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You searched for subject:(Counterpoint). Showing records 1 – 30 of 49 total matches.

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University of British Columbia

1. McNab, Grace A. L. Tonal voice-leading in Schoenberg’s opus 15 .

Degree: 1982, University of British Columbia

 This study deals with the processes of tonal counterpoint inherent in the songs of Schoenberg's Opus 15i "Book of the Hanging Gardens" and, by implication,… (more)

Subjects/Keywords: Counterpoint; Tonality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McNab, G. A. L. (1982). Tonal voice-leading in Schoenberg’s opus 15 . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/22941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McNab, Grace A L. “Tonal voice-leading in Schoenberg’s opus 15 .” 1982. Thesis, University of British Columbia. Accessed June 15, 2019. http://hdl.handle.net/2429/22941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McNab, Grace A L. “Tonal voice-leading in Schoenberg’s opus 15 .” 1982. Web. 15 Jun 2019.

Vancouver:

McNab GAL. Tonal voice-leading in Schoenberg’s opus 15 . [Internet] [Thesis]. University of British Columbia; 1982. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/2429/22941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McNab GAL. Tonal voice-leading in Schoenberg’s opus 15 . [Thesis]. University of British Columbia; 1982. Available from: http://hdl.handle.net/2429/22941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

2. Verhaar, O.P. Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices.

Degree: 2013, Universiteit Utrecht

 In this thesis, recent understanding of contrapuntal rules, cadences and music-text relationships in medieval music has for the first time been applied to analyse the… (more)

Subjects/Keywords: Guillaume de Machaut; composition; contratenor; counterpoint

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APA (6th Edition):

Verhaar, O. P. (2013). Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/280579

Chicago Manual of Style (16th Edition):

Verhaar, O P. “Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices.” 2013. Masters Thesis, Universiteit Utrecht. Accessed June 15, 2019. http://dspace.library.uu.nl:8080/handle/1874/280579.

MLA Handbook (7th Edition):

Verhaar, O P. “Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices.” 2013. Web. 15 Jun 2019.

Vancouver:

Verhaar OP. Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2019 Jun 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/280579.

Council of Science Editors:

Verhaar OP. Composed Successively, Planned Simultaneously: Two Machaut Chansons and their Additional Voices. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/280579


University of Oklahoma

3. Starr, Devin. Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer.

Degree: DMA, 2016, University of Oklahoma

 For forty-four years after her death in 1944, Johanna M. Beyer was a relatively unknown composer. Her name started receiving attention in 1988 after the… (more)

Subjects/Keywords: ultramodernism; johanna beyer; dissonant counterpoint; music analysis

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APA (6th Edition):

Starr, D. (2016). Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/34581

Chicago Manual of Style (16th Edition):

Starr, Devin. “Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer.” 2016. Doctoral Dissertation, University of Oklahoma. Accessed June 15, 2019. http://hdl.handle.net/11244/34581.

MLA Handbook (7th Edition):

Starr, Devin. “Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer.” 2016. Web. 15 Jun 2019.

Vancouver:

Starr D. Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer. [Internet] [Doctoral dissertation]. University of Oklahoma; 2016. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/11244/34581.

Council of Science Editors:

Starr D. Analysis and Interpretation of the Duets for Woodwind and Voice by Johanna Magdalena Beyer. [Doctoral Dissertation]. University of Oklahoma; 2016. Available from: http://hdl.handle.net/11244/34581

4. Abrams, Douglas R. A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok.

Degree: 2014, University of Massachusetts

  A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another.… (more)

Subjects/Keywords: Geometry; Transformation; Bartok; Counterpoint; Pitch Space; Music

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APA (6th Edition):

Abrams, D. R. (2014). A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok. (Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/masters_theses_2/1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abrams, Douglas R. “A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok.” 2014. Thesis, University of Massachusetts. Accessed June 15, 2019. https://scholarworks.umass.edu/masters_theses_2/1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abrams, Douglas R. “A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok.” 2014. Web. 15 Jun 2019.

Vancouver:

Abrams DR. A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok. [Internet] [Thesis]. University of Massachusetts; 2014. [cited 2019 Jun 15]. Available from: https://scholarworks.umass.edu/masters_theses_2/1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abrams DR. A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok. [Thesis]. University of Massachusetts; 2014. Available from: https://scholarworks.umass.edu/masters_theses_2/1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Harris, Joshua Kimball. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.

Degree: 2013, University of North Texas

 Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of… (more)

Subjects/Keywords: Indeterminancy; counterpoint; circle; visual metaphor; Feldman

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APA (6th Edition):

Harris, J. K. (2013). “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Thesis, University of North Texas. Accessed June 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Web. 15 Jun 2019.

Vancouver:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Jun 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

6. Bosworth, William Thomas. Accentual counterpoint and metrical narrative in the music of Brahms .

Degree: 2018, University of Cambridge

 This thesis introduces a web of concepts to analyse Brahmsian metre and move toward a more nuanced understanding of metrical expression and narrative in his… (more)

Subjects/Keywords: Brahms; metre; rhythm; metrical dissonance; counterpoint; analysis

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APA (6th Edition):

Bosworth, W. T. (2018). Accentual counterpoint and metrical narrative in the music of Brahms . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/283616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms .” 2018. Thesis, University of Cambridge. Accessed June 15, 2019. https://www.repository.cam.ac.uk/handle/1810/283616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms .” 2018. Web. 15 Jun 2019.

Vancouver:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms . [Internet] [Thesis]. University of Cambridge; 2018. [cited 2019 Jun 15]. Available from: https://www.repository.cam.ac.uk/handle/1810/283616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms . [Thesis]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/283616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

7. Parsons-McCrackin, RJ. COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM.

Degree: 2012, University of Kentucky

 Ioannes Fuxius per Aevum quod dicitur Baroccum, quo tempore gustus musici celeriter mutabantur, musicum enchiridion palmare, cui titulus Gradus ad Parnassum, edidit. Quo libro modos… (more)

Subjects/Keywords: Johann Fux; Gradus ad Parnassum; Species Counterpoint; Music Theory; Latin; Classics

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APA (6th Edition):

Parsons-McCrackin, R. (2012). COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM. (Masters Thesis). University of Kentucky. Retrieved from http://uknowledge.uky.edu/mcllc_etds/1

Chicago Manual of Style (16th Edition):

Parsons-McCrackin, RJ. “COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM.” 2012. Masters Thesis, University of Kentucky. Accessed June 15, 2019. http://uknowledge.uky.edu/mcllc_etds/1.

MLA Handbook (7th Edition):

Parsons-McCrackin, RJ. “COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM.” 2012. Web. 15 Jun 2019.

Vancouver:

Parsons-McCrackin R. COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM. [Internet] [Masters thesis]. University of Kentucky; 2012. [cited 2019 Jun 15]. Available from: http://uknowledge.uky.edu/mcllc_etds/1.

Council of Science Editors:

Parsons-McCrackin R. COMMENTARIUS IN FUXII GRADUM AD PARNASSUM AD USUM DISCIPULORUM. [Masters Thesis]. University of Kentucky; 2012. Available from: http://uknowledge.uky.edu/mcllc_etds/1


University of Auckland

8. Hughes, Indra Nicholas Martindale. Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080.

Degree: 2006, University of Auckland

 The literature about the unfinished ending of J S Bach???s The Art of Fugue (Die Kunst der Fuga) BWV 1080 is in universal agreement that… (more)

Subjects/Keywords: Bach; Art of Fugue; Counterpoint

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APA (6th Edition):

Hughes, I. N. M. (2006). Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080. (Doctoral Dissertation). University of Auckland. Retrieved from http://hdl.handle.net/2292/392

Chicago Manual of Style (16th Edition):

Hughes, Indra Nicholas Martindale. “Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080.” 2006. Doctoral Dissertation, University of Auckland. Accessed June 15, 2019. http://hdl.handle.net/2292/392.

MLA Handbook (7th Edition):

Hughes, Indra Nicholas Martindale. “Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080.” 2006. Web. 15 Jun 2019.

Vancouver:

Hughes INM. Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080. [Internet] [Doctoral dissertation]. University of Auckland; 2006. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/2292/392.

Council of Science Editors:

Hughes INM. Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080. [Doctoral Dissertation]. University of Auckland; 2006. Available from: http://hdl.handle.net/2292/392

9. Yngström, Gustaf Ekroth. Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen.

Degree: Informatics, 2017, University of Skövde

  Flera studier har gjorts kring hur musik påverkar människor. Bullerjahn och Güldenring genomförde en studie där en egenskapad scen musiklades på flera olika sätt,… (more)

Subjects/Keywords: empathetic; anempathetic; counterpoint; förståelse; uppfattning; filmscen; Musicology; Musikvetenskap

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APA (6th Edition):

Yngström, G. E. (2017). Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen. (Thesis). University of Skövde. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14055

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yngström, Gustaf Ekroth. “Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen.” 2017. Thesis, University of Skövde. Accessed June 15, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14055.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yngström, Gustaf Ekroth. “Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen.” 2017. Web. 15 Jun 2019.

Vancouver:

Yngström GE. Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen. [Internet] [Thesis]. University of Skövde; 2017. [cited 2019 Jun 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14055.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yngström GE. Anempathetic och Empathetic musik : En studie i hur musik påverkar en scen. [Thesis]. University of Skövde; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14055

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

10. Wolf, Robert Pawel. Declarative computer music programming: using Prolog to generate rule-based musical counterpoints.

Degree: 2015, University of Adelaide

 This submission for the degree of Doctor of Philosophy at the Elder Conservatorium of Music, University of Adelaide, is presented as a conventional, text-based thesis,… (more)

Subjects/Keywords: prolog; counterpoint; computer music; programming; expert systems; declarative programming

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APA (6th Edition):

Wolf, R. P. (2015). Declarative computer music programming: using Prolog to generate rule-based musical counterpoints. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/96913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wolf, Robert Pawel. “Declarative computer music programming: using Prolog to generate rule-based musical counterpoints.” 2015. Thesis, University of Adelaide. Accessed June 15, 2019. http://hdl.handle.net/2440/96913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wolf, Robert Pawel. “Declarative computer music programming: using Prolog to generate rule-based musical counterpoints.” 2015. Web. 15 Jun 2019.

Vancouver:

Wolf RP. Declarative computer music programming: using Prolog to generate rule-based musical counterpoints. [Internet] [Thesis]. University of Adelaide; 2015. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/2440/96913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wolf RP. Declarative computer music programming: using Prolog to generate rule-based musical counterpoints. [Thesis]. University of Adelaide; 2015. Available from: http://hdl.handle.net/2440/96913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

11. Wright, James K. Auditory object perception : counterpoint in a new context.

Degree: MA, Faculty of Music., 1986, McGill University

Subjects/Keywords: Perception.; Counterpoint.; Auditory perception.

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APA (6th Edition):

Wright, J. K. (1986). Auditory object perception : counterpoint in a new context. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile65537.pdf

Chicago Manual of Style (16th Edition):

Wright, James K. “Auditory object perception : counterpoint in a new context.” 1986. Masters Thesis, McGill University. Accessed June 15, 2019. http://digitool.library.mcgill.ca/thesisfile65537.pdf.

MLA Handbook (7th Edition):

Wright, James K. “Auditory object perception : counterpoint in a new context.” 1986. Web. 15 Jun 2019.

Vancouver:

Wright JK. Auditory object perception : counterpoint in a new context. [Internet] [Masters thesis]. McGill University; 1986. [cited 2019 Jun 15]. Available from: http://digitool.library.mcgill.ca/thesisfile65537.pdf.

Council of Science Editors:

Wright JK. Auditory object perception : counterpoint in a new context. [Masters Thesis]. McGill University; 1986. Available from: http://digitool.library.mcgill.ca/thesisfile65537.pdf


University of North Texas

12. Dobbs, Benjamin M. A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae.

Degree: 2015, University of North Texas

 Heinrich Baryphonus (1581-1655) and Heinrich Grimm’s (1592/3-1637) didactic treatise, Pleiades musicae (1615/1630), provides a vivid testimony to the state of music education and music theory… (more)

Subjects/Keywords: History of music theory; Baryphonus; Grimm; triad; triadic theory; counterpoint

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APA (6th Edition):

Dobbs, B. M. (2015). A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804836/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dobbs, Benjamin M. “A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae.” 2015. Thesis, University of North Texas. Accessed June 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc804836/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dobbs, Benjamin M. “A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae.” 2015. Web. 15 Jun 2019.

Vancouver:

Dobbs BM. A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Jun 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804836/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dobbs BM. A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804836/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Iler, Devin. Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization.

Degree: 2015, University of North Texas

 The Czech-born music theorist, Václav Philomathes, wrote the Musicorum libri quattuor in 1512 while attending the University of Vienna. This didactic treatise became one of… (more)

Subjects/Keywords: 16th century; history of music theory; counterpoint; choir practice; conducting

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APA (6th Edition):

Iler, D. (2015). Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822783/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iler, Devin. “Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization.” 2015. Thesis, University of North Texas. Accessed June 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc822783/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iler, Devin. “Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization.” 2015. Web. 15 Jun 2019.

Vancouver:

Iler D. Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Jun 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822783/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iler D. Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822783/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Trigo Táboas, Susana. La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich.

Degree: 2012, Instituto Politécnico do Porto

El estudio de las piezas contrapuntísticas no resulta tarea fácil para el intérprete. Es preciso desarrollar una lógica de la construcción musical, de la forma,… (more)

Subjects/Keywords: Polifonía; Contrapunto; Fuga; Piano; J. S. Bach; Shostakovich; Beethoven; Polifonia; Contraponto; Polyphony; Counterpoint; Fugue

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Trigo Táboas, S. (2012). La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trigo Táboas, Susana. “La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich.” 2012. Thesis, Instituto Politécnico do Porto. Accessed June 15, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trigo Táboas, Susana. “La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich.” 2012. Web. 15 Jun 2019.

Vancouver:

Trigo Táboas S. La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich. [Internet] [Thesis]. Instituto Politécnico do Porto; 2012. [cited 2019 Jun 15]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trigo Táboas S. La herencia contrapuntística: estudio comparativo del contrapunto en el piano a partir de tres fugas de Bach, Beethoven y Shostakovich. [Thesis]. Instituto Politécnico do Porto; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

15. Sterrs, Tamika Sakayi. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.

Degree: PhD, Music, 2013, University of Georgia

 There is a neglected body of musical works which engage post-tonality, jazz, and counterpoint. The sharing in common of a modernist aesthetic, a propensity for… (more)

Subjects/Keywords: post-tonality; jazz; counterpoint; Bach; intertextuality; borrowing; allusion; paradigm; taxonomy; philosophy of science; fugue; musical space; modernism; twentieth-century music

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APA (6th Edition):

Sterrs, T. S. (2013). Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd

Chicago Manual of Style (16th Edition):

Sterrs, Tamika Sakayi. “Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.” 2013. Doctoral Dissertation, University of Georgia. Accessed June 15, 2019. http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd.

MLA Handbook (7th Edition):

Sterrs, Tamika Sakayi. “Toward a compositional paradigm based on post-tonality, jazz, and counterpoint.” 2013. Web. 15 Jun 2019.

Vancouver:

Sterrs TS. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. [Internet] [Doctoral dissertation]. University of Georgia; 2013. [cited 2019 Jun 15]. Available from: http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd.

Council of Science Editors:

Sterrs TS. Toward a compositional paradigm based on post-tonality, jazz, and counterpoint. [Doctoral Dissertation]. University of Georgia; 2013. Available from: http://purl.galileo.usg.edu/uga_etd/sterrs_tamika_s_201305_phd


Université de Montréal

16. Germain-Berardi, Pascal. Composition et direction, une démarche complémentaire .

Degree: 2016, Université de Montréal

 Ce mémoire fait état de ma démarche de compositeur à l'intérieur d'un cadre plus large qui inclue une démarche de direction. Croyant que ces disciplines… (more)

Subjects/Keywords: Harmonie; Orchestration; Contrepoint; Motif; Cellule; Thème; Forme; Écriture; Direction; Choeur; Harmony; Counterpoint; Cell; Theme; Form; Crafting; Conducting; Choir

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APA (6th Edition):

Germain-Berardi, P. (2016). Composition et direction, une démarche complémentaire . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/16437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Germain-Berardi, Pascal. “Composition et direction, une démarche complémentaire .” 2016. Thesis, Université de Montréal. Accessed June 15, 2019. http://hdl.handle.net/1866/16437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Germain-Berardi, Pascal. “Composition et direction, une démarche complémentaire .” 2016. Web. 15 Jun 2019.

Vancouver:

Germain-Berardi P. Composition et direction, une démarche complémentaire . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1866/16437.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Germain-Berardi P. Composition et direction, une démarche complémentaire . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/16437

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uniwersytet im. Adama Mickiewicza w Poznaniu

17. Gałdyńska-Mazan, Adriana. Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego .

Degree: 2010, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Termin „fonosfera” stanowi w pracy termin roboczy. Odnosi się do zjawisk dźwiękowych powstających w ramach tradycyjnie pojmowanej muzyki, a więc podczas śpiewu lub gry na… (more)

Subjects/Keywords: partytura aktorska; actor’s score; proces organiczny; organic process; intonacja wymowy scenicznej; Scenic speech intonation; kontrapunkt; counterpoint; brzmienie; tone

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APA (6th Edition):

Gałdyńska-Mazan, A. (2010). Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/686

Chicago Manual of Style (16th Edition):

Gałdyńska-Mazan, Adriana. “Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego .” 2010. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed June 15, 2019. http://hdl.handle.net/10593/686.

MLA Handbook (7th Edition):

Gałdyńska-Mazan, Adriana. “Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego .” 2010. Web. 15 Jun 2019.

Vancouver:

Gałdyńska-Mazan A. Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2010. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/10593/686.

Council of Science Editors:

Gałdyńska-Mazan A. Koncepcja fonosfery w Laboratorium Teatralnym Jerzego Grotowskiego . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2010. Available from: http://hdl.handle.net/10593/686


Louisiana State University

18. Carver, Joshua Adam. Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music.

Degree: PhD, Music, 2014, Louisiana State University

  The first part of this dissertation is a musical composition for orchestra entitled Symphony No. 1: On the Creation. Each movement depicts one of… (more)

Subjects/Keywords: local chromaticism; compositional techniques; contrapuntal techniques; counterpoint; harmonic style; Baroque; music theory; composition; Purcell; symphony; orchestra; false relation; modality; structural chromaticism

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APA (6th Edition):

Carver, J. A. (2014). Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-07232014-132831 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2733

Chicago Manual of Style (16th Edition):

Carver, Joshua Adam. “Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music.” 2014. Doctoral Dissertation, Louisiana State University. Accessed June 15, 2019. etd-07232014-132831 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2733.

MLA Handbook (7th Edition):

Carver, Joshua Adam. “Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music.” 2014. Web. 15 Jun 2019.

Vancouver:

Carver JA. Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2019 Jun 15]. Available from: etd-07232014-132831 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2733.

Council of Science Editors:

Carver JA. Symphony No. 1: On the Creation and Chromaticism and Harmony in Henry Purcell's Sacred Music. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-07232014-132831 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2733


McGill University

19. Beckett, Christine Alyn. Attentional direction in two-part contrapuntal dictation.

Degree: PhD, Faculty of Music., 1993, McGill University

 This study explored undergraduate music majors' strategies in two-part dictation. Sixty volunteers answered a questionnaire on their musical background, learning styles, and dictation methods. They… (more)

Subjects/Keywords: Musical dictation; Ear training; Auditory perception; Attention; Counterpoint

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APA (6th Edition):

Beckett, C. A. (1993). Attentional direction in two-part contrapuntal dictation. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile41102.pdf

Chicago Manual of Style (16th Edition):

Beckett, Christine Alyn. “Attentional direction in two-part contrapuntal dictation.” 1993. Doctoral Dissertation, McGill University. Accessed June 15, 2019. http://digitool.library.mcgill.ca/thesisfile41102.pdf.

MLA Handbook (7th Edition):

Beckett, Christine Alyn. “Attentional direction in two-part contrapuntal dictation.” 1993. Web. 15 Jun 2019.

Vancouver:

Beckett CA. Attentional direction in two-part contrapuntal dictation. [Internet] [Doctoral dissertation]. McGill University; 1993. [cited 2019 Jun 15]. Available from: http://digitool.library.mcgill.ca/thesisfile41102.pdf.

Council of Science Editors:

Beckett CA. Attentional direction in two-part contrapuntal dictation. [Doctoral Dissertation]. McGill University; 1993. Available from: http://digitool.library.mcgill.ca/thesisfile41102.pdf


Université Paris-Sorbonne – Paris IV

20. Alevizos, Konstantinos. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”.

Degree: Docteur es, Musique et musicologie, 2016, Université Paris-Sorbonne – Paris IV

La thèse veut démontrer que toutes les compositions contenues dans L'Art de la Fugue possèdent entre elles des liaisons strictes et essentielles qui vont au-delà… (more)

Subjects/Keywords: Contrapunctus; Johann Sebastian Bach; Fugue; Art; Contrepoint; Matrice; Ordonnancement; Morphologie; Contrapunctus; Johann Sebastian Bach; Fugue; Art; Counterpoint; Matrix; Ordering; Morphology

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APA (6th Edition):

Alevizos, K. (2016). Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040033

Chicago Manual of Style (16th Edition):

Alevizos, Konstantinos. “Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”.” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 15, 2019. http://www.theses.fr/2016PA040033.

MLA Handbook (7th Edition):

Alevizos, Konstantinos. “Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”.” 2016. Web. 15 Jun 2019.

Vancouver:

Alevizos K. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2019 Jun 15]. Available from: http://www.theses.fr/2016PA040033.

Council of Science Editors:

Alevizos K. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach : The concept of matrix inside “The Art of Fugue by Johann Sebastian Bach”. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040033

21. Filho, Marcus Borja de Almeida. Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives.

Degree: Docteur es, Études théâtrales, 2015, Sorbonne Paris Cité; Universidade de São Paulo (Brésil)

Cette recherche s’inscrit dans la continuité du travail poursuivi en Master 2 dans cette même université, dont le mémoire, soutenu en 2009, s’intitule « Du… (more)

Subjects/Keywords: Dramaturgie; Dramaturgisme; Écritures collectives; Processus collaboratif; Texte théâtral; Composition; Contrepoint; Dramaturgy; Dramaturgism; Collective playwriting; Collaborative process; Theatrical text; Composition; Counterpoint; 792.01

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APA (6th Edition):

Filho, M. B. d. A. (2015). Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives. (Doctoral Dissertation). Sorbonne Paris Cité; Universidade de São Paulo (Brésil). Retrieved from http://www.theses.fr/2015USPCA096

Chicago Manual of Style (16th Edition):

Filho, Marcus Borja de Almeida. “Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives.” 2015. Doctoral Dissertation, Sorbonne Paris Cité; Universidade de São Paulo (Brésil). Accessed June 15, 2019. http://www.theses.fr/2015USPCA096.

MLA Handbook (7th Edition):

Filho, Marcus Borja de Almeida. “Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives.” 2015. Web. 15 Jun 2019.

Vancouver:

Filho MBdA. Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; Universidade de São Paulo (Brésil); 2015. [cited 2019 Jun 15]. Available from: http://www.theses.fr/2015USPCA096.

Council of Science Editors:

Filho MBdA. Dramaturgies en relation : processus compositionnels d'écriture théâtrale collective. Tendances et perspectives : Dramaturgies in relation : compositional processes of collective theatre writing : trends and perspectives. [Doctoral Dissertation]. Sorbonne Paris Cité; Universidade de São Paulo (Brésil); 2015. Available from: http://www.theses.fr/2015USPCA096

22. Blixt, Johan. Stegvist komponerande : strategier för att skapa flow.

Degree: Composition and Conducting, 2017, Royal College of Music in Stockholm

I denna uppsats beskriver jag mitt arbete med en kortopera som heter Dags som jag skrivit under min masterutbildning i komposition på Kungl. Musikhögskolan.… (more)

Subjects/Keywords: composition; music; opera; flow; counterpoint; music theatre; dramatic music; komposition; musik; opera; flow; låsningar; kontrapunkt; musikteater; musikdramatik; Music; Musik

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APA (6th Edition):

Blixt, J. (2017). Stegvist komponerande : strategier för att skapa flow. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2445

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blixt, Johan. “Stegvist komponerande : strategier för att skapa flow.” 2017. Thesis, Royal College of Music in Stockholm. Accessed June 15, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2445.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blixt, Johan. “Stegvist komponerande : strategier för att skapa flow.” 2017. Web. 15 Jun 2019.

Vancouver:

Blixt J. Stegvist komponerande : strategier för att skapa flow. [Internet] [Thesis]. Royal College of Music in Stockholm; 2017. [cited 2019 Jun 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2445.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blixt J. Stegvist komponerande : strategier för att skapa flow. [Thesis]. Royal College of Music in Stockholm; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2445

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

23. Ralph, Bobbie Jeffers. A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven.

Degree: D.Mus.Ed., 1970, University of Oklahoma

Subjects/Keywords: Music.; Beethoven, Ludwig van, 1770-1827. Sonatas, piano.; Counterpoint.

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APA (6th Edition):

Ralph, B. J. (1970). A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/2857

Chicago Manual of Style (16th Edition):

Ralph, Bobbie Jeffers. “A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven.” 1970. Doctoral Dissertation, University of Oklahoma. Accessed June 15, 2019. http://hdl.handle.net/11244/2857.

MLA Handbook (7th Edition):

Ralph, Bobbie Jeffers. “A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven.” 1970. Web. 15 Jun 2019.

Vancouver:

Ralph BJ. A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven. [Internet] [Doctoral dissertation]. University of Oklahoma; 1970. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/11244/2857.

Council of Science Editors:

Ralph BJ. A study of the use of contrapuntal techniques in selected piano sonatas of Ludwig van Beethoven. [Doctoral Dissertation]. University of Oklahoma; 1970. Available from: http://hdl.handle.net/11244/2857


McGill University

24. Flint, Catrena M. La chanson d'Eve : counterpoint in the late of Fauré.

Degree: MA, Faculty of Music., 1997, McGill University

 In the field of musicology, most commentators agree that the late style of Gabriel Faure is highly contrapuntal. At the same time, no systematic or… (more)

Subjects/Keywords: Counterpoint.; Fauré, Gabriel, 1845-1924. Chanson d'Eve.

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APA (6th Edition):

Flint, C. M. (1997). La chanson d'Eve : counterpoint in the late of Fauré. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile28048.pdf

Chicago Manual of Style (16th Edition):

Flint, Catrena M. “La chanson d'Eve : counterpoint in the late of Fauré.” 1997. Masters Thesis, McGill University. Accessed June 15, 2019. http://digitool.library.mcgill.ca/thesisfile28048.pdf.

MLA Handbook (7th Edition):

Flint, Catrena M. “La chanson d'Eve : counterpoint in the late of Fauré.” 1997. Web. 15 Jun 2019.

Vancouver:

Flint CM. La chanson d'Eve : counterpoint in the late of Fauré. [Internet] [Masters thesis]. McGill University; 1997. [cited 2019 Jun 15]. Available from: http://digitool.library.mcgill.ca/thesisfile28048.pdf.

Council of Science Editors:

Flint CM. La chanson d'Eve : counterpoint in the late of Fauré. [Masters Thesis]. McGill University; 1997. Available from: http://digitool.library.mcgill.ca/thesisfile28048.pdf

25. Lacy, Eric B. Bipolarity.

Degree: 2012, University of North Carolina – Greensboro

 The purpose of this work is to explore the possibilities of advanced contrapuntal techniques in music. Bipolarity is a composition consisting of two complete, self-contained… (more)

Subjects/Keywords: Counterpoint – Analysis, appreciation; Musical perception; Composition (Music)

…texture A! major Middle Occasional 16th note staccatos Imitative counterpoint F major tonality… …counterpoint A! major Solo legato F major with minor 3rd modulation in m. 5 UNIT I Register… 

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APA (6th Edition):

Lacy, E. B. (2012). Bipolarity. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8844

Chicago Manual of Style (16th Edition):

Lacy, Eric B. “Bipolarity.” 2012. Masters Thesis, University of North Carolina – Greensboro. Accessed June 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8844.

MLA Handbook (7th Edition):

Lacy, Eric B. “Bipolarity.” 2012. Web. 15 Jun 2019.

Vancouver:

Lacy EB. Bipolarity. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2012. [cited 2019 Jun 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8844.

Council of Science Editors:

Lacy EB. Bipolarity. [Masters Thesis]. University of North Carolina – Greensboro; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8844


University of Toronto

26. Viselli, Antonio. The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension.

Degree: 2014, University of Toronto

In such curiously compelling historical proximity, French symbolist poets and European modernist writers experimented with a particular musical form in literature: fugue, a musical style… (more)

Subjects/Keywords: Fugue, Counterpoint, Subjectivity, Alterity, Time, Non-Euclidean Geometry, Intermediality, Melopoetics, Enigma, Fourth Dimension, Epiphany, Parallax; 0295

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Viselli, A. (2014). The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/72584

Chicago Manual of Style (16th Edition):

Viselli, Antonio. “The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension.” 2014. Doctoral Dissertation, University of Toronto. Accessed June 15, 2019. http://hdl.handle.net/1807/72584.

MLA Handbook (7th Edition):

Viselli, Antonio. “The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension.” 2014. Web. 15 Jun 2019.

Vancouver:

Viselli A. The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension. [Internet] [Doctoral dissertation]. University of Toronto; 2014. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1807/72584.

Council of Science Editors:

Viselli A. The (Proto-)Modernist Subject in Time: Fugue and the Fourth Dimension. [Doctoral Dissertation]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/72584


University of Iowa

27. Gravelle, Shannon Marie. A preliminary study of the choral works and style of Sergei Taneyev.

Degree: DMA, Music, 2017, University of Iowa

Subjects/Keywords: Counterpoint; Russian Secular Choral Music; Sergei Taneyev; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gravelle, S. M. (2017). A preliminary study of the choral works and style of Sergei Taneyev. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/5484

Chicago Manual of Style (16th Edition):

Gravelle, Shannon Marie. “A preliminary study of the choral works and style of Sergei Taneyev.” 2017. Doctoral Dissertation, University of Iowa. Accessed June 15, 2019. https://ir.uiowa.edu/etd/5484.

MLA Handbook (7th Edition):

Gravelle, Shannon Marie. “A preliminary study of the choral works and style of Sergei Taneyev.” 2017. Web. 15 Jun 2019.

Vancouver:

Gravelle SM. A preliminary study of the choral works and style of Sergei Taneyev. [Internet] [Doctoral dissertation]. University of Iowa; 2017. [cited 2019 Jun 15]. Available from: https://ir.uiowa.edu/etd/5484.

Council of Science Editors:

Gravelle SM. A preliminary study of the choral works and style of Sergei Taneyev. [Doctoral Dissertation]. University of Iowa; 2017. Available from: https://ir.uiowa.edu/etd/5484

28. Ramos, Rafael Registro. Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção.

Degree: Mestrado, Musicologia, 2014, University of São Paulo

O tratado de contraponto, Arte Explicada de Contraponto, do lisboeta André da Silva Gomes, destaca-se na produção teórico-musical brasileira como uma obra que articula o… (more)

Subjects/Keywords: André da Silva; André da Silva; Brazilian music; Colonial period; Counterpoint learning; Ensino do contraponto; Gomes; Gomes; História da teoria musical; History of music theory; Música brasileira; Período Colonial

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramos, R. R. (2014). Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-27012015-162939/ ;

Chicago Manual of Style (16th Edition):

Ramos, Rafael Registro. “Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção.” 2014. Masters Thesis, University of São Paulo. Accessed June 15, 2019. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-27012015-162939/ ;.

MLA Handbook (7th Edition):

Ramos, Rafael Registro. “Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção.” 2014. Web. 15 Jun 2019.

Vancouver:

Ramos RR. Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2019 Jun 15]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-27012015-162939/ ;.

Council of Science Editors:

Ramos RR. Discurso e conceitos no tratado de contraponto de André da Silva Gomes: um estudo de recepção. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-27012015-162939/ ;


Universidade Federal de Santa Maria

29. Gérson Luís Werlang. A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL.

Degree: 2009, Universidade Federal de Santa Maria

Esta tese se propõe a analisar o papel desempenhado pela música na obra do escritor Erico Versissimo. A diversidade de usos que ela adquiriu ao… (more)

Subjects/Keywords: humanismo; crítica social; polifonia musical; história; música; literatura; Erico Verissimo; LETRAS; music; Erico Verissimo; literature; history; social criticism; musical polyphony; counterpoint; humanism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Werlang, G. L. (2009). A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=2622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Werlang, Gérson Luís. “A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL.” 2009. Thesis, Universidade Federal de Santa Maria. Accessed June 15, 2019. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=2622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Werlang, Gérson Luís. “A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL.” 2009. Web. 15 Jun 2019.

Vancouver:

Werlang GL. A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2009. [cited 2019 Jun 15]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=2622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Werlang GL. A MÚSICA NA OBRA DE ERICO VERISSIMO: POLIFONIA, HUMANISMO E CRÍTICA SOCIAL. [Thesis]. Universidade Federal de Santa Maria; 2009. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=2622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

30. Laurin-Pratte, Vincent. L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical .

Degree: 2014, Université de Montréal

 Ce mémoire atteste du résultat de mes deux années d’étude en composition à l’Université de Montréal. J’ai cherché à développé un langage musical personnel, bien… (more)

Subjects/Keywords: musique de film; musique de concert; harmonie; contrepoint; forme musicale; néotonalité; néoromantisme; concert music; film music; harmony; counterpoint; musical form; neoromantism; neotonality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Laurin-Pratte, V. (2014). L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/10621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Laurin-Pratte, Vincent. “L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical .” 2014. Thesis, Université de Montréal. Accessed June 15, 2019. http://hdl.handle.net/1866/10621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Laurin-Pratte, Vincent. “L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical .” 2014. Web. 15 Jun 2019.

Vancouver:

Laurin-Pratte V. L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical . [Internet] [Thesis]. Université de Montréal; 2014. [cited 2019 Jun 15]. Available from: http://hdl.handle.net/1866/10621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Laurin-Pratte V. L’influence réciproque qu’exerce la pratique conjointe de la composition de musique à l’image et de la composition de musique de concert sur le développement de mon langage musical . [Thesis]. Université de Montréal; 2014. Available from: http://hdl.handle.net/1866/10621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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