subject:(Chinese reception of Goethe)

Freie Universität Berlin

1. Piskol, Tong. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.

Degree: 2006, Freie Universität Berlin

URL: https://refubium.fu-berlin.de/handle/fub188/11924

► The thesis works on the answer to the question of how Goethe and his literature were understood by Chinese intellectual people in the past century,… (more)

Subjects/Keywords: Chinese reception of Goethe; Faust; Biography; 400 Sprache::430 Deutsch, germanische Sprachen allgemein::430 Germanische Sprachen; Deutsch

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Piskol, T. (2006). An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. (Thesis). Freie Universität Berlin. Retrieved from https://refubium.fu-berlin.de/handle/fub188/11924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Piskol, Tong. “An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.” 2006. Thesis, Freie Universität Berlin. Accessed January 19, 2021. https://refubium.fu-berlin.de/handle/fub188/11924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Piskol, Tong. “An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust.” 2006. Web. 19 Jan 2021.

Vancouver:

Piskol T. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. [Internet] [Thesis]. Freie Universität Berlin; 2006. [cited 2021 Jan 19]. Available from: https://refubium.fu-berlin.de/handle/fub188/11924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piskol T. An Analysis about Chinese interpretations and biographies of Goethe and about the Chinese reception of Faust. [Thesis]. Freie Universität Berlin; 2006. Available from: https://refubium.fu-berlin.de/handle/fub188/11924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oxford

2. Ng, Sau Wah. Challenging the calligraphy canon : the reception of rubbing collections in Ming China.

Degree: PhD, 2013, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617695

► Calligraphic rubbing collections or rubbing collections of model calligraphy (fatie 法帖) are frequently described as a source of canonical models for the learning of calligraphy.… (more)

▼ Calligraphic rubbing collections or rubbing collections of model calligraphy (fatie 法帖) are frequently described as a source of canonical models for the learning of calligraphy. They are often associated with and usually refer to the calligraphy of the Two Wangs (Wang Xizhi 王羲之, 303-61, or 321-79, and his son Xianzhi 獻之, 344-86). They also became acknowledged as embodying the classical tradition transmitted mostly from the Jin (265-420) Dynasty, one which was well-known as the calligraphy canon. In general, recent scholarship on rubbing collections holds that rubbing collections often transmitted important and highly recognized works which represented the classical tradition or calligraphy canon. This thesis aims to analyze how Ming Dynasty (1368-1644) people received new forms of rubbing collections, and explores some of their social roles in Ming China. Apart from traditional concerns, for instance for the aesthetic value and the origins of various editions of rubbing collections, other aspects of rubbing collections of the Ming, for example, socio-historical and material culture perspectives, have not been explored in detail. The development of this form of calligraphy reproduction in China is important as an instance, alongside original works of calligraphy, of how the history of calligraphy was created and contested. The thesis will evaluate which calligraphers were chosen to be reproduced in rubbing form, which of their works were included, and what proportion of rubbing collections their work occupied, as well as who the patrons were and when the collections were published. An analysis of this information will show how the rubbing collections challenged the calligraphy canon and facilitated social mobility between various social groups particularly, scholars-officials, merchants and commoners. It will be demonstrated that Ming rubbing collections were no longer exclusively devoted to the traditional canon, nor did they contain only calligraphy of high aesthetic value. Calligraphy after masterpieces written in the copiers’ own styles and writings of those without significant reputations in calligraphy were made into rubbing collections as well. The thesis will attempt to show the cause(s) for this change.

Subjects/Keywords: 745.619951; Art; Visual art and representation; History of art and visual culture; Chinese rubbings; calligraphy; Ming dynasty; China; reproductions; reception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ng, S. W. (2013). Challenging the calligraphy canon : the reception of rubbing collections in Ming China. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617695

Chicago Manual of Style (16^th Edition):

Ng, Sau Wah. “Challenging the calligraphy canon : the reception of rubbing collections in Ming China.” 2013. Doctoral Dissertation, University of Oxford. Accessed January 19, 2021. http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617695.

MLA Handbook (7^th Edition):

Ng, Sau Wah. “Challenging the calligraphy canon : the reception of rubbing collections in Ming China.” 2013. Web. 19 Jan 2021.

Vancouver:

Ng SW. Challenging the calligraphy canon : the reception of rubbing collections in Ming China. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2021 Jan 19]. Available from: http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617695.

Council of Science Editors:

Ng SW. Challenging the calligraphy canon : the reception of rubbing collections in Ming China. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:239ffaa4-5da9-4906-af10-e64359a4f007 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617695

Univerzitet u Beogradu

3. Roganović, Vladimir P. Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937).

Degree: Filološki fakultet, 2016, Univerzitet u Beogradu

URL: https://fedorabg.bg.ac.rs/fedora/get/o:10570/bdef:Content/get

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Филологија - Наука о књижевности / Philology - Literary studies

У периоду између два светска рата, једном од најдинамичнијих у модерној културној историји Европе, српска… (more)

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Филологија - Наука о књижевности / Philology - Literary studies

У периоду између два светска рата, једном од најдинамичнијих у модерној културној историји Европе, српска књижевност и уметност не само да су се у идејном и вредносном погледу кретале напоредо са прогресивним европским и светским тенденцијама и струјањима, већ су представљале њихов саставни део. Књижевном часопису „Мисао“, првом периодичном издању дужега века покренутом у Београду након Првог светског рата, припада место значајног савременика и судеоника у културноисторијским процесима који су у нашој средини моделовали карактер епохе. Будући да су у „Мисли“, управо као и у осталим српским периодичним издањима − од бурног почетка минулог века па све до не мање турбулентног почетка Другог светског рата − регистровани и анализирани разноврсни културолошки, социјални и историјски феномени, њихова анализа изискује темељит критичко-методолошки приступ који омогућава увид у низ других питања с којима је суочено разматрање ове врсте. Управо је периодика та која, приказујући и тумачећи културне и друштвене елементе Zeitgeist-a, пружа могућност и за сагледавање путева којима су реалије у имагинативним ауторским записима твориле вредне и особене естетске чињенице – не само као моменат историјског одјека, већ и као преображавајуће интерференције уметничких поступака, језика и „писаних трагова живота“, књижевне грађе и других докумената. Помнији увид у садржај прилога објављених у „Мисли“ открива висок степен њихове хетерогености. Као гласило „пера, звука и киста“, она с разлогом носи и одредницу „књижевно-политичког“ те „књижевно-социалног“ часописa, како је стајало у заглављу, па ширина таквога концепцијског опсега и данас, готово век након што се прва свеска нашла у рукама читаоца, пружа могућности за истраживања интердисциплинарног карактера, али и за поимање саме епохе кроз...

Advisors/Committee Members: Grubačić, Slobodan. 1942-.

Subjects/Keywords: "Misao" magazine; German literature and culture; Serbian interwar periodicals; reception theory; Johann Wolfgang von Goethe; Velimir Živojinović Massuka; Sima Pandurović

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Roganović, V. P. (2016). Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937). (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10570/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Roganović, Vladimir P. “Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937).” 2016. Thesis, Univerzitet u Beogradu. Accessed January 19, 2021. https://fedorabg.bg.ac.rs/fedora/get/o:10570/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Roganović, Vladimir P. “Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937).” 2016. Web. 19 Jan 2021.

Vancouver:

Roganović VP. Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937). [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2021 Jan 19]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10570/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roganović VP. Рецепција немачке књижевности и културе у часопису "Мисао": (1919-1937). [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10570/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Yin, Jing. La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014).

Degree: Docteur es, Littérature générale et comparée, 2016, Sorbonne Paris Cité

URL: http://www.theses.fr/2016USPCA101

►

Mo Yan莫言, de son vrai nom Guan Moye管谟业, est l’un des écrivains chinois contemporains les plus célèbres mais aussi l’un des plus traduits en français.… (more)

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Mo Yan莫言, de son vrai nom Guan Moye管谟业, est l’un des écrivains chinois contemporains les plus célèbres mais aussi l’un des plus traduits en français. Son enfance rurale inspire ses premières réflexions sur la littérature et son royaume de lettres. Mêlant le vrai au faux, le réel au fabuleux, son œuvre, profuse et originale, suscite des travaux critiques considérables tant académiques que médiatiques, notamment depuis son obtention du prix Nobel de littérature en 2012 à Mo Yan. La présente thèse porte sur l’œuvre de Mo Yan en France : la traduction, la diffusion et la critique. Ainsi, s’agit-il non seulement d’une investigation sur l’imaginaire de la Chine, mais également d’une investigation littéraire. Cette étude, à la fois monographique et comparatiste, s’appuie principalement sur les créations les plus retentissantes en France : Le Clan du sorgho rouge (1986), Le Pays de l’alcool (1993), Beaux seins, belles fesses (1995), Le Supplice du santal (2001), Quarante et un coups de canon (2003), La Dure Loi du karma (2006), Grenouilles (2009)...

Guan Moye, better known by his pen name Mo Yan, was born in Gaomi County in Shandong province in 1955. The pen name "Mo Yan" means "don't speak" in Chinese. Mo Yan is one of the most famous Chinese contemporary writers in France, and his works have been widely translated into French. His childhood in Gaomi County inspired his first conception of literature and is, to some extent, the portal through which we enter his realm of letters. The unique style of his works attracts many academic and media criticism, and even more after winning the Noble Prize of literature in 2012. This dissertation intends to study the translation, publication, criticism and reception of Mo Yan’s works in France. Besides a literary study, the dissertation also focuses on the imaginary of China. The research is monographic and comparative, based on his several best-known works: Red Sorghum (1986), The Republic of Wine (1993), Big Breasts and Wide Hips (1995), Sandalwood Death (2001), Pow! (2003), Life and Death Are Wearing Me Out (2006), Frog (2009)…

Advisors/Committee Members: Zhang, Yinde (thesis director).

Subjects/Keywords: Mo Yan; Réception; Traduction; Diffusion; Critique; Littérature chinoise contemporaine; Image de la Chine; Mo Yan; Reception; Translation; Diffusion; Criticism; Chinese Contemporary Literature; Image of China

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Yin, J. (2016). La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014). (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2016USPCA101

Chicago Manual of Style (16^th Edition):

Yin, Jing. “La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014).” 2016. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 19, 2021. http://www.theses.fr/2016USPCA101.

MLA Handbook (7^th Edition):

Yin, Jing. “La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014).” 2016. Web. 19 Jan 2021.

Vancouver:

Yin J. La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014). [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2016. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2016USPCA101.

Council of Science Editors:

Yin J. La réception de Mo Yan en France : traduction, diffusion, critique (1988-2014) : The reception of Mo Yan in France : translation, diffusion, critique (1988-2014). [Doctoral Dissertation]. Sorbonne Paris Cité; 2016. Available from: http://www.theses.fr/2016USPCA101

5. Guo-Foulon, Yingzhou. La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa.

Degree: Docteur es, Langue et littérature chinoises, 2016, Aix Marseille Université

URL: http://www.theses.fr/2016AIXM3067

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L’hypothèse d’une théorie littéraire du sujet transcendant le territoire et le soi vers un Ouvert postule que l’on peut éclairer certaines problématiques de l’existence humaine… (more)

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L’hypothèse d’une théorie littéraire du sujet transcendant le territoire et le soi vers un Ouvert postule que l’on peut éclairer certaines problématiques de l’existence humaine à la lumière de la réception des romans écrits par des écrivains français d’origine chinoise dans un monde en constant mouvement. A partir de quatre écrivains chinois exilés en France, nous opérons dans la première partie une relecture de leurs œuvres, en lien avec leur vie et leur déplacement. Notre projet invite une démarche de la compréhension de la création à partir d’un cheminement personnel. En retour, leur création s’éclaire grâce à une conception propre de l’espace-temps dans le roman, sans rupture avec les traditions chinoises et occidentales. Leur poétique transculturelle force à envisager autrement la littérarité dans la littérature produite par cette diaspora chinoise. La deuxième partie est consacrée à une comparaison de la réception de leurs romans en France et en Chine populaire visant à faire apparaître la complexité et la transversalité des enjeux culturels, sociaux et les différentes perceptions du monde. La prégnance de cette manifestation artistique renforce l’hypothèse selon laquelle la quête circulaire et la transcendance au moyen du dialogue tant scripturaire qu’imaginaire, peuvent fonctionner comme une différente voix/voie de compréhension du sujet humain en permettant aux auteurs de devenir des résonateurs d’un monde caractérisé par l’incertitude et l’instabilité.

The hypothesis of a literary theory of the subject beyond the territory and the self towards Open postulates that we can clarify certain issues of human existence in the light of the reception of the novels written by Chinese Francophone writers in the world in perpetual motion. From four Chinese writers exiled in France, in the first part we reread their works, relating to their life and displacement. Our project invites a approach of the comprehension of the creation from a personal path. In return, their creation is illuminated owing to the concept of space-time in the novel, without the disruption with the Chinese and Western traditions. Their transcultural poetic forces to consider differently the literariness in the literature produced by the Chinese diaspora. The second part is devoted to a comparison of the reception of their novels in France and in mainland China to show the complexity and the transversality of the cultural, social stakes and the different perceptions of the world. The significance of this artistic manifestation reinforces the hypothesis that the circular quest and transcendence through the scriptural and imaginary dialogue, can function as a different voice /way of understanding the human subject by allowing authors to become resonators of the world characterized by uncertainty and instability.

Advisors/Committee Members: Dutrait, Noël (thesis director).

Subjects/Keywords: Poétique transculturelle; Ecrivains français d’origine chinoise; Réception; Exil; Transcendance; Dialogue; Cross-Cultural poetics; French writers of Chinese origin; Reception; Exile; Transcendence; Dialogue

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Guo-Foulon, Y. (2016). La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2016AIXM3067

Chicago Manual of Style (16^th Edition):

Guo-Foulon, Yingzhou. “La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa.” 2016. Doctoral Dissertation, Aix Marseille Université. Accessed January 19, 2021. http://www.theses.fr/2016AIXM3067.

MLA Handbook (7^th Edition):

Guo-Foulon, Yingzhou. “La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa.” 2016. Web. 19 Jan 2021.

Vancouver:

Guo-Foulon Y. La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa. [Internet] [Doctoral dissertation]. Aix Marseille Université 2016. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2016AIXM3067.

Council of Science Editors:

Guo-Foulon Y. La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa : The reception of the works of four exiled Chinese writers in France : François Cheng, Gao Xingjian, Dai Sijie and Shan Sa. [Doctoral Dissertation]. Aix Marseille Université 2016. Available from: http://www.theses.fr/2016AIXM3067

6. Lima, Débora Domke Ribeiro. Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas.

Degree: PhD, Teoria Literária e Literatura Comparada, 2013, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012014-155235/ ;

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O trabalho propõe um diálogo entre Fausto I, de Johann Wolfgang von Goethe, e Grande sertão: Veredas, de João Guimarães Rosa, acerca do tema do… (more)

Subjects/Keywords: Amor; Goethe; Goethe; Guimarães Rosa; Guimarães Rosa; Love; Romance de formação; Romance of formation; Transformação; Transformation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lima, D. D. R. (2013). Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012014-155235/ ;

Chicago Manual of Style (16^th Edition):

Lima, Débora Domke Ribeiro. “Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas.” 2013. Doctoral Dissertation, University of São Paulo. Accessed January 19, 2021. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012014-155235/ ;.

MLA Handbook (7^th Edition):

Lima, Débora Domke Ribeiro. “Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas.” 2013. Web. 19 Jan 2021.

Vancouver:

Lima DDR. Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas. [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2021 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012014-155235/ ;.

Council of Science Editors:

Lima DDR. Os labirintos do amor: um estudo comparativo de Fausto I e Grande Sertão: Veredas. [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012014-155235/ ;

RMIT University

7. Brew, P. Now/I see it.

Degree: 2015, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:161764

► Peter Brew explored the function of Idea in Architecture. The research identified and considered how ideas effect or cause things. This was prosecuted through the… (more)

Subjects/Keywords: Fields of Research; Architecture; Aesthetics; Contracts; Goethe; Melbourne; Disciplinary matrix

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brew, P. (2015). Now/I see it. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brew, P. “Now/I see it.” 2015. Thesis, RMIT University. Accessed January 19, 2021. http://researchbank.rmit.edu.au/view/rmit:161764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brew, P. “Now/I see it.” 2015. Web. 19 Jan 2021.

Vancouver:

Brew P. Now/I see it. [Internet] [Thesis]. RMIT University; 2015. [cited 2021 Jan 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:161764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brew P. Now/I see it. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Connecticut

8. Liu, Qianxi. Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception.

Degree: MA, Art History, 2015, University of Connecticut

URL: https://opencommons.uconn.edu/gs_theses/759

► This thesis focuses on Xu Bing’s Book from the Sky (1987-1991), discussing its visual language, historical role, and cross-cultural receptions in China and in… (more)

Subjects/Keywords: Xu Bing; Book from the Sky; contemporary Chinese art; critical reception; cross-cultural reception; globalized art world

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APA (6^th Edition):

Liu, Q. (2015). Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/759

Chicago Manual of Style (16^th Edition):

Liu, Qianxi. “Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception.” 2015. Masters Thesis, University of Connecticut. Accessed January 19, 2021. https://opencommons.uconn.edu/gs_theses/759.

MLA Handbook (7^th Edition):

Liu, Qianxi. “Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception.” 2015. Web. 19 Jan 2021.

Vancouver:

Liu Q. Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception. [Internet] [Masters thesis]. University of Connecticut; 2015. [cited 2021 Jan 19]. Available from: https://opencommons.uconn.edu/gs_theses/759.

Council of Science Editors:

Liu Q. Moving Interpretation, Same Language: Book from the Sky and Its Cross-Cultural Reception. [Masters Thesis]. University of Connecticut; 2015. Available from: https://opencommons.uconn.edu/gs_theses/759

9. Pos, Arie. Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007).

Degree: 2008, Department of History, Faculty of Arts, Leiden University

URL: http://hdl.handle.net/1887/12985

► The thesis analyses the development of Western images of China from the first Franciscan missions to the Mongol court (c. 1250) up to 2007 and… (more)

Subjects/Keywords: Dutch literary chinoiserie; Western images of China; Dutch literature; Reception of Chinese poetry; Translation; Dutch literary chinoiserie; Western images of China; Dutch literature; Reception of Chinese poetry; Translation

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APA (6^th Edition):

Pos, A. (2008). Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007). (Doctoral Dissertation). Department of History, Faculty of Arts, Leiden University. Retrieved from http://hdl.handle.net/1887/12985

Chicago Manual of Style (16^th Edition):

Pos, Arie. “Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007).” 2008. Doctoral Dissertation, Department of History, Faculty of Arts, Leiden University. Accessed January 19, 2021. http://hdl.handle.net/1887/12985.

MLA Handbook (7^th Edition):

Pos, Arie. “Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007).” 2008. Web. 19 Jan 2021.

Vancouver:

Pos A. Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007). [Internet] [Doctoral dissertation]. Department of History, Faculty of Arts, Leiden University; 2008. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1887/12985.

Council of Science Editors:

Pos A. Het paviljoen van porselein: Nederlandse literaire chinoiserie en het westerse beeld van China (1250-2007). [Doctoral Dissertation]. Department of History, Faculty of Arts, Leiden University; 2008. Available from: http://hdl.handle.net/1887/12985

Leiden University

10. HSU, Yu-Han. The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum.

Degree: 2019, Leiden University

URL: http://hdl.handle.net/1887/68278

► The purpose of this thesis is to examine the image of Western art in Taiwan with a focus on the Chimei Museum (*1990). Motivated by… (more)

Subjects/Keywords: Reception of Western Art; Chimei Museum

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APA (6^th Edition):

HSU, Y. (2019). The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/68278

Chicago Manual of Style (16^th Edition):

HSU, Yu-Han. “The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum.” 2019. Masters Thesis, Leiden University. Accessed January 19, 2021. http://hdl.handle.net/1887/68278.

MLA Handbook (7^th Edition):

HSU, Yu-Han. “The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum.” 2019. Web. 19 Jan 2021.

Vancouver:

HSU Y. The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1887/68278.

Council of Science Editors:

HSU Y. The Transitioning Image of Western Art in Taiwanese eyes: a case study of the Chimei Museum. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/68278

Uppsala University

11. Sjöstedt, Samuel. Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt.

Degree: Theology, 2016, Uppsala University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273695

► In this essay I examine several christian and jewish theologians views on the similaritys between, and the highly likely common history of, the biblical… (more)

Subjects/Keywords: Bible; Myth; Mesopotamia; History of Religions; Reception

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APA (6^th Edition):

Sjöstedt, S. (2016). Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sjöstedt, Samuel. “Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt.” 2016. Thesis, Uppsala University. Accessed January 19, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sjöstedt, Samuel. “Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt.” 2016. Web. 19 Jan 2021.

Vancouver:

Sjöstedt S. Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt. [Internet] [Thesis]. Uppsala University; 2016. [cited 2021 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sjöstedt S. Bekräftelse eller hot : Teologers reaktioner på likheter mellan bibelberättelser och mesopotamisk myt. [Thesis]. Uppsala University; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-273695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Princeton University

12. Fu, Su. When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) .

Degree: PhD, 2019, Princeton University

URL: http://arks.princeton.edu/ark:/88435/dsp01n296x2018

► This dissertation investigates the construction of Chuci (a collection of poems purportedly written by the legendary figure Qu Yuan and his followers) as a southern… (more)

Subjects/Keywords: canonization; hermeneutics; reception; Verses of Chu

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APA (6^th Edition):

Fu, S. (2019). When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01n296x2018

Chicago Manual of Style (16^th Edition):

Fu, Su. “When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) .” 2019. Doctoral Dissertation, Princeton University. Accessed January 19, 2021. http://arks.princeton.edu/ark:/88435/dsp01n296x2018.

MLA Handbook (7^th Edition):

Fu, Su. “When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) .” 2019. Web. 19 Jan 2021.

Vancouver:

Fu S. When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) . [Internet] [Doctoral dissertation]. Princeton University; 2019. [cited 2021 Jan 19]. Available from: http://arks.princeton.edu/ark:/88435/dsp01n296x2018.

Council of Science Editors:

Fu S. When the South Matters: Imagination of Chu and Canonization of Chuci (Verses of Chu) . [Doctoral Dissertation]. Princeton University; 2019. Available from: http://arks.princeton.edu/ark:/88435/dsp01n296x2018

Vanderbilt University

13. Pullen, Katherine Taylor. Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?.

Degree: MA, Sociology, 2015, Vanderbilt University

URL: http://hdl.handle.net/1803/10661

► Thirty-five years ago, no one could have foreseen the dramatic changes that would transform China and shift the balance of global power. What started as… (more)

Subjects/Keywords: gender; women; content analysis; photographs; newspaper; reception; production; sociology; culture; media; China; Chinese; Asia

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APA (6^th Edition):

Pullen, K. T. (2015). Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/10661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pullen, Katherine Taylor. “Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?.” 2015. Thesis, Vanderbilt University. Accessed January 19, 2021. http://hdl.handle.net/1803/10661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pullen, Katherine Taylor. “Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?.” 2015. Web. 19 Jan 2021.

Vancouver:

Pullen KT. Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?. [Internet] [Thesis]. Vanderbilt University; 2015. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1803/10661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pullen KT. Representations of Gender in Photographs from People’s Daily: How has China’s Rise Affected Women?. [Thesis]. Vanderbilt University; 2015. Available from: http://hdl.handle.net/1803/10661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Michigan

14. Fukushima, Nahoko. Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology.

Degree: PhD, Comparative Literature, 2011, University of Michigan

URL: http://hdl.handle.net/2027.42/89808

► The dissertation deals with one aspect of Edo aesthetics in 18th century Japan that is often described as the juxtaposition of refinement and vulgarity. I… (more)

▼ The dissertation deals with one aspect of Edo aesthetics in 18th century Japan that is often described as the juxtaposition of refinement and vulgarity. I explore the system of this aesthetics through the examination of the literary genre of sharebon, whose subject matter is exclusively demimonde visits. The works designate a corpus of booklets produced almost anonymously in vernacular language, but with a cover that resembles a serious classical Chinese text. Sharebon content features caricatured characters, jokes, and anecdotes around a visit to the courtesans, and produces a form of literary entertainment designed for occasional consumption and performance. Its cover, including the preface and postscript, in contrast, assumes a lofty and universal appearance written in Chinese characters. The booklets present a contrast between the refined and the mundane or vulgar, and this juxtaposition generates an ironic beauty. This study views the courtesans and the demimonde from the cultural as well as socioeconomic perspective, paying particular attention to how they were articulated within contemporaneous public discourses. It analyzes the dual reception of Chinese culture and literature in Edo Japan. One layer is a solid function of the Tokugawa feudalism founded on Neo-Confucianism and the other culls from the Chinese literati tradition, while resonating with the Heian Japanese courtly tradition of poetry and eros. I argue that this literary genre was originally produced by the samurai military class, and not by the merchant class as asserted by the majority of the present scholarship in the U.S. I also examine the materiality of these sharebon texts, seeing the front page, preface and postscript as a kind of wrapping using Chinese classical texts in Japanese transcription in order for the authors to playfully parody their own status. Moreover, the multiple meanings generated by the reading of Chinese graphs in the Japanese pronunciation are meant to undermine or destabilize the Edo official culture of refinement. The mixing of literary levels of high and low culture suggests the Bakhtinian concept of the carnivalesque that in European culture served as a critique of the feudal class structure through the dispersal of stable social identities and proprieties. Advisors/Committee Members: Ramirez-Christensen, E. (committee member), Clej, Alina M. (committee member), Ekotto, Frieda (committee member), Lin, Shuen-Fu (committee member), Porter, David L. (committee member).

Subjects/Keywords: Sharebon and Edo Aesthetics; Demimonde and Courtesans; Samurai Dandyism and Courtly Elegance; Mateliality of the Text; The Reception of Chinese LIterature and Culutre in Japanese Aesthetics; East Asian Languages and Cultures; Humanities

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APA (6^th Edition):

Fukushima, N. (2011). Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/89808

Chicago Manual of Style (16^th Edition):

Fukushima, Nahoko. “Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology.” 2011. Doctoral Dissertation, University of Michigan. Accessed January 19, 2021. http://hdl.handle.net/2027.42/89808.

MLA Handbook (7^th Edition):

Fukushima, Nahoko. “Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology.” 2011. Web. 19 Jan 2021.

Vancouver:

Fukushima N. Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2027.42/89808.

Council of Science Editors:

Fukushima N. Sharebon and the Courtesans: A Phase of Edo Aesthetics as the Dispersal of Ideology. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/89808

University of California – Berkeley

15. Goldstein, Amanda Jo. "Sweet Science": Romantic Materialism and the New Sciences of Life.

Degree: Comparative Literature, 2011, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/2sm297sw

► This dissertation on late Enlightenment poetics and the history of the biomedical sciences unfolds a lapsed possibility near the historical beginnings of the division of… (more)

▼ This dissertation on late Enlightenment poetics and the history of the biomedical sciences unfolds a lapsed possibility near the historical beginnings of the division of labor between literary and scientific representation. Against the pressure, then and now, to treat the culture of science as context or antithesis to literary production, I recover a countervailing epistemology that cast poetry as a privileged technique of empirical inquiry: a knowledgeable practice whose figurative work brought it closer to, not farther from, the physical nature of things.In his late life science, Morphology, Goethe mischievously re-signified "objectivity" to mean an observer's vulnerability to transformation by the objects under view: "every new object, well seen, opens up a new organ in us." Such a gesture at once opens the scene of experiment to the agency of objects, and shifts biology's question from the life force within beings, to the metamorphic relations between them. From Wordsworth's call for a "science of the feelings," to Blake's for a "sweet Science," and Goethe's for a "tender Empiricism," my project argues for a series of late Enlightenment attempts to re-invent empiricist methodology - and to do so with the resources of verse and figure. These revisionary poetic sciences, I argue, challenged early biological and aesthetic protocols to countenance the mutual, material influence between the subjects and objects of experiment; to represent `bare' sensation as itself vulnerable to social and rhetorical transformation; and to position vulnerability - to impression, influence, and decay - as central, not inimical, to life.I show that writers from James Thomson and Erasmus Darwin to Percy Shelley retrieved Lucretius's classical materialism as a model for describing bodies (textual and animal) as porous assemblages, shaped by losses and incorporations of what is not self, and not immediately present. In Lucretius's De Rerum Natura, all things, decaying in time, scatter fine atomic husks from their bodies: simulacra, figurae, imagines. Here `figures' are fractions of the real estranged from their sources, and all bodies, not just poets or their language, produce them. Such an epistemology afforded poetry a strong claim upon the real, and proved particularly fit to connect the epochal interest in living bodies to the period's new sense of its own historicity. Poets deployed Lucretius's atomist imaginary in order to make historical experience palpable as what Wordsworth called an "atmosphere of sensation." The material tropes they mobilized to do so, I argue, have been unrecognizable through the symbol-allegory paradigm that controls most rhetorical readings of romanticism.Such a view of the period's philosophy of life differs from a more frequent argument, whereby romantic poetics and early biology converge in the ideal of organism or artwork as self-sufficient whole, "both cause and effect of itself" - and the ideal of life or imagination as the "power" productive of such wholes. This Kantian and Coleridgean ideal of…

Subjects/Keywords: Comparative literature; History of science; British and Irish literature; Biology; Goethe; Lucretius; Materialism; Romanticism; Shelley

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APA (6^th Edition):

Goldstein, A. J. (2011). "Sweet Science": Romantic Materialism and the New Sciences of Life. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2sm297sw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Goldstein, Amanda Jo. “"Sweet Science": Romantic Materialism and the New Sciences of Life.” 2011. Thesis, University of California – Berkeley. Accessed January 19, 2021. http://www.escholarship.org/uc/item/2sm297sw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Goldstein, Amanda Jo. “"Sweet Science": Romantic Materialism and the New Sciences of Life.” 2011. Web. 19 Jan 2021.

Vancouver:

Goldstein AJ. "Sweet Science": Romantic Materialism and the New Sciences of Life. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2021 Jan 19]. Available from: http://www.escholarship.org/uc/item/2sm297sw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goldstein AJ. "Sweet Science": Romantic Materialism and the New Sciences of Life. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/2sm297sw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University College London (University of London)

16. Smith, Peter Daniel. German literature and the world-view of science in the nineteenth and twentieth centuries.

Degree: PhD, 1997, University College London (University of London)

URL: https://discovery.ucl.ac.uk/id/eprint/10100910/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266352

► My thesis explores the response of imaginative literature to the epistemology of science in Germany and Austria from the beginning of the nineteenth century to… (more)

▼ My thesis explores the response of imaginative literature to the epistemology of science in Germany and Austria from the beginning of the nineteenth century to the end of the Second World War. I examine key texts which thematize aspects of the contemporary scientific world-view and which interrogate science in its role as an ontological and cultural paradigm. An introductory discussion of literature and science in the context of the history and philosophy of science, focuses on science as a sociohistorical and linguistic phenomenon. Johann Wolfgang Goethe's novel Die Wahlverwandtschaften (1809) reveals the inherently anthropomorphic and ambiguous nature of all human discourse. The presence of metaphors in the language of chemistry serves to highlight and challenge the reductionism of mechanistic science. Ottilie personifies the interrelation of matter and metaphor (Zusammenhang). By contrast Eduard represents a fragmented approach to reality (Scheidung). Georg Buchner's plays Dantons Tod (1835) and Woyzeck (1836-37) illustrate the conflict between idealist Naturphilosophie and mechanistic science in defining the human condition. This issue is at the heart of Büchner's own research into comparative anatomy. Woyzeck highlights the problem of value neutrality in science. Adalbert Stifter's stories Bergkristall and Kalkstein (1853) demonstrate the dichotomy between the scientific view of nature as an expression of mechanistic causality and an anthropomorphic world-view based on the Chain of Being. Analysis of contrasting narratorial viewpoints reveals tensions which subvert the quasi-scientism of the 'Vorrede'. Robert Musil's Die Verwirrungen des Zoglings Torless (1906) expresses the epistemological uncertainty of an era when the paradigms of classical physics were being called into question. Torless challenges Mach's critical empiricism and the positivist world-view. In the psychological complexity of the protagonist both rational and meta-rational experiences of reality are accommodated. Bertolt Brecht's Leben des Galilei (1938-56) shows an understanding of the interrelation of science and society which reflects the twentieth century experience of both National Socialism and the dropping of the atomic bomb. Galilei challenges the notion of science as a metadiscourse operating outside of the forces of history.

Subjects/Keywords: 800; Epistemology of science; J.W. Goethe

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APA (6^th Edition):

Smith, P. D. (1997). German literature and the world-view of science in the nineteenth and twentieth centuries. (Doctoral Dissertation). University College London (University of London). Retrieved from https://discovery.ucl.ac.uk/id/eprint/10100910/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266352

Chicago Manual of Style (16^th Edition):

Smith, Peter Daniel. “German literature and the world-view of science in the nineteenth and twentieth centuries.” 1997. Doctoral Dissertation, University College London (University of London). Accessed January 19, 2021. https://discovery.ucl.ac.uk/id/eprint/10100910/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266352.

MLA Handbook (7^th Edition):

Smith, Peter Daniel. “German literature and the world-view of science in the nineteenth and twentieth centuries.” 1997. Web. 19 Jan 2021.

Vancouver:

Smith PD. German literature and the world-view of science in the nineteenth and twentieth centuries. [Internet] [Doctoral dissertation]. University College London (University of London); 1997. [cited 2021 Jan 19]. Available from: https://discovery.ucl.ac.uk/id/eprint/10100910/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266352.

Council of Science Editors:

Smith PD. German literature and the world-view of science in the nineteenth and twentieth centuries. [Doctoral Dissertation]. University College London (University of London); 1997. Available from: https://discovery.ucl.ac.uk/id/eprint/10100910/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266352

NSYSU

17. Yang, Da-Wei. The reception history of Ci of Wang Yi-Sun in Qing dynasty.

Degree: Master, Chinese Literature, 2014, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0104114-205052

► By utilizing reception theories in western literature, and collecting relevant information about Ci to discuss the reception of people in Qing Dynastyâs. This article will… (more)

Subjects/Keywords: Qing Dynasty; Wang Yi-Sun; Ci; reception history; the aesthetic theories of reception

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APA (6^th Edition):

Yang, D. (2014). The reception history of Ci of Wang Yi-Sun in Qing dynasty. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0104114-205052

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yang, Da-Wei. “The reception history of Ci of Wang Yi-Sun in Qing dynasty.” 2014. Thesis, NSYSU. Accessed January 19, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0104114-205052.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yang, Da-Wei. “The reception history of Ci of Wang Yi-Sun in Qing dynasty.” 2014. Web. 19 Jan 2021.

Vancouver:

Yang D. The reception history of Ci of Wang Yi-Sun in Qing dynasty. [Internet] [Thesis]. NSYSU; 2014. [cited 2021 Jan 19]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0104114-205052.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang D. The reception history of Ci of Wang Yi-Sun in Qing dynasty. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0104114-205052

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universiteit Utrecht

18. Meneghello, L. Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview.

Degree: 2010, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/45467

► Through the analysis of the manuscripts of the physiologist, philosopher and politician Jacob Moleschott (1822-1893), which are conserved at the Biblioteca dell’Archiginnasio in Bologna, this… (more)

▼ Through the analysis of the manuscripts of the physiologist, philosopher and politician Jacob Moleschott (1822-1893), which are conserved at the Biblioteca dell’Archiginnasio in Bologna, this master thesis aims at providing a revised picture of scientific materialism in the 19th century and of its conception of science. Moleschott’s commitment in politics and scientific popularization gives evidence of his attempt to bring together science, religion, ethics, education and politics in one all-encompassing form of knowledge; his work therefore constitutes a strategic perspective for questioning the standard image of scientific materialism, which has been conceived as affirming the superiority of science on every other form of knowledge and as aiming at excluding all non-scientific disciplines from the domain of true knowledge. According to the standard picture, the materialistic conception of science was purely empiricist, having eliminated every metaphysical ambition, it implied a clear and radical rupture with the philosophical tradition (in particular, with Naturphilosophie) and, finally, it was atheistic and completely separated from, or even opposed to, religion. The consideration of Moleschott’s work shows, instead, that scientific materialism was in contact with very heterogeneous philosophical and scientific traditions, and that its relation to them was not one of exclusion, but rather an open and flexible one, where there was no rigid demarcation between scientific and non-scientific spheres. Through the comparison of scientific materialism with the philosophical thinking of the main authors it was related to, we demonstrate how scientific materialism tended to inclusiveness rather than exclusion. To this purpose, we have underlined differences and analogies with: Feuerbach’s materialism and, in particular, his epistemology; the Kantian conception of organism and of the unity of nature conceived as regulative ideas of reason; Hegel’s and Schelling’s philosophy of nature, underlining the deep connection of scientific materialism to Romantic and Idealistic philosophy of nature. We have finally illustrated the very conscious way in which the materialists made use of high-culture in order to diffuse their idea of science among a broader public: Goethe’s literary works provided the materialists with the image of science they divulgated in their popularizing works. Referring to the tradition, scientific materialism claimed to be the most perfect and complete form of knowledge, in which all other forms and all products of human understanding were included, even non-scientific ones. In this way, it tended not only to inclusion vis-à-vis previous forms of scientific knowledge, in the sense that it presented itself as their legitimate heir, but it also had the tendency to absorb and appropriate even forms of culture and of knowledge which were completely foreign to science. Finally, we explain in which sense this inclusive attitude was transferred from the theoretical to the practical level, becoming a totalizing and… Advisors/Committee Members: Ziche, P. G..

Subjects/Keywords: Wijsbegeerte; Moleschott, scientific materialism, scientific popularization, history of science, philosophy of nature, positivism, monism, Feuerbach, Kant, Schelling, Hegel, Goethe, D’Annunzio

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APA (6^th Edition):

Meneghello, L. (2010). Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/45467

Chicago Manual of Style (16^th Edition):

Meneghello, L. “Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview.” 2010. Masters Thesis, Universiteit Utrecht. Accessed January 19, 2021. http://dspace.library.uu.nl:8080/handle/1874/45467.

MLA Handbook (7^th Edition):

Meneghello, L. “Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview.” 2010. Web. 19 Jan 2021.

Vancouver:

Meneghello L. Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2021 Jan 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/45467.

Council of Science Editors:

Meneghello L. Jacob Moleschott and the conception of science in the 19th century. Scientific materialism as “totalizing” worldview. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/45467

19. Zheng, Li. Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world.

Degree: Docteur es, Didactique des langues et des cultures, 2013, Université Sorbonne Nouvelle – Paris III

URL: http://www.theses.fr/2013PA030147

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Les traductions, abrégés, adaptations ou continuations constituent des opérations décisives lors de la diffusion et de la réception des oeuvres littéraires dans l’espace et dans… (more)

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Les traductions, abrégés, adaptations ou continuations constituent des opérations décisives lors de la diffusion et de la réception des oeuvres littéraires dans l’espace et dans le temps. L’histoire de la réception sur la longue durée de Robinson Crusoé en France et en Chine illustre ce phénomène de manière exemplaire. Les premières traductions françaises et chinoises ont toutes modifié l’original de Defoe pour répondre aux exigences et aux besoins de leur environnement et de leurs publics spécifiques, en même temps qu’elles ont contribué à modifier les sensibilités et les comportements des lecteurs. Sa diffusion en Europe occidentale puis dans le monde entier a transformé le roman de Defoe et ses avatars en un genre à contenu pédagogique et destiné à la jeunesse. La conception exposée par Rousseau dans l’Émile est à l’origine de ce tournant européen qui n’a cessé de poser un problème essentiel – celui du rapport entre le romanesque et l’instructif – à tous ceux qui, comme Campe, Wyss ou Jules Verne, ont voulu imiter ou adapter l’histoire de Robinson dans une perspective éducative. A force de réécritures explicitement revendiquées par leurs auteurs, l’histoire de Robinson a finalement obtenu le statut de mythe littéraire au XXe siècle. Au-delà de leurs différences, des écrivains contemporains comme le français Michel Tournier ou la sino-américaine Maxine Hong Kingston voient avant tout dans Robinson un symbole de la modernité. Celle-ci, comme les expériences propres à ces écrivains, débouchent sur des réécritures plus subtiles de Robinson Crusoé tout en manifestant la puissance et le dynamisme du modèle initial dont les transformations constituent le signe le plus visible.

The translations, summaries, adaptations or continuations constitute the decisive operations during the distribution and the reception of the literary works in the space and in the time. The history of the long-lasting reception of Robinson Crusoé in France and in China illustrates this phenomenon in a exemplary way. Its first French and Chinese translations all modified the original of Defoe in order to meet the requirements and needs of their environment and of their specific public, at the same time as they both contributed to modify the sensibilities and the behavior of the readers. Its distribution in Western Europe then all over the world transformed the novel of Defoe and its variants into a genre with educational contents and intended for the youth. The conception proposed by Rousseau in his Émile is at the origin of this change occurred first in Europe which raises always the same essential question - that of the relationship between the fiction and the instruction - to all those who, as Campe, Wyss or Jules Verne, wanted to imitate or to adapt the story of Robinson for an educational purpose. By means of rewritings explicitly claimed by their authors, the story of Robinson finally obtained the status of literary myth in the 20th century. Beyond their differences, contemporary writers like French Michel Tournier or Chinese American…

Advisors/Committee Members: Fraisse, Emmanuel (thesis director), Qian, Peixin (thesis director).

Subjects/Keywords: Traduction; Robinson Crusoé; Robinsonnade; Occident et monde chinois; Réception; Réécriture; Translation; Robinson Crusoe; Robinsonnade; West and Chinese world; Reception; Rewriting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zheng, L. (2013). Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030147

Chicago Manual of Style (16^th Edition):

Zheng, Li. “Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 19, 2021. http://www.theses.fr/2013PA030147.

MLA Handbook (7^th Edition):

Zheng, Li. “Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world.” 2013. Web. 19 Jan 2021.

Vancouver:

Zheng L. Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2013PA030147.

Council of Science Editors:

Zheng L. Traductions, adaptations et réécritures : approches du traitement et de la diffusion de Robinson Crusoé en Occident et dans le monde chinois. : Translations, adaptations and rewritings : Approaches of the treatment and the distribution of Robinson Crusoe in West and in the Chinese world. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030147

20. Chen, Lili. La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China.

Degree: Docteur es, Langue et littérature françaises, 2016, Aix-Marseille; Université d'Etudes Internationales de Xian (Chine)

URL: http://www.theses.fr/2016AIXM3006

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Les études sur Marguerite Duras (1914-1996) sont innombrables et abondantes en France, ainsi qu’en Chine. Le présent travail a dévoilé, à la lumière des méthodes… (more)

Subjects/Keywords: Marguerite Duras; Réception; Traduction; Écriture féminine; Littérature chinoise; Marguerite Duras; Reception; Translation; Female writing; Chinese literary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chen, L. (2016). La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China. (Doctoral Dissertation). Aix-Marseille; Université d'Etudes Internationales de Xian (Chine). Retrieved from http://www.theses.fr/2016AIXM3006

Chicago Manual of Style (16^th Edition):

Chen, Lili. “La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China.” 2016. Doctoral Dissertation, Aix-Marseille; Université d'Etudes Internationales de Xian (Chine). Accessed January 19, 2021. http://www.theses.fr/2016AIXM3006.

MLA Handbook (7^th Edition):

Chen, Lili. “La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China.” 2016. Web. 19 Jan 2021.

Vancouver:

Chen L. La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China. [Internet] [Doctoral dissertation]. Aix-Marseille; Université d'Etudes Internationales de Xian (Chine); 2016. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2016AIXM3006.

Council of Science Editors:

Chen L. La réception de Marguerite Duras en Chine : The reception of Marguerite Duras in China. [Doctoral Dissertation]. Aix-Marseille; Université d'Etudes Internationales de Xian (Chine); 2016. Available from: http://www.theses.fr/2016AIXM3006

21. ZHU XINCHEN. The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics.

Degree: 2014, National University of Singapore

URL: http://scholarbank.nus.edu.sg/handle/10635/78946

Subjects/Keywords: Tang Wei; star; performance; context; reception; Chinese politics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

XINCHEN, Z. (2014). The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics. (Thesis). National University of Singapore. Retrieved from http://scholarbank.nus.edu.sg/handle/10635/78946

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

XINCHEN, ZHU. “The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics.” 2014. Thesis, National University of Singapore. Accessed January 19, 2021. http://scholarbank.nus.edu.sg/handle/10635/78946.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

XINCHEN, ZHU. “The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics.” 2014. Web. 19 Jan 2021.

Vancouver:

XINCHEN Z. The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics. [Internet] [Thesis]. National University of Singapore; 2014. [cited 2021 Jan 19]. Available from: http://scholarbank.nus.edu.sg/handle/10635/78946.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

XINCHEN Z. The Construction of Tang Wei as a Star in contemporary China: Performance, Context, Reception and Politics. [Thesis]. National University of Singapore; 2014. Available from: http://scholarbank.nus.edu.sg/handle/10635/78946

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Zhang, Jing. Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China.

Degree: Docteur es, Littérature générale et comparée, 2019, Perpignan

URL: http://www.theses.fr/2019PERP0023

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Ce travail s’attachera au questionnement, le comment des stratégies de la traduction littéraire moderne face au style de l’œuvre de Proust ainsi qu’à l’analyse des… (more)

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Ce travail s’attachera au questionnement, le comment des stratégies de la traduction littéraire moderne face au style de l’œuvre de Proust ainsi qu’à l’analyse des raisons des choix des traducteurs et des différents effets qu’elles produisent. L’examen du développement de la traduction et de la réception de Proust en Chine permet d’apercevoir les interactions actives entre la traduction de Proust et les contextes multidimensionnels en mouvance en Chine, ainsi que les impacts réciproques des activités de traduction sur les études proustiennes et les créations littéraires chinoises. En comparant systématiquement l’original d’À la Recherche du temps perdu avec ses deux retraductions en langue chinoise argumentées de leurs traitements du style, la thèse tente de mettre à jour certaines modalités propres à la traduction du style de Proust. L’exploitation des stratégies de traduction s’effectuera surtout par le biais de méthodes statistiques et de l’approche proposée par la traductologie de corpus, encore peu appliquées à l’étude de la traduction de Proust mais ayant fait leur preuves quant à leur capacité à fournir des renseignements bien précis sur la structure lexicale et phrastique des deux retraductions en chinois. Grâce à une lecture trans-culturelle de la sociologie et de la linguistique, on découvre que les stratégies choisies pour la traduction du style peut être conduites dans un cas particulier comme celui de Proust jugé intransposable jusqu’à quel degré trans-culturelle. En espérant que les valeurs culturelles et linguistiques révélées seraient source d’enrichissement dans l’étude de la traduction du style, la thèse cherchera à créer plus de points d’entrées concernant ce sujet.

This thesis aims at investigating the strategies of literary translation applied to the style of Proust's work, as well as at analyzing the potential reasons for the translation choices and their respective consequences. Through reviewing the translation and reception of Proust's literature in China, we are able to uncover the reciprocal interactions between the translation of Proust's work and the dynamic and multidimensional Chinese environment. It further reveals the interactive impact among the translation of Proust's literature, the studies of Proust’s literary concept and the Chinese literary creations. Systematically comparing the French original text of “In Search of Lost Time” with two Chinese translations, this thesis highlights the distinctive translation choices for the literary style and offers an original methodology to investigate the notion of style in translation. Taking advantage of multiple recently developed statistical methods and corpus-based translation approaches, we are capable to qualitatively and quantitatively investigate the structure of the vocabulary and the syntax in the two Chinese versions. In terms of cross-cultural studies in sociology and linguistics, we are able to detect various attitudes achieved through different translation styles, especially as regards Proust’s so-called “untranslatable”…

Advisors/Committee Members: Monneyron, Frédéric (thesis director).

Subjects/Keywords: Style; Stratégie de la traduction; Réception franco-Chinoise; Marcel Proust; Corpus; Style; Translation strategy; French-Chinese reception; Marcel Proust; Corpus; 800

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zhang, J. (2019). Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China. (Doctoral Dissertation). Perpignan. Retrieved from http://www.theses.fr/2019PERP0023

Chicago Manual of Style (16^th Edition):

Zhang, Jing. “Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China.” 2019. Doctoral Dissertation, Perpignan. Accessed January 19, 2021. http://www.theses.fr/2019PERP0023.

MLA Handbook (7^th Edition):

Zhang, Jing. “Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China.” 2019. Web. 19 Jan 2021.

Vancouver:

Zhang J. Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China. [Internet] [Doctoral dissertation]. Perpignan; 2019. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2019PERP0023.

Council of Science Editors:

Zhang J. Stratégie de la traduction, problème du style, analyses de la réception d’À la Recherche du temps perdu en Chine" : Translation strategies, Problems of style, Analysis of In Search of Lost Time's reception in China. [Doctoral Dissertation]. Perpignan; 2019. Available from: http://www.theses.fr/2019PERP0023

Université Paris-Sorbonne – Paris IV

23. Ling, Min. Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France.

Degree: Docteur es, Littératures française et comparée, 2013, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2013PA040162

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Si les Poésies de l’époque des Thang (1862) de Hervey-Saint-Denys est apprécié des savants et des poètes, le Livre de Jade (1867) de Judith Gautier… (more)

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Si les Poésies de l’époque des Thang (1862) de Hervey-Saint-Denys est apprécié des savants et des poètes, le Livre de Jade (1867) de Judith Gautier touche les non-spécialistes et diffuse la poésie chinoise en Occident. Regardé du point de vue de la poésie classique chinoise, le Livre de Jade porte plusieurs transformations : le changement du lyrisme à la narration, la perte inévitable des images et des formes poétiques classiques chinoises. Considéré du point de vue de la poésie française du XIXème siècle, le Livre de Jade porte les grands thèmes lyriques du romantisme et manifeste les récents développements du Parnasse : son enthousiasme pour le poème en prose et son goût pour la peinture. A la fin nous prendrons à la fois le point de vue de la poésie classique chinoise et celui de la poésie romantique française. Bien que le Livre de Jade possède deux caractéristiques communes à ces deux poésies, nous n’y trouvons pas de point de rencontre idéal. Tant de différences par rapport aux poèmes originaux justifient les réticences, depuis son apparition, à considérer Le Livre de Jade comme une traduction. Nous nous proposons de considérer ce livre du point de vue de la première rencontre poétique entre la France et la Chine. A travers cette rencontre, ces deux poésies se renvoient leur image comme un miroir l’une de l’autre et, ce faisant, leur fait découvrir ce qu’elles ne voyaient pas de leur propre culture.

If Hervey-Saint-Denys’s Poésies de l’époque des Thang (1862) have touched French sinologists and men of letters, the Judith Gautier’s Livre de Jade (1867) properly initiated classical Chinese poetry into the vision of the Western reader. Seen from the perspective of classical Chinese poetry, Poésies de l’époque des Thang can be taken as a reference for the Livre de Jade about what scholars and poets have in common when translating poetry. This demonstrates the influence and limitation that the Chinese and French languages, cultures, and literary traditions exert on poetic translation. Examined from the perspective of the 19th-century French poetry on the other hand, the Livre de Jade possesses qualities of romantic themes, but it also bears Parnassian imprints in its imitation of the newly emerging prose poetry and its transplantation of ideas of painting. Besides, in analyzing the two obvious features of the Livre de Jade, namely its abundant metaphors and the omnipresence of nature, this thesis juxtaposes French romantic poetry keen on figures of speech, especially metaphor, with classical Chinese poetry immersed in its tradition of bi-xing. The above analysis reveals that the Livre de Jade is by no means translation in the strict sense of the word. However we might regard it as the first encounter between Chinese and French poetry which enables them to reflect and rediscover each other before they finally merge into one.

Advisors/Committee Members: Chauvin, Danièle (thesis director).

Subjects/Keywords: Livre de Jade; Judith Gautier; Poésie classique chinoise; Traduction; Réception; Livre de Jade; Judith Gautier; Classical Chinese poetry; Translation; Reception; 800

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ling, M. (2013). Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040162

Chicago Manual of Style (16^th Edition):

Ling, Min. “Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 19, 2021. http://www.theses.fr/2013PA040162.

MLA Handbook (7^th Edition):

Ling, Min. “Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France.” 2013. Web. 19 Jan 2021.

Vancouver:

Ling M. Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2013PA040162.

Council of Science Editors:

Ling M. Première rencontre poétique entre la France et la Chine : traduction et réception de la poésie classique chinoise en France au XIXème siècle : The First Encounter between Chinese and French Poetry : Translation and Reception of the Classical Chinese Poetry in 19th-Century France. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040162

Université Paris-Sorbonne – Paris IV

24. Wang, Yu. La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008).

Degree: Docteur es, Littératures françaises et comparée, 2014, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2014PA040041

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Notre thèse est consacrée à la réception de la poésie chinoise classique chez les poètes français à travers notamment les anthologies. Elle est divisée chronologiquement… (more)

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Notre thèse est consacrée à la réception de la poésie chinoise classique chez les poètes français à travers notamment les anthologies. Elle est divisée chronologiquement en trois parties. La Partie I couvre la période 1735-1860, antérieure à la première anthologie de poésie chinoise et où il n’est donc question que de morceaux choisis. Nous estimons que cette partie est indispensable sur les plans à la fois historique et comparatif. Sans elle, nous apprécierions peut-être moins l’arrivée des anthologies et leur contribution à l’évolution de la réception de la poésie chinoise chez les lecteurs-poètes. La Partie II commence par la parution de Poésies de l’époque des Thang. Nous débutons ainsi par un aperçu général des anthologies parues entre 1862 et 1949. Puis nous abordons la traduction de cette période et les anthologies majeures. Nous entrons par la suite dans le vif du sujet qu’est la réception de ces anthologies chez les lecteurs-poètes, tels que Paul Claudel, Segalen et Saint-John Perse. La Partie III concerne la période 1953-2008. Nous abordons d’abord la diffusion et la traduction des anthologies de cette période. Puis nous parlons en détail des trois sortes d’anthologies produites par les traducteurs professionnels, les sinologues et les poètes, sans oublier de réserver un chapitre à des anthologies majeures. Enfin, nous étudions les poètes contemporains qui lisent la poésie chinoise traduite avec leurs différentes modalités de réception. Dans la réception, le plus intéressant n’est peut-être pas de connaître la poésie chinoise classique mais bien de s’interroger sur la façon dont les poètes français l’interprétèrent. Nous espérons avoir pu répondre à cette interrogation à travers le long parcours historique déployé dans cette thèse.

This thesis addresses the reception of Classical Chinese poetry by French poets, particularly by means of anthologies. It is organised chronologically in three parts. Part One covers the period 1735–1860, before the first anthology of Chinese poetry, and is therefore concerned only with excerpts. An understanding of this first period is essential if we are to appreciate the significance of the anthologies that followed, and their role in the changing reception of Chinese poetry by reader-poets. Part Two begins with the publication of the anthology Poésies de l’époque des Thang. After a general overview of the anthologies published between 1826 and 1949, there is a more detailed account of translation practices over this period, and of the most influential anthologies. It is then possible to address the central issue of this thesis: the reception of these anthologies by reader-poets, such as Paul Claudel, Victor Segalen and Saint-John Perse. Part Three is concerned with the period 1953–2008. Following an account of the dissemination and translation practices of anthologies from this period, there is a detailed discussion of the three types of anthologies produced by professional translators, Sinologists and poets respectively, and a further chapter is devoted to the most…

Advisors/Committee Members: Alexandre, Didier (thesis director).

Subjects/Keywords: Réception; Poésie chinoise classique; Poètes français; Anthologie; Traduction; Poète; Poésie française; Reception; Classical Chinese Poetry; French poets; Anthology; Translation; 840

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APA (6^th Edition):

Wang, Y. (2014). La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040041

Chicago Manual of Style (16^th Edition):

Wang, Yu. “La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008).” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 19, 2021. http://www.theses.fr/2014PA040041.

MLA Handbook (7^th Edition):

Wang, Yu. “La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008).” 2014. Web. 19 Jan 2021.

Vancouver:

Wang Y. La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2014PA040041.

Council of Science Editors:

Wang Y. La réception des anthologies de poésie chinoise classique par les poètes français (1735-2008) : The Reception of Anthologies of Classical Chinese Poetry by French Poets (1735-2008). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040041

University of Melbourne

25. Winstanley, Mark Anthony. Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China.

Degree: 2014, University of Melbourne

URL: http://hdl.handle.net/11343/43028

► Genetic epistemology as conceived by Jean Piaget is a science of the acquisition of knowledge; as such, it is intended to provide science with a… (more)

Subjects/Keywords: genetic epistemology; history of Chinese mathematics; history of Chinese logic

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APA (6^th Edition):

Winstanley, M. A. (2014). Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/43028

Chicago Manual of Style (16^th Edition):

Winstanley, Mark Anthony. “Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China.” 2014. Doctoral Dissertation, University of Melbourne. Accessed January 19, 2021. http://hdl.handle.net/11343/43028.

MLA Handbook (7^th Edition):

Winstanley, Mark Anthony. “Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China.” 2014. Web. 19 Jan 2021.

Vancouver:

Winstanley MA. Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China. [Internet] [Doctoral dissertation]. University of Melbourne; 2014. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/11343/43028.

Council of Science Editors:

Winstanley MA. Historical setting of universal stages: genetic epistemology and the history of deductive sciences in ancient China. [Doctoral Dissertation]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/43028

University of Cambridge

26. Roeger, Teresa. Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions.

Degree: PhD, 2020, University of Cambridge

URL: https://www.repository.cam.ac.uk/handle/1810/306695

► This thesis is about quotation as a crucial means for Augustine to show how human language is flawed. Throughout this thesis, I will explore how… (more)

▼ This thesis is about quotation as a crucial means for Augustine to show how human language is flawed. Throughout this thesis, I will explore how Augustine uses his awareness of the malleability of language productively to find an adequate expression for this topic. It is a crucial issue for Augustine as it challenges exegesis of the scriptures, a text called sacred and considered the word of God, but written in malleable language. I argue that in the Cassiciacum dialogues and Confessions, quotation becomes Augustine’s laboratory for addressing this problem. I see studying Augustine’s use of quotation as a method that allows us to be attentive to his concerns as both a theologian and a writer. As a result, I think that we can learn to understand Augustine’s theology better once we understand that the form in which he presents it is crucial and pay due attention to this form. I will begin by looking at how Latin patristic writers negotiate the meaning of Greek λόγος in the prologue of the Gospel of John. This sets the scene for Augustine’s use of the scriptures in translation and quotation. In the second chapter, I turn to the three ‘scenic’ Cassiciacum dialogues. I focus on how Augustine negotiates the meaning and the importance of texts belonging to two different canons, the scriptures and the Classics, for learning and understanding. The concern with classical literature continues in my reading of Confessions 1 (chapter 3). I will juxtapose Augustine’s use of a Vergilian quotation with the narrative frame into which he has inserted this quotation. I examine how quotation is a means for Augustine to open up momentarily the temporality of narrative. In the fourth chapter, I begin by asking what the narratorial concern with temporality tells us about the theological concern with grace in Confessions 8. I compare Confessions 7 to a passage from the first book of De doctrina christiana in order to show how language takes on different roles in the two works, in which Augustine however makes the same point: the need of grace for reading. The final chapter returns to questions of temporality. I show that in Confessions 9 content, narrative, and quotation are inextricably intertwined by this concern.

Subjects/Keywords: Augustine; Scriptural Hermeneutics; Confessions; Cassiciacum; De doctrina christiana; Reception of Cicero; Reception of Virgil; Quotation theory; Philosophical dialogue genre

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APA (6^th Edition):

Roeger, T. (2020). Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/306695

Chicago Manual of Style (16^th Edition):

Roeger, Teresa. “Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions.” 2020. Doctoral Dissertation, University of Cambridge. Accessed January 19, 2021. https://www.repository.cam.ac.uk/handle/1810/306695.

MLA Handbook (7^th Edition):

Roeger, Teresa. “Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions.” 2020. Web. 19 Jan 2021.

Vancouver:

Roeger T. Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions. [Internet] [Doctoral dissertation]. University of Cambridge; 2020. [cited 2021 Jan 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/306695.

Council of Science Editors:

Roeger T. Incarnation, Interpretation and Quotation: Augustine's Cassiciacum Dialogues and Confessions. [Doctoral Dissertation]. University of Cambridge; 2020. Available from: https://www.repository.cam.ac.uk/handle/1810/306695

Cape Peninsula University of Technology

27. Suskin, Karen Leigh. Beyond knowledge to understanding: a Goethean perspective on design education as living process .

Degree: 2016, Cape Peninsula University of Technology

URL: http://etd.cput.ac.za/handle/20.500.11838/2410

► This study explores appropriate responses to some of the challenges inherent to life today, and how a holistic design education can bring about a new… (more)

▼ This study explores appropriate responses to some of the challenges inherent to life today, and how a holistic design education can bring about a new reality. The approach to design learning advocated here acknowledges the present reality of fragmentation and reductionism as the fundamental and pervasive mode of understanding our world and ourselves, and seeks to develop instead a design approach grounded in inclusion, context and connectedness. Under the primary concept of profound engagement with self, culture and environment, I developed a complementary design education model exploring the role of designer as mediator between culture and nature. This model proposes future design knowing situated in environmental, social and self-awareness so as to offer a vital interface between ecology, public and the personal. Three themes emerged during the research that helped me to approach and engage with complexity during particular experiences of teaching and learning. These themes are: Wild, representing quality; Conversation, representing experience; and Transformation, representing consciousness. With these themes in mind I entered into the untamed territory of my research seeking the dynamic connections and interrelationships of living processes in education. The Ensembles or modules constituting this model evolved from the work of Rudolf Steiner’s concepts of higher perception: Imagination, Inspiration and Intuition, made clear through following Johann Wolfgang von Goethe’s phenomenological method. Goethe’s phenomenological method – “delicate empiricism” – is essentially a participatory, perceptive practice with which to harness qualitative ways of knowing. The methodology supports students to cross the divide between abstraction and holistic relational modes of knowing that are context-sensitive. The research study reconsiders the current worldview and determines ways in which to develop relational awareness through deliberate learning experiences. These ways imply re-focusing existing awareness with personal qualities and active participation. The Ensembles open up new ways of perceiving emergent process rooted in integrated, flexible and evolutionary processes. Students’ learning experiences are traced as they develop their capacity for interconnected decision making modelled on living processes. This in turn helps develop the model further, so that in the future designers may embrace ways of thinking and doing design that are more flexible, mobile, delicate and sustainable. The radical humanist perspective and qualitative methods used in the study advance the pedagogical approach embedded in human engagement and interaction, and encompass logic, intellect, creativity, imagination and philosophical reflection. Thus the critical shift, from perceiving the world as abstract and as “something out there” to a deeper inner knowing and understanding, is embedded in the education model as an opus of Ensembles reflecting a pedagogy of lived experience, grounded in…

Subjects/Keywords: Design – Study and teaching; Anthroposophy; Goethe, Johann Wolfgang von, 1749-1832 – Philosophy; Knowledge, Theory of; Reductionism

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APA (6^th Edition):

Suskin, K. L. (2016). Beyond knowledge to understanding: a Goethean perspective on design education as living process . (Thesis). Cape Peninsula University of Technology. Retrieved from http://etd.cput.ac.za/handle/20.500.11838/2410

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Suskin, Karen Leigh. “Beyond knowledge to understanding: a Goethean perspective on design education as living process .” 2016. Thesis, Cape Peninsula University of Technology. Accessed January 19, 2021. http://etd.cput.ac.za/handle/20.500.11838/2410.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Suskin, Karen Leigh. “Beyond knowledge to understanding: a Goethean perspective on design education as living process .” 2016. Web. 19 Jan 2021.

Vancouver:

Suskin KL. Beyond knowledge to understanding: a Goethean perspective on design education as living process . [Internet] [Thesis]. Cape Peninsula University of Technology; 2016. [cited 2021 Jan 19]. Available from: http://etd.cput.ac.za/handle/20.500.11838/2410.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suskin KL. Beyond knowledge to understanding: a Goethean perspective on design education as living process . [Thesis]. Cape Peninsula University of Technology; 2016. Available from: http://etd.cput.ac.za/handle/20.500.11838/2410

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

28. Otte, Tirza. Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works.

Degree: 2016, Leiden University

URL: http://hdl.handle.net/1887/44477

► The genre of Chinese campus literature lacks both name and a foreign counterpart outside of Asia, and deserves more familiarity. The aim of this study… (more)

Subjects/Keywords: China; Chinese campus literature; Literary field of China; Chinese literature; Chinese Internet literature

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APA (6^th Edition):

Otte, T. (2016). Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/44477

Chicago Manual of Style (16^th Edition):

Otte, Tirza. “Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works.” 2016. Masters Thesis, Leiden University. Accessed January 19, 2021. http://hdl.handle.net/1887/44477.

MLA Handbook (7^th Edition):

Otte, Tirza. “Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works.” 2016. Web. 19 Jan 2021.

Vancouver:

Otte T. Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1887/44477.

Council of Science Editors:

Otte T. Chinese campus literature: An analysis of the genre within the literary field and of the social roles of protagonists in popular works. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/44477

University of Cambridge

29. Kennerley, Sam Joseph. The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600.

Degree: PhD, 2018, University of Cambridge

URL: https://www.repository.cam.ac.uk/handle/1810/271888

► This study retraces the principal moments of the Latin reception of John Chrysostom between c.1440 and 1600 and how they reflect on the study of… (more)

Subjects/Keywords: Reception; Patristic reception; History of scholarship; Erasmus; John Chrysostom; Jean Jouffroy; Johannes Heynlin; Marcello Cervini; Early modern history

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APA (6^th Edition):

Kennerley, S. J. (2018). The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/271888

Chicago Manual of Style (16^th Edition):

Kennerley, Sam Joseph. “The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600.” 2018. Doctoral Dissertation, University of Cambridge. Accessed January 19, 2021. https://www.repository.cam.ac.uk/handle/1810/271888.

MLA Handbook (7^th Edition):

Kennerley, Sam Joseph. “The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600.” 2018. Web. 19 Jan 2021.

Vancouver:

Kennerley SJ. The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2021 Jan 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/271888.

Council of Science Editors:

Kennerley SJ. The reception of John Chrysostom and the study of ancient Christianity in early modern Europe, c.1440-1600. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/271888

Uniwersytet im. Adama Mickiewicza w Poznaniu

30. Kulpa, Karolina Anna. Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną .

Degree: 2017, Uniwersytet im. Adama Mickiewicza w Poznaniu

URL: http://hdl.handle.net/10593/17680

► Celem dysertacji doktorskiej była weryfikacja hipotezy, że współczesny wizerunek Kleopatry ukształtowany został w efekcie zderzenia się jego wizji historycznej z obrazem lansowanym przez twórców kultury… (more)

Subjects/Keywords: Kleopatra VII; Cleopatra VII; wizerunek; image; antyk; recepcja antyku; Antiquity; reception of Antiquity; recepcja w kulturze popularnej; reception in popular culture

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APA (6^th Edition):

Kulpa, K. A. (2017). Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/17680

Chicago Manual of Style (16^th Edition):

Kulpa, Karolina Anna. “Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną .” 2017. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed January 19, 2021. http://hdl.handle.net/10593/17680.

MLA Handbook (7^th Edition):

Kulpa, Karolina Anna. “Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną .” 2017. Web. 19 Jan 2021.

Vancouver:

Kulpa KA. Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2017. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10593/17680.

Council of Science Editors:

Kulpa KA. Przemiany wizerunku Kleopatry VII, królowej Egiptu. Między narracją historyczną a kulturą popularną . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2017. Available from: http://hdl.handle.net/10593/17680

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Open Access Theses and Dissertations