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You searched for subject:(Capriccio). Showing records 1 – 14 of 14 total matches.

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1. Saunders, David Harold. Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev.

Degree: 1986, North Texas State University

 In Capriccio. Richard Strauss and Clemens Krauss examine the very nature of opera with the core of their thesis being the relationship of words and… (more)

Subjects/Keywords: Capriccio; opera; Strauss, Richard, 1864-1949  – Capriccio.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saunders, D. H. (1986). Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saunders, David Harold. “Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev.” 1986. Thesis, North Texas State University. Accessed July 10, 2020. https://digital.library.unt.edu/ark:/67531/metadc331935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saunders, David Harold. “Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev.” 1986. Web. 10 Jul 2020.

Vancouver:

Saunders DH. Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev. [Internet] [Thesis]. North Texas State University; 1986. [cited 2020 Jul 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saunders DH. Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc331935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Ljungberg, Hjalmar. Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera.

Degree: Classical Music, 2020, Royal College of Music in Stockholm

  Övning är en helt central del av tillvaron för alla som aspirerar att bli professionella klassiska musiker och som med så mycket annat så… (more)

Subjects/Keywords: Övning; Modacity; Deliberate Practice; Berhard Krol; Capriccio da Camera; Music; Musik

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APA (6th Edition):

Ljungberg, H. (2020). Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ljungberg, Hjalmar. “Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera.” 2020. Thesis, Royal College of Music in Stockholm. Accessed July 10, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ljungberg, Hjalmar. “Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera.” 2020. Web. 10 Jul 2020.

Vancouver:

Ljungberg H. Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera. [Internet] [Thesis]. Royal College of Music in Stockholm; 2020. [cited 2020 Jul 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ljungberg H. Modacity - Myt eller mirakelkur? : En studie om användadet av mobilapplikationen Modacity under den musikaliska instuderingen av Berhard Krols verk Capriccio da Camera. [Thesis]. Royal College of Music in Stockholm; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

3. McEvenue, André. Capriccio for Mixed Ensemble and Piano.

Degree: 2018, University of Western Ontario

Capriccio is a 12 minute, single movement “mini concerto” for piano and small chamber ensemble. The music is of a virtuosic and capricious nature; at… (more)

Subjects/Keywords: Capriccio; piano; chamber music; Canadian music; Pitch symmetry; Composition

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APA (6th Edition):

McEvenue, A. (2018). Capriccio for Mixed Ensemble and Piano. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McEvenue, André. “Capriccio for Mixed Ensemble and Piano.” 2018. Thesis, University of Western Ontario. Accessed July 10, 2020. https://ir.lib.uwo.ca/etd/5336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McEvenue, André. “Capriccio for Mixed Ensemble and Piano.” 2018. Web. 10 Jul 2020.

Vancouver:

McEvenue A. Capriccio for Mixed Ensemble and Piano. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2020 Jul 10]. Available from: https://ir.lib.uwo.ca/etd/5336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McEvenue A. Capriccio for Mixed Ensemble and Piano. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Antonopoulos, Alexandros. Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας.

Degree: 2019, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The term capriccio, origininated in latin, first appears in the late 13th century in the literature of Tuscany meaning sexual desire, carnal lust, horror, disgust,… (more)

Subjects/Keywords: Καπρίτσιο; Εικαστικές τέχνες; Θεωρία της τέχνης; Φαντασία; Αρχαιότητα; Capriccio; Veduta; Art theory; Visual arts; Grottesche; Fantasy; Antiquity

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APA (6th Edition):

Antonopoulos, A. (2019). Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/46561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Antonopoulos, Alexandros. “Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας.” 2019. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed July 10, 2020. http://hdl.handle.net/10442/hedi/46561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Antonopoulos, Alexandros. “Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας.” 2019. Web. 10 Jul 2020.

Vancouver:

Antonopoulos A. Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2019. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10442/hedi/46561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Antonopoulos A. Το capriccio ως καλλιτεχνικό φαινόμενο στις εικαστικές τέχνες: 16ος-18ος αιώνας. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2019. Available from: http://hdl.handle.net/10442/hedi/46561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Walczyk, Kevin, 1964-. Capriccio: A Composition for Symphonic Orchestra.

Degree: 1994, University of North Texas

 A body of works titled 'capriccio' have existed for over four hundred years. Most of these works are characterized by a composers abandonment of expected… (more)

Subjects/Keywords: capriccio; scores; music compositions; Orchestral music  – Scores.

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APA (6th Edition):

Walczyk, Kevin, 1. (1994). Capriccio: A Composition for Symphonic Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walczyk, Kevin, 1964-. “Capriccio: A Composition for Symphonic Orchestra.” 1994. Thesis, University of North Texas. Accessed July 10, 2020. https://digital.library.unt.edu/ark:/67531/metadc935623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walczyk, Kevin, 1964-. “Capriccio: A Composition for Symphonic Orchestra.” 1994. Web. 10 Jul 2020.

Vancouver:

Walczyk, Kevin 1. Capriccio: A Composition for Symphonic Orchestra. [Internet] [Thesis]. University of North Texas; 1994. [cited 2020 Jul 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walczyk, Kevin 1. Capriccio: A Composition for Symphonic Orchestra. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc935623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Bonner, Andrew. “Curious inventions”: Carlo Farina's Capriccio stravagante.

Degree: 2013, NC Docks

 Carlo Farina's 1627 Capriccio Stravagante uses four violin-family instruments (violin, two violas, and a violoncello-range instrument) to mimic other instruments such as trumpets, shawms, organs,… (more)

Subjects/Keywords: Farina, Carlo, $d approximately 1600-approximately 1640. $t Pavans, galliards, etc., $n book 2. $p Capriccio stravagante; Farina, Carlo, $d approximately 1600-approximately 1640. $x Criticism and interpretation

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APA (6th Edition):

Bonner, A. (2013). “Curious inventions”: Carlo Farina's Capriccio stravagante. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Bonner_uncg_0154D_11176.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bonner, Andrew. ““Curious inventions”: Carlo Farina's Capriccio stravagante.” 2013. Thesis, NC Docks. Accessed July 10, 2020. http://libres.uncg.edu/ir/uncg/f/Bonner_uncg_0154D_11176.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bonner, Andrew. ““Curious inventions”: Carlo Farina's Capriccio stravagante.” 2013. Web. 10 Jul 2020.

Vancouver:

Bonner A. “Curious inventions”: Carlo Farina's Capriccio stravagante. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Jul 10]. Available from: http://libres.uncg.edu/ir/uncg/f/Bonner_uncg_0154D_11176.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bonner A. “Curious inventions”: Carlo Farina's Capriccio stravagante. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/Bonner_uncg_0154D_11176.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Tyler, Mason. An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes.

Degree: DMA, Music, 2015, University of Kansas

 This document examines the chamber repertoire for trumpet and brass quintet by James Barnes. These pieces are explored within the context of Barnes's overall approach… (more)

Subjects/Keywords: Music; Classical Suite; Divertissement; Duo Concertante; Fanfare and Capriccio; James Barnes; Trumpet

…1999. The Fanfare and Capriccio for Solo Trumpet and Symphonic Band, Op. 102 was written for… …conducting in April 1998 at the Lied Center in Lawrence, Kansas.16 "Fanfare and Capriccio was… …sewing a handmade suit.”28 As seen in Example 1 from score to Fanfare and Capriccio, Barnes’s… …Capriccio Op. 102, score, final page29 Used by permission of Southern-Keiser Music 29 James… …Barnes, Fanfare and Capriccio for Solo Trumpet and Symphonic Band, Op. 102 (San Antonio… 

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APA (6th Edition):

Tyler, M. (2015). An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/18394

Chicago Manual of Style (16th Edition):

Tyler, Mason. “An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes.” 2015. Doctoral Dissertation, University of Kansas. Accessed July 10, 2020. http://hdl.handle.net/1808/18394.

MLA Handbook (7th Edition):

Tyler, Mason. “An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes.” 2015. Web. 10 Jul 2020.

Vancouver:

Tyler M. An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/1808/18394.

Council of Science Editors:

Tyler M. An Examination of the Use of the Trumpet in the Solo and Chamber Works of James Barnes. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/18394

8. Easterling, Douglas. Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality.

Degree: MM, College-Conservatory of Music: Music History, 2014, University of Cincinnati

 Self-referentiality plays an important, but often overlooked, role in the works of Richard Strauss. The broad category of self-reference includes works of metafiction, which literary… (more)

Subjects/Keywords: Music; Strauss, Richard; Self-reference; Ariadne auf Naxos; Intermezzo; Capriccio; Die Frau ohne Schatten

Capriccio (1942). These two operas present the most obvious instances of selfreference… …many of Strauss’s works, such as his last completed opera, Capriccio, which references other… …The Poet and the Composer.” Capriccio represents perhaps the most famous example of a meta… …into existence by writing an opera about themselves; this opera turns out to be Capriccio… …itself. Capriccio, by becoming an opera about itself, aligns with Patricia Waugh’s description… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Easterling, D. (2014). Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396454011

Chicago Manual of Style (16th Edition):

Easterling, Douglas. “Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality.” 2014. Masters Thesis, University of Cincinnati. Accessed July 10, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396454011.

MLA Handbook (7th Edition):

Easterling, Douglas. “Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality.” 2014. Web. 10 Jul 2020.

Vancouver:

Easterling D. Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality. [Internet] [Masters thesis]. University of Cincinnati; 2014. [cited 2020 Jul 10]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396454011.

Council of Science Editors:

Easterling D. Authorial Voice and Agency in the Operas of Richard Strauss: A Study of Self-Referentiality. [Masters Thesis]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396454011


University of South Africa

9. Muller, Stephanus. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano .

Degree: 1997, University of South Africa

 The hypothesis of this study entails the formulation of interpretative solutions for J. S. Bach's Capriccio in B flat major. The "Interpretative Analysis" mentioned in… (more)

Subjects/Keywords: J. S. Bach; Historical performance practice; Keyboard music; Keybord interpretation; Analysis; Capriccio; BWV 992; Clavichord; Harpsichord; Piano; Music aesthetics; Baroque music

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APA (6th Edition):

Muller, S. (1997). An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/17540

Chicago Manual of Style (16th Edition):

Muller, Stephanus. “An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano .” 1997. Masters Thesis, University of South Africa. Accessed July 10, 2020. http://hdl.handle.net/10500/17540.

MLA Handbook (7th Edition):

Muller, Stephanus. “An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano .” 1997. Web. 10 Jul 2020.

Vancouver:

Muller S. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano . [Internet] [Masters thesis]. University of South Africa; 1997. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10500/17540.

Council of Science Editors:

Muller S. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano . [Masters Thesis]. University of South Africa; 1997. Available from: http://hdl.handle.net/10500/17540

10. Kelver, George E. A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother.

Degree: 1948, North Texas State Teachers College

 The purpose of this study is to present a brief history of the work, a discussion of the ornamentation which occurs therein and suggestions for… (more)

Subjects/Keywords: Johann Sebastian Bach; German composers; Baroque music; Bach, Johann Sebastian, 1685-1750  – Capriccio sopra la lontananza del suo fratello dilettissimo.

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APA (6th Edition):

Kelver, G. E. (1948). A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699706/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelver, George E. “A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother.” 1948. Thesis, North Texas State Teachers College. Accessed July 10, 2020. https://digital.library.unt.edu/ark:/67531/metadc699706/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelver, George E. “A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother.” 1948. Web. 10 Jul 2020.

Vancouver:

Kelver GE. A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother. [Internet] [Thesis]. North Texas State Teachers College; 1948. [cited 2020 Jul 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699706/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelver GE. A Study of the J.S. Bach Capriccio on the Departure of a Beloved Brother. [Thesis]. North Texas State Teachers College; 1948. Available from: https://digital.library.unt.edu/ark:/67531/metadc699706/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Μουμτζίδου - Παπατζίμα, Φανή. Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828).

Degree: 2001, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH)

Subjects/Keywords: Θέατρο; Κοινωνική κριτική; Γκόγια Φρανσίσκο; Ιερά Εξέταση; Καρναβάλι; Κομμέντια ντελ' Άρτε; Ισπανικό θέατρο; Ζωγραφική; Θάνατος; Commedia dell' arte; Capriccio; Carnival; Carnivalesque; Spanish Inquisition; Theatre; Social criticism; Goya Francisco; Painting; Death

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APA (6th Edition):

Μουμτζίδου - Παπατζίμα, . (2001). Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828). (Thesis). Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Retrieved from http://hdl.handle.net/10442/hedi/12854

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μουμτζίδου - Παπατζίμα, Φανή. “Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828).” 2001. Thesis, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Accessed July 10, 2020. http://hdl.handle.net/10442/hedi/12854.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μουμτζίδου - Παπατζίμα, Φανή. “Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828).” 2001. Web. 10 Jul 2020.

Vancouver:

Μουμτζίδου - Παπατζίμα . Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828). [Internet] [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 2001. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10442/hedi/12854.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μουμτζίδου - Παπατζίμα . Ο πολιτισμός του Carnivalesque και το θεατρικό στοιχείο ως μέσα άσκησης κοινωνικής κριτικής στο έργο του Francisco de Goya y Lucientes (1746 - 1828). [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 2001. Available from: http://hdl.handle.net/10442/hedi/12854

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Bonner, Andrew. “Curious inventions”: Carlo Farina's Capriccio stravagante.

Degree: 2013, University of North Carolina – Greensboro

 Carlo Farina's 1627 Capriccio Stravagante uses four violin-family instruments (violin, two violas, and a violoncello-range instrument) to mimic other instruments such as trumpets, shawms, organs,… (more)

Subjects/Keywords: Farina, Carlo, – approximately 1600-approximately 1640. – Pavans, galliards, etc., – book 2. – Capriccio stravagante; Farina, Carlo, – approximately 1600-approximately 1640. – Criticism and interpretation

…CHAPTER I INTRODUCTION This dissertation focuses on a single piece, the Capriccio… …it as the Capriccio Stravagante, or simply Capriccio. For the meanings and connotations of… …capriccio and quodlibet see Rebecca Cypess, Die Natur Und Kunst Zu Betrachten’: Carlo Farina’s… …Capriccio Stravagante (1627) and the Cultures of Collecting at the Court of Saxony,” The… …that fill the volume in which the Capriccio was published. This volume was the second of five… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bonner, A. (2013). “Curious inventions”: Carlo Farina's Capriccio stravagante. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9972

Chicago Manual of Style (16th Edition):

Bonner, Andrew. ““Curious inventions”: Carlo Farina's Capriccio stravagante.” 2013. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed July 10, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9972.

MLA Handbook (7th Edition):

Bonner, Andrew. ““Curious inventions”: Carlo Farina's Capriccio stravagante.” 2013. Web. 10 Jul 2020.

Vancouver:

Bonner A. “Curious inventions”: Carlo Farina's Capriccio stravagante. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2013. [cited 2020 Jul 10]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9972.

Council of Science Editors:

Bonner A. “Curious inventions”: Carlo Farina's Capriccio stravagante. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2013. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9972


University of Vienna

13. Schön, Markus. Hans Hoffmann-Ybbs.

Degree: 2008, University of Vienna

 Die vorliegende Arbeit „Hans Hoffmann-Ybbs, Aspekte im Grafischen Oeuvre“ zeigt die Vielschichtigkeit fantasievollen Gestaltens innerhalb des grafischen Oeuvres dieses Künstlers auf. Hans Hoffmann-Ybbs kam am… (more)

Subjects/Keywords: 10.99 Geisteswissenschaften allgemein: Sonstiges; Beispiele aus dem grafischen Oeuvre des Künstlers in der bildvergleichenden Gegenüberstellung mit ähnlichen - im Sinn von "Gestaltungsprinzipien" - Werken (16. - 20. Jahrhundert) / theoretische Themenaspekte: Fantasie als Grundlage künstlerischer Gestaltungprinzipien (Fantasie als Begriff) / fantasievolle Gestaltungsprinzipien (Capriccio, Grottekse, Drolerie, Karikatur) / Mischwesen / Fabelwesen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schön, M. (2008). Hans Hoffmann-Ybbs. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schön, Markus. “Hans Hoffmann-Ybbs.” 2008. Thesis, University of Vienna. Accessed July 10, 2020. http://othes.univie.ac.at/712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schön, Markus. “Hans Hoffmann-Ybbs.” 2008. Web. 10 Jul 2020.

Vancouver:

Schön M. Hans Hoffmann-Ybbs. [Internet] [Thesis]. University of Vienna; 2008. [cited 2020 Jul 10]. Available from: http://othes.univie.ac.at/712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schön M. Hans Hoffmann-Ybbs. [Thesis]. University of Vienna; 2008. Available from: http://othes.univie.ac.at/712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Wallhammar, Johan. Searching for the Grandiose.

Degree: Architecture, 2018, KTH

  This project is called “Searching for the Grandiose” and consequently dives into this both historical and contemporary field of architecture. With a basis in… (more)

Subjects/Keywords: architecture; architectural theory; architectural history; grandiose; monumental; monument; architectural fantasy; fantasy; imaginary; capriccio; Etienne-Louis Boullée; Piranesi; Bruno Taut; colossal; memorial; edifice; imaginary structure; imaginary architecture; sigfried giedion; large; BIGNESS; dream; scale; ornament; limitless; Architecture; Arkitektur

…programmed to have no program, and sacred geometry was used to tidy up a rather messy capriccio… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wallhammar, J. (2018). Searching for the Grandiose. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wallhammar, Johan. “Searching for the Grandiose.” 2018. Thesis, KTH. Accessed July 10, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wallhammar, Johan. “Searching for the Grandiose.” 2018. Web. 10 Jul 2020.

Vancouver:

Wallhammar J. Searching for the Grandiose. [Internet] [Thesis]. KTH; 2018. [cited 2020 Jul 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wallhammar J. Searching for the Grandiose. [Thesis]. KTH; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.