subject:(Chineseness)

University of Ottawa

1. Xue, Jingnan. A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity .

Degree: 2015, University of Ottawa

► Cuisine is a topic worthy of interest because it is often associated with a specific national culture. Among the various national cuisines, Chinese cuisine is… (more)

▼ Cuisine is a topic worthy of interest because it is often associated with a specific national culture. Among the various national cuisines, Chinese cuisine is probably one of the most fascinating, all the more so because the culture-specific characteristics of Chinese cuisine have resulted in its typical diversity. Furthermore, Chinese cuisine can be considered diasporic and capable of breaking cultural boundaries as Chinese overseas communities have introduced their cuisine to various parts of the world over the past two centuries. In translation studies, culinary identity is viewed by scholars as an extension of translation activity. However, Chinese culinary identity hasn't received the same attention that other areas of research in translation studies have, probably because of its culture-specific traits. My thesis will focus on one example of this important phenomenon: the "translation" of Chinese culinary culture in Canadian food discourse. Renowned for its multiculturalism, Canada—perhaps more than any other country—has embraced "Chinese food" as one of its mainstream international cuisines, and Chinese cuisine, on the other hand, has adopted Canadian cultural values and has become practically inseparable from contemporary Canadian culture. In this respect, the question becomes to what extent has "Chineseness," which refers here to Chinese cultural identity, been constructed within the Canadian culinary sphere? My thesis involves an analysis of the translation of Chineseness by Chinese-Canadians in food discourse from a cultural perspective. In the first chapter, I will introduce the discussion of Chineseness in sociology and in translation studies. The second chapter deals with culinary identity in both food studies and translation studies. In the final chapter, I analyze Chineseness, as it is represented by culinary identity in the Canadian context, by observing HeartSmart Chinese Cooking, a cookbook written by a Chinese-Canadian chef in English for a Canadian readership.

Subjects/Keywords: Translation; Chineseness; Culinary Identity

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APA (6^th Edition):

Xue, J. (2015). A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/32394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Xue, Jingnan. “A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity .” 2015. Thesis, University of Ottawa. Accessed December 07, 2019. http://hdl.handle.net/10393/32394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Xue, Jingnan. “A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity .” 2015. Web. 07 Dec 2019.

Vancouver:

Xue J. A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/10393/32394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xue J. A Chinese Bite of Translation: A Translational Approach to Chineseness and Culinary Identity . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/32394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

2. Lee , Mei-hua. Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand.

Degree: Master, Political Science, 2014, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0809114-001344

► This paper provides the background analysis of Chinese language education in Thailand, including the changing cultural and political identities of the Chinese Thai, the improved… (more)

Subjects/Keywords: Thailand; Chineseness; Confucius Institute; Chinese; Education

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APA (6^th Edition):

Lee , M. (2014). Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0809114-001344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee , Mei-hua. “Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand.” 2014. Thesis, NSYSU. Accessed December 07, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0809114-001344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee , Mei-hua. “Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand.” 2014. Web. 07 Dec 2019.

Vancouver:

Lee M. Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand. [Internet] [Thesis]. NSYSU; 2014. [cited 2019 Dec 07]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0809114-001344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee M. Chinese Education and Chineseness in the Perspectives of Identity Politics in Thailand. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0809114-001344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Hawaii – Manoa

3. Chen, Shih-Lun. Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method.

Degree: 2017, University of Hawaii – Manoa

URL: http://hdl.handle.net/10125/51081

►

Ph.D. University of Hawaii at Manoa 2015.

The formation and measurement of ethnic identity has always been at the center of debate, due to its… (more)

▼

Ph.D. University of Hawaii at Manoa 2015.

The formation and measurement of ethnic identity has always been at the center of debate, due to its intellectual complexity and methodological diversity. Lacking clear-cut cultural boundaries and quantifiable measurement, defining the internal qualities of “Chineseness” is ambiguous, especially with regard to cross-generational, transnational and multicultural identities. This project provides a substantive approach to understanding the formation and operating reality of Chinese ethnic identities. It considers membership systems, network structures, and daily practices of social organization within ethnic Chinese communities in Cambodia. Through three stages of ethnological field survey, from institutional and organizational to personal levels, this project seeks to fill the gap in our understanding of how the ethnic Chinese community developed in Cambodia. It also serves as a new methodological exploration to the study of Chinese ethnic identity and the ethnological significance of daily social engagement as a pragmatic means to practicing Chineseness and ethnic networking. This dissertation presents the ethno-historical legacy of the community structure and the current sub-ethnic diversity of the Chinese community in Cambodia. It then explores the ethnic organizational structures and members’ daily social engagements inside three major sub-ethnic groups: Sino-Khmer, Mainland Chinese, and Taiwanese. These ethnological observations will be used to explain the inner cultural heterogeneity and organizational segregation of sub-ethnic group networks beyond Cambodia’s domestic boundary. The dissertation argues that the multi-framed nature of Chineseness is cultivated through members’ daily social interactions with one another. Consciously or unconsciously, the diverse social interactions between members from various Chinese sub-ethnic groups are adapted and fostered during the membership arbitration process. This two-way recognition can be seen as a socialization process of performative Chineseness for members in different social statuses to “fit in, adapt, adjust, assimilate, reject, or resist” within the system and the community. This process occurs when an individual tries to earn the acceptance of traditional ethnic organizations, or elder organizational leaders try to recruit and attract new members. The diversified organizational structures and segregated transnational networks of each sub-Chinese group in Cambodia provides a unique case for understanding different types of Chineseness as an alternative to the Western-centric conceptualizations of unified cultural identity.

Subjects/Keywords: Chineseness; Cambodia; Ethnic Identity; Social Organizations

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APA (6^th Edition):

Chen, S. (2017). Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/51081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Shih-Lun. “Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method.” 2017. Thesis, University of Hawaii – Manoa. Accessed December 07, 2019. http://hdl.handle.net/10125/51081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Shih-Lun. “Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method.” 2017. Web. 07 Dec 2019.

Vancouver:

Chen S. Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method. [Internet] [Thesis]. University of Hawaii – Manoa; 2017. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/10125/51081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen S. Socializing Chineseness: Cambodia's Ethnic Chinese Communities as a Method. [Thesis]. University of Hawaii – Manoa; 2017. Available from: http://hdl.handle.net/10125/51081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Cornell University

4. Suprajitno, Setefanus. Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi .

Degree: 2013, Cornell University

URL: http://hdl.handle.net/1813/34359

► My dissertation is an ethnographic project documenting the transformation of Chinese Indonesians post-Suharto Indonesia. When Suharto was in power (1966-1998), the Chinese in his country… (more)

Subjects/Keywords: Chineseness; Identity; Chinese Indonesians; Post-Suharto Era

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APA (6^th Edition):

Suprajitno, S. (2013). Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/34359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Suprajitno, Setefanus. “Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi .” 2013. Thesis, Cornell University. Accessed December 07, 2019. http://hdl.handle.net/1813/34359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Suprajitno, Setefanus. “Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi .” 2013. Web. 07 Dec 2019.

Vancouver:

Suprajitno S. Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi . [Internet] [Thesis]. Cornell University; 2013. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/1813/34359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suprajitno S. Chineseness Is In The Eye Of The Beholder: The Transformation Of Chinese Indonesian After Reformasi . [Thesis]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Pennsylvania

5. Liew, Zhou Hau. The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness.

Degree: 2017, University of Pennsylvania

URL: https://repository.upenn.edu/edissertations/3054

► Decolonizing counter-narratives to Malaysia's official national history are insufficient to account for the complex legacies of nationalism in Malaysia, and its relationship with Chineseness, race,… (more)

Subjects/Keywords: Chineseness; History; Nanyang; Nationalism; Spectrality; Comparative Literature

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APA (6^th Edition):

Liew, Z. H. (2017). The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/3054

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Liew, Zhou Hau. “The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness.” 2017. Thesis, University of Pennsylvania. Accessed December 07, 2019. https://repository.upenn.edu/edissertations/3054.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Liew, Zhou Hau. “The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness.” 2017. Web. 07 Dec 2019.

Vancouver:

Liew ZH. The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2019 Dec 07]. Available from: https://repository.upenn.edu/edissertations/3054.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liew ZH. The Spectral Nanyang: Recollection, Nation, And The Genealogy Of Chineseness. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/3054

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Utah

6. Freed, Jeremy J. Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian.

Degree: MA, Asian Studies, 2011, University of Utah

URL: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/424/rec/1445

► Recent Chinese martial arts films (wuxia pian) pose an interesting case of mythologized identity construction. Shared cultural myths form the basis for identity construction. By… (more)

Subjects/Keywords: Chineseness; Identity; Imagined communities; Tianxia; Wuxia pian; Zhiji

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APA (6^th Edition):

Freed, J. J. (2011). Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian. (Masters Thesis). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/424/rec/1445

Chicago Manual of Style (16^th Edition):

Freed, Jeremy J. “Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian.” 2011. Masters Thesis, University of Utah. Accessed December 07, 2019. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/424/rec/1445.

MLA Handbook (7^th Edition):

Freed, Jeremy J. “Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian.” 2011. Web. 07 Dec 2019.

Vancouver:

Freed JJ. Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian. [Internet] [Masters thesis]. University of Utah; 2011. [cited 2019 Dec 07]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/424/rec/1445.

Council of Science Editors:

Freed JJ. Jet Li and the new face of Chinese cinema: nationalism, masculinity, and zhiji in contemporary wuxia pian. [Masters Thesis]. University of Utah; 2011. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/424/rec/1445

Texas A&M University

7. Wat, Chi Ch'eng. "Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong.

Degree: 2012, Texas A&M University

URL: http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10578

► In this thesis, I examine how colonial constructs on Chinese culture affects people's views toward sexual minorities in Hong Kong. In the first Chapter, I… (more)

▼ In this thesis, I examine how colonial constructs on Chinese culture affects people's views toward sexual minorities in Hong Kong. In the first Chapter, I explain the shift of my research focus after I started my research. I also conduct a brief literature review on existing literature on sexual minorities in mainland China and Hong Kong. In the second Chapter, I examine interviewees' accounts of family pressure and perceived conflicts between their religious beliefs and sexual orientation. I analyze interviewees' perceptions of social attitudes toward sexual minorities. Hidden in these narratives is an internalized colonial construct of Chinese culture in Hong Kong. This construct prevented some interviewees from connecting Christianity with oppression toward sexual minorities in Hong Kong. In the third Chapter, I examine the rise of right-wing Christian activism in pre- and post- handover Hong Kong. I also analyze how sexual-minority movement organizations and right-wing Christians organized in response to the political situation in Hong Kong. Then, I present the result of content analysis on debates around two amendments to the Domestic Violence Ordinance (DVO)-the first legislation related to sexual minorities in Hong Kong after handover. I draw on data from online news archives and meeting minutes and submissions of the Legislative Council (LegCo). Based on the rhetoric of US right-wing Christians' "(nuclear) family values," Hong Kong right-wing Christians supported excluding same-sex cohabiting partners from the DVO. This rhetoric carved out a space for different narratives about "Chinese culture" and "Chinese family." These different versions of Chinese culture matched diasporic sentiment toward the motherland and gained currency from post-handover political landscape and power configuration in Hong Kong. These versions also revealed the colonized and diasporic mindset of opponents of the amendments; these mindsets also reflect the same internalized colonial construct of "Chineseness" my interviewees have. Based on analyses of interview data in Chapter II and in Chapter III of how people view sexual minorities, I argue that a colonial diasporic psyche aptly captures people's views toward sexual minorities in Hong Kong. Since the political situation and DVO are specific to Hong Kong, I do not include interviewees who are not of Hong Kong origin in this thesis. Advisors/Committee Members: Currier, Ashley (advisor), Gatson, Sarah N. (advisor), Valdez, Zulema (committee member).

Subjects/Keywords: Hong Kong; Postcolonial; Diaspora; Tongzhi; Sexual Minorities; Chineseness; British Colonialism

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APA (6^th Edition):

Wat, C. C. (2012). "Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10578

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wat, Chi Ch'eng. “"Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong.” 2012. Thesis, Texas A&M University. Accessed December 07, 2019. http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10578.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wat, Chi Ch'eng. “"Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong.” 2012. Web. 07 Dec 2019.

Vancouver:

Wat CC. "Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong. [Internet] [Thesis]. Texas A&M University; 2012. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10578.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wat CC. "Chineseness" and Tongzhi in (Post)colonial Diasporic Hong Kong. [Thesis]. Texas A&M University; 2012. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2011-12-10578

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Hawaii – Manoa

8. Chen, Chien-Yuan. Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists.

Degree: 2016, University of Hawaii – Manoa

URL: http://hdl.handle.net/10125/101345

►

Ph.D. University of Hawaii at Manoa 2012.

This dissertation, focusing on intra-Asia tourism practices and tourism encounters in Taiwan, proposes a new transnational, multi-sited ethnographic… (more)

▼

Ph.D. University of Hawaii at Manoa 2012.

This dissertation, focusing on intra-Asia tourism practices and tourism encounters in Taiwan, proposes a new transnational, multi-sited ethnographic approach for the examination of several crucial issues concerning social imaginaries, modernities, post-Cold War ideologies, and cultural identities in East Asia. The term "familiar strangers" refers to intra-East Asia tourists – mainly Japanese, and PRC Chinese – visiting Taiwan. These visitors often possess certain preconceptions concerning their destinations prior to departure – preconceptions shaped by a shared contentious history and highly subjective narrations of this history. In this dissertation I intend to explore which "social imaginaries" inform and shape tourism practices if touristic discourses and tourist reactions are assumed to be mutually influential. What dominant image of Taiwan is represented through tourism, specifically with regard to its historical relationships with Japan and China? By examining intra-Asia tourism through this triangular relationship, I illustrate (1) how Taiwan's past(s), its "Chineseness" and popular culture, are represented at particular tourism sites, and evoke different responses in Japanese and mainland Chinese tourists, (2) how these tourists use Taiwan as a reference point to re-position themselves within East Asia, and (3) how Taiwanese travel agencies and relevant businesses have reinvented and commercialized "Chineseness," "Japaneseness," and "Taiwaneseness" to maximize their profits. In order to map the terrain of the destination culture of Taiwan as a dynamic cultural formation, I conducted a transnational and multi-sited fieldwork in Taipei, Tokyo, Osaka, Shanghai and Beijing from August 2009 to May 2011, which allows me to participate in Taiwan's tourism industry from the perspective of a tour guide, tourist, and researcher. This dissertation represents an attempt to understand how fluid and yet competing conceptions of "Chineseness," "Japaneseness," and "Taiwaneseness" and the social imaginaries behind them have figured in Taiwan's tourism discourse, which has focused on different tourist populations at different periods of time.

Subjects/Keywords: Taiwan; Intra-Asia Tourism; Familiar Strangers. Social Imaginaries; Chineseness; Residual Culture

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APA (6^th Edition):

Chen, C. (2016). Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/101345

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Chien-Yuan. “Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists.” 2016. Thesis, University of Hawaii – Manoa. Accessed December 07, 2019. http://hdl.handle.net/10125/101345.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Chien-Yuan. “Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists.” 2016. Web. 07 Dec 2019.

Vancouver:

Chen C. Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists. [Internet] [Thesis]. University of Hawaii – Manoa; 2016. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/10125/101345.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen C. Familiar strangers afoot in Taiwan : the competing social imaginaries of East Asian tourists. [Thesis]. University of Hawaii – Manoa; 2016. Available from: http://hdl.handle.net/10125/101345

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Edith Cowan University

9. Zhu, Min. The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making.

Degree: 2017, Edith Cowan University

URL: http://ro.ecu.edu.au/theses/1987

► The aim of this practice-led research was to investigate the nature and characteristics of the notion of reinvented tradition in China through the examination of… (more)

▼ The aim of this practice-led research was to investigate the nature and characteristics of the notion of reinvented tradition in China through the examination of dance practices. First, this research focused on the continuity of tradition demonstrated in the development of Chinese classical dance. Second, it concentrated on the malleability and applicability of two representative Chinese cultural dance practices, water sleeve dance and Tai Ji, in contemporary performance and performer training. The central concept behind this research was the commonly held perception in China that “tradition is a river” (P. Huang, 1990) in the context of the Chinese dance community. The overarching research methodology of this practice-led research involved critical analyses of Chinese classical dance works, 16 workshops with dance and Performance Making students, interviews, focus groups, critical reflection on my dance-making practice and the making of two new performance works: Penanegra and Hunger. Central to this entire research process is a discussion of the tension between tradition and modernity in the phenomenon of reinventing tradition in contemporary Chinese classical dance making, contemporary performance training and in the making of what I identify as contemporary performance influenced by Chinese cultural traditions. During the practice phase of the research, I investigated what traditional insights and techniques could offer contemporary performers and performance makers. In particular, the philosophy and practice of Tai Ji was analysed in relation to contemporary movement training and performance making. The research has culminated in an evaluation of how the changes and ramifications of tradition can be embodied in the current performance context. This research makes two significant contributions to knowledge in terms of understanding tradition and its reinvention. First, this thesis proposes the idea of reinventing tradition to interpret the development of Chinese classical dance since the 1980s, and it articulates the motivations and cultural meanings involved in the creation of contemporary Chinese classical dance. The thesis also analyses the ambiguity of ‘Chinese contemporary dance’ as a new term and demonstrates the hybridity of movement language as a response to the modernisation of Chinese traditional dance. Second, this thesis articulates the interweaving of tradition and originality in artistic creation through the examples of two representative Chinese cultural elements: the water sleeve dance and Tai Ji. The study examines how these cultural forms can be transformed and applied to contemporary training and performance. The water sleeve dance was examined within an intercultural performance project, Penanegra, illustrating how a traditional dance form can be transformed to facilitate communication between different cultural backgrounds and body languages, and how conservatoire training can enable the inheritance of tradition through body memory. Tai Ji was applied to movement training and to the making…

Subjects/Keywords: Tradition; Chinese Dance; Modernity; Chineseness; Movement Training; Contemporary Performance; Tai Ji; Dance

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APA (6^th Edition):

Zhu, M. (2017). The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/1987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Zhu, Min. “The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making.” 2017. Thesis, Edith Cowan University. Accessed December 07, 2019. http://ro.ecu.edu.au/theses/1987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Zhu, Min. “The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making.” 2017. Web. 07 Dec 2019.

Vancouver:

Zhu M. The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making. [Internet] [Thesis]. Edith Cowan University; 2017. [cited 2019 Dec 07]. Available from: http://ro.ecu.edu.au/theses/1987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhu M. The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making. [Thesis]. Edith Cowan University; 2017. Available from: http://ro.ecu.edu.au/theses/1987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – Berkeley

10. Seetoo, Chia-Yi. The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.

Degree: Performance Studies, 2013, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/5gg5d9cm

► This dissertation considers dance practices emerging out of post-1980s conditions in Taiwan to theorize how contemporary dance negotiates temporality as a political kinesthetic performance. The… (more)

▼ This dissertation considers dance practices emerging out of post-1980s conditions in Taiwan to theorize how contemporary dance negotiates temporality as a political kinesthetic performance. The dissertation attends to the ways dance kinesthetically responds to and mediates the flows of time, cultural identity, and social and political forces in its transnational movement. Dances negotiate disjunctures in the temporality of modernization as locally experienced and their global geotemporal mapping. The movement of performers and works pushes this simultaneous negotiation to the surface, as the aesthetics of the performances registers the complexity of the forces they are grappling with and their strategies of response. By calling these strategies "political kinesthetic" performance, I wish to highlight how politics, aesthetics, and kinesthetics converge in dance, and to show how political and affective economies operate with and through fully sensate, efforted, laboring bodies. I begin my discussion with the Cursive series performed by the Cloud Gate Dance Theatre of Taiwan, whose intersection of dance and cursive-style Chinese calligraphy initiates consideration of the temporal implication of "contemporary" as "contemporaneity" that underlies the simultaneous negotiation of local and transnational concerns. Extending from the Cursive series, I depart momentarily from the milieu of Taiwan to engage with two contemporaneous transnational Chinese choreographers, Shen Wei and Yin Mei, whose works blend dance and Chinese calligraphy differently as a way to problematize further the performance of "Chineseness" and the economy of forces and power at work in the transnational. The dissertation then takes up another prime case of temporal reconfiguration, examining the Legend Lin Dance Theatre of Taiwan and its artistic director Lin Lee-Chen's early works whose kinesthetic shifting and continuity form a prism through which dance mediates, complicates, and alters Taiwan's developmentalist ethos, in a way that complicates readings of (self-)Orientalisms. Finally, the dissertation engages with the Yellow Butterfly Flying to the South Butoh Troupe led by Japanese butoh dancer Hata-Kanoko, who lived and worked in Taiwan for nearly a decade and whose works draw attention to the legacy of Japanese colonial modernity in Taiwan and East Asia. The troupe's leftist and self-marginalizing politics in the legacy of Japanese postwar avant-garde performance produce alternative inter-Asian engagements. Enacting different ways of negotiating temporalities of modernity across space, these performances are counterpoints to one another on various levels. They also articulate ways of thinking, performing, and "moving" Taiwan transnationally: transnational Chineseness, self-conscious formations of "Asian" culture in opposition to an idea of the "West," and inter-Asian relationships. Parsing out the complexity within the colossal designation of "transnationalism," this project also proposes a concept of "contemporary dance" that…

Subjects/Keywords: Dance; Performing arts; Asian studies; butoh; Chineseness; Cloud Gate Dance Theatre; contemporary dance; Legend Lin Dance Theatre; Taiwan

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APA (6^th Edition):

Seetoo, C. (2013). The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5gg5d9cm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Seetoo, Chia-Yi. “The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.” 2013. Thesis, University of California – Berkeley. Accessed December 07, 2019. http://www.escholarship.org/uc/item/5gg5d9cm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Seetoo, Chia-Yi. “The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.” 2013. Web. 07 Dec 2019.

Vancouver:

Seetoo C. The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Dec 07]. Available from: http://www.escholarship.org/uc/item/5gg5d9cm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seetoo C. The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/5gg5d9cm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Kuik, Ching-Sue. Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness.

Degree: PhD, 2013, University of Washington

URL: http://hdl.handle.net/1773/23534

► This dissertation explores the construction of huaqiao, the Chinese sojourner, and its representation in modern Chinese literature. By interrogating and problematizing the concepts of Chineseness… (more)

▼ This dissertation explores the construction of huaqiao, the Chinese sojourner, and its representation in modern Chinese literature. By interrogating and problematizing the concepts of Chineseness and huaqiao, this project argues that ¡°huaqiao¡± is essentially a misnomer warranting further examination at various levels. While unpacking and decoding the term ¡°huaqiao¡± and simultaneously delineating its historical inception and configurations, it critiques how ¡°huaqiao,¡± as a product of the Chineseness discourse, has become the unifying category used to label ¡°overseas Chinese.¡± Since the term was originally created, and is still being used to disseminate, reinforce, and perpetuate, a monolithic and essentialist Chinese identity, one cannot overlook or underestimate its entanglement with the construction and articulations of Chineseness. However, as this whole project contends, even though huaqiao has been construed as a displaced Chinese subject, at its inception it is already an identity in alterity. The sojourner¡&hibar;s trajectories across times and places have acquired various definitions and meanings, making huaqiao as much a contested category as that of ¡°Chineseness.¡± Chapter One examines the discourse of Chineseness and how it has spawned the term ¡°huaqiao¡± at different historical junctures and cultural spaces. It further engages in debates with various scholars to seek alternatives for critical interventions. Chapters Two explores a body of Nanyang (the South Seas) narratives produced by modern Chinese writers who sojourned in Nanyang between the 1920s and 1940s. It demonstrates how these writers, through travelogues, essays, memoirs, and fictions, construct Nanyang (and) huaqiao vis-¨¤-vis the discourses of Chineseness, colonialism, and tropicality. Chapter Three examines mainly Eileen Chang¡&hibar;s essays and novellas by focusing on an aspect rarely explored before, namely, how Chang uses the figures of (Nanyang) huaqiao to explore the construction of racial and cultural identities pertaining to notions of Chineseness. Chapter Four explores how the concept of racial and ethnic degeneration is projected onto the Nanyang huaqiao in Ding Ling¡&hibar;s ¡°Miss Sophia¡&hibar;s Diary.¡± It argues that the construction of native Chinese female subjectivity is foremost predicated upon the construction of a Nanyang huaqiao body conceived as deviant and pathological. Advisors/Committee Members: Braester, Yomi (advisor).

Subjects/Keywords: Chineseness; huaqiao; Comparative literature; comparative literature

…prototype in the construction and articulations of Chineseness. By drawing historical and cultural… …analogy between the construction of huaqiao and that of Chineseness as evinced in the works of… …identity politics and representations of Chineseness. This mode of inquiry will further prompt us… …subject. In this light the issues of authenticity and preservation of “Chineseness” have become… …essentialist “Chineseness ��as it can further be fetishized and become a symbolic cultural capital…

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APA (6^th Edition):

Kuik, C. (2013). Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/23534

Chicago Manual of Style (16^th Edition):

Kuik, Ching-Sue. “Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness.” 2013. Doctoral Dissertation, University of Washington. Accessed December 07, 2019. http://hdl.handle.net/1773/23534.

MLA Handbook (7^th Edition):

Kuik, Ching-Sue. “Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness.” 2013. Web. 07 Dec 2019.

Vancouver:

Kuik C. Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness. [Internet] [Doctoral dissertation]. University of Washington; 2013. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/1773/23534.

Council of Science Editors:

Kuik C. Un/Becoming Chinese: Huaqiao, the Non-Perishable Sojourner Reinvented, and Alterity of Chineseness. [Doctoral Dissertation]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/23534

12. HUANG KAILIN. Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate.

Degree: 2007, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/13028

Subjects/Keywords: Jin Yong; Adaptation; Gaze; Hong Kong; Gender; Chineseness

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APA (6^th Edition):

KAILIN, H. (2007). Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate. (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/13028

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

KAILIN, HUANG. “Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate.” 2007. Thesis, National University of Singapore. Accessed December 07, 2019. http://scholarbank.nus.edu.sg/handle/10635/13028.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

KAILIN, HUANG. “Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate.” 2007. Web. 07 Dec 2019.

Vancouver:

KAILIN H. Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate. [Internet] [Thesis]. National University of Singapore; 2007. [cited 2019 Dec 07]. Available from: http://scholarbank.nus.edu.sg/handle/10635/13028.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

KAILIN H. Looking at Hong Kong: Jin Yong's Return of the Condor Heroes & Chang Cheh's Brave Archer and His Mate. [Thesis]. National University of Singapore; 2007. Available from: http://scholarbank.nus.edu.sg/handle/10635/13028

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. CHEW YI WEI SHARLEEN. CHINESE DIASPORAS AND CINEMA.

Degree: 2014, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/119316

Subjects/Keywords: Chineseness; Chinese Cinema; Diasporas; Transnational; Home; Nation State

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APA (6^th Edition):

SHARLEEN, C. Y. W. (2014). CHINESE DIASPORAS AND CINEMA. (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/119316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

SHARLEEN, CHEW YI WEI. “CHINESE DIASPORAS AND CINEMA.” 2014. Thesis, National University of Singapore. Accessed December 07, 2019. http://scholarbank.nus.edu.sg/handle/10635/119316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

SHARLEEN, CHEW YI WEI. “CHINESE DIASPORAS AND CINEMA.” 2014. Web. 07 Dec 2019.

Vancouver:

SHARLEEN CYW. CHINESE DIASPORAS AND CINEMA. [Internet] [Thesis]. National University of Singapore; 2014. [cited 2019 Dec 07]. Available from: http://scholarbank.nus.edu.sg/handle/10635/119316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SHARLEEN CYW. CHINESE DIASPORAS AND CINEMA. [Thesis]. National University of Singapore; 2014. Available from: http://scholarbank.nus.edu.sg/handle/10635/119316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Canberra

14. Chan, Kenneth. Chinese history books and other stories.

Degree: 2005, University of Canberra

URL: http://erl.canberra.edu.au./public/adt-AUC20061020.144139

► My thesis is a creative writing doctorate which focuses on one Chinese family's adaptation to living in Australia in the mid-twentieth century. The thesis is in… (more)

Subjects/Keywords: Chinese identity; Chineseness; Chinese family life; Chinese Australians; Australia; fiction; stories

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APA (6^th Edition):

Chan, K. (2005). Chinese history books and other stories. (Thesis). University of Canberra. Retrieved from http://erl.canberra.edu.au./public/adt-AUC20061020.144139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chan, Kenneth. “Chinese history books and other stories.” 2005. Thesis, University of Canberra. Accessed December 07, 2019. http://erl.canberra.edu.au./public/adt-AUC20061020.144139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chan, Kenneth. “Chinese history books and other stories.” 2005. Web. 07 Dec 2019.

Vancouver:

Chan K. Chinese history books and other stories. [Internet] [Thesis]. University of Canberra; 2005. [cited 2019 Dec 07]. Available from: http://erl.canberra.edu.au./public/adt-AUC20061020.144139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan K. Chinese history books and other stories. [Thesis]. University of Canberra; 2005. Available from: http://erl.canberra.edu.au./public/adt-AUC20061020.144139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Queensland University of Technology

15. Mu, Guanglun. Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world.

Degree: 2013, Queensland University of Technology

URL: https://eprints.qut.edu.au/63295/

► The ethnic identity and commitment of Heritage Language Learners play salient roles in Heritage Language learning process. The mutually constitutive effect amongst Heritage Language Learner's… (more)

▼ The ethnic identity and commitment of Heritage Language Learners play salient roles in Heritage Language learning process. The mutually constitutive effect amongst Heritage Language Learner's ethnic identity, commitment, and Heritage Language proficiency has been well documented in social psychological and poststructuralist literatures. Both social psychological and poststructural schools offer meaningful insights into particular contexts but receive critiques from other contexts. In addition, the two schools largely oppose each other. This study uses Bourdieu's sociological triad of habitus, capital, and field to reconcile the two schools through the examination of Chinese Heritage Language Learners in Australia, an idiosyncratic social, cultural, and historical context for these learners. Specifically, this study investigates how young Chinese Australian adults (18-35 in age) negotiate their 'Chineseness' and capitalise on resources through Chinese Heritage Language learning in the lived world. The study adopts an explanatory mixed methods design to combine the quantitative approach with the qualitative approach. The initial quantitative phase addresses the first research question: Is Chinese Heritage Language proficiency of young Chinese Australian adults influenced by their investment of capital, the strength of their habitus of 'Chineseness', or both? The subsequent qualitative phase addresses the second research question: How do young Chinese Australian adults understand their Chinese Heritage Language learning in relation to (potential) profits produced by this linguistic capital in given fields? The initial quantitative phase applies Structural Equation Modelling to analyse the data from an online survey with 230 respondents. Findings indicate the statistically significant positive contribution made by the habitus of 'Chineseness' and by investment of capital to Chinese Heritage Language proficiency (r = .71 and r = .86 respectively). Subsequent multiple regression analysis demonstrates that 62% of the variance of Chinese Heritage Language proficiency can be accounted for by the joint contribution of 'Chineseness' and 'capital'. The qualitative phase of the study uses multiple interviews with five participants. It reveals that Chinese Heritage Language offers meaningful benefits for participants in the forms of capital production and habitus capture or recapture. Findings from the two phases talk to each other in terms of the inherent entanglement amongst habitus of 'Chineseness', investment of capital, and Chinese Heritage Language proficiency. The study offers important contributions. Theoretically, by virtue of Bourdieu's signature concepts of habitus, capital, and field, the study provides answers to questions that both social psychological and poststructuralist theories have long been struggling to answer. Methodologically, the position of 'pluralism' talks back to Bourdieu's theory and forwards to the mixed methods design. Particularly, the study makes a methodological breakthrough: A set of…

Subjects/Keywords: heritage language; Chinese heritage language proficiency; heritage language learner; Chinese Australians; motivation; investment; capital; ethnic identity; chineseness; habitus; field; bourdieu; mixed methods design; structural equation modelling

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mu, G. (2013). Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/63295/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mu, Guanglun. “Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world.” 2013. Thesis, Queensland University of Technology. Accessed December 07, 2019. https://eprints.qut.edu.au/63295/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mu, Guanglun. “Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world.” 2013. Web. 07 Dec 2019.

Vancouver:

Mu G. Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world. [Internet] [Thesis]. Queensland University of Technology; 2013. [cited 2019 Dec 07]. Available from: https://eprints.qut.edu.au/63295/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mu G. Heritage language for Chinese Australians : negotiating 'Chineseness' and, capitalising on resources in the lived world. [Thesis]. Queensland University of Technology; 2013. Available from: https://eprints.qut.edu.au/63295/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. 庄致彤; CHENG TEE THONG. 新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004).

Degree: 2006, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/15131

Subjects/Keywords: New Migrants; Transnational; Social Fields; Politics of Difference; Chineseness; Diasporic Identity

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APA (6^th Edition):

THONG, �. C. T. (2006). 新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004). (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/15131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

THONG, 庄致彤; CHENG TEE. “新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004).” 2006. Thesis, National University of Singapore. Accessed December 07, 2019. http://scholarbank.nus.edu.sg/handle/10635/15131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

THONG, 庄致彤; CHENG TEE. “新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004).” 2006. Web. 07 Dec 2019.

Vancouver:

THONG �CT. 新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004). [Internet] [Thesis]. National University of Singapore; 2006. [cited 2019 Dec 07]. Available from: http://scholarbank.nus.edu.sg/handle/10635/15131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

THONG �CT. 新加坡的中国新移民及其跨国移民经验之研究(1990 年-2004 年) = New Migrants: Transmigratory experiences in Singapore (1990-2004). [Thesis]. National University of Singapore; 2006. Available from: http://scholarbank.nus.edu.sg/handle/10635/15131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Kyoto University / 京都大学

17. Ko, Sheng Chieh. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念.

Degree: 博士(工学), 2017, Kyoto University / 京都大学

URL: http://hdl.handle.net/2433/227621 ; http://dx.doi.org/10.14989/doctor.k20698

新制・課程博士

甲第20698号

工博第4395号

Subjects/Keywords: WANG DAHONG; CHINESENESS; TAIWANESE ARCHITECTURE; MODERNISM; SUN YAT-SEN MEMORIAL HALL; NATIONAL PALACE MUSEUM; CHINESE COURTHOUSE

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APA (6^th Edition):

Ko, S. C. (2017). WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念. (Thesis). Kyoto University / 京都大学. Retrieved from http://hdl.handle.net/2433/227621 ; http://dx.doi.org/10.14989/doctor.k20698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ko, Sheng Chieh. “WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念.” 2017. Thesis, Kyoto University / 京都大学. Accessed December 07, 2019. http://hdl.handle.net/2433/227621 ; http://dx.doi.org/10.14989/doctor.k20698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ko, Sheng Chieh. “WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念.” 2017. Web. 07 Dec 2019.

Vancouver:

Ko SC. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念. [Internet] [Thesis]. Kyoto University / 京都大学; 2017. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/2433/227621 ; http://dx.doi.org/10.14989/doctor.k20698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ko SC. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN : 王大閎の建築設計における「中国性」の観念. [Thesis]. Kyoto University / 京都大学; 2017. Available from: http://hdl.handle.net/2433/227621 ; http://dx.doi.org/10.14989/doctor.k20698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Kyoto University

18. Ko, Sheng Chieh. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN .

Degree: 2017, Kyoto University

URL: http://hdl.handle.net/2433/227621

Subjects/Keywords: WANG DAHONG; CHINESENESS; TAIWANESE ARCHITECTURE; MODERNISM; SUN YAT-SEN MEMORIAL HALL; NATIONAL PALACE MUSEUM; CHINESE COURTHOUSE

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APA (6^th Edition):

Ko, S. C. (2017). WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN . (Thesis). Kyoto University. Retrieved from http://hdl.handle.net/2433/227621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ko, Sheng Chieh. “WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN .” 2017. Thesis, Kyoto University. Accessed December 07, 2019. http://hdl.handle.net/2433/227621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ko, Sheng Chieh. “WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN .” 2017. Web. 07 Dec 2019.

Vancouver:

Ko SC. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN . [Internet] [Thesis]. Kyoto University; 2017. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/2433/227621.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ko SC. WANG DAHONG'S IDEA OF“CHINESENESS”IN ARCHITECTURE DESIGN . [Thesis]. Kyoto University; 2017. Available from: http://hdl.handle.net/2433/227621

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Australian National University

19. Lee, Daphnee Hui Lin. From Cradle to Playpen: the management of Chineseness in developmental state Singapore .

Degree: 2010, Australian National University

URL: http://hdl.handle.net/1885/49385

► The way Chineseness is managed by the state in ethnic Chinese majority nations is examined as a late-industrializing initiative. Using Singapore as the case study,… (more)

Subjects/Keywords: Chineseness; state intervention; ethnic management; nation-states; late-industrialization; late-industrializing nations; Singapore; case study; Orientalist discourse constructions; Chinese Singaporean; East-West dichotomy; childhood socioeconomic background; linguistic primacy; nation branding; marcotted developmentalism; accelerated economic development; dual hegemony; political economy; developmental state; race and ethnicity; cross-cultural economic activity; multinational corporation

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APA (6^th Edition):

Lee, D. H. L. (2010). From Cradle to Playpen: the management of Chineseness in developmental state Singapore . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/49385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee, Daphnee Hui Lin. “From Cradle to Playpen: the management of Chineseness in developmental state Singapore .” 2010. Thesis, Australian National University. Accessed December 07, 2019. http://hdl.handle.net/1885/49385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee, Daphnee Hui Lin. “From Cradle to Playpen: the management of Chineseness in developmental state Singapore .” 2010. Web. 07 Dec 2019.

Vancouver:

Lee DHL. From Cradle to Playpen: the management of Chineseness in developmental state Singapore . [Internet] [Thesis]. Australian National University; 2010. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/1885/49385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee DHL. From Cradle to Playpen: the management of Chineseness in developmental state Singapore . [Thesis]. Australian National University; 2010. Available from: http://hdl.handle.net/1885/49385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

20. Chan, Karen Bic Kwun. Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos.

Degree: 2010, University of Toronto

URL: http://hdl.handle.net/1807/32914

►

Using interpretive methods of social inquiry, this thesis explores the socio-political significance of body tattoos made of Chinese-like text, which have recently become popular Western… (more)

Subjects/Keywords: Authenticity; Hybridity; Chineseness; Chinese; Chinese Tattoos; Tattooing; Body Modification; Flash Art; Arts Informed Inquiry; Arts Informed Research; Whiteness; Hanzi; Kanji; Diasporic Studies; Interpretive Social Inquiry; Carnivlesque; Cultural Appropriation; Chinese Canadian; Social space; Subtitling; Sense Experience; Absent Body; Third Space; Anti-fashion; Asian Studies; Asian American Studies; Asian Canadian Studies; Cultural Studies; Visual Culture; Phenomenology; 0631; 0626; 0344; 0515; 0534; 0326; 0304; 0305; 0332

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chan, K. B. K. (2010). Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/32914

Chicago Manual of Style (16^th Edition):

Chan, Karen Bic Kwun. “Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos.” 2010. Masters Thesis, University of Toronto. Accessed December 07, 2019. http://hdl.handle.net/1807/32914.

MLA Handbook (7^th Edition):

Chan, Karen Bic Kwun. “Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos.” 2010. Web. 07 Dec 2019.

Vancouver:

Chan KBK. Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos. [Internet] [Masters thesis]. University of Toronto; 2010. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/1807/32914.

Council of Science Editors:

Chan KBK. Chinese Enough For Ya? Disrupting and Transforming Notions of Chineseness through Chinesenough Tattoos. [Masters Thesis]. University of Toronto; 2010. Available from: http://hdl.handle.net/1807/32914

University of St. Andrews

21. Cheung, Wai Yee Ruby. Hong Kong cinema 1982-2002 : the quest for identity during transition .

Degree: 2008, University of St. Andrews

URL: http://hdl.handle.net/10023/516

► This thesis seeks to interpret the cinematic representations of Hong Kongers’ identity quest during a transitional state/stage related to the sovereignty transfer. The Handover transition… (more)

▼ This thesis seeks to interpret the cinematic representations of Hong Kongers’ identity quest during a transitional state/stage related to the sovereignty transfer. The Handover transition considered is an ideological one, rather than the overnight polity change on the Handover day. This research approaches contemporary Hong Kong cinema on two fronts and the thesis is structured accordingly: Upon an initial review of the existing Hong Kong film scholarship in the Introduction, and its 1997-related allegorical readings, Part I sees new angles (previously undeveloped or underdeveloped) for researching Hong Kong films made during 1982-2002. Arguments are built along the ideas of Hong Kongers’ situational, diasporic consciousness, and transformed ‘Chineseness’ because Hong Kong has lacked a cultural/national centrality. This part of research is informed by the ideas of Jacques Derrida, Homi Bhabha and Stuart Hall, and the diasporic experiences of Ien Ang, Rey Chow and Ackbar Abbas. With these new research angles and references to the circumstances, Part II reads critically the text of eight Hong Kong films made during the Handover transition. In chronological order, they are Boat People (Hui, 1982), Song of the Exile (Hui, 1990), Days of Being Wild (Wong, 1990), Happy Together (Wong, 1997), Made in Hong Kong (Chan, 1997), Ordinary Heroes (Hui, 1999), Durian Durian (Chan, 2000), and Hollywood Hong Kong (Chan, 2002). They meet several criteria related to the undeveloped / underdeveloped areas in the existing Hong Kong film scholarship. Hamid Naficy’s ‘accented cinema’ paradigm gives the guidelines to the film analysis in Part II. This part shows that Hong Kongers’ self-transformation during transition is alterable, indeterminate, and interminable, due to the people’s situational, diasporic consciousness, and transformed ‘Chineseness’. This thesis thus contributes to Hong Kong cinema scholarship in interpreting films with new research angles, and generating new insights into this cinematic tradition and its wider context. Advisors/Committee Members: Iordanova, Dina (advisor), Martin-Jones, David (advisor).

Subjects/Keywords: Hong Kong cinema; The 1997 Handover; Transition; Identity quest; Situational, diasporic consciousness; Transformed ‘Chineseness’; Cultural/national centrality; Jacques Derrida; Homi Bhabha; Stuart Hall; Ien Ang; Rey Chow; Ackbar Abbas; Boat People; Song of the Exile; Days of Being Wild; Happy Together; Made in Hong Kong; Ordinary Heroes; Durian Durian; Hollywood Hong Kong; Hamid Naficy; Accented cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cheung, W. Y. R. (2008). Hong Kong cinema 1982-2002 : the quest for identity during transition . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cheung, Wai Yee Ruby. “Hong Kong cinema 1982-2002 : the quest for identity during transition .” 2008. Thesis, University of St. Andrews. Accessed December 07, 2019. http://hdl.handle.net/10023/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cheung, Wai Yee Ruby. “Hong Kong cinema 1982-2002 : the quest for identity during transition .” 2008. Web. 07 Dec 2019.

Vancouver:

Cheung WYR. Hong Kong cinema 1982-2002 : the quest for identity during transition . [Internet] [Thesis]. University of St. Andrews; 2008. [cited 2019 Dec 07]. Available from: http://hdl.handle.net/10023/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cheung WYR. Hong Kong cinema 1982-2002 : the quest for identity during transition . [Thesis]. University of St. Andrews; 2008. Available from: http://hdl.handle.net/10023/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations