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Louisiana State University
1. Alford, Michael. Conditions Of My Release.
Degree: MFA, Fine Arts, 2013, Louisiana State University
URL: etd-11152013-141532
;
https://digitalcommons.lsu.edu/gradschool_theses/698
Subjects/Keywords: Duchampian; New Genre Conceptual Art
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APA (6th Edition):
Alford, M. (2013). Conditions Of My Release. (Masters Thesis). Louisiana State University. Retrieved from etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698
Chicago Manual of Style (16th Edition):
Alford, Michael. “Conditions Of My Release.” 2013. Masters Thesis, Louisiana State University. Accessed December 06, 2019. etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698.
MLA Handbook (7th Edition):
Alford, Michael. “Conditions Of My Release.” 2013. Web. 06 Dec 2019.
Vancouver:
Alford M. Conditions Of My Release. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2019 Dec 06]. Available from: etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698.
Council of Science Editors:
Alford M. Conditions Of My Release. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698
University of Southern California
2. White, Adrienne M. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.
Degree: Master of Public Art Studies, Public Art Studies, 2012, University of Southern California
URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4992
Subjects/Keywords: fine arts; feminism; conceptual art
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APA (6th Edition):
White, A. M. (2012). Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4992
Chicago Manual of Style (16th Edition):
White, Adrienne M. “Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.” 2012. Masters Thesis, University of Southern California. Accessed December 06, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4992.
MLA Handbook (7th Edition):
White, Adrienne M. “Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.” 2012. Web. 06 Dec 2019.
Vancouver:
White AM. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Dec 06]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4992.
Council of Science Editors:
White AM. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4992
University of Wollongong
3. Kreckler, Derek. Ontological fragments: the construction of artworks beyond their materiality.
Degree: Doctor of Creative Arts, Faculty of Creative Arts, 2012, University of Wollongong
URL: 1905
VISUAL
ARTS
AND
CRAFTS
;
https://ro.uow.edu.au/theses/3681
Subjects/Keywords: art; minimalism; conceptual; installation
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APA (6th Edition):
Kreckler, D. (2012). Ontological fragments: the construction of artworks beyond their materiality. (Doctoral Dissertation). University of Wollongong. Retrieved from 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681
Chicago Manual of Style (16th Edition):
Kreckler, Derek. “Ontological fragments: the construction of artworks beyond their materiality.” 2012. Doctoral Dissertation, University of Wollongong. Accessed December 06, 2019. 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681.
MLA Handbook (7th Edition):
Kreckler, Derek. “Ontological fragments: the construction of artworks beyond their materiality.” 2012. Web. 06 Dec 2019.
Vancouver:
Kreckler D. Ontological fragments: the construction of artworks beyond their materiality. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2019 Dec 06]. Available from: 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681.
Council of Science Editors:
Kreckler D. Ontological fragments: the construction of artworks beyond their materiality. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681
University of British Columbia
4. Mitchell, David Brian. The art and language group : 1966 to 1973 .
Degree: 1976, University of British Columbia
URL: http://hdl.handle.net/2429/41950
Subjects/Keywords: Conceptual art
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APA (6th Edition):
Mitchell, D. B. (1976). The art and language group : 1966 to 1973 . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/41950
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Mitchell, David Brian. “The art and language group : 1966 to 1973 .” 1976. Thesis, University of British Columbia. Accessed December 06, 2019. http://hdl.handle.net/2429/41950.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Mitchell, David Brian. “The art and language group : 1966 to 1973 .” 1976. Web. 06 Dec 2019.
Vancouver:
Mitchell DB. The art and language group : 1966 to 1973 . [Internet] [Thesis]. University of British Columbia; 1976. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/2429/41950.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Mitchell DB. The art and language group : 1966 to 1973 . [Thesis]. University of British Columbia; 1976. Available from: http://hdl.handle.net/2429/41950
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Oxford
5. Hanson, Louise Mary. Conceptual art : what is it?.
Degree: PhD, 2011, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e
;
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
Subjects/Keywords: 709.04075; Philosophy; philosophy; aesthetics; Conceptual Art
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APA (6th Edition):
Hanson, L. M. (2011). Conceptual art : what is it?. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
Chicago Manual of Style (16th Edition):
Hanson, Louise Mary. “Conceptual art : what is it?.” 2011. Doctoral Dissertation, University of Oxford. Accessed December 06, 2019. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918.
MLA Handbook (7th Edition):
Hanson, Louise Mary. “Conceptual art : what is it?.” 2011. Web. 06 Dec 2019.
Vancouver:
Hanson LM. Conceptual art : what is it?. [Internet] [Doctoral dissertation]. University of Oxford; 2011. [cited 2019 Dec 06]. Available from: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918.
Council of Science Editors:
Hanson LM. Conceptual art : what is it?. [Doctoral Dissertation]. University of Oxford; 2011. Available from: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
Leiden University
6. Iliopoulou, Anastasia Maria. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].
Degree: 2015, Leiden University
URL: http://hdl.handle.net/1887/36446
Subjects/Keywords: Conceptual Art; Exhibitions; Sculpture; Stedelijk Museum; MoMA
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Iliopoulou, A. M. (2015). From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36446
Chicago Manual of Style (16th Edition):
Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Masters Thesis, Leiden University. Accessed December 06, 2019. http://hdl.handle.net/1887/36446.
MLA Handbook (7th Edition):
Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Web. 06 Dec 2019.
Vancouver:
Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/1887/36446.
Council of Science Editors:
Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36446
University of Saskatchewan
7. Partridge, Wenona. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.
Degree: 2014, University of Saskatchewan
URL: http://hdl.handle.net/10388/ETD-2014-06-1583
Subjects/Keywords: aesthetics; form; formalism; modernism; conceptual art
Record Details
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APA (6th Edition):
Partridge, W. (2014). What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2014-06-1583
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Partridge, Wenona. “What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.” 2014. Thesis, University of Saskatchewan. Accessed December 06, 2019. http://hdl.handle.net/10388/ETD-2014-06-1583.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Partridge, Wenona. “What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.” 2014. Web. 06 Dec 2019.
Vancouver:
Partridge W. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. [Internet] [Thesis]. University of Saskatchewan; 2014. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10388/ETD-2014-06-1583.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Partridge W. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. [Thesis]. University of Saskatchewan; 2014. Available from: http://hdl.handle.net/10388/ETD-2014-06-1583
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Ottawa
8. Gollner, Adrian. Small Trinity .
Degree: 2016, University of Ottawa
URL: http://hdl.handle.net/10393/35201
Subjects/Keywords: conceptual art; explosions; cast sculptures; Trinity
Record Details
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APA (6th Edition):
Gollner, A. (2016). Small Trinity . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/35201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Gollner, Adrian. “Small Trinity .” 2016. Thesis, University of Ottawa. Accessed December 06, 2019. http://hdl.handle.net/10393/35201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Gollner, Adrian. “Small Trinity .” 2016. Web. 06 Dec 2019.
Vancouver:
Gollner A. Small Trinity . [Internet] [Thesis]. University of Ottawa; 2016. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10393/35201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Gollner A. Small Trinity . [Thesis]. University of Ottawa; 2016. Available from: http://hdl.handle.net/10393/35201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Rochester Institute of Technology
9. Ogden, Eve. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.
Degree: School of Photographic Arts and Sciences (CIAS), 1997, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/421
Subjects/Keywords: Photography; Conceptual art
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APA (6th Edition):
Ogden, E. (1997). "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/421
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Ogden, Eve. “"Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.” 1997. Thesis, Rochester Institute of Technology. Accessed December 06, 2019. https://scholarworks.rit.edu/theses/421.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Ogden, Eve. “"Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.” 1997. Web. 06 Dec 2019.
Vancouver:
Ogden E. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. [Internet] [Thesis]. Rochester Institute of Technology; 1997. [cited 2019 Dec 06]. Available from: https://scholarworks.rit.edu/theses/421.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Ogden E. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. [Thesis]. Rochester Institute of Technology; 1997. Available from: https://scholarworks.rit.edu/theses/421
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
10. Williams, Bryden John. 'A Hydrological Imaginary’ .
Degree: 2017, University of Sydney
URL: http://hdl.handle.net/2123/17891
Subjects/Keywords: Hydrological; Imaginary; Water; Art; Conceptual; River
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APA (6th Edition):
Williams, B. J. (2017). 'A Hydrological Imaginary’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17891
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Williams, Bryden John. “'A Hydrological Imaginary’ .” 2017. Thesis, University of Sydney. Accessed December 06, 2019. http://hdl.handle.net/2123/17891.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Williams, Bryden John. “'A Hydrological Imaginary’ .” 2017. Web. 06 Dec 2019.
Vancouver:
Williams BJ. 'A Hydrological Imaginary’ . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/2123/17891.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Williams BJ. 'A Hydrological Imaginary’ . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17891
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
AUT University
11. Atkins, Michael. The entropy of a closed system can only increase, and will never decrease .
Degree: 2011, AUT University
URL: http://hdl.handle.net/10292/1123
Subjects/Keywords: Entropy; Art; Conceptual; Computer; Codes; Installation
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Atkins, M. (2011). The entropy of a closed system can only increase, and will never decrease . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Atkins, Michael. “The entropy of a closed system can only increase, and will never decrease .” 2011. Thesis, AUT University. Accessed December 06, 2019. http://hdl.handle.net/10292/1123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Atkins, Michael. “The entropy of a closed system can only increase, and will never decrease .” 2011. Web. 06 Dec 2019.
Vancouver:
Atkins M. The entropy of a closed system can only increase, and will never decrease . [Internet] [Thesis]. AUT University; 2011. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10292/1123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Atkins M. The entropy of a closed system can only increase, and will never decrease . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Massey University
12. Shepherd, Richard. Running-room in the mangle of practice : contemporary art in the thick of things.
Degree: MFA, 2011, Massey University
URL: http://hdl.handle.net/10179/2347
Subjects/Keywords: Space and time in art; Art installations; Conceptual art
Record Details
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APA (6th Edition):
Shepherd, R. (2011). Running-room in the mangle of practice : contemporary art in the thick of things. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2347
Chicago Manual of Style (16th Edition):
Shepherd, Richard. “Running-room in the mangle of practice : contemporary art in the thick of things.” 2011. Masters Thesis, Massey University. Accessed December 06, 2019. http://hdl.handle.net/10179/2347.
MLA Handbook (7th Edition):
Shepherd, Richard. “Running-room in the mangle of practice : contemporary art in the thick of things.” 2011. Web. 06 Dec 2019.
Vancouver:
Shepherd R. Running-room in the mangle of practice : contemporary art in the thick of things. [Internet] [Masters thesis]. Massey University; 2011. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10179/2347.
Council of Science Editors:
Shepherd R. Running-room in the mangle of practice : contemporary art in the thick of things. [Masters Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2347
Columbia University
13. Frobes-Cross, Nicholas. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.
Degree: 2016, Columbia University
URL: https://doi.org/10.7916/D88K794J
Subjects/Keywords: Conceptual art; Art – Political aspects; Art; Sekula, Allan
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Frobes-Cross, N. (2016). Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88K794J
Chicago Manual of Style (16th Edition):
Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Doctoral Dissertation, Columbia University. Accessed December 06, 2019. https://doi.org/10.7916/D88K794J.
MLA Handbook (7th Edition):
Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Web. 06 Dec 2019.
Vancouver:
Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2019 Dec 06]. Available from: https://doi.org/10.7916/D88K794J.
Council of Science Editors:
Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D88K794J
Rochester Institute of Technology
14. Heffernan, Erika. Re learning to learn.
Degree: School of Photographic Arts and Sciences (CIAS), 2011, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/5226
Subjects/Keywords: Art; Conceptual art; Disability; Interactive art; Learning; Working memory
Record Details
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APA (6th Edition):
Heffernan, E. (2011). Re learning to learn. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5226
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Heffernan, Erika. “Re learning to learn.” 2011. Thesis, Rochester Institute of Technology. Accessed December 06, 2019. https://scholarworks.rit.edu/theses/5226.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Heffernan, Erika. “Re learning to learn.” 2011. Web. 06 Dec 2019.
Vancouver:
Heffernan E. Re learning to learn. [Internet] [Thesis]. Rochester Institute of Technology; 2011. [cited 2019 Dec 06]. Available from: https://scholarworks.rit.edu/theses/5226.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Heffernan E. Re learning to learn. [Thesis]. Rochester Institute of Technology; 2011. Available from: https://scholarworks.rit.edu/theses/5226
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of California – San Diego
15. Walker, Evelyn. I'm the Dummy, You're the Dummy.
Degree: Visual Arts, 2018, University of California – San Diego
URL: http://www.escholarship.org/uc/item/3n3666zr
Subjects/Keywords: Art criticism; Conceptual Art; Performance Art; Puppet; Sculptural Art; Uncanny; Visual Art
Record Details
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APA (6th Edition):
Walker, E. (2018). I'm the Dummy, You're the Dummy. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3n3666zr
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Walker, Evelyn. “I'm the Dummy, You're the Dummy.” 2018. Thesis, University of California – San Diego. Accessed December 06, 2019. http://www.escholarship.org/uc/item/3n3666zr.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Walker, Evelyn. “I'm the Dummy, You're the Dummy.” 2018. Web. 06 Dec 2019.
Vancouver:
Walker E. I'm the Dummy, You're the Dummy. [Internet] [Thesis]. University of California – San Diego; 2018. [cited 2019 Dec 06]. Available from: http://www.escholarship.org/uc/item/3n3666zr.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Walker E. I'm the Dummy, You're the Dummy. [Thesis]. University of California – San Diego; 2018. Available from: http://www.escholarship.org/uc/item/3n3666zr
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universitat de Barcelona
16. López Aguayo, Josefina. Instalaciones artísticas de interacción: el espacio de la metáfora.
Degree: Departament de Disseny i Imatge, 2016, Universitat de Barcelona
URL: http://hdl.handle.net/10803/384322
Subjects/Keywords: Art contemporani; Arte contemporáneo; Contemporary art; Instal·lacions (Art); Instalaciones (Arte); Installations (Art); Art conceptual; Arte conceptual; Conceptual art; Ciències Humanes i Socials; 7
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
López Aguayo, J. (2016). Instalaciones artísticas de interacción: el espacio de la metáfora. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/384322
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
López Aguayo, Josefina. “Instalaciones artísticas de interacción: el espacio de la metáfora.” 2016. Thesis, Universitat de Barcelona. Accessed December 06, 2019. http://hdl.handle.net/10803/384322.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
López Aguayo, Josefina. “Instalaciones artísticas de interacción: el espacio de la metáfora.” 2016. Web. 06 Dec 2019.
Vancouver:
López Aguayo J. Instalaciones artísticas de interacción: el espacio de la metáfora. [Internet] [Thesis]. Universitat de Barcelona; 2016. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10803/384322.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
López Aguayo J. Instalaciones artísticas de interacción: el espacio de la metáfora. [Thesis]. Universitat de Barcelona; 2016. Available from: http://hdl.handle.net/10803/384322
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universitat de Barcelona
17.
Varas Alarcón, Paulina.
Cartografía crítica del conceptualismo en América Latina : 1960-1980.
Degree: Departament d'Història de l'Art, 2016, Universitat de Barcelona
URL: http://hdl.handle.net/10803/399648
Subjects/Keywords: Art conceptual; Arte conceptual; Conceptual art; Amèrica Llatina; América latina; Latin America; Ciències Humanes i Socials; 7
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APA (6th Edition):
Varas Alarcón, P. (2016). Cartografía crítica del conceptualismo en América Latina : 1960-1980. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/399648
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Varas Alarcón, Paulina. “Cartografía crítica del conceptualismo en América Latina : 1960-1980.” 2016. Thesis, Universitat de Barcelona. Accessed December 06, 2019. http://hdl.handle.net/10803/399648.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Varas Alarcón, Paulina. “Cartografía crítica del conceptualismo en América Latina : 1960-1980.” 2016. Web. 06 Dec 2019.
Vancouver:
Varas Alarcón P. Cartografía crítica del conceptualismo en América Latina : 1960-1980. [Internet] [Thesis]. Universitat de Barcelona; 2016. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10803/399648.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Varas Alarcón P. Cartografía crítica del conceptualismo en América Latina : 1960-1980. [Thesis]. Universitat de Barcelona; 2016. Available from: http://hdl.handle.net/10803/399648
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
The Ohio State University
18. Langille, Nicole. Of Measure and Material.
Degree: MFA, Art, 2009, The Ohio State University
URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956
Subjects/Keywords: Art History; visual art; performance art; conceptual art; time; movement; space; gravity
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APA (6th Edition):
Langille, N. (2009). Of Measure and Material. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956
Chicago Manual of Style (16th Edition):
Langille, Nicole. “Of Measure and Material.” 2009. Masters Thesis, The Ohio State University. Accessed December 06, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.
MLA Handbook (7th Edition):
Langille, Nicole. “Of Measure and Material.” 2009. Web. 06 Dec 2019.
Vancouver:
Langille N. Of Measure and Material. [Internet] [Masters thesis]. The Ohio State University; 2009. [cited 2019 Dec 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.
Council of Science Editors:
Langille N. Of Measure and Material. [Masters Thesis]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956
19. Pereira Medina, Fernanda. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.
Degree: Docteur es, Histoire de l'art, 2017, Rennes 2
URL: http://www.theses.fr/2017REN20034
Subjects/Keywords: Art contemporain; Das Unheimliche; Art conceptuel; Contemporary art; Psychoanalysis; Conceptual art; 701
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Pereira Medina, F. (2017). L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. (Doctoral Dissertation). Rennes 2. Retrieved from http://www.theses.fr/2017REN20034
Chicago Manual of Style (16th Edition):
Pereira Medina, Fernanda. “L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.” 2017. Doctoral Dissertation, Rennes 2. Accessed December 06, 2019. http://www.theses.fr/2017REN20034.
MLA Handbook (7th Edition):
Pereira Medina, Fernanda. “L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.” 2017. Web. 06 Dec 2019.
Vancouver:
Pereira Medina F. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. [Internet] [Doctoral dissertation]. Rennes 2; 2017. [cited 2019 Dec 06]. Available from: http://www.theses.fr/2017REN20034.
Council of Science Editors:
Pereira Medina F. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. [Doctoral Dissertation]. Rennes 2; 2017. Available from: http://www.theses.fr/2017REN20034
University of Technology, Sydney
20. Sivanesan, S. Discourse and effect : politics after art.
Degree: 2014, University of Technology, Sydney
URL: http://hdl.handle.net/10453/30394
Subjects/Keywords: Tamil.; Performance art.; Sri Lanka.; Asylum seekers.; Conceptual art.; Refugees.
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APA (6th Edition):
Sivanesan, S. (2014). Discourse and effect : politics after art. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/30394
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Sivanesan, S. “Discourse and effect : politics after art.” 2014. Thesis, University of Technology, Sydney. Accessed December 06, 2019. http://hdl.handle.net/10453/30394.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Sivanesan, S. “Discourse and effect : politics after art.” 2014. Web. 06 Dec 2019.
Vancouver:
Sivanesan S. Discourse and effect : politics after art. [Internet] [Thesis]. University of Technology, Sydney; 2014. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10453/30394.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Sivanesan S. Discourse and effect : politics after art. [Thesis]. University of Technology, Sydney; 2014. Available from: http://hdl.handle.net/10453/30394
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Georgia State University
21. Sharratt, Nathan. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.
Degree: MFA, Art and Design, 2016, Georgia State University
URL: https://scholarworks.gsu.edu/art_design_theses/210
Subjects/Keywords: Installation; Conceptual art; Performance art; Institutional critique; Social media; Commodity
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APA (6th Edition):
Sharratt, N. (2016). Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/210
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Sharratt, Nathan. “Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.” 2016. Thesis, Georgia State University. Accessed December 06, 2019. https://scholarworks.gsu.edu/art_design_theses/210.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Sharratt, Nathan. “Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.” 2016. Web. 06 Dec 2019.
Vancouver:
Sharratt N. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. [Internet] [Thesis]. Georgia State University; 2016. [cited 2019 Dec 06]. Available from: https://scholarworks.gsu.edu/art_design_theses/210.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Sharratt N. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. [Thesis]. Georgia State University; 2016. Available from: https://scholarworks.gsu.edu/art_design_theses/210
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Penn State University
22. Espinoza, Elizabeth. Hierophanic Architecture: The Space of Performance.
Degree: M. Arch., Architecture, 2013, Penn State University
URL: https://etda.libraries.psu.edu/catalog/18955
Subjects/Keywords: performance; conceptual art; performance art; uncanny space; space of the other
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APA (6th Edition):
Espinoza, E. (2013). Hierophanic Architecture: The Space of Performance. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/18955
Chicago Manual of Style (16th Edition):
Espinoza, Elizabeth. “Hierophanic Architecture: The Space of Performance.” 2013. Masters Thesis, Penn State University. Accessed December 06, 2019. https://etda.libraries.psu.edu/catalog/18955.
MLA Handbook (7th Edition):
Espinoza, Elizabeth. “Hierophanic Architecture: The Space of Performance.” 2013. Web. 06 Dec 2019.
Vancouver:
Espinoza E. Hierophanic Architecture: The Space of Performance. [Internet] [Masters thesis]. Penn State University; 2013. [cited 2019 Dec 06]. Available from: https://etda.libraries.psu.edu/catalog/18955.
Council of Science Editors:
Espinoza E. Hierophanic Architecture: The Space of Performance. [Masters Thesis]. Penn State University; 2013. Available from: https://etda.libraries.psu.edu/catalog/18955
Massey University
23. Warren, Brinkley. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .
Degree: 2013, Massey University
URL: http://hdl.handle.net/10179/4498
Subjects/Keywords: Conceptual art; Art installations
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Warren, B. (2013). Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4498
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Warren, Brinkley. “Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .” 2013. Thesis, Massey University. Accessed December 06, 2019. http://hdl.handle.net/10179/4498.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Warren, Brinkley. “Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .” 2013. Web. 06 Dec 2019.
Vancouver:
Warren B. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2013. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/10179/4498.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Warren B. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4498
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Cornell University
24. Benezra, Karen. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .
Degree: 2013, Cornell University
URL: http://hdl.handle.net/1813/34287
Subjects/Keywords: avant-garde; conceptual art; 20th C. Latin American Art; Politics; Psychoanalysis
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APA (6th Edition):
Benezra, K. (2013). A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/34287
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Thesis, Cornell University. Accessed December 06, 2019. http://hdl.handle.net/1813/34287.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Web. 06 Dec 2019.
Vancouver:
Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Internet] [Thesis]. Cornell University; 2013. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/1813/34287.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Thesis]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34287
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Rochester Institute of Technology
25. Metzgar, Richard. Contextual trappings: a strategy of contradiction.
Degree: School of Art (CIAS), 1991, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/4944
Subjects/Keywords: Conceptual art; Modern art
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Metzgar, R. (1991). Contextual trappings: a strategy of contradiction. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4944
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Metzgar, Richard. “Contextual trappings: a strategy of contradiction.” 1991. Thesis, Rochester Institute of Technology. Accessed December 06, 2019. https://scholarworks.rit.edu/theses/4944.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Metzgar, Richard. “Contextual trappings: a strategy of contradiction.” 1991. Web. 06 Dec 2019.
Vancouver:
Metzgar R. Contextual trappings: a strategy of contradiction. [Internet] [Thesis]. Rochester Institute of Technology; 1991. [cited 2019 Dec 06]. Available from: https://scholarworks.rit.edu/theses/4944.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Metzgar R. Contextual trappings: a strategy of contradiction. [Thesis]. Rochester Institute of Technology; 1991. Available from: https://scholarworks.rit.edu/theses/4944
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Ballarat
26. Devrome, Kelly. The Oneiric Veil in contemporary Australian art.
Degree: PhD, 2012, University of Ballarat
URL: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
Subjects/Keywords: The Oneiric Veil; Contemporary Australian Art; Conceptual approaches; Visual art
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APA (6th Edition):
Devrome, K. (2012). The Oneiric Veil in contemporary Australian art. (Doctoral Dissertation). University of Ballarat. Retrieved from http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
Chicago Manual of Style (16th Edition):
Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Doctoral Dissertation, University of Ballarat. Accessed December 06, 2019. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.
MLA Handbook (7th Edition):
Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Web. 06 Dec 2019.
Vancouver:
Devrome K. The Oneiric Veil in contemporary Australian art. [Internet] [Doctoral dissertation]. University of Ballarat; 2012. [cited 2019 Dec 06]. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.
Council of Science Editors:
Devrome K. The Oneiric Veil in contemporary Australian art. [Doctoral Dissertation]. University of Ballarat; 2012. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
University of Texas – Austin
27. -3741-1052. What does the body know?.
Degree: MFA, Studio Art, 2018, University of Texas – Austin
URL: http://hdl.handle.net/2152/67655
Subjects/Keywords: Embodiment; Perception; Performance art; Conceptual art; Gender; Trauma; Healing
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APA (6th Edition):
-3741-1052. (2018). What does the body know?. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/67655
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Chicago Manual of Style (16th Edition):
-3741-1052. “What does the body know?.” 2018. Masters Thesis, University of Texas – Austin. Accessed December 06, 2019. http://hdl.handle.net/2152/67655.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
MLA Handbook (7th Edition):
-3741-1052. “What does the body know?.” 2018. Web. 06 Dec 2019.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Vancouver:
-3741-1052. What does the body know?. [Internet] [Masters thesis]. University of Texas – Austin; 2018. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/2152/67655.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Council of Science Editors:
-3741-1052. What does the body know?. [Masters Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/67655
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Princeton University
28. Kenny, Eva. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .
Degree: PhD, 2018, Princeton University
URL: http://arks.princeton.edu/ark:/88435/dsp016395w9878
Subjects/Keywords: Beckett; Conceptual Art; Minimal art; Rosalind Krauss; Surrealism; Translation
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APA (6th Edition):
Kenny, E. (2018). Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp016395w9878
Chicago Manual of Style (16th Edition):
Kenny, Eva. “Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .” 2018. Doctoral Dissertation, Princeton University. Accessed December 06, 2019. http://arks.princeton.edu/ark:/88435/dsp016395w9878.
MLA Handbook (7th Edition):
Kenny, Eva. “Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .” 2018. Web. 06 Dec 2019.
Vancouver:
Kenny E. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2019 Dec 06]. Available from: http://arks.princeton.edu/ark:/88435/dsp016395w9878.
Council of Science Editors:
Kenny E. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp016395w9878
Leiden University
29. Zhang, Junkai. Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall.
Degree: 2018, Leiden University
URL: http://hdl.handle.net/1887/57770
Subjects/Keywords: conceptual art; conceptual photography; constructed photography; intentions; ideas; Jeff Wall; social reality
Record Details
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APA (6th Edition):
Zhang, J. (2018). Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57770
Chicago Manual of Style (16th Edition):
Zhang, Junkai. “Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall.” 2018. Masters Thesis, Leiden University. Accessed December 06, 2019. http://hdl.handle.net/1887/57770.
MLA Handbook (7th Edition):
Zhang, Junkai. “Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall.” 2018. Web. 06 Dec 2019.
Vancouver:
Zhang J. Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Dec 06]. Available from: http://hdl.handle.net/1887/57770.
Council of Science Editors:
Zhang J. Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/57770
30. Louzada, Heloisa Olivi. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.
Degree: Mestrado, Estética e História da Arte, 2013, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/
;
Subjects/Keywords: Art exhibitions; Art museums; Arte conceitual; Conceptual art; Exposições; Museus se arte
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Louzada, H. O. (2013). Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;
Chicago Manual of Style (16th Edition):
Louzada, Heloisa Olivi. “Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.” 2013. Masters Thesis, University of São Paulo. Accessed December 06, 2019. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;.
MLA Handbook (7th Edition):
Louzada, Heloisa Olivi. “Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970.” 2013. Web. 06 Dec 2019.
Vancouver:
Louzada HO. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 Dec 06]. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;.
Council of Science Editors:
Louzada HO. Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/ ;