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You searched for subject:(Contemporary Sublime). Showing records 1 – 20 of 20 total matches.

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University of Canterbury

1. Thorn, Sophie Alexandra. “The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle.

Degree: School of Humanities, 2010, University of Canterbury

 At the 52nd Venice Biennale in 2007, French artist, Sophie Calle presented for public consumption a starkly simple yet elegant work entitled Pas Pu Saisir… (more)

Subjects/Keywords: Contemporary art; Sophie Calle; death and mourning; sublime; morality; ethics

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APA (6th Edition):

Thorn, S. A. (2010). “The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/4831

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thorn, Sophie Alexandra. ““The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle.” 2010. Thesis, University of Canterbury. Accessed August 23, 2019. http://hdl.handle.net/10092/4831.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thorn, Sophie Alexandra. ““The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle.” 2010. Web. 23 Aug 2019.

Vancouver:

Thorn SA. “The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle. [Internet] [Thesis]. University of Canterbury; 2010. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/10092/4831.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thorn SA. “The Abuse of Power and Indiscretion": Identity, Mourning and Control in the Work of Sophie Calle. [Thesis]. University of Canterbury; 2010. Available from: http://hdl.handle.net/10092/4831

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

2. McNamee, Aaron. Some Kind of Time.

Degree: M.F.A., Fine Arts, 2010, University of New Orleans

 This critical analysis examines the progression and trajectory of my studio practices over the final two years of my graduate career. The pinnacle of my… (more)

Subjects/Keywords: Contemporary art; sculpture; time; found materials; mundane; repetition; sublime

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APA (6th Edition):

McNamee, A. (2010). Some Kind of Time. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/1194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McNamee, Aaron. “Some Kind of Time.” 2010. Thesis, University of New Orleans. Accessed August 23, 2019. https://scholarworks.uno.edu/td/1194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McNamee, Aaron. “Some Kind of Time.” 2010. Web. 23 Aug 2019.

Vancouver:

McNamee A. Some Kind of Time. [Internet] [Thesis]. University of New Orleans; 2010. [cited 2019 Aug 23]. Available from: https://scholarworks.uno.edu/td/1194.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McNamee A. Some Kind of Time. [Thesis]. University of New Orleans; 2010. Available from: https://scholarworks.uno.edu/td/1194

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

3. Neli Côndello Liando. Memorial do Convento: do lírico-grotesco ao sublime.

Degree: 2006, Pontifícia Universidade Católica de São Paulo

O presente estudo tem como objetivo elucidar a (con)figuração lírico-grotesca no Memorial do Convento (1982) de José Saramago, revelando-a não só como instrumento de construção… (more)

Subjects/Keywords: LITERATURAS ESTRANGEIRAS MODERNAS; Grotesco; Grotesque; Sublime; Contemporary novel; Grotesco na literatura; Belo; Lirismo; Beauty; Saramago, Jose  – 1922-  – Memorial do convento  – Critica e interpretacao; Lyricism; Sublime na literatura; Sublime

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APA (6th Edition):

Liando, N. C. (2006). Memorial do Convento: do lírico-grotesco ao sublime. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liando, Neli Côndello. “Memorial do Convento: do lírico-grotesco ao sublime.” 2006. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed August 23, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liando, Neli Côndello. “Memorial do Convento: do lírico-grotesco ao sublime.” 2006. Web. 23 Aug 2019.

Vancouver:

Liando NC. Memorial do Convento: do lírico-grotesco ao sublime. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2006. [cited 2019 Aug 23]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liando NC. Memorial do Convento: do lírico-grotesco ao sublime. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2006. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Cañadas Salvador, Helena. Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko.

Degree: Docteur es, Sciences de l'art, 2017, Université Paris X – Nanterre

Nous partons de la présentation de l'oeuvre de Mark Rothko et d’une analyse quirévèle en elle les « risques du sublime », ce qui nous… (more)

Subjects/Keywords: Mark Rothko; Sublime; Esthétique; Numineux; Art contemporain; Abstraction; Mark Rothko; Aesthetics; Sublime; Numinous; Contemporary art; Abstraction; Mark Rothko; Estética; Sublime; Numinoso; Arte contemporáneo; Abstracción

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APA (6th Edition):

Cañadas Salvador, H. (2017). Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2017PA100078

Chicago Manual of Style (16th Edition):

Cañadas Salvador, Helena. “Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko.” 2017. Doctoral Dissertation, Université Paris X – Nanterre. Accessed August 23, 2019. http://www.theses.fr/2017PA100078.

MLA Handbook (7th Edition):

Cañadas Salvador, Helena. “Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko.” 2017. Web. 23 Aug 2019.

Vancouver:

Cañadas Salvador H. Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2017. [cited 2019 Aug 23]. Available from: http://www.theses.fr/2017PA100078.

Council of Science Editors:

Cañadas Salvador H. Visions de l'âme : du sublime et du « numineux » dans l’oeuvre de Mark Rothko : Visiones del alma : de lo sublime y lo "numinoso" en la obra de Mark Rothko. [Doctoral Dissertation]. Université Paris X – Nanterre; 2017. Available from: http://www.theses.fr/2017PA100078


University of Notre Dame

5. Peter Joseph Fritz. Sublime Apprehension: A Catholic, Rahnerian Construction</h1>.

Degree: PhD, Theology, 2010, University of Notre Dame

  This dissertation shows how the thought of Karl Rahner presents the ethos of Catholic Christianity, which, since the dawn of modernity, one might call… (more)

Subjects/Keywords: theological aesthetics; contemporary catholicism; postmodern theology; theology and sublime; heidegger interpretation; rahner interpretation

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APA (6th Edition):

Fritz, P. J. (2010). Sublime Apprehension: A Catholic, Rahnerian Construction</h1>. (Doctoral Dissertation). University of Notre Dame. Retrieved from https://curate.nd.edu/show/j3860576792

Chicago Manual of Style (16th Edition):

Fritz, Peter Joseph. “Sublime Apprehension: A Catholic, Rahnerian Construction</h1>.” 2010. Doctoral Dissertation, University of Notre Dame. Accessed August 23, 2019. https://curate.nd.edu/show/j3860576792.

MLA Handbook (7th Edition):

Fritz, Peter Joseph. “Sublime Apprehension: A Catholic, Rahnerian Construction</h1>.” 2010. Web. 23 Aug 2019.

Vancouver:

Fritz PJ. Sublime Apprehension: A Catholic, Rahnerian Construction</h1>. [Internet] [Doctoral dissertation]. University of Notre Dame; 2010. [cited 2019 Aug 23]. Available from: https://curate.nd.edu/show/j3860576792.

Council of Science Editors:

Fritz PJ. Sublime Apprehension: A Catholic, Rahnerian Construction</h1>. [Doctoral Dissertation]. University of Notre Dame; 2010. Available from: https://curate.nd.edu/show/j3860576792


University of Sydney

6. Skowronska, Elwira Monika. datascapes: Redefining the Sublime in Contemporary Art .

Degree: 2018, University of Sydney

 Despite the recent resurgence of the sublime as a key theme in contemporary art and its profound art historical lineage, the concept largely remains defined… (more)

Subjects/Keywords: Contemporary art; the sublime; digital media; virtual space; Kantian aesthetics; pictorial infinity

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APA (6th Edition):

Skowronska, E. M. (2018). datascapes: Redefining the Sublime in Contemporary Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/20357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skowronska, Elwira Monika. “datascapes: Redefining the Sublime in Contemporary Art .” 2018. Thesis, University of Sydney. Accessed August 23, 2019. http://hdl.handle.net/2123/20357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skowronska, Elwira Monika. “datascapes: Redefining the Sublime in Contemporary Art .” 2018. Web. 23 Aug 2019.

Vancouver:

Skowronska EM. datascapes: Redefining the Sublime in Contemporary Art . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/2123/20357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skowronska EM. datascapes: Redefining the Sublime in Contemporary Art . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/20357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

7. De Smet, Elsa. Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969.

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Entre la première photographie jamais prise de la Lune en 1840 par J.W. Draper et la première photographie prise depuis le sol de notre satellite… (more)

Subjects/Keywords: Culture visuelle; Art-Science; Space art; Illustration; Art contemporain; Vue d’artiste; Sublime astronomique; Fiction scientifique; Visual culture; Art-Science; Space art; Illustration; Contemporary art; Artist view; Astronomical Sublime; Scientific fiction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Smet, E. (2016). Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040160

Chicago Manual of Style (16th Edition):

De Smet, Elsa. “Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969.” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 23, 2019. http://www.theses.fr/2016PA040160.

MLA Handbook (7th Edition):

De Smet, Elsa. “Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969.” 2016. Web. 23 Aug 2019.

Vancouver:

De Smet E. Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2019 Aug 23]. Available from: http://www.theses.fr/2016PA040160.

Council of Science Editors:

De Smet E. Voir pour Savoir. La visualisation technique et scientifique de l’aventure spatiale dans le monde occidental entre 1840 et 1969 : See to Know. The technical and scientifical visualization of space adventure in the western World between 1840 and 1969. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040160


The Ohio State University

8. Guion, David Stanton. A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING.

Degree: PhD, Art Education, 2008, The Ohio State University

 This study traces the emergence and defines the role of spirituality in the contemporary visual arts and examines and proposes possibilities for nurturing that role… (more)

Subjects/Keywords: Art History; Art Education; Fine Arts; Philosophy; spirituality; Bill Viola; postmodern theory; sublime; philanthropic foundations; philanthropy; contemporary art

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APA (6th Edition):

Guion, D. S. (2008). A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1210694707

Chicago Manual of Style (16th Edition):

Guion, David Stanton. “A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING.” 2008. Doctoral Dissertation, The Ohio State University. Accessed August 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1210694707.

MLA Handbook (7th Edition):

Guion, David Stanton. “A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING.” 2008. Web. 23 Aug 2019.

Vancouver:

Guion DS. A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Aug 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1210694707.

Council of Science Editors:

Guion DS. A STUDY OF SPIRITUALITY IN CONTEMPORARY VISUAL ART AND FOUNDATIONS FUNDING. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1210694707


Loughborough University

9. Wyatt, Nicholas. The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings.

Degree: PhD, 2015, Loughborough University

 My research uses my painting practice as an experimental and investigative tool to test the capacity of practical aesthetics to generate similar or analogous experiences… (more)

Subjects/Keywords: 755; Christian image; Devotional; Dualism; Contemporary British painting; Affective aesthetics; Capitalism; Sublime (the); Reception aesthetics; Communication; Experience; Meaning; Catholic Counter-Reformation

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APA (6th Edition):

Wyatt, N. (2015). The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings. (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/17679 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654794

Chicago Manual of Style (16th Edition):

Wyatt, Nicholas. “The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings.” 2015. Doctoral Dissertation, Loughborough University. Accessed August 23, 2019. https://dspace.lboro.ac.uk/2134/17679 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654794.

MLA Handbook (7th Edition):

Wyatt, Nicholas. “The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings.” 2015. Web. 23 Aug 2019.

Vancouver:

Wyatt N. The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings. [Internet] [Doctoral dissertation]. Loughborough University; 2015. [cited 2019 Aug 23]. Available from: https://dspace.lboro.ac.uk/2134/17679 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654794.

Council of Science Editors:

Wyatt N. The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings. [Doctoral Dissertation]. Loughborough University; 2015. Available from: https://dspace.lboro.ac.uk/2134/17679 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654794


Pontifical Catholic University of Rio de Janeiro

10. DANRLEI DE FREITAS AZEVEDO. [en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE.

Degree: 2009, Pontifical Catholic University of Rio de Janeiro

[pt] O problema da morte da arte atravessa praticamente toda a história artística moderna. As preleções sobre estética de Hegel, realizadas não muito tempo depois… (more)

Subjects/Keywords: [pt] ARTE CONTEMPORANEA; [en] CONTEMPORARY ART; [pt] SUBLIME; [en] SUBLIME; [pt] VANGUARDA; [en] VANGUARDS

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APA (6th Edition):

AZEVEDO, D. D. F. (2009). [en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

AZEVEDO, DANRLEI DE FREITAS. “[en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE.” 2009. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed August 23, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

AZEVEDO, DANRLEI DE FREITAS. “[en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE.” 2009. Web. 23 Aug 2019.

Vancouver:

AZEVEDO DDF. [en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2009. [cited 2019 Aug 23]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

AZEVEDO DDF. [en] DEATH OF ART: THE DISENCHANTED AESTHETIC APPEARANCE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2009. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

11. Papadatos, Margherita N. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.

Degree: 2014, University of Western Ontario

 The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George… (more)

Subjects/Keywords: Janet Cardiff; George Bures Miller; Lyotard; Kant; Sublime; Present; Presence; Memory; Temporality; Time; Subjectivity; Ontology.; Art Practice; Audio Arts and Acoustics; Contemporary Art; Other Philosophy; Theory and Criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Papadatos, M. N. (2014). A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papadatos, Margherita N. “A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.” 2014. Thesis, University of Western Ontario. Accessed August 23, 2019. https://ir.lib.uwo.ca/etd/2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papadatos, Margherita N. “A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller.” 2014. Web. 23 Aug 2019.

Vancouver:

Papadatos MN. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. [Internet] [Thesis]. University of Western Ontario; 2014. [cited 2019 Aug 23]. Available from: https://ir.lib.uwo.ca/etd/2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papadatos MN. A Space Without Memory: Time and the Sublime in the Work of Janet Cardiff and George Bures Miller. [Thesis]. University of Western Ontario; 2014. Available from: https://ir.lib.uwo.ca/etd/2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Clemson University

12. Snipes, Elizabeth. MIXED SIGNALS.

Degree: MFA, Visual Arts, 2007, Clemson University

 My oil on wooden panel paintings demonstrate a curiosity and fondness for a traditional subject, the human figure, and utilize a representational vocabulary to examine… (more)

Subjects/Keywords: figurative painting; contemporary painting; oil painting; syntactic heterogeneity; sublime; Romanticism; Fine Arts

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APA (6th Edition):

Snipes, E. (2007). MIXED SIGNALS. (Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Snipes, Elizabeth. “MIXED SIGNALS.” 2007. Thesis, Clemson University. Accessed August 23, 2019. https://tigerprints.clemson.edu/all_theses/254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Snipes, Elizabeth. “MIXED SIGNALS.” 2007. Web. 23 Aug 2019.

Vancouver:

Snipes E. MIXED SIGNALS. [Internet] [Thesis]. Clemson University; 2007. [cited 2019 Aug 23]. Available from: https://tigerprints.clemson.edu/all_theses/254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Snipes E. MIXED SIGNALS. [Thesis]. Clemson University; 2007. Available from: https://tigerprints.clemson.edu/all_theses/254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

13. Mafé, Daniel. Rephrasing voice : art, practice-led research and the limits and sites of articulacy.

Degree: 2010, Queensland University of Technology

 While my PhD is practice-led research, it is my contention that such an inquiry cannot develop as long as it tries to emulate other models… (more)

Subjects/Keywords: abstract, affect, affect-phrase, art, Andrew Benjamin, contemporary, criticism, Deleuze, interpretation, Lacan, Lyotard, painting, practice-led, research, silence, sublime, the Thing, voice; ODTA

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APA (6th Edition):

Mafé, D. (2010). Rephrasing voice : art, practice-led research and the limits and sites of articulacy. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32131/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mafé, Daniel. “Rephrasing voice : art, practice-led research and the limits and sites of articulacy.” 2010. Thesis, Queensland University of Technology. Accessed August 23, 2019. https://eprints.qut.edu.au/32131/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mafé, Daniel. “Rephrasing voice : art, practice-led research and the limits and sites of articulacy.” 2010. Web. 23 Aug 2019.

Vancouver:

Mafé D. Rephrasing voice : art, practice-led research and the limits and sites of articulacy. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2019 Aug 23]. Available from: https://eprints.qut.edu.au/32131/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mafé D. Rephrasing voice : art, practice-led research and the limits and sites of articulacy. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/32131/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

14. Reyes, Clara Irene. Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America.

Degree: PhD, Spanish and Portuguese, 2004, The Ohio State University

 This dissertation examines the aesthetic concepts of beauty and the sublime in the representation of violence, in several Latin American novels and films (Fernando Vallejo's… (more)

Subjects/Keywords: Literature, Latin American; COLOMBIA; ESPANA; MEXICO; CONTEMPORARY FILM NOVEL; REPRESENTATION OF VIOLENCE; BEAUTY AND THE SUBLIME

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APA (6th Edition):

Reyes, C. I. (2004). Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1091660144

Chicago Manual of Style (16th Edition):

Reyes, Clara Irene. “Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America.” 2004. Doctoral Dissertation, The Ohio State University. Accessed August 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1091660144.

MLA Handbook (7th Edition):

Reyes, Clara Irene. “Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America.” 2004. Web. 23 Aug 2019.

Vancouver:

Reyes CI. Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America. [Internet] [Doctoral dissertation]. The Ohio State University; 2004. [cited 2019 Aug 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1091660144.

Council of Science Editors:

Reyes CI. Aesthetics: beauty and the sublime in the representation of violence: an analysis of contemporary film and novel in Spain and Latin America. [Doctoral Dissertation]. The Ohio State University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1091660144

15. Bernard-Faivre, Dominique. Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?.

Degree: Docteur es, Philosophie, 2012, Besançon

Notre thèse aborde la question de la beauté dans les arts plastiques d'aujourd'hui. Celle-ci en effet ne va pas de soi, si l'on en croit… (more)

Subjects/Keywords: Abjection; Art contemporain; Arts plastiques; Beauté; Création; Esthétique de l'oeuvre; Esthétique des effets; Figuration; Imitation; Oeuvre; Pittoresque; Présentation; Renaissance; Représentation; Sublime; Abjectness; Contemporary Art; Plastic Arts; Beauty; Creation; Work’s Esthetic; Effects’s Esthetic; Work; Picturesque; Representation; Presentation; Reception; 111

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APA (6th Edition):

Bernard-Faivre, D. (2012). Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?. (Doctoral Dissertation). Besançon. Retrieved from http://www.theses.fr/2012BESA1001

Chicago Manual of Style (16th Edition):

Bernard-Faivre, Dominique. “Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?.” 2012. Doctoral Dissertation, Besançon. Accessed August 23, 2019. http://www.theses.fr/2012BESA1001.

MLA Handbook (7th Edition):

Bernard-Faivre, Dominique. “Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?.” 2012. Web. 23 Aug 2019.

Vancouver:

Bernard-Faivre D. Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?. [Internet] [Doctoral dissertation]. Besançon; 2012. [cited 2019 Aug 23]. Available from: http://www.theses.fr/2012BESA1001.

Council of Science Editors:

Bernard-Faivre D. Esthétique de l'oeuvre et/ou esthétique des effets. Continuité et/ou rupture dans les arts plastiques contemporains : vers une esthétique de la réception ? : Work's esthetic and/or effect's esthetic. Continuity and/or breaking in the contemporaries plastics arts : towards a reception's esthetic ?. [Doctoral Dissertation]. Besançon; 2012. Available from: http://www.theses.fr/2012BESA1001


National University of Ireland – Galway

16. Hanes, Levi. Suspended pratfalls: Slapstick in contemporary art .

Degree: 2018, National University of Ireland – Galway

 This thesis considers a comedic trend in contemporary art that engages in a process of critical enquiry towards its own material structure and contextual frameworks.… (more)

Subjects/Keywords: Adorno; Aesthetics; Art; Avant-garde; Benjamin; Bergson; Comedy; Comedy theory; Contemporary art; Critical aesthetics; Film; Humour; Incongruity Theory; Irony; Kant; Mimesis; Modernism; Parody; Photography; Postmodernism; Sculpture; Slapstick; Sublime; Digital video; Film and digital media; Humanities

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APA (6th Edition):

Hanes, L. (2018). Suspended pratfalls: Slapstick in contemporary art . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/7156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hanes, Levi. “Suspended pratfalls: Slapstick in contemporary art .” 2018. Thesis, National University of Ireland – Galway. Accessed August 23, 2019. http://hdl.handle.net/10379/7156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hanes, Levi. “Suspended pratfalls: Slapstick in contemporary art .” 2018. Web. 23 Aug 2019.

Vancouver:

Hanes L. Suspended pratfalls: Slapstick in contemporary art . [Internet] [Thesis]. National University of Ireland – Galway; 2018. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/10379/7156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hanes L. Suspended pratfalls: Slapstick in contemporary art . [Thesis]. National University of Ireland – Galway; 2018. Available from: http://hdl.handle.net/10379/7156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

17. Bizer, Jessica. Information Session.

Degree: M.F.A., Fine Arts, 2009, University of New Orleans

 My work concerns the divergent narratives created by fusing varied, often conflicting, textures, colors and fabrics, into a tenuous order. I intend for these otherwise… (more)

Subjects/Keywords: Painting; Contemporary Sublime; Romantic; Fred Tomaselli; Lisa Sanditz; Kristen Baker; Morris Louis; digital; mixed-media; collage

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bizer, J. (2009). Information Session. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bizer, Jessica. “Information Session.” 2009. Thesis, University of New Orleans. Accessed August 23, 2019. https://scholarworks.uno.edu/td/952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bizer, Jessica. “Information Session.” 2009. Web. 23 Aug 2019.

Vancouver:

Bizer J. Information Session. [Internet] [Thesis]. University of New Orleans; 2009. [cited 2019 Aug 23]. Available from: https://scholarworks.uno.edu/td/952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bizer J. Information Session. [Thesis]. University of New Orleans; 2009. Available from: https://scholarworks.uno.edu/td/952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

18. Truter, Carmen Estelle. Images in, through and for "The W/Word" : a revisioning of Christian art .

Degree: 2007, University of South Africa

 During the premodern era, images corresponded to the doctrines of ”The Word”, but in contemporary society this relationship is open and does not correspond to… (more)

Subjects/Keywords: The Word; Text; Symbols; Spiritual; Sublime; Signs; Religion; Post-structuralism; Postmodernism; Metaphor; Language; Icons; Holy scriptures / Holy Bible; Flesh; Discourse; Deconstruction; Contemporary religion; Christian spirituality; Christian art; Body

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APA (6th Edition):

Truter, C. E. (2007). Images in, through and for "The W/Word" : a revisioning of Christian art . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/1939

Chicago Manual of Style (16th Edition):

Truter, Carmen Estelle. “Images in, through and for "The W/Word" : a revisioning of Christian art .” 2007. Masters Thesis, University of South Africa. Accessed August 23, 2019. http://hdl.handle.net/10500/1939.

MLA Handbook (7th Edition):

Truter, Carmen Estelle. “Images in, through and for "The W/Word" : a revisioning of Christian art .” 2007. Web. 23 Aug 2019.

Vancouver:

Truter CE. Images in, through and for "The W/Word" : a revisioning of Christian art . [Internet] [Masters thesis]. University of South Africa; 2007. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/10500/1939.

Council of Science Editors:

Truter CE. Images in, through and for "The W/Word" : a revisioning of Christian art . [Masters Thesis]. University of South Africa; 2007. Available from: http://hdl.handle.net/10500/1939

19. Arda Guney, Talat Balca. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.

Degree: PhD, Political Science, 2016, York University

 This dissertation takes ethnographic approach to researching art with an emphasis on the artistic practices of Middle Eastern diasporic artists in Canada and the USA.… (more)

Subjects/Keywords: Political Science; Diaspora; Culture; Art; Aesthetics; Contemporary art; Middle Eastern; Middle East; North America; 9/11; Terror; Sublime; Muslim; Rancière; Kant; Lyotard; Agamben; Bare life; Burke; Terrorism; Immigration; Refugee; Diasporic; Consensus; Dissensus; Visual studies; Imagery; Multiculturalism; Self-loss; Hyper-realism; Postmodernism; Tragedy; Selfie; Self-image making; Self design; Artist; Memory; Ethnicity; Religion; Religiosity; Cultural difference; Racism; Body; Security; Communication; Representation; Victim; Hero; Victimization; Affect; Witness; Other; Otherization; Canada; US; USA; America; American; Canadian; Citizen; Citizenship; Migration; Xenophobia; Cosmopolitanism; Liberalism; War on terror; Discourse; Resistance; Opposition; Hegemony; Critical art; Partition of sensible; Visual; Imagination; Post-Enlightenment; Universalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arda Guney, T. B. (2016). The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/32326

Chicago Manual of Style (16th Edition):

Arda Guney, Talat Balca. “The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.” 2016. Doctoral Dissertation, York University. Accessed August 23, 2019. http://hdl.handle.net/10315/32326.

MLA Handbook (7th Edition):

Arda Guney, Talat Balca. “The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America.” 2016. Web. 23 Aug 2019.

Vancouver:

Arda Guney TB. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. [Internet] [Doctoral dissertation]. York University; 2016. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/10315/32326.

Council of Science Editors:

Arda Guney TB. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America. [Doctoral Dissertation]. York University; 2016. Available from: http://hdl.handle.net/10315/32326

20. Urban, William John. Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis.

Degree: PhD, Humanities, 2014, York University

 This study assumes the subject's pursuit of meaning is generally incapacitating and should be suspended. It aims to demonstrate how such a suspension is theoretically… (more)

Subjects/Keywords: Philosophy; Logic; Philosophy of science; Saussure; Christian Fierens; Formulae of sexuation; Sexuated formulae; Discourse Analysis; History of Linguistics; Philology; Psychoanalysis; Mathematics; Applied Mathematics; Geometry and Topology; Geometric Topology; Logic and Foundations of Mathematics; Modal Logic; Intuitionistic Logic; Set theory; Gender Studies; Diachronic Linguistics (or Historical Linguistics); Philosophy; Philosophy of Mind; Applied Philosophy; Medieval Philosophy; Kant; Philosophical Psychology; Logic; Critical Discourse Studies; Humanities; Sex and Gender; Women's Studies; Feminist Theory; Languages and Linguistics; Social Research Methods and Methodology; Art Theory; Research Methods and Methodology; Plato; Aristotle; Research Methodology; Structuralism (Literary Criticism); History of Mathematics; Low dimensional topology; General topology; Literature; Place and Identity; Philosophical Theology; Hermeneutics (Research Methodology); Set Theoretic Topology; Language and Gender; Space and Place; History of Psychoanalysis; Philosophy of Psychoanalysis; Temporal and Modal Logic; Textual Scholarship; Schleiermacher (Research Methodology); Ranciere; Literary Criticism; Nonsense; Feminist Philosophy; Textual Criticism; Theories of Meaning; Jean-Luc Nancy; Theoretical Psychology; Sex; Sexuality; Masculine Sexuality; Deconstruction; Gender and Sexuality; Phenomenological Psychology; Hermeneutics; Reformation History; Reformation Studies; Reformation Theology; Phenomenology; Wilhelm Dilthey; Philosophy of Art; Theological Hermeneutics; Theological Interpretation of Christian Scripture; Jurgen Habermas Lacan; Jungian psychology; Narrative and interpretation; Discourse; Continental Philosophy; History of Logic; Kant-studies; Subject of Experience; Algebraic Topology; Dream work; Contemporary French Philosophy; Gender; Sexual Selection; Gender Equality; Place Identity; Applied Linguistics; Literary Theory; Hegel; Kant's Practical Philosophy; Gilles Deleuze; Friedrich Nietzsche; Walter Benjamin; Jacques Lacan; Gaston Bachelard; Maurice Merleau-Ponty; Slavoj Žižek; Edmund Husserl; Martin Heidegger; Sigmund Freud; Jacques Rancière; Paul Ricoeur; Lacanian theory; Gender Discourse; Interpretive research methodology; Intertextuality; Hans-Georg Gadamer; Subjectivity (Identity Politics); Feminism; Psychoanalytic Philosophy; Critical Discourse Analysis; Algebra and Topology; Philosophical Logic; Interpretive Research (Research Methods); Deleuze; Theory of Space; Reformation and Post-Reformation; Meaning; Michel Foucault; Jacques Derrida; Theories of Gender and Transgender; Sense of Place; Language and Identity; Philosophy of Logic; Nietzsche; Schleiermacher (Philosophy); Schleiermacher; Subjectivity in Discourse; Theological exegesis; Georg Friedrich Wilhem Hegel; Emmanuel Kant; Julia Kristeva; Phenomenology of the body; Philosophy of Time; Gender and Sexuality Studies; Topology; Hermeneutic Phenomenology; Freud and Lacan; Structuralism/Post-Structuralism; Genders and Sexualities; Linguistics; Rereading and Intertextuality; Immanuel Kant; Baudrillard; Alain Badiou; Jean-Paul Sartre; Mathematical Modeling; Space And Place (Art); Psychoanalysis And Literature; Art and Interpretation; Early Heidegger; Mathematical Modelling; Legal interpretation; Ancient Philosophy; Psychoanalytic Theory of Art; Interpretive Phenomenological Analysis; Germanic Philology; Bertrand Russell; Mathematical Logic; Derridean Deconstruction; Jacques Ranciere; G.W.F. Hegel; Language; Heidegger; Aristotelian Logic; Linguistic Theory; Carl G. Jung; Text Linguistics; Constructions of femininity; Sexual Identity; Structuralism (Philosophy); History of Psychoanalysis (History); Theoretical Linguistics; Pure Mathematics; Text and Image; The Sublime; Freud and Feminist Psychoanalysis; History of Interpretation; Claude Lévi-Strauss; Singularity Theory; Philosophy of Sex; Plato and Platonism; Aristotle's Commentators; Interpretive Methods; Aristotle's underlying logic; Space and Time (Philosophy); Paul Ricoeur (in ) Philosophy; Aristotelianism; Benjamin; Walter; Husserl; Phenomenology (Research Methodology); Experiences of Place and Space; Translation and Interpretation; Feminist Research Methods; Zizek; Biblical interpretation; Managing subjectivity; Literary approaches to Biblical Studies; Philosophy of Language (Humanities); Dreams; Phenomenology of the Body (Philosophy); Phenomenology of Space and Place; Merleau-Ponty; Merleau-Ponty's Ontology; Platonism; Algebra & Algebraic topology; Phenomenology of temporality; Habermas; Textual criticism (Classics); Subjectivity Studies; Derrida; Badiou; Psychoanalytic Criticism; Psychoanalysis (Art History); Ricoeur; Feminist Literary Theory and Gender Studies; Feminism(s); Space; Rancière; Gottlob Frege; Interpretative Phenomenological Analysis; Gender identity; Discourse Analysis (Research Methodology); Textual Studies; Logical Paradox; Jacques Derrida & Deconstruction; Heidegger and critique of subjectivity; Jean Baudrillard; Construction of Meaning; Non-Classical Logic; Structural Analysis; Textual Criticism (Religion); Biblical Medieval Exegesis; Discourse Theory; Informal Logic; Roman ingarden; Early Edmund Husserl; Sexual Orientation; Textual criticism (Humanities); Sex and Sexuality; Sexuality Studies; Psychoanalysis and art; Psychoanalytic Theory; Literature and Psychoanalysis; Husserlian phenomenology; Hegel (Philosophy); Heidegger's being and time; Set Theory (Philosophy); Post-Structuralism; Meaning making; Jakobson; Roman; Hayden White; Biblical Exegesis; Žižek; Alienation; Sublime; Structuralism; Benjamin; Jean-François Lyotard; Philosophical Methodology; Identity; Lacanian psychoanalysis; Aesthetic theory; Plato and Aristotle; Francis Bacon (Painter); Gadamer; Ferdinand de Saussure; Place; Derrida and Deconstruction; Mathematic; Literary studies; Sartre; Sense-making; Phenomenology; Hermeneutics; Contemporary continental philosophy; Axiology (theories and applied research on values); Philosophical and cultural anthropology; Diversity management; Gender studies; Intercultural communication; Translations studies; Human Sexuality; Woman; Subjectivity; Research methods in applied linguistics; Woman Studies; Literary Research; Logical Paradoxes; Sexual difference theory; Singularity; Ancient Greek Philosophy; Aristotle; Deconstructionism; Subject Formation; Experience; Post-Freudian Psychoanalysis; Philosophical Foundations of Set Theory; Structuralism/Post-structuralism; Biblical Literature and Hermeneutics (esp. New Testament); Philosophical Hermeneutics; Dream analysis; Social Sciences and Humanities; Karl-Otto Apel; Phenomenology- Mind/Body Problems; Merleau-Ponty's Philosophical Thought; Phenomenology and Embodiment; Wolfgang Iser; Reformation; H. R. Jauss; Sex Difference; New testament exegesis; Philosophy of Language (esp. Wittgenstein, Rule-following, and the Normality of Meaning); Theoretical Philosophy; Mathematical Analysis; Literary Theory and Criticism; Discourse Studies; History of Exegesis; Post Structuralism; Philosophy of the Subject; Aesthetic Experience; Exegesis; Text Analysis; Textual Criticism; Old and New Testament; Jürgen Habermas; Surface; Method; Axiomatic Set Theory; Structuralism (philosophy of mathematics); Alenka Zupancic; Logical reasoning; Protestant Reformation; Wilhelm von Humboldt; Georges Poulet; Alain Badiou; Set theory; Philosophical use of mathematics; Psychoanalytical Criticism; Friedrich Schleiermacher; Bachelard; Rudolf Bultmann; Aesthetic; Humanities and Social Sciences; Research Method; Textual analysis; Carl Jung and Dreams; Hermes; Biblical Hermeneutics; Kristeva; Lyotard; Aristotle's philosophy of language; Johann Gustav Droysen; Singularity analysis; Freudian Literary Theory; Saussure; Language; Post-structuralism (especially the work of Jacques Derrida); Subject; Kantian Sublime; Kantian aesthetics; Phenomenology (Husserl, Merleau Ponty); Counter-Reformation; Hermes God; Singularities; M. Merleau-Ponty; Lacanian psychoanalysis; Psychoanalysis; Emilio Betti; Mathematical Model; Text as Image; Jean-Francois Lyotard,; Suspension; Deleuze Studies; Understanding; Interpretation; Hans-Georg Gadamar; Hermeneutic Philosophy; Hermeuetics; Gerhard Ebeling; Ingarden; Sexual Difference and Textuality; E.D.Hirsch; Szondi; Phenomenology; Post-Phenomenology; Philosophical Hermeneutics; Early Frankfurt School; Walter Benjamin; Marx; Western Marxism; Kant; Hegel; Nietzsche; Social and Political Philosophy; Philosophy; Literature; Humanities; Social Science; Zizek; Lacan; Psychoanalysis; Kant; Jaques Derrida; Meaninglessness; Zizek studies; Jungian Dream Analysis; Hegel's aesthetics; Dominick LaCapra; Manfred Frank; Hans Robert Jauss; Merleau Ponty; Jakobson; Hermeneutical Phenomenology; Contemporary Sublime; Interpretive Research; Lévi-Strauss; Post-structuralism; Problem of Experience; Psychoanalysis (Freud and Lacan); Bruce Fink; Chladenius; Critical-interpretive methodology; Aristotelian Philosophy; Exegetical; French Post-Structuralism; Post-structuralism; Objet Petit; Logical Thinking; Claude Levi Strauss; August Boeckh; Matthias Flacius Illyricus; Theory of Logical Opposition; Jacques-Alain Miller; Jaques Lacan; Levi Strauss; Francis Bacon's paintings; Logic of sense; Roman Jakobson; Exegetical Methodology; Bertrand Russell's Philosophy of Logic; Sexual difference; Freudian Psychoanalysis; Phenomenology; Husserl; Poulet; Hermeneutics; Theories of Interpretation; Russell's Paradox; Biblical Texts and Meaning Theory; W. Benjamin; History of Translation and Interpretation; Saussurean Signifier; Literary Nonsense; De Saussure; Phenomenological Philosophy; Husserl; Phenomenological and Hermeneutical Approaches to Religion; Phenomenology after Structuralism; Philosophy of Martin Heidegger; Jungian Psychoanalytic Dream Analysis; Sex and Gender based Analysis; Discourse Analysis (DA); Philosophy of Wilhelm Dilthey; History and Theory of Anthropology; Hermeneutics and Interpretive Anthropology; Aristotle’s Assumptions; Jacques Alain Miller; Aesthetic Judgement; Nonsense Inscriptions; Kristevan Abject and Inter-textuality; Foucauldian Theories; Iser Wolfgang; Jauss Hans Robert; M. Heidegger; Phenomenology; Heidegger; Phenomenological Hermeneutics (Esp. Heidegger); Metaphysics; Phenomenology; Heidegger; Identity and Subjectivity Issues; Theory of Sublime; Interpretive Argument; Continental Philosophy; Alain Badiou; Functions of Language; Jakobson; Linguistics; Peter Szondi; Ernst Kris; Foucault; Freud; Hermeneutics and Exegetical; Friedrich Ast; Richard Palmer; Demetrius Teigas; Roberto Harari; Monique David-Menard; Paul Verhaeghe; Guy Le Gaufey

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Urban, W. J. (2014). Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/27706

Chicago Manual of Style (16th Edition):

Urban, William John. “Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis.” 2014. Doctoral Dissertation, York University. Accessed August 23, 2019. http://hdl.handle.net/10315/27706.

MLA Handbook (7th Edition):

Urban, William John. “Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis.” 2014. Web. 23 Aug 2019.

Vancouver:

Urban WJ. Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis. [Internet] [Doctoral dissertation]. York University; 2014. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/10315/27706.

Council of Science Editors:

Urban WJ. Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis. [Doctoral Dissertation]. York University; 2014. Available from: http://hdl.handle.net/10315/27706

.