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You searched for subject:(Contemporary glass). Showing records 1 – 14 of 14 total matches.

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Rochester Institute of Technology

1. Schnuckel, David. Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity.

Degree: School for American Crafts (CIAS), 2010, Rochester Institute of Technology

 In this Thesis I will discuss my current body of work in regards to my interest in the essence of human fallibility and its role… (more)

Subjects/Keywords: Contemporary glass

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APA (6th Edition):

Schnuckel, D. (2010). Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schnuckel, David. “Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity.” 2010. Thesis, Rochester Institute of Technology. Accessed October 23, 2019. https://scholarworks.rit.edu/theses/4507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schnuckel, David. “Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity.” 2010. Web. 23 Oct 2019.

Vancouver:

Schnuckel D. Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity. [Internet] [Thesis]. Rochester Institute of Technology; 2010. [cited 2019 Oct 23]. Available from: https://scholarworks.rit.edu/theses/4507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schnuckel D. Taking the punch: Utilizing unfortunate circumstances to reexamine personal identity. [Thesis]. Rochester Institute of Technology; 2010. Available from: https://scholarworks.rit.edu/theses/4507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

2. Palmer, Lindsey. Minutes, Days, Years.

Degree: MFA, School of Photographic Arts and Sciences (CAD), 2019, Rochester Institute of Technology

  Minutes, Days, Years, is a body of photographic work presented in an installation format alongside a written companion book. In this work I seek… (more)

Subjects/Keywords: Alternative process; Blue; Contemporary; Cyanotype; Glass; Memory

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APA (6th Edition):

Palmer, L. (2019). Minutes, Days, Years. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/10015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palmer, Lindsey. “Minutes, Days, Years.” 2019. Thesis, Rochester Institute of Technology. Accessed October 23, 2019. https://scholarworks.rit.edu/theses/10015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palmer, Lindsey. “Minutes, Days, Years.” 2019. Web. 23 Oct 2019.

Vancouver:

Palmer L. Minutes, Days, Years. [Internet] [Thesis]. Rochester Institute of Technology; 2019. [cited 2019 Oct 23]. Available from: https://scholarworks.rit.edu/theses/10015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palmer L. Minutes, Days, Years. [Thesis]. Rochester Institute of Technology; 2019. Available from: https://scholarworks.rit.edu/theses/10015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

3. Buzzi, Gayle. Accidental landscapes.

Degree: School of Art, 2019, University of Manitoba

 This paper describes and explains my thesis installation through the context of the Western world’s perceived culture vs nature binary. The history of nature in… (more)

Subjects/Keywords: Glass art; Sculpture; Fine art; Contemporary art

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APA (6th Edition):

Buzzi, G. (2019). Accidental landscapes. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34274

Chicago Manual of Style (16th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Masters Thesis, University of Manitoba. Accessed October 23, 2019. http://hdl.handle.net/1993/34274.

MLA Handbook (7th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Web. 23 Oct 2019.

Vancouver:

Buzzi G. Accidental landscapes. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1993/34274.

Council of Science Editors:

Buzzi G. Accidental landscapes. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34274


Montana Tech

4. Schachner, Casey Mae. Greetings from...

Degree: MFA, 2019, Montana Tech

  Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted.… (more)

Subjects/Keywords: sculpture; fine art; installation; glass; contemporary art; florida; Art Practice; Fine Arts; Glass Arts; Sculpture

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APA (6th Edition):

Schachner, C. M. (2019). Greetings from... (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/11328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schachner, Casey Mae. “Greetings from...” 2019. Thesis, Montana Tech. Accessed October 23, 2019. https://scholarworks.umt.edu/etd/11328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schachner, Casey Mae. “Greetings from...” 2019. Web. 23 Oct 2019.

Vancouver:

Schachner CM. Greetings from... [Internet] [Thesis]. Montana Tech; 2019. [cited 2019 Oct 23]. Available from: https://scholarworks.umt.edu/etd/11328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schachner CM. Greetings from... [Thesis]. Montana Tech; 2019. Available from: https://scholarworks.umt.edu/etd/11328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

5. Oberdick, Jessica. Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them.

Degree: MA, 2017, University of Louisville

  Seeking to understand the media’s influence over society, and the way the media motivate us to conform to specific ideals, this thesis focuses on… (more)

Subjects/Keywords: cultivation theory; the looking glass self; contemporary art; social justice art; norms; Art Practice

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APA (6th Edition):

Oberdick, J. (2017). Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2838 ; https://ir.library.louisville.edu/etd/2838

Chicago Manual of Style (16th Edition):

Oberdick, Jessica. “Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them.” 2017. Masters Thesis, University of Louisville. Accessed October 23, 2019. 10.18297/etd/2838 ; https://ir.library.louisville.edu/etd/2838.

MLA Handbook (7th Edition):

Oberdick, Jessica. “Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them.” 2017. Web. 23 Oct 2019.

Vancouver:

Oberdick J. Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Oct 23]. Available from: 10.18297/etd/2838 ; https://ir.library.louisville.edu/etd/2838.

Council of Science Editors:

Oberdick J. Challenging the self : an examination of the media's role in creating idealized bodies and the artists that challenge them. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2838 ; https://ir.library.louisville.edu/etd/2838


Louisiana State University

6. Krolak, Kristin M. Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour.

Degree: MA, Arts and Humanities, 2002, Louisiana State University

 This thesis is an investigation into the artwork of Paul Arthur Dufour. He has continuously redefined his identity through the form of his art, and… (more)

Subjects/Keywords: sumi; contemporary artist; Paul Dufour; stained glass

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APA (6th Edition):

Krolak, K. M. (2002). Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour. (Masters Thesis). Louisiana State University. Retrieved from etd-1112102-030154 ; https://digitalcommons.lsu.edu/gradschool_theses/926

Chicago Manual of Style (16th Edition):

Krolak, Kristin M. “Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour.” 2002. Masters Thesis, Louisiana State University. Accessed October 23, 2019. etd-1112102-030154 ; https://digitalcommons.lsu.edu/gradschool_theses/926.

MLA Handbook (7th Edition):

Krolak, Kristin M. “Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour.” 2002. Web. 23 Oct 2019.

Vancouver:

Krolak KM. Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour. [Internet] [Masters thesis]. Louisiana State University; 2002. [cited 2019 Oct 23]. Available from: etd-1112102-030154 ; https://digitalcommons.lsu.edu/gradschool_theses/926.

Council of Science Editors:

Krolak KM. Collecting raindrops: investigating multiplicity in the work of Paul Arthur Dufour. [Masters Thesis]. Louisiana State University; 2002. Available from: etd-1112102-030154 ; https://digitalcommons.lsu.edu/gradschool_theses/926

7. Serraille, Guillaume. Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass.

Degree: Docteur es, Histoire, 2014, Université Lumière – Lyon II

L’identification et la définition des acteurs du verre italien actuel est complexe dans la mesure où leur situation est paradoxale : ils sont à la… (more)

Subjects/Keywords: Verre; Verrier; Ornement; Italie; Venise; Murano; Technique; Tradition; Postmodernité; Art contemporain; Artisanat; Groupe social; Glass; Glassblower; Ornament; Italy; Venice; Murano; Technique; Tradition; Postmodernity; Contemporary art; Craftsmanship; Social group

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APA (6th Edition):

Serraille, G. (2014). Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2014LYO20011

Chicago Manual of Style (16th Edition):

Serraille, Guillaume. “Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass.” 2014. Doctoral Dissertation, Université Lumière – Lyon II. Accessed October 23, 2019. http://www.theses.fr/2014LYO20011.

MLA Handbook (7th Edition):

Serraille, Guillaume. “Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass.” 2014. Web. 23 Oct 2019.

Vancouver:

Serraille G. Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2014. [cited 2019 Oct 23]. Available from: http://www.theses.fr/2014LYO20011.

Council of Science Editors:

Serraille G. Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre. : Glass and contemporary art : the example of the Italian production.- An attempt to contribute to the study of art glass. [Doctoral Dissertation]. Université Lumière – Lyon II; 2014. Available from: http://www.theses.fr/2014LYO20011

8. Serra, Laurence. Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920).

Degree: Docteur es, Archéologie, 2011, Aix-Marseille 1

Conditionner les produits alimentaires, pharmaceutiques et cosmétiques pour les conserver et les transporter a toujours été une nécessité pour des hommes à la fois consommateurs… (more)

Subjects/Keywords: Verre; Bouteille; Flacon; Emballage; Archéologie; Épaves; Verriers; Provence; Moderne; Contemporain; Glass; Bottle; Flask; Packaging; Containers; Shipwrecks; Glassmakers; Glassworks; Provence; Archeology; Modern time; Contemporary time

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APA (6th Edition):

Serra, L. (2011). Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920). (Doctoral Dissertation). Aix-Marseille 1. Retrieved from http://www.theses.fr/2011AIX10170

Chicago Manual of Style (16th Edition):

Serra, Laurence. “Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920).” 2011. Doctoral Dissertation, Aix-Marseille 1. Accessed October 23, 2019. http://www.theses.fr/2011AIX10170.

MLA Handbook (7th Edition):

Serra, Laurence. “Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920).” 2011. Web. 23 Oct 2019.

Vancouver:

Serra L. Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920). [Internet] [Doctoral dissertation]. Aix-Marseille 1; 2011. [cited 2019 Oct 23]. Available from: http://www.theses.fr/2011AIX10170.

Council of Science Editors:

Serra L. Le verre comme mode d’emballage en Provence à l’époque moderne et contemporaine : Industrie, productions, commerce (1720 – 1920) : Packaging glass in Provence in the modern and contemporary era : Industry, Products and Trade (1720 – 1920). [Doctoral Dissertation]. Aix-Marseille 1; 2011. Available from: http://www.theses.fr/2011AIX10170


Virginia Commonwealth University

9. Kuchenbecker, Emily E. Lifetime.

Degree: MFA, Craft/Material Studies, 2019, Virginia Commonwealth University

  Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of… (more)

Subjects/Keywords: Craft; Glass; Time; Movement; Body; Soul; Life; Transient; Nature; Spirituality; Movement; Human Experience.; Art and Materials Conservation; Art Practice; Contemporary Art; Glass Arts; History of Art, Architecture, and Archaeology; Metaphysics; Theory and Criticism

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APA (6th Edition):

Kuchenbecker, E. E. (2019). Lifetime. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuchenbecker, Emily E. “Lifetime.” 2019. Thesis, Virginia Commonwealth University. Accessed October 23, 2019. https://scholarscompass.vcu.edu/etd/5838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuchenbecker, Emily E. “Lifetime.” 2019. Web. 23 Oct 2019.

Vancouver:

Kuchenbecker EE. Lifetime. [Internet] [Thesis]. Virginia Commonwealth University; 2019. [cited 2019 Oct 23]. Available from: https://scholarscompass.vcu.edu/etd/5838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuchenbecker EE. Lifetime. [Thesis]. Virginia Commonwealth University; 2019. Available from: https://scholarscompass.vcu.edu/etd/5838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

10. Hemp, Doreen. Process in glass art : a study of some technical and conceptual issues.

Degree: 1995, University of South Africa

Glass has been made and used for centuries but South African artists, isolated for the last three decades, are only now becoming aware of the… (more)

Subjects/Keywords: Glass - ancient history; Modern and contemporary; Studio Glass Movement; Technical processes; Neon; Fused; Cast; Moulds; Blowing; Kiln worked; Flame worked; Laminated; Photography

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APA (6th Edition):

Hemp, D. (1995). Process in glass art : a study of some technical and conceptual issues. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/16933

Chicago Manual of Style (16th Edition):

Hemp, Doreen. “Process in glass art : a study of some technical and conceptual issues.” 1995. Masters Thesis, University of South Africa. Accessed October 23, 2019. http://hdl.handle.net/10500/16933.

MLA Handbook (7th Edition):

Hemp, Doreen. “Process in glass art : a study of some technical and conceptual issues.” 1995. Web. 23 Oct 2019.

Vancouver:

Hemp D. Process in glass art : a study of some technical and conceptual issues. [Internet] [Masters thesis]. University of South Africa; 1995. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10500/16933.

Council of Science Editors:

Hemp D. Process in glass art : a study of some technical and conceptual issues. [Masters Thesis]. University of South Africa; 1995. Available from: http://hdl.handle.net/10500/16933


University of Victoria

11. Bakker, Twila Dawn. Two responses to modernism: minimalism and new complexity in solo flute repertoire.

Degree: School of Music, 2011, University of Victoria

 Wind repertoire, especially for flute, has received little focused attention in the musicological world especially when compared with other instruments. This gap in scholarship is… (more)

Subjects/Keywords: flute; music; musicology; Unity Capsule; Valentine Piece; Carceri d'invenzione IIb; Vermont Counterpoint; Arabesque in Memoriam; Ende; Andriessen; Sgothan; Superscripto; minimalism; new complexity; Gorecki; Glass; Reich; Dillon; Ferneyhough; post-modern; modern; contemporary; avant-garde; wind repertoire

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APA (6th Edition):

Bakker, T. D. (2011). Two responses to modernism: minimalism and new complexity in solo flute repertoire. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/3260

Chicago Manual of Style (16th Edition):

Bakker, Twila Dawn. “Two responses to modernism: minimalism and new complexity in solo flute repertoire.” 2011. Masters Thesis, University of Victoria. Accessed October 23, 2019. http://hdl.handle.net/1828/3260.

MLA Handbook (7th Edition):

Bakker, Twila Dawn. “Two responses to modernism: minimalism and new complexity in solo flute repertoire.” 2011. Web. 23 Oct 2019.

Vancouver:

Bakker TD. Two responses to modernism: minimalism and new complexity in solo flute repertoire. [Internet] [Masters thesis]. University of Victoria; 2011. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1828/3260.

Council of Science Editors:

Bakker TD. Two responses to modernism: minimalism and new complexity in solo flute repertoire. [Masters Thesis]. University of Victoria; 2011. Available from: http://hdl.handle.net/1828/3260


University of Louisville

12. Szwedzinski, KCJ. Trace.

Degree: M.F.A., 2019, University of Louisville

  Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts… (more)

Subjects/Keywords: Judaica; feminist art; Jewish art; identity politics; feminism; Art Practice; Contemporary Art; Feminist Philosophy; Fine Arts; Glass Arts; Interdisciplinary Arts and Media; Other Arts and Humanities; Printmaking; Sculpture; Theory and Criticism; Women's Studies

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APA (6th Edition):

Szwedzinski, K. (2019). Trace. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3158 ; https://ir.library.louisville.edu/etd/3158

Chicago Manual of Style (16th Edition):

Szwedzinski, KCJ. “Trace.” 2019. Masters Thesis, University of Louisville. Accessed October 23, 2019. 10.18297/etd/3158 ; https://ir.library.louisville.edu/etd/3158.

MLA Handbook (7th Edition):

Szwedzinski, KCJ. “Trace.” 2019. Web. 23 Oct 2019.

Vancouver:

Szwedzinski K. Trace. [Internet] [Masters thesis]. University of Louisville; 2019. [cited 2019 Oct 23]. Available from: 10.18297/etd/3158 ; https://ir.library.louisville.edu/etd/3158.

Council of Science Editors:

Szwedzinski K. Trace. [Masters Thesis]. University of Louisville; 2019. Available from: 10.18297/etd/3158 ; https://ir.library.louisville.edu/etd/3158


Baylor University

13. Werner, Karen Svendsen. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns.

Degree: English., 2013, Baylor University

 Exploring how art influences the works of Katherine Anne Porter (1890-1980), this study examines the way Porter’s fictional narrative patterns adapt and arrange images from… (more)

Subjects/Keywords: "María Concepción".; Iconography.; Rabelais.; Agrarians.; Mask.; Mirror.; Narrative.; Porter, Katherine Anne.; Noon wine.; Modernist art.; Modernist literature.; Folk art.; Folk carnival.; Festive pattern.; Bruegel, Pieter.; Bakhtin, Mikhail.; Gamio, Manuel.; Boas, Franz.; Joyce, James.; Late-medieval art.; Renaissance art.; Dance of death.; Contemporary anthropology.; Mexican art.; Posada, José Guadalupe.; Book of hours.; Grotesque body.; King figure.; Clown figure.; Pale horse, pale rider.; "The cracked looking-glass".; "The jilting of Granny Weatherall".; Art and writing.; Artistry.

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APA (6th Edition):

Werner, K. S. (2013). Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Werner, Karen Svendsen. “Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. ” 2013. Thesis, Baylor University. Accessed October 23, 2019. http://hdl.handle.net/2104/8603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Werner, Karen Svendsen. “Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. ” 2013. Web. 23 Oct 2019.

Vancouver:

Werner KS. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. [Internet] [Thesis]. Baylor University; 2013. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2104/8603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Werner KS. Art and artistry in Katherine Anne Porter : iconographic figures and festive patterns. [Thesis]. Baylor University; 2013. Available from: http://hdl.handle.net/2104/8603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Allan, Michele Margaret. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .

Degree: 2013, Australian National University

 Artworks produced in this studio-based research (option D) involve exploration of the ‘liquid space’ of the sea, not just in its physical and sensual nature… (more)

Subjects/Keywords: Australian contemporary painting; Micky Allan artist; contemporary metaphysical art; Engraved glass; theosophy and art; Jonah and the Whale; transcendental art; unity in diversity; the sea in painting; underwater spatial dynamics; poetic reality; death and renewal; transformation; interface of abstraction and representation; synthesis of inner and outer worlds

…present, the contemporary art conversation does not often include the metaphysical dimension. I… …spirituality has been and is increasingly acceptable in the contemporary art context, but my interest… …transforms and expands. Through this research in painting both the sea and a contemporary… …interpretation of Jonah and the Whale I explore the question: ‘What might a contemporary expression of… …resonate with the contemporary imagination. Methodology Studio Practice This research through… 

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APA (6th Edition):

Allan, M. M. (2013). ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Thesis, Australian National University. Accessed October 23, 2019. http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Web. 23 Oct 2019.

Vancouver:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Internet] [Thesis]. Australian National University; 2013. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.