edition):

Bouffard, Nicole Renee. “Love: human experience as expressed in music.” 2013. Web. 30 Sep 2020.

Vancouver:

Bouffard NR. Love: human experience as expressed in music. [Internet] [Masters thesis]. California State University – Northridge; 2013. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10211.2/3252.

Council of Science Editors:

Bouffard NR. Love: human experience as expressed in music. [Masters Thesis]. California State University – Northridge; 2013. Available from: http://hdl.handle.net/10211.2/3252


University of Cambridge

19. Davies, Benjamin John. Debussy and Stravinsky : friendship and interaction, 1910-1918.

Degree: PhD, 2000, University of Cambridge

Subjects/Keywords: 780; Debussy; Stravinski

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APA (6th Edition):

Davies, B. J. (2000). Debussy and Stravinsky : friendship and interaction, 1910-1918. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822

Chicago Manual of Style (16th Edition):

Davies, Benjamin John. “Debussy and Stravinsky : friendship and interaction, 1910-1918.” 2000. Doctoral Dissertation, University of Cambridge. Accessed September 30, 2020. https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822.

MLA Handbook (7th Edition):

Davies, Benjamin John. “Debussy and Stravinsky : friendship and interaction, 1910-1918.” 2000. Web. 30 Sep 2020.

Vancouver:

Davies BJ. Debussy and Stravinsky : friendship and interaction, 1910-1918. [Internet] [Doctoral dissertation]. University of Cambridge; 2000. [cited 2020 Sep 30]. Available from: https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822.

Council of Science Editors:

Davies BJ. Debussy and Stravinsky : friendship and interaction, 1910-1918. [Doctoral Dissertation]. University of Cambridge; 2000. Available from: https://www.repository.cam.ac.uk/handle/1810/219100 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541822


Louisiana State University

20. Buchanan, Vivian. Evolving Performance Practice of Debussy's Piano Preludes.

Degree: MM, Musicology, 2018, Louisiana State University

  Between 1910 and 1912 Claude Debussy recorded twelve of his solo piano works for the player piano company Welte-Mignon. Although Debussy frequently instructed his… (more)

Subjects/Keywords: Debussy; performance practice; baroque; preludes; piano

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APA (6th Edition):

Buchanan, V. (2018). Evolving Performance Practice of Debussy's Piano Preludes. (Masters Thesis). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_theses/4744

Chicago Manual of Style (16th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Masters Thesis, Louisiana State University. Accessed September 30, 2020. https://digitalcommons.lsu.edu/gradschool_theses/4744.

MLA Handbook (7th Edition):

Buchanan, Vivian. “Evolving Performance Practice of Debussy's Piano Preludes.” 2018. Web. 30 Sep 2020.

Vancouver:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Internet] [Masters thesis]. Louisiana State University; 2018. [cited 2020 Sep 30]. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744.

Council of Science Editors:

Buchanan V. Evolving Performance Practice of Debussy's Piano Preludes. [Masters Thesis]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4744


University of Kansas

21. Wuthiwan, Tharach. Multicultural Influences in Debussy’s Piano Music.

Degree: DMA, Music, 2019, University of Kansas

Debussy has been known for integrating different subjects into his music such as pictures, scenes of nature, poems, and elements from other cultures that leave… (more)

Subjects/Keywords: Music; culture; Debussy; estampes; gamelan; influences; piano

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APA (6th Edition):

Wuthiwan, T. (2019). Multicultural Influences in Debussy’s Piano Music. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/30190

Chicago Manual of Style (16th Edition):

Wuthiwan, Tharach. “Multicultural Influences in Debussy’s Piano Music.” 2019. Doctoral Dissertation, University of Kansas. Accessed September 30, 2020. http://hdl.handle.net/1808/30190.

MLA Handbook (7th Edition):

Wuthiwan, Tharach. “Multicultural Influences in Debussy’s Piano Music.” 2019. Web. 30 Sep 2020.

Vancouver:

Wuthiwan T. Multicultural Influences in Debussy’s Piano Music. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/1808/30190.

Council of Science Editors:

Wuthiwan T. Multicultural Influences in Debussy’s Piano Music. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/30190


Kansas State University

22. Meier, Michael. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 The saxophone is a versatile instrument utilized in a variety of musical styles. Paul Creston’s Concerto for Alto Saxophone and Orchestra, Claude Debussy’s Rhapsodie pour… (more)

Subjects/Keywords: Saxophone; Denisov; Creston; Debussy; Bach; Recital

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APA (6th Edition):

Meier, M. (2017). Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Thesis, Kansas State University. Accessed September 30, 2020. http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Web. 30 Sep 2020.

Vancouver:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Internet] [Thesis]. Kansas State University; 2017. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

23. Zezelj-Gualdi, Danijela. Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy.

Degree: 2014, University of Georgia

 The turbulent period in Europe before and during World War I was one of the main causes of development in the Arts. The old Romantic… (more)

Subjects/Keywords: Janáèek; Leo; Violin Sonata; Debussy; Brahms

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APA (6th Edition):

Zezelj-Gualdi, D. (2014). Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/23295

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zezelj-Gualdi, Danijela. “Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy.” 2014. Thesis, University of Georgia. Accessed September 30, 2020. http://hdl.handle.net/10724/23295.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zezelj-Gualdi, Danijela. “Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy.” 2014. Web. 30 Sep 2020.

Vancouver:

Zezelj-Gualdi D. Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy. [Internet] [Thesis]. University of Georgia; 2014. [cited 2020 Sep 30]. Available from: http://hdl.handle.net/10724/23295.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zezelj-Gualdi D. Leos Janacek's violin sonata and how it compares to the violin sonatas of Brahms and Debussy. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/23295

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Carvalho, Diogo Salmeron. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

Esta dissertação apresenta doze transcrições, realizadas pelo próprio autor, de obras selecionadas de Maurice Ravel e Claude Debussy. A realização das transcrições teve como referencial… (more)

Subjects/Keywords: Debussy; Debussy; guitar; interpretação; interpretation; Ravel; Ravel; repertoire; repertório; transcrição; transcription; violão

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APA (6th Edition):

Carvalho, D. S. (2012). Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;

Chicago Manual of Style (16th Edition):

Carvalho, Diogo Salmeron. “Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.” 2012. Masters Thesis, University of São Paulo. Accessed September 30, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;.

MLA Handbook (7th Edition):

Carvalho, Diogo Salmeron. “Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel.” 2012. Web. 30 Sep 2020.

Vancouver:

Carvalho DS. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Sep 30]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;.

Council of Science Editors:

Carvalho DS. Transcrições para violão: soluções técnico-musicais para interpretação de obras selecionadas de Claude Debussy e Maurice Ravel. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-21052013-112911/ ;

25. Lassauzet, Benjamin. Claude Debussy et l'humour : Claude Debussy and humour.

Degree: Docteur es, Musicologie, 2017, Université de Strasbourg

Claude Debussy n’est pas habituellement un compositeur dont on associe la production musicale à l’humour. Il existe pourtant un Debussy humoriste, trop souvent oublié, qu’il… (more)

Subjects/Keywords: Debussy; Humour; Analyse musicale; Poïesis; Esthesis; Debussy; Humour; Musical analysis; Poïesis; Esthesis; 780.92

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lassauzet, B. (2017). Claude Debussy et l'humour : Claude Debussy and humour. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2017STRAC034

Chicago Manual of Style (16th Edition):

Lassauzet, Benjamin. “Claude Debussy et l'humour : Claude Debussy and humour.” 2017. Doctoral Dissertation, Université de Strasbourg. Accessed September 30, 2020. http://www.theses.fr/2017STRAC034.

MLA Handbook (7th Edition):

Lassauzet, Benjamin. “Claude Debussy et l'humour : Claude Debussy and humour.” 2017. Web. 30 Sep 2020.

Vancouver:

Lassauzet B. Claude Debussy et l'humour : Claude Debussy and humour. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2017. [cited 2020 Sep 30]. Available from: http://www.theses.fr/2017STRAC034.

Council of Science Editors:

Lassauzet B. Claude Debussy et l'humour : Claude Debussy and humour. [Doctoral Dissertation]. Université de Strasbourg; 2017. Available from: http://www.theses.fr/2017STRAC034

26. Socha, Eduardo. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.

Degree: Mestrado, Filosofia, 2009, University of São Paulo

Esta dissertação procura estabelecer uma confrontação teórica entre a filosofia da duração de Henri Bergson e o projeto composicional de Claude Debussy, no que diz… (more)

Subjects/Keywords: Bergson; Bergson; Bergsonismo musical; Debussy; Debussy; Duração; Duration; Forma aberta; Music; Música; Musical bergsonism; Open form; Tempo; Time

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APA (6th Edition):

Socha, E. (2009). Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;

Chicago Manual of Style (16th Edition):

Socha, Eduardo. “Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.” 2009. Masters Thesis, University of São Paulo. Accessed September 30, 2020. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;.

MLA Handbook (7th Edition):

Socha, Eduardo. “Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy.” 2009. Web. 30 Sep 2020.

Vancouver:

Socha E. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Sep 30]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;.

Council of Science Editors:

Socha E. Bergsonismo musical: o tempo em Bergson e a noção de forma aberta em Debussy. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-115117/ ;

27. Kozar Stošič, Tanja. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.

Degree: 2016, Univerza v Mariboru

Impresionizem je obdobje umetnostne smeri s konca 19. stoletja, nastala je kot nekakšna revolucionarna smer, saj je kršila dotedanja pravila, ki so veljala v umetnosti,… (more)

Subjects/Keywords: impresionizem; simbolizem; Debussy; slikarstvo; književnost; glasba; impressionism; symbolism; Debussy; painting; literature; music; info:eu-repo/classification/udc/78.071.1Debussy C.:7.036.2(043.2)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kozar Stošič, T. (2016). USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; https://plus.si.cobiss.net/opac7/bib/21852680?lang=sl

Chicago Manual of Style (16th Edition):

Kozar Stošič, Tanja. “USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.” 2016. Masters Thesis, Univerza v Mariboru. Accessed September 30, 2020. https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; https://plus.si.cobiss.net/opac7/bib/21852680?lang=sl.

MLA Handbook (7th Edition):

Kozar Stošič, Tanja. “USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO.” 2016. Web. 30 Sep 2020.

Vancouver:

Kozar Stošič T. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. [Internet] [Masters thesis]. Univerza v Mariboru; 2016. [cited 2020 Sep 30]. Available from: https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; https://plus.si.cobiss.net/opac7/bib/21852680?lang=sl.

Council of Science Editors:

Kozar Stošič T. USTVARJANJE CLAUDA DEBUSSYJA V POVEZAVI Z IMPRESIONISTIČNIM SLIKARSTVOM IN KNJIŽEVNOSTJO. [Masters Thesis]. Univerza v Mariboru; 2016. Available from: https://dk.um.si/IzpisGradiva.php?id=55606 ; https://dk.um.si/Dokument.php?id=83462&dn= ; https://plus.si.cobiss.net/opac7/bib/21852680?lang=sl


UCLA

28. An, Ji Young. In Search of a Style: French Violin Performance from Franck to Ravel.

Degree: Music, 2013, UCLA

 My dissertation focuses on issues of French sound and style in late nineteenth and early twentieth-century French violin repertoire. As a violinist who studied at… (more)

Subjects/Keywords: Music; Debussy; Franck; French sound; French style; Ravel; violin

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

An, J. Y. (2013). In Search of a Style: French Violin Performance from Franck to Ravel. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1sz059ns

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

An, Ji Young. “In Search of a Style: French Violin Performance from Franck to Ravel.” 2013. Thesis, UCLA. Accessed September 30, 2020. http://www.escholarship.org/uc/item/1sz059ns.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

An, Ji Young. “In Search of a Style: French Violin Performance from Franck to Ravel.” 2013. Web. 30 Sep 2020.

Vancouver:

An JY. In Search of a Style: French Violin Performance from Franck to Ravel. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Sep 30]. Available from: http://www.escholarship.org/uc/item/1sz059ns.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

An JY. In Search of a Style: French Violin Performance from Franck to Ravel. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/1sz059ns

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

29. Pascoal, Maria Lúcia Senna Machado, 1937-. Preludios de Debussy : reflexo e projeção.

Degree: 1989, Universidade Estadual de Campinas

 Abstract: Some musical works may be considered as an homogeneous whole and by studying them in detail, the composer's musical thought will be revealed. One… (more)

Subjects/Keywords: Debussy, Claude, 1862-1918; Música

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pascoal, Maria Lúcia Senna Machado, 1. (1989). Preludios de Debussy : reflexo e projeção. (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pascoal, Maria Lúcia Senna Machado, 1937-. “Preludios de Debussy : reflexo e projeção.” 1989. Thesis, Universidade Estadual de Campinas. Accessed September 30, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pascoal, Maria Lúcia Senna Machado, 1937-. “Preludios de Debussy : reflexo e projeção.” 1989. Web. 30 Sep 2020.

Vancouver:

Pascoal, Maria Lúcia Senna Machado 1. Preludios de Debussy : reflexo e projeção. [Internet] [Thesis]. Universidade Estadual de Campinas; 1989. [cited 2020 Sep 30]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pascoal, Maria Lúcia Senna Machado 1. Preludios de Debussy : reflexo e projeção. [Thesis]. Universidade Estadual de Campinas; 1989. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284333

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

30. Rhodes, Kristen Marie. Charms for Bilitis: The Language of Debussy's Ancient Musical Persona.

Degree: 2015, Penn State University

 Within the eclectic amalgamation of styles in the music of Claude Debussy, a mystical sense of nostalgia permeates his compositional output. Specific musical features evocative… (more)

Subjects/Keywords: Claude Debussy; Bilitis; Trois Chansons de Bilitis; Canope; Ancient Greek music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rhodes, K. M. (2015). Charms for Bilitis: The Language of Debussy's Ancient Musical Persona. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/25431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rhodes, Kristen Marie. “Charms for Bilitis: The Language of Debussy's Ancient Musical Persona.” 2015. Thesis, Penn State University. Accessed September 30, 2020. https://submit-etda.libraries.psu.edu/catalog/25431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rhodes, Kristen Marie. “Charms for Bilitis: The Language of Debussy's Ancient Musical Persona.” 2015. Web. 30 Sep 2020.

Vancouver:

Rhodes KM. Charms for Bilitis: The Language of Debussy's Ancient Musical Persona. [Internet] [Thesis]. Penn State University; 2015. [cited 2020 Sep 30]. Available from: https://submit-etda.libraries.psu.edu/catalog/25431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rhodes KM. Charms for Bilitis: The Language of Debussy's Ancient Musical Persona. [Thesis]. Penn State University; 2015. Available from: https://submit-etda.libraries.psu.edu/catalog/25431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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