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You searched for subject:(Classical Greek drama). Showing records 1 – 23 of 23 total matches.

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University of California – Berkeley

1. Jacobson, David Julius. Show Business: Deixis in Fifth-Century Athenian Drama.

Degree: Classics, 2011, University of California – Berkeley

 In my dissertation I examine the use of deixis in fifth-century Athenian drama to show how a playwright's lexical choices shape an audience's engagement with… (more)

Subjects/Keywords: Classical studies; Theater; Anaphora; Deixis; Greek Comedy; Greek Drama; Greek Tragedy

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APA (6th Edition):

Jacobson, D. J. (2011). Show Business: Deixis in Fifth-Century Athenian Drama. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2c92d141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jacobson, David Julius. “Show Business: Deixis in Fifth-Century Athenian Drama.” 2011. Thesis, University of California – Berkeley. Accessed August 18, 2019. http://www.escholarship.org/uc/item/2c92d141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jacobson, David Julius. “Show Business: Deixis in Fifth-Century Athenian Drama.” 2011. Web. 18 Aug 2019.

Vancouver:

Jacobson DJ. Show Business: Deixis in Fifth-Century Athenian Drama. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2019 Aug 18]. Available from: http://www.escholarship.org/uc/item/2c92d141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jacobson DJ. Show Business: Deixis in Fifth-Century Athenian Drama. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/2c92d141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

2. Van Essen-Fishman, Lucy. Character through interaction : Sophocles and the delineation of the individual.

Degree: PhD, 2014, University of Oxford

 In this thesis, I argue that Sophoclean characters take shape through a number of different kinds of interaction. On the most basic level, interaction occurs… (more)

Subjects/Keywords: 880.9; Hellenic (Classical Greek) literature; Greek drama; Greek tragedy; character; characterization; Sophocles

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APA (6th Edition):

Van Essen-Fishman, L. (2014). Character through interaction : Sophocles and the delineation of the individual. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:c23353ec-cc60-453e-8c58-b13d01840a19 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655066

Chicago Manual of Style (16th Edition):

Van Essen-Fishman, Lucy. “Character through interaction : Sophocles and the delineation of the individual.” 2014. Doctoral Dissertation, University of Oxford. Accessed August 18, 2019. http://ora.ox.ac.uk/objects/uuid:c23353ec-cc60-453e-8c58-b13d01840a19 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655066.

MLA Handbook (7th Edition):

Van Essen-Fishman, Lucy. “Character through interaction : Sophocles and the delineation of the individual.” 2014. Web. 18 Aug 2019.

Vancouver:

Van Essen-Fishman L. Character through interaction : Sophocles and the delineation of the individual. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2019 Aug 18]. Available from: http://ora.ox.ac.uk/objects/uuid:c23353ec-cc60-453e-8c58-b13d01840a19 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655066.

Council of Science Editors:

Van Essen-Fishman L. Character through interaction : Sophocles and the delineation of the individual. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:c23353ec-cc60-453e-8c58-b13d01840a19 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655066


University of Cincinnati

3. Brown, Mitch. Menander Offstage.

Degree: PhD, Arts and Sciences: Classics, 2017, University of Cincinnati

 This dissertation explores offstage action in the plays of Menander. It argues that the unseen events – those not shown to the audience but reported… (more)

Subjects/Keywords: Classical Studies; Greek Drama; Greek New Comedy; Menander; Stagecraft; Offstage Action; Characterization

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APA (6th Edition):

Brown, M. (2017). Menander Offstage. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479817969256543

Chicago Manual of Style (16th Edition):

Brown, Mitch. “Menander Offstage.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed August 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479817969256543.

MLA Handbook (7th Edition):

Brown, Mitch. “Menander Offstage.” 2017. Web. 18 Aug 2019.

Vancouver:

Brown M. Menander Offstage. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Aug 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479817969256543.

Council of Science Editors:

Brown M. Menander Offstage. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479817969256543


King's College London (University of London)

4. Kampourelli, Vassiliki. Space in Greek tragedy.

Degree: 2002, King's College London (University of London)

Subjects/Keywords: 880; Classical Greek drama

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APA (6th Edition):

Kampourelli, V. (2002). Space in Greek tragedy. (Doctoral Dissertation). King's College London (University of London). Retrieved from https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272422

Chicago Manual of Style (16th Edition):

Kampourelli, Vassiliki. “Space in Greek tragedy.” 2002. Doctoral Dissertation, King's College London (University of London). Accessed August 18, 2019. https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272422.

MLA Handbook (7th Edition):

Kampourelli, Vassiliki. “Space in Greek tragedy.” 2002. Web. 18 Aug 2019.

Vancouver:

Kampourelli V. Space in Greek tragedy. [Internet] [Doctoral dissertation]. King's College London (University of London); 2002. [cited 2019 Aug 18]. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272422.

Council of Science Editors:

Kampourelli V. Space in Greek tragedy. [Doctoral Dissertation]. King's College London (University of London); 2002. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272422


Boston University

5. Dixon, Dustin W. Myth-making in Greek and Roman comedy.

Degree: PhD, Classical Studies, 2015, Boston University

 Challenging the common notion that mythological comedies simply burlesque stories found in epic and tragedy, this dissertation shows that comic poets were active participants in… (more)

Subjects/Keywords: Classical literature; Burlesque; Comedy; Drama; Greek; Mythology; Tragedy

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APA (6th Edition):

Dixon, D. W. (2015). Myth-making in Greek and Roman comedy. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/16320

Chicago Manual of Style (16th Edition):

Dixon, Dustin W. “Myth-making in Greek and Roman comedy.” 2015. Doctoral Dissertation, Boston University. Accessed August 18, 2019. http://hdl.handle.net/2144/16320.

MLA Handbook (7th Edition):

Dixon, Dustin W. “Myth-making in Greek and Roman comedy.” 2015. Web. 18 Aug 2019.

Vancouver:

Dixon DW. Myth-making in Greek and Roman comedy. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2019 Aug 18]. Available from: http://hdl.handle.net/2144/16320.

Council of Science Editors:

Dixon DW. Myth-making in Greek and Roman comedy. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/16320


University of Florida

6. Rohdenburg, Rebecca. Hero Cult in Euripides.

Degree: MA, Classical Studies - Classics, 2009, University of Florida

 Although the frequency with which Euripides references hero cult has often been noted, the subject has not been dealt with at length or in detail.… (more)

Subjects/Keywords: Classical Greek drama; Cults; Death; Dionysian mysteries; Heroes; Homeric epics; Poetry; Religion; Rituals; Theater

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APA (6th Edition):

Rohdenburg, R. (2009). Hero Cult in Euripides. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0024686

Chicago Manual of Style (16th Edition):

Rohdenburg, Rebecca. “Hero Cult in Euripides.” 2009. Masters Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/UFE0024686.

MLA Handbook (7th Edition):

Rohdenburg, Rebecca. “Hero Cult in Euripides.” 2009. Web. 18 Aug 2019.

Vancouver:

Rohdenburg R. Hero Cult in Euripides. [Internet] [Masters thesis]. University of Florida; 2009. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/UFE0024686.

Council of Science Editors:

Rohdenburg R. Hero Cult in Euripides. [Masters Thesis]. University of Florida; 2009. Available from: http://ufdc.ufl.edu/UFE0024686


University of Florida

7. Pankow, Katherine. Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq.

Degree: 2013, University of Florida

 Published in 2011, Ellen McLaughlin’s Ajax in Iraq conflates the story of the mythical Greek warrior Ajax, and A.J., a modern American female soldier in… (more)

Subjects/Keywords: Acting; Choreography; Classical Greek drama; Dance; Rehearsal; Soldiers; Theater; War; Women; World wars

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APA (6th Edition):

Pankow, K. (2013). Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00017017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pankow, Katherine. “Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq.” 2013. Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/AA00017017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pankow, Katherine. “Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq.” 2013. Web. 18 Aug 2019.

Vancouver:

Pankow K. Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq. [Internet] [Thesis]. University of Florida; 2013. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/AA00017017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pankow K. Soldiering On: Playing the Role of A.J. in Ellen McLaughlin's Ajax in Iraq. [Thesis]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/AA00017017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

8. Hamilton, Christine Rose Elizabeth. The Function of the <i>Deus ex Machina</i> in Euripidean Drama.

Degree: PhD, Greek and Latin, 2017, The Ohio State University

 This dissertation explores Euripides’ use of the <i>deus ex machina</i> device in his extant plays. While many scholars have discussed aspects of the <i>deus ex… (more)

Subjects/Keywords: Classical Studies; Literature; Theater; Euripides; deus ex machina; aitia; prophecy; myth; mythology; plurimediality; intertextuality; Greek Tragedy; Tragedy; Greek Drama

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APA (6th Edition):

Hamilton, C. R. E. (2017). The Function of the <i>Deus ex Machina</i> in Euripidean Drama. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1500421429824731

Chicago Manual of Style (16th Edition):

Hamilton, Christine Rose Elizabeth. “The Function of the <i>Deus ex Machina</i> in Euripidean Drama.” 2017. Doctoral Dissertation, The Ohio State University. Accessed August 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500421429824731.

MLA Handbook (7th Edition):

Hamilton, Christine Rose Elizabeth. “The Function of the <i>Deus ex Machina</i> in Euripidean Drama.” 2017. Web. 18 Aug 2019.

Vancouver:

Hamilton CRE. The Function of the <i>Deus ex Machina</i> in Euripidean Drama. [Internet] [Doctoral dissertation]. The Ohio State University; 2017. [cited 2019 Aug 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1500421429824731.

Council of Science Editors:

Hamilton CRE. The Function of the <i>Deus ex Machina</i> in Euripidean Drama. [Doctoral Dissertation]. The Ohio State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1500421429824731


The Ohio State University

9. Jendza, Craig Timothy. Euripidean Paracomedy.

Degree: PhD, Greek and Latin, 2013, The Ohio State University

 This dissertation explores the relationships between the dramatic genres of Greek comedy, tragedy and satyr drama in the 5th century BCE. I propose that Athenian… (more)

Subjects/Keywords: Classical Studies; Euripides; Aristophanes; Greek Tragedy; Greek Comedy; Intertextuality; Paracomedy; Paratragedy; Satyr Drama; Satyr Play; Thesmophoriazusae; Acharnians; Helen; Orestes; Bacchae

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APA (6th Edition):

Jendza, C. T. (2013). Euripidean Paracomedy. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1385998375

Chicago Manual of Style (16th Edition):

Jendza, Craig Timothy. “Euripidean Paracomedy.” 2013. Doctoral Dissertation, The Ohio State University. Accessed August 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1385998375.

MLA Handbook (7th Edition):

Jendza, Craig Timothy. “Euripidean Paracomedy.” 2013. Web. 18 Aug 2019.

Vancouver:

Jendza CT. Euripidean Paracomedy. [Internet] [Doctoral dissertation]. The Ohio State University; 2013. [cited 2019 Aug 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1385998375.

Council of Science Editors:

Jendza CT. Euripidean Paracomedy. [Doctoral Dissertation]. The Ohio State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1385998375

10. Romero Rey, Sandro. Género y destino. La tragedia griega en Colombia.

Degree: Departament de Filologia Grega, 2014, Universitat de Barcelona

 Genre and Destiny: Greek Tragedy in Colombia is a reflection framed by a period of sixty years (1954-2014) during which time the works of Aeschylus,… (more)

Subjects/Keywords: Tragèdia grega; Tragedia griega; Greek drama (Tragedy); Teatre clàssic; Teatro clásico; Classical drama; Colòmbia; Colombia; Ciències Humanes i Socials; 79

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APA (6th Edition):

Romero Rey, S. (2014). Género y destino. La tragedia griega en Colombia. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/285678

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Romero Rey, Sandro. “Género y destino. La tragedia griega en Colombia.” 2014. Thesis, Universitat de Barcelona. Accessed August 18, 2019. http://hdl.handle.net/10803/285678.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Romero Rey, Sandro. “Género y destino. La tragedia griega en Colombia.” 2014. Web. 18 Aug 2019.

Vancouver:

Romero Rey S. Género y destino. La tragedia griega en Colombia. [Internet] [Thesis]. Universitat de Barcelona; 2014. [cited 2019 Aug 18]. Available from: http://hdl.handle.net/10803/285678.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Romero Rey S. Género y destino. La tragedia griega en Colombia. [Thesis]. Universitat de Barcelona; 2014. Available from: http://hdl.handle.net/10803/285678

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

11. Bushey, Sarah A. The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781.

Degree: PhD, Music, 2015, University of Florida

 The topic of the supernatural in seventeenth-century music is a popular one, and it comes as no surprise, considering the importance of "le merveilleux" or… (more)

Subjects/Keywords: Classical Greek drama; Exoticism; Fear; Monsters; Musical rhythm; Opera; Seas; Spectacle; Supernaturalism; Theater; monsters  – opera  – supernatural

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APA (6th Edition):

Bushey, S. A. (2015). The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0047721

Chicago Manual of Style (16th Edition):

Bushey, Sarah A. “The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781.” 2015. Doctoral Dissertation, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/UFE0047721.

MLA Handbook (7th Edition):

Bushey, Sarah A. “The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781.” 2015. Web. 18 Aug 2019.

Vancouver:

Bushey SA. The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781. [Internet] [Doctoral dissertation]. University of Florida; 2015. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/UFE0047721.

Council of Science Editors:

Bushey SA. The Sea Monster on Stage Creating Supernatural Horror in Opera, 1637-1781. [Doctoral Dissertation]. University of Florida; 2015. Available from: http://ufdc.ufl.edu/UFE0047721


Columbia University

12. Catenaccio, Claire. Monody and Dramatic Form in Late Euripides.

Degree: 2017, Columbia University

 This study sets out to reveal the groundbreaking use of monody in the late plays of Euripides: in his hands, it is shaped into a… (more)

Subjects/Keywords: Classical literature; Theater; History; Greek drama (Tragedy); Euripides; Ion (Euripides); Iphigenia in Tauris (Euripides); Phoenician women (Euripides); Orestes (Euripides)

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APA (6th Edition):

Catenaccio, C. (2017). Monody and Dramatic Form in Late Euripides. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8G44X64

Chicago Manual of Style (16th Edition):

Catenaccio, Claire. “Monody and Dramatic Form in Late Euripides.” 2017. Doctoral Dissertation, Columbia University. Accessed August 18, 2019. https://doi.org/10.7916/D8G44X64.

MLA Handbook (7th Edition):

Catenaccio, Claire. “Monody and Dramatic Form in Late Euripides.” 2017. Web. 18 Aug 2019.

Vancouver:

Catenaccio C. Monody and Dramatic Form in Late Euripides. [Internet] [Doctoral dissertation]. Columbia University; 2017. [cited 2019 Aug 18]. Available from: https://doi.org/10.7916/D8G44X64.

Council of Science Editors:

Catenaccio C. Monody and Dramatic Form in Late Euripides. [Doctoral Dissertation]. Columbia University; 2017. Available from: https://doi.org/10.7916/D8G44X64


University of Florida

13. Gordon, Jessica. Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance.

Degree: 2010, University of Florida

 Everything Was Beautiful at the Ballet: The Evolution of Musical Theatre Dance examines the role of dance in the Broadway musical and how this role… (more)

Subjects/Keywords: Audiences; Ballet; Ballet music; Broadway musicals; Classical Greek drama; Dance; Dance history; Dance music; Musical theater; Theater; Dance; Theater

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APA (6th Edition):

Gordon, J. (2010). Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00057439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, Jessica. “Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance.” 2010. Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/AA00057439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, Jessica. “Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance.” 2010. Web. 18 Aug 2019.

Vancouver:

Gordon J. Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance. [Internet] [Thesis]. University of Florida; 2010. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/AA00057439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon J. Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance. [Thesis]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/AA00057439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

14. Rogers,Lindsay Jane. Statues in Euripides Staging, Character, Structure and Metaphor.

Degree: PhD, Classical Studies - Classics, 2011, University of Florida

 This study examines how Euripides features statues in his works and the visual, structural, and thematic implications of such statues. While in some plays he… (more)

Subjects/Keywords: Altars; Classical Greek drama; Death; Divinity; Ions; Palaces; Playwriting; Statues; Theater; Women; alcestis  – andromache  – aphrodite  – artemis  – euripides  – greek  – hippolytus  – iphigeneia  – statues  – tragedy

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APA (6th Edition):

Jane, R. (2011). Statues in Euripides Staging, Character, Structure and Metaphor. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0043334

Chicago Manual of Style (16th Edition):

Jane, Rogers,Lindsay. “Statues in Euripides Staging, Character, Structure and Metaphor.” 2011. Doctoral Dissertation, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/UFE0043334.

MLA Handbook (7th Edition):

Jane, Rogers,Lindsay. “Statues in Euripides Staging, Character, Structure and Metaphor.” 2011. Web. 18 Aug 2019.

Vancouver:

Jane R. Statues in Euripides Staging, Character, Structure and Metaphor. [Internet] [Doctoral dissertation]. University of Florida; 2011. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/UFE0043334.

Council of Science Editors:

Jane R. Statues in Euripides Staging, Character, Structure and Metaphor. [Doctoral Dissertation]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0043334


University of Florida

15. Hetrick, David J. Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy.

Degree: PhD, Classical Studies - Classics, 2014, University of Florida

 This study examines homecoming, or nostos, a recurring theme in Greek epic poetry, and posits that alternative definitions come into play across genres. The present… (more)

Subjects/Keywords: Caves; Classical Greek drama; Death; Exile; Fathers; Hades; Homeland; Homes; Laments; Suicide; ajax  – antigone  – greek  – homecoming  – nostos  – oedipus  – polyneikes  – sophocles  – sophokles  – tragedy

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APA (6th Edition):

Hetrick, D. J. (2014). Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0046626

Chicago Manual of Style (16th Edition):

Hetrick, David J. “Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy.” 2014. Doctoral Dissertation, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/UFE0046626.

MLA Handbook (7th Edition):

Hetrick, David J. “Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy.” 2014. Web. 18 Aug 2019.

Vancouver:

Hetrick DJ. Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy. [Internet] [Doctoral dissertation]. University of Florida; 2014. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/UFE0046626.

Council of Science Editors:

Hetrick DJ. Coming Home to Drama Alternative Paradigms of Nostos in Sophoklean Tragedy. [Doctoral Dissertation]. University of Florida; 2014. Available from: http://ufdc.ufl.edu/UFE0046626

16. Papavasileiou, Maria. Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία.

Degree: 2017, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

 Between tragedy and rhetoric: The autograph P.Köln VI 245, a papyrus on Odysseus’ ptocheia at Troy”.Through the present dissertation I attempt to offer a new… (more)

Subjects/Keywords: Παπυρολογία; Παλαιογραφία; Αρχαία Ελληνικά (Πάπυροι); Αρχαίο ελληνικό δράμα; Κλασικό Δράμα,; Μετακλασικό Δράμα (Τραγωδία, Μίμος); Μυθολογία στη λογοτεχνία; Δεύτερη σοφιστική; Ρητορική Άσκηση; Αυτοκρατορική περίοδος; Θεατρική Εκτέλεση; Greek Papyri; Greek Palaeography; Greek drama; Classical Drama; Post-classical Drama (Tragedy, Mime); Mythology in Literature; Second sophistic; Rhetoric Exercise; Imperial period; Theatrical Performance

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APA (6th Edition):

Papavasileiou, M. (2017). Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/41566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papavasileiou, Maria. “Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία.” 2017. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed August 18, 2019. http://hdl.handle.net/10442/hedi/41566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papavasileiou, Maria. “Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία.” 2017. Web. 18 Aug 2019.

Vancouver:

Papavasileiou M. Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. [cited 2019 Aug 18]. Available from: http://hdl.handle.net/10442/hedi/41566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papavasileiou M. Ανάμεσα στην τραγωδία και τη ρητορική: το παπυρικό αυτόγραφο P. Koln VI 245 με θέμα την πτωχείαν του Οδυσσέα στην Τροία. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. Available from: http://hdl.handle.net/10442/hedi/41566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Keramari, Evangelia. Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση.

Degree: 2019, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The aim of this thesis is to study the use and stage function of comic costume and, in particular, the costume of stock characters from… (more)

Subjects/Keywords: Αρχαία κωμωδία; Ενδυμασία; Ιστορική εξέλιξη; Αρχαιολογία; 5ΟΣ ΑΙΩΝΑΣ Π.Χ.; 3ος αιώνας π.χ.; Comedy; Historicity of costume; Greek drama in performance; Vases from magna Graecia; Classical period; Hellenistic period; Characters; Ancient greek comedy; Archaeology

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APA (6th Edition):

Keramari, E. (2019). Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/45195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keramari, Evangelia. “Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση.” 2019. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed August 18, 2019. http://hdl.handle.net/10442/hedi/45195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keramari, Evangelia. “Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση.” 2019. Web. 18 Aug 2019.

Vancouver:

Keramari E. Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2019. [cited 2019 Aug 18]. Available from: http://hdl.handle.net/10442/hedi/45195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keramari E. Η ενδυμασία στην αρχαία κωμωδία: εξέλιξη, κωμική χρήση και σκηνική λειτουργία: μία χαρακτηρολογική προσέγγιση. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2019. Available from: http://hdl.handle.net/10442/hedi/45195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

18. Forbes, Gerald Byrd, 1929-. Greek music and the aesthetic of the fifth century theatre.

Degree: 1964, University of Florida

Subjects/Keywords: Art music; Classical Greek drama; Dance; Melody; Musical aesthetics; Musical meter; Musical modes; Musical rhythm; Poetry; Theater; Greek drama  – History and criticism; Music, Greek and Roman; Theater  – Greece

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APA (6th Edition):

Forbes, Gerald Byrd, 1. (1964). Greek music and the aesthetic of the fifth century theatre. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00003570

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Forbes, Gerald Byrd, 1929-. “Greek music and the aesthetic of the fifth century theatre.” 1964. Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/AA00003570.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Forbes, Gerald Byrd, 1929-. “Greek music and the aesthetic of the fifth century theatre.” 1964. Web. 18 Aug 2019.

Vancouver:

Forbes, Gerald Byrd 1. Greek music and the aesthetic of the fifth century theatre. [Internet] [Thesis]. University of Florida; 1964. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/AA00003570.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Forbes, Gerald Byrd 1. Greek music and the aesthetic of the fifth century theatre. [Thesis]. University of Florida; 1964. Available from: http://ufdc.ufl.edu/AA00003570

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Karathanasis, Konstantinos. Sophrosyne in Aeschylus.

Degree: MA(AM/MA), Classics, 2017, Washington University in St. Louis

 This is a study on the semantics of sophrosyne, and the importance of this culturally significant term for the political vocabulary of Aeschylus. The author… (more)

Subjects/Keywords: Aeschylus, Sophrosyne, Greek Drama, Tragedy, Tragedy and Democracy; Classical Literature and Philology

…unique case for classical Greek, which gives the sense “being divinely warned to be temperate… …in Greek literature offer invaluable perspectives for the consideration of the term in… …mortals and immortals, and this religious aspect of the term in Greek tragedy has been… …τιμή).15 On the other hand, regarding the social aspect of σωφροσύνη, ancient Greek… …point, the student of Greek tragedy is faced with a paradox. If the semasiological core of… 

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APA (6th Edition):

Karathanasis, K. (2017). Sophrosyne in Aeschylus. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/1060

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karathanasis, Konstantinos. “Sophrosyne in Aeschylus.” 2017. Thesis, Washington University in St. Louis. Accessed August 18, 2019. https://openscholarship.wustl.edu/art_sci_etds/1060.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karathanasis, Konstantinos. “Sophrosyne in Aeschylus.” 2017. Web. 18 Aug 2019.

Vancouver:

Karathanasis K. Sophrosyne in Aeschylus. [Internet] [Thesis]. Washington University in St. Louis; 2017. [cited 2019 Aug 18]. Available from: https://openscholarship.wustl.edu/art_sci_etds/1060.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karathanasis K. Sophrosyne in Aeschylus. [Thesis]. Washington University in St. Louis; 2017. Available from: https://openscholarship.wustl.edu/art_sci_etds/1060

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

20. Zatlin, Phyllis. Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries.

Degree: 1962, University of Florida

Subjects/Keywords: Classical Greek drama; Death; Legends; Mothers; Playwriting; Poetry; Soldiers; Theater; Theater criticism; Tragic theater

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APA (6th Edition):

Zatlin, P. (1962). Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UF00090047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zatlin, Phyllis. “Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries.” 1962. Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/UF00090047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zatlin, Phyllis. “Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries.” 1962. Web. 18 Aug 2019.

Vancouver:

Zatlin P. Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries. [Internet] [Thesis]. University of Florida; 1962. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/UF00090047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zatlin P. Themes of Greek legend in the theatre of Jose María Pemán and his contemporaries. [Thesis]. University of Florida; 1962. Available from: http://ufdc.ufl.edu/UF00090047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

21. Moorhead, Jack Phillip, 1936-. American literature as opera.

Degree: 1979, University of Florida

Subjects/Keywords: Arias; Classical Greek drama; Death; Librettists; Librettos; Literary characters; Novels; Opera; Setting; Theater; American literature  – History and criticism  – 19th century; Libretto; Music and literature; Operas  – Stories, plots, etc

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APA (6th Edition):

Moorhead, Jack Phillip, 1. (1979). American literature as opera. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00003483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moorhead, Jack Phillip, 1936-. “American literature as opera.” 1979. Thesis, University of Florida. Accessed August 18, 2019. http://ufdc.ufl.edu/AA00003483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moorhead, Jack Phillip, 1936-. “American literature as opera.” 1979. Web. 18 Aug 2019.

Vancouver:

Moorhead, Jack Phillip 1. American literature as opera. [Internet] [Thesis]. University of Florida; 1979. [cited 2019 Aug 18]. Available from: http://ufdc.ufl.edu/AA00003483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moorhead, Jack Phillip 1. American literature as opera. [Thesis]. University of Florida; 1979. Available from: http://ufdc.ufl.edu/AA00003483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. DeVoe, Lauren E. Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic.

Degree: MA, English, 2015, University of New Orleans

  Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and… (more)

Subjects/Keywords: Erichtho; John Marston; Sophonisba, or The Wonder of Women; witch; rhetoric; Jacobean drama; Ancient History, Greek and Roman through Late Antiquity; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Classical Literature and Philology; Comparative Literature; English Language and Literature; Feminist, Gender, and Sexuality Studies; Literature in English, British Isles

…playwright’s final work. Centered upon Sophonisba, the play draws on classical sources to recount a… …Erichtho. Corbin and Sedge state, “She is thus a witch of the severely classical kind and the… …only fully fledged example of her kind in Elizabethan drama” (Corbin and Sedge 7)… …By using a classical story, inserting a classical witch, and including ritual with a focus… …on the importance of speaking, Marston has created a drama that questions the role of the… 

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APA (6th Edition):

DeVoe, L. E. (2015). Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

DeVoe, Lauren E. “Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic.” 2015. Thesis, University of New Orleans. Accessed August 18, 2019. https://scholarworks.uno.edu/td/2020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

DeVoe, Lauren E. “Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic.” 2015. Web. 18 Aug 2019.

Vancouver:

DeVoe LE. Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic. [Internet] [Thesis]. University of New Orleans; 2015. [cited 2019 Aug 18]. Available from: https://scholarworks.uno.edu/td/2020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DeVoe LE. Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic. [Thesis]. University of New Orleans; 2015. Available from: https://scholarworks.uno.edu/td/2020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

23. Hýl, Petr. Slovinské národní divadlo v Lublani .

Degree: 2009, Brno University of Technology

SLOVINSKÉ NÁRODNÍ DIVADLO V LUBLANI Autorská zpráva k diplomové práci Bc. Petr Hýl vedoucí práce: doc. ing. arch. Zdeněk Makovský; SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2009). Slovinské národní divadlo v Lublani . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Thesis, Brno University of Technology. Accessed August 18, 2019. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Web. 18 Aug 2019.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani . [Internet] [Thesis]. Brno University of Technology; 2009. [cited 2019 Aug 18]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani . [Thesis]. Brno University of Technology; 2009. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.