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You searched for subject:(Civil War photography). Showing records 1 – 19 of 19 total matches.

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University of Illinois – Chicago

1. Hazard, Alice Maggie. "Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death.

Degree: 2019, University of Illinois – Chicago

 This dissertation examines the cultural impact of photographs of fallen soldiers taken during the American Civil War and explores how these photographic images influenced a… (more)

Subjects/Keywords: Photography; Civil War

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APA (6th Edition):

Hazard, A. M. (2019). "Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/23660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hazard, Alice Maggie. “"Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death.” 2019. Thesis, University of Illinois – Chicago. Accessed September 25, 2020. http://hdl.handle.net/10027/23660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hazard, Alice Maggie. “"Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death.” 2019. Web. 25 Sep 2020.

Vancouver:

Hazard AM. "Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death. [Internet] [Thesis]. University of Illinois – Chicago; 2019. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/10027/23660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hazard AM. "Weird Copies of Carnage:" Marketing Civil War Photographs and the Public Experience of Death. [Thesis]. University of Illinois – Chicago; 2019. Available from: http://hdl.handle.net/10027/23660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

2. Amato, Matthew. Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865.

Degree: PhD, History, 2015, University of Southern California

 My dissertation illuminates the earliest major episode in the continuing use of photography in struggles over social justice. While studies of early photography in the… (more)

Subjects/Keywords: slavery; antislavery; photography; Civil War

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APA (6th Edition):

Amato, M. (2015). Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/303887/rec/2683

Chicago Manual of Style (16th Edition):

Amato, Matthew. “Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865.” 2015. Doctoral Dissertation, University of Southern California. Accessed September 25, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/303887/rec/2683.

MLA Handbook (7th Edition):

Amato, Matthew. “Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865.” 2015. Web. 25 Sep 2020.

Vancouver:

Amato M. Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Sep 25]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/303887/rec/2683.

Council of Science Editors:

Amato M. Exposing humanity: slavery, antislavery, and early photography in America, 1839-1865. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/303887/rec/2683


University of Iowa

3. Smith, Gareth Ross. The myth of the underdog in press photo images of the Syrian Civil War.

Degree: MA, Journalism, 2015, University of Iowa

  While the origin of the Arab Spring is well documented in Tunisia, Egypt, Libya and Syria, the role of press photography in presenting these… (more)

Subjects/Keywords: publicabstract; Civil War; Myth; Syria; War Photography; Journalism Studies

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APA (6th Edition):

Smith, G. R. (2015). The myth of the underdog in press photo images of the Syrian Civil War. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1757

Chicago Manual of Style (16th Edition):

Smith, Gareth Ross. “The myth of the underdog in press photo images of the Syrian Civil War.” 2015. Masters Thesis, University of Iowa. Accessed September 25, 2020. https://ir.uiowa.edu/etd/1757.

MLA Handbook (7th Edition):

Smith, Gareth Ross. “The myth of the underdog in press photo images of the Syrian Civil War.” 2015. Web. 25 Sep 2020.

Vancouver:

Smith GR. The myth of the underdog in press photo images of the Syrian Civil War. [Internet] [Masters thesis]. University of Iowa; 2015. [cited 2020 Sep 25]. Available from: https://ir.uiowa.edu/etd/1757.

Council of Science Editors:

Smith GR. The myth of the underdog in press photo images of the Syrian Civil War. [Masters Thesis]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1757


East Tennessee State University

4. Sheffield, Katie J. Descendants.

Degree: MFA (Master of Fine Arts), Art, 2016, East Tennessee State University

  The photographer discusses the photographs in Descendants, her Master of Fine Arts thesis exhibition which was held at Tipton Gallery, Johnson City, Tennessee from… (more)

Subjects/Keywords: photography; color; civil war; re-enactors; living history; family; genealogy; Art and Design; Photography

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APA (6th Edition):

Sheffield, K. J. (2016). Descendants. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3155

Chicago Manual of Style (16th Edition):

Sheffield, Katie J. “Descendants.” 2016. Masters Thesis, East Tennessee State University. Accessed September 25, 2020. https://dc.etsu.edu/etd/3155.

MLA Handbook (7th Edition):

Sheffield, Katie J. “Descendants.” 2016. Web. 25 Sep 2020.

Vancouver:

Sheffield KJ. Descendants. [Internet] [Masters thesis]. East Tennessee State University; 2016. [cited 2020 Sep 25]. Available from: https://dc.etsu.edu/etd/3155.

Council of Science Editors:

Sheffield KJ. Descendants. [Masters Thesis]. East Tennessee State University; 2016. Available from: https://dc.etsu.edu/etd/3155

5. Efeoglou, Eleni. Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου.

Degree: 2019, University of Western Macedonia; Πανεπιστήμιο Δυτικής Μακεδονίας

The Greek Civil War (1946-1949) between the Democratic Army of Greece (DSE) and the National Army (ES) is considered internationally as the first act of… (more)

Subjects/Keywords: Φωτογραφία; Ελληνικός εμφύλιος πόλεμος; Οπτική ανάλυση; Φωτογραφικά αρχεία; Photography; Greek civil war; Visual analysis; Photography archives

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APA (6th Edition):

Efeoglou, E. (2019). Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου. (Thesis). University of Western Macedonia; Πανεπιστήμιο Δυτικής Μακεδονίας. Retrieved from http://hdl.handle.net/10442/hedi/46421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Efeoglou, Eleni. “Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου.” 2019. Thesis, University of Western Macedonia; Πανεπιστήμιο Δυτικής Μακεδονίας. Accessed September 25, 2020. http://hdl.handle.net/10442/hedi/46421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Efeoglou, Eleni. “Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου.” 2019. Web. 25 Sep 2020.

Vancouver:

Efeoglou E. Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου. [Internet] [Thesis]. University of Western Macedonia; Πανεπιστήμιο Δυτικής Μακεδονίας; 2019. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/10442/hedi/46421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Efeoglou E. Τα νοήματα και ο κοινωνικός προβληματισμός της φωτογραφίας στα χρόνια του ελληνικού εμφυλίου πολέμου. [Thesis]. University of Western Macedonia; Πανεπιστήμιο Δυτικής Μακεδονίας; 2019. Available from: http://hdl.handle.net/10442/hedi/46421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

6. Meier-Braun, Marvin Benedikt. The Atlas Group - Transforming Conventional Notions Around Archive and Document.

Degree: 2017, Leiden University

 Starting out from the background of contemporary art practices in post-civil war Lebanon, this thesis investigates the complex negotations and deconstructions of the archive that… (more)

Subjects/Keywords: Lebanon; Contemporary Art; Photography; Lebanese Civil War; The Atlas Group; Walid Raad; Archive

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APA (6th Edition):

Meier-Braun, M. B. (2017). The Atlas Group - Transforming Conventional Notions Around Archive and Document. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/48969

Chicago Manual of Style (16th Edition):

Meier-Braun, Marvin Benedikt. “The Atlas Group - Transforming Conventional Notions Around Archive and Document.” 2017. Masters Thesis, Leiden University. Accessed September 25, 2020. http://hdl.handle.net/1887/48969.

MLA Handbook (7th Edition):

Meier-Braun, Marvin Benedikt. “The Atlas Group - Transforming Conventional Notions Around Archive and Document.” 2017. Web. 25 Sep 2020.

Vancouver:

Meier-Braun MB. The Atlas Group - Transforming Conventional Notions Around Archive and Document. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/1887/48969.

Council of Science Editors:

Meier-Braun MB. The Atlas Group - Transforming Conventional Notions Around Archive and Document. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/48969


Brigham Young University

7. White, Katie Janae. The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner.

Degree: MA, 2014, Brigham Young University

 In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel… (more)

Subjects/Keywords: Alexander Gardner; battlefield photography; Gettysburg; American Civil War; turn of the century; photographic histories; American identity; memory; Art Practice

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APA (6th Edition):

White, K. J. (2014). The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=5113&context=etd

Chicago Manual of Style (16th Edition):

White, Katie Janae. “The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner.” 2014. Masters Thesis, Brigham Young University. Accessed September 25, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=5113&context=etd.

MLA Handbook (7th Edition):

White, Katie Janae. “The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner.” 2014. Web. 25 Sep 2020.

Vancouver:

White KJ. The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner. [Internet] [Masters thesis]. Brigham Young University; 2014. [cited 2020 Sep 25]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=5113&context=etd.

Council of Science Editors:

White KJ. The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner. [Masters Thesis]. Brigham Young University; 2014. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=5113&context=etd


Youngstown State University

8. Ruminski, Jarret. “A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism.

Degree: MAin History, Department of History, 2007, Youngstown State University

  This thesis deals with the social, aesthetic, and historical significance of Civil War era photography, with special emphasis on Alexander Gardner’s photographs from the… (more)

Subjects/Keywords: History, United States; Civil War photography history; Antietam, Battle of, Md., 1862; Gardner, Alexander, 1821-1882

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APA (6th Edition):

Ruminski, J. (2007). “A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162

Chicago Manual of Style (16th Edition):

Ruminski, Jarret. ““A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism.” 2007. Masters Thesis, Youngstown State University. Accessed September 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162.

MLA Handbook (7th Edition):

Ruminski, Jarret. ““A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism.” 2007. Web. 25 Sep 2020.

Vancouver:

Ruminski J. “A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism. [Internet] [Masters thesis]. Youngstown State University; 2007. [cited 2020 Sep 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162.

Council of Science Editors:

Ruminski J. “A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism. [Masters Thesis]. Youngstown State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162


University of Florida

9. Lynch, Ashleigh P. Concerning Visual Representations of Child Soldiers in Sierra Leone.

Degree: MA, Art History - Art and Art History, 2012, University of Florida

 My thesis examines images of child soldiers in Sierra Leone, focusing on a series of portraits taken by South African photographer, Guy Tillim, as well… (more)

Subjects/Keywords: African art; Amulets; Art museums; Civil wars; Clothing; Photographs; Photography; Soldiers; War; Weapons; child  – guy  – leone  – sierra  – soldier  – tillim

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APA (6th Edition):

Lynch, A. P. (2012). Concerning Visual Representations of Child Soldiers in Sierra Leone. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0044763

Chicago Manual of Style (16th Edition):

Lynch, Ashleigh P. “Concerning Visual Representations of Child Soldiers in Sierra Leone.” 2012. Masters Thesis, University of Florida. Accessed September 25, 2020. https://ufdc.ufl.edu/UFE0044763.

MLA Handbook (7th Edition):

Lynch, Ashleigh P. “Concerning Visual Representations of Child Soldiers in Sierra Leone.” 2012. Web. 25 Sep 2020.

Vancouver:

Lynch AP. Concerning Visual Representations of Child Soldiers in Sierra Leone. [Internet] [Masters thesis]. University of Florida; 2012. [cited 2020 Sep 25]. Available from: https://ufdc.ufl.edu/UFE0044763.

Council of Science Editors:

Lynch AP. Concerning Visual Representations of Child Soldiers in Sierra Leone. [Masters Thesis]. University of Florida; 2012. Available from: https://ufdc.ufl.edu/UFE0044763


University of Vienna

10. Mayer Kaibitsch, Heinrich. Fotografie im Spanischen Bürgerkrieg.

Degree: 2009, University of Vienna

Der spanische Bürgerkrieg war ein Medienkrieg. Beide Kriegsparteien spielten auf der medialen Klaviatur. Fotografien wurden dabei als Fußnoten für eine Geschichte, die sie nur belegen,… (more)

Subjects/Keywords: 05.01 Geschichte der Kommunikationswissenschaft; 05.40 Nachrichtenwesen; Fotografie / Fotografietheorie / Luftbilder / Spanischer Bürgerkrieg / Faschismus / Propaganda / Kriegsjournalismus; photography / theory of photography / air photography / Spanish Civil War / faschism / propaganda / war journalism

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APA (6th Edition):

Mayer Kaibitsch, H. (2009). Fotografie im Spanischen Bürgerkrieg. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/6235/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mayer Kaibitsch, Heinrich. “Fotografie im Spanischen Bürgerkrieg.” 2009. Thesis, University of Vienna. Accessed September 25, 2020. http://othes.univie.ac.at/6235/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mayer Kaibitsch, Heinrich. “Fotografie im Spanischen Bürgerkrieg.” 2009. Web. 25 Sep 2020.

Vancouver:

Mayer Kaibitsch H. Fotografie im Spanischen Bürgerkrieg. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Sep 25]. Available from: http://othes.univie.ac.at/6235/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mayer Kaibitsch H. Fotografie im Spanischen Bürgerkrieg. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/6235/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Northeastern University

11. Hartmann-Villalta, Laura. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.

Degree: PhD, Department of English, 2016, Northeastern University

 This dissertation connects twentieth-century European and American women artists' documentations of the Spanish Civil War in photography, journalism, memoir, fiction, and poetry to a growing… (more)

Subjects/Keywords: human rights; poetry; Spanish Civil War; women; writer; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Women and war; Humanitarianism; Spain; History; Photography; Spain; History; Literature and the war; Spain; History; Journalists

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APA (6th Edition):

Hartmann-Villalta, L. (2016). Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. (Doctoral Dissertation). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20211476

Chicago Manual of Style (16th Edition):

Hartmann-Villalta, Laura. “Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.” 2016. Doctoral Dissertation, Northeastern University. Accessed September 25, 2020. http://hdl.handle.net/2047/D20211476.

MLA Handbook (7th Edition):

Hartmann-Villalta, Laura. “Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.” 2016. Web. 25 Sep 2020.

Vancouver:

Hartmann-Villalta L. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. [Internet] [Doctoral dissertation]. Northeastern University; 2016. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/2047/D20211476.

Council of Science Editors:

Hartmann-Villalta L. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. [Doctoral Dissertation]. Northeastern University; 2016. Available from: http://hdl.handle.net/2047/D20211476


Ryerson University

12. Munro, Sarah. Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection.

Degree: 2011, Ryerson University

 Exhibiting Atrocity investigates common modes of publicly displaying photographs of atrocities, from the Holocaust (1933-­‐1945) to the Cambodian and Rwandan genocides (1975-­‐1979 and 1994, respectively).… (more)

Subjects/Keywords: Kigali Genocide Memorial Centre  – Collections; Genocide  – Rwanda  – Pictorial works; Photography  – Exhibitions  – Moral and ethical aspects; Photographs  – Psychological aspects; Rwanda  – History  – Civil War; 1994  – Atrocities  – Pictorial works

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APA (6th Edition):

Munro, S. (2011). Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Munro, Sarah. “Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection.” 2011. Thesis, Ryerson University. Accessed September 25, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Munro, Sarah. “Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection.” 2011. Web. 25 Sep 2020.

Vancouver:

Munro S. Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection. [Internet] [Thesis]. Ryerson University; 2011. [cited 2020 Sep 25]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Munro S. Exhibiting Atrocity: A Preliminary Exhibition Proposal for the Kigali Genocide Memorial Centre’s State Identification Card Portrait Collection. [Thesis]. Ryerson University; 2011. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. LaTourette, Dan. Camera Obscura.

Degree: MFA, School of Film and Animation (CIAS), 2017, Rochester Institute of Technology

  Camera Obscura is a feature-length script about a 19th-century photographer who must document the unraveling Civil War while struggling to come to terms with… (more)

Subjects/Keywords: Antietam; Civil War; Gettysburg; Photography; Post-mortem; Screenwriting

…the Civil War. In addition, the development of the new artistic medium of photography… …the ebb and flow rhythm. Planted in the fall of 2010, the idea of Civil War photography… …library, a helpful librarian brought a cart filled with books about Civil War photography… …in a scorched land. Hinted earlier, Zeller’s incredible history on Civil War photography… …are unfamiliar with photography of the Civil War. 23 By the end of the scene, I… 

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APA (6th Edition):

LaTourette, D. (2017). Camera Obscura. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LaTourette, Dan. “Camera Obscura.” 2017. Thesis, Rochester Institute of Technology. Accessed September 25, 2020. https://scholarworks.rit.edu/theses/9665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LaTourette, Dan. “Camera Obscura.” 2017. Web. 25 Sep 2020.

Vancouver:

LaTourette D. Camera Obscura. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2020 Sep 25]. Available from: https://scholarworks.rit.edu/theses/9665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LaTourette D. Camera Obscura. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

14. McKibbon, Emily. "To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865.

Degree: 2010, Ryerson University

 This thesis addresses the use of a set of photographs of returned prisoners of war (POWs) published both as tipped-in albumen prints and as wood… (more)

Subjects/Keywords: George Eastman House  – Photograph collections; Photography  – United States  – History; Wood-engraving  – History; United States  – History  – Civil War; 1861-1865  – Pictorial works; United States  – History  – Civil War; 1861-1865  – Prisoners and prisons  – Pictorial works

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APA (6th Edition):

McKibbon, E. (2010). "To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1486

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKibbon, Emily. “"To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865.” 2010. Thesis, Ryerson University. Accessed September 25, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1486.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKibbon, Emily. “"To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865.” 2010. Web. 25 Sep 2020.

Vancouver:

McKibbon E. "To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865. [Internet] [Thesis]. Ryerson University; 2010. [cited 2020 Sep 25]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1486.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKibbon E. "To see some few proofs of enormous wickedness": The Use of Photographs and Wood Engravings of Prisoners of War in Six American Civil War Publications, 1864-1865. [Thesis]. Ryerson University; 2010. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1486

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

15. Emmer, Dorrit. African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras.

Degree: 2019, Leiden University

Subjects/Keywords: Early African American photography; Sojourner Truth; Frederick Douglass; photography; cartes de visite; Civil War; Antebellum; United States; racial identity; African American

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Emmer, D. (2019). African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/75356

Chicago Manual of Style (16th Edition):

Emmer, Dorrit. “African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras.” 2019. Masters Thesis, Leiden University. Accessed September 25, 2020. http://hdl.handle.net/1887/75356.

MLA Handbook (7th Edition):

Emmer, Dorrit. “African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras.” 2019. Web. 25 Sep 2020.

Vancouver:

Emmer D. African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/1887/75356.

Council of Science Editors:

Emmer D. African American Photographs and the Construction and Representation of Racial Identity in the Antebellum and Civil War Eras. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/75356

16. Stricker, Kirsten E. The Absence That Is Present: Civil War Photography. 1862-2015.

Degree: MA, Art/Art History, 2017, Bowling Green State University

 In 1862, Alexander Gardner captured some of the best-known photographs of the Civil War at Antietam. Since then his photographs have been part of a… (more)

Subjects/Keywords: American History; Art History; Fine Arts; Alexander Gardner; Sally Mann; David Levene; photography; rephotographs; Civil War; Civil War photography; Antietam; absence; photographs; Civil War photographs; rephotography; Civil War rephotography; Civil War rephotographs

…Stricker 7 CHAPTER ONE: ALEXANDER GARDNER AND THE CIVIL WAR Since its inception photography has… …Photography and the Civil War,” Civil War Trust, accessed April 29, 2015, http://www.civilwar.org… …Stricker 1 INTRODUCTION Over the decades since the American Civil War (1861–1865… …x29;, the Civil War has remained a topic of interest for many Americans. This grants it an… …been published on the Civil War every day since 1861.1 Books are not the only cultural… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stricker, K. E. (2017). The Absence That Is Present: Civil War Photography. 1862-2015. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185

Chicago Manual of Style (16th Edition):

Stricker, Kirsten E. “The Absence That Is Present: Civil War Photography. 1862-2015.” 2017. Masters Thesis, Bowling Green State University. Accessed September 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185.

MLA Handbook (7th Edition):

Stricker, Kirsten E. “The Absence That Is Present: Civil War Photography. 1862-2015.” 2017. Web. 25 Sep 2020.

Vancouver:

Stricker KE. The Absence That Is Present: Civil War Photography. 1862-2015. [Internet] [Masters thesis]. Bowling Green State University; 2017. [cited 2020 Sep 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185.

Council of Science Editors:

Stricker KE. The Absence That Is Present: Civil War Photography. 1862-2015. [Masters Thesis]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185


Stellenbosch University

17. Gassner, Patricia. Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict.

Degree: Journalism, 2009, Stellenbosch University

Thesis (MPhil (Journalism)) – University of Stellenbosch, 2009.

There are certain images of war that are horrific, frightening and at the same time, due to an… (more)

Subjects/Keywords: Journalism; Collective memory; War photographers; War photography  – Case studies; Vietnam War, 1961-1975  – Photography; Capa, Robert  – Falling soldier; Nzima, Sam  – Hector Pietersen; Ut, Nick  – Children fleeing a napalm strike; South Africa  – History  – Soweto uprising, 1976  – Photography; Spain  – History  – Civil War, 1936-1939  – Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gassner, P. (2009). Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gassner, Patricia. “Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict.” 2009. Thesis, Stellenbosch University. Accessed September 25, 2020. http://hdl.handle.net/10019.1/2461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gassner, Patricia. “Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict.” 2009. Web. 25 Sep 2020.

Vancouver:

Gassner P. Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Sep 25]. Available from: http://hdl.handle.net/10019.1/2461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gassner P. Icons of war photography : how war photographs are reinforced in collective memory : a study of three historical reference images of war and conflict. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

18. Shelton, Matthew Pendleton. Dismemory: On history, the Southern imaginary, and abusing the visual record.

Degree: MFA, Fine Arts - Painting, 2012, Virginia Commonwealth University

 Using the literary device of a fictional interview between the artist and a sympathetic intellectual, I explore concepts relating to subjectivity, pedagogy, memory, “Southernness,” whiteness,… (more)

Subjects/Keywords: photography; deconstruction; painting; collective memory; history; Southernness; apologists; slavery; Civil War; antiracism; pedagogy; transitional object; ghosts; inferiority complex; New Orleans; Katrina; Uncanny Valley; social justice; activism; oppressor; whiteness; appropriation; Post Modernism; erase; pentimento; resistance; Arts and Humanities; Fine Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shelton, M. P. (2012). Dismemory: On history, the Southern imaginary, and abusing the visual record. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/B22F-XN03 ; https://scholarscompass.vcu.edu/etd/2768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shelton, Matthew Pendleton. “Dismemory: On history, the Southern imaginary, and abusing the visual record.” 2012. Thesis, Virginia Commonwealth University. Accessed September 25, 2020. https://doi.org/10.25772/B22F-XN03 ; https://scholarscompass.vcu.edu/etd/2768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shelton, Matthew Pendleton. “Dismemory: On history, the Southern imaginary, and abusing the visual record.” 2012. Web. 25 Sep 2020.

Vancouver:

Shelton MP. Dismemory: On history, the Southern imaginary, and abusing the visual record. [Internet] [Thesis]. Virginia Commonwealth University; 2012. [cited 2020 Sep 25]. Available from: https://doi.org/10.25772/B22F-XN03 ; https://scholarscompass.vcu.edu/etd/2768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shelton MP. Dismemory: On history, the Southern imaginary, and abusing the visual record. [Thesis]. Virginia Commonwealth University; 2012. Available from: https://doi.org/10.25772/B22F-XN03 ; https://scholarscompass.vcu.edu/etd/2768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

19. Edmundson, Joshua R. THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958.

Degree: MAin Interdisciplinary Studies, History, 2016, California State University – San Bernardino

  The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement.… (more)

Subjects/Keywords: POSTWAR AMERICA; THE LAVENDER SCARE; MATTACHINE SOCIETY; GAY HISTORY; QUEER HISTORY; MCCARTHYISM; American Politics; American Popular Culture; American Studies; Arts and Humanities; Civil Rights and Discrimination; Contemporary Art; Courts; Cultural History; Defense and Security Studies; Diplomatic History; Feminist, Gender, and Sexuality Studies; First Amendment; Gender and Sexuality; History; Inequality and Stratification; Judges; Law; Law and Politics; Law and Society; Law Enforcement and Corrections; Legal; Legal History; Legal Studies; Legal Theory; Legislation; Lesbian, Gay, Bisexual, and Transgender Studies; Military History; Military, War, and Peace; Museum Studies; National Security Law; Other Public Affairs, Public Policy and Public Administration; Photography; Policy History, Theory, and Methods; Political History; Political Science; Politics and Social Change; President/Executive Department; Public Administration; Public Affairs; Public Affairs, Public Policy and Public Administration; Public History; Public Policy; Sexuality and the Law; Social and Behavioral Sciences; Social Control, Law, Crime, and Deviance; Social History; Social Policy; Social Psychology; Social Psychology and Interaction; Sociology of Culture; Supreme Court of the United States; United States History; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Edmundson, J. R. (2016). THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958. (Thesis). California State University – San Bernardino. Retrieved from https://scholarworks.lib.csusb.edu/etd/399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edmundson, Joshua R. “THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958.” 2016. Thesis, California State University – San Bernardino. Accessed September 25, 2020. https://scholarworks.lib.csusb.edu/etd/399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edmundson, Joshua R. “THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958.” 2016. Web. 25 Sep 2020.

Vancouver:

Edmundson JR. THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958. [Internet] [Thesis]. California State University – San Bernardino; 2016. [cited 2020 Sep 25]. Available from: https://scholarworks.lib.csusb.edu/etd/399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edmundson JR. THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958. [Thesis]. California State University – San Bernardino; 2016. Available from: https://scholarworks.lib.csusb.edu/etd/399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.