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You searched for subject:(Chinese painting). Showing records 1 – 30 of 101 total matches.

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Texas A&M University

1. Strickland, Stephanie Ann. Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics.

Degree: MS, Visualization Sciences, 2011, Texas A&M University

 This thesis presents a study of both traditional Chinese painting and threedimensional (3D) digital non-photorealistic shading techniques, the results of which are used to create… (more)

Subjects/Keywords: Chinese Painting; Computer Graphics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Strickland, S. A. (2011). Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8639

Chicago Manual of Style (16th Edition):

Strickland, Stephanie Ann. “Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics.” 2011. Masters Thesis, Texas A&M University. Accessed March 05, 2021. http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8639.

MLA Handbook (7th Edition):

Strickland, Stephanie Ann. “Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics.” 2011. Web. 05 Mar 2021.

Vancouver:

Strickland SA. Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics. [Internet] [Masters thesis]. Texas A&M University; 2011. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8639.

Council of Science Editors:

Strickland SA. Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer Graphics. [Masters Thesis]. Texas A&M University; 2011. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8639


Victoria University of Wellington

2. Shen, Lili. Serenity: 3D Animation to Simulate Chinese Ink Painting.

Degree: 2014, Victoria University of Wellington

 Serenity is a computer generated ink-wash animated short in which the traditional aesthetics meets the new media. I combined theoretical research and physical experiment to… (more)

Subjects/Keywords: 3-dimensional; Chinese painting; Animation

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APA (6th Edition):

Shen, L. (2014). Serenity: 3D Animation to Simulate Chinese Ink Painting. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/3499

Chicago Manual of Style (16th Edition):

Shen, Lili. “Serenity: 3D Animation to Simulate Chinese Ink Painting.” 2014. Masters Thesis, Victoria University of Wellington. Accessed March 05, 2021. http://hdl.handle.net/10063/3499.

MLA Handbook (7th Edition):

Shen, Lili. “Serenity: 3D Animation to Simulate Chinese Ink Painting.” 2014. Web. 05 Mar 2021.

Vancouver:

Shen L. Serenity: 3D Animation to Simulate Chinese Ink Painting. [Internet] [Masters thesis]. Victoria University of Wellington; 2014. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10063/3499.

Council of Science Editors:

Shen L. Serenity: 3D Animation to Simulate Chinese Ink Painting. [Masters Thesis]. Victoria University of Wellington; 2014. Available from: http://hdl.handle.net/10063/3499


University of Melbourne

3. Easton, Craig. A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden.

Degree: 2014, University of Melbourne

 This project researches a path into the ancient, non-western, non-painting artistic tradition of the Chinese literati garden as a means of reading and generating contemporary… (more)

Subjects/Keywords: abstract painting; Chinese gardens

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APA (6th Edition):

Easton, C. (2014). A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/42162

Chicago Manual of Style (16th Edition):

Easton, Craig. “A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden.” 2014. Doctoral Dissertation, University of Melbourne. Accessed March 05, 2021. http://hdl.handle.net/11343/42162.

MLA Handbook (7th Edition):

Easton, Craig. “A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden.” 2014. Web. 05 Mar 2021.

Vancouver:

Easton C. A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden. [Internet] [Doctoral dissertation]. University of Melbourne; 2014. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/11343/42162.

Council of Science Editors:

Easton C. A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden. [Doctoral Dissertation]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/42162


SOAS, University of London

4. Wang, Shu-Chin. Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953).

Degree: PhD, 2009, SOAS, University of London

Subjects/Keywords: 759; Chinese painting

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APA (6th Edition):

Wang, S. (2009). Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953). (Doctoral Dissertation). SOAS, University of London. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547458

Chicago Manual of Style (16th Edition):

Wang, Shu-Chin. “Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953).” 2009. Doctoral Dissertation, SOAS, University of London. Accessed March 05, 2021. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547458.

MLA Handbook (7th Edition):

Wang, Shu-Chin. “Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953).” 2009. Web. 05 Mar 2021.

Vancouver:

Wang S. Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953). [Internet] [Doctoral dissertation]. SOAS, University of London; 2009. [cited 2021 Mar 05]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547458.

Council of Science Editors:

Wang S. Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953). [Doctoral Dissertation]. SOAS, University of London; 2009. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547458


Princeton University

5. Kwok, Zoe Song-Yi. An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" .

Degree: PhD, 2013, Princeton University

 Palace Banquet is a large hanging scroll in the collection of the Metropolitan Museum of Art. The painting, dated by the museum to the late… (more)

Subjects/Keywords: Architecture; Chinese; Jiehua; Painting; Palace Banquet; Women

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APA (6th Edition):

Kwok, Z. S. (2013). An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp013484zh03h

Chicago Manual of Style (16th Edition):

Kwok, Zoe Song-Yi. “An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" .” 2013. Doctoral Dissertation, Princeton University. Accessed March 05, 2021. http://arks.princeton.edu/ark:/88435/dsp013484zh03h.

MLA Handbook (7th Edition):

Kwok, Zoe Song-Yi. “An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" .” 2013. Web. 05 Mar 2021.

Vancouver:

Kwok ZS. An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" . [Internet] [Doctoral dissertation]. Princeton University; 2013. [cited 2021 Mar 05]. Available from: http://arks.princeton.edu/ark:/88435/dsp013484zh03h.

Council of Science Editors:

Kwok ZS. An Intimate View of the Inner Quarters: A Study of Court Women and Architecture in "Palace Banquet" . [Doctoral Dissertation]. Princeton University; 2013. Available from: http://arks.princeton.edu/ark:/88435/dsp013484zh03h


University of Sydney

6. Liu, Tongwu. Under the shadow of cross-culture Chinese contemporary body painting .

Degree: 2013, University of Sydney

 This research explores body painting as away of investigating my identity as an international Chinese woman living in Australia. The use of the body has… (more)

Subjects/Keywords: Painting; Chinese contemporary art; Body art

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APA (6th Edition):

Liu, T. (2013). Under the shadow of cross-culture Chinese contemporary body painting . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Tongwu. “Under the shadow of cross-culture Chinese contemporary body painting .” 2013. Thesis, University of Sydney. Accessed March 05, 2021. http://hdl.handle.net/2123/10542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Tongwu. “Under the shadow of cross-culture Chinese contemporary body painting .” 2013. Web. 05 Mar 2021.

Vancouver:

Liu T. Under the shadow of cross-culture Chinese contemporary body painting . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2123/10542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu T. Under the shadow of cross-culture Chinese contemporary body painting . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Edwards, James H. The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings.

Degree: MA, Chinese, 2012, University of Massachusetts

  Du Fu is one of China's most celebrated and influential poets. His poems about paintings are a highly innovative subset of poems rich with… (more)

Subjects/Keywords: Du Fu; Aesthetics; Classical Chinese Poetry; Painting; Chinese Studies

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APA (6th Edition):

Edwards, J. H. (2012). The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/846

Chicago Manual of Style (16th Edition):

Edwards, James H. “The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings.” 2012. Masters Thesis, University of Massachusetts. Accessed March 05, 2021. https://scholarworks.umass.edu/theses/846.

MLA Handbook (7th Edition):

Edwards, James H. “The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings.” 2012. Web. 05 Mar 2021.

Vancouver:

Edwards JH. The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings. [Internet] [Masters thesis]. University of Massachusetts; 2012. [cited 2021 Mar 05]. Available from: https://scholarworks.umass.edu/theses/846.

Council of Science Editors:

Edwards JH. The Artist as Creator: The Theory of Art in Du Fu's Poems about Paintings. [Masters Thesis]. University of Massachusetts; 2012. Available from: https://scholarworks.umass.edu/theses/846

8. Riggs, Amy C. PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL .

Degree: PhD, 2017, Princeton University

 This dissertation is a close examination and a cultural biography of Mou Yi’s 牟益(1178–between 1240 to 1265) Fulling Cloth 擣衣圖, a 1240 monochromatic handscroll painting(more)

Subjects/Keywords: Chinese art; Chinese painting; Chinese poetry; Cultural biography; Mou Yi; Xie Huilian

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APA (6th Edition):

Riggs, A. C. (2017). PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01gh93h216r

Chicago Manual of Style (16th Edition):

Riggs, Amy C. “PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL .” 2017. Doctoral Dissertation, Princeton University. Accessed March 05, 2021. http://arks.princeton.edu/ark:/88435/dsp01gh93h216r.

MLA Handbook (7th Edition):

Riggs, Amy C. “PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL .” 2017. Web. 05 Mar 2021.

Vancouver:

Riggs AC. PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL . [Internet] [Doctoral dissertation]. Princeton University; 2017. [cited 2021 Mar 05]. Available from: http://arks.princeton.edu/ark:/88435/dsp01gh93h216r.

Council of Science Editors:

Riggs AC. PROPERTIES OF WORD AND IMAGE: MOU YI’S 1240 "FULLING CLOTH" HANDSCROLL . [Doctoral Dissertation]. Princeton University; 2017. Available from: http://arks.princeton.edu/ark:/88435/dsp01gh93h216r


RMIT University

9. Koon, W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.

Degree: 2011, RMIT University

 Since the early twentieth century a quest has been eagerly anticipated for Chinese painters to revive and rejuvenate the concept guohua, which literally means national… (more)

Subjects/Keywords: Fields of Research; classics; guohua; traditional Chinese painting; Chinse art; contemporary art; modern Chinese painting; contemporaneity; hybridity; bimo

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APA (6th Edition):

Koon, W. (2011). Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koon, W. “Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.” 2011. Thesis, RMIT University. Accessed March 05, 2021. http://researchbank.rmit.edu.au/view/rmit:160187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koon, W. “Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.” 2011. Web. 05 Mar 2021.

Vancouver:

Koon W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. [Internet] [Thesis]. RMIT University; 2011. [cited 2021 Mar 05]. Available from: http://researchbank.rmit.edu.au/view/rmit:160187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koon W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. [Thesis]. RMIT University; 2011. Available from: http://researchbank.rmit.edu.au/view/rmit:160187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

10. Deng, Weixiong. The influences of the Sung acadamy of painting on Chinesepainting.

Degree: 1985, University of Hong Kong

Subjects/Keywords: Painting, Chinese - Song-Yuan dynasties, 960-1368.; Painting, Chinese.

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APA (6th Edition):

Deng, W. (1985). The influences of the Sung acadamy of painting on Chinesepainting. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/50587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Deng, Weixiong. “The influences of the Sung acadamy of painting on Chinesepainting.” 1985. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/50587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Deng, Weixiong. “The influences of the Sung acadamy of painting on Chinesepainting.” 1985. Web. 05 Mar 2021.

Vancouver:

Deng W. The influences of the Sung acadamy of painting on Chinesepainting. [Internet] [Thesis]. University of Hong Kong; 1985. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/50587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Deng W. The influences of the Sung acadamy of painting on Chinesepainting. [Thesis]. University of Hong Kong; 1985. Available from: http://hdl.handle.net/10722/50587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

11. Chao, Jacqueline. Chen Rong and the Transformation of Nine Dragons.

Degree: PhD, Art History, 2012, Arizona State University

 This dissertation is the first detailed and extensive study dedicated to the life and art of the master artist and scholar-official Chen Rong (active 13th… (more)

Subjects/Keywords: Art history; Asian studies; Fine arts; Chen Rong; Chinese Painting; Contemporary Chinese Art; Literati Painting; Nine Dragons; Song Dynasty

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APA (6th Edition):

Chao, J. (2012). Chen Rong and the Transformation of Nine Dragons. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/15960

Chicago Manual of Style (16th Edition):

Chao, Jacqueline. “Chen Rong and the Transformation of Nine Dragons.” 2012. Doctoral Dissertation, Arizona State University. Accessed March 05, 2021. http://repository.asu.edu/items/15960.

MLA Handbook (7th Edition):

Chao, Jacqueline. “Chen Rong and the Transformation of Nine Dragons.” 2012. Web. 05 Mar 2021.

Vancouver:

Chao J. Chen Rong and the Transformation of Nine Dragons. [Internet] [Doctoral dissertation]. Arizona State University; 2012. [cited 2021 Mar 05]. Available from: http://repository.asu.edu/items/15960.

Council of Science Editors:

Chao J. Chen Rong and the Transformation of Nine Dragons. [Doctoral Dissertation]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/15960


Harvard University

12. Cervone, Einor Keinan. Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan.

Degree: PhD, 2017, Harvard University

This dissertation examines the waterscape as a space of creation and recreation in premodern Jiangnan. The phenomenon reverberates across historical and personal accounts, in visual… (more)

Subjects/Keywords: Premodern Chinese art; premodern Chinese literature; waterborne amusement; performance studies; garden culture; court painting; material culture; literati culture; Chinese drama

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APA (6th Edition):

Cervone, E. K. (2017). Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141530

Chicago Manual of Style (16th Edition):

Cervone, Einor Keinan. “Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan.” 2017. Doctoral Dissertation, Harvard University. Accessed March 05, 2021. http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141530.

MLA Handbook (7th Edition):

Cervone, Einor Keinan. “Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan.” 2017. Web. 05 Mar 2021.

Vancouver:

Cervone EK. Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan. [Internet] [Doctoral dissertation]. Harvard University; 2017. [cited 2021 Mar 05]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141530.

Council of Science Editors:

Cervone EK. Waterscapes: Aquatic Theater and Other Floating Pleasures in Late Imperial Jiangnan. [Doctoral Dissertation]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141530


University of Hong Kong

13. 羅淑敏. Zhang Daqian's (1899-1983) place in the history of Chinese painting.

Degree: 2004, University of Hong Kong

Subjects/Keywords: Painting; Chinese - 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

羅淑敏.. (2004). Zhang Daqian's (1899-1983) place in the history of Chinese painting. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/51616

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

羅淑敏.. “Zhang Daqian's (1899-1983) place in the history of Chinese painting.” 2004. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/51616.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

羅淑敏.. “Zhang Daqian's (1899-1983) place in the history of Chinese painting.” 2004. Web. 05 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

羅淑敏.. Zhang Daqian's (1899-1983) place in the history of Chinese painting. [Internet] [Thesis]. University of Hong Kong; 2004. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/51616.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

羅淑敏.. Zhang Daqian's (1899-1983) place in the history of Chinese painting. [Thesis]. University of Hong Kong; 2004. Available from: http://hdl.handle.net/10722/51616

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

14. 高昕丹. Chen shizeng (1876-1923) and the reform of Chinese art.

Degree: 2004, University of Hong Kong

Subjects/Keywords: Painting; Chinese - History and criticism.

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APA (6th Edition):

高昕丹.. (2004). Chen shizeng (1876-1923) and the reform of Chinese art. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/51617

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

高昕丹.. “Chen shizeng (1876-1923) and the reform of Chinese art.” 2004. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/51617.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

高昕丹.. “Chen shizeng (1876-1923) and the reform of Chinese art.” 2004. Web. 05 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

高昕丹.. Chen shizeng (1876-1923) and the reform of Chinese art. [Internet] [Thesis]. University of Hong Kong; 2004. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/51617.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

高昕丹.. Chen shizeng (1876-1923) and the reform of Chinese art. [Thesis]. University of Hong Kong; 2004. Available from: http://hdl.handle.net/10722/51617

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

15. Deng, Weixiong. Scholarship, creativity and Jao Tsung-i's works and theories of painting.

Degree: 2010, University of Hong Kong

Subjects/Keywords: Painting; Chinese - 20th century.

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APA (6th Edition):

Deng, W. (2010). Scholarship, creativity and Jao Tsung-i's works and theories of painting. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/134102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Deng, Weixiong. “Scholarship, creativity and Jao Tsung-i's works and theories of painting.” 2010. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/134102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Deng, Weixiong. “Scholarship, creativity and Jao Tsung-i's works and theories of painting.” 2010. Web. 05 Mar 2021.

Vancouver:

Deng W. Scholarship, creativity and Jao Tsung-i's works and theories of painting. [Internet] [Thesis]. University of Hong Kong; 2010. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/134102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Deng W. Scholarship, creativity and Jao Tsung-i's works and theories of painting. [Thesis]. University of Hong Kong; 2010. Available from: http://hdl.handle.net/10722/134102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

16. Liu, Siran. Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics.

Degree: MS, Visualization, 2015, Texas A&M University

 This thesis explores the topic of recreating Chinese ink-and-brush painting in 3D computer graphics and introducing film lighting aesthetics into the result. The method is… (more)

Subjects/Keywords: non-photorealistic rendering; computer graphics; digital compositing; shading; Chinese painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liu, S. (2015). Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/154993

Chicago Manual of Style (16th Edition):

Liu, Siran. “Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics.” 2015. Masters Thesis, Texas A&M University. Accessed March 05, 2021. http://hdl.handle.net/1969.1/154993.

MLA Handbook (7th Edition):

Liu, Siran. “Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics.” 2015. Web. 05 Mar 2021.

Vancouver:

Liu S. Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics. [Internet] [Masters thesis]. Texas A&M University; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1969.1/154993.

Council of Science Editors:

Liu S. Chinese Ink-and-Brush Painting with Film Lighting Aesthetics in 3D Computer Graphics. [Masters Thesis]. Texas A&M University; 2015. Available from: http://hdl.handle.net/1969.1/154993


University of Oxford

17. Stanley-Baker, Joan. Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study.

Degree: PhD, 1987, University of Oxford

 The thesis is a demonstration of an integrated methodology in the investigation of Chinese paintings. Section I outlines methods of analysis used by specialists in… (more)

Subjects/Keywords: 759.951; Painting; Chinese; Expertising

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APA (6th Edition):

Stanley-Baker, J. (1987). Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:895704f6-8f4f-4c96-a329-51ab4b275c34 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580794

Chicago Manual of Style (16th Edition):

Stanley-Baker, Joan. “Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study.” 1987. Doctoral Dissertation, University of Oxford. Accessed March 05, 2021. http://ora.ox.ac.uk/objects/uuid:895704f6-8f4f-4c96-a329-51ab4b275c34 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580794.

MLA Handbook (7th Edition):

Stanley-Baker, Joan. “Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study.” 1987. Web. 05 Mar 2021.

Vancouver:

Stanley-Baker J. Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study. [Internet] [Doctoral dissertation]. University of Oxford; 1987. [cited 2021 Mar 05]. Available from: http://ora.ox.ac.uk/objects/uuid:895704f6-8f4f-4c96-a329-51ab4b275c34 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580794.

Council of Science Editors:

Stanley-Baker J. Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study. [Doctoral Dissertation]. University of Oxford; 1987. Available from: http://ora.ox.ac.uk/objects/uuid:895704f6-8f4f-4c96-a329-51ab4b275c34 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580794


Victoria University of Wellington

18. Jiang, Margaret Piggott. Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings.

Degree: 2008, Victoria University of Wellington

 In this thesis, I draw on personal experience and contact with painters from within the Academy [of Fine Arts] structure, art associations, societies and individual… (more)

Subjects/Keywords: Xie He; Lingnan; Chinese painting

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APA (6th Edition):

Jiang, M. P. (2008). Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/304

Chicago Manual of Style (16th Edition):

Jiang, Margaret Piggott. “Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings.” 2008. Masters Thesis, Victoria University of Wellington. Accessed March 05, 2021. http://hdl.handle.net/10063/304.

MLA Handbook (7th Edition):

Jiang, Margaret Piggott. “Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings.” 2008. Web. 05 Mar 2021.

Vancouver:

Jiang MP. Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings. [Internet] [Masters thesis]. Victoria University of Wellington; 2008. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10063/304.

Council of Science Editors:

Jiang MP. Chinese and Painting: an outsider's, inside experience of the Lingnan School and Xie He's writings. [Masters Thesis]. Victoria University of Wellington; 2008. Available from: http://hdl.handle.net/10063/304


University of Hong Kong

19. Kotewall, Pik-yee. Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century.

Degree: 1998, University of Hong Kong

Subjects/Keywords: Painting; Chinese - 20th century.

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APA (6th Edition):

Kotewall, P. (1998). Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/39635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kotewall, Pik-yee. “Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century.” 1998. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/39635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kotewall, Pik-yee. “Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century.” 1998. Web. 05 Mar 2021.

Vancouver:

Kotewall P. Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century. [Internet] [Thesis]. University of Hong Kong; 1998. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/39635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kotewall P. Huang Binhong (1865-1955) and his redefinition of the Chinese paintingtradition in the twentieth century. [Thesis]. University of Hong Kong; 1998. Available from: http://hdl.handle.net/10722/39635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

20. Yang, Qingkang. Pang Xunqin's wartime paintings, 1937-1946.

Degree: 2017, University of Hong Kong

 This study examines Pang Xunqin龐薰琹(1906-1985)’s wartime paintings created between 1937 and 1946. An artist who studied art in Paris in the 1920s, Pang actively promoted… (more)

Subjects/Keywords: Painting; Chinese - 20th century

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APA (6th Edition):

Yang, Q. (2017). Pang Xunqin's wartime paintings, 1937-1946. (Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/239934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Qingkang. “Pang Xunqin's wartime paintings, 1937-1946.” 2017. Thesis, University of Hong Kong. Accessed March 05, 2021. http://hdl.handle.net/10722/239934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Qingkang. “Pang Xunqin's wartime paintings, 1937-1946.” 2017. Web. 05 Mar 2021.

Vancouver:

Yang Q. Pang Xunqin's wartime paintings, 1937-1946. [Internet] [Thesis]. University of Hong Kong; 2017. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10722/239934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang Q. Pang Xunqin's wartime paintings, 1937-1946. [Thesis]. University of Hong Kong; 2017. Available from: http://hdl.handle.net/10722/239934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

21. Lim, Chye Hong. [Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫.

Degree: Languages & Linguistics, 2009, University of New South Wales

 This thesis, titled '[Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫,' examines shanshuihua as a 'theoretical object' through the intervention of the… (more)

Subjects/Keywords: Body; Chinese landscape painting; Shanshuihua

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APA (6th Edition):

Lim, C. H. (2009). [Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/44708 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8008/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Lim, Chye Hong. “[Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫.” 2009. Doctoral Dissertation, University of New South Wales. Accessed March 05, 2021. http://handle.unsw.edu.au/1959.4/44708 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8008/SOURCE02?view=true.

MLA Handbook (7th Edition):

Lim, Chye Hong. “[Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫.” 2009. Web. 05 Mar 2021.

Vancouver:

Lim CH. [Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫. [Internet] [Doctoral dissertation]. University of New South Wales; 2009. [cited 2021 Mar 05]. Available from: http://handle.unsw.edu.au/1959.4/44708 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8008/SOURCE02?view=true.

Council of Science Editors:

Lim CH. [Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫. [Doctoral Dissertation]. University of New South Wales; 2009. Available from: http://handle.unsw.edu.au/1959.4/44708 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8008/SOURCE02?view=true

22. Wang, Yifu. Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang.

Degree: MA, Art history, 2016, University of Texas – Austin

 My thesis discusses the significance of the horizontal format for Chinese paintings in the 13th and 14th centuries. Focusing on the issues of continuity and… (more)

Subjects/Keywords: Handscroll Chinese painting; Literati

Chinese landscape painting have all accidentally lost their opening sections, or their heads… …Chinese painting is unique in its long tradition of horizontal scrolls which began of course… …to the end of the current painting rather than (its) being originally there. The… …composition of the painting itself, this might also be seen as related to the way such a long scroll… …painting, as we see from works of Xu Daoning, Wang Ximeng, Zhao Boju, Zhao Lingrang etc.. The… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, Y. (2016). Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/41987

Chicago Manual of Style (16th Edition):

Wang, Yifu. “Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang.” 2016. Masters Thesis, University of Texas – Austin. Accessed March 05, 2021. http://hdl.handle.net/2152/41987.

MLA Handbook (7th Edition):

Wang, Yifu. “Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang.” 2016. Web. 05 Mar 2021.

Vancouver:

Wang Y. Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2152/41987.

Council of Science Editors:

Wang Y. Space, movement and Chinese handscroll – reading Xia Gui and Huang Gongwang. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/41987


University of British Columbia

23. Stocking, John Robert. Tradition and individual talent in the theory of Chinese painting.

Degree: MA- MA, Fine Arts, 1968, University of British Columbia

 This study is directed at the problem of an apparent contradiction within the theory of Chinese painting, between insistence on the importance of individuality in… (more)

Subjects/Keywords: Hsieh, Ho; Painting, Chinese

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APA (6th Edition):

Stocking, J. R. (1968). Tradition and individual talent in the theory of Chinese painting. (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/36612

Chicago Manual of Style (16th Edition):

Stocking, John Robert. “Tradition and individual talent in the theory of Chinese painting.” 1968. Masters Thesis, University of British Columbia. Accessed March 05, 2021. http://hdl.handle.net/2429/36612.

MLA Handbook (7th Edition):

Stocking, John Robert. “Tradition and individual talent in the theory of Chinese painting.” 1968. Web. 05 Mar 2021.

Vancouver:

Stocking JR. Tradition and individual talent in the theory of Chinese painting. [Internet] [Masters thesis]. University of British Columbia; 1968. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2429/36612.

Council of Science Editors:

Stocking JR. Tradition and individual talent in the theory of Chinese painting. [Masters Thesis]. University of British Columbia; 1968. Available from: http://hdl.handle.net/2429/36612


University of California – San Diego

24. Yin, Tongyun. Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937.

Degree: Art history, theory, and criticism, 2014, University of California – San Diego

 In the early twentieth century, traditional-style painting practice was profoundly affected by the rapid changes sweeping through Chinese society. As traditional-style painting was excluded from… (more)

Subjects/Keywords: Beijing China Arts, Chinese History Marketing 20th century; Beijing China Arts, Chinese History Influence Marketing 20th century; Beijing China Painting, Chinese History Influence Marketing 20th century; Painting, Chinese History Technique 20th century; Painting, Chinese Economic aspects History 20th century; China Art and state 20th century

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APA (6th Edition):

Yin, T. (2014). Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2kh7r50h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yin, Tongyun. “Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937.” 2014. Thesis, University of California – San Diego. Accessed March 05, 2021. http://www.escholarship.org/uc/item/2kh7r50h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yin, Tongyun. “Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937.” 2014. Web. 05 Mar 2021.

Vancouver:

Yin T. Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937. [Internet] [Thesis]. University of California – San Diego; 2014. [cited 2021 Mar 05]. Available from: http://www.escholarship.org/uc/item/2kh7r50h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yin T. Ancient Methods and New Knowledge : The Art Market and Traditional-Style Painting Practice in Early Republican Beijing : 1911-1937. [Thesis]. University of California – San Diego; 2014. Available from: http://www.escholarship.org/uc/item/2kh7r50h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

25. Shen, Cheen. The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian.

Degree: 2007, Edith Cowan University

 The research of this dissertation is focused on 'transformation' in the development of Chinese painting and takes the three traditional elements in painting – line, shape,… (more)

Subjects/Keywords: Painting; Chinese; Painting; Chinese; Three kingdoms-Sui dynasty; 220-618; Painting; Chinese; 20th century.; Chinese Studies

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APA (6th Edition):

Shen, C. (2007). The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/272

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Cheen. “The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian.” 2007. Thesis, Edith Cowan University. Accessed March 05, 2021. https://ro.ecu.edu.au/theses/272.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Cheen. “The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian.” 2007. Web. 05 Mar 2021.

Vancouver:

Shen C. The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian. [Internet] [Thesis]. Edith Cowan University; 2007. [cited 2021 Mar 05]. Available from: https://ro.ecu.edu.au/theses/272.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen C. The transformation of line, shape and intention in Chinese painting since Xu Beihong and Lin Fengmian. [Thesis]. Edith Cowan University; 2007. Available from: https://ro.ecu.edu.au/theses/272

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Hong Kong University of Science and Technology

26. Guo, Zijian HUMA. Creeping toward "print socialism" : the production of Mao iconography, 1937-1956.

Degree: 2017, Hong Kong University of Science and Technology

 The production of Mao’s images in photographs and paintings became one of the most significant propaganda tasks of the Chinese Communist Party (CCP) since Mao’s… (more)

Subjects/Keywords: Mao, Zedong, 1893-1976 ; Political posters, Chinese ; 20th century ; Painting, Chinese ; Political aspects ; Idols and images

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APA (6th Edition):

Guo, Z. H. (2017). Creeping toward "print socialism" : the production of Mao iconography, 1937-1956. (Thesis). Hong Kong University of Science and Technology. Retrieved from http://repository.ust.hk/ir/Record/1783.1-105663 ; https://doi.org/10.14711/thesis-991012555363903412 ; http://repository.ust.hk/ir/bitstream/1783.1-105663/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guo, Zijian HUMA. “Creeping toward "print socialism" : the production of Mao iconography, 1937-1956.” 2017. Thesis, Hong Kong University of Science and Technology. Accessed March 05, 2021. http://repository.ust.hk/ir/Record/1783.1-105663 ; https://doi.org/10.14711/thesis-991012555363903412 ; http://repository.ust.hk/ir/bitstream/1783.1-105663/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guo, Zijian HUMA. “Creeping toward "print socialism" : the production of Mao iconography, 1937-1956.” 2017. Web. 05 Mar 2021.

Vancouver:

Guo ZH. Creeping toward "print socialism" : the production of Mao iconography, 1937-1956. [Internet] [Thesis]. Hong Kong University of Science and Technology; 2017. [cited 2021 Mar 05]. Available from: http://repository.ust.hk/ir/Record/1783.1-105663 ; https://doi.org/10.14711/thesis-991012555363903412 ; http://repository.ust.hk/ir/bitstream/1783.1-105663/1/th_redirect.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guo ZH. Creeping toward "print socialism" : the production of Mao iconography, 1937-1956. [Thesis]. Hong Kong University of Science and Technology; 2017. Available from: http://repository.ust.hk/ir/Record/1783.1-105663 ; https://doi.org/10.14711/thesis-991012555363903412 ; http://repository.ust.hk/ir/bitstream/1783.1-105663/1/th_redirect.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maryland

27. Zhang, Jingmin. Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing.

Degree: Art History and Archaeology, 2014, University of Maryland

 In 1920 a group of traditional artists in Beijing formed the Chinese Painting Research Society, an art institution that enormously influenced Chinese art in the… (more)

Subjects/Keywords: Art history; Asian studies; Modern history; art exhibition; art journal; Chinese art; Chinese Painting Research Society; Modernity; Tradition

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APA (6th Edition):

Zhang, J. (2014). Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/16069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Jingmin. “Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing.” 2014. Thesis, University of Maryland. Accessed March 05, 2021. http://hdl.handle.net/1903/16069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Jingmin. “Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing.” 2014. Web. 05 Mar 2021.

Vancouver:

Zhang J. Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing. [Internet] [Thesis]. University of Maryland; 2014. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1903/16069.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang J. Tradition Revitalized: The Chinese Painting Research Society of Republican Beijing. [Thesis]. University of Maryland; 2014. Available from: http://hdl.handle.net/1903/16069

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Chiang, Chun Wei. The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market.

Degree: 2017, Leiden University

Subjects/Keywords: Chinese art; painting; Ming Dynasty

Chinese Painting of the Early and Middle-Ming Dynasty. 209-232. Kang Kai 康凱, “Lun Qiu ying qing… …lei bian. 728. 29 James Cahill, Hills Beyond a River: Chinese Painting of the Yuan Dynasty… …Parting at the Shore, Chinese Painting of the Early and Middle-Ming Dynasty. 223. Lin Jiazhi 林林… …adopted in this specify who and which work? painting was originally from the landscape of the… …hermit during the late Yuan Dynasty. He intentionally avoided the professional painting style… 

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APA (6th Edition):

Chiang, C. W. (2017). The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/53225

Chicago Manual of Style (16th Edition):

Chiang, Chun Wei. “The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market.” 2017. Masters Thesis, Leiden University. Accessed March 05, 2021. http://hdl.handle.net/1887/53225.

MLA Handbook (7th Edition):

Chiang, Chun Wei. “The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market.” 2017. Web. 05 Mar 2021.

Vancouver:

Chiang CW. The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1887/53225.

Council of Science Editors:

Chiang CW. The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/53225

29. Zeng, Luping. The Qian painterly voice.

Degree: 2018, Western Sydney University

 My research explores my Chinese background experiences of immigration to Australia within the visual domain of Ba-Gua energies dialoguing with selected European painterly influences (especially… (more)

Subjects/Keywords: painting, Chinese; technique; western influences; philosophy; Thesis (D.C.A.) – Western Sydney University, 2018

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zeng, L. (2018). The Qian painterly voice. (Thesis). Western Sydney University. Retrieved from http://hdl.handle.net/1959.7/uws:47382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zeng, Luping. “The Qian painterly voice.” 2018. Thesis, Western Sydney University. Accessed March 05, 2021. http://hdl.handle.net/1959.7/uws:47382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zeng, Luping. “The Qian painterly voice.” 2018. Web. 05 Mar 2021.

Vancouver:

Zeng L. The Qian painterly voice. [Internet] [Thesis]. Western Sydney University; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1959.7/uws:47382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zeng L. The Qian painterly voice. [Thesis]. Western Sydney University; 2018. Available from: http://hdl.handle.net/1959.7/uws:47382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

30. Lie, Stephanie. A Pattern Language.

Degree: Visual Arts, 2012, University of California – San Diego

 In A Pattern Language, a mechatronic device draws leaves based on the early Qing dynasty tome The Chinese Mustard Seed Garden Manual of Painting. The… (more)

Subjects/Keywords: Fine arts; Multimedia; Chinese landscape painting; drawing machine; embodied cognition; ideogram; symbolic language; translation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lie, S. (2012). A Pattern Language. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1x35278b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lie, Stephanie. “A Pattern Language.” 2012. Thesis, University of California – San Diego. Accessed March 05, 2021. http://www.escholarship.org/uc/item/1x35278b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lie, Stephanie. “A Pattern Language.” 2012. Web. 05 Mar 2021.

Vancouver:

Lie S. A Pattern Language. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2021 Mar 05]. Available from: http://www.escholarship.org/uc/item/1x35278b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lie S. A Pattern Language. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/1x35278b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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