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You searched for subject:(Contemporary Australian Art). Showing records 1 – 26 of 26 total matches.

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University of Sydney

1. Shiel, Erin Patricia. Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems.

Degree: 2016, University of Sydney

 During the course of this Master of Arts (Research) program, I have written The Spirits of Birds, a collection of thirty-five ekphrastic poems relating to… (more)

Subjects/Keywords: ekphrasis; poetry; art; contemporary; Australian; creativity

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APA (6th Edition):

Shiel, E. P. (2016). Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shiel, Erin Patricia. “Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems. ” 2016. Thesis, University of Sydney. Accessed April 22, 2021. http://hdl.handle.net/2123/15995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shiel, Erin Patricia. “Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems. ” 2016. Web. 22 Apr 2021.

Vancouver:

Shiel EP. Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems. [Internet] [Thesis]. University of Sydney; 2016. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2123/15995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shiel EP. Breathing in art, breathing out poetry: Contemporary Australian art and artists as a source of inspiration for a collection of ekphrastic poems. [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

2. Czaban, Jessie. Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee .

Degree: 2013, University of Sydney

 How can we, as non-Indigenous persons, ethically engage in dialogue and honest criticism of Indigenous art? My thesis investigates this question in the context of… (more)

Subjects/Keywords: Contemporary indigenous Art; Contemporary Australian Art; Post-aboriginal

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APA (6th Edition):

Czaban, J. (2013). Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Czaban, Jessie. “Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee .” 2013. Thesis, University of Sydney. Accessed April 22, 2021. http://hdl.handle.net/2123/11966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Czaban, Jessie. “Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee .” 2013. Web. 22 Apr 2021.

Vancouver:

Czaban J. Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2123/11966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Czaban J. Challenging white fantasies of 'post-aboriginality': reading the work of Fiona Foley and Vernon Ah Kee . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

3. Souliere, Rolande. Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada .

Degree: 2019, University of Sydney

 The debate of Indigenous art as contemporary art in Western art discourse has been ongoing since the acceptance of Indigenous art as contemporary art in… (more)

Subjects/Keywords: indigenous; First Nations; Australian Aboriginal; contemporary indigenous art; contemporary art; indigenous art

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APA (6th Edition):

Souliere, R. (2019). Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/21193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Souliere, Rolande. “Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada .” 2019. Thesis, University of Sydney. Accessed April 22, 2021. http://hdl.handle.net/2123/21193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Souliere, Rolande. “Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada .” 2019. Web. 22 Apr 2021.

Vancouver:

Souliere R. Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada . [Internet] [Thesis]. University of Sydney; 2019. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2123/21193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Souliere R. Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada . [Thesis]. University of Sydney; 2019. Available from: http://hdl.handle.net/2123/21193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

4. Aydemir, Cigdem. Image and Voice: Muslim women in Contemporary Art .

Degree: 2015, University of Sydney

 This paper investigates the Western image of the Muslim woman in the context of contemporary art. Through my art practice I use the veiled woman… (more)

Subjects/Keywords: Muslim Women; Veil; Contemporary Art; Australian Art; Feminism

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APA (6th Edition):

Aydemir, C. (2015). Image and Voice: Muslim women in Contemporary Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aydemir, Cigdem. “Image and Voice: Muslim women in Contemporary Art .” 2015. Thesis, University of Sydney. Accessed April 22, 2021. http://hdl.handle.net/2123/15723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aydemir, Cigdem. “Image and Voice: Muslim women in Contemporary Art .” 2015. Web. 22 Apr 2021.

Vancouver:

Aydemir C. Image and Voice: Muslim women in Contemporary Art . [Internet] [Thesis]. University of Sydney; 2015. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2123/15723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aydemir C. Image and Voice: Muslim women in Contemporary Art . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/15723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ballarat

5. Devrome, Kelly. The Oneiric Veil in contemporary Australian art.

Degree: PhD, 2012, University of Ballarat

The Oneiric Veil in Contemporary Australian Art researches the use of the veil in modernist art and its generative capacity to visually evoke an oneiric… (more)

Subjects/Keywords: The Oneiric Veil; Contemporary Australian Art; Conceptual approaches; Visual art

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APA (6th Edition):

Devrome, K. (2012). The Oneiric Veil in contemporary Australian art. (Doctoral Dissertation). University of Ballarat. Retrieved from http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170

Chicago Manual of Style (16th Edition):

Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Doctoral Dissertation, University of Ballarat. Accessed April 22, 2021. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.

MLA Handbook (7th Edition):

Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Web. 22 Apr 2021.

Vancouver:

Devrome K. The Oneiric Veil in contemporary Australian art. [Internet] [Doctoral dissertation]. University of Ballarat; 2012. [cited 2021 Apr 22]. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.

Council of Science Editors:

Devrome K. The Oneiric Veil in contemporary Australian art. [Doctoral Dissertation]. University of Ballarat; 2012. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170


University of New South Wales

6. Sheppard-Simms, Shannon Field. Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history.

Degree: Art, 2016, University of New South Wales

 This thesis addresses the manner in which the European Australian psyche is haunted by questions oforigin, place and identity. Structured equally between a written dissertation… (more)

Subjects/Keywords: European Australian history; Contemporary Australian masculinity; Convict history; Contemporary Australian art; Landscape representation; Heterosexual masculinity; Island representation; Contemporary Australian film; Australian national identity; Masculinity; Class; Gender identity; Australian cultural representation; Island politics; Transportation; Walter Benjamin; Australian art; Australian visual cultural; Hegemonic masculinity; Convict masculinity; Postcolonial Australia

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APA (6th Edition):

Sheppard-Simms, S. F. (2016). Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38900/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Sheppard-Simms, Shannon Field. “Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history.” 2016. Doctoral Dissertation, University of New South Wales. Accessed April 22, 2021. http://handle.unsw.edu.au/1959.4/55739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38900/SOURCE02?view=true.

MLA Handbook (7th Edition):

Sheppard-Simms, Shannon Field. “Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history.” 2016. Web. 22 Apr 2021.

Vancouver:

Sheppard-Simms SF. Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history. [Internet] [Doctoral dissertation]. University of New South Wales; 2016. [cited 2021 Apr 22]. Available from: http://handle.unsw.edu.au/1959.4/55739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38900/SOURCE02?view=true.

Council of Science Editors:

Sheppard-Simms SF. Monster Island: A tale of contemporary Australian heterosexual masculinity and its descent from the spectre of colonial convict history. [Doctoral Dissertation]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/55739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38900/SOURCE02?view=true


University of Pretoria

7. Van der Merwe, Leana. Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists.

Degree: MA, Visual Arts, 2014, University of Pretoria

 This study investigates the multiple occurrence of violent sacrificial imagery associated with animalistic and hunted bodies in the work of selected South African female artists… (more)

Subjects/Keywords: UCTD; South African artists; Australian artists; Bataille; Contemporary art; Becoming animal; Feminist art

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APA (6th Edition):

Van der Merwe, L. (2014). Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/46213

Chicago Manual of Style (16th Edition):

Van der Merwe, Leana. “Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists.” 2014. Masters Thesis, University of Pretoria. Accessed April 22, 2021. http://hdl.handle.net/2263/46213.

MLA Handbook (7th Edition):

Van der Merwe, Leana. “Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists.” 2014. Web. 22 Apr 2021.

Vancouver:

Van der Merwe L. Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists. [Internet] [Masters thesis]. University of Pretoria; 2014. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2263/46213.

Council of Science Editors:

Van der Merwe L. Sacrificial and hunted bodies : ritualistic death and violence in the work of selected South African female artists. [Masters Thesis]. University of Pretoria; 2014. Available from: http://hdl.handle.net/2263/46213


University of Melbourne

8. COATES, REBECCA. The rise of the private art foundation: John Kaldor Art Projects 1969-2012.

Degree: 2013, University of Melbourne

 What role do private foundations play in a global contemporary art world? Not-for-profit art foundations presenting site-specific temporary art installations have become established institutions in… (more)

Subjects/Keywords: private foundations; contemporary art; site specific; installation art; Australian art; Kaldor Public Art Projects; globalization; biennales

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APA (6th Edition):

COATES, R. (2013). The rise of the private art foundation: John Kaldor Art Projects 1969-2012. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38129

Chicago Manual of Style (16th Edition):

COATES, REBECCA. “The rise of the private art foundation: John Kaldor Art Projects 1969-2012.” 2013. Doctoral Dissertation, University of Melbourne. Accessed April 22, 2021. http://hdl.handle.net/11343/38129.

MLA Handbook (7th Edition):

COATES, REBECCA. “The rise of the private art foundation: John Kaldor Art Projects 1969-2012.” 2013. Web. 22 Apr 2021.

Vancouver:

COATES R. The rise of the private art foundation: John Kaldor Art Projects 1969-2012. [Internet] [Doctoral dissertation]. University of Melbourne; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/11343/38129.

Council of Science Editors:

COATES R. The rise of the private art foundation: John Kaldor Art Projects 1969-2012. [Doctoral Dissertation]. University of Melbourne; 2013. Available from: http://hdl.handle.net/11343/38129


RMIT University

9. Lindsay, E. Visualising extinction: representing extinct and endangered species archived in global natural history museums.

Degree: 2016, RMIT University

 This studio-based doctoral research has investigated the gaps in visual culture pertaining to native Australian bird extinctions by critiquing representations of extinct species as they… (more)

Subjects/Keywords: Fields of Research; Australian birds; Extinct species; Museum specimens; Contemporary art; Extinction portraits

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APA (6th Edition):

Lindsay, E. (2016). Visualising extinction: representing extinct and endangered species archived in global natural history museums. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindsay, E. “Visualising extinction: representing extinct and endangered species archived in global natural history museums.” 2016. Thesis, RMIT University. Accessed April 22, 2021. http://researchbank.rmit.edu.au/view/rmit:161646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindsay, E. “Visualising extinction: representing extinct and endangered species archived in global natural history museums.” 2016. Web. 22 Apr 2021.

Vancouver:

Lindsay E. Visualising extinction: representing extinct and endangered species archived in global natural history museums. [Internet] [Thesis]. RMIT University; 2016. [cited 2021 Apr 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindsay E. Visualising extinction: representing extinct and endangered species archived in global natural history museums. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

10. Slocum, Catherine. Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art .

Degree: 2016, Australian National University

 Over the past decade, some of the most celebrated art to emerge from Australia has been the work of a group of Indigenous artists whose… (more)

Subjects/Keywords: Vernon Ah Kee; Tony Albert; Brook Andrew; Daniel Boyd; Dianne Jones; Christopher Pease; Christian Thompson; Australian art; Aboriginal art; Indigenous Australian art; contemporary Australian art; Aboriginal and Torres Strait Islander art; Indigeneity; narrative art; Australian history; Aboriginal history; Indigenous Australian history; postcolonial; post-colonial; colonisation; cultural identity; race relations; identity politics

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APA (6th Edition):

Slocum, C. (2016). Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/136433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Slocum, Catherine. “Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art .” 2016. Thesis, Australian National University. Accessed April 22, 2021. http://hdl.handle.net/1885/136433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Slocum, Catherine. “Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art .” 2016. Web. 22 Apr 2021.

Vancouver:

Slocum C. Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art . [Internet] [Thesis]. Australian National University; 2016. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1885/136433.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Slocum C. Beyond the Aesthetic: A Study of Indigeneity and Narrative in Contemporary Australian Art . [Thesis]. Australian National University; 2016. Available from: http://hdl.handle.net/1885/136433

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

11. Greenhill, Fiona. The stutter of recognition: re-visioning the baroque in contemporary painting.

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The major theme that runs throughout my work has always been the question of representation; where to draw… (more)

Subjects/Keywords: art; painting; Gerhard Richter; Ed Ruscha; Marilyn Minter; Johannes Kahrs; George Shaw; Audrey Flack; contemporary painting; Australian art; painting and photography; Fiona Greenhill; Neo Baroque; Baroque; fine art; seventeenth century

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APA (6th Edition):

Greenhill, F. (2013). The stutter of recognition: re-visioning the baroque in contemporary painting. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1039658

Chicago Manual of Style (16th Edition):

Greenhill, Fiona. “The stutter of recognition: re-visioning the baroque in contemporary painting.” 2013. Doctoral Dissertation, University of Newcastle. Accessed April 22, 2021. http://hdl.handle.net/1959.13/1039658.

MLA Handbook (7th Edition):

Greenhill, Fiona. “The stutter of recognition: re-visioning the baroque in contemporary painting.” 2013. Web. 22 Apr 2021.

Vancouver:

Greenhill F. The stutter of recognition: re-visioning the baroque in contemporary painting. [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1959.13/1039658.

Council of Science Editors:

Greenhill F. The stutter of recognition: re-visioning the baroque in contemporary painting. [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1039658


University of Gothenburg / Göteborgs Universitet

12. Persson, Beatrice. In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization.

Degree: 2011, University of Gothenburg / Göteborgs Universitet

This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus,… (more)

Subjects/Keywords: contemporary art; Australian art; Aboriginal art; cross-culture; contemporaneity; globalization; postcolonialism; diaspora; cultural semiotics; Emily Kame Kngwarreye; Fiona Foley; Ricky Swallow; John Young

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APA (6th Edition):

Persson, B. (2011). In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/26256

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Persson, Beatrice. “In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization.” 2011. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed April 22, 2021. http://hdl.handle.net/2077/26256.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Persson, Beatrice. “In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization.” 2011. Web. 22 Apr 2021.

Vancouver:

Persson B. In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2011. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2077/26256.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Persson B. In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2011. Available from: http://hdl.handle.net/2077/26256

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

13. Greville, Piers. Fabricated country: re-imagining landscape.

Degree: 2018, University of Melbourne

 Faced with fundamental redrawing of human relationships to the global and local environment, a shift in ways of viewing landscape has precipitated. Broad awareness of… (more)

Subjects/Keywords: art; contemporary art; painting; spatial practice; post-digital; Australian art; landscape; nature; nature culture; environment; environmentalism; post-nature; postcolonial; anthropocene; digital sublime; digital colonialism

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APA (6th Edition):

Greville, P. (2018). Fabricated country: re-imagining landscape. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/224056

Chicago Manual of Style (16th Edition):

Greville, Piers. “Fabricated country: re-imagining landscape.” 2018. Masters Thesis, University of Melbourne. Accessed April 22, 2021. http://hdl.handle.net/11343/224056.

MLA Handbook (7th Edition):

Greville, Piers. “Fabricated country: re-imagining landscape.” 2018. Web. 22 Apr 2021.

Vancouver:

Greville P. Fabricated country: re-imagining landscape. [Internet] [Masters thesis]. University of Melbourne; 2018. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/11343/224056.

Council of Science Editors:

Greville P. Fabricated country: re-imagining landscape. [Masters Thesis]. University of Melbourne; 2018. Available from: http://hdl.handle.net/11343/224056


Massey University

14. Abasa, Susan. Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University .

Degree: 2001, Massey University

 Since the 1970s contemporary art has been considered "a hot item". Art practice has been marked by diverse styles and innovative techniques and was often… (more)

Subjects/Keywords: Australian art museums; Australian contemporary art; Art collecting; Women artists, Australia; Collection policies; Art acquisitions; Acquisition policies; Art museums, Australia

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APA (6th Edition):

Abasa, S. (2001). Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abasa, Susan. “Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University .” 2001. Thesis, Massey University. Accessed April 22, 2021. http://hdl.handle.net/10179/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abasa, Susan. “Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University .” 2001. Web. 22 Apr 2021.

Vancouver:

Abasa S. Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University . [Internet] [Thesis]. Massey University; 2001. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/10179/6869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abasa S. Policy and practice : collecting contemporary Australian art, 1980-1995 : a thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University . [Thesis]. Massey University; 2001. Available from: http://hdl.handle.net/10179/6869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

15. Doyle Wawrzynczak, Anni. Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space .

Degree: 2016, Australian National University

 This dissertation investigates the fertile tensions in Canberra’s dual status as national capital space and local polis, that dramatically affected the development of a unique… (more)

Subjects/Keywords: canberra contemporary art; bitumen river gallery; canberra contemporary art space; canberra; planned federal capital; womens liberation; women in art; canberra women; alison alder; vivienne binns; ex de medici; mandy martin; arts funding; canberra arts funding; contemporary art; national capitals; australian national university school of art; canberra school of art; national capital space; national arts funding

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doyle Wawrzynczak, A. (2016). Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/118221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doyle Wawrzynczak, Anni. “Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space .” 2016. Thesis, Australian National University. Accessed April 22, 2021. http://hdl.handle.net/1885/118221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doyle Wawrzynczak, Anni. “Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space .” 2016. Web. 22 Apr 2021.

Vancouver:

Doyle Wawrzynczak A. Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space . [Internet] [Thesis]. Australian National University; 2016. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1885/118221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doyle Wawrzynczak A. Transcending the National Capital Paradigm: The Evolution of Bitumen River Gallery/Canberra Contemporary Art Space . [Thesis]. Australian National University; 2016. Available from: http://hdl.handle.net/1885/118221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

16. Gregory, Katherine Louise. The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002.

Degree: 2004, University of Melbourne

 This thesis explores the rich and provocative fields of interaction between Australian artists and museums from 1975 to 2002. Artists have investigated and engaged with… (more)

Subjects/Keywords: museology; contemporary art; Australian art; Australian museums; curatorial practice; new museums; museum design; installation art; affect

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APA (6th Edition):

Gregory, K. L. (2004). The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38728

Chicago Manual of Style (16th Edition):

Gregory, Katherine Louise. “The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002.” 2004. Doctoral Dissertation, University of Melbourne. Accessed April 22, 2021. http://hdl.handle.net/11343/38728.

MLA Handbook (7th Edition):

Gregory, Katherine Louise. “The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002.” 2004. Web. 22 Apr 2021.

Vancouver:

Gregory KL. The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002. [Internet] [Doctoral dissertation]. University of Melbourne; 2004. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/11343/38728.

Council of Science Editors:

Gregory KL. The artist and the museum: contested histories and expanded narratives in Australian art and museology 1975-2002. [Doctoral Dissertation]. University of Melbourne; 2004. Available from: http://hdl.handle.net/11343/38728


University of Queensland

17. Fridemanis, Helen. Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane.

Degree: School of History, Philosophy, Religion, and Classics, 1989, University of Queensland

Subjects/Keywords: Contemporary Art Society. Queensland Branch; Art, Australian  – Queensland; 410000 The Arts; 210303 Australian History (excl. Aboriginal and Torres Strait Islander History)

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APA (6th Edition):

Fridemanis, H. (1989). Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:190032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fridemanis, Helen. “Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane.” 1989. Thesis, University of Queensland. Accessed April 22, 2021. http://espace.library.uq.edu.au/view/UQ:190032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fridemanis, Helen. “Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane.” 1989. Web. 22 Apr 2021.

Vancouver:

Fridemanis H. Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane. [Internet] [Thesis]. University of Queensland; 1989. [cited 2021 Apr 22]. Available from: http://espace.library.uq.edu.au/view/UQ:190032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fridemanis H. Contemporary Art Society, Queensland Branch, 1961-1973 : a study of the post-war emergence and dissemination of aesthetic modernism in Brisbane. [Thesis]. University of Queensland; 1989. Available from: http://espace.library.uq.edu.au/view/UQ:190032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

18. Jagiello, P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.

Degree: 2017, RMIT University

 This research project explores the negative environmental impacts of anthropogenic debris by investigating these found materials within the medium of contemporary jewellery objects. Contemporary jewellery… (more)

Subjects/Keywords: Fields of Research; adornment; anthropogenic; art science; Australian; consumerism; contemporary; craft; debris; environment; Jewellery; landscape; marine debris; materiality; objects; plastic pollution; second nature

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APA (6th Edition):

Jagiello, P. (2017). Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jagiello, P. “Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.” 2017. Thesis, RMIT University. Accessed April 22, 2021. http://researchbank.rmit.edu.au/view/rmit:162193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jagiello, P. “Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.” 2017. Web. 22 Apr 2021.

Vancouver:

Jagiello P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. [Internet] [Thesis]. RMIT University; 2017. [cited 2021 Apr 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jagiello P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

19. Dunt, Nerina Joy. Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion.

Degree: 2018, University of Adelaide

 Two distinct geographies inform the practice and production of contemporary Australian Indigenous art: one is desert-based and remote; the other is urban-based (including regional centres).… (more)

Subjects/Keywords: Art; Indigenous; Australian; Urban; contemporary; socio-political; society; politics; aesthetic; decolonial; decolonization; colonialism; agency; self-determination; empowerment; twenty-first century; twentieth century

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APA (6th Edition):

Dunt, N. J. (2018). Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/118123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dunt, Nerina Joy. “Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion.” 2018. Thesis, University of Adelaide. Accessed April 22, 2021. http://hdl.handle.net/2440/118123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dunt, Nerina Joy. “Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion.” 2018. Web. 22 Apr 2021.

Vancouver:

Dunt NJ. Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion. [Internet] [Thesis]. University of Adelaide; 2018. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2440/118123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dunt NJ. Investigating the aesthetic character of Australian urban Indigenous art: a socio-political fusion. [Thesis]. University of Adelaide; 2018. Available from: http://hdl.handle.net/2440/118123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

20. WARDLE, DARREN. Ruin gazing: catastrophe and ruins in painting.

Degree: 2014, University of Melbourne

 This practice‐led research investigates philosophical and aesthetic ideas surrounding ruins in painting. The significance of the cult of ruins in European culture and American postmodernism… (more)

Subjects/Keywords: art; visual art; painting; contemporary painting; Australian painting; digital painting; ruins; modern ruins; urban ruins; facial ruins; ruinlust, ruin aesthetics; catastrophe; terrorism; architecture; trauma; modernism; post modernism; utopia; dystopia; decay; collapse; twin towers; portraiture; contemporary portraiture; grotesque portraiture

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APA (6th Edition):

WARDLE, D. (2014). Ruin gazing: catastrophe and ruins in painting. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/54746

Chicago Manual of Style (16th Edition):

WARDLE, DARREN. “Ruin gazing: catastrophe and ruins in painting.” 2014. Masters Thesis, University of Melbourne. Accessed April 22, 2021. http://hdl.handle.net/11343/54746.

MLA Handbook (7th Edition):

WARDLE, DARREN. “Ruin gazing: catastrophe and ruins in painting.” 2014. Web. 22 Apr 2021.

Vancouver:

WARDLE D. Ruin gazing: catastrophe and ruins in painting. [Internet] [Masters thesis]. University of Melbourne; 2014. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/11343/54746.

Council of Science Editors:

WARDLE D. Ruin gazing: catastrophe and ruins in painting. [Masters Thesis]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/54746


Australian National University

21. Longley, Dianne Clare. The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities .

Degree: 2017, Australian National University

 In this thesis, there is an investigation into the factors that contributed to the ascendancy of printmaking in South Australia in the 1960s and the… (more)

Subjects/Keywords: Australian printmaking; printmaking South Australia; Imprint magazine; printmaking Australia; Contemporary Art Society of SA; Royal South Australian Society of Arts; St Peter’s College; South Australian School of Art; Jacqueline Hick; Charles Bannon; Udo Sellbach; Paul Beadle; Karin Schepers; Jennifer Marshall; Barbara Hanrahan; Ann Newmarch; Olga Sankey; Print Council of Australia; Geoffrey Brown; Sasha Grishin; Dianne Longley

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APA (6th Edition):

Longley, D. C. (2017). The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/144594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Longley, Dianne Clare. “The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities .” 2017. Thesis, Australian National University. Accessed April 22, 2021. http://hdl.handle.net/1885/144594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Longley, Dianne Clare. “The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities .” 2017. Web. 22 Apr 2021.

Vancouver:

Longley DC. The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities . [Internet] [Thesis]. Australian National University; 2017. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1885/144594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Longley DC. The Development of a Print Culture in South Australia Post-WWII to 2008: institutions, politics and personalities . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/144594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

22. Williamson, N. Drawn subject: meaning and the moving drawing.

Degree: 2007, RMIT University

 Using the vehicle of hand drawn animation, this is an ongoing reflection of instances that repeat themselves to a point beyond the humorous and back.… (more)

Subjects/Keywords: Fields of Research; Sisyphus; Animation; Drawing; Hand-drawn; Humour; Fine art; Traditional animation; Contemporary art; Contemporary drawing; Australian drawing; Contemporary animation; Moving drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williamson, N. (2007). Drawn subject: meaning and the moving drawing. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:6850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williamson, N. “Drawn subject: meaning and the moving drawing.” 2007. Thesis, RMIT University. Accessed April 22, 2021. http://researchbank.rmit.edu.au/view/rmit:6850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williamson, N. “Drawn subject: meaning and the moving drawing.” 2007. Web. 22 Apr 2021.

Vancouver:

Williamson N. Drawn subject: meaning and the moving drawing. [Internet] [Thesis]. RMIT University; 2007. [cited 2021 Apr 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:6850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williamson N. Drawn subject: meaning and the moving drawing. [Thesis]. RMIT University; 2007. Available from: http://researchbank.rmit.edu.au/view/rmit:6850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. McComas Magers, Robyn. Interactions in the space of one tree.

Degree: 2002, Western Sydney University

 This exegesis forms part of a cycle in the author's ongoing journey into the space of one tree, Eucalyptus gummifera. Many previously unchartered zones of… (more)

Subjects/Keywords: Master of Arts (Hons)(Contemporary Arts); trees in art; landscape in art; art, Australian; Australia; New South Wales

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APA (6th Edition):

McComas Magers, R. (2002). Interactions in the space of one tree. (Thesis). Western Sydney University. Retrieved from http://handle.uws.edu.au:8081/1959.7/25847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McComas Magers, Robyn. “Interactions in the space of one tree.” 2002. Thesis, Western Sydney University. Accessed April 22, 2021. http://handle.uws.edu.au:8081/1959.7/25847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McComas Magers, Robyn. “Interactions in the space of one tree.” 2002. Web. 22 Apr 2021.

Vancouver:

McComas Magers R. Interactions in the space of one tree. [Internet] [Thesis]. Western Sydney University; 2002. [cited 2021 Apr 22]. Available from: http://handle.uws.edu.au:8081/1959.7/25847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McComas Magers R. Interactions in the space of one tree. [Thesis]. Western Sydney University; 2002. Available from: http://handle.uws.edu.au:8081/1959.7/25847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Central Queensland University

24. Ash, Andrea J. A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic.

Degree: 2005, Central Queensland University

 Study examines "the contemporary art practice of three diasporic artists: Guan Wei, Wang Zhiyuan, and Ah Xian and documents their practice and analyses their work… (more)

Subjects/Keywords: Australian art; Chinese art; Contemporary art; Diasporic artists; Guan Wei; Wang Zhiyuan; Ah Xian; Hybrid art; Art and globalisation; 190104 Visual Cultures

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APA (6th Edition):

Ash, A. J. (2005). A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic. (Thesis). Central Queensland University. Retrieved from http://hdl.cqu.edu.au/10018/25230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ash, Andrea J. “A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic.” 2005. Thesis, Central Queensland University. Accessed April 22, 2021. http://hdl.cqu.edu.au/10018/25230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ash, Andrea J. “A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic.” 2005. Web. 22 Apr 2021.

Vancouver:

Ash AJ. A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic. [Internet] [Thesis]. Central Queensland University; 2005. [cited 2021 Apr 22]. Available from: http://hdl.cqu.edu.au/10018/25230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ash AJ. A local analysis of contemporary Chinese/- Australian art by Guan Wei, Wang Zhiyuan and Ah Xian using a global aesthetic. [Thesis]. Central Queensland University; 2005. Available from: http://hdl.cqu.edu.au/10018/25230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

25. Sanders, Anne Elizabeth. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .

Degree: 2009, Australian National University

 The significance of the Mildura Sculpture Triennials from 1961 to 1978 lies in their role as critical nodal points in an expanding and increasingly complex… (more)

Subjects/Keywords: Mildura Sculpture Triennials; Mildara Sculpture Prize; Biennale of Sydney; post-object; conceptual art; contemporary art; Bourdieu; art education; art education policies; art policy; Australia Council; Tom McCullough; John Davis; Eric Westbrook; Henry Bolte; Rupert Hamer; Donald Brook; Bernard Smith; Alan McCulloch; Algeranoff; fluxus; Australian sculpture; experimental art; Centre 5; trans-Tasman; New Zealand artists; Victorian Institute of Colleges; Reginald Etherington; Sculpturscape; 1970s; 1960s; autonomous field of cultural production; habitus; capital; field theory; institutional development of Australian visual arts sector; professional artist

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APA (6th Edition):

Sanders, A. E. (2009). The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sanders, Anne Elizabeth. “The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .” 2009. Thesis, Australian National University. Accessed April 22, 2021. http://hdl.handle.net/1885/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sanders, Anne Elizabeth. “The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .” 2009. Web. 22 Apr 2021.

Vancouver:

Sanders AE. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . [Internet] [Thesis]. Australian National University; 2009. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1885/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sanders AE. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . [Thesis]. Australian National University; 2009. Available from: http://hdl.handle.net/1885/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Allan, Michele Margaret. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .

Degree: 2013, Australian National University

 Artworks produced in this studio-based research (option D) involve exploration of the ‘liquid space’ of the sea, not just in its physical and sensual nature… (more)

Subjects/Keywords: Australian contemporary painting; Micky Allan artist; contemporary metaphysical art; Engraved glass; theosophy and art; Jonah and the Whale; transcendental art; unity in diversity; the sea in painting; underwater spatial dynamics; poetic reality; death and renewal; transformation; interface of abstraction and representation; synthesis of inner and outer worlds

…present, the contemporary art conversation does not often include the metaphysical dimension. I… …spirituality has been and is increasingly acceptable in the contemporary art context, but my interest… …in order to indicate something of this complexity. Contemporary Australian artists Eugene… …viewing) of a work of art that are nevertheless part of the reality of the whole. I… …transforms and expands. Through this research in painting both the sea and a contemporary… 

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APA (6th Edition):

Allan, M. M. (2013). ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Thesis, Australian National University. Accessed April 22, 2021. http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Web. 22 Apr 2021.

Vancouver:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Internet] [Thesis]. Australian National University; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.