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You searched for subject:(Chorale). Showing records 1 – 30 of 44 total matches.

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University of Southern California

1. Wagner, Leonora Kathleen. The collaboration of choir and congregation in the performance of the music of Michael Praetorius.

Degree: PhD, Music (Historical Musicology), 2012, University of Southern California

 Although congregational singing has been an important element of Lutheran worship since the early years of the Reformation, as visitation reports show, the success of… (more)

Subjects/Keywords: chorale; cantional; Praetorius; congregation

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APA (6th Edition):

Wagner, L. K. (2012). The collaboration of choir and congregation in the performance of the music of Michael Praetorius. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/95276/rec/6507

Chicago Manual of Style (16th Edition):

Wagner, Leonora Kathleen. “The collaboration of choir and congregation in the performance of the music of Michael Praetorius.” 2012. Doctoral Dissertation, University of Southern California. Accessed March 24, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/95276/rec/6507.

MLA Handbook (7th Edition):

Wagner, Leonora Kathleen. “The collaboration of choir and congregation in the performance of the music of Michael Praetorius.” 2012. Web. 24 Mar 2019.

Vancouver:

Wagner LK. The collaboration of choir and congregation in the performance of the music of Michael Praetorius. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Mar 24]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/95276/rec/6507.

Council of Science Editors:

Wagner LK. The collaboration of choir and congregation in the performance of the music of Michael Praetorius. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/95276/rec/6507


University of North Texas

2. Kwon, Wonjung. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.

Degree: 2011, University of North Texas

 Numerous scholars have studied the Clavierübung III, but their studies mainly focused on the relationship between the chorale text and Bach♠s response in music. Analysis… (more)

Subjects/Keywords: Fugal; chorale preludes; Clavierübung III

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APA (6th Edition):

Kwon, W. (2011). Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103348/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kwon, Wonjung. “Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.” 2011. Thesis, University of North Texas. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc103348/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kwon, Wonjung. “Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.” 2011. Web. 24 Mar 2019.

Vancouver:

Kwon W. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103348/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kwon W. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103348/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

3. Inagi, Shinji. The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection .

Degree: 2016, University of Arizona

 The noted Bach scholar Christoph Wolff and two other researchers made one of the more noteworthy musicological finds of the late twentieth century in 1984,… (more)

Subjects/Keywords: Bach; CACIMA; Neumeister Chorale; Neumeister Collection; Organ Chorale; Music; Analysis

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APA (6th Edition):

Inagi, S. (2016). The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/621077

Chicago Manual of Style (16th Edition):

Inagi, Shinji. “The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection .” 2016. Doctoral Dissertation, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/621077.

MLA Handbook (7th Edition):

Inagi, Shinji. “The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection .” 2016. Web. 24 Mar 2019.

Vancouver:

Inagi S. The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/621077.

Council of Science Editors:

Inagi S. The Use of "Computer-Assisted Contrapuntal, Intervallic, and Motion Analysis" as a Tool to Help Determine the Authorship of Organ Works in the Neumeister Collection . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/621077


University of Kansas

4. Gage, Christopher. Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach.

Degree: DMA, Music, 2016, University of Kansas

 The chorale variation sets by Johann Sebastian Bach represent the culmination of a long tradition, which is itself a merger of two older traditions—the organ… (more)

Subjects/Keywords: Music; bach; chorale; keyboard; organ; partita; variation

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APA (6th Edition):

Gage, C. (2016). Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24151

Chicago Manual of Style (16th Edition):

Gage, Christopher. “Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach.” 2016. Doctoral Dissertation, University of Kansas. Accessed March 24, 2019. http://hdl.handle.net/1808/24151.

MLA Handbook (7th Edition):

Gage, Christopher. “Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach.” 2016. Web. 24 Mar 2019.

Vancouver:

Gage C. Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/1808/24151.

Council of Science Editors:

Gage C. Variations on a Tradition: The Chorale "Partitas" of Johann Sebastian Bach. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24151


University of Oregon

5. Rodgers, Lindsey. The North German Chorale Fantasia: A Sermon Without Words.

Degree: 2013, University of Oregon

 Heinrich Scheidemann and Jacob Praetorius (ii), young organ students from Hamburg, traveled to Amsterdam around the turn of the seventeenth century in order to study… (more)

Subjects/Keywords: Chorale Fantasia; improvisation; musical texture; organ music

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APA (6th Edition):

Rodgers, L. (2013). The North German Chorale Fantasia: A Sermon Without Words. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/13258

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodgers, Lindsey. “The North German Chorale Fantasia: A Sermon Without Words.” 2013. Thesis, University of Oregon. Accessed March 24, 2019. http://hdl.handle.net/1794/13258.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodgers, Lindsey. “The North German Chorale Fantasia: A Sermon Without Words.” 2013. Web. 24 Mar 2019.

Vancouver:

Rodgers L. The North German Chorale Fantasia: A Sermon Without Words. [Internet] [Thesis]. University of Oregon; 2013. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/1794/13258.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodgers L. The North German Chorale Fantasia: A Sermon Without Words. [Thesis]. University of Oregon; 2013. Available from: http://hdl.handle.net/1794/13258

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. McLean, Kendra Rachelle. Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales .

Degree: 2015, University of Arizona

Chorale settings for marimba can be used in conjunction with traditional pedagogical exercises to improve mallet placement precision by increasing a marimbist's kinesthetic awareness and… (more)

Subjects/Keywords: Marimba; Percussion; Practice; Technique; Music; Chorale

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APA (6th Edition):

McLean, K. R. (2015). Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/560812

Chicago Manual of Style (16th Edition):

McLean, Kendra Rachelle. “Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales .” 2015. Doctoral Dissertation, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/560812.

MLA Handbook (7th Edition):

McLean, Kendra Rachelle. “Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales .” 2015. Web. 24 Mar 2019.

Vancouver:

McLean KR. Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales . [Internet] [Doctoral dissertation]. University of Arizona; 2015. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/560812.

Council of Science Editors:

McLean KR. Improving Note Accuracy and Tone Consistency on Marimba Through the Practice of Four-Mallet Chorales . [Doctoral Dissertation]. University of Arizona; 2015. Available from: http://hdl.handle.net/10150/560812


University of Arizona

7. Mitchell, Heather. A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices .

Degree: 2016, University of Arizona

 This document examines the performance practices of the chorales in Johann Sebastian Bach's (1685-1750) Passio secundum Johannem, BWV 245. While many modern-day scholars and performers… (more)

Subjects/Keywords: Johannes; J. S. Bach; Passion; Music; Chorale

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APA (6th Edition):

Mitchell, H. (2016). A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/596096

Chicago Manual of Style (16th Edition):

Mitchell, Heather. “A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices .” 2016. Doctoral Dissertation, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/596096.

MLA Handbook (7th Edition):

Mitchell, Heather. “A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices .” 2016. Web. 24 Mar 2019.

Vancouver:

Mitchell H. A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/596096.

Council of Science Editors:

Mitchell H. A Reconsideration of the Performance of the Chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the Influence of Harmonic Language and Baroque Affekt on Modern Performance Practices . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/596096


Boston University

8. Buker, Alden Putnam. Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707.

Degree: PhD, Church Music, 1953, Boston University

 (1) Strict chorale motet – after the Flemish tradition – was cultivated predominately in the 16th century. The majority of the 123 settings in Rhaw's famous publication… (more)

Subjects/Keywords: Chorale; Church music

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APA (6th Edition):

Buker, A. P. (1953). Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/6734

Chicago Manual of Style (16th Edition):

Buker, Alden Putnam. “Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707.” 1953. Doctoral Dissertation, Boston University. Accessed March 24, 2019. http://hdl.handle.net/2144/6734.

MLA Handbook (7th Edition):

Buker, Alden Putnam. “Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707.” 1953. Web. 24 Mar 2019.

Vancouver:

Buker AP. Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707. [Internet] [Doctoral dissertation]. Boston University; 1953. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/2144/6734.

Council of Science Editors:

Buker AP. Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707. [Doctoral Dissertation]. Boston University; 1953. Available from: http://hdl.handle.net/2144/6734


University of Cincinnati

9. FLEURY, W. LEIGH. MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY.

Degree: DMA, College-Conservatory of Music : Organ, 2007, University of Cincinnati

 The primary focus of this document is an examination of the similarities and differences between Hubert Parry and J. S. Bach’s organ chorale settings in… (more)

Subjects/Keywords: Music; Education, Music; Parry; Motives; Chorale Preludes; English Organ Music; Chorale Fantasias; Hubert Parry

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APA (6th Edition):

FLEURY, W. L. (2007). MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004

Chicago Manual of Style (16th Edition):

FLEURY, W LEIGH. “MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed March 24, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004.

MLA Handbook (7th Edition):

FLEURY, W LEIGH. “MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY.” 2007. Web. 24 Mar 2019.

Vancouver:

FLEURY WL. MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Mar 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004.

Council of Science Editors:

FLEURY WL. MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004

10. Crittenden, Cynthia Ragir. Chorale preludes in the Grosses Orgelbuch by Ernst Pepping.

Degree: MA, Music, 1967, Texas Woman's University

Subjects/Keywords: Music history; Chorale keyboard compositions; Chorale composers

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APA (6th Edition):

Crittenden, C. R. (1967). Chorale preludes in the Grosses Orgelbuch by Ernst Pepping. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/11041

Chicago Manual of Style (16th Edition):

Crittenden, Cynthia Ragir. “Chorale preludes in the Grosses Orgelbuch by Ernst Pepping.” 1967. Masters Thesis, Texas Woman's University. Accessed March 24, 2019. http://hdl.handle.net/11274/11041.

MLA Handbook (7th Edition):

Crittenden, Cynthia Ragir. “Chorale preludes in the Grosses Orgelbuch by Ernst Pepping.” 1967. Web. 24 Mar 2019.

Vancouver:

Crittenden CR. Chorale preludes in the Grosses Orgelbuch by Ernst Pepping. [Internet] [Masters thesis]. Texas Woman's University; 1967. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/11274/11041.

Council of Science Editors:

Crittenden CR. Chorale preludes in the Grosses Orgelbuch by Ernst Pepping. [Masters Thesis]. Texas Woman's University; 1967. Available from: http://hdl.handle.net/11274/11041


University of Arizona

11. Bach, Johann Sebastian, 1685-1750. Chorale-preludes no. 43, 15, 7, arrangements for band .

Degree: 1967, University of Arizona

Subjects/Keywords: Chorale preludes (Band); Arranged  – Scores.

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APA (6th Edition):

Bach, Johann Sebastian, 1. (1967). Chorale-preludes no. 43, 15, 7, arrangements for band . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/554045

Chicago Manual of Style (16th Edition):

Bach, Johann Sebastian, 1685-1750. “Chorale-preludes no. 43, 15, 7, arrangements for band .” 1967. Masters Thesis, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/554045.

MLA Handbook (7th Edition):

Bach, Johann Sebastian, 1685-1750. “Chorale-preludes no. 43, 15, 7, arrangements for band .” 1967. Web. 24 Mar 2019.

Vancouver:

Bach, Johann Sebastian 1. Chorale-preludes no. 43, 15, 7, arrangements for band . [Internet] [Masters thesis]. University of Arizona; 1967. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/554045.

Council of Science Editors:

Bach, Johann Sebastian 1. Chorale-preludes no. 43, 15, 7, arrangements for band . [Masters Thesis]. University of Arizona; 1967. Available from: http://hdl.handle.net/10150/554045


University of Kansas

12. Andrews, Thomas. The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era.

Degree: DMA, Music, 2018, University of Kansas

 Moritz Brosig was a professor of theory and organ at the University of Breslau, and served as Domkapellmeister at the Breslau Cathedral from 1853–1884. A… (more)

Subjects/Keywords: Music; Breslau; Brosig; Cecilianism; Chorale Preludes; German Romantic; Pipe Organ

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APA (6th Edition):

Andrews, T. (2018). The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27099

Chicago Manual of Style (16th Edition):

Andrews, Thomas. “The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era.” 2018. Doctoral Dissertation, University of Kansas. Accessed March 24, 2019. http://hdl.handle.net/1808/27099.

MLA Handbook (7th Edition):

Andrews, Thomas. “The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era.” 2018. Web. 24 Mar 2019.

Vancouver:

Andrews T. The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/1808/27099.

Council of Science Editors:

Andrews T. The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27099


Nelson Mandela Metropolitan University

13. Heunis, Sulani. Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth.

Degree: Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 In this study the liturgical usage of the organ is investigated within a post-modern society. It focuses specifically on the church services of the Dutch… (more)

Subjects/Keywords: Organ music  – South Africa  – Port Elizabeth; Chorale preludes

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APA (6th Edition):

Heunis, S. (2008). Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heunis, Sulani. “Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth.” 2008. Thesis, Nelson Mandela Metropolitan University. Accessed March 24, 2019. http://hdl.handle.net/10948/787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heunis, Sulani. “Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth.” 2008. Web. 24 Mar 2019.

Vancouver:

Heunis S. Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10948/787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heunis S. Die liturgiese gebruik van die orrel in 'n post-mordene era: persepsies van kerkmusici en leraars van die Nederduitse Gereformeerde gemeentes in Port Elizabeth. [Thesis]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

14. Tsai, ShuHui. A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works.

Degree: DMA, College-Conservatory of Music: Organ, 2016, University of Cincinnati

 This study focuses on the musical genres, compositional devices, and Lutheran liturgical contexts used in the chorale-based organ works of Hugo Distler composed during his… (more)

Subjects/Keywords: Music; Hugo Distler; Organ music; chorale-based organ works

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APA (6th Edition):

Tsai, S. (2016). A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731474

Chicago Manual of Style (16th Edition):

Tsai, ShuHui. “A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works.” 2016. Doctoral Dissertation, University of Cincinnati. Accessed March 24, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731474.

MLA Handbook (7th Edition):

Tsai, ShuHui. “A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works.” 2016. Web. 24 Mar 2019.

Vancouver:

Tsai S. A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works. [Internet] [Doctoral dissertation]. University of Cincinnati; 2016. [cited 2019 Mar 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731474.

Council of Science Editors:

Tsai S. A Study of the Baroque Techniques and Lutheran Liturgical Contexts in Hugo Distler's Chorale-Based Organ Works. [Doctoral Dissertation]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731474


University of North Texas

15. Lloyd, S. Andrew. Études: Five Compositional and Technical Studies for Solo Organ.

Degree: 2014, University of North Texas

 Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional… (more)

Subjects/Keywords: Etude; composition and performance; prelude and fugue; chorale; toccata; religious symbolism

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APA (6th Edition):

Lloyd, S. A. (2014). Études: Five Compositional and Technical Studies for Solo Organ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Thesis, University of North Texas. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Web. 24 Mar 2019.

Vancouver:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Renick, Paul Winston. The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century.

Degree: 1961, North Texas State College

 The chorale Wie schðn leuchtet der Morgenstern was popular from its very outset in 1589. That it has retained its popularity down to the present… (more)

Subjects/Keywords: organ music; chorale; music history

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APA (6th Edition):

Renick, P. W. (1961). The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798419/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Renick, Paul Winston. “The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century.” 1961. Thesis, North Texas State College. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc798419/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Renick, Paul Winston. “The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century.” 1961. Web. 24 Mar 2019.

Vancouver:

Renick PW. The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century. [Internet] [Thesis]. North Texas State College; 1961. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798419/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Renick PW. The treatment of the chorale Wie schön leuchtet der Morgenstern in organ compositions from the seventeenth century to the twentieth century. [Thesis]. North Texas State College; 1961. Available from: https://digital.library.unt.edu/ark:/67531/metadc798419/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Walden, C. G. (Columbus Goodman). In Celebration.

Degree: 1981, North Texas State University

 In Celebration is a through-composed work of approximately eight minutes in length for high baritone voice and orchestra. The text is taken from the Magnificat… (more)

Subjects/Keywords: chorale; original composition; scores

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APA (6th Edition):

Walden, C. G. (. G. (1981). In Celebration. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038863/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walden, C G (Columbus Goodman). “In Celebration.” 1981. Thesis, North Texas State University. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038863/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walden, C G (Columbus Goodman). “In Celebration.” 1981. Web. 24 Mar 2019.

Vancouver:

Walden CG(G. In Celebration. [Internet] [Thesis]. North Texas State University; 1981. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038863/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walden CG(G. In Celebration. [Thesis]. North Texas State University; 1981. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038863/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

18. Nelson, Lee David. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM.

Degree: 2009, University of Arizona

 In this study I examine the genesis and compositional purpose of Mendelssohn's seven chorale cantatas which include "Christe, du Lamm Gottes" (1827); "Jesu, meine Freude"… (more)

Subjects/Keywords: Chorale Cantatas; Felix Mendelssohn; J.S. Bach; Translation Theory

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APA (6th Edition):

Nelson, L. D. (2009). THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194182

Chicago Manual of Style (16th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Doctoral Dissertation, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/194182.

MLA Handbook (7th Edition):

Nelson, Lee David. “THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. ” 2009. Web. 24 Mar 2019.

Vancouver:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Internet] [Doctoral dissertation]. University of Arizona; 2009. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/194182.

Council of Science Editors:

Nelson LD. THE CHORALE CANTATAS OF FELIX MENDELSSOHN-BARTHOLDY: AN EXAMINATION OF MENDELSSOHN'S TRANSLATION OF J.S. BACH'S MUSICAL SYNTAX AND FORM. [Doctoral Dissertation]. University of Arizona; 2009. Available from: http://hdl.handle.net/10150/194182


University of North Texas

19. Lim, Aesook. The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others.

Degree: 2006, University of North Texas

 Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale(more)

Subjects/Keywords: Bach, Johann Sebastian, 1685-1750. Chorale preludes.; Chorale preludes.; Bach; choral preludes; accompaniments

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APA (6th Edition):

Lim, A. (2006). The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5219/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lim, Aesook. “The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others.” 2006. Thesis, University of North Texas. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc5219/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lim, Aesook. “The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others.” 2006. Web. 24 Mar 2019.

Vancouver:

Lim A. The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others. [Internet] [Thesis]. University of North Texas; 2006. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5219/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lim A. The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others. [Thesis]. University of North Texas; 2006. Available from: https://digital.library.unt.edu/ark:/67531/metadc5219/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

20. Fitzpatrick, Michael. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.

Degree: 2015, University of Western Ontario

 This dissertation proposes a Schenkerian perspective of J. S. Bach’s modal compositional practice in his chorale preludes for solo organ. It develops two major themes:… (more)

Subjects/Keywords: J. S. Bach; Bach; Heinrich Schenker; Schenkerian theory; mode; chorale prelude; Music Theory

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APA (6th Edition):

Fitzpatrick, M. (2015). J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/3296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fitzpatrick, Michael. “J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.” 2015. Thesis, University of Western Ontario. Accessed March 24, 2019. https://ir.lib.uwo.ca/etd/3296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fitzpatrick, Michael. “J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.” 2015. Web. 24 Mar 2019.

Vancouver:

Fitzpatrick M. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. [Internet] [Thesis]. University of Western Ontario; 2015. [cited 2019 Mar 24]. Available from: https://ir.lib.uwo.ca/etd/3296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fitzpatrick M. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. [Thesis]. University of Western Ontario; 2015. Available from: https://ir.lib.uwo.ca/etd/3296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Anderson, David Zane. The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others.

Degree: 1974, North Texas State University

Subjects/Keywords: organ performance; baroque music; chorale partita

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APA (6th Edition):

Anderson, D. Z. (1974). The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501221/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, David Zane. “The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others.” 1974. Thesis, North Texas State University. Accessed March 24, 2019. https://digital.library.unt.edu/ark:/67531/metadc501221/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, David Zane. “The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others.” 1974. Web. 24 Mar 2019.

Vancouver:

Anderson DZ. The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others. [Internet] [Thesis]. North Texas State University; 1974. [cited 2019 Mar 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501221/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson DZ. The Chorale Partita in the Baroque Period: A Lecture Recital: Together with Three Recitals of Selected Works of J. S. Bach, C. Franck, M. Duruflé, D. Buxtehude, J. Alain, J. G. Walther, Roger-Ducasse, H. Willan, J. Dandrieu, J. Langlais, J. Guillou, J. P. Sweelinck, J. Reubke, G. Bohm, and Others. [Thesis]. North Texas State University; 1974. Available from: https://digital.library.unt.edu/ark:/67531/metadc501221/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

22. Aubin, François. Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles.

Degree: 2016, Université du Québec à Montréal

 La question de l'aide en itinérance est complexe et pose d'importants défis aux intervenants, notamment lorsqu'elle s'intéresse à des dispositifs traditionnels par la parole. On… (more)

Subjects/Keywords: Itinérance; Sans-abri  – Attitudes; Relations humaines; Art-thérapie; Chant choral; Chorale de l'Accueil Bonneau

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APA (6th Edition):

Aubin, F. (2016). Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/9551/1/D3090.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aubin, François. “Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles.” 2016. Thesis, Université du Québec à Montréal. Accessed March 24, 2019. http://archipel.uqam.ca/9551/1/D3090.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aubin, François. “Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles.” 2016. Web. 24 Mar 2019.

Vancouver:

Aubin F. Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles. [Internet] [Thesis]. Université du Québec à Montréal; 2016. [cited 2019 Mar 24]. Available from: http://archipel.uqam.ca/9551/1/D3090.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aubin F. Itinérance et pratiques médiatisées : l'exemple de la Chorale de l'Accueil Bonneau-Chorale Sous les Étoiles. [Thesis]. Université du Québec à Montréal; 2016. Available from: http://archipel.uqam.ca/9551/1/D3090.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Nielsen, Kyle B. A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.

Degree: DMA, Vocal Performance (Music), 2017, University of Miami

 This study examines the recent phenomenon of project-based professional choirs through a comparative analysis of the business models of three leading project-based professional choirs. Background… (more)

Subjects/Keywords: Professional Choir; arts nonprofit; nonprofit; Santa Fe Desert Chorale; Seraphic Fire; Choir

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APA (6th Edition):

Nielsen, K. B. (2017). A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nielsen, Kyle B. “A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.” 2017. Thesis, University of Miami. Accessed March 24, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nielsen, Kyle B. “A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.” 2017. Web. 24 Mar 2019.

Vancouver:

Nielsen KB. A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs. [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Mar 24]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nielsen KB. A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

24. Yoo, Jin Ah. J.S. Bach's great eighteen chorale preludes arranged according to difficulty.

Degree: DMA, Music, 2012, University of Iowa

  Johann Sebastian Bach used his own organ compositions when teaching his students. Seeking to understand and learn from Bach's organ pedagogy, many scholars have… (more)

Subjects/Keywords: Great Eighteen Chorale Preludes; Johann Sebastian Bach; Leipzig Chorales; Organ; organ pedagogy; performance difficuly; Music

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APA (6th Edition):

Yoo, J. A. (2012). J.S. Bach's great eighteen chorale preludes arranged according to difficulty. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1813

Chicago Manual of Style (16th Edition):

Yoo, Jin Ah. “J.S. Bach's great eighteen chorale preludes arranged according to difficulty.” 2012. Doctoral Dissertation, University of Iowa. Accessed March 24, 2019. https://ir.uiowa.edu/etd/1813.

MLA Handbook (7th Edition):

Yoo, Jin Ah. “J.S. Bach's great eighteen chorale preludes arranged according to difficulty.” 2012. Web. 24 Mar 2019.

Vancouver:

Yoo JA. J.S. Bach's great eighteen chorale preludes arranged according to difficulty. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2019 Mar 24]. Available from: https://ir.uiowa.edu/etd/1813.

Council of Science Editors:

Yoo JA. J.S. Bach's great eighteen chorale preludes arranged according to difficulty. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/1813


Université Paris-Sorbonne – Paris IV

25. Benin, Gilles. La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850).

Degree: Docteur es, Musique et musicologie, 2016, Université Paris-Sorbonne – Paris IV

La première moitié du XIXe siècle germanique voit le sacré se déplacer de façon massive et multiple vers la sphère profane. Le vocabulaire, les schémas… (more)

Subjects/Keywords: Symphonie; Mendelssohn; Schumann; Historicisme; Nazaréens; Cyclique; Spohr; Choral; Symphony; Mendelssohn; Schumann; Historicism; Nazarenes; Cyclic form; Spohr; Chorale

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APA (6th Edition):

Benin, G. (2016). La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040176

Chicago Manual of Style (16th Edition):

Benin, Gilles. “La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850).” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 24, 2019. http://www.theses.fr/2016PA040176.

MLA Handbook (7th Edition):

Benin, Gilles. “La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850).” 2016. Web. 24 Mar 2019.

Vancouver:

Benin G. La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2019 Mar 24]. Available from: http://www.theses.fr/2016PA040176.

Council of Science Editors:

Benin G. La représentation du religieux comme champ contextuel et vocation de la symphonie germanique autour de Mendelssohn et Schumann (1800-1850) : The representation of the religious as a contextual field and vocation of Germanic symphony around Mendelssohn and Schumann (1800-1850). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040176


Université de Montréal

26. Desjarlais, Louis. Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble .

Degree: 2017, Université de Montréal

 Ce mémoire de maîtrise analyse trois projets développés au courant de mes trois années de maîtrise à l’Université de Montréal en composition instrumentale et vocale,… (more)

Subjects/Keywords: unité; continuité; caractère; tonalité; motif; chorale; orchestre à vents; orchestre; orchestra; character; choir; continuity; unity; tonality; wind orchestra

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APA (6th Edition):

Desjarlais, L. (2017). Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/18919

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Desjarlais, Louis. “Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble .” 2017. Thesis, Université de Montréal. Accessed March 24, 2019. http://hdl.handle.net/1866/18919.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Desjarlais, Louis. “Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble .” 2017. Web. 24 Mar 2019.

Vancouver:

Desjarlais L. Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble . [Internet] [Thesis]. Université de Montréal; 2017. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/1866/18919.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Desjarlais L. Les outils d'unité et de continuité, analyse de trois œuvres pour grand ensemble . [Thesis]. Université de Montréal; 2017. Available from: http://hdl.handle.net/1866/18919

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kent State University

27. Naxer, Meghan M. César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective.

Degree: MA, College of the Arts / School of Music, 2011, Kent State University

 Franck’s third organ chorale, composed in 1890, is a piece that pushes the boundaries of traditional Schenkerian analysis. The presence of scale-degree 6 for scale-degree… (more)

Subjects/Keywords: Music; Cesar Franck; Schenker; Schenkerian analysis; Trois chorals pour orgue; Organ Chorale No. 3 in A minor; music theory

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APA (6th Edition):

Naxer, M. M. (2011). César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1293670461

Chicago Manual of Style (16th Edition):

Naxer, Meghan M. “César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective.” 2011. Masters Thesis, Kent State University. Accessed March 24, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1293670461.

MLA Handbook (7th Edition):

Naxer, Meghan M. “César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective.” 2011. Web. 24 Mar 2019.

Vancouver:

Naxer MM. César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective. [Internet] [Masters thesis]. Kent State University; 2011. [cited 2019 Mar 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1293670461.

Council of Science Editors:

Naxer MM. César Franck’s <i>Trois chorals pour orgue No. 3</i>: A Schenkerian Perspective. [Masters Thesis]. Kent State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1293670461


University of Arizona

28. Weeks, William Bailey, 1924-. The use of the chorale in the organ works of Ernst Pepping .

Degree: 1970, University of Arizona

Subjects/Keywords: Pepping, Ernst, 1901- .  – Organ music.  – Selections.; Chorale.; Organ music.

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APA (6th Edition):

Weeks, William Bailey, 1. (1970). The use of the chorale in the organ works of Ernst Pepping . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/565212

Chicago Manual of Style (16th Edition):

Weeks, William Bailey, 1924-. “The use of the chorale in the organ works of Ernst Pepping .” 1970. Doctoral Dissertation, University of Arizona. Accessed March 24, 2019. http://hdl.handle.net/10150/565212.

MLA Handbook (7th Edition):

Weeks, William Bailey, 1924-. “The use of the chorale in the organ works of Ernst Pepping .” 1970. Web. 24 Mar 2019.

Vancouver:

Weeks, William Bailey 1. The use of the chorale in the organ works of Ernst Pepping . [Internet] [Doctoral dissertation]. University of Arizona; 1970. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/10150/565212.

Council of Science Editors:

Weeks, William Bailey 1. The use of the chorale in the organ works of Ernst Pepping . [Doctoral Dissertation]. University of Arizona; 1970. Available from: http://hdl.handle.net/10150/565212


University of Southern California

29. Leighton, Lesley Gayle. Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California.

Degree: DMA, Choral Music, 2012, University of Southern California

 While there are several critically important first-generation conducting figures in the development of the choral tradition in southern California, three of the most influential figures… (more)

Subjects/Keywords: choral music; Los Angeles; Los Angeles Master Chorale; Roger Wagner; Charles Hirt; Howard Swan; choral conducting; choral culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leighton, L. G. (2012). Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/12219/rec/3268

Chicago Manual of Style (16th Edition):

Leighton, Lesley Gayle. “Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California.” 2012. Doctoral Dissertation, University of Southern California. Accessed March 24, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/12219/rec/3268.

MLA Handbook (7th Edition):

Leighton, Lesley Gayle. “Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California.” 2012. Web. 24 Mar 2019.

Vancouver:

Leighton LG. Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Mar 24]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/12219/rec/3268.

Council of Science Editors:

Leighton LG. Howard Swan, Charles Hirt, and Roger Wagner: their influences and the building of choral culture in southern California. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/12219/rec/3268


Boston University

30. Thoburn, Crawford Randall. A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel.

Degree: MM, Music, 1960, Boston University

Subjects/Keywords: Chorale cantatas; Tunder, Franz; Buxtehude, Dieterich; Pachelbel, Johann

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thoburn, C. R. (1960). A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/28165

Chicago Manual of Style (16th Edition):

Thoburn, Crawford Randall. “A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel.” 1960. Masters Thesis, Boston University. Accessed March 24, 2019. http://hdl.handle.net/2144/28165.

MLA Handbook (7th Edition):

Thoburn, Crawford Randall. “A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel.” 1960. Web. 24 Mar 2019.

Vancouver:

Thoburn CR. A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel. [Internet] [Masters thesis]. Boston University; 1960. [cited 2019 Mar 24]. Available from: http://hdl.handle.net/2144/28165.

Council of Science Editors:

Thoburn CR. A survey of the Chorale-Cantatas of Tunder, Buxtehude, and Pachelbel. [Masters Thesis]. Boston University; 1960. Available from: http://hdl.handle.net/2144/28165

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