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You searched for subject:(Computer Music). Showing records 1 – 30 of 572 total matches.

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Columbia University

1. Pluta, Samuel Francis. Laptop Improvisation in a Multi-Dimensional Space.

Degree: 2012, Columbia University

 Using information theory as a foundation, this paper defines virtuosity in the context of laptop performance, outlines a number of challenges that face laptop performers… (more)

Subjects/Keywords: Music; Music – Performance; Computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pluta, S. F. (2012). Laptop Improvisation in a Multi-Dimensional Space. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8S188KG

Chicago Manual of Style (16th Edition):

Pluta, Samuel Francis. “Laptop Improvisation in a Multi-Dimensional Space.” 2012. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/D8S188KG.

MLA Handbook (7th Edition):

Pluta, Samuel Francis. “Laptop Improvisation in a Multi-Dimensional Space.” 2012. Web. 12 Nov 2019.

Vancouver:

Pluta SF. Laptop Improvisation in a Multi-Dimensional Space. [Internet] [Doctoral dissertation]. Columbia University; 2012. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/D8S188KG.

Council of Science Editors:

Pluta SF. Laptop Improvisation in a Multi-Dimensional Space. [Doctoral Dissertation]. Columbia University; 2012. Available from: https://doi.org/10.7916/D8S188KG


The University of Oklahoma

2. Ajero, Mario. The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes.

Degree: 2008, The University of Oklahoma

  This study investigated the effects of musical instrument digital interface (MIDI) accompaniment and computer-assisted instruction (CAI) technology on group piano students' performance accuracy and… (more)

Subjects/Keywords: Music; Education, Music; Computer Science

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APA (6th Edition):

Ajero, M. (2008). The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes. (Thesis). The University of Oklahoma. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3284124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ajero, Mario. “The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes.” 2008. Thesis, The University of Oklahoma. Accessed November 12, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3284124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ajero, Mario. “The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes.” 2008. Web. 12 Nov 2019.

Vancouver:

Ajero M. The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes. [Internet] [Thesis]. The University of Oklahoma; 2008. [cited 2019 Nov 12]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3284124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ajero M. The effects of computer-assisted keyboard technology and MIDI accompaniments on group piano students' performance accuracy and attitudes. [Thesis]. The University of Oklahoma; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3284124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. DeFilippo, David. Implicational Morphologies for Improvised Computer Music.

Degree: Music, 2018, University of California – San Diego

 The Thesis describes an approach to generating continuous control data for shaping parameter motion of a synthesizer via a gestalt theory of structural time and… (more)

Subjects/Keywords: Music; Computer Music; Improvisation; Music; New Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

DeFilippo, D. (2018). Implicational Morphologies for Improvised Computer Music. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/63z120qw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

DeFilippo, David. “Implicational Morphologies for Improvised Computer Music.” 2018. Thesis, University of California – San Diego. Accessed November 12, 2019. http://www.escholarship.org/uc/item/63z120qw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

DeFilippo, David. “Implicational Morphologies for Improvised Computer Music.” 2018. Web. 12 Nov 2019.

Vancouver:

DeFilippo D. Implicational Morphologies for Improvised Computer Music. [Internet] [Thesis]. University of California – San Diego; 2018. [cited 2019 Nov 12]. Available from: http://www.escholarship.org/uc/item/63z120qw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DeFilippo D. Implicational Morphologies for Improvised Computer Music. [Thesis]. University of California – San Diego; 2018. Available from: http://www.escholarship.org/uc/item/63z120qw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

4. Donaldson, Justin. Visualization of music relational information sources for analysis, navigation, and discovery.

Degree: 2011, Indiana University

  The information revolution has made digital music and related technology accessible and affordable to larger and broader demographics. In addition to the increase of… (more)

Subjects/Keywords: Music; Computer Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Donaldson, J. (2011). Visualization of music relational information sources for analysis, navigation, and discovery. (Thesis). Indiana University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3449549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Donaldson, Justin. “Visualization of music relational information sources for analysis, navigation, and discovery.” 2011. Thesis, Indiana University. Accessed November 12, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3449549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Donaldson, Justin. “Visualization of music relational information sources for analysis, navigation, and discovery.” 2011. Web. 12 Nov 2019.

Vancouver:

Donaldson J. Visualization of music relational information sources for analysis, navigation, and discovery. [Internet] [Thesis]. Indiana University; 2011. [cited 2019 Nov 12]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3449549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Donaldson J. Visualization of music relational information sources for analysis, navigation, and discovery. [Thesis]. Indiana University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3449549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California, San Diego

5. Wilson, Adam James. Automatic improvisation| A study in human/machine collaboration.

Degree: 2010, University of California, San Diego

  Described herein is a practical experiment in the spontaneous composition of music through real-time interaction between a human composer-performer and a semi-autonomous network of… (more)

Subjects/Keywords: Music; Computer Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, A. J. (2010). Automatic improvisation| A study in human/machine collaboration. (Thesis). University of California, San Diego. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3386761

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Adam James. “Automatic improvisation| A study in human/machine collaboration.” 2010. Thesis, University of California, San Diego. Accessed November 12, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3386761.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Adam James. “Automatic improvisation| A study in human/machine collaboration.” 2010. Web. 12 Nov 2019.

Vancouver:

Wilson AJ. Automatic improvisation| A study in human/machine collaboration. [Internet] [Thesis]. University of California, San Diego; 2010. [cited 2019 Nov 12]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3386761.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson AJ. Automatic improvisation| A study in human/machine collaboration. [Thesis]. University of California, San Diego; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3386761

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

6. Quick, Donya. Kulitta| A Framework for Automated Music Composition.

Degree: 2015, Yale University

  Kulitta is a Haskell-based, modular framework for automated composition and machine learning. A central idea to Kulitta's approach is the notion of abstraction: the… (more)

Subjects/Keywords: Music; Computer Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quick, D. (2015). Kulitta| A Framework for Automated Music Composition. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3582255

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quick, Donya. “Kulitta| A Framework for Automated Music Composition.” 2015. Thesis, Yale University. Accessed November 12, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3582255.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quick, Donya. “Kulitta| A Framework for Automated Music Composition.” 2015. Web. 12 Nov 2019.

Vancouver:

Quick D. Kulitta| A Framework for Automated Music Composition. [Internet] [Thesis]. Yale University; 2015. [cited 2019 Nov 12]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3582255.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quick D. Kulitta| A Framework for Automated Music Composition. [Thesis]. Yale University; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3582255

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

7. Zabriskie, Hugh Paul. Computational Harmonic Analysis and Prediction in the Bach Chorales.

Degree: AB, 2016, Harvard University

 During his lifetime, the Baroque composer J.S. Bach harmonized more than 300 chorale melodies, which collectively have become a pivotal body of music in Western… (more)

Subjects/Keywords: Computer Science; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zabriskie, H. P. (2016). Computational Harmonic Analysis and Prediction in the Bach Chorales. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zabriskie, Hugh Paul. “Computational Harmonic Analysis and Prediction in the Bach Chorales.” 2016. Thesis, Harvard University. Accessed November 12, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zabriskie, Hugh Paul. “Computational Harmonic Analysis and Prediction in the Bach Chorales.” 2016. Web. 12 Nov 2019.

Vancouver:

Zabriskie HP. Computational Harmonic Analysis and Prediction in the Bach Chorales. [Internet] [Thesis]. Harvard University; 2016. [cited 2019 Nov 12]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zabriskie HP. Computational Harmonic Analysis and Prediction in the Bach Chorales. [Thesis]. Harvard University; 2016. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

8. Weist, Fraser. Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem.

Degree: AB, 2018, Harvard University

Music harmonization is a difficult problem. If you take a melody, and you assign chords to each note in that melody, how do you judge… (more)

Subjects/Keywords: Music; Computer Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weist, F. (2018). Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weist, Fraser. “Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem.” 2018. Thesis, Harvard University. Accessed November 12, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weist, Fraser. “Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem.” 2018. Web. 12 Nov 2019.

Vancouver:

Weist F. Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem. [Internet] [Thesis]. Harvard University; 2018. [cited 2019 Nov 12]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weist F. Order Out of Chaos: Randomized Heuristics and Their Application to the Harmonization Problem. [Thesis]. Harvard University; 2018. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Lockhart, Adam. A Pattern Oriented Data Structure for Interactive Computer Music.

Degree: 2011, University of North Texas

 This essay describes a pattern oriented data structure, or PODS, as a system for storing computer music data. It organizes input by sequences or patterns… (more)

Subjects/Keywords: Music; data; computer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lockhart, A. (2011). A Pattern Oriented Data Structure for Interactive Computer Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68002/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lockhart, Adam. “A Pattern Oriented Data Structure for Interactive Computer Music.” 2011. Thesis, University of North Texas. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc68002/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lockhart, Adam. “A Pattern Oriented Data Structure for Interactive Computer Music.” 2011. Web. 12 Nov 2019.

Vancouver:

Lockhart A. A Pattern Oriented Data Structure for Interactive Computer Music. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68002/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lockhart A. A Pattern Oriented Data Structure for Interactive Computer Music. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68002/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


San Jose State University

10. Kosmatin, Aaron. VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music.

Degree: MS, Computer Science, 2018, San Jose State University

  In this project, we explore using a musical space to represent the properties of amino acids. We consider previous mappings and explore the limitations… (more)

Subjects/Keywords: Computer Music; Other Computer Sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kosmatin, A. (2018). VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.jcn8-fu36 ; https://scholarworks.sjsu.edu/etd_projects/654

Chicago Manual of Style (16th Edition):

Kosmatin, Aaron. “VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music.” 2018. Masters Thesis, San Jose State University. Accessed November 12, 2019. https://doi.org/10.31979/etd.jcn8-fu36 ; https://scholarworks.sjsu.edu/etd_projects/654.

MLA Handbook (7th Edition):

Kosmatin, Aaron. “VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music.” 2018. Web. 12 Nov 2019.

Vancouver:

Kosmatin A. VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music. [Internet] [Masters thesis]. San Jose State University; 2018. [cited 2019 Nov 12]. Available from: https://doi.org/10.31979/etd.jcn8-fu36 ; https://scholarworks.sjsu.edu/etd_projects/654.

Council of Science Editors:

Kosmatin A. VARIATIONS ON A THEME: Using Amino Acid Sequences to Generate Music. [Masters Thesis]. San Jose State University; 2018. Available from: https://doi.org/10.31979/etd.jcn8-fu36 ; https://scholarworks.sjsu.edu/etd_projects/654


University of Washington

11. Niemela, Douglas Martin. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.

Degree: 2016, University of Washington

 Concatenative Sound Synthesis (CSS) has undergone software tool development for composition in non-realtime use in the MATLAB (Sturm, 2006) and Max/MSP (Schwarz, 2003) programming environments.… (more)

Subjects/Keywords: Computer Music; Concatenative Synthesis; Music Composition; Music Synthesis; Sound; Music; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Niemela, D. M. (2016). PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/35270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Niemela, Douglas Martin. “PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.” 2016. Thesis, University of Washington. Accessed November 12, 2019. http://hdl.handle.net/1773/35270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Niemela, Douglas Martin. “PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.” 2016. Web. 12 Nov 2019.

Vancouver:

Niemela DM. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. [Internet] [Thesis]. University of Washington; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1773/35270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Niemela DM. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. [Thesis]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/35270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Hong Kong University of Science and Technology

12. Yu, Coleman. A melody composer considering genres for both tonal and non-tonal languages.

Degree: 2016, Hong Kong University of Science and Technology

Music is a temporal art, which unfolds over time. Unlike painting, which is a spatial art, can be seen entirely immediately. Because of its temporal… (more)

Subjects/Keywords: Music; Data processing; Computer music; Composition (Music); Computer programs

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yu, C. (2016). A melody composer considering genres for both tonal and non-tonal languages. (Thesis). Hong Kong University of Science and Technology. Retrieved from https://doi.org/10.14711/thesis-b1750049 ; http://repository.ust.hk/ir/bitstream/1783.1-87794/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yu, Coleman. “A melody composer considering genres for both tonal and non-tonal languages.” 2016. Thesis, Hong Kong University of Science and Technology. Accessed November 12, 2019. https://doi.org/10.14711/thesis-b1750049 ; http://repository.ust.hk/ir/bitstream/1783.1-87794/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yu, Coleman. “A melody composer considering genres for both tonal and non-tonal languages.” 2016. Web. 12 Nov 2019.

Vancouver:

Yu C. A melody composer considering genres for both tonal and non-tonal languages. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2016. [cited 2019 Nov 12]. Available from: https://doi.org/10.14711/thesis-b1750049 ; http://repository.ust.hk/ir/bitstream/1783.1-87794/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yu C. A melody composer considering genres for both tonal and non-tonal languages. [Thesis]. Hong Kong University of Science and Technology; 2016. Available from: https://doi.org/10.14711/thesis-b1750049 ; http://repository.ust.hk/ir/bitstream/1783.1-87794/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

13. Jacobs, Bryan Charles. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds.

Degree: 2015, Columbia University

 This dissertation is comprised of three recent original compositions- Dis Un Il Im Ir, In sin fin bin din bin fin sin in, and Percussion+Guitar.… (more)

Subjects/Keywords: Composition (Music); MIDI (Standard); Human-computer interaction; Computer music; Music; Robotics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jacobs, B. C. (2015). Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8KD1XM2

Chicago Manual of Style (16th Edition):

Jacobs, Bryan Charles. “Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds.” 2015. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/D8KD1XM2.

MLA Handbook (7th Edition):

Jacobs, Bryan Charles. “Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds.” 2015. Web. 12 Nov 2019.

Vancouver:

Jacobs BC. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/D8KD1XM2.

Council of Science Editors:

Jacobs BC. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8KD1XM2


University of Cincinnati

14. Xu, Zhixin. La nuit bleue.

Degree: DMA, College-Conservatory of Music: Composition, 2019, University of Cincinnati

 This document discusses compositional ideas and computer music techniques employed by the composer, resulting in the interactive electro-acoustic work for solo harpsichord La nuit bleue.… (more)

Subjects/Keywords: Music; electroacoustic music; harpsichord; interactive music; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Xu, Z. (2019). La nuit bleue. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553614122095522

Chicago Manual of Style (16th Edition):

Xu, Zhixin. “La nuit bleue.” 2019. Doctoral Dissertation, University of Cincinnati. Accessed November 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553614122095522.

MLA Handbook (7th Edition):

Xu, Zhixin. “La nuit bleue.” 2019. Web. 12 Nov 2019.

Vancouver:

Xu Z. La nuit bleue. [Internet] [Doctoral dissertation]. University of Cincinnati; 2019. [cited 2019 Nov 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553614122095522.

Council of Science Editors:

Xu Z. La nuit bleue. [Doctoral Dissertation]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553614122095522


University of California – Riverside

15. Jaroszewicz, Martin. Compositional Strategies in Spectral Spatialization.

Degree: Music, 2015, University of California – Riverside

 The use of space as a structural part of a composition is a complex issue that involves rethinking the idea of the sound object -… (more)

Subjects/Keywords: Music; Computer Music; Sound Synthesis; Spatialization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jaroszewicz, M. (2015). Compositional Strategies in Spectral Spatialization. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/7wm025g7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jaroszewicz, Martin. “Compositional Strategies in Spectral Spatialization.” 2015. Thesis, University of California – Riverside. Accessed November 12, 2019. http://www.escholarship.org/uc/item/7wm025g7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jaroszewicz, Martin. “Compositional Strategies in Spectral Spatialization.” 2015. Web. 12 Nov 2019.

Vancouver:

Jaroszewicz M. Compositional Strategies in Spectral Spatialization. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2019 Nov 12]. Available from: http://www.escholarship.org/uc/item/7wm025g7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jaroszewicz M. Compositional Strategies in Spectral Spatialization. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/7wm025g7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

16. Mason, William Lowell. Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School.

Degree: 2019, Columbia University

 This dissertation considers the music and technical practice of composers affiliated with French spectralism, including Hugues Dufourt, Gérard Grisey, Tristan Murail, Jean-Claude Risset, and Kaija… (more)

Subjects/Keywords: Computer music; Spectral music; Composers; Listening

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mason, W. L. (2019). Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-k4nh-zd64

Chicago Manual of Style (16th Edition):

Mason, William Lowell. “Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School.” 2019. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/d8-k4nh-zd64.

MLA Handbook (7th Edition):

Mason, William Lowell. “Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School.” 2019. Web. 12 Nov 2019.

Vancouver:

Mason WL. Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/d8-k4nh-zd64.

Council of Science Editors:

Mason WL. Feeling Machines: Immersion, Expression, and Technological Embodiment in Electroacoustic Music of the French Spectral School. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-k4nh-zd64


Columbia University

17. Holbrook, Geoffrey John. Optimizing Future Perfect: A Model for Composition with Genetic Algorithms.

Degree: 2015, Columbia University

 This paper describes the development of OM-Darwin, a generalized system for composing with genetic algorithms (GA), realized as a library for OpenMusic. It provides a… (more)

Subjects/Keywords: Music; Computer science; Composition (Music); Genetic algorithms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holbrook, G. J. (2015). Optimizing Future Perfect: A Model for Composition with Genetic Algorithms. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8JD4W80

Chicago Manual of Style (16th Edition):

Holbrook, Geoffrey John. “Optimizing Future Perfect: A Model for Composition with Genetic Algorithms.” 2015. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/D8JD4W80.

MLA Handbook (7th Edition):

Holbrook, Geoffrey John. “Optimizing Future Perfect: A Model for Composition with Genetic Algorithms.” 2015. Web. 12 Nov 2019.

Vancouver:

Holbrook GJ. Optimizing Future Perfect: A Model for Composition with Genetic Algorithms. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/D8JD4W80.

Council of Science Editors:

Holbrook GJ. Optimizing Future Perfect: A Model for Composition with Genetic Algorithms. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8JD4W80


Victoria University of Wellington

18. Vallis, Owen Skipper. Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer.

Degree: 2013, Victoria University of Wellington

 This thesis examines contemporary approaches to live computer music, and the impact they have on the evolution of the composer performer. How do online resources… (more)

Subjects/Keywords: Computer music; Network music; Interface design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vallis, O. S. (2013). Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2831

Chicago Manual of Style (16th Edition):

Vallis, Owen Skipper. “Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer.” 2013. Doctoral Dissertation, Victoria University of Wellington. Accessed November 12, 2019. http://hdl.handle.net/10063/2831.

MLA Handbook (7th Edition):

Vallis, Owen Skipper. “Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer.” 2013. Web. 12 Nov 2019.

Vancouver:

Vallis OS. Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2013. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10063/2831.

Council of Science Editors:

Vallis OS. Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer. [Doctoral Dissertation]. Victoria University of Wellington; 2013. Available from: http://hdl.handle.net/10063/2831

19. Hetrick, Michael Lynn Saverio. Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware.

Degree: 2017, University of California, Santa Barbara

  Modular synthesis is a continually evolving practice. Currently, an effective taxonomy for analyzing modular synthesizer design does not exist, which is a significant barrier… (more)

Subjects/Keywords: Design; Music; Computer engineering

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APA (6th Edition):

Hetrick, M. L. S. (2017). Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware. (Thesis). University of California, Santa Barbara. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10253730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hetrick, Michael Lynn Saverio. “Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware.” 2017. Thesis, University of California, Santa Barbara. Accessed November 12, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10253730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hetrick, Michael Lynn Saverio. “Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware.” 2017. Web. 12 Nov 2019.

Vancouver:

Hetrick MLS. Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware. [Internet] [Thesis]. University of California, Santa Barbara; 2017. [cited 2019 Nov 12]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10253730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hetrick MLS. Modular Understanding| A Taxonomy and Toolkit for Designing Modularity in Audio Software and Hardware. [Thesis]. University of California, Santa Barbara; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10253730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

20. Albert, Jeffrey Vernon. Interactive Musical Partner: A System for Human/Computer Duo Improvisations.

Degree: PhD, Music, 2013, Louisiana State University

 This research is centered on the creation of a computer program that will make music with a human improviser. This Interactive Musical Partner (IMP) is… (more)

Subjects/Keywords: improvisation; interactive; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Albert, J. V. (2013). Interactive Musical Partner: A System for Human/Computer Duo Improvisations. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-03272013-153428 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3582

Chicago Manual of Style (16th Edition):

Albert, Jeffrey Vernon. “Interactive Musical Partner: A System for Human/Computer Duo Improvisations.” 2013. Doctoral Dissertation, Louisiana State University. Accessed November 12, 2019. etd-03272013-153428 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3582.

MLA Handbook (7th Edition):

Albert, Jeffrey Vernon. “Interactive Musical Partner: A System for Human/Computer Duo Improvisations.” 2013. Web. 12 Nov 2019.

Vancouver:

Albert JV. Interactive Musical Partner: A System for Human/Computer Duo Improvisations. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Nov 12]. Available from: etd-03272013-153428 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3582.

Council of Science Editors:

Albert JV. Interactive Musical Partner: A System for Human/Computer Duo Improvisations. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-03272013-153428 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3582


University of California – San Diego

21. Done, Ryan Michael. Alternative Representations of the Two Dimensional Waveguide Mesh.

Degree: Music, 2017, University of California – San Diego

 The two dimensional waveguide mesh is one possible discrete representationof the wave equation based on the theoretical framework of the one dimensionalwaveguide model. The digital… (more)

Subjects/Keywords: Music; Acoustics; Computer science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Done, R. M. (2017). Alternative Representations of the Two Dimensional Waveguide Mesh. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0r17j2jw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Done, Ryan Michael. “Alternative Representations of the Two Dimensional Waveguide Mesh.” 2017. Thesis, University of California – San Diego. Accessed November 12, 2019. http://www.escholarship.org/uc/item/0r17j2jw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Done, Ryan Michael. “Alternative Representations of the Two Dimensional Waveguide Mesh.” 2017. Web. 12 Nov 2019.

Vancouver:

Done RM. Alternative Representations of the Two Dimensional Waveguide Mesh. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2019 Nov 12]. Available from: http://www.escholarship.org/uc/item/0r17j2jw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Done RM. Alternative Representations of the Two Dimensional Waveguide Mesh. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/0r17j2jw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Huddersfield

22. Fisher, Michael. Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording.

Degree: 2012, University of Huddersfield

 This thesis describes the research and development of a VST Plugin capable of the autonomous post production of stereo piano recordings within the context of… (more)

Subjects/Keywords: M Music; QA76 Computer software

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fisher, M. (2012). Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17546/1/Fisher_Final_Thesis_Aug_12.pdf

Chicago Manual of Style (16th Edition):

Fisher, Michael. “Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording.” 2012. Masters Thesis, University of Huddersfield. Accessed November 12, 2019. http://eprints.hud.ac.uk/id/eprint/17546/1/Fisher_Final_Thesis_Aug_12.pdf.

MLA Handbook (7th Edition):

Fisher, Michael. “Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording.” 2012. Web. 12 Nov 2019.

Vancouver:

Fisher M. Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Nov 12]. Available from: http://eprints.hud.ac.uk/id/eprint/17546/1/Fisher_Final_Thesis_Aug_12.pdf.

Council of Science Editors:

Fisher M. Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17546/1/Fisher_Final_Thesis_Aug_12.pdf


University of Huddersfield

23. Evans, Benjamin Peter. A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters.

Degree: 2012, University of Huddersfield

 The Fast Fourier Transform (FFT) is commonly used in the field of digital signal processing to move a signal from the time domain to the… (more)

Subjects/Keywords: M Music; QA76 Computer software

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APA (6th Edition):

Evans, B. P. (2012). A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/17816/1/Final_Thesis_-_November_2012.pdf

Chicago Manual of Style (16th Edition):

Evans, Benjamin Peter. “A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters.” 2012. Masters Thesis, University of Huddersfield. Accessed November 12, 2019. http://eprints.hud.ac.uk/id/eprint/17816/1/Final_Thesis_-_November_2012.pdf.

MLA Handbook (7th Edition):

Evans, Benjamin Peter. “A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters.” 2012. Web. 12 Nov 2019.

Vancouver:

Evans BP. A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters. [Internet] [Masters thesis]. University of Huddersfield; 2012. [cited 2019 Nov 12]. Available from: http://eprints.hud.ac.uk/id/eprint/17816/1/Final_Thesis_-_November_2012.pdf.

Council of Science Editors:

Evans BP. A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters. [Masters Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/17816/1/Final_Thesis_-_November_2012.pdf


University of Huddersfield

24. Smith, Jennifer. The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game.

Degree: 2016, University of Huddersfield

 Player involvement in a video game is increasingly important to the success of a game and its developers. A musical soundtrack plays a large role… (more)

Subjects/Keywords: M Music; QA76 Computer software

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APA (6th Edition):

Smith, J. (2016). The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31368/1/__nas01_librhome_librsh3_Desktop_16%20FINAL%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Smith, Jennifer. “The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game.” 2016. Masters Thesis, University of Huddersfield. Accessed November 12, 2019. http://eprints.hud.ac.uk/id/eprint/31368/1/__nas01_librhome_librsh3_Desktop_16%20FINAL%20THESIS.pdf.

MLA Handbook (7th Edition):

Smith, Jennifer. “The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game.” 2016. Web. 12 Nov 2019.

Vancouver:

Smith J. The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game. [Internet] [Masters thesis]. University of Huddersfield; 2016. [cited 2019 Nov 12]. Available from: http://eprints.hud.ac.uk/id/eprint/31368/1/__nas01_librhome_librsh3_Desktop_16%20FINAL%20THESIS.pdf.

Council of Science Editors:

Smith J. The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game. [Masters Thesis]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/31368/1/__nas01_librhome_librsh3_Desktop_16%20FINAL%20THESIS.pdf


University of Huddersfield

25. Brooks, Julian. Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music.

Degree: 2016, University of Huddersfield

 This commentary describes my recent approach to writing compositions for the ensemble performance of computer music. Drawing on experimental music and improvisation, I contend that… (more)

Subjects/Keywords: M Music; QA76 Computer software

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APA (6th Edition):

Brooks, J. (2016). Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31370/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Brooks, Julian. “Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music.” 2016. Doctoral Dissertation, University of Huddersfield. Accessed November 12, 2019. http://eprints.hud.ac.uk/id/eprint/31370/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf.

MLA Handbook (7th Edition):

Brooks, Julian. “Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music.” 2016. Web. 12 Nov 2019.

Vancouver:

Brooks J. Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music. [Internet] [Doctoral dissertation]. University of Huddersfield; 2016. [cited 2019 Nov 12]. Available from: http://eprints.hud.ac.uk/id/eprint/31370/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf.

Council of Science Editors:

Brooks J. Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music. [Doctoral Dissertation]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/31370/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS.pdf


McGill University

26. Protsidym, Oles. An application of Max/MSP in the field of live electro-acoustic music : a case study.

Degree: MA, Faculty of Music., 1999, McGill University

For many years the integration of real-time digital audio signal processing with dynamic control has been one of the most significant issues facing live electro-acoustic… (more)

Subjects/Keywords: Computer music.

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APA (6th Edition):

Protsidym, O. (1999). An application of Max/MSP in the field of live electro-acoustic music : a case study. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile37595.pdf

Chicago Manual of Style (16th Edition):

Protsidym, Oles. “An application of Max/MSP in the field of live electro-acoustic music : a case study.” 1999. Masters Thesis, McGill University. Accessed November 12, 2019. http://digitool.library.mcgill.ca/thesisfile37595.pdf.

MLA Handbook (7th Edition):

Protsidym, Oles. “An application of Max/MSP in the field of live electro-acoustic music : a case study.” 1999. Web. 12 Nov 2019.

Vancouver:

Protsidym O. An application of Max/MSP in the field of live electro-acoustic music : a case study. [Internet] [Masters thesis]. McGill University; 1999. [cited 2019 Nov 12]. Available from: http://digitool.library.mcgill.ca/thesisfile37595.pdf.

Council of Science Editors:

Protsidym O. An application of Max/MSP in the field of live electro-acoustic music : a case study. [Masters Thesis]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile37595.pdf


Kansas State University

27. Sposato, Peter Charles. An introduction to the composition and generation of computer music.

Degree: 1973, Kansas State University

Subjects/Keywords: Computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sposato, P. C. (1973). An introduction to the composition and generation of computer music. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/8291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sposato, Peter Charles. “An introduction to the composition and generation of computer music.” 1973. Thesis, Kansas State University. Accessed November 12, 2019. http://hdl.handle.net/2097/8291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sposato, Peter Charles. “An introduction to the composition and generation of computer music.” 1973. Web. 12 Nov 2019.

Vancouver:

Sposato PC. An introduction to the composition and generation of computer music. [Internet] [Thesis]. Kansas State University; 1973. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/2097/8291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sposato PC. An introduction to the composition and generation of computer music. [Thesis]. Kansas State University; 1973. Available from: http://hdl.handle.net/2097/8291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

28. Xue, Wenzhe. Modeling Musical Influence Through Data.

Degree: AB, 2018, Harvard University

 Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done… (more)

Subjects/Keywords: Computer Science; Statistics; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Xue, W. (2018). Modeling Musical Influence Through Data. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Xue, Wenzhe. “Modeling Musical Influence Through Data.” 2018. Thesis, Harvard University. Accessed November 12, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Xue, Wenzhe. “Modeling Musical Influence Through Data.” 2018. Web. 12 Nov 2019.

Vancouver:

Xue W. Modeling Musical Influence Through Data. [Internet] [Thesis]. Harvard University; 2018. [cited 2019 Nov 12]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xue W. Modeling Musical Influence Through Data. [Thesis]. Harvard University; 2018. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

29. Wetherfield, Benjamin S. A Graphical Theory of Musical Pitch Spelling.

Degree: AB, 2017, Harvard University

 Based on the conventions of staff-based music notation, musical passages that sound alike can often be written down in multiple ways, with each representation being… (more)

Subjects/Keywords: Music; Mathematics; Computer Science

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wetherfield, B. S. (2017). A Graphical Theory of Musical Pitch Spelling. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:38779539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wetherfield, Benjamin S. “A Graphical Theory of Musical Pitch Spelling.” 2017. Thesis, Harvard University. Accessed November 12, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:38779539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wetherfield, Benjamin S. “A Graphical Theory of Musical Pitch Spelling.” 2017. Web. 12 Nov 2019.

Vancouver:

Wetherfield BS. A Graphical Theory of Musical Pitch Spelling. [Internet] [Thesis]. Harvard University; 2017. [cited 2019 Nov 12]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38779539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wetherfield BS. A Graphical Theory of Musical Pitch Spelling. [Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:38779539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

30. Schulze, Walter. A formal language theory approach to music generation.

Degree: Mathematical Sciences, 2010, Stellenbosch University

Thesis (MSc (Mathematical Sciences)) – University of Stellenbosch, 2010.

ENGLISH ABSTRACT: We investigate the suitability of applying some of the probabilistic and automata theoretic ideas, that… (more)

Subjects/Keywords: Computer science; Music  – Data processing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schulze, W. (2010). A formal language theory approach to music generation. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/4157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schulze, Walter. “A formal language theory approach to music generation.” 2010. Thesis, Stellenbosch University. Accessed November 12, 2019. http://hdl.handle.net/10019.1/4157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schulze, Walter. “A formal language theory approach to music generation.” 2010. Web. 12 Nov 2019.

Vancouver:

Schulze W. A formal language theory approach to music generation. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10019.1/4157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schulze W. A formal language theory approach to music generation. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/4157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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