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University of Wollongong
1. Kreckler, Derek. Ontological fragments: the construction of artworks beyond their materiality.
Degree: Doctor of Creative Arts, Faculty of Creative Arts, 2012, University of Wollongong
URL: 1905
VISUAL
ARTS
AND
CRAFTS
;
https://ro.uow.edu.au/theses/3681
Subjects/Keywords: art; minimalism; conceptual; installation
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Kreckler, D. (2012). Ontological fragments: the construction of artworks beyond their materiality. (Doctoral Dissertation). University of Wollongong. Retrieved from 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681
Chicago Manual of Style (16th Edition):
Kreckler, Derek. “Ontological fragments: the construction of artworks beyond their materiality.” 2012. Doctoral Dissertation, University of Wollongong. Accessed March 02, 2021. 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681.
MLA Handbook (7th Edition):
Kreckler, Derek. “Ontological fragments: the construction of artworks beyond their materiality.” 2012. Web. 02 Mar 2021.
Vancouver:
Kreckler D. Ontological fragments: the construction of artworks beyond their materiality. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2021 Mar 02]. Available from: 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681.
Council of Science Editors:
Kreckler D. Ontological fragments: the construction of artworks beyond their materiality. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/3681
University of Southern California
2. White, Adrienne M. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.
Degree: Master of Public Art Studies, Public Art Studies, 2012, University of Southern California
URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4997
Subjects/Keywords: fine arts; feminism; conceptual art
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APA (6th Edition):
White, A. M. (2012). Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4997
Chicago Manual of Style (16th Edition):
White, Adrienne M. “Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.” 2012. Masters Thesis, University of Southern California. Accessed March 02, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4997.
MLA Handbook (7th Edition):
White, Adrienne M. “Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today.” 2012. Web. 02 Mar 2021.
Vancouver:
White AM. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2021 Mar 02]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4997.
Council of Science Editors:
White AM. Performed absence and a pre-formed audience: Martha Rosler's postcard novels and their implications for feminist art practice from the seventies to today. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/35391/rec/4997
Louisiana State University
3. Alford, Michael. Conditions Of My Release.
Degree: MFA, Fine Arts, 2013, Louisiana State University
URL: etd-11152013-141532
;
https://digitalcommons.lsu.edu/gradschool_theses/698
Subjects/Keywords: Duchampian; New Genre Conceptual Art
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APA (6th Edition):
Alford, M. (2013). Conditions Of My Release. (Masters Thesis). Louisiana State University. Retrieved from etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698
Chicago Manual of Style (16th Edition):
Alford, Michael. “Conditions Of My Release.” 2013. Masters Thesis, Louisiana State University. Accessed March 02, 2021. etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698.
MLA Handbook (7th Edition):
Alford, Michael. “Conditions Of My Release.” 2013. Web. 02 Mar 2021.
Vancouver:
Alford M. Conditions Of My Release. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2021 Mar 02]. Available from: etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698.
Council of Science Editors:
Alford M. Conditions Of My Release. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-11152013-141532 ; https://digitalcommons.lsu.edu/gradschool_theses/698
University of British Columbia
4. Mitchell, David Brian. The art and language group : 1966 to 1973.
Degree: MA- MA, Fine Arts, 1976, University of British Columbia
URL: http://hdl.handle.net/2429/41950
Subjects/Keywords: Conceptual art
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APA (6th Edition):
Mitchell, D. B. (1976). The art and language group : 1966 to 1973. (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/41950
Chicago Manual of Style (16th Edition):
Mitchell, David Brian. “The art and language group : 1966 to 1973.” 1976. Masters Thesis, University of British Columbia. Accessed March 02, 2021. http://hdl.handle.net/2429/41950.
MLA Handbook (7th Edition):
Mitchell, David Brian. “The art and language group : 1966 to 1973.” 1976. Web. 02 Mar 2021.
Vancouver:
Mitchell DB. The art and language group : 1966 to 1973. [Internet] [Masters thesis]. University of British Columbia; 1976. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2429/41950.
Council of Science Editors:
Mitchell DB. The art and language group : 1966 to 1973. [Masters Thesis]. University of British Columbia; 1976. Available from: http://hdl.handle.net/2429/41950
Rochester Institute of Technology
5. Ogden, Eve. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.
Degree: School of Photographic Arts and Sciences (CIAS), 1997, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/421
Subjects/Keywords: Photography; Conceptual art
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APA (6th Edition):
Ogden, E. (1997). "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/421
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Ogden, Eve. “"Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.” 1997. Thesis, Rochester Institute of Technology. Accessed March 02, 2021. https://scholarworks.rit.edu/theses/421.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Ogden, Eve. “"Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art.” 1997. Web. 02 Mar 2021.
Vancouver:
Ogden E. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. [Internet] [Thesis]. Rochester Institute of Technology; 1997. [cited 2021 Mar 02]. Available from: https://scholarworks.rit.edu/theses/421.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Ogden E. "Click" (an experiment in virtual anthropology) or how I learned to stop worrying and love conceptual art. [Thesis]. Rochester Institute of Technology; 1997. Available from: https://scholarworks.rit.edu/theses/421
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Saskatchewan
6. Partridge, Wenona. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.
Degree: 2014, University of Saskatchewan
URL: http://hdl.handle.net/10388/ETD-2014-06-1583
Subjects/Keywords: aesthetics; form; formalism; modernism; conceptual art
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Partridge, W. (2014). What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2014-06-1583
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Partridge, Wenona. “What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.” 2014. Thesis, University of Saskatchewan. Accessed March 02, 2021. http://hdl.handle.net/10388/ETD-2014-06-1583.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Partridge, Wenona. “What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art.” 2014. Web. 02 Mar 2021.
Vancouver:
Partridge W. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. [Internet] [Thesis]. University of Saskatchewan; 2014. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10388/ETD-2014-06-1583.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Partridge W. What's form got to do with it? : a discussion of the role played by form in our experience of art, viewed through the lens of modernist formalism and conceptual art. [Thesis]. University of Saskatchewan; 2014. Available from: http://hdl.handle.net/10388/ETD-2014-06-1583
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Leiden University
7. Iliopoulou, Anastasia Maria. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].
Degree: 2015, Leiden University
URL: http://hdl.handle.net/1887/36446
Subjects/Keywords: Conceptual Art; Exhibitions; Sculpture; Stedelijk Museum; MoMA
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Iliopoulou, A. M. (2015). From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36446
Chicago Manual of Style (16th Edition):
Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Masters Thesis, Leiden University. Accessed March 02, 2021. http://hdl.handle.net/1887/36446.
MLA Handbook (7th Edition):
Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Web. 02 Mar 2021.
Vancouver:
Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/1887/36446.
Council of Science Editors:
Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36446
University of Ottawa
8. Gollner, Adrian. Small Trinity .
Degree: 2016, University of Ottawa
URL: http://hdl.handle.net/10393/35201
Subjects/Keywords: conceptual art; explosions; cast sculptures; Trinity
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Gollner, A. (2016). Small Trinity . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/35201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Gollner, Adrian. “Small Trinity .” 2016. Thesis, University of Ottawa. Accessed March 02, 2021. http://hdl.handle.net/10393/35201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Gollner, Adrian. “Small Trinity .” 2016. Web. 02 Mar 2021.
Vancouver:
Gollner A. Small Trinity . [Internet] [Thesis]. University of Ottawa; 2016. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10393/35201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Gollner A. Small Trinity . [Thesis]. University of Ottawa; 2016. Available from: http://hdl.handle.net/10393/35201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
AUT University
9. Atkins, Michael. The entropy of a closed system can only increase, and will never decrease .
Degree: 2011, AUT University
URL: http://hdl.handle.net/10292/1123
Subjects/Keywords: Entropy; Art; Conceptual; Computer; Codes; Installation
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Atkins, M. (2011). The entropy of a closed system can only increase, and will never decrease . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Atkins, Michael. “The entropy of a closed system can only increase, and will never decrease .” 2011. Thesis, AUT University. Accessed March 02, 2021. http://hdl.handle.net/10292/1123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Atkins, Michael. “The entropy of a closed system can only increase, and will never decrease .” 2011. Web. 02 Mar 2021.
Vancouver:
Atkins M. The entropy of a closed system can only increase, and will never decrease . [Internet] [Thesis]. AUT University; 2011. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10292/1123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Atkins M. The entropy of a closed system can only increase, and will never decrease . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Oxford
10. Hanson, Louise Mary. Conceptual art : what is it?.
Degree: PhD, 2011, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e
;
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
Subjects/Keywords: 709.04075; Philosophy; philosophy; aesthetics; Conceptual Art
Record Details
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APA (6th Edition):
Hanson, L. M. (2011). Conceptual art : what is it?. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
Chicago Manual of Style (16th Edition):
Hanson, Louise Mary. “Conceptual art : what is it?.” 2011. Doctoral Dissertation, University of Oxford. Accessed March 02, 2021. http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918.
MLA Handbook (7th Edition):
Hanson, Louise Mary. “Conceptual art : what is it?.” 2011. Web. 02 Mar 2021.
Vancouver:
Hanson LM. Conceptual art : what is it?. [Internet] [Doctoral dissertation]. University of Oxford; 2011. [cited 2021 Mar 02]. Available from: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918.
Council of Science Editors:
Hanson LM. Conceptual art : what is it?. [Doctoral Dissertation]. University of Oxford; 2011. Available from: http://ora.ox.ac.uk/objects/uuid:1ce65d49-6864-4a29-8600-5c54e405ef5e ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567918
University of Sydney
11. Williams, Bryden John. 'A Hydrological Imaginary’ .
Degree: 2017, University of Sydney
URL: http://hdl.handle.net/2123/17891
Subjects/Keywords: Hydrological; Imaginary; Water; Art; Conceptual; River
Record Details
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APA (6th Edition):
Williams, B. J. (2017). 'A Hydrological Imaginary’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17891
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Williams, Bryden John. “'A Hydrological Imaginary’ .” 2017. Thesis, University of Sydney. Accessed March 02, 2021. http://hdl.handle.net/2123/17891.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Williams, Bryden John. “'A Hydrological Imaginary’ .” 2017. Web. 02 Mar 2021.
Vancouver:
Williams BJ. 'A Hydrological Imaginary’ . [Internet] [Thesis]. University of Sydney; 2017. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/2123/17891.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Williams BJ. 'A Hydrological Imaginary’ . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17891
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Rochester Institute of Technology
12. Heffernan, Erika. Re learning to learn.
Degree: School of Photographic Arts and Sciences (CIAS), 2011, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/5226
Subjects/Keywords: Art; Conceptual art; Disability; Interactive art; Learning; Working memory
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Heffernan, E. (2011). Re learning to learn. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5226
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Heffernan, Erika. “Re learning to learn.” 2011. Thesis, Rochester Institute of Technology. Accessed March 02, 2021. https://scholarworks.rit.edu/theses/5226.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Heffernan, Erika. “Re learning to learn.” 2011. Web. 02 Mar 2021.
Vancouver:
Heffernan E. Re learning to learn. [Internet] [Thesis]. Rochester Institute of Technology; 2011. [cited 2021 Mar 02]. Available from: https://scholarworks.rit.edu/theses/5226.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Heffernan E. Re learning to learn. [Thesis]. Rochester Institute of Technology; 2011. Available from: https://scholarworks.rit.edu/theses/5226
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Columbia University
13. Frobes-Cross, Nicholas. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.
Degree: 2016, Columbia University
URL: https://doi.org/10.7916/D88K794J
Subjects/Keywords: Conceptual art; Art – Political aspects; Art; Sekula, Allan
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Frobes-Cross, N. (2016). Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88K794J
Chicago Manual of Style (16th Edition):
Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Doctoral Dissertation, Columbia University. Accessed March 02, 2021. https://doi.org/10.7916/D88K794J.
MLA Handbook (7th Edition):
Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Web. 02 Mar 2021.
Vancouver:
Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Mar 02]. Available from: https://doi.org/10.7916/D88K794J.
Council of Science Editors:
Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D88K794J
Massey University
14. Shepherd, Richard. Running-room in the mangle of practice : contemporary art in the thick of things.
Degree: MFA, 2011, Massey University
URL: http://hdl.handle.net/10179/2347
Subjects/Keywords: Space and time in art; Art installations; Conceptual art
Record Details
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APA (6th Edition):
Shepherd, R. (2011). Running-room in the mangle of practice : contemporary art in the thick of things. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2347
Chicago Manual of Style (16th Edition):
Shepherd, Richard. “Running-room in the mangle of practice : contemporary art in the thick of things.” 2011. Masters Thesis, Massey University. Accessed March 02, 2021. http://hdl.handle.net/10179/2347.
MLA Handbook (7th Edition):
Shepherd, Richard. “Running-room in the mangle of practice : contemporary art in the thick of things.” 2011. Web. 02 Mar 2021.
Vancouver:
Shepherd R. Running-room in the mangle of practice : contemporary art in the thick of things. [Internet] [Masters thesis]. Massey University; 2011. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10179/2347.
Council of Science Editors:
Shepherd R. Running-room in the mangle of practice : contemporary art in the thick of things. [Masters Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2347
Penn State University
15. Lucero, Jorge R. Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice .
Degree: 2011, Penn State University
URL: https://submit-etda.libraries.psu.edu/catalog/12537
Subjects/Keywords: performance art; conceptual art; pedagogy as contemporary art practice; emancipatory art education; participatory art practices
Record Details
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APA (6th Edition):
Lucero, J. R. (2011). Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice . (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/12537
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Lucero, Jorge R. “Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice .” 2011. Thesis, Penn State University. Accessed March 02, 2021. https://submit-etda.libraries.psu.edu/catalog/12537.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Lucero, Jorge R. “Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice .” 2011. Web. 02 Mar 2021.
Vancouver:
Lucero JR. Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice . [Internet] [Thesis]. Penn State University; 2011. [cited 2021 Mar 02]. Available from: https://submit-etda.libraries.psu.edu/catalog/12537.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Lucero JR. Ways of being: Conceptual art modes-of-operation for pedagogy as contemporary art practice . [Thesis]. Penn State University; 2011. Available from: https://submit-etda.libraries.psu.edu/catalog/12537
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universitat de Barcelona
16. López Aguayo, Josefina. Instalaciones artísticas de interacción: el espacio de la metáfora.
Degree: Departament de Disseny i Imatge, 2016, Universitat de Barcelona
URL: http://hdl.handle.net/10803/384322
Subjects/Keywords: Art contemporani; Arte contemporáneo; Contemporary art; Instal·lacions (Art); Instalaciones (Arte); Installations (Art); Art conceptual; Arte conceptual; Conceptual art; Ciències Humanes i Socials; 7
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APA (6th Edition):
López Aguayo, J. (2016). Instalaciones artísticas de interacción: el espacio de la metáfora. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/384322
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
López Aguayo, Josefina. “Instalaciones artísticas de interacción: el espacio de la metáfora.” 2016. Thesis, Universitat de Barcelona. Accessed March 02, 2021. http://hdl.handle.net/10803/384322.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
López Aguayo, Josefina. “Instalaciones artísticas de interacción: el espacio de la metáfora.” 2016. Web. 02 Mar 2021.
Vancouver:
López Aguayo J. Instalaciones artísticas de interacción: el espacio de la metáfora. [Internet] [Thesis]. Universitat de Barcelona; 2016. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10803/384322.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
López Aguayo J. Instalaciones artísticas de interacción: el espacio de la metáfora. [Thesis]. Universitat de Barcelona; 2016. Available from: http://hdl.handle.net/10803/384322
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universitat de Barcelona
17.
Varas Alarcón, Paulina.
Cartografía crítica del conceptualismo en América Latina : 1960-1980.
Degree: Departament d'Història de l'Art, 2016, Universitat de Barcelona
URL: http://hdl.handle.net/10803/399648
Subjects/Keywords: Art conceptual; Arte conceptual; Conceptual art; Amèrica Llatina; América latina; Latin America; Ciències Humanes i Socials; 7
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Varas Alarcón, P. (2016). Cartografía crítica del conceptualismo en América Latina : 1960-1980. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/399648
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Varas Alarcón, Paulina. “Cartografía crítica del conceptualismo en América Latina : 1960-1980.” 2016. Thesis, Universitat de Barcelona. Accessed March 02, 2021. http://hdl.handle.net/10803/399648.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Varas Alarcón, Paulina. “Cartografía crítica del conceptualismo en América Latina : 1960-1980.” 2016. Web. 02 Mar 2021.
Vancouver:
Varas Alarcón P. Cartografía crítica del conceptualismo en América Latina : 1960-1980. [Internet] [Thesis]. Universitat de Barcelona; 2016. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10803/399648.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Varas Alarcón P. Cartografía crítica del conceptualismo en América Latina : 1960-1980. [Thesis]. Universitat de Barcelona; 2016. Available from: http://hdl.handle.net/10803/399648
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
18. Pereira Medina, Fernanda. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.
Degree: Docteur es, Histoire de l'art, 2017, Rennes 2
URL: http://www.theses.fr/2017REN20034
Subjects/Keywords: Art contemporain; Das Unheimliche; Art conceptuel; Contemporary art; Psychoanalysis; Conceptual art; 701
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Pereira Medina, F. (2017). L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. (Doctoral Dissertation). Rennes 2. Retrieved from http://www.theses.fr/2017REN20034
Chicago Manual of Style (16th Edition):
Pereira Medina, Fernanda. “L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.” 2017. Doctoral Dissertation, Rennes 2. Accessed March 02, 2021. http://www.theses.fr/2017REN20034.
MLA Handbook (7th Edition):
Pereira Medina, Fernanda. “L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud.” 2017. Web. 02 Mar 2021.
Vancouver:
Pereira Medina F. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. [Internet] [Doctoral dissertation]. Rennes 2; 2017. [cited 2021 Mar 02]. Available from: http://www.theses.fr/2017REN20034.
Council of Science Editors:
Pereira Medina F. L’art conceptuel, la psychanalyse et les paradoxes du langage : un dialogue entre Joseph Kosuth et Sigmund Freud : The conceptual art, the psychoanalysis and the paradoxes of language : a dialogue between Joseph Kosuth and Sigmund Freud. [Doctoral Dissertation]. Rennes 2; 2017. Available from: http://www.theses.fr/2017REN20034
Rochester Institute of Technology
19. Metzgar, Richard. Contextual trappings: a strategy of contradiction.
Degree: School of Art (CIAS), 1991, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/4944
Subjects/Keywords: Conceptual art; Modern art
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APA (6th Edition):
Metzgar, R. (1991). Contextual trappings: a strategy of contradiction. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4944
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Metzgar, Richard. “Contextual trappings: a strategy of contradiction.” 1991. Thesis, Rochester Institute of Technology. Accessed March 02, 2021. https://scholarworks.rit.edu/theses/4944.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Metzgar, Richard. “Contextual trappings: a strategy of contradiction.” 1991. Web. 02 Mar 2021.
Vancouver:
Metzgar R. Contextual trappings: a strategy of contradiction. [Internet] [Thesis]. Rochester Institute of Technology; 1991. [cited 2021 Mar 02]. Available from: https://scholarworks.rit.edu/theses/4944.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Metzgar R. Contextual trappings: a strategy of contradiction. [Thesis]. Rochester Institute of Technology; 1991. Available from: https://scholarworks.rit.edu/theses/4944
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Penn State University
20. Espinoza, Elizabeth. Hierophanic Architecture: The Space of Performance.
Degree: 2013, Penn State University
URL: https://submit-etda.libraries.psu.edu/catalog/18955
Subjects/Keywords: performance; conceptual art; performance art; uncanny space; space of the other
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APA (6th Edition):
Espinoza, E. (2013). Hierophanic Architecture: The Space of Performance. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/18955
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Espinoza, Elizabeth. “Hierophanic Architecture: The Space of Performance.” 2013. Thesis, Penn State University. Accessed March 02, 2021. https://submit-etda.libraries.psu.edu/catalog/18955.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Espinoza, Elizabeth. “Hierophanic Architecture: The Space of Performance.” 2013. Web. 02 Mar 2021.
Vancouver:
Espinoza E. Hierophanic Architecture: The Space of Performance. [Internet] [Thesis]. Penn State University; 2013. [cited 2021 Mar 02]. Available from: https://submit-etda.libraries.psu.edu/catalog/18955.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Espinoza E. Hierophanic Architecture: The Space of Performance. [Thesis]. Penn State University; 2013. Available from: https://submit-etda.libraries.psu.edu/catalog/18955
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Ballarat
21. Devrome, Kelly. The Oneiric Veil in contemporary Australian art.
Degree: PhD, 2012, University of Ballarat
URL: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
Subjects/Keywords: The Oneiric Veil; Contemporary Australian Art; Conceptual approaches; Visual art
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Devrome, K. (2012). The Oneiric Veil in contemporary Australian art. (Doctoral Dissertation). University of Ballarat. Retrieved from http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
Chicago Manual of Style (16th Edition):
Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Doctoral Dissertation, University of Ballarat. Accessed March 02, 2021. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.
MLA Handbook (7th Edition):
Devrome, Kelly. “The Oneiric Veil in contemporary Australian art.” 2012. Web. 02 Mar 2021.
Vancouver:
Devrome K. The Oneiric Veil in contemporary Australian art. [Internet] [Doctoral dissertation]. University of Ballarat; 2012. [cited 2021 Mar 02]. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170.
Council of Science Editors:
Devrome K. The Oneiric Veil in contemporary Australian art. [Doctoral Dissertation]. University of Ballarat; 2012. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/41170
University of Melbourne
22. Homewood, David Robert. Painting the banal: Dale Hickey and Robert Hunter, 1966-1973.
Degree: 2019, University of Melbourne
URL: http://hdl.handle.net/11343/227654
Subjects/Keywords: Australian art; modernism; minimalism; conceptual art; Dale Hickey; Robert Hunter
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APA (6th Edition):
Homewood, D. R. (2019). Painting the banal: Dale Hickey and Robert Hunter, 1966-1973. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/227654
Chicago Manual of Style (16th Edition):
Homewood, David Robert. “Painting the banal: Dale Hickey and Robert Hunter, 1966-1973.” 2019. Doctoral Dissertation, University of Melbourne. Accessed March 02, 2021. http://hdl.handle.net/11343/227654.
MLA Handbook (7th Edition):
Homewood, David Robert. “Painting the banal: Dale Hickey and Robert Hunter, 1966-1973.” 2019. Web. 02 Mar 2021.
Vancouver:
Homewood DR. Painting the banal: Dale Hickey and Robert Hunter, 1966-1973. [Internet] [Doctoral dissertation]. University of Melbourne; 2019. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/11343/227654.
Council of Science Editors:
Homewood DR. Painting the banal: Dale Hickey and Robert Hunter, 1966-1973. [Doctoral Dissertation]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/227654
Massey University
23. Warren, Brinkley. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .
Degree: 2013, Massey University
URL: http://hdl.handle.net/10179/4498
Subjects/Keywords: Conceptual art; Art installations
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Warren, B. (2013). Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4498
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Warren, Brinkley. “Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .” 2013. Thesis, Massey University. Accessed March 02, 2021. http://hdl.handle.net/10179/4498.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Warren, Brinkley. “Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand .” 2013. Web. 02 Mar 2021.
Vancouver:
Warren B. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/10179/4498.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Warren B. Real art isn't : an eisegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts, Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4498
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Georgia State University
24. Sharratt, Nathan. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.
Degree: MFA, Art and Design, 2016, Georgia State University
URL: https://scholarworks.gsu.edu/art_design_theses/210
Subjects/Keywords: Installation; Conceptual art; Performance art; Institutional critique; Social media; Commodity
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APA (6th Edition):
Sharratt, N. (2016). Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/210
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Sharratt, Nathan. “Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.” 2016. Thesis, Georgia State University. Accessed March 02, 2021. https://scholarworks.gsu.edu/art_design_theses/210.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Sharratt, Nathan. “Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University.” 2016. Web. 02 Mar 2021.
Vancouver:
Sharratt N. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. [Internet] [Thesis]. Georgia State University; 2016. [cited 2021 Mar 02]. Available from: https://scholarworks.gsu.edu/art_design_theses/210.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Sharratt N. Buy Nathan Sharratt: A Requirement of the Masters of Fine Arts Degree of Georgia State University. [Thesis]. Georgia State University; 2016. Available from: https://scholarworks.gsu.edu/art_design_theses/210
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Cornell University
25. Benezra, Karen. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile.
Degree: PhD, Romance Studies, 2013, Cornell University
URL: http://hdl.handle.net/1813/34287
Subjects/Keywords: avant-garde; conceptual art; 20th C. Latin American Art; Politics; Psychoanalysis
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APA (6th Edition):
Benezra, K. (2013). A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/34287
Chicago Manual of Style (16th Edition):
Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile.” 2013. Doctoral Dissertation, Cornell University. Accessed March 02, 2021. http://hdl.handle.net/1813/34287.
MLA Handbook (7th Edition):
Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile.” 2013. Web. 02 Mar 2021.
Vancouver:
Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile. [Internet] [Doctoral dissertation]. Cornell University; 2013. [cited 2021 Mar 02]. Available from: http://hdl.handle.net/1813/34287.
Council of Science Editors:
Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile. [Doctoral Dissertation]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34287
Princeton University
26. Kenny, Eva. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .
Degree: PhD, 2018, Princeton University
URL: http://arks.princeton.edu/ark:/88435/dsp016395w9878
Subjects/Keywords: Beckett; Conceptual Art; Minimal art; Rosalind Krauss; Surrealism; Translation
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APA (6th Edition):
Kenny, E. (2018). Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp016395w9878
Chicago Manual of Style (16th Edition):
Kenny, Eva. “Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .” 2018. Doctoral Dissertation, Princeton University. Accessed March 02, 2021. http://arks.princeton.edu/ark:/88435/dsp016395w9878.
MLA Handbook (7th Edition):
Kenny, Eva. “Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 .” 2018. Web. 02 Mar 2021.
Vancouver:
Kenny E. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2021 Mar 02]. Available from: http://arks.princeton.edu/ark:/88435/dsp016395w9878.
Council of Science Editors:
Kenny E. Vox Manet: Samuel Beckett’s Novels of Possession and Dispossession, 1938–1955 . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp016395w9878
Universiteit Utrecht
27. Noortmann, R. Art & Language, A reaction to the dematerialization of art.
Degree: 2012, Universiteit Utrecht
URL: http://dspace.library.uu.nl:8080/handle/1874/235273
Subjects/Keywords: Art & Language; conceptual art; art discours; distinction; Arthur Danto; Joseph Kosuth; Clement Greenberg
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Noortmann, R. (2012). Art & Language, A reaction to the dematerialization of art. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/235273
Chicago Manual of Style (16th Edition):
Noortmann, R. “Art & Language, A reaction to the dematerialization of art.” 2012. Masters Thesis, Universiteit Utrecht. Accessed March 02, 2021. http://dspace.library.uu.nl:8080/handle/1874/235273.
MLA Handbook (7th Edition):
Noortmann, R. “Art & Language, A reaction to the dematerialization of art.” 2012. Web. 02 Mar 2021.
Vancouver:
Noortmann R. Art & Language, A reaction to the dematerialization of art. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2021 Mar 02]. Available from: http://dspace.library.uu.nl:8080/handle/1874/235273.
Council of Science Editors:
Noortmann R. Art & Language, A reaction to the dematerialization of art. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/235273
University of California – Riverside
28. Williams, Sarah Bay. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.
Degree: Art History, 2012, University of California – Riverside
URL: http://www.escholarship.org/uc/item/39c3413r
Subjects/Keywords: Art history; 1970s; Conceptual Art; Contemporary Art; Los Angeles; Photography; Robert Cumming
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APA (6th Edition):
Williams, S. B. (2012). A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/39c3413r
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Williams, Sarah Bay. “A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.” 2012. Thesis, University of California – Riverside. Accessed March 02, 2021. http://www.escholarship.org/uc/item/39c3413r.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Williams, Sarah Bay. “A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.” 2012. Web. 02 Mar 2021.
Vancouver:
Williams SB. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. [Internet] [Thesis]. University of California – Riverside; 2012. [cited 2021 Mar 02]. Available from: http://www.escholarship.org/uc/item/39c3413r.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Williams SB. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. [Thesis]. University of California – Riverside; 2012. Available from: http://www.escholarship.org/uc/item/39c3413r
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
UCLA
29. Moon, Kavior. From Site to Comparative Relations: Works by Michael Asher, 1976–1998.
Degree: Art History, 2016, UCLA
URL: http://www.escholarship.org/uc/item/58q545mr
Subjects/Keywords: Art history; Asher; Michael; Conceptual art; contemporary art; institutional critique; site-specificity
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APA (6th Edition):
Moon, K. (2016). From Site to Comparative Relations: Works by Michael Asher, 1976–1998. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/58q545mr
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Moon, Kavior. “From Site to Comparative Relations: Works by Michael Asher, 1976–1998.” 2016. Thesis, UCLA. Accessed March 02, 2021. http://www.escholarship.org/uc/item/58q545mr.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Moon, Kavior. “From Site to Comparative Relations: Works by Michael Asher, 1976–1998.” 2016. Web. 02 Mar 2021.
Vancouver:
Moon K. From Site to Comparative Relations: Works by Michael Asher, 1976–1998. [Internet] [Thesis]. UCLA; 2016. [cited 2021 Mar 02]. Available from: http://www.escholarship.org/uc/item/58q545mr.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Moon K. From Site to Comparative Relations: Works by Michael Asher, 1976–1998. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/58q545mr
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of California – San Diego
30. Garay, Gary Albert. Sal Si Puedes.
Degree: Visual Arts, 2014, University of California – San Diego
URL: http://www.escholarship.org/uc/item/5rr2b8qq
Subjects/Keywords: Fine arts; Chicano Art; conceptual art; high-low culture; Latin American Art; painting; sculpture
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Garay, G. A. (2014). Sal Si Puedes. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/5rr2b8qq
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Garay, Gary Albert. “Sal Si Puedes.” 2014. Thesis, University of California – San Diego. Accessed March 02, 2021. http://www.escholarship.org/uc/item/5rr2b8qq.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Garay, Gary Albert. “Sal Si Puedes.” 2014. Web. 02 Mar 2021.
Vancouver:
Garay GA. Sal Si Puedes. [Internet] [Thesis]. University of California – San Diego; 2014. [cited 2021 Mar 02]. Available from: http://www.escholarship.org/uc/item/5rr2b8qq.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Garay GA. Sal Si Puedes. [Thesis]. University of California – San Diego; 2014. Available from: http://www.escholarship.org/uc/item/5rr2b8qq
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation