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You searched for subject:(Curatorial). Showing records 1 – 30 of 90 total matches.

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University of the Arts London

1. Baglietto, Francesca. Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition.

Degree: 2016, University of the Arts London

 The practical aspect of this research has been the curation of a series of hybrid exhibitionary spaces. These exhibitionary forms have resulted from creating a… (more)

Subjects/Keywords: Curatorial studies

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APA (6th Edition):

Baglietto, F. (2016). Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12029/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baglietto, Francesca. “Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition.” 2016. Thesis, University of the Arts London. Accessed March 20, 2019. http://ualresearchonline.arts.ac.uk/12029/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baglietto, Francesca. “Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition.” 2016. Web. 20 Mar 2019.

Vancouver:

Baglietto F. Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Mar 20]. Available from: http://ualresearchonline.arts.ac.uk/12029/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baglietto F. Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12029/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

2. Baglietto, Francesca. Curating across interfaces : an account of a (hybrid) expanding exhibition.

Degree: PhD, 2016, University of the Arts London

 The practical aspect of this research has been the curation of a series of hybrid exhibitionary spaces. These exhibitionary forms have resulted from creating a… (more)

Subjects/Keywords: Curatorial studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baglietto, F. (2016). Curating across interfaces : an account of a (hybrid) expanding exhibition. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12029/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738008

Chicago Manual of Style (16th Edition):

Baglietto, Francesca. “Curating across interfaces : an account of a (hybrid) expanding exhibition.” 2016. Doctoral Dissertation, University of the Arts London. Accessed March 20, 2019. http://ualresearchonline.arts.ac.uk/12029/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738008.

MLA Handbook (7th Edition):

Baglietto, Francesca. “Curating across interfaces : an account of a (hybrid) expanding exhibition.” 2016. Web. 20 Mar 2019.

Vancouver:

Baglietto F. Curating across interfaces : an account of a (hybrid) expanding exhibition. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2019 Mar 20]. Available from: http://ualresearchonline.arts.ac.uk/12029/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738008.

Council of Science Editors:

Baglietto F. Curating across interfaces : an account of a (hybrid) expanding exhibition. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12029/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738008


University of Plymouth

3. Doove, Edith M. Laughter, inframince and cybernetics : exploring the curatorial as creative act.

Degree: PhD, 2017, University of Plymouth

 This thesis identifies and responds to a contemporary impasse in the curatorial, which is thought of as the realm that encompasses curating as a complex… (more)

Subjects/Keywords: curatorial; cybernetics; inframince; laughter

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doove, E. M. (2017). Laughter, inframince and cybernetics : exploring the curatorial as creative act. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/10382

Chicago Manual of Style (16th Edition):

Doove, Edith M. “Laughter, inframince and cybernetics : exploring the curatorial as creative act.” 2017. Doctoral Dissertation, University of Plymouth. Accessed March 20, 2019. http://hdl.handle.net/10026.1/10382.

MLA Handbook (7th Edition):

Doove, Edith M. “Laughter, inframince and cybernetics : exploring the curatorial as creative act.” 2017. Web. 20 Mar 2019.

Vancouver:

Doove EM. Laughter, inframince and cybernetics : exploring the curatorial as creative act. [Internet] [Doctoral dissertation]. University of Plymouth; 2017. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10026.1/10382.

Council of Science Editors:

Doove EM. Laughter, inframince and cybernetics : exploring the curatorial as creative act. [Doctoral Dissertation]. University of Plymouth; 2017. Available from: http://hdl.handle.net/10026.1/10382


University of Melbourne

4. Donaldson, Kim. Technotopiary: another formation of the curatorial.

Degree: 2015, University of Melbourne

 Technotopiary: Another Formation of the Curatorial articulates a form of artistic practice that interrogates the notion of ‘the curatorial’ to create mobile and transitory conceptions… (more)

Subjects/Keywords: artist-as-curator; curatorial; curatorship

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APA (6th Edition):

Donaldson, K. (2015). Technotopiary: another formation of the curatorial. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/92253

Chicago Manual of Style (16th Edition):

Donaldson, Kim. “Technotopiary: another formation of the curatorial.” 2015. Doctoral Dissertation, University of Melbourne. Accessed March 20, 2019. http://hdl.handle.net/11343/92253.

MLA Handbook (7th Edition):

Donaldson, Kim. “Technotopiary: another formation of the curatorial.” 2015. Web. 20 Mar 2019.

Vancouver:

Donaldson K. Technotopiary: another formation of the curatorial. [Internet] [Doctoral dissertation]. University of Melbourne; 2015. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/11343/92253.

Council of Science Editors:

Donaldson K. Technotopiary: another formation of the curatorial. [Doctoral Dissertation]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/92253

5. González Vásquez, Angélica. Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions.

Degree: Docteur es, Esthétique, sciences et technologies des arts, 2016, Paris 8

Cette thèse interroge le champ de pratiques et de positions discursives appelées récemment « curating ». L’approche que nous avons choisie est celle de l’analyse… (more)

Subjects/Keywords: Curateur; Curating; Curatorial; Exposition; Écrits de curateurs; Art contemporain; Curator; Curating; Curatorial; Exhibition; Curatorial writings; Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

González Vásquez, A. (2016). Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2016PA080091

Chicago Manual of Style (16th Edition):

González Vásquez, Angélica. “Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions.” 2016. Doctoral Dissertation, Paris 8. Accessed March 20, 2019. http://www.theses.fr/2016PA080091.

MLA Handbook (7th Edition):

González Vásquez, Angélica. “Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions.” 2016. Web. 20 Mar 2019.

Vancouver:

González Vásquez A. Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions. [Internet] [Doctoral dissertation]. Paris 8; 2016. [cited 2019 Mar 20]. Available from: http://www.theses.fr/2016PA080091.

Council of Science Editors:

González Vásquez A. Les écrits des curateurs : analyse depuis la théorie curatoriale et l'histoire des expositions. : Curatorial writings : Analysis from the perspective of curatorial theory and the history of exhibitions. [Doctoral Dissertation]. Paris 8; 2016. Available from: http://www.theses.fr/2016PA080091


University of the Arts London

6. Horsley, Jeffrey. Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.

Degree: 2012, University of the Arts London

 My intention is to contribute to the field of exhibition-making a repertoire of presentation modes, previously not analysed or documented, that can be applied to… (more)

Subjects/Keywords: Fashion History & Theory; Curatorial studies; Museum studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horsley, J. (2012). Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5688/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horsley, Jeffrey. “Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.” 2012. Thesis, University of the Arts London. Accessed March 20, 2019. http://ualresearchonline.arts.ac.uk/5688/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horsley, Jeffrey. “Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.” 2012. Web. 20 Mar 2019.

Vancouver:

Horsley J. Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2019 Mar 20]. Available from: http://ualresearchonline.arts.ac.uk/5688/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horsley J. Embedding the personal: the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. [Thesis]. University of the Arts London; 2012. Available from: http://ualresearchonline.arts.ac.uk/5688/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

7. Cassidy, Sarah Guadalupe. Addressing identity/redressing the museum.

Degree: MA, 2011, University of Louisville

 This thesis paper expands upon the aspects of identity and power explored in the exhibition that I curated, entitled "Being & Making: Artists Investigating Identity,"… (more)

Subjects/Keywords: Museum; Identity; Feminism; Curatorial; Arts administration; Exhibition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cassidy, S. G. (2011). Addressing identity/redressing the museum. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/222 ; https://ir.library.louisville.edu/etd/222

Chicago Manual of Style (16th Edition):

Cassidy, Sarah Guadalupe. “Addressing identity/redressing the museum.” 2011. Masters Thesis, University of Louisville. Accessed March 20, 2019. 10.18297/etd/222 ; https://ir.library.louisville.edu/etd/222.

MLA Handbook (7th Edition):

Cassidy, Sarah Guadalupe. “Addressing identity/redressing the museum.” 2011. Web. 20 Mar 2019.

Vancouver:

Cassidy SG. Addressing identity/redressing the museum. [Internet] [Masters thesis]. University of Louisville; 2011. [cited 2019 Mar 20]. Available from: 10.18297/etd/222 ; https://ir.library.louisville.edu/etd/222.

Council of Science Editors:

Cassidy SG. Addressing identity/redressing the museum. [Masters Thesis]. University of Louisville; 2011. Available from: 10.18297/etd/222 ; https://ir.library.louisville.edu/etd/222


University of New South Wales

8. Fenner, Felicity. Your Place or Mine? Curatorial approaches to place through the prism of home.

Degree: Art, 2014, University of New South Wales

 The outward image of the place we call home – Australia – historically dominates and subsumes personal experiences of home in exhibitions of Australian art.… (more)

Subjects/Keywords: Visual Art; Curatorial Studies; Exhibitions; Art Theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fenner, F. (2014). Your Place or Mine? Curatorial approaches to place through the prism of home. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Fenner, Felicity. “Your Place or Mine? Curatorial approaches to place through the prism of home.” 2014. Doctoral Dissertation, University of New South Wales. Accessed March 20, 2019. http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true.

MLA Handbook (7th Edition):

Fenner, Felicity. “Your Place or Mine? Curatorial approaches to place through the prism of home.” 2014. Web. 20 Mar 2019.

Vancouver:

Fenner F. Your Place or Mine? Curatorial approaches to place through the prism of home. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2019 Mar 20]. Available from: http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true.

Council of Science Editors:

Fenner F. Your Place or Mine? Curatorial approaches to place through the prism of home. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/54464 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35004/SOURCE02?view=true

9. Morrissette, Suzanne Noelle. Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity.

Degree: PhD, Social & Political Thought, 2018, York University

 This dissertation discusses the role of Indigenous artists in illustrating and denaturalizing the systems of colonial thought that continue to constrain Indigenous peoples expressions of… (more)

Subjects/Keywords: Fine arts; Indigenous art; Curatorial practice; Indigenous curatorial practice; Liberal thought; Western thought; Race; Art; Exhibition; Liberal modernity; Indigenous

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morrissette, S. N. (2018). Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34535

Chicago Manual of Style (16th Edition):

Morrissette, Suzanne Noelle. “Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity.” 2018. Doctoral Dissertation, York University. Accessed March 20, 2019. http://hdl.handle.net/10315/34535.

MLA Handbook (7th Edition):

Morrissette, Suzanne Noelle. “Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity.” 2018. Web. 20 Mar 2019.

Vancouver:

Morrissette SN. Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10315/34535.

Council of Science Editors:

Morrissette SN. Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34535

10. Cross, Lauren. Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color.

Degree: 2017, Texas Woman's University

 In this dissertation the researcher examines the implications of and strategies for curating exhibitions that feature the works of women of color (WoC) artists. In… (more)

Subjects/Keywords: Social sciences; Communication and the arts; Education; Art theory; Curatorial practice; Curatorial studies; Non-profit artspaces; Womanism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cross, L. (2017). Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/9372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cross, Lauren. “Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color.” 2017. Thesis, Texas Woman's University. Accessed March 20, 2019. http://hdl.handle.net/11274/9372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cross, Lauren. “Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color.” 2017. Web. 20 Mar 2019.

Vancouver:

Cross L. Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color. [Internet] [Thesis]. Texas Woman's University; 2017. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/11274/9372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cross L. Woca projects, building communities through exhibitioning: Curating and spaces for women artists of color. [Thesis]. Texas Woman's University; 2017. Available from: http://hdl.handle.net/11274/9372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

11. Caldwell, Nicola. Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.

Degree: 2018, Victoria University of Wellington

 Art interpretation can make or break an individual’s experience in an art gallery. At its best, it can inspire a sense of connection, expanded understanding… (more)

Subjects/Keywords: Art interpretation; Art galleries; Accessibility; Individual meaning-making; Curatorial development

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APA (6th Edition):

Caldwell, N. (2018). Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7628

Chicago Manual of Style (16th Edition):

Caldwell, Nicola. “Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.” 2018. Masters Thesis, Victoria University of Wellington. Accessed March 20, 2019. http://hdl.handle.net/10063/7628.

MLA Handbook (7th Edition):

Caldwell, Nicola. “Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.” 2018. Web. 20 Mar 2019.

Vancouver:

Caldwell N. Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10063/7628.

Council of Science Editors:

Caldwell N. Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7628


University of the Arts London

12. Horsley, Jeffrey. Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.

Degree: 2012, University of the Arts London

 My intention is to contribute to the field of exhibition-making a repertoire of presentation modes, previously not analysed or documented, that can be applied to… (more)

Subjects/Keywords: 700.74; Fashion History & Theory : Curatorial studies : Museum studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horsley, J. (2012). Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5688/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573093

Chicago Manual of Style (16th Edition):

Horsley, Jeffrey. “Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.” 2012. Doctoral Dissertation, University of the Arts London. Accessed March 20, 2019. http://ualresearchonline.arts.ac.uk/5688/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573093.

MLA Handbook (7th Edition):

Horsley, Jeffrey. “Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp.” 2012. Web. 20 Mar 2019.

Vancouver:

Horsley J. Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. [Internet] [Doctoral dissertation]. University of the Arts London; 2012. [cited 2019 Mar 20]. Available from: http://ualresearchonline.arts.ac.uk/5688/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573093.

Council of Science Editors:

Horsley J. Embedding the personal : the construction of a 'fashion autobiography' as a museum exhibition, informed by innovative practice at ModeMuseum, Antwerp. [Doctoral Dissertation]. University of the Arts London; 2012. Available from: http://ualresearchonline.arts.ac.uk/5688/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573093

13. Östlind, Niclas. Performing History: Fotografi i Sverige 1970–2014.

Degree: 2014, University of Gothenburg / Göteborgs Universitet

 Using curatorial practice as a method, this thesis maps and investigates photography in Sweden 1970–2014. The study deepens the knowledge of photography mainly exhibited in… (more)

Subjects/Keywords: Photography; curatorial practice; history; narrative; cultural sociology; field and narrative interviews

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Östlind, N. (2014). Performing History: Fotografi i Sverige 1970–2014. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/35780

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Östlind, Niclas. “Performing History: Fotografi i Sverige 1970–2014.” 2014. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed March 20, 2019. http://hdl.handle.net/2077/35780.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Östlind, Niclas. “Performing History: Fotografi i Sverige 1970–2014.” 2014. Web. 20 Mar 2019.

Vancouver:

Östlind N. Performing History: Fotografi i Sverige 1970–2014. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2014. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/2077/35780.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Östlind N. Performing History: Fotografi i Sverige 1970–2014. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2014. Available from: http://hdl.handle.net/2077/35780

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

14. Kopelva, Shannon R. Redefining and “Re-presenting” Native American Collections and Curatorial Practice.

Degree: 2017, University of Washington

 The purpose of this study was to describe the collections and curatorial practices of three O’odham museums and centers in Arizona. Specifically, this study explored… (more)

Subjects/Keywords: Collections Management; Curatorial; Native American; Traditional Care; Museum studies; Museology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kopelva, S. R. (2017). Redefining and “Re-presenting” Native American Collections and Curatorial Practice. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/39771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kopelva, Shannon R. “Redefining and “Re-presenting” Native American Collections and Curatorial Practice.” 2017. Thesis, University of Washington. Accessed March 20, 2019. http://hdl.handle.net/1773/39771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kopelva, Shannon R. “Redefining and “Re-presenting” Native American Collections and Curatorial Practice.” 2017. Web. 20 Mar 2019.

Vancouver:

Kopelva SR. Redefining and “Re-presenting” Native American Collections and Curatorial Practice. [Internet] [Thesis]. University of Washington; 2017. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/1773/39771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kopelva SR. Redefining and “Re-presenting” Native American Collections and Curatorial Practice. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/39771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

15. Forsberg, Becky. The Bully Pulpit on Display: How Presidential Libraries Present Presidential History.

Degree: 2018, University of Washington

 Scholars have portrayed presidential libraries and museums as either whitewashed and propagandist temples to presidents or highly valuable institutions of American democracy. However, the literature… (more)

Subjects/Keywords: curatorial authority; NARA; National Archives; presidential libraries; Museum studies; Museology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Forsberg, B. (2018). The Bully Pulpit on Display: How Presidential Libraries Present Presidential History. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/42021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Forsberg, Becky. “The Bully Pulpit on Display: How Presidential Libraries Present Presidential History.” 2018. Thesis, University of Washington. Accessed March 20, 2019. http://hdl.handle.net/1773/42021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Forsberg, Becky. “The Bully Pulpit on Display: How Presidential Libraries Present Presidential History.” 2018. Web. 20 Mar 2019.

Vancouver:

Forsberg B. The Bully Pulpit on Display: How Presidential Libraries Present Presidential History. [Internet] [Thesis]. University of Washington; 2018. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/1773/42021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Forsberg B. The Bully Pulpit on Display: How Presidential Libraries Present Presidential History. [Thesis]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/42021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waikato

16. Hou, Jianting "Eva". Narrative Beyond Artefact in Exhibition Design .

Degree: 2015, University of Waikato

 Exhibitions have undergone a shift from being presentation oriented to visitors’ experience focused. Visitors associate themselves with stories stronger than other methods of absorbing information.… (more)

Subjects/Keywords: narrative based exhibition; exhibition design; narrative; curation; action research; curatorial practice

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APA (6th Edition):

Hou, J. ". (2015). Narrative Beyond Artefact in Exhibition Design . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/9611

Chicago Manual of Style (16th Edition):

Hou, Jianting "Eva". “Narrative Beyond Artefact in Exhibition Design .” 2015. Masters Thesis, University of Waikato. Accessed March 20, 2019. http://hdl.handle.net/10289/9611.

MLA Handbook (7th Edition):

Hou, Jianting "Eva". “Narrative Beyond Artefact in Exhibition Design .” 2015. Web. 20 Mar 2019.

Vancouver:

Hou J". Narrative Beyond Artefact in Exhibition Design . [Internet] [Masters thesis]. University of Waikato; 2015. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10289/9611.

Council of Science Editors:

Hou J". Narrative Beyond Artefact in Exhibition Design . [Masters Thesis]. University of Waikato; 2015. Available from: http://hdl.handle.net/10289/9611


University of Texas – Austin

17. -4871-039X. A provenance research study of archaeological curation.

Degree: Information, 2016, University of Texas – Austin

 Archaeological curation is the process of managing objects and their documentation after their discovery in an excavation. It is an activity that occurs in the… (more)

Subjects/Keywords: Museum studies; Collections management; Cultural heritage; Archival studies; Curatorial work

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APA (6th Edition):

-4871-039X. (2016). A provenance research study of archaeological curation. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/44000

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-4871-039X. “A provenance research study of archaeological curation.” 2016. Thesis, University of Texas – Austin. Accessed March 20, 2019. http://hdl.handle.net/2152/44000.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-4871-039X. “A provenance research study of archaeological curation.” 2016. Web. 20 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-4871-039X. A provenance research study of archaeological curation. [Internet] [Thesis]. University of Texas – Austin; 2016. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/2152/44000.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-4871-039X. A provenance research study of archaeological curation. [Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/44000

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

18. Florander, Sarah Benedicte. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.

Degree: 2017, Leiden University

 Since entering the international fine arts market in the 1970s, Indigenous Australian art has long contended with its positioning within a system that — until… (more)

Subjects/Keywords: curatorial studies; Indigenous art; colonial collections; contemporary art; exhibition strategy; modes of address

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Florander, S. B. (2017). Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52385

Chicago Manual of Style (16th Edition):

Florander, Sarah Benedicte. “Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.” 2017. Masters Thesis, Leiden University. Accessed March 20, 2019. http://hdl.handle.net/1887/52385.

MLA Handbook (7th Edition):

Florander, Sarah Benedicte. “Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.” 2017. Web. 20 Mar 2019.

Vancouver:

Florander SB. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/1887/52385.

Council of Science Editors:

Florander SB. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52385


University of Pretoria

19. Crawshay-Hall, Jayne Kelly. African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa.

Degree: Visual Arts, 2013, University of Pretoria

 This study, entitled African modernism and identity politics: curatorial practice in the Global South with particular reference to South Africa, postulates that perceptions of African… (more)

Subjects/Keywords: South Africa; Global South; Curatorial practice; African modernism and identity politics; UCTD

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APA (6th Edition):

Crawshay-Hall, J. K. (2013). African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/33358

Chicago Manual of Style (16th Edition):

Crawshay-Hall, Jayne Kelly. “African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa.” 2013. Masters Thesis, University of Pretoria. Accessed March 20, 2019. http://hdl.handle.net/2263/33358.

MLA Handbook (7th Edition):

Crawshay-Hall, Jayne Kelly. “African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa.” 2013. Web. 20 Mar 2019.

Vancouver:

Crawshay-Hall JK. African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa. [Internet] [Masters thesis]. University of Pretoria; 2013. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/2263/33358.

Council of Science Editors:

Crawshay-Hall JK. African modernism and identity politics : curatorial practice in the Global South with particular reference to South Africa. [Masters Thesis]. University of Pretoria; 2013. Available from: http://hdl.handle.net/2263/33358

20. Allain Bonilla, Marie-Laure. Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s.

Degree: Docteur es, Histoire de l'art, 2014, Rennes 2

Cette thèse se veut une réflexion sur l’articulation entre les théories postcoloniales et les pratiques curatoriales de l’art contemporain ; elle cherche en effet à… (more)

Subjects/Keywords: Histoire des expositions; Études curatoriales; Théories postcoloniales; History of exhibitions; Curatorial studies; Postcolonial theories

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APA (6th Edition):

Allain Bonilla, M. (2014). Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s. (Doctoral Dissertation). Rennes 2. Retrieved from http://www.theses.fr/2014REN20028

Chicago Manual of Style (16th Edition):

Allain Bonilla, Marie-Laure. “Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s.” 2014. Doctoral Dissertation, Rennes 2. Accessed March 20, 2019. http://www.theses.fr/2014REN20028.

MLA Handbook (7th Edition):

Allain Bonilla, Marie-Laure. “Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s.” 2014. Web. 20 Mar 2019.

Vancouver:

Allain Bonilla M. Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s. [Internet] [Doctoral dissertation]. Rennes 2; 2014. [cited 2019 Mar 20]. Available from: http://www.theses.fr/2014REN20028.

Council of Science Editors:

Allain Bonilla M. Visualiser la théorie : usages des théories postcoloniales dans les pratiques curatoriales de l’art contemporain depuis les années 1980 : Visualizing theory : uses of postcolonial theories by curatorial practices of contemporary art since the 1980s. [Doctoral Dissertation]. Rennes 2; 2014. Available from: http://www.theses.fr/2014REN20028


RMIT University

21. Smith, D. Barefoot curating: contemporary art and the role of the freelance curator.

Degree: 2016, RMIT University

 Barefoot Curating: Contemporary Art and the Role of the Freelance Curator, examines the role of the freelance curator in contemporary art with initial focus on… (more)

Subjects/Keywords: Fields of Research; Barefoot Curating; Curating; Curatorial; Curating Contemporary Art; Curating Biennales

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, D. (2016). Barefoot curating: contemporary art and the role of the freelance curator. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, D. “Barefoot curating: contemporary art and the role of the freelance curator.” 2016. Thesis, RMIT University. Accessed March 20, 2019. http://researchbank.rmit.edu.au/view/rmit:162086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, D. “Barefoot curating: contemporary art and the role of the freelance curator.” 2016. Web. 20 Mar 2019.

Vancouver:

Smith D. Barefoot curating: contemporary art and the role of the freelance curator. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Mar 20]. Available from: http://researchbank.rmit.edu.au/view/rmit:162086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith D. Barefoot curating: contemporary art and the role of the freelance curator. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:162086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Ringborg, Theodor. Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell.

Degree: Interdisciplinary Studies (IS), 2009, University College of Arts

The remarks on this subject stem from the conditions spatial works engender in the encounter with the viewer. The aim has been to provide… (more)

Subjects/Keywords: curatorial practice; Jason Dodge; Olafur Eliasson; Alicja Kwade; Tris Vonna-Michell; Aesthetic subjects; Estetiska ämnen

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APA (6th Edition):

Ringborg, T. (2009). Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell. (Thesis). University College of Arts. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2863

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ringborg, Theodor. “Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell.” 2009. Thesis, University College of Arts. Accessed March 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2863.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ringborg, Theodor. “Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell.” 2009. Web. 20 Mar 2019.

Vancouver:

Ringborg T. Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell. [Internet] [Thesis]. University College of Arts; 2009. [cited 2019 Mar 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2863.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ringborg T. Spatial works : Jason Dodge, Olafur Eliasson, Alicja Kwade, Tris Vonna-Michell. [Thesis]. University College of Arts; 2009. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2863

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Loughborough University

23. Mali, Sofia. A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums.

Degree: PhD, 2017, Loughborough University

 This thesis presents three main arguments. First, that curating in national museums is a process of meaning making and that the exhibitionary meaning is situated… (more)

Subjects/Keywords: 069; Curatorial practice(s); Curating; Meaning making; Exhibitionary complex; National museums; Myth; Power; Politics; Identity

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APA (6th Edition):

Mali, S. (2017). A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums. (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/25553 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719260

Chicago Manual of Style (16th Edition):

Mali, Sofia. “A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums.” 2017. Doctoral Dissertation, Loughborough University. Accessed March 20, 2019. https://dspace.lboro.ac.uk/2134/25553 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719260.

MLA Handbook (7th Edition):

Mali, Sofia. “A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums.” 2017. Web. 20 Mar 2019.

Vancouver:

Mali S. A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums. [Internet] [Doctoral dissertation]. Loughborough University; 2017. [cited 2019 Mar 20]. Available from: https://dspace.lboro.ac.uk/2134/25553 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719260.

Council of Science Editors:

Mali S. A cross-cultural analysis of curatorial practices : Byzantine exhibitionary complexes in three European national museums. [Doctoral Dissertation]. Loughborough University; 2017. Available from: https://dspace.lboro.ac.uk/2134/25553 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719260

24. Winograd, Abigail Gena. Reframing Latin America : curatorial practice and Latin American art since 1992.

Degree: Art History, 2015, University of Texas – Austin

 This dissertation presents a comparative analysis of institutional policy towards Latin American art after 1992. Specifically, this study examines several concurrent phenomena: the increased visibility… (more)

Subjects/Keywords: Latin American art; Curatorial studies

…charted a different course marked by distinct aesthetic and curatorial choices that resulted in… …The institutional and curatorial practice of these museums was emblematic of the… …103 A Curatorial Manifesto: “Beyond the Fantastic… …Madrid, website..................258 Figure 3.3: Curatorial diagram from Heterotopias… …258 Figure 3.4: Curatorial Diagram from catalog for Inverted Utopias: Avant-Garde Art… 

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APA (6th Edition):

Winograd, A. G. (2015). Reframing Latin America : curatorial practice and Latin American art since 1992. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/39546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Winograd, Abigail Gena. “Reframing Latin America : curatorial practice and Latin American art since 1992.” 2015. Thesis, University of Texas – Austin. Accessed March 20, 2019. http://hdl.handle.net/2152/39546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Winograd, Abigail Gena. “Reframing Latin America : curatorial practice and Latin American art since 1992.” 2015. Web. 20 Mar 2019.

Vancouver:

Winograd AG. Reframing Latin America : curatorial practice and Latin American art since 1992. [Internet] [Thesis]. University of Texas – Austin; 2015. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/2152/39546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Winograd AG. Reframing Latin America : curatorial practice and Latin American art since 1992. [Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/39546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

25. Robinson, Stuart. The Other White Cube: Finding Museums Among Us .

Degree: 2014, University of Arizona

 Since hitting mass markets in the 1920s, refrigerators have occupied a lovable corner not just in American kitchens but also in American culture. The story… (more)

Subjects/Keywords: curatorial studies; museum education; online research; rhizome theory; visual culture; art education

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APA (6th Edition):

Robinson, S. (2014). The Other White Cube: Finding Museums Among Us . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/317041

Chicago Manual of Style (16th Edition):

Robinson, Stuart. “The Other White Cube: Finding Museums Among Us .” 2014. Doctoral Dissertation, University of Arizona. Accessed March 20, 2019. http://hdl.handle.net/10150/317041.

MLA Handbook (7th Edition):

Robinson, Stuart. “The Other White Cube: Finding Museums Among Us .” 2014. Web. 20 Mar 2019.

Vancouver:

Robinson S. The Other White Cube: Finding Museums Among Us . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10150/317041.

Council of Science Editors:

Robinson S. The Other White Cube: Finding Museums Among Us . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/317041


RMIT University

26. Watson, F. The agency of encounter: performative curatorial practice for architecture and design.

Degree: 2015, RMIT University

 Architecture and design exhibitions have predominantly focused on displaying finished outcomes (in the case of design) or communicating a work by representation (in the case… (more)

Subjects/Keywords: Fields of Research; Architecture; Design; Curatorial practice; Exhibition making; Design ideas; Performative agency

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APA (6th Edition):

Watson, F. (2015). The agency of encounter: performative curatorial practice for architecture and design. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161585

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watson, F. “The agency of encounter: performative curatorial practice for architecture and design.” 2015. Thesis, RMIT University. Accessed March 20, 2019. http://researchbank.rmit.edu.au/view/rmit:161585.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watson, F. “The agency of encounter: performative curatorial practice for architecture and design.” 2015. Web. 20 Mar 2019.

Vancouver:

Watson F. The agency of encounter: performative curatorial practice for architecture and design. [Internet] [Thesis]. RMIT University; 2015. [cited 2019 Mar 20]. Available from: http://researchbank.rmit.edu.au/view/rmit:161585.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson F. The agency of encounter: performative curatorial practice for architecture and design. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161585

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Canterbury

27. Smithies, J.D. Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive.

Degree: School of Humanities and Creative Arts; University of Canterbury. Philosophy, 2014, University of Canterbury

 The UC CEISMIC Canterbury Earthquakes Digital Archive contains tens of thousands of high value cultural heritage items related to a long series of earthquakes that… (more)

Subjects/Keywords: Field of Research::21 - History and Archaeology::2102 - Curatorial and Related Studies::210201 - Archival; Repository and Related Studies

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APA (6th Edition):

Smithies, J. D. (2014). Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/11062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smithies, J D. “Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive.” 2014. Thesis, University of Canterbury. Accessed March 20, 2019. http://hdl.handle.net/10092/11062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smithies, J D. “Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive.” 2014. Web. 20 Mar 2019.

Vancouver:

Smithies JD. Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive. [Internet] [Thesis]. University of Canterbury; 2014. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/10092/11062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smithies JD. Management of Complex Cultural Heritage Projects: UC CEISMIC Earthquake Archive. [Thesis]. University of Canterbury; 2014. Available from: http://hdl.handle.net/10092/11062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

28. Battaglia, Giulia. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.

Degree: 2018, Leiden University

 The age of globalisation has determined the shrinking of geographical distances and the emergence of mass mobility. People from diverse cultures now cohabit the same… (more)

Subjects/Keywords: contact zone; modern art museums; contemporary art; Venice Biennale; Habana Bienal; globalisation; multiculturalism; curatorial practice; shared human concerns; empathy; exhibitionary complex

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APA (6th Edition):

Battaglia, G. (2018). The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57837

Chicago Manual of Style (16th Edition):

Battaglia, Giulia. “The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.” 2018. Masters Thesis, Leiden University. Accessed March 20, 2019. http://hdl.handle.net/1887/57837.

MLA Handbook (7th Edition):

Battaglia, Giulia. “The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.” 2018. Web. 20 Mar 2019.

Vancouver:

Battaglia G. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Mar 20]. Available from: http://hdl.handle.net/1887/57837.

Council of Science Editors:

Battaglia G. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/57837


Stockholm University

29. Hinks, Jasmine. Crossing Thresholds : Curating Across Contexts within the Public Sphere.

Degree: Culture and Aesthetics, 2017, Stockholm University

  This thesis aims to investigate how a shift of the context in which artwork is presented necessitates ashift in curatorial approach. The discussion considers… (more)

Subjects/Keywords: audience; public sphere; public space; public; private; agonism; curating; site-specific; situation; curatorial; context; democratic space; Arts; Konst

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APA (6th Edition):

Hinks, J. (2017). Crossing Thresholds : Curating Across Contexts within the Public Sphere. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hinks, Jasmine. “Crossing Thresholds : Curating Across Contexts within the Public Sphere.” 2017. Thesis, Stockholm University. Accessed March 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hinks, Jasmine. “Crossing Thresholds : Curating Across Contexts within the Public Sphere.” 2017. Web. 20 Mar 2019.

Vancouver:

Hinks J. Crossing Thresholds : Curating Across Contexts within the Public Sphere. [Internet] [Thesis]. Stockholm University; 2017. [cited 2019 Mar 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hinks J. Crossing Thresholds : Curating Across Contexts within the Public Sphere. [Thesis]. Stockholm University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University

30. Burston, Mary Ann. Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making.

Degree: phd, School of Communication, Culture and Language, 2009, Victoria University

 This thesis examines the writing of Irish identity in Australia to explore how nineteenth-century Australian-born women writers negotiated their Irish emigrant heritage. A gap in… (more)

Subjects/Keywords: School of Communication and the Arts; 2002 Cultural Studies; 2005 Literary Studies; 2102 Curatorial and Related Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burston, M. A. (2009). Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making. (Doctoral Dissertation). Victoria University. Retrieved from http://vuir.vu.edu.au/30089/

Chicago Manual of Style (16th Edition):

Burston, Mary Ann. “Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making.” 2009. Doctoral Dissertation, Victoria University. Accessed March 20, 2019. http://vuir.vu.edu.au/30089/.

MLA Handbook (7th Edition):

Burston, Mary Ann. “Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making.” 2009. Web. 20 Mar 2019.

Vancouver:

Burston MA. Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making. [Internet] [Doctoral dissertation]. Victoria University; 2009. [cited 2019 Mar 20]. Available from: http://vuir.vu.edu.au/30089/.

Council of Science Editors:

Burston MA. Looking for home in all the wrong places : nineteenth-century Australian-Irish women writers and the problem of home-making. [Doctoral Dissertation]. Victoria University; 2009. Available from: http://vuir.vu.edu.au/30089/

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