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You searched for subject:(Cantatas Analysis appreciation ). Showing records 1 – 30 of 81175 total matches.

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University of North Texas

1. McManus, Catherine. The Cantatas of Jean-Philippe Rameau.

Degree: 1991, University of North Texas

 By the early eighteenth century, French music was tangibly influenced by the Italian style which had already permeated much of Europe. The French Cantata is… (more)

Subjects/Keywords: French music; French cantatas; Jean-Philippe Rameau; Rameau, Jean Philippe, 1683-1764. Cantatas.; Cantatas  – Analysis, appreciation.; Cantatas  – Librettos.

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APA (6th Edition):

McManus, C. (1991). The Cantatas of Jean-Philippe Rameau. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McManus, Catherine. “The Cantatas of Jean-Philippe Rameau.” 1991. Thesis, University of North Texas. Accessed July 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc500531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McManus, Catherine. “The Cantatas of Jean-Philippe Rameau.” 1991. Web. 15 Jul 2019.

Vancouver:

McManus C. The Cantatas of Jean-Philippe Rameau. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Jul 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McManus C. The Cantatas of Jean-Philippe Rameau. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc500531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – East Bay

2. Chung, Pao-Hwa. Trances from Unfinished Voyages for String Quartet.

Degree: MAin Music, 2014, California State University – East Bay

This thesis consists of an analysis of an original composition by the author for string quartet. The full score is included in the thesis. Advisors/Committee Members: Highman, Dr. Daniel (advisor), Marsh, Dr. Peter (committee member).

Subjects/Keywords: String quartets  – Analysis; appreciation

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APA (6th Edition):

Chung, P. (2014). Trances from Unfinished Voyages for String Quartet. (Masters Thesis). California State University – East Bay. Retrieved from http://hdl.handle.net/10211.3/132660

Chicago Manual of Style (16th Edition):

Chung, Pao-Hwa. “Trances from Unfinished Voyages for String Quartet.” 2014. Masters Thesis, California State University – East Bay. Accessed July 15, 2019. http://hdl.handle.net/10211.3/132660.

MLA Handbook (7th Edition):

Chung, Pao-Hwa. “Trances from Unfinished Voyages for String Quartet.” 2014. Web. 15 Jul 2019.

Vancouver:

Chung P. Trances from Unfinished Voyages for String Quartet. [Internet] [Masters thesis]. California State University – East Bay; 2014. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/10211.3/132660.

Council of Science Editors:

Chung P. Trances from Unfinished Voyages for String Quartet. [Masters Thesis]. California State University – East Bay; 2014. Available from: http://hdl.handle.net/10211.3/132660


University of Hong Kong

3. 陳楚珊.; Chan, Chor-shan, Sharon. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).

Degree: M. Phil., 2012, University of Hong Kong

Stravinsky’s opera-oratorio Oedipus Rex was based on Sophocles’ classic tragedy Oedipus Tyrannus. Jean Cocteau wrote the libretto for Stravinsky in French, the text was then… (more)

Subjects/Keywords: Dramatic music - Analysis; appreciation.

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APA (6th Edition):

陳楚珊.; Chan, Chor-shan, S. (2012). Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). (Masters Thesis). University of Hong Kong. Retrieved from Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230

Chicago Manual of Style (16th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Masters Thesis, University of Hong Kong. Accessed July 15, 2019. Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

MLA Handbook (7th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Web. 15 Jul 2019.

Vancouver:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Jul 15]. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

Council of Science Editors:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Masters Thesis]. University of Hong Kong; 2012. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230


University of California – San Diego

4. Tonelli, Christopher Joseph. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.

Degree: Music, 2011, University of California – San Diego

 Popular music studies, since its inception, has been centrally concerned with the ways music participates in processes of individual and collective identity construction. This dissertation… (more)

Subjects/Keywords: appreciation Popular music Analysis

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APA (6th Edition):

Tonelli, C. J. (2011). Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Thesis, University of California – San Diego. Accessed July 15, 2019. http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Web. 15 Jul 2019.

Vancouver:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2019 Jul 15]. Available from: http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

5. Joly, Luciana Carina. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.

Degree: DMA, 2011, University of Oklahoma

 The information provided through the close examination of these pieces contributes to the accessibility of Prado's music for piano teachers and pianists interested in broadening… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Joly, L. C. (2011). Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318732

Chicago Manual of Style (16th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/318732.

MLA Handbook (7th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Web. 15 Jul 2019.

Vancouver:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/318732.

Council of Science Editors:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/318732


University of Oklahoma

6. Wolfe, Brian Thomas. AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO.

Degree: DMA, 2013, University of Oklahoma

 In order to reveal character areas and their relation to the structure of the work, the analysis of texture, timbre, and rhythm reveal the formal… (more)

Subjects/Keywords: Wind ensembles – Analysis; appreciation

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APA (6th Edition):

Wolfe, B. T. (2013). AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318860

Chicago Manual of Style (16th Edition):

Wolfe, Brian Thomas. “AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO.” 2013. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/318860.

MLA Handbook (7th Edition):

Wolfe, Brian Thomas. “AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO.” 2013. Web. 15 Jul 2019.

Vancouver:

Wolfe BT. AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO. [Internet] [Doctoral dissertation]. University of Oklahoma; 2013. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/318860.

Council of Science Editors:

Wolfe BT. AN ANALYSIS OF TEXTURE, TIMBRE, AND RHYTHM IN RELATION TO FORM IN MAGNUS LINDBERG'S GRAN DUO. [Doctoral Dissertation]. University of Oklahoma; 2013. Available from: http://hdl.handle.net/11244/318860


University of Oklahoma

7. Wise, Wilson Bartell. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.

Degree: DMA, 2013, University of Oklahoma

 The second portion of the document contains a theoretical analysis of the work demonstrating musical representations of conflict as well as the composer's innovations of… (more)

Subjects/Keywords: Band music – Analysis; appreciation

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APA (6th Edition):

Wise, W. B. (2013). THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318931

Chicago Manual of Style (16th Edition):

Wise, Wilson Bartell. “THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.” 2013. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/318931.

MLA Handbook (7th Edition):

Wise, Wilson Bartell. “THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER.” 2013. Web. 15 Jul 2019.

Vancouver:

Wise WB. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. [Internet] [Doctoral dissertation]. University of Oklahoma; 2013. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/318931.

Council of Science Editors:

Wise WB. THE POWER OF ROME AND THE CHRISTIAN HEART: AN ANALYSIS AND STUDY OF CONFLICT IN THE LIFE OF PACIFIST-COMPOSER PERCY GRAINGER. [Doctoral Dissertation]. University of Oklahoma; 2013. Available from: http://hdl.handle.net/11244/318931


University of Oklahoma

8. Biggs, Nicole Elizabeth. Howard Ferguson's Contributions to Piano Literature and Pedagogy.

Degree: DMA, 2011, University of Oklahoma

 Conclusions of this document indicate that: (1) Ferguson's solo piano compositions are of a high quality and bolster twentieth-century piano repertoire, and (2) his written… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

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APA (6th Edition):

Biggs, N. E. (2011). Howard Ferguson's Contributions to Piano Literature and Pedagogy. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319066

Chicago Manual of Style (16th Edition):

Biggs, Nicole Elizabeth. “Howard Ferguson's Contributions to Piano Literature and Pedagogy.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/319066.

MLA Handbook (7th Edition):

Biggs, Nicole Elizabeth. “Howard Ferguson's Contributions to Piano Literature and Pedagogy.” 2011. Web. 15 Jul 2019.

Vancouver:

Biggs NE. Howard Ferguson's Contributions to Piano Literature and Pedagogy. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/319066.

Council of Science Editors:

Biggs NE. Howard Ferguson's Contributions to Piano Literature and Pedagogy. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/319066


University of California – San Diego

9. Karre, Ross Patrick. The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art.

Degree: Music, 2009, University of California – San Diego

 Temporal art production protocol since Wagner has seen a narrowing of performance practices and audience expectations. This narrowing has created numerous obstacles for integrating media… (more)

Subjects/Keywords: appreciation Mixed media (Music) Analysis; appreciation Music theater Analysis

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APA (6th Edition):

Karre, R. P. (2009). The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/16k785df

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karre, Ross Patrick. “The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art.” 2009. Thesis, University of California – San Diego. Accessed July 15, 2019. http://www.escholarship.org/uc/item/16k785df.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karre, Ross Patrick. “The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art.” 2009. Web. 15 Jul 2019.

Vancouver:

Karre RP. The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art. [Internet] [Thesis]. University of California – San Diego; 2009. [cited 2019 Jul 15]. Available from: http://www.escholarship.org/uc/item/16k785df.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karre RP. The media frame : the theory and practice of integrating a variety of production protocol in modern experimental temporal art. [Thesis]. University of California – San Diego; 2009. Available from: http://www.escholarship.org/uc/item/16k785df

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

10. Krowicki, Marek. Contemporary Rock Formations: Rock Elements in Classical Music.

Degree: Doctor of Music., Schulich School of Music, 2015, McGill University

Note:

Contemporary classical pieces that bridge the divide between classical and rock can do so with the inclusion of various rock elements. Inclusion of these… (more)

Subjects/Keywords: Music  – 20th century  – Analysis, appreciation.; Music  – 21st century  – Analysis, appreciation.; Musical analysis.; Rock music  – Analysis, appreciation.

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APA (6th Edition):

Krowicki, M. (2015). Contemporary Rock Formations: Rock Elements in Classical Music. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137393.pdf

Chicago Manual of Style (16th Edition):

Krowicki, Marek. “Contemporary Rock Formations: Rock Elements in Classical Music.” 2015. Doctoral Dissertation, McGill University. Accessed July 15, 2019. http://digitool.library.mcgill.ca/thesisfile137393.pdf.

MLA Handbook (7th Edition):

Krowicki, Marek. “Contemporary Rock Formations: Rock Elements in Classical Music.” 2015. Web. 15 Jul 2019.

Vancouver:

Krowicki M. Contemporary Rock Formations: Rock Elements in Classical Music. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2019 Jul 15]. Available from: http://digitool.library.mcgill.ca/thesisfile137393.pdf.

Council of Science Editors:

Krowicki M. Contemporary Rock Formations: Rock Elements in Classical Music. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137393.pdf


University of Victoria

11. Mountain, Rosemary. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.

Degree: School of Music, 2018, University of Victoria

 An investigation into the nature and functions of periodicity is presented through analysis and discussion. Periodicity is established by the repetition of any musical event… (more)

Subjects/Keywords: Musical form; Music, 20th century; Analysis, appreciation

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APA (6th Edition):

Mountain, R. (2018). An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Thesis, University of Victoria. Accessed July 15, 2019. https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Web. 15 Jul 2019.

Vancouver:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Internet] [Thesis]. University of Victoria; 2018. [cited 2019 Jul 15]. Available from: https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

12. Temme, Walter Frederick. A recital.

Degree: 1981, Kansas State University

Subjects/Keywords: Symphonies – Analysis; appreciation

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APA (6th Edition):

Temme, W. F. (1981). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9537

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Temme, Walter Frederick. “A recital.” 1981. Thesis, Kansas State University. Accessed July 15, 2019. http://hdl.handle.net/2097/9537.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Temme, Walter Frederick. “A recital.” 1981. Web. 15 Jul 2019.

Vancouver:

Temme WF. A recital. [Internet] [Thesis]. Kansas State University; 1981. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/2097/9537.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Temme WF. A recital. [Thesis]. Kansas State University; 1981. Available from: http://hdl.handle.net/2097/9537

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

13. Pepple, Joanna. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.

Degree: 2012, East Carolina University

 The variation movements of Johannes Brahms portray a continuous development of his musical discourse. Regarding variation form he advocated for formal unity and the important… (more)

Subjects/Keywords: Brahms; Johannes; 1833-1897 – Analysis; appreciation

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APA (6th Edition):

Pepple, J. (2012). The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730

Chicago Manual of Style (16th Edition):

Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Masters Thesis, East Carolina University. Accessed July 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730.

MLA Handbook (7th Edition):

Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Web. 15 Jul 2019.

Vancouver:

Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Internet] [Masters thesis]. East Carolina University; 2012. [cited 2019 Jul 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730.

Council of Science Editors:

Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Masters Thesis]. East Carolina University; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730


University of Oklahoma

14. Giacona, Christina. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.

Degree: DMA, 2009, University of Oklahoma

 Carl Nielsen's Concerto for Clarinet and Orchestra is a staple of twentieth-century clarinet literature that requires exceptional musicality and technical mastery to justifiably perform the… (more)

Subjects/Keywords: Concerto – Analysis; appreciation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Giacona, C. (2009). A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318592

Chicago Manual of Style (16th Edition):

Giacona, Christina. “A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.” 2009. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/318592.

MLA Handbook (7th Edition):

Giacona, Christina. “A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.” 2009. Web. 15 Jul 2019.

Vancouver:

Giacona C. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. [Internet] [Doctoral dissertation]. University of Oklahoma; 2009. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/318592.

Council of Science Editors:

Giacona C. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. [Doctoral Dissertation]. University of Oklahoma; 2009. Available from: http://hdl.handle.net/11244/318592


University of Oklahoma

15. Brisbois, Aaron Michael. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.

Degree: DMA, 2012, University of Oklahoma

 This document explores the performance practices of Jean Françaix's Concerto for Clarinet and Orchestra by four world-renowned clarinetists. These artists are Philippe Cuper, Dimitri Ashkenazy,… (more)

Subjects/Keywords: Concertos – Analysis, appreciation; Clarinet – Instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brisbois, A. M. (2012). Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318549

Chicago Manual of Style (16th Edition):

Brisbois, Aaron Michael. “Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.” 2012. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/318549.

MLA Handbook (7th Edition):

Brisbois, Aaron Michael. “Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.” 2012. Web. 15 Jul 2019.

Vancouver:

Brisbois AM. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/318549.

Council of Science Editors:

Brisbois AM. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/318549


University of Oklahoma

16. Giacona, Christina. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.

Degree: DMA, 2009, University of Oklahoma

 Carl Nielsen's Concerto for Clarinet and Orchestra is a staple of twentieth-century clarinet literature that requires exceptional musicality and technical mastery to justifiably perform the… (more)

Subjects/Keywords: Concerto – Analysis; appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Giacona, C. (2009). A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319540

Chicago Manual of Style (16th Edition):

Giacona, Christina. “A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.” 2009. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/319540.

MLA Handbook (7th Edition):

Giacona, Christina. “A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN.” 2009. Web. 15 Jul 2019.

Vancouver:

Giacona C. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. [Internet] [Doctoral dissertation]. University of Oklahoma; 2009. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/319540.

Council of Science Editors:

Giacona C. A STUDY OF COMPARATIVE INTERPRETATIONS BY STANLEY DRUCKER, ELSA LUDEWIG-VERDEHR, HAKAN ROSENGREN, AND JOHN BRUCE YEH OF THE CLARINET CONCERTO BY CARL NIELSEN. [Doctoral Dissertation]. University of Oklahoma; 2009. Available from: http://hdl.handle.net/11244/319540


University of Oklahoma

17. Brisbois, Aaron Michael. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.

Degree: DMA, 2012, University of Oklahoma

 This document explores the performance practices of Jean Françaix's Concerto for Clarinet and Orchestra by four world-renowned clarinetists. These artists are Philippe Cuper, Dimitri Ashkenazy,… (more)

Subjects/Keywords: Concertos – Analysis, appreciation; Clarinet – Instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brisbois, A. M. (2012). Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319500

Chicago Manual of Style (16th Edition):

Brisbois, Aaron Michael. “Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.” 2012. Doctoral Dissertation, University of Oklahoma. Accessed July 15, 2019. http://hdl.handle.net/11244/319500.

MLA Handbook (7th Edition):

Brisbois, Aaron Michael. “Jean Francaix's Clarinet Concerto: An Examination of Performance Practices.” 2012. Web. 15 Jul 2019.

Vancouver:

Brisbois AM. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/11244/319500.

Council of Science Editors:

Brisbois AM. Jean Francaix's Clarinet Concerto: An Examination of Performance Practices. [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/319500


University of California – San Diego

18. Williams, James Gordon. Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance.

Degree: Music, 2013, University of California – San Diego

 From the 1990s on critical musicologists have used signifyin(g) theory to create a more inclusive, critical discursive that reflects African American ideas and experiences in… (more)

Subjects/Keywords: Music Analysis, appreciation African Americans; Analysis, appreciation Music by African American composers

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APA (6th Edition):

Williams, J. G. (2013). Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/8pb90655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, James Gordon. “Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance.” 2013. Thesis, University of California – San Diego. Accessed July 15, 2019. http://www.escholarship.org/uc/item/8pb90655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, James Gordon. “Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance.” 2013. Web. 15 Jul 2019.

Vancouver:

Williams JG. Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Jul 15]. Available from: http://www.escholarship.org/uc/item/8pb90655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams JG. Crossing the bar lines : : locating 20th and 21st century strategies of musical resistance. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/8pb90655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

19. Mitchell, David J. A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric.

Degree: 2017, University of North Carolina – Greensboro

 The aim of this study is to provide insight into the percussion music of Dave Maric through an analysis of a trilogy of pieces with… (more)

Subjects/Keywords: Maric, Dave – Criticism and interpretation; Percussion music – Analysis, appreciation; Computer music – Analysis, appreciation

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APA (6th Edition):

Mitchell, D. J. (2017). A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22590

Chicago Manual of Style (16th Edition):

Mitchell, David J. “A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric.” 2017. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed July 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22590.

MLA Handbook (7th Edition):

Mitchell, David J. “A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric.” 2017. Web. 15 Jul 2019.

Vancouver:

Mitchell DJ. A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2017. [cited 2019 Jul 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22590.

Council of Science Editors:

Mitchell DJ. A performance guide and analysis of compositional techniques in selected percussion music of Dave Maric. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2017. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22590


University of Hong Kong

20. 李德芬; Lee, Daphne. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.

Degree: M. Phil., 2002, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Zither music - Appreciation, analysis.; Qin music - Appreciation, analysis.; Instrumental music - China - Appreciation, analysis.

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APA (6th Edition):

李德芬; Lee, D. (2002). The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. (Masters Thesis). University of Hong Kong. Retrieved from Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745

Chicago Manual of Style (16th Edition):

李德芬; Lee, Daphne. “The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.” 2002. Masters Thesis, University of Hong Kong. Accessed July 15, 2019. Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745.

MLA Handbook (7th Edition):

李德芬; Lee, Daphne. “The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.” 2002. Web. 15 Jul 2019.

Vancouver:

李德芬; Lee D. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. [Internet] [Masters thesis]. University of Hong Kong; 2002. [cited 2019 Jul 15]. Available from: Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745.

Council of Science Editors:

李德芬; Lee D. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. [Masters Thesis]. University of Hong Kong; 2002. Available from: Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745


University of North Carolina – Greensboro

21. Ellison, Timothy Lee. An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this study is to examine Joel Puckett's work, Short Stories, a new concerto for string quartet and wind ensemble. Composed for the… (more)

Subjects/Keywords: Puckett, Joel. – Short stories; Puckett, Joel – Criticism and interpretation; Concertos (String quartet with instrumental ensemble) – Analysis, appreciation; String quartets – Analysis, appreciation; Wind ensembles – Analysis, appreciation

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APA (6th Edition):

Ellison, T. L. (2015). An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18416

Chicago Manual of Style (16th Edition):

Ellison, Timothy Lee. “An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble.” 2015. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed July 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18416.

MLA Handbook (7th Edition):

Ellison, Timothy Lee. “An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble.” 2015. Web. 15 Jul 2019.

Vancouver:

Ellison TL. An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2015. [cited 2019 Jul 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18416.

Council of Science Editors:

Ellison TL. An analysis of Joel Puckett’s Short Stories: a concerto for string quartet and wind ensemble. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18416


University of North Carolina – Greensboro

22. Keith, James Andrew. "Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis".

Degree: 2013, University of North Carolina – Greensboro

 Within the standard U.S. choral repertoire, Pavel Chesnokov is not an obscure name. His name is mostly associated with the frequently performed "Salvation is Created",… (more)

Subjects/Keywords: Chesnokov, P. G. – (Pavel Grigor'evich), – 1877-1944. – Vo dni brani; Choral music – Russia; Choral music – Analysis, appreciation; Choral music – Analysis, appreciation

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APA (6th Edition):

Keith, J. A. (2013). "Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis". (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10033

Chicago Manual of Style (16th Edition):

Keith, James Andrew. “"Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis".” 2013. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed July 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10033.

MLA Handbook (7th Edition):

Keith, James Andrew. “"Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis".” 2013. Web. 15 Jul 2019.

Vancouver:

Keith JA. "Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis". [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2013. [cited 2019 Jul 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10033.

Council of Science Editors:

Keith JA. "Pavel Chesnokov's Op. 45, In Days of Battle: a new publication and conductor’s analysis". [Doctoral Dissertation]. University of North Carolina – Greensboro; 2013. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10033


California State University – East Bay

23. Yamasaki, David. Analysis of Lifelines : A Composition for String Quartet.

Degree: 2001, California State University – East Bay

This thesis is an analysis of the author's composition, "Lifelines." The complete score is included in the work. Advisors/Committee Members: Stein, Dr. David B. (advisor), Miller, Dr. Jeffrey (primaryAdvisor).

Subjects/Keywords: String quartets  – Analysis; appreciation

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APA (6th Edition):

Yamasaki, D. (2001). Analysis of Lifelines : A Composition for String Quartet. (Thesis). California State University – East Bay. Retrieved from http://hdl.handle.net/10211.3/118593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yamasaki, David. “Analysis of Lifelines : A Composition for String Quartet.” 2001. Thesis, California State University – East Bay. Accessed July 15, 2019. http://hdl.handle.net/10211.3/118593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yamasaki, David. “Analysis of Lifelines : A Composition for String Quartet.” 2001. Web. 15 Jul 2019.

Vancouver:

Yamasaki D. Analysis of Lifelines : A Composition for String Quartet. [Internet] [Thesis]. California State University – East Bay; 2001. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/10211.3/118593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yamasaki D. Analysis of Lifelines : A Composition for String Quartet. [Thesis]. California State University – East Bay; 2001. Available from: http://hdl.handle.net/10211.3/118593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

24. 黃學慧.; Wong, Hock-wei, Wendy. Containing the German within: the unpublishedpiano works of Dohnanyi Erno.

Degree: M. Phil., 2006, University of Hong Kong

published_or_final_version

abstract

Music

Master

Master of Philosophy

Subjects/Keywords: Piano music - Analysis; appreciation.

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APA (6th Edition):

黃學慧.; Wong, Hock-wei, W. (2006). Containing the German within: the unpublishedpiano works of Dohnanyi Erno. (Masters Thesis). University of Hong Kong. Retrieved from Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176

Chicago Manual of Style (16th Edition):

黃學慧.; Wong, Hock-wei, Wendy. “Containing the German within: the unpublishedpiano works of Dohnanyi Erno.” 2006. Masters Thesis, University of Hong Kong. Accessed July 15, 2019. Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176.

MLA Handbook (7th Edition):

黃學慧.; Wong, Hock-wei, Wendy. “Containing the German within: the unpublishedpiano works of Dohnanyi Erno.” 2006. Web. 15 Jul 2019.

Vancouver:

黃學慧.; Wong, Hock-wei W. Containing the German within: the unpublishedpiano works of Dohnanyi Erno. [Internet] [Masters thesis]. University of Hong Kong; 2006. [cited 2019 Jul 15]. Available from: Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176.

Council of Science Editors:

黃學慧.; Wong, Hock-wei W. Containing the German within: the unpublishedpiano works of Dohnanyi Erno. [Masters Thesis]. University of Hong Kong; 2006. Available from: Wong, H. W. [黃學慧]. (2006). Containing the German within : the unpublished piano works of Dohnanyi Erno. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3736688 ; http://dx.doi.org/10.5353/th_b3736688 ; http://hdl.handle.net/10722/52176


University of Victoria

25. Stiles, Mary. The art of light : a reflection on a piece for orchestra.

Degree: School of Music, 2018, University of Victoria

 This dissertation is a reflection on The Art of Light, a piece written for orchestra by Mary Stiles. The document discusses formal aspects of the… (more)

Subjects/Keywords: Orchestral music; Music analysis; Music appreciation; Original composition; Art of Light

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APA (6th Edition):

Stiles, M. (2018). The art of light : a reflection on a piece for orchestra. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stiles, Mary. “The art of light : a reflection on a piece for orchestra.” 2018. Thesis, University of Victoria. Accessed July 15, 2019. https://dspace.library.uvic.ca//handle/1828/9019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stiles, Mary. “The art of light : a reflection on a piece for orchestra.” 2018. Web. 15 Jul 2019.

Vancouver:

Stiles M. The art of light : a reflection on a piece for orchestra. [Internet] [Thesis]. University of Victoria; 2018. [cited 2019 Jul 15]. Available from: https://dspace.library.uvic.ca//handle/1828/9019.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stiles M. The art of light : a reflection on a piece for orchestra. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9019

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Beetz, Rachel. Into the silence.

Degree: Music, 2012, University of California – San Diego

This brief essay acted as program notes to a recital given May 8, 2012. It presents seven works of the contemporary flute oeuvre in the context of questioning reality. Throughout the recital, the listener goes through a journey of self-reflection of their own realities

Subjects/Keywords: Analysis; appreciation Flute music

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Beetz, R. (2012). Into the silence. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/01h752zd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beetz, Rachel. “Into the silence.” 2012. Thesis, University of California – San Diego. Accessed July 15, 2019. http://www.escholarship.org/uc/item/01h752zd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beetz, Rachel. “Into the silence.” 2012. Web. 15 Jul 2019.

Vancouver:

Beetz R. Into the silence. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2019 Jul 15]. Available from: http://www.escholarship.org/uc/item/01h752zd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beetz R. Into the silence. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/01h752zd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

27. Von Holtzendorff, Peter. A parametric integration model for the analysis of late Baroque music : a tentative approach.

Degree: MA, Faculty of Music., 1997, McGill University

 In four pieces selected from the late Baroque repertoire, the "Allemanda" from Corelli's Sonata for Violin and Continuo, Opus 5, No. 8, the "Allemande" from… (more)

Subjects/Keywords: Music  – 18th century  – Analysis; appreciation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Von Holtzendorff, P. (1997). A parametric integration model for the analysis of late Baroque music : a tentative approach. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile20185.pdf

Chicago Manual of Style (16th Edition):

Von Holtzendorff, Peter. “A parametric integration model for the analysis of late Baroque music : a tentative approach.” 1997. Masters Thesis, McGill University. Accessed July 15, 2019. http://digitool.library.mcgill.ca/thesisfile20185.pdf.

MLA Handbook (7th Edition):

Von Holtzendorff, Peter. “A parametric integration model for the analysis of late Baroque music : a tentative approach.” 1997. Web. 15 Jul 2019.

Vancouver:

Von Holtzendorff P. A parametric integration model for the analysis of late Baroque music : a tentative approach. [Internet] [Masters thesis]. McGill University; 1997. [cited 2019 Jul 15]. Available from: http://digitool.library.mcgill.ca/thesisfile20185.pdf.

Council of Science Editors:

Von Holtzendorff P. A parametric integration model for the analysis of late Baroque music : a tentative approach. [Masters Thesis]. McGill University; 1997. Available from: http://digitool.library.mcgill.ca/thesisfile20185.pdf


McGill University

28. Frehner, Paul (Paul Anton). Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score.

Degree: Doctor of Music, Faculty of Music., 2004, McGill University

 Sirius on Earth is a chamber opera that deals satirically with social and political issues that are pertinent to a Western multicultural urban setting. Angela… (more)

Subjects/Keywords: Operas; Operas  – Analysis, appreciation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Frehner, P. (. A. (2004). Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile84688.pdf

Chicago Manual of Style (16th Edition):

Frehner, Paul (Paul Anton). “Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score.” 2004. Doctoral Dissertation, McGill University. Accessed July 15, 2019. http://digitool.library.mcgill.ca/thesisfile84688.pdf.

MLA Handbook (7th Edition):

Frehner, Paul (Paul Anton). “Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score.” 2004. Web. 15 Jul 2019.

Vancouver:

Frehner P(A. Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score. [Internet] [Doctoral dissertation]. McGill University; 2004. [cited 2019 Jul 15]. Available from: http://digitool.library.mcgill.ca/thesisfile84688.pdf.

Council of Science Editors:

Frehner P(A. Sirius on earth : 2001-2003, a chamber opera in five scenes, in full score. [Doctoral Dissertation]. McGill University; 2004. Available from: http://digitool.library.mcgill.ca/thesisfile84688.pdf


Kansas State University

29. Massey, Lance A. Nunc dimittis : an opera in one act.

Degree: Department: Music., 1974, Kansas State University

Subjects/Keywords: Operas Scores.; Operas – Analysis, appreciation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Massey, L. A. (1974). Nunc dimittis : an opera in one act. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/8657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Massey, Lance A. “Nunc dimittis : an opera in one act.” 1974. Thesis, Kansas State University. Accessed July 15, 2019. http://hdl.handle.net/2097/8657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Massey, Lance A. “Nunc dimittis : an opera in one act.” 1974. Web. 15 Jul 2019.

Vancouver:

Massey LA. Nunc dimittis : an opera in one act. [Internet] [Thesis]. Kansas State University; 1974. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/2097/8657.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Massey LA. Nunc dimittis : an opera in one act. [Thesis]. Kansas State University; 1974. Available from: http://hdl.handle.net/2097/8657

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

30. Freitag, Deanna. A recital.

Degree: 1980, Kansas State University

Subjects/Keywords: Piano music – Analysis; appreciation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Freitag, D. (1980). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freitag, Deanna. “A recital.” 1980. Thesis, Kansas State University. Accessed July 15, 2019. http://hdl.handle.net/2097/9419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freitag, Deanna. “A recital.” 1980. Web. 15 Jul 2019.

Vancouver:

Freitag D. A recital. [Internet] [Thesis]. Kansas State University; 1980. [cited 2019 Jul 15]. Available from: http://hdl.handle.net/2097/9419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freitag D. A recital. [Thesis]. Kansas State University; 1980. Available from: http://hdl.handle.net/2097/9419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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