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You searched for subject:(Contemporary Art). Showing records 1 – 30 of 1635 total matches.

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University of Southern California

1. Kennedy, Sean. Accumulation.

Degree: MFA, Fine Arts, 2012, University of Southern California

 This paper should function, formally speaking, as an analog to the approach I take in producing art, which is to say that something that might… (more)

Subjects/Keywords: contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kennedy, S. (2012). Accumulation. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kennedy, Sean. “Accumulation.” 2012. Thesis, University of Southern California. Accessed March 02, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kennedy, Sean. “Accumulation.” 2012. Web. 02 Mar 2021.

Vancouver:

Kennedy S. Accumulation. [Internet] [Thesis]. University of Southern California; 2012. [cited 2021 Mar 02]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kennedy S. Accumulation. [Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

2. Bohorquez Florez, Gloria Eugenia. WE .

Degree: 2014, University of Sydney

 This research paper in tandem with my artistic practice, investigates the mutual forces of interconnectivity which are intrinsic to the construction of the natural world… (more)

Subjects/Keywords: Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bohorquez Florez, G. E. (2014). WE . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Web. 02 Mar 2021.

Vancouver:

Bohorquez Florez GE. WE . [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bohorquez Florez GE. WE . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

3. Hood, Jennifer L. The Ethics of Transgenic Art.

Degree: 2011, University of Edinburgh

 Is biotechnology an appropriate and ethical medium for contemporary art? In the past decade, the line between science and art has become increasingly blurred as… (more)

Subjects/Keywords: biotechnology; Contemporary art

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APA (6th Edition):

Hood, J. L. (2011). The Ethics of Transgenic Art. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Thesis, University of Edinburgh. Accessed March 02, 2021. http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Web. 02 Mar 2021.

Vancouver:

Hood JL. The Ethics of Transgenic Art. [Internet] [Thesis]. University of Edinburgh; 2011. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hood JL. The Ethics of Transgenic Art. [Thesis]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ottawa

4. Howard, Lauren. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.

Degree: MA, Sciences sociales / Social Sciences, 2020, University of Ottawa

 The following thesis explores the complexities of visual representation in relation to women’s experiences of sexual trauma, focusing on Gita Hashemi’s durational performance, Grounding: States… (more)

Subjects/Keywords: contemporary art; aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Howard, L. (2020). The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. (Masters Thesis). University of Ottawa. Retrieved from http://dx.doi.org/10.20381/ruor-25657

Chicago Manual of Style (16th Edition):

Howard, Lauren. “The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.” 2020. Masters Thesis, University of Ottawa. Accessed March 02, 2021. http://dx.doi.org/10.20381/ruor-25657.

MLA Handbook (7th Edition):

Howard, Lauren. “The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.” 2020. Web. 02 Mar 2021.

Vancouver:

Howard L. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. [Internet] [Masters thesis]. University of Ottawa; 2020. [cited 2021 Mar 02]. Available from: http://dx.doi.org/10.20381/ruor-25657.

Council of Science Editors:

Howard L. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. [Masters Thesis]. University of Ottawa; 2020. Available from: http://dx.doi.org/10.20381/ruor-25657


University of New South Wales

5. Araujo, Jorge. The banal and the provisional : self-cancelling strategies in painting.

Degree: Art, 2012, University of New South Wales

 This project conducts a series of investigations into the act of painting through zones characterized by the indefinite, the ordinary, the banal and the provisional,… (more)

Subjects/Keywords: Contemporary; Painting; Art

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APA (6th Edition):

Araujo, J. (2012). The banal and the provisional : self-cancelling strategies in painting. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Masters Thesis, University of New South Wales. Accessed March 02, 2021. http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

MLA Handbook (7th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Web. 02 Mar 2021.

Vancouver:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2021 Mar 02]. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

Council of Science Editors:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true


University of Minnesota

6. Heer, Melissa. The Breath Within the Breath: Contemporary Performance Art Practices in India.

Degree: PhD, Art History, 2015, University of Minnesota

 This dissertation examines contemporary performance art practices in India, with a particular focus on the work of three artists with diverse approaches to this ever-evolving… (more)

Subjects/Keywords: Contemporary Art; India; Performance Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heer, M. (2015). The Breath Within the Breath: Contemporary Performance Art Practices in India. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/174854

Chicago Manual of Style (16th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Doctoral Dissertation, University of Minnesota. Accessed March 02, 2021. http://hdl.handle.net/11299/174854.

MLA Handbook (7th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Web. 02 Mar 2021.

Vancouver:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/11299/174854.

Council of Science Editors:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/174854


University of Southern California

7. McCarthy, Kiley Anna. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis examines feminist performance artists Barbara T. Smith and Linda Montano, and the artists’ respective use of biography as political statement in themes of… (more)

Subjects/Keywords: performance art; contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCarthy, K. A. (2013). Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606

Chicago Manual of Style (16th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Masters Thesis, University of Southern California. Accessed March 02, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606.

MLA Handbook (7th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Web. 02 Mar 2021.

Vancouver:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2021 Mar 02]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606.

Council of Science Editors:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606


University of Sydney

8. Hassanein, Saffaa. We will play: protest, performance, and physical activism .

Degree: 2014, University of Sydney

 This paper explores the politically charged topic of sport and gender in Saudi Arabia. Banning women and girls in Saudi from participating in organized sport… (more)

Subjects/Keywords: Contemporary art; Visual art

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APA (6th Edition):

Hassanein, S. (2014). We will play: protest, performance, and physical activism . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Web. 02 Mar 2021.

Vancouver:

Hassanein S. We will play: protest, performance, and physical activism . [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hassanein S. We will play: protest, performance, and physical activism . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

9. Archer, Anita Sarah. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.

Degree: 2018, University of Melbourne

 This thesis examines the role of international auction houses in developing a Western market for Chinese Contemporary art from 1998 to 2012. It highlights six… (more)

Subjects/Keywords: art; auction; art history; Chinese contemporary art; art market; contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Archer, A. S. (2018). Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/224165

Chicago Manual of Style (16th Edition):

Archer, Anita Sarah. “Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.” 2018. Doctoral Dissertation, University of Melbourne. Accessed March 02, 2021. http://hdl.handle.net/11343/224165.

MLA Handbook (7th Edition):

Archer, Anita Sarah. “Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.” 2018. Web. 02 Mar 2021.

Vancouver:

Archer AS. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. [Internet] [Doctoral dissertation]. University of Melbourne; 2018. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/11343/224165.

Council of Science Editors:

Archer AS. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. [Doctoral Dissertation]. University of Melbourne; 2018. Available from: http://hdl.handle.net/11343/224165


University of Manitoba

10. Buzzi, Gayle. Accidental landscapes.

Degree: School of Art, 2019, University of Manitoba

 This paper describes and explains my thesis installation through the context of the Western world’s perceived culture vs nature binary. The history of nature in… (more)

Subjects/Keywords: Glass art; Sculpture; Fine art; Contemporary art

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APA (6th Edition):

Buzzi, G. (2019). Accidental landscapes. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34274

Chicago Manual of Style (16th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Masters Thesis, University of Manitoba. Accessed March 02, 2021. http://hdl.handle.net/1993/34274.

MLA Handbook (7th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Web. 02 Mar 2021.

Vancouver:

Buzzi G. Accidental landscapes. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/1993/34274.

Council of Science Editors:

Buzzi G. Accidental landscapes. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34274


University of Melbourne

11. Crawford, Ashley Robert. End of days: religious imaging in millennialist America.

Degree: 2016, University of Melbourne

 Michel Foucault once commented that: “Religious beliefs prepare a kind of landscape of images, an illusory milieu favorable to every hallucination and every delirium.”1 This… (more)

Subjects/Keywords: contemporary religion; contemporary art; apocalypse; America

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APA (6th Edition):

Crawford, A. R. (2016). End of days: religious imaging in millennialist America. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/118385

Chicago Manual of Style (16th Edition):

Crawford, Ashley Robert. “End of days: religious imaging in millennialist America.” 2016. Doctoral Dissertation, University of Melbourne. Accessed March 02, 2021. http://hdl.handle.net/11343/118385.

MLA Handbook (7th Edition):

Crawford, Ashley Robert. “End of days: religious imaging in millennialist America.” 2016. Web. 02 Mar 2021.

Vancouver:

Crawford AR. End of days: religious imaging in millennialist America. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/11343/118385.

Council of Science Editors:

Crawford AR. End of days: religious imaging in millennialist America. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/118385


University of Louisville

12. Sevilla, Madison DeAnna. Transversal approaches and ecological artwork.

Degree: MA, 2017, University of Louisville

  This work explores systematic ecology as it relates to sculpture and language. This project exists in two parts: a written thesis and a thesis… (more)

Subjects/Keywords: contemporary art; ecology; sculpture; earth art; Contemporary Art

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APA (6th Edition):

Sevilla, M. D. (2017). Transversal approaches and ecological artwork. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722

Chicago Manual of Style (16th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Masters Thesis, University of Louisville. Accessed March 02, 2021. 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

MLA Handbook (7th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Web. 02 Mar 2021.

Vancouver:

Sevilla MD. Transversal approaches and ecological artwork. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2021 Mar 02]. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

Council of Science Editors:

Sevilla MD. Transversal approaches and ecological artwork. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722


University of Wollongong

13. Sprague, Quentin. Making in translation: the intercultural broker in indigenous Australian art.

Degree: PhD, 2016, University of Wollongong

  This thesis examines the role of intercultural brokerage in the production and mediation of indigenous contemporary art in Australia. It aims to illuminate something… (more)

Subjects/Keywords: contemporary art; Aboriginal art; indigenous contemporary art; intercutural brokerage

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sprague, Q. (2016). Making in translation: the intercultural broker in indigenous Australian art. (Doctoral Dissertation). University of Wollongong. Retrieved from 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807

Chicago Manual of Style (16th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Doctoral Dissertation, University of Wollongong. Accessed March 02, 2021. 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

MLA Handbook (7th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Web. 02 Mar 2021.

Vancouver:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2021 Mar 02]. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

Council of Science Editors:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807


University of Alberta

14. Talbot, Jacques P. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.

Degree: MA, Department of Art and Design, 2016, University of Alberta

 This thesis examines the emergence and proliferation of installation art in the 20th Century and the ways in which its complexities have been contended through… (more)

Subjects/Keywords: framework; site; contemporary art; installation

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APA (6th Edition):

Talbot, J. P. (2016). Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/cpr76f347q

Chicago Manual of Style (16th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Masters Thesis, University of Alberta. Accessed March 02, 2021. https://era.library.ualberta.ca/files/cpr76f347q.

MLA Handbook (7th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Web. 02 Mar 2021.

Vancouver:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Internet] [Masters thesis]. University of Alberta; 2016. [cited 2021 Mar 02]. Available from: https://era.library.ualberta.ca/files/cpr76f347q.

Council of Science Editors:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Masters Thesis]. University of Alberta; 2016. Available from: https://era.library.ualberta.ca/files/cpr76f347q


University of Newcastle

15. Collis, Andrew. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

‘The re-emergence of all figurative art as progressive and groundbreaking’ since the last quarter of the twentieth century… (more)

Subjects/Keywords: portrait; painting; contemporary; art; galleries

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APA (6th Edition):

Collis, A. (2015). The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1061111

Chicago Manual of Style (16th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Doctoral Dissertation, University of Newcastle. Accessed March 02, 2021. http://hdl.handle.net/1959.13/1061111.

MLA Handbook (7th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Web. 02 Mar 2021.

Vancouver:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/1959.13/1061111.

Council of Science Editors:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1061111

16. Eliev, Elia. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .

Degree: 2018, University of Ottawa

 Over the past decade, scholarly works have examined the plurality and diversity of men in relation to social practices of Arab cultures, while also examining… (more)

Subjects/Keywords: Contemporary art; Queer; Lebanon; Masculinities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eliev, E. (2018). Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Thesis, University of Ottawa. Accessed March 02, 2021. http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Web. 02 Mar 2021.

Vancouver:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Internet] [Thesis]. University of Ottawa; 2018. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Thesis]. University of Ottawa; 2018. Available from: http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

17. Hewitt, Peter James. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.

Degree: Master of Creative Art - Research, 2016, University of Wollongong

  In my artistic practice I have identified as an ‘Aboriginal artist’; a contemporary Aboriginal painter to be more accurate. This categorisation is significant to… (more)

Subjects/Keywords: Contemporary urban-based Aboriginal art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hewitt, P. J. (2016). Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. (Masters Thesis). University of Wollongong. Retrieved from 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685

Chicago Manual of Style (16th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Masters Thesis, University of Wollongong. Accessed March 02, 2021. 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

MLA Handbook (7th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Web. 02 Mar 2021.

Vancouver:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Internet] [Masters thesis]. University of Wollongong; 2016. [cited 2021 Mar 02]. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

Council of Science Editors:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Masters Thesis]. University of Wollongong; 2016. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685


Universidade Nova

18. Marçal, Hélia Pereira. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.

Degree: 2012, Universidade Nova

Dissertação para obtenção do Grau de Mestre em Conservação e Restauro, Perfil Ciências da Conservação Especialização em Arte Contemporânea

Drawing from philosophy and social sciences,… (more)

Subjects/Keywords: Subjectivity; Contemporary art; Conservation; Ethnography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marçal, H. P. (2012). Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Thesis, Universidade Nova. Accessed March 02, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Web. 02 Mar 2021.

Vancouver:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Internet] [Thesis]. Universidade Nova; 2012. [cited 2021 Mar 02]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Thesis]. Universidade Nova; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Endresen, Tomas Kominis. SIX MINUTES OF FRESHNESS.

Degree: 2016, , Royal Institute of Art

https://vimeo.com/142533096</p Every time I am on an elevator or an airplane there is always someone right behind me, or beside me, that is coughing… (more)

Subjects/Keywords: contemporary art; Installation; Cleanliness; Protection

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Endresen, T. K. (2016). SIX MINUTES OF FRESHNESS. (Thesis). , Royal Institute of Art. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Thesis, , Royal Institute of Art. Accessed March 02, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Web. 02 Mar 2021.

Vancouver:

Endresen TK. SIX MINUTES OF FRESHNESS. [Internet] [Thesis]. , Royal Institute of Art; 2016. [cited 2021 Mar 02]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Endresen TK. SIX MINUTES OF FRESHNESS. [Thesis]. , Royal Institute of Art; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Southern Cross University

20. Delaney, Cornelius. A farewell to meat : rendering ambivalence & transgression.

Degree: 2008, Southern Cross University

 This exegesis speaks to the body of work constructed over three years between February 2004 and April 2007, assembled and exhibited at the Lismore Regional… (more)

Subjects/Keywords: Contemporary Art

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APA (6th Edition):

Delaney, C. (2008). A farewell to meat : rendering ambivalence & transgression. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Thesis, Southern Cross University. Accessed March 02, 2021. https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Web. 02 Mar 2021.

Vancouver:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Internet] [Thesis]. Southern Cross University; 2008. [cited 2021 Mar 02]. Available from: https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Thesis]. Southern Cross University; 2008. Available from: https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Chico

21. Sharkey, Willow. Love meetings: impersonality and intimacy in the art of Sharon Hayes .

Degree: 2013, California State University – Chico

 The study that follows establishes the work of contemporary artist Sharon Hayes as critically engaged with some of modern art???s central concerns. Hayes???s art asserts… (more)

Subjects/Keywords: Sharon Hayes; Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sharkey, W. (2013). Love meetings: impersonality and intimacy in the art of Sharon Hayes . (Thesis). California State University – Chico. Retrieved from http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Thesis, California State University – Chico. Accessed March 02, 2021. http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Web. 02 Mar 2021.

Vancouver:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Internet] [Thesis]. California State University – Chico; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Thesis]. California State University – Chico; 2013. Available from: http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

22. Bartlett, Brian. David Hockney.

Degree: MA, 1977, Eastern Illinois University

  David Hockney is generally recognised as the most talented British artist of his generation. In my thesis I trace his development from his childhood… (more)

Subjects/Keywords: Contemporary Art

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APA (6th Edition):

Bartlett, B. (1977). David Hockney. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3305

Chicago Manual of Style (16th Edition):

Bartlett, Brian. “David Hockney.” 1977. Masters Thesis, Eastern Illinois University. Accessed March 02, 2021. https://thekeep.eiu.edu/theses/3305.

MLA Handbook (7th Edition):

Bartlett, Brian. “David Hockney.” 1977. Web. 02 Mar 2021.

Vancouver:

Bartlett B. David Hockney. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2021 Mar 02]. Available from: https://thekeep.eiu.edu/theses/3305.

Council of Science Editors:

Bartlett B. David Hockney. [Masters Thesis]. Eastern Illinois University; 1977. Available from: https://thekeep.eiu.edu/theses/3305


California State University – Sacramento

23. Blackmon, Tavarus. The politics of the cartoon and contemporary art.

Degree: MA, Art Studio, 2015, California State University – Sacramento

 Painting, for me, is essential. Through digital processes, I find another way to visually express myself. Mixed media, assemblage and sculpture, are disciplines with which… (more)

Subjects/Keywords: Contemporary art; Painting; Cartoons

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blackmon, T. (2015). The politics of the cartoon and contemporary art. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/139447

Chicago Manual of Style (16th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Masters Thesis, California State University – Sacramento. Accessed March 02, 2021. http://hdl.handle.net/10211.3/139447.

MLA Handbook (7th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Web. 02 Mar 2021.

Vancouver:

Blackmon T. The politics of the cartoon and contemporary art. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10211.3/139447.

Council of Science Editors:

Blackmon T. The politics of the cartoon and contemporary art. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/139447


University of Sydney

24. Arnold, Kristi. Unearthing the grotesque: the transformation of the underground to cultural mainstream .

Degree: 2013, University of Sydney

 'Unearthing the Grotesque: the Transformation of the Underground to Cultural Mainstream' examines the grotesque by way of its history and re-­‐emergence over the last few… (more)

Subjects/Keywords: Contemporary art; Painting; Grotesque; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arnold, K. (2013). Unearthing the grotesque: the transformation of the underground to cultural mainstream . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/12775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Web. 02 Mar 2021.

Vancouver:

Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/12775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

25. Dennington, Charles. Altered matter. Like icons, stored .

Degree: 2013, University of Sydney

 This thesis proposes research findings that run parallel to my own practice. At the heart of the concepts discussed there is a notion of invention… (more)

Subjects/Keywords: Contemporary art; Sculpture; Symbolism

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APA (6th Edition):

Dennington, C. (2013). Altered matter. Like icons, stored . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Web. 02 Mar 2021.

Vancouver:

Dennington C. Altered matter. Like icons, stored . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennington C. Altered matter. Like icons, stored . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

26. Warner, Lachlan Phillip. Art Practice as Buddhist Practice: A Soteriology through Suffering .

Degree: 2018, University of Sydney

 The thesis examines the Buddhist concept of suffering, portrayed through visual art. The central questions are how can art be used to understand Buddhist suffering… (more)

Subjects/Keywords: art; Buddhism; suffering; dukkha; contemporary

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APA (6th Edition):

Warner, L. P. (2018). Art Practice as Buddhist Practice: A Soteriology through Suffering . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Web. 02 Mar 2021.

Vancouver:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Internet] [Thesis]. University of Sydney; 2018. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

27. Scardifield, Katherine. Into theatre, under the knife: cultures of dissection and contemporary art practice .

Degree: 2013, University of Sydney

 Dissection can be considered a process of calculated dividing and a form of meticulous dismantling. As a method of analysis, it remains inextricably linked to… (more)

Subjects/Keywords: Dissection; Cutting; Contemporary Art

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APA (6th Edition):

Scardifield, K. (2013). Into theatre, under the knife: cultures of dissection and contemporary art practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Web. 02 Mar 2021.

Vancouver:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

28. Adelpour, Adam. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .

Degree: 2012, University of Sydney

 Amid the economic fallout that has followed the 2008 Global Financial Crisis, governments in badly effected countries have often sought to heighten exclusionary forms of… (more)

Subjects/Keywords: Contemporary Art; Nationalism; Marxism; Refugees

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Adelpour, A. (2012). Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Web. 02 Mar 2021.

Vancouver:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Internet] [Thesis]. University of Sydney; 2012. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Thesis]. University of Sydney; 2012. Available from: http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

29. [No author]. Artspace : creating a contemporary African art gallery for the city of Pretoria .

Degree: 2008, University of Pretoria

 The year 2007 is significant for Africa and African artists as “[t]his is the first time a major exhibition of contemporary African art will be… (more)

Subjects/Keywords: Contemporary african art; African art gallery; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2008). Artspace : creating a contemporary African art gallery for the city of Pretoria . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-10242008-120213/

Chicago Manual of Style (16th Edition):

author], [No. “Artspace : creating a contemporary African art gallery for the city of Pretoria .” 2008. Masters Thesis, University of Pretoria. Accessed March 02, 2021. http://upetd.up.ac.za/thesis/available/etd-10242008-120213/.

MLA Handbook (7th Edition):

author], [No. “Artspace : creating a contemporary African art gallery for the city of Pretoria .” 2008. Web. 02 Mar 2021.

Vancouver:

author] [. Artspace : creating a contemporary African art gallery for the city of Pretoria . [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2021 Mar 02]. Available from: http://upetd.up.ac.za/thesis/available/etd-10242008-120213/.

Council of Science Editors:

author] [. Artspace : creating a contemporary African art gallery for the city of Pretoria . [Masters Thesis]. University of Pretoria; 2008. Available from: http://upetd.up.ac.za/thesis/available/etd-10242008-120213/


University of Pretoria

30. Wepener, Leila. Artspace : creating a contemporary African art gallery for the city of Pretoria.

Degree: Architecture, 2008, University of Pretoria

 The year 2007 is significant for Africa and African artists as “[t]his is the first time a major exhibition of contemporary African art will be… (more)

Subjects/Keywords: Contemporary african art; African art gallery; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wepener, L. (2008). Artspace : creating a contemporary African art gallery for the city of Pretoria. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/29005

Chicago Manual of Style (16th Edition):

Wepener, Leila. “Artspace : creating a contemporary African art gallery for the city of Pretoria.” 2008. Masters Thesis, University of Pretoria. Accessed March 02, 2021. http://hdl.handle.net/2263/29005.

MLA Handbook (7th Edition):

Wepener, Leila. “Artspace : creating a contemporary African art gallery for the city of Pretoria.” 2008. Web. 02 Mar 2021.

Vancouver:

Wepener L. Artspace : creating a contemporary African art gallery for the city of Pretoria. [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2263/29005.

Council of Science Editors:

Wepener L. Artspace : creating a contemporary African art gallery for the city of Pretoria. [Masters Thesis]. University of Pretoria; 2008. Available from: http://hdl.handle.net/2263/29005

[1] [2] [3] [4] [5] … [55]

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