Open Access Theses and Dissertations

Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · date | New search

You searched for subject:(Chants de Maldoror). Showing records 1 – 3 of 3 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters

1. Saliou, Kévin. La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917.

Degree: Docteur es, Littératures françaises, 2018, Brest; Université de Montréal. Département d'études françaises

URL: http://www.theses.fr/2018BRES0013 

Bien avant que les surréalistes n’érigent Lautréamont en précurseur de la modernité poétique, Les Chants de Maldoror (1869) et les Poésies (1870) ont eu leur place dans les débats des écrivains de la fin du XIXe siècle sur la décadence et le symbolisme. La réception de Lautréamont ne va pourtant pas de soi : son oeuvre d’Isidore Ducasse ne s’accorde guère avec les aspirations de l’époque ; et le manque crucial d’informations sur cet auteur laisse un vide que ses premiers lecteurs se sont efforcés de combler par l’élaboration d’un récit mythique. À travers l’étude d’un demi-siècle de lectures, fait de récupérations idéologiques, de querelles véhémentes et de fantasmes autour de la figure de l’écrivain maudit, cette thèse tente de reconstituer les réseaux de sociabilité littéraire de 1868 à 1917 en utilisant des outils d’analyse empruntés à la sociologie ; elle aspire en effet à montrer comment, grâce aux petites revues et aux cénacles, un mythe littéraire s’est élaboré au tournant du siècle.

Long before Surrealists seized upon Lautréamont in the name of poetic modernity, Les Chants de Maldoror (1869) and Poésies (1870) had been read by a whole literary generation which broached upon them in discussions about decadence and symbolism. But that reception is not obvious : Isidore Ducasse’s work is not a perfect reflection of the era’s aspirations, and the lack of information about its author generates a void to be filled only by a mythic story. It is necessary to parse this half-century of readings, full of ideological hijacks, fantasies about a supposed poète maudit as well as of literary disputes in which what is at stake is the discovery of a new Rimbaud. With the help of analytic tools borrowed from network sociology, our aim is to declineate the literary landscape in the years 1868 to 1917 in order to show how a literary myth took shape, through small journals and circles, at the turn of a century.

Advisors/Committee Members: Mortelette, Yann (thesis director), Pierssens, Michel (thesis director).

Subjects/Keywords: Lautréamont; Chants de Maldoror; Isidore Ducasse; Réception; Mythe; Réseaux sociaux; Sociologie; Lautreamont; Chants de Maldoror; Isidore Ducasse; Reception; Myth; Socila networks; Sociology

Record Details  Similar Records    Google PlusoneFacebookTwitterCiteULikeMendeleyreddit

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saliou, K. (2018). La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917. (Doctoral Dissertation). Brest; Université de Montréal. Département d'études françaises. Retrieved from http://www.theses.fr/2018BRES0013

Chicago Manual of Style (16th Edition):

Saliou, Kévin. “La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917.” 2018. Doctoral Dissertation, Brest; Université de Montréal. Département d'études françaises. Accessed March 03, 2021. http://www.theses.fr/2018BRES0013.

MLA Handbook (7th Edition):

Saliou, Kévin. “La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917.” 2018. Web. 03 Mar 2021.

Vancouver:

Saliou K. La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917. [Internet] [Doctoral dissertation]. Brest; Université de Montréal. Département d'études françaises; 2018. [cited 2021 Mar 03]. Available from: http://www.theses.fr/2018BRES0013.

Council of Science Editors:

Saliou K. La Réception de Lautréamont de 1870 à 1917 : The Réception of Lautréamont from 1870 to 1917. [Doctoral Dissertation]. Brest; Université de Montréal. Département d'études françaises; 2018. Available from: http://www.theses.fr/2018BRES0013


University of Texas – Austin

2. Cushing, Douglas Clifton. Resonances: Marcel Duchamp and the Comte de Lautréamont.

Degree: MA, Art History, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/25871 

This thesis explores the relationship between Marcel Duchamp’s oeuvre and the texts of the Comte de Lautréamont, arguing that the author’s works comprise an overlooked and undervalued source of interest and ideas for the artist. Scholars have done an extraordinary job of documenting and analyzing a number of Duchamp’s literary sources and inspirations. Their work has elucidated the roles of Raymond Roussel, Alfred Jarry, Stéphane Mallarmé, Jules Laforgue, and Jean-Pierre Brisset, among others, for Duchamp. The work of Lautréamont, however, has received proportionally little attention, despite several indications of its importance for the artist. Among the few who have proposed such a connection, none have yet offered a broadly documented or sustained argument. Other historians, generally working under the premise that Lautréamont only came to Duchamp’s attention by way of the Surrealists, have explicitly rejected the possibility that the Uruguayan-French poet had any meaningful position in Duchamp’s library prior to the Surrealist championing of the author. This thesis proposes otherwise, making the case that Lautréamont was more fundamentally important to Duchamp than yet realized. Historical documents as well as statements by the artist himself and those closest to him suggest a stronger engagement by Duchamp with the works of Lautréamont than has been previously proposed. This relationship seems to have begun by as early as 1912, well in advance of the Surrealists’ discovery of the author, and it lasted throughout Duchamp’s life. Furthermore, an examination of Duchamp’s body of work demonstrates a number of strategic and thematic resonances between artist and author that reinforce what the archival evidence suggests. These resonances should be understood as open readings, rather than exclusive readings. They are proposed as additions to the existing constellation of understanding of Duchamp’s oeuvre, rather than as foreclosures upon other ways of reading Duchamp’s body of work. Advisors/Committee Members: Henderson, Linda Dalrymple, 1948- (advisor).

Subjects/Keywords: Marcel Duchamp; The Comte de Lautréamont; Les Chants de Maldoror; Poésies; Isidore-Lucien Ducasse; The Bride Stripped Bare by Her Bachelors, Even

Record Details  Similar Records    Google PlusoneFacebookTwitterCiteULikeMendeleyreddit

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cushing, D. C. (2014). Resonances: Marcel Duchamp and the Comte de Lautréamont. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/25871

Chicago Manual of Style (16th Edition):

Cushing, Douglas Clifton. “Resonances: Marcel Duchamp and the Comte de Lautréamont.” 2014. Masters Thesis, University of Texas – Austin. Accessed March 03, 2021. http://hdl.handle.net/2152/25871.

MLA Handbook (7th Edition):

Cushing, Douglas Clifton. “Resonances: Marcel Duchamp and the Comte de Lautréamont.” 2014. Web. 03 Mar 2021.

Vancouver:

Cushing DC. Resonances: Marcel Duchamp and the Comte de Lautréamont. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/2152/25871.

Council of Science Editors:

Cushing DC. Resonances: Marcel Duchamp and the Comte de Lautréamont. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/25871


Université de Montréal

3. Saliou, Kevin. La Réception de Lautréamont de 1870 à 1917.

Degree: 2018, Université de Montréal

URL: http://hdl.handle.net/1866/21131 

Subjects/Keywords: Lautréamont; Maldoror; Chants de Maldoror; Ducasse; Reception; Myth; Mythe; Réseaux; Social Networks; Sociologie; Sociology; Literature - Modern / Littérature - Moderne (UMI : 0298)

Record Details  Similar Records    Google PlusoneFacebookTwitterCiteULikeMendeleyreddit

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saliou, K. (2018). La Réception de Lautréamont de 1870 à 1917. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/21131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saliou, Kevin. “La Réception de Lautréamont de 1870 à 1917.” 2018. Thesis, Université de Montréal. Accessed March 03, 2021. http://hdl.handle.net/1866/21131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saliou, Kevin. “La Réception de Lautréamont de 1870 à 1917.” 2018. Web. 03 Mar 2021.

Vancouver:

Saliou K. La Réception de Lautréamont de 1870 à 1917. [Internet] [Thesis]. Université de Montréal; 2018. [cited 2021 Mar 03]. Available from: http://hdl.handle.net/1866/21131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saliou K. La Réception de Lautréamont de 1870 à 1917. [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/21131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.