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You searched for subject:(British Theater). Showing records 1 – 30 of 93 total matches.

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1. Ferrone, Alessandro Marino. Stage Business: Britain's Neoliberal Theatre, 1976-2016.

Degree: PhD, English, 2019, York University

 Stage Business examines contemporary British drama vis – vis the neoliberal economic reforms that have dominated British policy for the last forty years, attending to the… (more)

Subjects/Keywords: Theater; British theatre; contemporary theatre; neoliberalism; capitalism; globalization; commercialism; Caryl Churchill; culture industries

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APA (6th Edition):

Ferrone, A. M. (2019). Stage Business: Britain's Neoliberal Theatre, 1976-2016. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35849

Chicago Manual of Style (16th Edition):

Ferrone, Alessandro Marino. “Stage Business: Britain's Neoliberal Theatre, 1976-2016.” 2019. Doctoral Dissertation, York University. Accessed August 19, 2019. http://hdl.handle.net/10315/35849.

MLA Handbook (7th Edition):

Ferrone, Alessandro Marino. “Stage Business: Britain's Neoliberal Theatre, 1976-2016.” 2019. Web. 19 Aug 2019.

Vancouver:

Ferrone AM. Stage Business: Britain's Neoliberal Theatre, 1976-2016. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/10315/35849.

Council of Science Editors:

Ferrone AM. Stage Business: Britain's Neoliberal Theatre, 1976-2016. [Doctoral Dissertation]. York University; 2019. Available from: http://hdl.handle.net/10315/35849


University of Exeter

2. Pearce, Michael Christopher. Black British theatre : a transnational perspective.

Degree: PhD, 2013, University of Exeter

 This thesis examines post-war black British theatre through a transnational lens. It argues that the hitherto prioritization of a national paradigm in discussions of black… (more)

Subjects/Keywords: 792.02; black British theatre

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APA (6th Edition):

Pearce, M. C. (2013). Black British theatre : a transnational perspective. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/10502

Chicago Manual of Style (16th Edition):

Pearce, Michael Christopher. “Black British theatre : a transnational perspective.” 2013. Doctoral Dissertation, University of Exeter. Accessed August 19, 2019. http://hdl.handle.net/10871/10502.

MLA Handbook (7th Edition):

Pearce, Michael Christopher. “Black British theatre : a transnational perspective.” 2013. Web. 19 Aug 2019.

Vancouver:

Pearce MC. Black British theatre : a transnational perspective. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/10871/10502.

Council of Science Editors:

Pearce MC. Black British theatre : a transnational perspective. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/10502


Duquesne University

3. Hancock, Sarah Rose. The Natural Embroidery of Thomas Southerne's Oroonoko.

Degree: MA, English, 2016, Duquesne University

 In this thesis, I plan to investigate the role of the landscape in Thomas Southerne's play Oroonoko. Most scholarship on Oroonoko focuses on the relationship… (more)

Subjects/Keywords: 18th Century; British Empire; British Theater; Gardening

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APA (6th Edition):

Hancock, S. R. (2016). The Natural Embroidery of Thomas Southerne's Oroonoko. (Masters Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/624

Chicago Manual of Style (16th Edition):

Hancock, Sarah Rose. “The Natural Embroidery of Thomas Southerne's Oroonoko.” 2016. Masters Thesis, Duquesne University. Accessed August 19, 2019. https://dsc.duq.edu/etd/624.

MLA Handbook (7th Edition):

Hancock, Sarah Rose. “The Natural Embroidery of Thomas Southerne's Oroonoko.” 2016. Web. 19 Aug 2019.

Vancouver:

Hancock SR. The Natural Embroidery of Thomas Southerne's Oroonoko. [Internet] [Masters thesis]. Duquesne University; 2016. [cited 2019 Aug 19]. Available from: https://dsc.duq.edu/etd/624.

Council of Science Editors:

Hancock SR. The Natural Embroidery of Thomas Southerne's Oroonoko. [Masters Thesis]. Duquesne University; 2016. Available from: https://dsc.duq.edu/etd/624


Columbia University

4. Brown, Jeffrey M. To Stage a Reading: The Actor in British Modernism.

Degree: 2013, Columbia University

 The popular British theatre of the late nineteenth century has often been regarded as both aesthetically and politically bankrupt: bombastic and spectacular, it offered a… (more)

Subjects/Keywords: British literature; Irish literature; Theater; History

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APA (6th Edition):

Brown, J. M. (2013). To Stage a Reading: The Actor in British Modernism. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8CC172D

Chicago Manual of Style (16th Edition):

Brown, Jeffrey M. “To Stage a Reading: The Actor in British Modernism.” 2013. Doctoral Dissertation, Columbia University. Accessed August 19, 2019. https://doi.org/10.7916/D8CC172D.

MLA Handbook (7th Edition):

Brown, Jeffrey M. “To Stage a Reading: The Actor in British Modernism.” 2013. Web. 19 Aug 2019.

Vancouver:

Brown JM. To Stage a Reading: The Actor in British Modernism. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2019 Aug 19]. Available from: https://doi.org/10.7916/D8CC172D.

Council of Science Editors:

Brown JM. To Stage a Reading: The Actor in British Modernism. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8CC172D


Florida State University

5. Wagoner, Michael Martin. Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher.

Degree: PhD, English, 2018, Florida State University

 This study reconsiders power dynamics and authorial style through a study of the structure of interruptions. By considering this everyday occurrence as an aesthetic phenomenon,… (more)

Subjects/Keywords: British literature; Irish literature; English literature; Theater; Theater; History

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APA (6th Edition):

Wagoner, M. M. (2018). Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher. (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/2018_Sp_Wagoner_fsu_0071E_14385 ;

Chicago Manual of Style (16th Edition):

Wagoner, Michael Martin. “Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher.” 2018. Doctoral Dissertation, Florida State University. Accessed August 19, 2019. http://purl.flvc.org/fsu/fd/2018_Sp_Wagoner_fsu_0071E_14385 ;.

MLA Handbook (7th Edition):

Wagoner, Michael Martin. “Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher.” 2018. Web. 19 Aug 2019.

Vancouver:

Wagoner MM. Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher. [Internet] [Doctoral dissertation]. Florida State University; 2018. [cited 2019 Aug 19]. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Wagoner_fsu_0071E_14385 ;.

Council of Science Editors:

Wagoner MM. Defining Dramatic and Theatrical Interruptions Shakespeare, Jonson, Fletcher. [Doctoral Dissertation]. Florida State University; 2018. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Wagoner_fsu_0071E_14385 ;

6. McHugh, Emer. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities.

Degree: 2019, NUI Galway

This dissertation explores the performance of Shakespeare by Irish theatre practitioners in Ireland and England at a time of significant biopolitical, social, and legislative change… (more)

Subjects/Keywords: Shakespeare; Performance Studies; Irish Theatre; Gender and Sexuality Studies; Early Modern Performance; Theatre History; British Theatre; Feminist Theatre; LGBTQ Theatre; Drama and Theatre Studies; Humanities; Drama, Theatre and Performance

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APA (6th Edition):

McHugh, E. (2019). Shakespeare, gender, and contemporary Ireland: performing and recreating national identities. (Thesis). NUI Galway. Retrieved from http://hdl.handle.net/10379/14937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McHugh, Emer. “Shakespeare, gender, and contemporary Ireland: performing and recreating national identities.” 2019. Thesis, NUI Galway. Accessed August 19, 2019. http://hdl.handle.net/10379/14937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McHugh, Emer. “Shakespeare, gender, and contemporary Ireland: performing and recreating national identities.” 2019. Web. 19 Aug 2019.

Vancouver:

McHugh E. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities. [Internet] [Thesis]. NUI Galway; 2019. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/10379/14937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McHugh E. Shakespeare, gender, and contemporary Ireland: performing and recreating national identities. [Thesis]. NUI Galway; 2019. Available from: http://hdl.handle.net/10379/14937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

7. Silva Pereira, Vanessa. Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres.

Degree: PhD, 2012, University of Manchester

 This thesis seeks to examine the nature of political theatre within the postmodern context. I distinguish between the historical alternative theatre and the paradoxical alternative… (more)

Subjects/Keywords: 792; alternative theatre; independent theatre; paradoxical alternative; secular communities of faith; community theatre; women's theatre; cosmopolitanism; Portuguese; British

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APA (6th Edition):

Silva Pereira, V. (2012). Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/negotiating-the-alternative-in-a-postmodern-theatre-o-bando-kneehigh-foursight-and-escola-de-mulheres(aadbeaac-1a94-402e-b7fa-577e959ccf05).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553473

Chicago Manual of Style (16th Edition):

Silva Pereira, Vanessa. “Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres.” 2012. Doctoral Dissertation, University of Manchester. Accessed August 19, 2019. https://www.research.manchester.ac.uk/portal/en/theses/negotiating-the-alternative-in-a-postmodern-theatre-o-bando-kneehigh-foursight-and-escola-de-mulheres(aadbeaac-1a94-402e-b7fa-577e959ccf05).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553473.

MLA Handbook (7th Edition):

Silva Pereira, Vanessa. “Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres.” 2012. Web. 19 Aug 2019.

Vancouver:

Silva Pereira V. Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2019 Aug 19]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/negotiating-the-alternative-in-a-postmodern-theatre-o-bando-kneehigh-foursight-and-escola-de-mulheres(aadbeaac-1a94-402e-b7fa-577e959ccf05).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553473.

Council of Science Editors:

Silva Pereira V. Negotiating the alternative in a postmodern theatre : O Bando, Kneehigh, Foursight And Escola De Mulheres. [Doctoral Dissertation]. University of Manchester; 2012. Available from: https://www.research.manchester.ac.uk/portal/en/theses/negotiating-the-alternative-in-a-postmodern-theatre-o-bando-kneehigh-foursight-and-escola-de-mulheres(aadbeaac-1a94-402e-b7fa-577e959ccf05).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553473


University of Manchester

8. Silva Pereira, Vanessa. NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES.

Degree: 2012, University of Manchester

 This thesis seeks to examine the nature of political theatre within the postmodern context. I distinguish between the historical alternative theatre and the paradoxical alternative… (more)

Subjects/Keywords: alternative theatre; independent theatre; paradoxical alternative; secular communities of faith; community theatre; women's theatre; cosmopolitanism; Portuguese; British

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APA (6th Edition):

Silva Pereira, V. (2012). NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:159323

Chicago Manual of Style (16th Edition):

Silva Pereira, Vanessa. “NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES.” 2012. Doctoral Dissertation, University of Manchester. Accessed August 19, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:159323.

MLA Handbook (7th Edition):

Silva Pereira, Vanessa. “NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES.” 2012. Web. 19 Aug 2019.

Vancouver:

Silva Pereira V. NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2019 Aug 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:159323.

Council of Science Editors:

Silva Pereira V. NEGOTIATING THE ALTERNATIVE IN A POSTMODERN THEATRE: O BANDO, KNEEHIGH, FOURSIGHT AND ESCOLA DE MULHERES. [Doctoral Dissertation]. University of Manchester; 2012. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:159323


Northeastern University

9. Kenlon, Tabitha. Performances of womanhood in the eighteenth-century English theatre and novel.

Degree: PhD, Department of English, 2014, Northeastern University

 Traditional literary criticism typically divides genres into discrete spheres, erecting barriers between plays and novels that are not entirely historically accurate. This dissertation argues that… (more)

Subjects/Keywords: eighteenth-century English theater; eighteenth-century English novel; womanhood; Literature in English, British Isles; Theatre and Performance Studies

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APA (6th Edition):

Kenlon, T. (2014). Performances of womanhood in the eighteenth-century English theatre and novel. (Doctoral Dissertation). Northeastern University. Retrieved from http://hdl.handle.net/2047/d20004986

Chicago Manual of Style (16th Edition):

Kenlon, Tabitha. “Performances of womanhood in the eighteenth-century English theatre and novel.” 2014. Doctoral Dissertation, Northeastern University. Accessed August 19, 2019. http://hdl.handle.net/2047/d20004986.

MLA Handbook (7th Edition):

Kenlon, Tabitha. “Performances of womanhood in the eighteenth-century English theatre and novel.” 2014. Web. 19 Aug 2019.

Vancouver:

Kenlon T. Performances of womanhood in the eighteenth-century English theatre and novel. [Internet] [Doctoral dissertation]. Northeastern University; 2014. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/2047/d20004986.

Council of Science Editors:

Kenlon T. Performances of womanhood in the eighteenth-century English theatre and novel. [Doctoral Dissertation]. Northeastern University; 2014. Available from: http://hdl.handle.net/2047/d20004986

10. Schaaf, Jeanne. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.

Degree: Docteur es, Études anglophones, 2018, Sorbonne université

En tant qu’espace public, la scène théâtrale est le lieu de la construction et de la déconstruction de représentations de la nation, dans un dialogue… (more)

Subjects/Keywords: Théâtre britannique; Théâtre écossais; Ecosse; Nation; Postnationalisme; Communauté; National Theatre of Scotland; Traverse Theatre; British theatre; Scottish theatre; Scotland; Nation; Postnationalism; Community; National Theatre of Scotland; Traverse Theatre

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APA (6th Edition):

Schaaf, J. (2018). Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL061

Chicago Manual of Style (16th Edition):

Schaaf, Jeanne. “Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.” 2018. Doctoral Dissertation, Sorbonne université. Accessed August 19, 2019. http://www.theses.fr/2018SORUL061.

MLA Handbook (7th Edition):

Schaaf, Jeanne. “Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era.” 2018. Web. 19 Aug 2019.

Vancouver:

Schaaf J. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Aug 19]. Available from: http://www.theses.fr/2018SORUL061.

Council of Science Editors:

Schaaf J. Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale : The places and non-places of the Scottish stage : identity constellations in a postnational era. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL061


The Ohio State University

11. Kallemeyn, Rebecca. ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE.

Degree: MA, Theatre, 2008, The Ohio State University

British turn-of-the-century pantomime has a reputation as light, inconsequentialentertainment, and so has received little attention from theatre scholars in the past. But as one of… (more)

Subjects/Keywords: Theater; pantomime; Victorian pantomime; objectification; theatricality; sleeping beauty and the beast; British theatre; Victorian theatre; literalism; monarchy; democracy; catharsis; illusion; transformation; Wood; Collins; Dan Leno

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APA (6th Edition):

Kallemeyn, R. (2008). ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1211920375

Chicago Manual of Style (16th Edition):

Kallemeyn, Rebecca. “ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE.” 2008. Masters Thesis, The Ohio State University. Accessed August 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211920375.

MLA Handbook (7th Edition):

Kallemeyn, Rebecca. “ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE.” 2008. Web. 19 Aug 2019.

Vancouver:

Kallemeyn R. ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE. [Internet] [Masters thesis]. The Ohio State University; 2008. [cited 2019 Aug 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211920375.

Council of Science Editors:

Kallemeyn R. ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE. [Masters Thesis]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211920375


University of Colorado

12. Haugen, Janine Marie. The Mimic Stage: Private Theatricals in Georgian Britain.

Degree: PhD, English, 2014, University of Colorado

  My dissertation examines the cultural significance of the eighteenth-century fashion for private theatricals. As a popular form of entertainment, they played an important role… (more)

Subjects/Keywords: private theatricals; Georgian society; 1770; theatre; Richmond House; Theatre Royal Drury Lane; eighteenth century; Literature in English, British Isles; Theatre History

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APA (6th Edition):

Haugen, J. M. (2014). The Mimic Stage: Private Theatricals in Georgian Britain. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/engl_gradetds/68

Chicago Manual of Style (16th Edition):

Haugen, Janine Marie. “The Mimic Stage: Private Theatricals in Georgian Britain.” 2014. Doctoral Dissertation, University of Colorado. Accessed August 19, 2019. http://scholar.colorado.edu/engl_gradetds/68.

MLA Handbook (7th Edition):

Haugen, Janine Marie. “The Mimic Stage: Private Theatricals in Georgian Britain.” 2014. Web. 19 Aug 2019.

Vancouver:

Haugen JM. The Mimic Stage: Private Theatricals in Georgian Britain. [Internet] [Doctoral dissertation]. University of Colorado; 2014. [cited 2019 Aug 19]. Available from: http://scholar.colorado.edu/engl_gradetds/68.

Council of Science Editors:

Haugen JM. The Mimic Stage: Private Theatricals in Georgian Britain. [Doctoral Dissertation]. University of Colorado; 2014. Available from: http://scholar.colorado.edu/engl_gradetds/68


Temple University

13. Sen, Shiladitya. Metatheatricality on the Renaissance Stage, the Audience and the Material Space.

Degree: PhD, 2012, Temple University

English

My dissertation examines how early modern metatheater enabled the Renaissance stage and its original audience to develop a complex and symbiotic relationship. Metatheater – by… (more)

Subjects/Keywords: Theater; Theater history; British and Irish literature; Audience; Beaumont; Early modern drama; Kyd; Metatheater; Shakespeare

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APA (6th Edition):

Sen, S. (2012). Metatheatricality on the Renaissance Stage, the Audience and the Material Space. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,165652

Chicago Manual of Style (16th Edition):

Sen, Shiladitya. “Metatheatricality on the Renaissance Stage, the Audience and the Material Space.” 2012. Doctoral Dissertation, Temple University. Accessed August 19, 2019. http://digital.library.temple.edu/u?/p245801coll10,165652.

MLA Handbook (7th Edition):

Sen, Shiladitya. “Metatheatricality on the Renaissance Stage, the Audience and the Material Space.” 2012. Web. 19 Aug 2019.

Vancouver:

Sen S. Metatheatricality on the Renaissance Stage, the Audience and the Material Space. [Internet] [Doctoral dissertation]. Temple University; 2012. [cited 2019 Aug 19]. Available from: http://digital.library.temple.edu/u?/p245801coll10,165652.

Council of Science Editors:

Sen S. Metatheatricality on the Renaissance Stage, the Audience and the Material Space. [Doctoral Dissertation]. Temple University; 2012. Available from: http://digital.library.temple.edu/u?/p245801coll10,165652


The Ohio State University

14. Crouch, Kristin Ann. Shared experience theatre: exploring the boundaries of performance.

Degree: PhD, Theatre, 2003, The Ohio State University

 This dissertation provides a history of Shared Experience Theatre, a fringe theatre company based in London, England. The members of Shared Experience have earned international… (more)

Subjects/Keywords: Theater; Shared Experience Theatre; Physical Theatre; Contemporary British Theatre; Novel Adaptations; Theatre; Mike Alfreds; Nancy Meckler; Polly Teale; Helen Edmundson

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APA (6th Edition):

Crouch, K. A. (2003). Shared experience theatre: exploring the boundaries of performance. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1054738772

Chicago Manual of Style (16th Edition):

Crouch, Kristin Ann. “Shared experience theatre: exploring the boundaries of performance.” 2003. Doctoral Dissertation, The Ohio State University. Accessed August 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054738772.

MLA Handbook (7th Edition):

Crouch, Kristin Ann. “Shared experience theatre: exploring the boundaries of performance.” 2003. Web. 19 Aug 2019.

Vancouver:

Crouch KA. Shared experience theatre: exploring the boundaries of performance. [Internet] [Doctoral dissertation]. The Ohio State University; 2003. [cited 2019 Aug 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1054738772.

Council of Science Editors:

Crouch KA. Shared experience theatre: exploring the boundaries of performance. [Doctoral Dissertation]. The Ohio State University; 2003. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1054738772


University of Sheffield

15. Morrissy, Julie. Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie.

Degree: PhD, 1994, University of Sheffield

 This thesis is an examination of the extent to which contemporary British plays written by women constitute an ideological theatre. It is based upon the… (more)

Subjects/Keywords: 800; British ideological theatre

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APA (6th Edition):

Morrissy, J. (1994). Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie. (Doctoral Dissertation). University of Sheffield. Retrieved from http://etheses.whiterose.ac.uk/1837/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320427

Chicago Manual of Style (16th Edition):

Morrissy, Julie. “Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie.” 1994. Doctoral Dissertation, University of Sheffield. Accessed August 19, 2019. http://etheses.whiterose.ac.uk/1837/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320427.

MLA Handbook (7th Edition):

Morrissy, Julie. “Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie.” 1994. Web. 19 Aug 2019.

Vancouver:

Morrissy J. Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie. [Internet] [Doctoral dissertation]. University of Sheffield; 1994. [cited 2019 Aug 19]. Available from: http://etheses.whiterose.ac.uk/1837/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320427.

Council of Science Editors:

Morrissy J. Materialist-feminist criticism and selected plays of Sarah Daniels, Liz Lochhead and Claire Dowie. [Doctoral Dissertation]. University of Sheffield; 1994. Available from: http://etheses.whiterose.ac.uk/1837/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320427


University of Surrey

16. Nicholas, Larraine. The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade.

Degree: PhD, 1999, University of Surrey

British theatre dance in the decade from 1945 has received little attention from dance historians. The existing literature mainly focusses on the dominant institution, the… (more)

Subjects/Keywords: 792.8; British theatre dance

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APA (6th Edition):

Nicholas, L. (1999). The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade. (Doctoral Dissertation). University of Surrey. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298898

Chicago Manual of Style (16th Edition):

Nicholas, Larraine. “The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade.” 1999. Doctoral Dissertation, University of Surrey. Accessed August 19, 2019. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298898.

MLA Handbook (7th Edition):

Nicholas, Larraine. “The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade.” 1999. Web. 19 Aug 2019.

Vancouver:

Nicholas L. The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade. [Internet] [Doctoral dissertation]. University of Surrey; 1999. [cited 2019 Aug 19]. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298898.

Council of Science Editors:

Nicholas L. The lion and the unicorn : Festival of Britain themes and choreography in the postwar decade. [Doctoral Dissertation]. University of Surrey; 1999. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298898


Duke University

17. Del Dotto, Charles Joseph. Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 .

Degree: 2010, Duke University

  Engaging and Evading the Bard is about British theatrical modernism and its ambivalent relationship to Shakespeare. The conventional narrative of early twentieth-century British theater(more)

Subjects/Keywords: Literature, British & Irish; Literature, Modern; Theater Studies; Drama

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APA (6th Edition):

Del Dotto, C. J. (2010). Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/2386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Del Dotto, Charles Joseph. “Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 .” 2010. Thesis, Duke University. Accessed August 19, 2019. http://hdl.handle.net/10161/2386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Del Dotto, Charles Joseph. “Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 .” 2010. Web. 19 Aug 2019.

Vancouver:

Del Dotto CJ. Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 . [Internet] [Thesis]. Duke University; 2010. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/10161/2386.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Del Dotto CJ. Engaging and Evading the Bard: Shakespeare, Nationalism, and British Theatrical Modernism, 1900-1964 . [Thesis]. Duke University; 2010. Available from: http://hdl.handle.net/10161/2386

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

18. Guildford, Peter Frederick. The development of professional theatre in Vancouver .

Degree: 1981, University of British Columbia

 The thesis examines how professional theatre emerged in Vancouver, from Its founding year, 1886, to 19 78. The topic was chosen because the author observed… (more)

Subjects/Keywords: Theater - British Columbia - Vancouver - History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guildford, P. F. (1981). The development of professional theatre in Vancouver . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/22644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guildford, Peter Frederick. “The development of professional theatre in Vancouver .” 1981. Thesis, University of British Columbia. Accessed August 19, 2019. http://hdl.handle.net/2429/22644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guildford, Peter Frederick. “The development of professional theatre in Vancouver .” 1981. Web. 19 Aug 2019.

Vancouver:

Guildford PF. The development of professional theatre in Vancouver . [Internet] [Thesis]. University of British Columbia; 1981. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/2429/22644.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guildford PF. The development of professional theatre in Vancouver . [Thesis]. University of British Columbia; 1981. Available from: http://hdl.handle.net/2429/22644

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

19. McCallum, Douglas John. Barkerville theatre in context : a case study in our theatrical past .

Degree: 1981, University of British Columbia

 In approaching the subject of theatrical activity in Barkerville, the problems were how to account for its connections with the gold rush that produced the… (more)

Subjects/Keywords: Theater - British Columbia - Barkerville - History

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APA (6th Edition):

McCallum, D. J. (1981). Barkerville theatre in context : a case study in our theatrical past . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/23003

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCallum, Douglas John. “Barkerville theatre in context : a case study in our theatrical past .” 1981. Thesis, University of British Columbia. Accessed August 19, 2019. http://hdl.handle.net/2429/23003.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCallum, Douglas John. “Barkerville theatre in context : a case study in our theatrical past .” 1981. Web. 19 Aug 2019.

Vancouver:

McCallum DJ. Barkerville theatre in context : a case study in our theatrical past . [Internet] [Thesis]. University of British Columbia; 1981. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/2429/23003.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCallum DJ. Barkerville theatre in context : a case study in our theatrical past . [Thesis]. University of British Columbia; 1981. Available from: http://hdl.handle.net/2429/23003

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

20. Schupp, John Alvin. A film centre for Vancouver, British Columbia .

Degree: 1996, University of British Columbia

 This Thesis Project began as an attempt to explore the basic principles of Cinema: Light, Time and Movement. As the project evolved I began to… (more)

Subjects/Keywords: Theater architecture  – British columbia  – Vancouver

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APA (6th Edition):

Schupp, J. A. (1996). A film centre for Vancouver, British Columbia . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/4547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schupp, John Alvin. “A film centre for Vancouver, British Columbia .” 1996. Thesis, University of British Columbia. Accessed August 19, 2019. http://hdl.handle.net/2429/4547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schupp, John Alvin. “A film centre for Vancouver, British Columbia .” 1996. Web. 19 Aug 2019.

Vancouver:

Schupp JA. A film centre for Vancouver, British Columbia . [Internet] [Thesis]. University of British Columbia; 1996. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/2429/4547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schupp JA. A film centre for Vancouver, British Columbia . [Thesis]. University of British Columbia; 1996. Available from: http://hdl.handle.net/2429/4547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

21. Cerniglia, Sarah Morrow. Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800.

Degree: PhD, English, 2017, Florida State University

One of the key issues that arises when discussing the long eighteenth century is that of identity: self/individual, and group/national. Whereas recent critical work in… (more)

Subjects/Keywords: British literature; Irish literature; English literature; Theater; History

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APA (6th Edition):

Cerniglia, S. M. (2017). Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800. (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_2017SP_Cerniglia_fsu_0071E_13700 ;

Chicago Manual of Style (16th Edition):

Cerniglia, Sarah Morrow. “Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800.” 2017. Doctoral Dissertation, Florida State University. Accessed August 19, 2019. http://purl.flvc.org/fsu/fd/FSU_2017SP_Cerniglia_fsu_0071E_13700 ;.

MLA Handbook (7th Edition):

Cerniglia, Sarah Morrow. “Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800.” 2017. Web. 19 Aug 2019.

Vancouver:

Cerniglia SM. Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800. [Internet] [Doctoral dissertation]. Florida State University; 2017. [cited 2019 Aug 19]. Available from: http://purl.flvc.org/fsu/fd/FSU_2017SP_Cerniglia_fsu_0071E_13700 ;.

Council of Science Editors:

Cerniglia SM. Advice and Discontent: Staging Identity through Legal Representation on the British Stage, 1660-1800. [Doctoral Dissertation]. Florida State University; 2017. Available from: http://purl.flvc.org/fsu/fd/FSU_2017SP_Cerniglia_fsu_0071E_13700 ;


Duquesne University

22. Csomay, Bethany. Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.

Degree: MA, English, 2018, Duquesne University

  Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, literature, history, economics, psychology, anthropology, sociology, and fashion” (Engel 752). While… (more)

Subjects/Keywords: eighteenth-century actresses; eighteenth century; female education; Charlotte Charke; Mary Darby Robinson; Mary Robinson; Sarah Siddons; Margaret Woffington; Peg Woffington; theatrical dynasty; inheritance; discovery; trial and error; British theater; British theatre; provincial theater; provincial theatre; Sybil Rosenfeld; Acting; Dramatic Literature, Criticism and Theory; Feminist, Gender, and Sexuality Studies; Literature in English, British Isles; Performance Studies; Theatre and Performance Studies; Theatre History; Women's Studies

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APA (6th Edition):

Csomay, B. (2018). Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education. (Masters Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1455

Chicago Manual of Style (16th Edition):

Csomay, Bethany. “Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.” 2018. Masters Thesis, Duquesne University. Accessed August 19, 2019. https://dsc.duq.edu/etd/1455.

MLA Handbook (7th Edition):

Csomay, Bethany. “Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.” 2018. Web. 19 Aug 2019.

Vancouver:

Csomay B. Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education. [Internet] [Masters thesis]. Duquesne University; 2018. [cited 2019 Aug 19]. Available from: https://dsc.duq.edu/etd/1455.

Council of Science Editors:

Csomay B. Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education. [Masters Thesis]. Duquesne University; 2018. Available from: https://dsc.duq.edu/etd/1455


The Ohio State University

23. Priebe, Rebekah Elisabeth. Costume Design for a Production of <i>The Coast of Illyria</i>.

Degree: MFA, Theatre, 2016, The Ohio State University

 AbstractFor the completion of my Master of Fine Arts degree in Costume Design, I designed the costumes for the theatrical production of <i>The Coast of… (more)

Subjects/Keywords: Design; British and Irish Literature; Literature; Fine Arts; Performing Arts; Theater Studies; Theater; costume design; theatrical design; adaptation; Regency clothing; Regency costume; British Romantic writers; English literature; theatre; performing arts; fine arts

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APA (6th Edition):

Priebe, R. E. (2016). Costume Design for a Production of <i>The Coast of Illyria</i>. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481

Chicago Manual of Style (16th Edition):

Priebe, Rebekah Elisabeth. “Costume Design for a Production of <i>The Coast of Illyria</i>.” 2016. Masters Thesis, The Ohio State University. Accessed August 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481.

MLA Handbook (7th Edition):

Priebe, Rebekah Elisabeth. “Costume Design for a Production of <i>The Coast of Illyria</i>.” 2016. Web. 19 Aug 2019.

Vancouver:

Priebe RE. Costume Design for a Production of <i>The Coast of Illyria</i>. [Internet] [Masters thesis]. The Ohio State University; 2016. [cited 2019 Aug 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481.

Council of Science Editors:

Priebe RE. Costume Design for a Production of <i>The Coast of Illyria</i>. [Masters Thesis]. The Ohio State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481


University of British Columbia

24. Nesbitt, Carol Dell. The history of the Vancouver Little Theatre Association .

Degree: 1992, University of British Columbia

 The thesis covers the history of the Vancouver Little Theatre Association (VLTA), one of the oldest amateur theatre groups in Canada. The subject was chosen… (more)

Subjects/Keywords: Vancouver Little Theatre Association; Little theater movement  – British Columbia  – Vancouver; Amateur theater  – British Columbia  – Vancouver

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nesbitt, C. D. (1992). The history of the Vancouver Little Theatre Association . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/3381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nesbitt, Carol Dell. “The history of the Vancouver Little Theatre Association .” 1992. Thesis, University of British Columbia. Accessed August 19, 2019. http://hdl.handle.net/2429/3381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nesbitt, Carol Dell. “The history of the Vancouver Little Theatre Association .” 1992. Web. 19 Aug 2019.

Vancouver:

Nesbitt CD. The history of the Vancouver Little Theatre Association . [Internet] [Thesis]. University of British Columbia; 1992. [cited 2019 Aug 19]. Available from: http://hdl.handle.net/2429/3381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nesbitt CD. The history of the Vancouver Little Theatre Association . [Thesis]. University of British Columbia; 1992. Available from: http://hdl.handle.net/2429/3381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Torma, Frank Anthony. A Character Type in the Plays of Edward Bond.

Degree: PhD, English, 2010, The Ohio State University

  To evaluate a young firebrand later in his career, as this dissertation attempts in regard to British playwright Edward Bond, is to see not… (more)

Subjects/Keywords: Literature; Theater Studies; Edward Bond; British Political Theatre

…social unit is two people, as Brecht has said (On Theatre 197), then Didi and Gogo… …absurdist theatre could easily describe Pam, and, more especially, Len. Bond wants to write a play… …weary by the theatre of Beckett,” he writes, “because it is written with great care and… …Theatre of the Absurd presents several difficulties for him. As far as Len‟s development as a… …Certainly, many of the flexible tools of modern theatre come from absurdist theatre, as witnessed… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Torma, F. A. (2010). A Character Type in the Plays of Edward Bond. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1290984556

Chicago Manual of Style (16th Edition):

Torma, Frank Anthony. “A Character Type in the Plays of Edward Bond.” 2010. Doctoral Dissertation, The Ohio State University. Accessed August 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1290984556.

MLA Handbook (7th Edition):

Torma, Frank Anthony. “A Character Type in the Plays of Edward Bond.” 2010. Web. 19 Aug 2019.

Vancouver:

Torma FA. A Character Type in the Plays of Edward Bond. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2019 Aug 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1290984556.

Council of Science Editors:

Torma FA. A Character Type in the Plays of Edward Bond. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1290984556


University of Alabama

26. Bone, Kirstin Marie. Deceived from within: monstrosity and villainy in William Shakespeare's Richard III.

Degree: 2013, University of Alabama

 William Shakespeare's Richard III has been the victim of a gross crime: For four hundred years, he has been condemned as a dastardly villain. Scholars… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; British and Irish literature; Theater history; Gender studies; deformity; monstrosity; Renaissance theatre; Richard III; villiany; William Shakespeare

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APA (6th Edition):

Bone, K. M. (2013). Deceived from within: monstrosity and villainy in William Shakespeare's Richard III. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/84766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bone, Kirstin Marie. “Deceived from within: monstrosity and villainy in William Shakespeare's Richard III.” 2013. Thesis, University of Alabama. Accessed August 19, 2019. http://purl.lib.ua.edu/84766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bone, Kirstin Marie. “Deceived from within: monstrosity and villainy in William Shakespeare's Richard III.” 2013. Web. 19 Aug 2019.

Vancouver:

Bone KM. Deceived from within: monstrosity and villainy in William Shakespeare's Richard III. [Internet] [Thesis]. University of Alabama; 2013. [cited 2019 Aug 19]. Available from: http://purl.lib.ua.edu/84766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bone KM. Deceived from within: monstrosity and villainy in William Shakespeare's Richard III. [Thesis]. University of Alabama; 2013. Available from: http://purl.lib.ua.edu/84766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Williams, Jeremy D. The French Way: Henry James and the British Theater.

Degree: 2017, Buffalo State College

 This thesis closely examines Henry James’ years as a full-time dramatist. In 1889, with finances tightening due to poor book sales, James sought the financial… (more)

Subjects/Keywords: Henry James; Well-Made Play; Francisque Sarcey; drama; American Literature; Nineteenth Century British Theater; American Literature; Dramatic Literature, Criticism and Theory; Fine Arts; Literature in English, North America; Theatre History

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APA (6th Edition):

Williams, J. D. (2017). The French Way: Henry James and the British Theater. (Thesis). Buffalo State College. Retrieved from http://digitalcommons.buffalostate.edu/english_theses/22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, Jeremy D. “The French Way: Henry James and the British Theater.” 2017. Thesis, Buffalo State College. Accessed August 19, 2019. http://digitalcommons.buffalostate.edu/english_theses/22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, Jeremy D. “The French Way: Henry James and the British Theater.” 2017. Web. 19 Aug 2019.

Vancouver:

Williams JD. The French Way: Henry James and the British Theater. [Internet] [Thesis]. Buffalo State College; 2017. [cited 2019 Aug 19]. Available from: http://digitalcommons.buffalostate.edu/english_theses/22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams JD. The French Way: Henry James and the British Theater. [Thesis]. Buffalo State College; 2017. Available from: http://digitalcommons.buffalostate.edu/english_theses/22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Kingston, Talya A. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.

Degree: MFA, Theater, 2008, University of Massachusetts

  To fully realize plays in another culture, it is important for the actors and audience to understand the meaning of the words that are… (more)

Subjects/Keywords: dramaturgy; British drama; contemporary theater; dialect; Arts and Humanities; Theatre and Performance Studies

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APA (6th Edition):

Kingston, T. A. (2008). The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/105

Chicago Manual of Style (16th Edition):

Kingston, Talya A. “The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.” 2008. Masters Thesis, University of Massachusetts. Accessed August 19, 2019. https://scholarworks.umass.edu/theses/105.

MLA Handbook (7th Edition):

Kingston, Talya A. “The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.” 2008. Web. 19 Aug 2019.

Vancouver:

Kingston TA. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. [Internet] [Masters thesis]. University of Massachusetts; 2008. [cited 2019 Aug 19]. Available from: https://scholarworks.umass.edu/theses/105.

Council of Science Editors:

Kingston TA. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. [Masters Thesis]. University of Massachusetts; 2008. Available from: https://scholarworks.umass.edu/theses/105


Universiteit Utrecht

29. Ginkel, Jurg van. A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993.

Degree: 2006, Universiteit Utrecht

An analysis of the works of playwright David Hare, specifically, his transformation from a marxist playwright to a more objective political analyst. Also, I use a lot of expensive words to impress people and look important. Advisors/Committee Members: Kosters, Onno.

Subjects/Keywords: Letteren; David Hare; modern british theatre, political theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ginkel, J. v. (2006). A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/8868

Chicago Manual of Style (16th Edition):

Ginkel, Jurg van. “A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993.” 2006. Masters Thesis, Universiteit Utrecht. Accessed August 19, 2019. http://dspace.library.uu.nl:8080/handle/1874/8868.

MLA Handbook (7th Edition):

Ginkel, Jurg van. “A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993.” 2006. Web. 19 Aug 2019.

Vancouver:

Ginkel Jv. A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993. [Internet] [Masters thesis]. Universiteit Utrecht; 2006. [cited 2019 Aug 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/8868.

Council of Science Editors:

Ginkel Jv. A Complex Explanation: The Evolution of David Hare’s Work from 1975 to 1993. [Masters Thesis]. Universiteit Utrecht; 2006. Available from: http://dspace.library.uu.nl:8080/handle/1874/8868


University of Western Ontario

30. Selinger, Megan Lynn. "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays.

Degree: 2016, University of Western Ontario

 What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective —… (more)

Subjects/Keywords: Shakespeare; endings; closure; performance; theatre; audience; Literature in English, British Isles; Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Selinger, M. L. (2016). "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/3797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Selinger, Megan Lynn. “"The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays.” 2016. Thesis, University of Western Ontario. Accessed August 19, 2019. https://ir.lib.uwo.ca/etd/3797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Selinger, Megan Lynn. “"The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays.” 2016. Web. 19 Aug 2019.

Vancouver:

Selinger ML. "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Aug 19]. Available from: https://ir.lib.uwo.ca/etd/3797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Selinger ML. "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/3797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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