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You searched for subject:(Cinema). Showing records 1 – 30 of 4223 total matches.

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1. Senior, Justin. Sandwiched.

Degree: MA, Communication Studies, 2009, National Library of Canada

 Video source available in format () and format (). This documentary film thesis presents some of the historical significance of Sandwich Town by exploring stories… (more)

Subjects/Keywords: Cinema.

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APA (6th Edition):

Senior, J. (2009). Sandwiched. (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/6

Chicago Manual of Style (16th Edition):

Senior, Justin. “Sandwiched.” 2009. Masters Thesis, National Library of Canada. Accessed April 20, 2019. http://scholar.uwindsor.ca/etd/6.

MLA Handbook (7th Edition):

Senior, Justin. “Sandwiched.” 2009. Web. 20 Apr 2019.

Vancouver:

Senior J. Sandwiched. [Internet] [Masters thesis]. National Library of Canada; 2009. [cited 2019 Apr 20]. Available from: http://scholar.uwindsor.ca/etd/6.

Council of Science Editors:

Senior J. Sandwiched. [Masters Thesis]. National Library of Canada; 2009. Available from: http://scholar.uwindsor.ca/etd/6


Georgetown University

2. Weissenstein, Colva. Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore.

Degree: 2011, Georgetown University

  This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weissenstein, C. (2011). Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore. (Thesis). Georgetown University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1491589

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weissenstein, Colva. “Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore.” 2011. Thesis, Georgetown University. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1491589.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weissenstein, Colva. “Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore.” 2011. Web. 20 Apr 2019.

Vancouver:

Weissenstein C. Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore. [Internet] [Thesis]. Georgetown University; 2011. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1491589.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weissenstein C. Negotiating the non-narrative, aesthetic and erotic in New Extreme Gore. [Thesis]. Georgetown University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1491589

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

3. Taylor, K. Vivian. Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926).

Degree: 2011, University of South Florida

  Contemporary American visual culture is saturated with animation, from websites and advertisements to adult and children's television programs. Animated films have dominated the American… (more)

Subjects/Keywords: Cinema

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APA (6th Edition):

Taylor, K. V. (2011). Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926). (Thesis). University of South Florida. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3450708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, K Vivian. “Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926).” 2011. Thesis, University of South Florida. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3450708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, K Vivian. “Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926).” 2011. Web. 20 Apr 2019.

Vancouver:

Taylor KV. Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926). [Internet] [Thesis]. University of South Florida; 2011. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3450708.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor KV. Nationality, Gender, and Genre| The Multiple Marginalization of Lotte Reiniger and "The Adventures of Prince Achmed" (1926). [Thesis]. University of South Florida; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3450708

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California, Irvine

4. Kirshtner, Kelly V. The Microphone on Film| Sound Collection and the Visual.

Degree: 2011, University of California, Irvine

  Despite the microphone's central role in sound collection, dominant practices for its use in the fiction film have pushed it to the visual periphery,… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirshtner, K. V. (2011). The Microphone on Film| Sound Collection and the Visual. (Thesis). University of California, Irvine. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3457460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kirshtner, Kelly V. “The Microphone on Film| Sound Collection and the Visual.” 2011. Thesis, University of California, Irvine. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3457460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kirshtner, Kelly V. “The Microphone on Film| Sound Collection and the Visual.” 2011. Web. 20 Apr 2019.

Vancouver:

Kirshtner KV. The Microphone on Film| Sound Collection and the Visual. [Internet] [Thesis]. University of California, Irvine; 2011. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3457460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirshtner KV. The Microphone on Film| Sound Collection and the Visual. [Thesis]. University of California, Irvine; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3457460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Piturro, Vincent. The audience and the film| A reader-response analysis of Italian Neorealism.

Degree: 2008, University of Colorado at Boulder

  This dissertation uses a reader-response/reception study framework to analyze Italian Neorealism. The central question of the study is practical: How did viewers construct meaning… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Piturro, V. (2008). The audience and the film| A reader-response analysis of Italian Neorealism. (Thesis). University of Colorado at Boulder. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3303881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piturro, Vincent. “The audience and the film| A reader-response analysis of Italian Neorealism.” 2008. Thesis, University of Colorado at Boulder. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3303881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piturro, Vincent. “The audience and the film| A reader-response analysis of Italian Neorealism.” 2008. Web. 20 Apr 2019.

Vancouver:

Piturro V. The audience and the film| A reader-response analysis of Italian Neorealism. [Internet] [Thesis]. University of Colorado at Boulder; 2008. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3303881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piturro V. The audience and the film| A reader-response analysis of Italian Neorealism. [Thesis]. University of Colorado at Boulder; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3303881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

6. Desiderio, Matthew John. Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology.

Degree: 2011, Temple University

  In both form and content, Wim Wenders’s films create a cinema of wandering, tracing a route of intersections between the modern and postmodern visual… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Desiderio, M. J. (2011). Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology. (Thesis). Temple University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3440069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Desiderio, Matthew John. “Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology.” 2011. Thesis, Temple University. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3440069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Desiderio, Matthew John. “Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology.” 2011. Web. 20 Apr 2019.

Vancouver:

Desiderio MJ. Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology. [Internet] [Thesis]. Temple University; 2011. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3440069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Desiderio MJ. Wandering| Seeing the cinema of Wim Wenders through cultural theory and naturalized phenomenology. [Thesis]. Temple University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3440069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

7. Kayan, Merve. On the Coast.

Degree: Visual Arts, 2010, University of California – San Diego

 On the Coast is a short essay film on the ephemeral feeling of summer, as observed in Erikli, a small coastal town on the Aegean… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kayan, M. (2010). On the Coast. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/56b596k0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kayan, Merve. “On the Coast.” 2010. Thesis, University of California – San Diego. Accessed April 20, 2019. http://www.escholarship.org/uc/item/56b596k0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kayan, Merve. “On the Coast.” 2010. Web. 20 Apr 2019.

Vancouver:

Kayan M. On the Coast. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2019 Apr 20]. Available from: http://www.escholarship.org/uc/item/56b596k0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kayan M. On the Coast. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/56b596k0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Pereira, Paula Cristina Esperanço. The Burton/Depp partnership and its influence on modern cinema .

Degree: 2012, Universidade de Aveiro

 O presente trabalho pretende desvendar o singular universo cinematográfico de Tim Burton, autor de personagens e paisagens predominantemente góticas. Ao mesmo tempo, propõe-se descortinar o… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, P. C. E. (2012). The Burton/Depp partnership and its influence on modern cinema . (Thesis). Universidade de Aveiro. Retrieved from http://hdl.handle.net/10773/9169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Paula Cristina Esperanço. “The Burton/Depp partnership and its influence on modern cinema .” 2012. Thesis, Universidade de Aveiro. Accessed April 20, 2019. http://hdl.handle.net/10773/9169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Paula Cristina Esperanço. “The Burton/Depp partnership and its influence on modern cinema .” 2012. Web. 20 Apr 2019.

Vancouver:

Pereira PCE. The Burton/Depp partnership and its influence on modern cinema . [Internet] [Thesis]. Universidade de Aveiro; 2012. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10773/9169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira PCE. The Burton/Depp partnership and its influence on modern cinema . [Thesis]. Universidade de Aveiro; 2012. Available from: http://hdl.handle.net/10773/9169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

9. Macedo, Kahlah. Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa.

Degree: ALM, 2017, Harvard University

 This thesis is an extensive critical examination and analysis of the Ethiopian film Difret (2014). The aim of this study is to examine Difret to… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Macedo, K. (2017). Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa. (Masters Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:33826188

Chicago Manual of Style (16th Edition):

Macedo, Kahlah. “Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa.” 2017. Masters Thesis, Harvard University. Accessed April 20, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33826188.

MLA Handbook (7th Edition):

Macedo, Kahlah. “Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa.” 2017. Web. 20 Apr 2019.

Vancouver:

Macedo K. Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa. [Internet] [Masters thesis]. Harvard University; 2017. [cited 2019 Apr 20]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33826188.

Council of Science Editors:

Macedo K. Shooting Through the Barrel of a Gun: Using Film to Challenge the ‘Single Story’ of Africa. [Masters Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33826188


Harvard University

10. Sunday, Benjamin. The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday.

Degree: 2017, Harvard University

This creative project combines an essay with an original screenplay to further a critical analysis of the femme fatale, a seductive and villainous female archetype… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sunday, B. (2017). The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sunday, Benjamin. “The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday.” 2017. Thesis, Harvard University. Accessed April 20, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sunday, Benjamin. “The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday.” 2017. Web. 20 Apr 2019.

Vancouver:

Sunday B. The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday. [Internet] [Thesis]. Harvard University; 2017. [cited 2019 Apr 20]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sunday B. The Moral Male & Fatal Female: Dynamics of Morality & Gender in Film Noir an Introductory Essay and an Original Feature-Length Screenplay, Stalker Benjamin Sunday. [Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Sisto, Antonella Claudia. The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry.

Degree: PhD, Italian Studies, 2010, Brown University

 This dissertation is a trans-disciplinary work on the history, aesthetics and politics of the soundtrack in Italy. It seeks to address the theoretical neglect that… (more)

Subjects/Keywords: cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sisto, A. C. (2010). The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11137/

Chicago Manual of Style (16th Edition):

Sisto, Antonella Claudia. “The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry.” 2010. Doctoral Dissertation, Brown University. Accessed April 20, 2019. https://repository.library.brown.edu/studio/item/bdr:11137/.

MLA Handbook (7th Edition):

Sisto, Antonella Claudia. “The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry.” 2010. Web. 20 Apr 2019.

Vancouver:

Sisto AC. The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry. [Internet] [Doctoral dissertation]. Brown University; 2010. [cited 2019 Apr 20]. Available from: https://repository.library.brown.edu/studio/item/bdr:11137/.

Council of Science Editors:

Sisto AC. The Sonic Object of Italian Cinema:from the Ideology of Dubbing to the Audio-Visual Images of a Cinema of Poetry. [Doctoral Dissertation]. Brown University; 2010. Available from: https://repository.library.brown.edu/studio/item/bdr:11137/

12. Catalim, Esmeralda da Conceição Cunha. trilogy of the Lord of the rings : from book to film, The .

Degree: 2009, Universidade de Aveiro

 Este trabalho é estudo comparativo e analítico da trilogia literária do J.R.Tolkien O Senhor dos Anéis, assim como da produção cinematográfica do director Peter Jackson… (more)

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Catalim, E. d. C. C. (2009). trilogy of the Lord of the rings : from book to film, The . (Thesis). Universidade de Aveiro. Retrieved from http://hdl.handle.net/10773/2803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Catalim, Esmeralda da Conceição Cunha. “trilogy of the Lord of the rings : from book to film, The .” 2009. Thesis, Universidade de Aveiro. Accessed April 20, 2019. http://hdl.handle.net/10773/2803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Catalim, Esmeralda da Conceição Cunha. “trilogy of the Lord of the rings : from book to film, The .” 2009. Web. 20 Apr 2019.

Vancouver:

Catalim EdCC. trilogy of the Lord of the rings : from book to film, The . [Internet] [Thesis]. Universidade de Aveiro; 2009. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10773/2803.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Catalim EdCC. trilogy of the Lord of the rings : from book to film, The . [Thesis]. Universidade de Aveiro; 2009. Available from: http://hdl.handle.net/10773/2803

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

13. Rasia, Régis Orlando. Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla .

Degree: 2013, Universidade Estadual de Campinas

 Resumo: Analisaremos o processo criativo dos filmes de Rogério Sganzerla que tratam da passagem de Orson Welles pelo Brasil em 1942: Nem tudo é verdade,… (more)

Subjects/Keywords: Documentário (Cinema); Cinema experimental; Cinema brasileiro

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rasia, R. O. (2013). Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rasia, Régis Orlando. “Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla .” 2013. Thesis, Universidade Estadual de Campinas. Accessed April 20, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rasia, Régis Orlando. “Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla .” 2013. Web. 20 Apr 2019.

Vancouver:

Rasia RO. Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla . [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2019 Apr 20]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rasia RO. Análise dos processos de criação documental com materiais de arquivo nos filmes sobre Welles de Rogério Sganzerla . [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. FORMIGA, Heron Neto Bezerra. Comentário do cinema africano contemporâneo .

Degree: 2011, Universidade Federal de Pernambuco

 O presente texto persegue a pergunta pelo cinema africano não a identidade, nem forma, nem conteúdo, mas as próprias condições objetivas que levaram ao aparecimento… (more)

Subjects/Keywords: Cinema africano; Cinema periférico; Cinema; Política

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FORMIGA, H. N. B. (2011). Comentário do cinema africano contemporâneo . (Thesis). Universidade Federal de Pernambuco. Retrieved from http://repositorio.ufpe.br/handle/123456789/3646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FORMIGA, Heron Neto Bezerra. “Comentário do cinema africano contemporâneo .” 2011. Thesis, Universidade Federal de Pernambuco. Accessed April 20, 2019. http://repositorio.ufpe.br/handle/123456789/3646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FORMIGA, Heron Neto Bezerra. “Comentário do cinema africano contemporâneo .” 2011. Web. 20 Apr 2019.

Vancouver:

FORMIGA HNB. Comentário do cinema africano contemporâneo . [Internet] [Thesis]. Universidade Federal de Pernambuco; 2011. [cited 2019 Apr 20]. Available from: http://repositorio.ufpe.br/handle/123456789/3646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FORMIGA HNB. Comentário do cinema africano contemporâneo . [Thesis]. Universidade Federal de Pernambuco; 2011. Available from: http://repositorio.ufpe.br/handle/123456789/3646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. LACERDA JUNIOR, Luiz Francisco Buarque de. Cinema gay brasileiro: políticas de representação e além.

Degree: 2015, Universidade Federal de Pernambuco

 Grande parte dos estudos a respeito do homoerotismo no cinema brasileiro teve como norte, até então, as políticas de representação e sua análise do potencial… (more)

Subjects/Keywords: Cinema brasileiro; Cinema gay; Cinema queer; Brazilian cinema; Gay cinema; Queer cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LACERDA JUNIOR, L. F. B. d. (2015). Cinema gay brasileiro: políticas de representação e além. (Thesis). Universidade Federal de Pernambuco. Retrieved from http://repositorio.ufpe.br/handle/123456789/15772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LACERDA JUNIOR, Luiz Francisco Buarque de. “Cinema gay brasileiro: políticas de representação e além. ” 2015. Thesis, Universidade Federal de Pernambuco. Accessed April 20, 2019. http://repositorio.ufpe.br/handle/123456789/15772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LACERDA JUNIOR, Luiz Francisco Buarque de. “Cinema gay brasileiro: políticas de representação e além. ” 2015. Web. 20 Apr 2019.

Vancouver:

LACERDA JUNIOR LFBd. Cinema gay brasileiro: políticas de representação e além. [Internet] [Thesis]. Universidade Federal de Pernambuco; 2015. [cited 2019 Apr 20]. Available from: http://repositorio.ufpe.br/handle/123456789/15772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LACERDA JUNIOR LFBd. Cinema gay brasileiro: políticas de representação e além. [Thesis]. Universidade Federal de Pernambuco; 2015. Available from: http://repositorio.ufpe.br/handle/123456789/15772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

16. Araujo, Marcella Grecco de, 1987-. Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa .

Degree: 2015, Universidade Estadual de Campinas

 Resumo: A presente pesquisa tem por finalidade explorar as relações do cinema com a história a partir das representações do feminino em três filmes brasileiros… (more)

Subjects/Keywords: Cinema brasileiro; Feminismo; Cinema - História

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Araujo, Marcella Grecco de, 1. (2015). Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/285303

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Araujo, Marcella Grecco de, 1987-. “Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa .” 2015. Thesis, Universidade Estadual de Campinas. Accessed April 20, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285303.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Araujo, Marcella Grecco de, 1987-. “Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa .” 2015. Web. 20 Apr 2019.

Vancouver:

Araujo, Marcella Grecco de 1. Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa . [Internet] [Thesis]. Universidade Estadual de Campinas; 2015. [cited 2019 Apr 20]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285303.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Araujo, Marcella Grecco de 1. Representações do feminino no cinema brasileiro de ficção : Mar de rosas, Um céu de estrelas e Trabalhar cansa . [Thesis]. Universidade Estadual de Campinas; 2015. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285303

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

17. Souza, Pedro Felipe Pinho, 1988-. O look no cinema digital .

Degree: 2018, Universidade Estadual de Campinas

 Resumo: O presente trabalho analisa o processo de criação do look, termo comumente utilizado na indústria cinematográfica, em especial pelos responsáveis com os aspectos cromáticos… (more)

Subjects/Keywords: Cinematografia; Cores; Cinema - Técnica; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Souza, Pedro Felipe Pinho, 1. (2018). O look no cinema digital . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/331565

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Souza, Pedro Felipe Pinho, 1988-. “O look no cinema digital .” 2018. Thesis, Universidade Estadual de Campinas. Accessed April 20, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/331565.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Souza, Pedro Felipe Pinho, 1988-. “O look no cinema digital .” 2018. Web. 20 Apr 2019.

Vancouver:

Souza, Pedro Felipe Pinho 1. O look no cinema digital . [Internet] [Thesis]. Universidade Estadual de Campinas; 2018. [cited 2019 Apr 20]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/331565.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Souza, Pedro Felipe Pinho 1. O look no cinema digital . [Thesis]. Universidade Estadual de Campinas; 2018. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/331565

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

18. Hey, Jessica L. "Coming Out" by Numbers.

Degree: MA, Film (Fine Arts), 2007, Ohio University

 This thesis investigates the independent lesbian films of the 1990s, examining specifically how these films adopt the hegemonic narrative structures of the heterosexist Hollywood tradition.… (more)

Subjects/Keywords: Cinema; lesbians; independent; cinema; 1990s

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APA (6th Edition):

Hey, J. L. (2007). "Coming Out" by Numbers. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132

Chicago Manual of Style (16th Edition):

Hey, Jessica L. “"Coming Out" by Numbers.” 2007. Masters Thesis, Ohio University. Accessed April 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132.

MLA Handbook (7th Edition):

Hey, Jessica L. “"Coming Out" by Numbers.” 2007. Web. 20 Apr 2019.

Vancouver:

Hey JL. "Coming Out" by Numbers. [Internet] [Masters thesis]. Ohio University; 2007. [cited 2019 Apr 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132.

Council of Science Editors:

Hey JL. "Coming Out" by Numbers. [Masters Thesis]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1189022132

19. Guerreiro, Nelson. Mudar de vida.

Degree: 2010, Universidade da Beira Interior

 O projecto de mestrado apresentado no suporte audiovisual pretende retratar a vida e obra do músico português, José Mário Branco. Este retrato foca sobretudo a… (more)

Subjects/Keywords: Cinema - Projecto cinematográfico; Cinema - Documentário

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APA (6th Edition):

Guerreiro, N. (2010). Mudar de vida. (Thesis). Universidade da Beira Interior. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:ubibliorum.ubi.pt:10400.6/1296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guerreiro, Nelson. “Mudar de vida.” 2010. Thesis, Universidade da Beira Interior. Accessed April 20, 2019. http://www.rcaap.pt/detail.jsp?id=oai:ubibliorum.ubi.pt:10400.6/1296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guerreiro, Nelson. “Mudar de vida.” 2010. Web. 20 Apr 2019.

Vancouver:

Guerreiro N. Mudar de vida. [Internet] [Thesis]. Universidade da Beira Interior; 2010. [cited 2019 Apr 20]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:ubibliorum.ubi.pt:10400.6/1296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guerreiro N. Mudar de vida. [Thesis]. Universidade da Beira Interior; 2010. Available from: http://www.rcaap.pt/detail.jsp?id=oai:ubibliorum.ubi.pt:10400.6/1296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Santos, João Silva. Relatório do estágio na produtora Bando à Parte.

Degree: 2018, Instituto Politécnico do Porto

Este relatório visa evidenciar o trabalho produzido no contexto de estágio curricular na produtora vimaranense Bando À Parte, que decorreu de dezembro de 2017 a… (more)

Subjects/Keywords: Cinema português; Cinema independente; Pluralidade

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, J. S. (2018). Relatório do estágio na produtora Bando à Parte. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, João Silva. “Relatório do estágio na produtora Bando à Parte.” 2018. Thesis, Instituto Politécnico do Porto. Accessed April 20, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, João Silva. “Relatório do estágio na produtora Bando à Parte.” 2018. Web. 20 Apr 2019.

Vancouver:

Santos JS. Relatório do estágio na produtora Bando à Parte. [Internet] [Thesis]. Instituto Politécnico do Porto; 2018. [cited 2019 Apr 20]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos JS. Relatório do estágio na produtora Bando à Parte. [Thesis]. Instituto Politécnico do Porto; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/11833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

21. Silva, Isabel Anderson Ferreira da, 1984-. Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas .

Degree: 2014, Universidade Estadual de Campinas

 Resumo: Este trabalho se dedica a explorar os diferentes conceitos, estilos e procedimentos audiovisuais envolvidos na realização de documentários que se constroem a partir de… (more)

Subjects/Keywords: Cinema; Documentário (Cinema); Arquivos audiovisuais

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APA (6th Edition):

Silva, Isabel Anderson Ferreira da, 1. (2014). Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, Isabel Anderson Ferreira da, 1984-. “Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas .” 2014. Thesis, Universidade Estadual de Campinas. Accessed April 20, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, Isabel Anderson Ferreira da, 1984-. “Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas .” 2014. Web. 20 Apr 2019.

Vancouver:

Silva, Isabel Anderson Ferreira da 1. Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas . [Internet] [Thesis]. Universidade Estadual de Campinas; 2014. [cited 2019 Apr 20]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284603.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva, Isabel Anderson Ferreira da 1. Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas . [Thesis]. Universidade Estadual de Campinas; 2014. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284603

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

22. Schneider, Cynthia Leticia, 1972-. A asserção no cinema documentário musical brasileiro .

Degree: 2015, Universidade Estadual de Campinas

 Resumo: O objetivo geral desta tese é o estudo da asserção nos documentários musicais brasileiros de longa-metragem com duração superior a 70 minutos. A seleção… (more)

Subjects/Keywords: Documentário (Cinema); Cinema - Apreciação

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APA (6th Edition):

Schneider, Cynthia Leticia, 1. (2015). A asserção no cinema documentário musical brasileiro . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/285163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schneider, Cynthia Leticia, 1972-. “A asserção no cinema documentário musical brasileiro .” 2015. Thesis, Universidade Estadual de Campinas. Accessed April 20, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schneider, Cynthia Leticia, 1972-. “A asserção no cinema documentário musical brasileiro .” 2015. Web. 20 Apr 2019.

Vancouver:

Schneider, Cynthia Leticia 1. A asserção no cinema documentário musical brasileiro . [Internet] [Thesis]. Universidade Estadual de Campinas; 2015. [cited 2019 Apr 20]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schneider, Cynthia Leticia 1. A asserção no cinema documentário musical brasileiro . [Thesis]. Universidade Estadual de Campinas; 2015. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

23. Junaid, Naadir. Bengali political cinema: protest and social transformation.

Degree: Arts and Media, 2013, University of New South Wales

 This study examines how socially-conscious Bengali filmmakers in Bangladesh and West Bengal, India used cinema as a means of political action and came to grips… (more)

Subjects/Keywords: Bengali Political Cinema; Third Cinema

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APA (6th Edition):

Junaid, N. (2013). Bengali political cinema: protest and social transformation. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53405 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12100/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Junaid, Naadir. “Bengali political cinema: protest and social transformation.” 2013. Doctoral Dissertation, University of New South Wales. Accessed April 20, 2019. http://handle.unsw.edu.au/1959.4/53405 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12100/SOURCE02?view=true.

MLA Handbook (7th Edition):

Junaid, Naadir. “Bengali political cinema: protest and social transformation.” 2013. Web. 20 Apr 2019.

Vancouver:

Junaid N. Bengali political cinema: protest and social transformation. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Apr 20]. Available from: http://handle.unsw.edu.au/1959.4/53405 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12100/SOURCE02?view=true.

Council of Science Editors:

Junaid N. Bengali political cinema: protest and social transformation. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53405 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12100/SOURCE02?view=true

24. Rodrigues, Maria José Pinho da Costa. Afro-American representations in the cinema of the 80s and early 90s .

Degree: 2010, Universidade de Aveiro

 Esta dissertação examina vários retratos dos afro-americanos nos filmes dos anos 80 e início dos anos 90. Deste modo, as diferentes representações no cinema, incluindo… (more)

Subjects/Keywords: Cinema; Afro-americanos - Cinema

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APA (6th Edition):

Rodrigues, M. J. P. d. C. (2010). Afro-American representations in the cinema of the 80s and early 90s . (Thesis). Universidade de Aveiro. Retrieved from http://hdl.handle.net/10773/4245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodrigues, Maria José Pinho da Costa. “Afro-American representations in the cinema of the 80s and early 90s .” 2010. Thesis, Universidade de Aveiro. Accessed April 20, 2019. http://hdl.handle.net/10773/4245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodrigues, Maria José Pinho da Costa. “Afro-American representations in the cinema of the 80s and early 90s .” 2010. Web. 20 Apr 2019.

Vancouver:

Rodrigues MJPdC. Afro-American representations in the cinema of the 80s and early 90s . [Internet] [Thesis]. Universidade de Aveiro; 2010. [cited 2019 Apr 20]. Available from: http://hdl.handle.net/10773/4245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodrigues MJPdC. Afro-American representations in the cinema of the 80s and early 90s . [Thesis]. Universidade de Aveiro; 2010. Available from: http://hdl.handle.net/10773/4245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Milner, Michele Whitney. Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience.

Degree: MA, Communication Studies, 1993, National Library of Canada

 The concept for this study is that there are significant differences between the youth and baby boomer audience segments in their orientation to the marketing… (more)

Subjects/Keywords: Cinema.

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APA (6th Edition):

Milner, M. W. (1993). Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience. (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/4363

Chicago Manual of Style (16th Edition):

Milner, Michele Whitney. “Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience.” 1993. Masters Thesis, National Library of Canada. Accessed April 20, 2019. http://scholar.uwindsor.ca/etd/4363.

MLA Handbook (7th Edition):

Milner, Michele Whitney. “Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience.” 1993. Web. 20 Apr 2019.

Vancouver:

Milner MW. Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience. [Internet] [Masters thesis]. National Library of Canada; 1993. [cited 2019 Apr 20]. Available from: http://scholar.uwindsor.ca/etd/4363.

Council of Science Editors:

Milner MW. Theatrical movie product utility appeals for baby boomers and other age-related audience segments: An examination of some apparent changes in the film audience. [Masters Thesis]. National Library of Canada; 1993. Available from: http://scholar.uwindsor.ca/etd/4363

26. Brown, David Andrew. Values projected in native-oriented National Film Board of Canada productions.

Degree: MA, Communication Studies, 1990, National Library of Canada

 This study examined the portrayal of native Canadians in films of the National Film Board of Canada. The issue was cast in the context of… (more)

Subjects/Keywords: Cinema.

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APA (6th Edition):

Brown, D. A. (1990). Values projected in native-oriented National Film Board of Canada productions. (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/4499

Chicago Manual of Style (16th Edition):

Brown, David Andrew. “Values projected in native-oriented National Film Board of Canada productions.” 1990. Masters Thesis, National Library of Canada. Accessed April 20, 2019. http://scholar.uwindsor.ca/etd/4499.

MLA Handbook (7th Edition):

Brown, David Andrew. “Values projected in native-oriented National Film Board of Canada productions.” 1990. Web. 20 Apr 2019.

Vancouver:

Brown DA. Values projected in native-oriented National Film Board of Canada productions. [Internet] [Masters thesis]. National Library of Canada; 1990. [cited 2019 Apr 20]. Available from: http://scholar.uwindsor.ca/etd/4499.

Council of Science Editors:

Brown DA. Values projected in native-oriented National Film Board of Canada productions. [Masters Thesis]. National Library of Canada; 1990. Available from: http://scholar.uwindsor.ca/etd/4499

27. Zhang, Huiping. An analysis of the Chinese Fifth Generation film makers based on the theory of film movements.

Degree: MA, Communication Studies, 1998, National Library of Canada

 Introduced by films such as Farewell My Concubine and The Story of Qiu Ju, the new Chinese cinema film makers in the 1980s and 1990s… (more)

Subjects/Keywords: Cinema.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, H. (1998). An analysis of the Chinese Fifth Generation film makers based on the theory of film movements. (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/961

Chicago Manual of Style (16th Edition):

Zhang, Huiping. “An analysis of the Chinese Fifth Generation film makers based on the theory of film movements.” 1998. Masters Thesis, National Library of Canada. Accessed April 20, 2019. http://scholar.uwindsor.ca/etd/961.

MLA Handbook (7th Edition):

Zhang, Huiping. “An analysis of the Chinese Fifth Generation film makers based on the theory of film movements.” 1998. Web. 20 Apr 2019.

Vancouver:

Zhang H. An analysis of the Chinese Fifth Generation film makers based on the theory of film movements. [Internet] [Masters thesis]. National Library of Canada; 1998. [cited 2019 Apr 20]. Available from: http://scholar.uwindsor.ca/etd/961.

Council of Science Editors:

Zhang H. An analysis of the Chinese Fifth Generation film makers based on the theory of film movements. [Masters Thesis]. National Library of Canada; 1998. Available from: http://scholar.uwindsor.ca/etd/961

28. Louis, Vasanth P. A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990).

Degree: MA, Communication Studies, 1992, National Library of Canada

 This thesis examined and interpreted the shared values in Tamil-Indian society using James Carey's theory, a cultural approach to communication. According to him, communication is… (more)

Subjects/Keywords: Cinema.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Louis, V. P. (1992). A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990). (Masters Thesis). National Library of Canada. Retrieved from http://scholar.uwindsor.ca/etd/583

Chicago Manual of Style (16th Edition):

Louis, Vasanth P. “A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990).” 1992. Masters Thesis, National Library of Canada. Accessed April 20, 2019. http://scholar.uwindsor.ca/etd/583.

MLA Handbook (7th Edition):

Louis, Vasanth P. “A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990).” 1992. Web. 20 Apr 2019.

Vancouver:

Louis VP. A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990). [Internet] [Masters thesis]. National Library of Canada; 1992. [cited 2019 Apr 20]. Available from: http://scholar.uwindsor.ca/etd/583.

Council of Science Editors:

Louis VP. A cultural interpretation of value changes in popular Indian - Tamil films (1950-1990). [Masters Thesis]. National Library of Canada; 1992. Available from: http://scholar.uwindsor.ca/etd/583

29. Siegel, Michael Loren. Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982).

Degree: 2010, Brown University

Abstract not available.

Subjects/Keywords: Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Siegel, M. L. (2010). Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982). (Thesis). Brown University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3430154

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siegel, Michael Loren. “Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982).” 2010. Thesis, Brown University. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3430154.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siegel, Michael Loren. “Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982).” 2010. Web. 20 Apr 2019.

Vancouver:

Siegel ML. Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982). [Internet] [Thesis]. Brown University; 2010. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3430154.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siegel ML. Roma de profundis| Post-economic miracle Rome and the films of Dario Argento (1970 – 1982). [Thesis]. Brown University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3430154

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The University of Arizona

30. Solis, Israel. (Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films.

Degree: 2014, The University of Arizona

  This dissertation uses an interdisciplinary approach that analyzes and compares the film scoring processes of Danny Elfman, Elliot Goldenthal, James Newton Howard and Hans… (more)

Subjects/Keywords: Music; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Solis, I. (2014). (Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films. (Thesis). The University of Arizona. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3606914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Solis, Israel. “(Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films.” 2014. Thesis, The University of Arizona. Accessed April 20, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3606914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Solis, Israel. “(Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films.” 2014. Web. 20 Apr 2019.

Vancouver:

Solis I. (Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films. [Internet] [Thesis]. The University of Arizona; 2014. [cited 2019 Apr 20]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3606914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Solis I. (Re)creating a hero's narrative through music| Different musical landscapes in six live action Batman films. [Thesis]. The University of Arizona; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3606914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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