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You searched for subject:(David Lynch). Showing records 1 – 30 of 34 total matches.

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Wake Forest University

1. Boyd, Nolan Heyward. Dark Reflections: Fantasy and Duality in the Work of David Lynch.

Degree: 2014, Wake Forest University

 This thesis investigates the sexual construction of Lacanian fantasy in the work of David Lynch. Primary texts include Lynch's films Blue Velvet (1986), Twin Peaks:… (more)

Subjects/Keywords: David Lynch

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APA (6th Edition):

Boyd, N. H. (2014). Dark Reflections: Fantasy and Duality in the Work of David Lynch. (Thesis). Wake Forest University. Retrieved from http://hdl.handle.net/10339/39311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boyd, Nolan Heyward. “Dark Reflections: Fantasy and Duality in the Work of David Lynch.” 2014. Thesis, Wake Forest University. Accessed October 20, 2020. http://hdl.handle.net/10339/39311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boyd, Nolan Heyward. “Dark Reflections: Fantasy and Duality in the Work of David Lynch.” 2014. Web. 20 Oct 2020.

Vancouver:

Boyd NH. Dark Reflections: Fantasy and Duality in the Work of David Lynch. [Internet] [Thesis]. Wake Forest University; 2014. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10339/39311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boyd NH. Dark Reflections: Fantasy and Duality in the Work of David Lynch. [Thesis]. Wake Forest University; 2014. Available from: http://hdl.handle.net/10339/39311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

2. Cartwright, Garth. 'We live inside a dream': Ideology and Utopia in the Films of David Lynch .

Degree: 2011, University of Otago

 In this thesis I contribute a political reading of David Lynch’s films. To do so I employ a mode of ideological analysis that draws explicitly… (more)

Subjects/Keywords: David Lynch; Fredric Jameson

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APA (6th Edition):

Cartwright, G. (2011). 'We live inside a dream': Ideology and Utopia in the Films of David Lynch . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/2011

Chicago Manual of Style (16th Edition):

Cartwright, Garth. “'We live inside a dream': Ideology and Utopia in the Films of David Lynch .” 2011. Doctoral Dissertation, University of Otago. Accessed October 20, 2020. http://hdl.handle.net/10523/2011.

MLA Handbook (7th Edition):

Cartwright, Garth. “'We live inside a dream': Ideology and Utopia in the Films of David Lynch .” 2011. Web. 20 Oct 2020.

Vancouver:

Cartwright G. 'We live inside a dream': Ideology and Utopia in the Films of David Lynch . [Internet] [Doctoral dissertation]. University of Otago; 2011. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10523/2011.

Council of Science Editors:

Cartwright G. 'We live inside a dream': Ideology and Utopia in the Films of David Lynch . [Doctoral Dissertation]. University of Otago; 2011. Available from: http://hdl.handle.net/10523/2011


University of Iceland

3. Elfur Hildisif Hermannsdóttir 1983-. Birtingarmyndir hins óhugnanlega í verkum David Lynch .

Degree: 2012, University of Iceland

 Í ritgerðinni fjalla ég um hugtak sem nefnt hefur verið hið óhugnanlega eða óheimilislega (enska: the uncanny, þýska: das unheimliche), tilurð þess, skilgreiningu og þróun… (more)

Subjects/Keywords: Listfræði; Lynch, David, 1946-; Kvikmyndaleikstjórar

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APA (6th Edition):

1983-, E. H. H. (2012). Birtingarmyndir hins óhugnanlega í verkum David Lynch . (Thesis). University of Iceland. Retrieved from http://hdl.handle.net/1946/12895

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1983-, Elfur Hildisif Hermannsdóttir. “Birtingarmyndir hins óhugnanlega í verkum David Lynch .” 2012. Thesis, University of Iceland. Accessed October 20, 2020. http://hdl.handle.net/1946/12895.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1983-, Elfur Hildisif Hermannsdóttir. “Birtingarmyndir hins óhugnanlega í verkum David Lynch .” 2012. Web. 20 Oct 2020.

Vancouver:

1983- EHH. Birtingarmyndir hins óhugnanlega í verkum David Lynch . [Internet] [Thesis]. University of Iceland; 2012. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/1946/12895.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1983- EHH. Birtingarmyndir hins óhugnanlega í verkum David Lynch . [Thesis]. University of Iceland; 2012. Available from: http://hdl.handle.net/1946/12895

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Chile

4. Miranda Colleir, Christian. La estética de lo abismal en el cine de David Lynch.

Degree: 2010, Universidad de Chile

 l trabajo teórico que se desarrolla a continuación pretende abordar la posibilidad de pensar una estética de lo abismal a partir de la filmografía de… (more)

Subjects/Keywords: Lynch, David, 1946-; Cine – Estética

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APA (6th Edition):

Miranda Colleir, C. (2010). La estética de lo abismal en el cine de David Lynch. (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/101270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miranda Colleir, Christian. “La estética de lo abismal en el cine de David Lynch.” 2010. Thesis, Universidad de Chile. Accessed October 20, 2020. http://repositorio.uchile.cl/handle/2250/101270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miranda Colleir, Christian. “La estética de lo abismal en el cine de David Lynch.” 2010. Web. 20 Oct 2020.

Vancouver:

Miranda Colleir C. La estética de lo abismal en el cine de David Lynch. [Internet] [Thesis]. Universidad de Chile; 2010. [cited 2020 Oct 20]. Available from: http://repositorio.uchile.cl/handle/2250/101270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miranda Colleir C. La estética de lo abismal en el cine de David Lynch. [Thesis]. Universidad de Chile; 2010. Available from: http://repositorio.uchile.cl/handle/2250/101270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Dalleu, Estelle. David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality.

Degree: Docteur es, Arts du spectacle, 2013, Université de Strasbourg

L'oralité a une existence visuelle et sonore récurrente chez David Lynch. Fil conducteur de la relation entre le son et l'image, elle constitue probablement le… (more)

Subjects/Keywords: David Lynch; Cinéma; Oralité; Visage; Bouche; Voix / Bruits / Musique; Relation image-son; Arts visuels; 791.43

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dalleu, E. (2013). David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2013STRAC006

Chicago Manual of Style (16th Edition):

Dalleu, Estelle. “David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality.” 2013. Doctoral Dissertation, Université de Strasbourg. Accessed October 20, 2020. http://www.theses.fr/2013STRAC006.

MLA Handbook (7th Edition):

Dalleu, Estelle. “David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality.” 2013. Web. 20 Oct 2020.

Vancouver:

Dalleu E. David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2013. [cited 2020 Oct 20]. Available from: http://www.theses.fr/2013STRAC006.

Council of Science Editors:

Dalleu E. David Lynch, cinéaste de l'oralité : David Lynch, filmmaker of orality. [Doctoral Dissertation]. Université de Strasbourg; 2013. Available from: http://www.theses.fr/2013STRAC006


Universidade de Lisboa

6. Bichão, Sara Coelho, 1986-. Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin.

Degree: 2011, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2011

The research contained in this theoretical/practical thesis aims to clarify and reinforce some… (more)

Subjects/Keywords: Lynch, David, 1946-; Barney, Matthew, 1964-; Martin, Agnes, 1912-2004; Intuição; Verdade; Crença; Pintura

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APA (6th Edition):

Bichão, Sara Coelho, 1. (2011). Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bichão, Sara Coelho, 1986-. “Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin.” 2011. Thesis, Universidade de Lisboa. Accessed October 20, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bichão, Sara Coelho, 1986-. “Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin.” 2011. Web. 20 Oct 2020.

Vancouver:

Bichão, Sara Coelho 1. Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin. [Internet] [Thesis]. Universidade de Lisboa; 2011. [cited 2020 Oct 20]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bichão, Sara Coelho 1. Open gates : (pre)sentimentos de um caminho : David Lynch, Matthew Barney, Agnes Martin. [Thesis]. Universidade de Lisboa; 2011. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/2532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Humboldt State University

7. Gunderson, Daniel. That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse.

Degree: 2015, Humboldt State University

 In this project I analyze David Lynch and Mark Frost???s television series Twin Peaks, with special focus on the presence of a ???spectral??? Native American… (more)

Subjects/Keywords: Bergland; Renee; Lynch; David; Native Americans in literature; Supernatural in literature; Twin Peaks

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APA (6th Edition):

Gunderson, D. (2015). That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse. (Thesis). Humboldt State University. Retrieved from http://hdl.handle.net/10211.3/143266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gunderson, Daniel. “That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse.” 2015. Thesis, Humboldt State University. Accessed October 20, 2020. http://hdl.handle.net/10211.3/143266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gunderson, Daniel. “That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse.” 2015. Web. 20 Oct 2020.

Vancouver:

Gunderson D. That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse. [Internet] [Thesis]. Humboldt State University; 2015. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10211.3/143266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gunderson D. That which refuses to stay buried: Twin Peaks and the spectral Native of American discourse. [Thesis]. Humboldt State University; 2015. Available from: http://hdl.handle.net/10211.3/143266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


North-West University

8. Geldenhuys, Emile Leonard. The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys.

Degree: 2013, North-West University

 The filmic oeuvre of auteur director David Lynch has a reputation among average spectators as being too “difficult” to understand. In particular, the Lynch films… (more)

Subjects/Keywords: Transtextual detective; metaphysical detective film; spectator theory; David Lynch; Lost Highway; Mulholland Drive; identity

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APA (6th Edition):

Geldenhuys, E. L. (2013). The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys. (Thesis). North-West University. Retrieved from http://hdl.handle.net/10394/9657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Geldenhuys, Emile Leonard. “The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys. ” 2013. Thesis, North-West University. Accessed October 20, 2020. http://hdl.handle.net/10394/9657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Geldenhuys, Emile Leonard. “The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys. ” 2013. Web. 20 Oct 2020.

Vancouver:

Geldenhuys EL. The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys. [Internet] [Thesis]. North-West University; 2013. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10394/9657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Geldenhuys EL. The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys. [Thesis]. North-West University; 2013. Available from: http://hdl.handle.net/10394/9657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

9. Bugaj, Malgorzata. Visceral material : cinematic bodies on screen.

Degree: PhD, 2014, University of Edinburgh

 This thesis investigates cinema’s attempts to engage in a dialogue with the trace of the physical body. My concern is with the on-screen presentation of… (more)

Subjects/Keywords: 791.43; cinema; film; body; hapticity; medical; haptic; Lynch; David; Cronenberg; David; Sobchack; Vivian; Pálfi; György; Tsangari; Athina Rachel

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APA (6th Edition):

Bugaj, M. (2014). Visceral material : cinematic bodies on screen. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/10653

Chicago Manual of Style (16th Edition):

Bugaj, Malgorzata. “Visceral material : cinematic bodies on screen.” 2014. Doctoral Dissertation, University of Edinburgh. Accessed October 20, 2020. http://hdl.handle.net/1842/10653.

MLA Handbook (7th Edition):

Bugaj, Malgorzata. “Visceral material : cinematic bodies on screen.” 2014. Web. 20 Oct 2020.

Vancouver:

Bugaj M. Visceral material : cinematic bodies on screen. [Internet] [Doctoral dissertation]. University of Edinburgh; 2014. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/1842/10653.

Council of Science Editors:

Bugaj M. Visceral material : cinematic bodies on screen. [Doctoral Dissertation]. University of Edinburgh; 2014. Available from: http://hdl.handle.net/1842/10653

10. Clerc, Adrien. William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination.

Degree: Docteur es, Etudes cinématographiques, 2015, Aix Marseille Université

Cette thèse est une étude approfondie du rapport de William S. Burroughs au cinéma. William S. Burroughs, en collaboration avec Antony Balch, a produit entre… (more)

Subjects/Keywords: William S. Burroughs; Cinéma; Beat Generation; Adaptation; Antony Balch; David Lynch; David Cronenberg; Gus Van Sant; Contre-Culture; William S. Burroughs; Cinema; Beat Generation; Adaptation; Antony Balch; David Lynch; David Cronenberg; Gus Van Sant; Counter-Culture

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APA (6th Edition):

Clerc, A. (2015). William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3067

Chicago Manual of Style (16th Edition):

Clerc, Adrien. “William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination.” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed October 20, 2020. http://www.theses.fr/2015AIXM3067.

MLA Handbook (7th Edition):

Clerc, Adrien. “William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination.” 2015. Web. 20 Oct 2020.

Vancouver:

Clerc A. William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination. [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2020 Oct 20]. Available from: http://www.theses.fr/2015AIXM3067.

Council of Science Editors:

Clerc A. William S. Burroughs et le cinéma : expérimentations, présences, contaminations : William Burroughs and cinema : experimentations, presences, contamination. [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3067

11. Guieu, Julien. Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s.

Degree: Docteur es, Etudes du monde anglophone, 2012, Université Sorbonne Nouvelle – Paris III

Plusieurs films américains des années 2000 (Mulholland Drive et INLAND EMPIRE de David Lynch, The Virgin Suicides de Sofia Coppola, Memento de Christopher Nolan, The… (more)

Subjects/Keywords: Indice; Cinéma policier; Roman policier; Postmodernisme; Sofia Coppola; David Fincher; Jim Jarmusch; David Lynch; Christopher Nolan; Sean Penn; Clue; Detective film; Detective fiction; Postmodernism; Sofia Coppola; David Fincher; Jim Jarmusch; David Lynch; Christopher Nolan; Sean Penn; 791.43

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guieu, J. (2012). Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030141

Chicago Manual of Style (16th Edition):

Guieu, Julien. “Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed October 20, 2020. http://www.theses.fr/2012PA030141.

MLA Handbook (7th Edition):

Guieu, Julien. “Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s.” 2012. Web. 20 Oct 2020.

Vancouver:

Guieu J. Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2020 Oct 20]. Available from: http://www.theses.fr/2012PA030141.

Council of Science Editors:

Guieu J. Esthétiques de l'indice dans le cinéma américain des années 2000 : Aesthetics of the Clue in the American Cinema of the 2000s. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030141


Universidade do Estado do Rio de Janeiro

12. Marcílio Machado Pereira. Caminhos contemporâneos Cortázar e outros destruidores de bússolas.

Degree: PhD, 2010, Universidade do Estado do Rio de Janeiro

A presente tese se ocupa de uma vertente da literatura e do cinema contemporâneos, especialmente do escritor Julio Cortázar e do cineasta David Lynch, que:… (more)

Subjects/Keywords: LITERATURA COMPARADA; Julio Cortázar; David Lynch; Estratégias antiilusionistas; Jogo; Absurdo; Anti-illusionist strategies; Play; Nonsense; Lynch, David, 1946- Crítica e interpretação; Cortazar, Julio, 1914-1984 Crítica e interpretação; Cortazar, Julio, 1914-1984 Estilo literário; Análise do discurso narrativo; Cortazar, Julio, 1914-1984 - Estética; Ficção fantástica; Lynch, David, 1946- - Estética

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APA (6th Edition):

Pereira, M. M. (2010). Caminhos contemporâneos Cortázar e outros destruidores de bússolas. (Doctoral Dissertation). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2691 ;

Chicago Manual of Style (16th Edition):

Pereira, Marcílio Machado. “Caminhos contemporâneos Cortázar e outros destruidores de bússolas.” 2010. Doctoral Dissertation, Universidade do Estado do Rio de Janeiro. Accessed October 20, 2020. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2691 ;.

MLA Handbook (7th Edition):

Pereira, Marcílio Machado. “Caminhos contemporâneos Cortázar e outros destruidores de bússolas.” 2010. Web. 20 Oct 2020.

Vancouver:

Pereira MM. Caminhos contemporâneos Cortázar e outros destruidores de bússolas. [Internet] [Doctoral dissertation]. Universidade do Estado do Rio de Janeiro; 2010. [cited 2020 Oct 20]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2691 ;.

Council of Science Editors:

Pereira MM. Caminhos contemporâneos Cortázar e outros destruidores de bússolas. [Doctoral Dissertation]. Universidade do Estado do Rio de Janeiro; 2010. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2691 ;


Queensland University of Technology

13. Robinson, Kynan. The making and placing of The Escalators.

Degree: 2009, Queensland University of Technology

 The band The Escalators together with the music uniquely composed for it and a subsequent CD and DVDs was the work that emerged from my… (more)

Subjects/Keywords: The Escalators; Kynan Robinson; sampling; stasis; minimalism; David Lynch; structured improvisation; memory; rule based composition; Australian music; improvising music; linear composition

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APA (6th Edition):

Robinson, K. (2009). The making and placing of The Escalators. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/37299/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Kynan. “The making and placing of The Escalators.” 2009. Thesis, Queensland University of Technology. Accessed October 20, 2020. https://eprints.qut.edu.au/37299/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Kynan. “The making and placing of The Escalators.” 2009. Web. 20 Oct 2020.

Vancouver:

Robinson K. The making and placing of The Escalators. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2020 Oct 20]. Available from: https://eprints.qut.edu.au/37299/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson K. The making and placing of The Escalators. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/37299/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Notre Dame

14. Brett Christopher Paice. Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>.

Degree: English, 2009, University of Notre Dame

  POSTMODERN AMERICAN GOTHIC: THE POLITICS OF FEAR IN THE WORKS OF THOMAS PYNCHON, DAVID LYNCH, AND STEVE ERICKSON Abstract by Brett Paice Whereas the… (more)

Subjects/Keywords: postmodern; Thomas Pynchon; David Lynch; Steve Erickson; gothic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paice, B. C. (2009). Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/bg257d29b61

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paice, Brett Christopher. “Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>.” 2009. Thesis, University of Notre Dame. Accessed October 20, 2020. https://curate.nd.edu/show/bg257d29b61.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paice, Brett Christopher. “Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>.” 2009. Web. 20 Oct 2020.

Vancouver:

Paice BC. Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>. [Internet] [Thesis]. University of Notre Dame; 2009. [cited 2020 Oct 20]. Available from: https://curate.nd.edu/show/bg257d29b61.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paice BC. Postmodern American Gothic: The Politics of Fear in the Works of Thomas Pynchon, David Lynch, and Steve Erickson</h1>. [Thesis]. University of Notre Dame; 2009. Available from: https://curate.nd.edu/show/bg257d29b61

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Carusi, Rahna M. Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought.

Degree: PhD, English, 2012, Georgia State University

  My dissertation looks at the connections between Lacan’s four discourses and the sexuation graph in order to claim that sexuation is discursive and that,… (more)

Subjects/Keywords: David Foster Wallace; David Lynch; Discourse; Feminism; Psychoanalysis; Sexual Difference

…99 3.10 David Foster Wallace’s Brief Interviews with Hideous Men: The Masculine Symptom… …217 viii 5.6 The Flat Plane of Immanence: An Hysterical Reading of David Lynch’s Inland… …he comes in at number thirtyfour. 11 Cf. David M. Halperin, Saint Foucault: Towards a Gay… 

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APA (6th Edition):

Carusi, R. M. (2012). Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/99

Chicago Manual of Style (16th Edition):

Carusi, Rahna M. “Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought.” 2012. Doctoral Dissertation, Georgia State University. Accessed October 20, 2020. https://scholarworks.gsu.edu/english_diss/99.

MLA Handbook (7th Edition):

Carusi, Rahna M. “Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought.” 2012. Web. 20 Oct 2020.

Vancouver:

Carusi RM. Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2020 Oct 20]. Available from: https://scholarworks.gsu.edu/english_diss/99.

Council of Science Editors:

Carusi RM. Imagining Woman Otherwise, or Nothing: Sexuation as Discourse in Lacanian Thought. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/english_diss/99


Brno University of Technology

16. Semela, Ladislav. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.

Degree: 2019, Brno University of Technology

 The design of the new stage of the Slovene National Theatre in Ljubljana adheres to, among other things, the motto of the “TACE” (Theatre Architecture… (more)

Subjects/Keywords: Slovinské Národní divadlo; Lublaň; Slovinsko; Diplomní projekt; Josip Plečnik; experimentální scéna; jeviště; hlediště; foyer; performance; Litracon; Twin Peaks; David Lynch; červený pokoj; černý vigvam; Slovene National Theatre; Ljubljana; Slovenia; The black wigwam; master's thesis; Josip Plecnik; experimental stage; foyer; performance; LitraCon; Twinpeaks; David Lynch; The red room

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APA (6th Edition):

Semela, L. (2019). Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/74949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Semela, Ladislav. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Thesis, Brno University of Technology. Accessed October 20, 2020. http://hdl.handle.net/11012/74949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Semela, Ladislav. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Web. 20 Oct 2020.

Vancouver:

Semela L. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/11012/74949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Semela L. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/74949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

17. Bradfield, Erin Cecilia. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.

Degree: PhD, Philosophy, 2012, Vanderbilt University

 Innovations in aesthetic and linguistic expression contribute to the expansion of communication and culture, yet these innovations in expression are often the target of censure.… (more)

Subjects/Keywords: Gordon Matta-Clark; Andy Warhol; David Lynch; aura; counterpublic; subculture; cult; avant-garde; community; wing clipping; taste; genius; Nietzsche; Wittgenstein; Kant; Nancy Fraser; Walter Benjamin; Marcel Duchamp

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APA (6th Edition):

Bradfield, E. C. (2012). Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/13177

Chicago Manual of Style (16th Edition):

Bradfield, Erin Cecilia. “Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.” 2012. Doctoral Dissertation, Vanderbilt University. Accessed October 20, 2020. http://hdl.handle.net/1803/13177.

MLA Handbook (7th Edition):

Bradfield, Erin Cecilia. “Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.” 2012. Web. 20 Oct 2020.

Vancouver:

Bradfield EC. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. [Internet] [Doctoral dissertation]. Vanderbilt University; 2012. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/1803/13177.

Council of Science Editors:

Bradfield EC. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. [Doctoral Dissertation]. Vanderbilt University; 2012. Available from: http://hdl.handle.net/1803/13177


Stockholm University

18. Pontén, Joon. The final final final cut : Fan edits och hur de samverkar med filmindustrin.

Degree: Media Studies, 2011, Stockholm University

  Begreppet ”fan edits” betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min… (more)

Subjects/Keywords: Fan edit; fan fiction; fan films; Star Wars; Lord of the Rings; A.I.; Kubrick; George Lucas; Lucasfilm; Tolkien; David Lynch; Dune; fair use; copyright

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APA (6th Edition):

Pontén, J. (2011). The final final final cut : Fan edits och hur de samverkar med filmindustrin. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pontén, Joon. “The final final final cut : Fan edits och hur de samverkar med filmindustrin.” 2011. Thesis, Stockholm University. Accessed October 20, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pontén, Joon. “The final final final cut : Fan edits och hur de samverkar med filmindustrin.” 2011. Web. 20 Oct 2020.

Vancouver:

Pontén J. The final final final cut : Fan edits och hur de samverkar med filmindustrin. [Internet] [Thesis]. Stockholm University; 2011. [cited 2020 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pontén J. The final final final cut : Fan edits och hur de samverkar med filmindustrin. [Thesis]. Stockholm University; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Barroso, Ana Paula Machado. Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas.

Degree: 2007, Universidade Aberta

 Abstract - This dissertation aims to explore the different meanings of the different spaces within the film Mulholland Drive, by David Lynch. The starting point… (more)

Subjects/Keywords: Cultura americana; American culture; Cinema; David Lynch; Space; City; Reality; Ilusion; Dream; Memory

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APA (6th Edition):

Barroso, A. P. M. (2007). Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas. (Masters Thesis). Universidade Aberta. Retrieved from http://hdl.handle.net/10400.2/544

Chicago Manual of Style (16th Edition):

Barroso, Ana Paula Machado. “Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas.” 2007. Masters Thesis, Universidade Aberta. Accessed October 20, 2020. http://hdl.handle.net/10400.2/544.

MLA Handbook (7th Edition):

Barroso, Ana Paula Machado. “Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas.” 2007. Web. 20 Oct 2020.

Vancouver:

Barroso APM. Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas. [Internet] [Masters thesis]. Universidade Aberta; 2007. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10400.2/544.

Council of Science Editors:

Barroso APM. Transfigurações da cidade no cinema Mulholland Drive : o espaço como registo referencial de sonhos, de memórias e de fantasmas. [Masters Thesis]. Universidade Aberta; 2007. Available from: http://hdl.handle.net/10400.2/544


Massey University

20. McQuillan, Heather. Where oceans meet : subjunctivity in flash fiction.

Degree: Masters, Creative Writing, 2018, Massey University

 Constrained by a limited word count, the writer of flash fiction is compelled to distil a story experience into a small space. The relationship between… (more)

Subjects/Keywords: Davis, Lydia; Fish; Lynch, David Mellerick; Lunar deep; McMillan, Frankie; When gorillas sleep; Saunders, George; Sticks; Criticism and interpretation; Flash fiction; History and criticism; Technique; Flash fiction, New Zealand

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APA (6th Edition):

McQuillan, H. (2018). Where oceans meet : subjunctivity in flash fiction. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/15121

Chicago Manual of Style (16th Edition):

McQuillan, Heather. “Where oceans meet : subjunctivity in flash fiction.” 2018. Masters Thesis, Massey University. Accessed October 20, 2020. http://hdl.handle.net/10179/15121.

MLA Handbook (7th Edition):

McQuillan, Heather. “Where oceans meet : subjunctivity in flash fiction.” 2018. Web. 20 Oct 2020.

Vancouver:

McQuillan H. Where oceans meet : subjunctivity in flash fiction. [Internet] [Masters thesis]. Massey University; 2018. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10179/15121.

Council of Science Editors:

McQuillan H. Where oceans meet : subjunctivity in flash fiction. [Masters Thesis]. Massey University; 2018. Available from: http://hdl.handle.net/10179/15121


University of Vienna

21. Sulek, Nadja. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.

Degree: 2009, University of Vienna

 Eine Traumsequenz charakterisiert sich durch ein zentrales Thema bzw. einen Wunsch. Meist stellt Lynch dieses Zentraltopik innerhalb der ersten 15 Minuten der Filmdauer vor. Die… (more)

Subjects/Keywords: 24.37 Film: Sonstiges; 24.31 Systematische Filmwissenschaft; 24.34 Filmgattungen, Filmsparten; Film / Lynch, David / Filmpsychologie / Filmrezeption / Traum / Trauma / Traumfilm / Trauma-Kino / Psychoanalyse; film / Lynch, David / film psychology / film reception / dream / trauma / dream film / trauma cinema / psychoanalysis

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APA (6th Edition):

Sulek, N. (2009). Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/4080/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sulek, Nadja. “Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.” 2009. Thesis, University of Vienna. Accessed October 20, 2020. http://othes.univie.ac.at/4080/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sulek, Nadja. “Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.” 2009. Web. 20 Oct 2020.

Vancouver:

Sulek N. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Oct 20]. Available from: http://othes.univie.ac.at/4080/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sulek N. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/4080/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

22. Rogério Ferraraz. O cinema limítrofe de David Lynch.

Degree: 2003, Pontifícia Universidade Católica de São Paulo

This dissertation is a survey of the films by the American director David Lynch in order to elucidate bis ethical and aesthetic concerns. His films… (more)

Subjects/Keywords: Cinema de autor; Lynch, David 1946-  – Critica e interpretacao; Cinema de genero; Cinema norte-americano; Comunicacao e Semiotica; COMUNICACAO

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APA (6th Edition):

Ferraraz, R. (2003). O cinema limítrofe de David Lynch. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferraraz, Rogério. “O cinema limítrofe de David Lynch.” 2003. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed October 20, 2020. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferraraz, Rogério. “O cinema limítrofe de David Lynch.” 2003. Web. 20 Oct 2020.

Vancouver:

Ferraraz R. O cinema limítrofe de David Lynch. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2003. [cited 2020 Oct 20]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferraraz R. O cinema limítrofe de David Lynch. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2003. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=5964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

23. Lateef, Fehraz Aaron. High fashion.

Degree: 2010, Queensland University of Technology

 High Fashion is a practice-led research enquiry that examines the processes involved in producing a no-budget film of high aesthetic standards that can confidently compete… (more)

Subjects/Keywords: DV, video, fashion, twist, DV25, HD, Avid, producing, crewing, casting, film look, progressive, interlaced, deinterlace, motion effects, Robert Rodriguez, no budget filmmaking, digital filmmaking, post production, sound design, short film, Australian film; video editing, David Lynch, high fashion, Mike Figgis, Fluidmotion

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APA (6th Edition):

Lateef, F. A. (2010). High fashion. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/31818/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lateef, Fehraz Aaron. “High fashion.” 2010. Thesis, Queensland University of Technology. Accessed October 20, 2020. https://eprints.qut.edu.au/31818/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lateef, Fehraz Aaron. “High fashion.” 2010. Web. 20 Oct 2020.

Vancouver:

Lateef FA. High fashion. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2020 Oct 20]. Available from: https://eprints.qut.edu.au/31818/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lateef FA. High fashion. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/31818/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

24. Tavares, Rita Costa, 1990-. Uma raposa no jardim : da fotografia e do onírico.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2014

Going through three distinct paths, Visual Arts/Photography, the invention of the Essay and… (more)

Subjects/Keywords: Warburg, Aby, 1866-1929; Lynch, David, 1946-; Tarkovsky, Andrei, 1932-1986; Marker, Chris, 1921-; Blaufuks, Daniel, 1963-; Mekas, Jonas; Principe, André, 1976-; Benjamin, Walter, 1892-1940; Lispector, Clarice, 1925-1977; Fotografia; Arquivo; Memória; Onirismo

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APA (6th Edition):

Tavares, Rita Costa, 1. (2014). Uma raposa no jardim : da fotografia e do onírico. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Thesis, Universidade de Lisboa. Accessed October 20, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Web. 20 Oct 2020.

Vancouver:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2020 Oct 20]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

25. Huber, Manuel. Selbstreferentialität und Paradoxie.

Degree: 2009, University of Vienna

 Medien beziehen sich immer mehr auf Medien – so die aktuell weit verbreitete These in der Publizistik-, Kommunikations- und Medienwissenschaft. Der Begriff der Selbstreferentialität, welcher… (more)

Subjects/Keywords: 05.02 Kommunikationstheorie; 05.39 Massenkommunikation, Massenmedien: Sonstiges; 08.32 Erkenntnistheorie; 24.37 Film: Sonstiges; Selbstreferentialität / Paradoxie / Konstruktivismus / Systemtheorie / Beobachtung / Medientheorie / David Lynch

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APA (6th Edition):

Huber, M. (2009). Selbstreferentialität und Paradoxie. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/5720/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huber, Manuel. “Selbstreferentialität und Paradoxie.” 2009. Thesis, University of Vienna. Accessed October 20, 2020. http://othes.univie.ac.at/5720/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huber, Manuel. “Selbstreferentialität und Paradoxie.” 2009. Web. 20 Oct 2020.

Vancouver:

Huber M. Selbstreferentialität und Paradoxie. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Oct 20]. Available from: http://othes.univie.ac.at/5720/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huber M. Selbstreferentialität und Paradoxie. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/5720/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Karlsson, Maria. Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask.

Degree: Humanities (HUM), 2013, Halmstad University

  Många individer är inte accepterade i samhället på grund av att de avviker. Detta är ett stort problem då de riskerar utanförskap och sämre… (more)

Subjects/Keywords: avvikande individ; identitet; samspel; The Elephant Man; Mask; David Lynch; Peter Bogdanovich

Lynch å andra sidan kanske ville skapa en mystik för att först överraska och sedan långsamt… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Karlsson, M. (2013). Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask. (Thesis). Halmstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21346

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karlsson, Maria. “Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask.” 2013. Thesis, Halmstad University. Accessed October 20, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21346.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karlsson, Maria. “Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask.” 2013. Web. 20 Oct 2020.

Vancouver:

Karlsson M. Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask. [Internet] [Thesis]. Halmstad University; 2013. [cited 2020 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21346.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karlsson M. Den Avvikande Individen: Identitet och Samspel : En analys av The Elephant Man och Mask. [Thesis]. Halmstad University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21346

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Valthersson, Jonas. David Lynch och fotografiet : The Factory Photographs.

Degree: Music and Art, 2018, Linnaeus University

  Studiens syfte är att genom semiotisk analysmetod och fototeori, om fotografiet som medium, försöka tolka David Lynchs fotografiska bildspråk i en motivanalys av två… (more)

Subjects/Keywords: David Lynch; The Factory Photographs; photography; surrealism; Visual Arts; Bildkonst; Art History; Konstvetenskap

…några urval av Lynchs övriga produktion. 12 2 Huvudtext 2.1 Bakgrund David Keith Lynch född… …expositionen 2014. 23 24 25 YouTube, ”David Lynch In Conversation,” hämtad 181218. https://youtu.be… …Fotografierna och semiotik I. David Lynch, Untitled (Łódź), 2000, fotografi.26 Det… …hjälp på traven åt perceptionen. 16 II. David Lynch, Untitled (Łódź), 2000… …utställningskatalogen. 61 62 Ibid, 100. Ibid, 111ff. 23 III-IV. David Lynch, Untitled (Łódź)… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Valthersson, J. (2018). David Lynch och fotografiet : The Factory Photographs. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-81313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valthersson, Jonas. “David Lynch och fotografiet : The Factory Photographs.” 2018. Thesis, Linnaeus University. Accessed October 20, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-81313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valthersson, Jonas. “David Lynch och fotografiet : The Factory Photographs.” 2018. Web. 20 Oct 2020.

Vancouver:

Valthersson J. David Lynch och fotografiet : The Factory Photographs. [Internet] [Thesis]. Linnaeus University; 2018. [cited 2020 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-81313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valthersson J. David Lynch och fotografiet : The Factory Photographs. [Thesis]. Linnaeus University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-81313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Finley, Ethan Andrew. In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway.

Degree: MA, Comparative Studies, 2013, The Ohio State University

 The film art of David Lynch is undoubtedly some of the most bizarre, mysterious, and difficult being made by an American filmmaker. As such numerous… (more)

Subjects/Keywords: Film Studies; Comparative; Freud; dreams; psychoanalysis; David Lynch; Mulholland Dr; Lost Highway

…the film’s of David Lynch. The primary components of dreams are the manifest dream, latent… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Finley, E. A. (2013). In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1385495386

Chicago Manual of Style (16th Edition):

Finley, Ethan Andrew. “In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway.” 2013. Masters Thesis, The Ohio State University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1385495386.

MLA Handbook (7th Edition):

Finley, Ethan Andrew. “In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway.” 2013. Web. 20 Oct 2020.

Vancouver:

Finley EA. In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway. [Internet] [Masters thesis]. The Ohio State University; 2013. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1385495386.

Council of Science Editors:

Finley EA. In Dreams: A Freudian Analysis of David Lynch’s Mulholland Dr. and Lost Highway. [Masters Thesis]. The Ohio State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1385495386


Université Laval

29. Tisseur, Pierre. Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma.

Degree: 2010, Université Laval

 Cet essai tente de démontrer que les concepts freudiens de condensation et de déplacement qui caractérisent le travail du rêve peuvent également être associé au… (more)

Subjects/Keywords: PS 8011.5 UL 2010 T614; Fellini, Federico,  – Thèmes, motifs; Bergman, Ingmar, 1918-2007  – Thèmes, motifs; Lynch, David,  – réalisateur  – Thèmes, motifs; Rêves au cinéma

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tisseur, P. (2010). Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma. (Thesis). Université Laval. Retrieved from http://hdl.handle.net/20.500.11794/21665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tisseur, Pierre. “Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma.” 2010. Thesis, Université Laval. Accessed October 20, 2020. http://hdl.handle.net/20.500.11794/21665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tisseur, Pierre. “Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma.” 2010. Web. 20 Oct 2020.

Vancouver:

Tisseur P. Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma. [Internet] [Thesis]. Université Laval; 2010. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/20.500.11794/21665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tisseur P. Coulisses : scénario original ; suivi de Condensation et déplacement dans l'onirisme au cinéma. [Thesis]. Université Laval; 2010. Available from: http://hdl.handle.net/20.500.11794/21665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Birkholz, Emma. På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar .

Degree: Culture and History, 2008, Södertörn University College

  This is a study of the novel Mes mauvaises pensées (2005) by the French writer Nina Bouraoui. I use an intertextual comparative method, where… (more)

Subjects/Keywords: Nina Bouraoui; Marie Cardinal; Hervé Guibert; David Lynch; Julia Kristeva; Freud; Judith Butler; Hélène Cixous; écriture féminine; melankoli; exil; psykoanalys; Literature; Litteraturvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Birkholz, E. (2008). På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar . (Thesis). Södertörn University College. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Birkholz, Emma. “På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar .” 2008. Thesis, Södertörn University College. Accessed October 20, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Birkholz, Emma. “På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar .” 2008. Web. 20 Oct 2020.

Vancouver:

Birkholz E. På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar . [Internet] [Thesis]. Södertörn University College; 2008. [cited 2020 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Birkholz E. På spaning efter den kropp som flyr : mellan kön och text i Nina Bouraouis Mina onda tankar . [Thesis]. Södertörn University College; 2008. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.