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You searched for subject:(Chinese music). Showing records 1 – 30 of 119 total matches.

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University of Kansas

1. Wen, Yanan. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".

Degree: DMA, Music, 2015, University of Kansas

 Abstract This paper will analyze two contrasting Chinese pieces written in the late twentieth century. The researcher will address related aspects of Chinese folk music(more)

Subjects/Keywords: Music; Chinese; contemporary; music; piano

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APA (6th Edition):

Wen, Y. (2015). Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21599

Chicago Manual of Style (16th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Doctoral Dissertation, University of Kansas. Accessed January 19, 2020. http://hdl.handle.net/1808/21599.

MLA Handbook (7th Edition):

Wen, Yanan. “Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought".” 2015. Web. 19 Jan 2020.

Vancouver:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1808/21599.

Council of Science Editors:

Wen Y. Two Chinese contemporary piano works. "Combination of Long and Short Meter” and "Thunder in a Drought". [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/21599


The Ohio State University

2. Charles, Nicole Marie. A Supplementary Book of Chinese Music for the Suzuki Flute Student.

Degree: DMA, Music, 2010, The Ohio State University

 Created by Toshio Takahashi and Shinichi Suzuki, Suzuki Flute School Volume 1 contains a variety of music for the beginner flutist. Children’s songs, folk music,… (more)

Subjects/Keywords: Music; Music Education; Suzuki Flute; Chinese Music

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APA (6th Edition):

Charles, N. M. (2010). A Supplementary Book of Chinese Music for the Suzuki Flute Student. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1275340340

Chicago Manual of Style (16th Edition):

Charles, Nicole Marie. “A Supplementary Book of Chinese Music for the Suzuki Flute Student.” 2010. Doctoral Dissertation, The Ohio State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275340340.

MLA Handbook (7th Edition):

Charles, Nicole Marie. “A Supplementary Book of Chinese Music for the Suzuki Flute Student.” 2010. Web. 19 Jan 2020.

Vancouver:

Charles NM. A Supplementary Book of Chinese Music for the Suzuki Flute Student. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275340340.

Council of Science Editors:

Charles NM. A Supplementary Book of Chinese Music for the Suzuki Flute Student. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275340340


Harvard University

3. Tang, Kai. Musical Culture of Chinese Floaters.

Degree: PhD, Music, 2014, Harvard University

"Floaters" are a large population of internal migrants in China. Led by a series of urban-based economic policies and the consequent income gap between rural… (more)

Subjects/Keywords: Music; Chinese Music; Chinese Rock; Communist Music; Community; Folk Songs; Migration

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APA (6th Edition):

Tang, K. (2014). Musical Culture of Chinese Floaters. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351

Chicago Manual of Style (16th Edition):

Tang, Kai. “Musical Culture of Chinese Floaters.” 2014. Doctoral Dissertation, Harvard University. Accessed January 19, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.

MLA Handbook (7th Edition):

Tang, Kai. “Musical Culture of Chinese Floaters.” 2014. Web. 19 Jan 2020.

Vancouver:

Tang K. Musical Culture of Chinese Floaters. [Internet] [Doctoral dissertation]. Harvard University; 2014. [cited 2020 Jan 19]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.

Council of Science Editors:

Tang K. Musical Culture of Chinese Floaters. [Doctoral Dissertation]. Harvard University; 2014. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351


Louisiana State University

4. Chen, Xi. Chinese piano music: an approach to performance.

Degree: DMA, Music, 2011, Louisiana State University

 Since the piano was introduced in China, in the nineteenth century, many Chinese composers have composed specifically for it. As a result of greater communication… (more)

Subjects/Keywords: chinese; piano music; performance

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APA (6th Edition):

Chen, X. (2011). Chinese piano music: an approach to performance. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153

Chicago Manual of Style (16th Edition):

Chen, Xi. “Chinese piano music: an approach to performance.” 2011. Doctoral Dissertation, Louisiana State University. Accessed January 19, 2020. etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153.

MLA Handbook (7th Edition):

Chen, Xi. “Chinese piano music: an approach to performance.” 2011. Web. 19 Jan 2020.

Vancouver:

Chen X. Chinese piano music: an approach to performance. [Internet] [Doctoral dissertation]. Louisiana State University; 2011. [cited 2020 Jan 19]. Available from: etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153.

Council of Science Editors:

Chen X. Chinese piano music: an approach to performance. [Doctoral Dissertation]. Louisiana State University; 2011. Available from: etd-01162012-122647 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2153


Massey University

5. Shen, Nalin. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .

Degree: 2010, Massey University

 Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of… (more)

Subjects/Keywords: Chinese opera; Music theatre scores

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APA (6th Edition):

Shen, N. (2010). The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Thesis, Massey University. Accessed January 19, 2020. http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Web. 19 Jan 2020.

Vancouver:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Internet] [Thesis]. Massey University; 2010. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

6. Tang, Ying. Comparison of Solo Music for the Western Lute and Chinese Pipa.

Degree: M.M., Music, 2015, University of Kansas

 This thesis is a comparison between the Western lute and Chinese pipa in terms of their history, construction, playing techniques, and examples of their solo… (more)

Subjects/Keywords: Music; Chinese pipa; Comparison; Lute; Solo music

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APA (6th Edition):

Tang, Y. (2015). Comparison of Solo Music for the Western Lute and Chinese Pipa. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/19430

Chicago Manual of Style (16th Edition):

Tang, Ying. “Comparison of Solo Music for the Western Lute and Chinese Pipa.” 2015. Masters Thesis, University of Kansas. Accessed January 19, 2020. http://hdl.handle.net/1808/19430.

MLA Handbook (7th Edition):

Tang, Ying. “Comparison of Solo Music for the Western Lute and Chinese Pipa.” 2015. Web. 19 Jan 2020.

Vancouver:

Tang Y. Comparison of Solo Music for the Western Lute and Chinese Pipa. [Internet] [Masters thesis]. University of Kansas; 2015. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1808/19430.

Council of Science Editors:

Tang Y. Comparison of Solo Music for the Western Lute and Chinese Pipa. [Masters Thesis]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19430


The Ohio State University

7. Sansbury, Sally Liew. The Xinjiang piano suites of Shi Fu.

Degree: DMA, Music, 2007, The Ohio State University

 A distinguished Chinese ethnomusicologist and composer, Shi Fu has spent considerable time researching and collecting minority folk songs in Xinjiang, a province in the northwest… (more)

Subjects/Keywords: Music; Xinjiang Piano Suites; Chinese composer; ethnic minority folk music; Chinese piano music

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APA (6th Edition):

Sansbury, S. L. (2007). The Xinjiang piano suites of Shi Fu. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584

Chicago Manual of Style (16th Edition):

Sansbury, Sally Liew. “The Xinjiang piano suites of Shi Fu.” 2007. Doctoral Dissertation, The Ohio State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584.

MLA Handbook (7th Edition):

Sansbury, Sally Liew. “The Xinjiang piano suites of Shi Fu.” 2007. Web. 19 Jan 2020.

Vancouver:

Sansbury SL. The Xinjiang piano suites of Shi Fu. [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584.

Council of Science Editors:

Sansbury SL. The Xinjiang piano suites of Shi Fu. [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1180495584


Arizona State University

8. Li, Xiaolin. An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long.

Degree: Music, 2017, Arizona State University

 Contemporary Chinese composers have a rich palette from which to draw inspirations of the distinctive timbres of ancient instruments, the diverse musical types, and the… (more)

Subjects/Keywords: Music; ancient Chinese music; Chinese music; piano trio; Secluded Orchid; Spirit of Chimes; Zhou Long

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APA (6th Edition):

Li, X. (2017). An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44174

Chicago Manual of Style (16th Edition):

Li, Xiaolin. “An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long.” 2017. Doctoral Dissertation, Arizona State University. Accessed January 19, 2020. http://repository.asu.edu/items/44174.

MLA Handbook (7th Edition):

Li, Xiaolin. “An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long.” 2017. Web. 19 Jan 2020.

Vancouver:

Li X. An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2020 Jan 19]. Available from: http://repository.asu.edu/items/44174.

Council of Science Editors:

Li X. An Integration of Ancient Chinese Musical Traditions and Western Musical Styles: Secluded Orchid and Spirit of Chimes for Violin, Cello and Piano by Zhou Long. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44174


Boston University

9. Zhang, Wenzhuo. Chinese ethnic cultural expression in national music textbooks.

Degree: DMA, Music Education, 2015, Boston University

 The People’s Republic of China (PRC) is comprised of fifty-six ethnic groups that inherent diverse cultural traditions. The largest of these ethnic groups is the… (more)

Subjects/Keywords: Music education; Chinese ethnic minorities; Chinese ethnic music; Chinese music education; Chinese national music textbooks; Cultural diversity in music education; Multicultural education

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APA (6th Edition):

Zhang, W. (2015). Chinese ethnic cultural expression in national music textbooks. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/13648

Chicago Manual of Style (16th Edition):

Zhang, Wenzhuo. “Chinese ethnic cultural expression in national music textbooks.” 2015. Doctoral Dissertation, Boston University. Accessed January 19, 2020. http://hdl.handle.net/2144/13648.

MLA Handbook (7th Edition):

Zhang, Wenzhuo. “Chinese ethnic cultural expression in national music textbooks.” 2015. Web. 19 Jan 2020.

Vancouver:

Zhang W. Chinese ethnic cultural expression in national music textbooks. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2144/13648.

Council of Science Editors:

Zhang W. Chinese ethnic cultural expression in national music textbooks. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/13648


University of California – San Diego

10. Sudol, Jacob David. ...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble.

Degree: Music, 2012, University of California – San Diego

 ...after a mountain stream rainfor six Chinese instruments was composed for the Chai Found Music Workshop Formosa Landscape/2011 Sizhu Music Composition Contest, for which it… (more)

Subjects/Keywords: Music; Composition; Generative Music; Laptop Ensemble; Music for Chinese Instruments

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APA (6th Edition):

Sudol, J. D. (2012). ...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/8xp2t8fd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sudol, Jacob David. “...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble.” 2012. Thesis, University of California – San Diego. Accessed January 19, 2020. http://www.escholarship.org/uc/item/8xp2t8fd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sudol, Jacob David. “...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble.” 2012. Web. 19 Jan 2020.

Vancouver:

Sudol JD. ...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2020 Jan 19]. Available from: http://www.escholarship.org/uc/item/8xp2t8fd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sudol JD. ...after a mountain stream rain (谿山遇雨) for six Chinese instruments and across an ocean, across the land... for laptop ensemble. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/8xp2t8fd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

11. Christensen, Lars. The Time-Suturing Technologies of Northern Song Musicology.

Degree: PhD, Music, 2019, University of Minnesota

 Scholars of ritual music in the Northern Song dynasty (960–1127) keenly sensed a temporal distance from the ancient sages that manifested as a divergence from… (more)

Subjects/Keywords: Chinese music; mathematics; music theory; ritual music; Song Dynasty; temporality

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APA (6th Edition):

Christensen, L. (2019). The Time-Suturing Technologies of Northern Song Musicology. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/206308

Chicago Manual of Style (16th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Doctoral Dissertation, University of Minnesota. Accessed January 19, 2020. http://hdl.handle.net/11299/206308.

MLA Handbook (7th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Web. 19 Jan 2020.

Vancouver:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Internet] [Doctoral dissertation]. University of Minnesota; 2019. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/11299/206308.

Council of Science Editors:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Doctoral Dissertation]. University of Minnesota; 2019. Available from: http://hdl.handle.net/11299/206308


University of Kansas

12. Jiang, Lan. The Interaction of Cello and Chinese Traditional Music.

Degree: DMA, Music, 2016, University of Kansas

 This document concerns the interaction of the cello and Chinese traditional music with an emphasis on three major areas. An historical introduction to western music(more)

Subjects/Keywords: Music; Cello; Chinese; Gu zheng; Interaction; Traditional

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APA (6th Edition):

Jiang, L. (2016). The Interaction of Cello and Chinese Traditional Music. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21612

Chicago Manual of Style (16th Edition):

Jiang, Lan. “The Interaction of Cello and Chinese Traditional Music.” 2016. Doctoral Dissertation, University of Kansas. Accessed January 19, 2020. http://hdl.handle.net/1808/21612.

MLA Handbook (7th Edition):

Jiang, Lan. “The Interaction of Cello and Chinese Traditional Music.” 2016. Web. 19 Jan 2020.

Vancouver:

Jiang L. The Interaction of Cello and Chinese Traditional Music. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/1808/21612.

Council of Science Editors:

Jiang L. The Interaction of Cello and Chinese Traditional Music. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21612


University of Adelaide

13. Mok, Raymond Kin-yee. Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments.

Degree: 2010, University of Adelaide

 This Ph.D. research explores the blending Chinese and western musical idioms. Research questions include: What are the criteria for choosing a new context for confronting… (more)

Subjects/Keywords: Chinese traditional music; mosaic progression; juxtaposition

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APA (6th Edition):

Mok, R. K. (2010). Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/65562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mok, Raymond Kin-yee. “Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments.” 2010. Thesis, University of Adelaide. Accessed January 19, 2020. http://hdl.handle.net/2440/65562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mok, Raymond Kin-yee. “Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments.” 2010. Web. 19 Jan 2020.

Vancouver:

Mok RK. Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments. [Internet] [Thesis]. University of Adelaide; 2010. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2440/65562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mok RK. Portfolio of original compositions and exegesis: to fuse or to confront - five compositions for Chinese traditional and western orchestral instruments. [Thesis]. University of Adelaide; 2010. Available from: http://hdl.handle.net/2440/65562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Carolina

14. Wise, Alex Alex. The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra.

Degree: DMA, School of Music, 2018, University of South Carolina

  The mixing of musical traditions between cultures, philosophies, and religions has been a crucial element of music for centuries. However, a marked rise over… (more)

Subjects/Keywords: Arts and Humanities; Music; Other Music; Chinese Concerto; Developments; Chinese; Traditional Instrument; Concerti; Western Orchestra

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APA (6th Edition):

Wise, A. A. (2018). The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/4660

Chicago Manual of Style (16th Edition):

Wise, Alex Alex. “The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra.” 2018. Doctoral Dissertation, University of South Carolina. Accessed January 19, 2020. https://scholarcommons.sc.edu/etd/4660.

MLA Handbook (7th Edition):

Wise, Alex Alex. “The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra.” 2018. Web. 19 Jan 2020.

Vancouver:

Wise AA. The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra. [Internet] [Doctoral dissertation]. University of South Carolina; 2018. [cited 2020 Jan 19]. Available from: https://scholarcommons.sc.edu/etd/4660.

Council of Science Editors:

Wise AA. The Rise Of The Chinese Concerto: A Look Into The Developments Of Chinese Traditional Instrument Concerti With Western Orchestra. [Doctoral Dissertation]. University of South Carolina; 2018. Available from: https://scholarcommons.sc.edu/etd/4660


The Ohio State University

15. Szczepanski, Beth. Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music.

Degree: PhD, Music, 2008, The Ohio State University

 How is it possible that monastic Buddhist musical practice in China, fiercely quashed a few decades ago during the Cultural Revolution, survives, and even thrives… (more)

Subjects/Keywords: Cultural Anthropology; Fine Arts; Music; Religion; Chinese music; Buddhist music; Sheng guan music; Wutai Shan

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APA (6th Edition):

Szczepanski, B. (2008). Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1211286766

Chicago Manual of Style (16th Edition):

Szczepanski, Beth. “Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music.” 2008. Doctoral Dissertation, The Ohio State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211286766.

MLA Handbook (7th Edition):

Szczepanski, Beth. “Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music.” 2008. Web. 19 Jan 2020.

Vancouver:

Szczepanski B. Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211286766.

Council of Science Editors:

Szczepanski B. Sheng Guan in the Past and Present: Tradition, Adaptation and Innovation in Wutai Shan's Buddhist Music. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211286766


NSYSU

16. Su, Sung-wei. Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ.

Degree: Master, Theatre Arts, 2014, NSYSU

 In Taiwan, the mainstream of traditional music art is contemporary Chinese music. To follow the trend of globalization, there are many new performance forms of… (more)

Subjects/Keywords: modernization; traditional Chinese music aesthetics; Taiwan (NCO); National Chinese Orchestra; creative performances; contemporary Chinese music; consumer society

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Su, S. (2014). Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-1119113-153837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Su, Sung-wei. “Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ.” 2014. Thesis, NSYSU. Accessed January 19, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-1119113-153837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Su, Sung-wei. “Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ.” 2014. Web. 19 Jan 2020.

Vancouver:

Su S. Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ. [Internet] [Thesis]. NSYSU; 2014. [cited 2020 Jan 19]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-1119113-153837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Su S. Research on the Feasibility of Chinese Music Ensemble Creative Performances – In Case of âNational Chinese Orchestra, Taiwanâ. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-1119113-153837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Pockrus, Jason R. The Saxophone in China: Historical Performance and Development.

Degree: 2018, University of North Texas

 The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this… (more)

Subjects/Keywords: saxophone; china; chinese music; chinese history; chinese jazz; jazz; chinese military music; military band; chinese opera; cantonese opera; cultural revolution; chinese pop music; cantopop; mandopop; li yusheng; chinese saxophone; Music; History, Asia, Australia and Oceania; Anthropology, Cultural

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pockrus, J. R. (2018). The Saxophone in China: Historical Performance and Development. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248502/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pockrus, Jason R. “The Saxophone in China: Historical Performance and Development.” 2018. Thesis, University of North Texas. Accessed January 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc1248502/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pockrus, Jason R. “The Saxophone in China: Historical Performance and Development.” 2018. Web. 19 Jan 2020.

Vancouver:

Pockrus JR. The Saxophone in China: Historical Performance and Development. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Jan 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248502/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pockrus JR. The Saxophone in China: Historical Performance and Development. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248502/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Liberty University

18. Kircher, Nicholas. Exploring Naxi Baisha Xiyue.

Degree: 2014, Liberty University

 "Exploring Naxi Baisha Xiyue" is a qualitative research descriptive paper delving into the origin of the Baisha Xiyue music style among the Naxi people based… (more)

Subjects/Keywords: Baisha Xiyue; China; minority; music; Naxi; Yunnan; Chinese Studies; Ethnomusicology; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kircher, N. (2014). Exploring Naxi Baisha Xiyue. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/336

Chicago Manual of Style (16th Edition):

Kircher, Nicholas. “Exploring Naxi Baisha Xiyue.” 2014. Masters Thesis, Liberty University. Accessed January 19, 2020. http://digitalcommons.liberty.edu/masters/336.

MLA Handbook (7th Edition):

Kircher, Nicholas. “Exploring Naxi Baisha Xiyue.” 2014. Web. 19 Jan 2020.

Vancouver:

Kircher N. Exploring Naxi Baisha Xiyue. [Internet] [Masters thesis]. Liberty University; 2014. [cited 2020 Jan 19]. Available from: http://digitalcommons.liberty.edu/masters/336.

Council of Science Editors:

Kircher N. Exploring Naxi Baisha Xiyue. [Masters Thesis]. Liberty University; 2014. Available from: http://digitalcommons.liberty.edu/masters/336


University of Minnesota

19. Pang, Yan. Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance.

Degree: PhD, Music, 2018, University of Minnesota

 In this autobiographical, bi-cultural, and interdisciplinary production, I use piano, voice, dance, and acting to create a performance that weaves together Chinese and American cultural… (more)

Subjects/Keywords: Chinese music; dance; musical performances; music composition; Sichuan Opera; theater arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pang, Y. (2018). Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/202159

Chicago Manual of Style (16th Edition):

Pang, Yan. “Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance.” 2018. Doctoral Dissertation, University of Minnesota. Accessed January 19, 2020. http://hdl.handle.net/11299/202159.

MLA Handbook (7th Edition):

Pang, Yan. “Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance.” 2018. Web. 19 Jan 2020.

Vancouver:

Pang Y. Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance. [Internet] [Doctoral dissertation]. University of Minnesota; 2018. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/11299/202159.

Council of Science Editors:

Pang Y. Rural and Urban Explorations of Transnational Performance: A Dialogue Between Traditional Southwestern Chinese and Contemporary North American Music & Dance. [Doctoral Dissertation]. University of Minnesota; 2018. Available from: http://hdl.handle.net/11299/202159


University of North Texas

20. Mei, Yuxin. Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group.

Degree: 2017, University of North Texas

 For over two hundred years, Chinese immigrants have brought ancient customs and musical traditions to their new homes in America. As in many immigrant communities,… (more)

Subjects/Keywords: Chinese immigrants; Immigrant music; the Cultural Revolution; Zhiqing; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mei, Y. (2017). Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011833/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mei, Yuxin. “Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group.” 2017. Thesis, University of North Texas. Accessed January 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc1011833/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mei, Yuxin. “Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group.” 2017. Web. 19 Jan 2020.

Vancouver:

Mei Y. Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Jan 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011833/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mei Y. Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011833/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

21. YOUNG, Kar Fai Samson. READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS .

Degree: PhD, 2012, Princeton University

 This thesis focuses on a number of key themes in identity politics in the study of contemporary Chinese music to date. The purpose is two-fold:… (more)

Subjects/Keywords: Composition; Contemporary Chinese Music; Cultural Politics; Identity Politics; Music Analysis

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APA (6th Edition):

YOUNG, K. F. S. (2012). READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp016q182k18s

Chicago Manual of Style (16th Edition):

YOUNG, Kar Fai Samson. “READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS .” 2012. Doctoral Dissertation, Princeton University. Accessed January 19, 2020. http://arks.princeton.edu/ark:/88435/dsp016q182k18s.

MLA Handbook (7th Edition):

YOUNG, Kar Fai Samson. “READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS .” 2012. Web. 19 Jan 2020.

Vancouver:

YOUNG KFS. READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS . [Internet] [Doctoral dissertation]. Princeton University; 2012. [cited 2020 Jan 19]. Available from: http://arks.princeton.edu/ark:/88435/dsp016q182k18s.

Council of Science Editors:

YOUNG KFS. READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS . [Doctoral Dissertation]. Princeton University; 2012. Available from: http://arks.princeton.edu/ark:/88435/dsp016q182k18s


Arizona State University

22. Feng, Chiao-Ting. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.

Degree: DMA, Music, 2013, Arizona State University

 Several contemporary clarinet works use Chinese folk music elements from different regions in new compositions to entice listener's and performer's appreciation of Chinese culture. However,… (more)

Subjects/Keywords: Music; Chinese; Communication and the arts; Contemporary clarinet music; Folk music; Innovation; Recording

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feng, C. (2013). Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/20867

Chicago Manual of Style (16th Edition):

Feng, Chiao-Ting. “Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.” 2013. Doctoral Dissertation, Arizona State University. Accessed January 19, 2020. http://repository.asu.edu/items/20867.

MLA Handbook (7th Edition):

Feng, Chiao-Ting. “Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.” 2013. Web. 19 Jan 2020.

Vancouver:

Feng C. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2020 Jan 19]. Available from: http://repository.asu.edu/items/20867.

Council of Science Editors:

Feng C. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/20867


University of Iowa

23. Sharp, Barry Shelton. Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion.

Degree: MA, Music, 2015, University of Iowa

  Sizhu was written for the standard Pierrot ensemble though with percussion replacing the singer. This particular ensemble is capable of producing a multitude of… (more)

Subjects/Keywords: publicabstract; A Bing; Chinese folk music; Er Quan Ying Yue; Pierrot ensemble; Spectral music; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sharp, B. S. (2015). Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1751

Chicago Manual of Style (16th Edition):

Sharp, Barry Shelton. “Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion.” 2015. Masters Thesis, University of Iowa. Accessed January 19, 2020. https://ir.uiowa.edu/etd/1751.

MLA Handbook (7th Edition):

Sharp, Barry Shelton. “Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion.” 2015. Web. 19 Jan 2020.

Vancouver:

Sharp BS. Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion. [Internet] [Masters thesis]. University of Iowa; 2015. [cited 2020 Jan 19]. Available from: https://ir.uiowa.edu/etd/1751.

Council of Science Editors:

Sharp BS. Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion. [Masters Thesis]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1751


Uppsala University

24. Wang, Yue. Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise.

Degree: Business Studies, 2018, Uppsala University

  In the past few decades people’s attitude towards music consumption has tremendously changed in China. With the constantly rising market and huge potential space,… (more)

Subjects/Keywords: Musical consumer identity; Music consumer preference; Music Culture; Music consumption; Willingness to pay; Chinese music consumer; Music merchandise; Social Sciences; Samhällsvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, Y. (2018). Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-355000

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Yue. “Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise.” 2018. Thesis, Uppsala University. Accessed January 19, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-355000.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Yue. “Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise.” 2018. Web. 19 Jan 2020.

Vancouver:

Wang Y. Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise. [Internet] [Thesis]. Uppsala University; 2018. [cited 2020 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-355000.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang Y. Music Consumption in China : A Qualitative Study on Chinese Consumer Behavior in Consuming Music and Its Merchandise. [Thesis]. Uppsala University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-355000

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Technology, Sydney

25. Gorfinkel, Lauren. Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs.

Degree: 2011, University of Technology, Sydney

 This thesis analyses how the Chinese nation is being constructed in music-entertainment performances on China Central Television (CCTV). Taking the perspective that all entertainment has… (more)

Subjects/Keywords: Television.; China.; Popular music.; Nation-building.; Chinese identity.; Chinese politics.; Cultural policy.

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APA (6th Edition):

Gorfinkel, L. (2011). Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/23399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gorfinkel, Lauren. “Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs.” 2011. Thesis, University of Technology, Sydney. Accessed January 19, 2020. http://hdl.handle.net/10453/23399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gorfinkel, Lauren. “Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs.” 2011. Web. 19 Jan 2020.

Vancouver:

Gorfinkel L. Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs. [Internet] [Thesis]. University of Technology, Sydney; 2011. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10453/23399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gorfinkel L. Performing the Chinese nation : the politics of identity in China Central Television's music-entertainment programs. [Thesis]. University of Technology, Sydney; 2011. Available from: http://hdl.handle.net/10453/23399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

26. Sun, Yung-Wei. A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung.

Degree: DMA, Music, 2012, The Ohio State University

  Over the past few decades, many social and cultural avenues from different countries have opened up, creating an emergence of singers from new cultures.… (more)

Subjects/Keywords: Music; Mandarin-Chinese diction; Yiu-Kwong Chung; Zhimo Xu; Mandarin-Chinese art song; lyric diction

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APA (6th Edition):

Sun, Y. (2012). A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1339551292

Chicago Manual of Style (16th Edition):

Sun, Yung-Wei. “A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung.” 2012. Doctoral Dissertation, The Ohio State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339551292.

MLA Handbook (7th Edition):

Sun, Yung-Wei. “A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung.” 2012. Web. 19 Jan 2020.

Vancouver:

Sun Y. A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339551292.

Council of Science Editors:

Sun Y. A Performance Guide to Mandarin-Chinese Diction and Selected Art Songs by Yiu-Kwong Chung. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339551292


University of Melbourne

27. Wee, Brenna Weng Han. Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu.

Degree: 2011, University of Melbourne

 This thesis explores the impact of two very different cultural aesthetics on musical hybridisation with a view to showing how this creative process is shaped… (more)

Subjects/Keywords: Chinese-Western; music hybridisation; Julian Yu; Willow and Wattle; Concerto on Chinese Themes; Mozartiana

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wee, B. W. H. (2011). Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36748

Chicago Manual of Style (16th Edition):

Wee, Brenna Weng Han. “Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu.” 2011. Masters Thesis, University of Melbourne. Accessed January 19, 2020. http://hdl.handle.net/11343/36748.

MLA Handbook (7th Edition):

Wee, Brenna Weng Han. “Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu.” 2011. Web. 19 Jan 2020.

Vancouver:

Wee BWH. Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu. [Internet] [Masters thesis]. University of Melbourne; 2011. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/11343/36748.

Council of Science Editors:

Wee BWH. Chinese-Western hybrid music development in Australia as exemplified through the life and works of Julian Yu. [Masters Thesis]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/36748


University of North Texas

28. Gao, Jie. The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques.

Degree: 2017, University of North Texas

 Contemporary professional violinists face constant exposure to multicultural compositions. For best results, they should be able to understand, capture, and express the subtleties of different styles. The… (more)

Subjects/Keywords: Traditional Chinese instruments; Chinese violin compositions; Modernization; Slides; Chords; Pizzicati; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gao, J. (2017). The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011757/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gao, Jie. “The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques.” 2017. Thesis, University of North Texas. Accessed January 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc1011757/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gao, Jie. “The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques.” 2017. Web. 19 Jan 2020.

Vancouver:

Gao J. The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Jan 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011757/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gao J. The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011757/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

29. Liu, Lu. The Chinese pipa solo tradition, from conservatory to concert hall and beyond .

Degree: 2019, University of Sydney

 In this study I investigate the recent transformation of the Chinese pipa solo tradition, particularly since 1949, as it moved from the folk tradition to… (more)

Subjects/Keywords: pipa; Chinese music; conservatory style; Chinese diaspora musicians; musical modernisation; musical ethnography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liu, L. (2019). The Chinese pipa solo tradition, from conservatory to concert hall and beyond . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/20947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Lu. “The Chinese pipa solo tradition, from conservatory to concert hall and beyond .” 2019. Thesis, University of Sydney. Accessed January 19, 2020. http://hdl.handle.net/2123/20947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Lu. “The Chinese pipa solo tradition, from conservatory to concert hall and beyond .” 2019. Web. 19 Jan 2020.

Vancouver:

Liu L. The Chinese pipa solo tradition, from conservatory to concert hall and beyond . [Internet] [Thesis]. University of Sydney; 2019. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2123/20947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu L. The Chinese pipa solo tradition, from conservatory to concert hall and beyond . [Thesis]. University of Sydney; 2019. Available from: http://hdl.handle.net/2123/20947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

30. Cai, Mengya. Multi-Cultural Music Education : Best Practice for Teaching Chinese Music.

Degree: M), Music Education, 2015, University of Florida

 Since Chinese-Americans and immigrant Chinese are the fastest and largest growing Asian group in the United States, there is an urgent call and an opportunity… (more)

Subjects/Keywords: Aural learning; Multicultural education; Multiculturalism; Music appreciation; Music education; Music learning; Music students; Music teachers; Musical instruments; Musical rudiments; Chinese music; Multicultural music education; culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cai, M. (2015). Multi-Cultural Music Education : Best Practice for Teaching Chinese Music. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00038154

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cai, Mengya. “Multi-Cultural Music Education : Best Practice for Teaching Chinese Music.” 2015. Thesis, University of Florida. Accessed January 19, 2020. http://ufdc.ufl.edu/AA00038154.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cai, Mengya. “Multi-Cultural Music Education : Best Practice for Teaching Chinese Music.” 2015. Web. 19 Jan 2020.

Vancouver:

Cai M. Multi-Cultural Music Education : Best Practice for Teaching Chinese Music. [Internet] [Thesis]. University of Florida; 2015. [cited 2020 Jan 19]. Available from: http://ufdc.ufl.edu/AA00038154.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cai M. Multi-Cultural Music Education : Best Practice for Teaching Chinese Music. [Thesis]. University of Florida; 2015. Available from: http://ufdc.ufl.edu/AA00038154

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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