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You searched for subject:(Brahms). Showing records 1 – 30 of 133 total matches.

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University of Georgia

1. Fischer, Rachael Massengill. The sonatas for violin and piano by Johannes Brahms: a pedagogical approach.

Degree: DMA, Music, 2011, University of Georgia

 This study presents a pedagogical approach to Johannes Brahms's Sonatas for Violin and Piano, Opp. 78, 100, and 108. A brief biographical sketch of Brahms,… (more)

Subjects/Keywords: Johannes Brahms

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APA (6th Edition):

Fischer, R. M. (2011). The sonatas for violin and piano by Johannes Brahms: a pedagogical approach. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/fischer_rachael_m_201105_dma

Chicago Manual of Style (16th Edition):

Fischer, Rachael Massengill. “The sonatas for violin and piano by Johannes Brahms: a pedagogical approach.” 2011. Doctoral Dissertation, University of Georgia. Accessed April 05, 2020. http://purl.galileo.usg.edu/uga_etd/fischer_rachael_m_201105_dma.

MLA Handbook (7th Edition):

Fischer, Rachael Massengill. “The sonatas for violin and piano by Johannes Brahms: a pedagogical approach.” 2011. Web. 05 Apr 2020.

Vancouver:

Fischer RM. The sonatas for violin and piano by Johannes Brahms: a pedagogical approach. [Internet] [Doctoral dissertation]. University of Georgia; 2011. [cited 2020 Apr 05]. Available from: http://purl.galileo.usg.edu/uga_etd/fischer_rachael_m_201105_dma.

Council of Science Editors:

Fischer RM. The sonatas for violin and piano by Johannes Brahms: a pedagogical approach. [Doctoral Dissertation]. University of Georgia; 2011. Available from: http://purl.galileo.usg.edu/uga_etd/fischer_rachael_m_201105_dma


Victoria University of Wellington

2. Lee, Joanna. The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms.

Degree: 2011, Victoria University of Wellington

 Joseph Joachim was the most influential violinist in Brahms’s life. Not only did the pair have a close personal friendship, but they also admired and… (more)

Subjects/Keywords: Influences; Violin; Brahms

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APA (6th Edition):

Lee, J. (2011). The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1910

Chicago Manual of Style (16th Edition):

Lee, Joanna. “The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms.” 2011. Masters Thesis, Victoria University of Wellington. Accessed April 05, 2020. http://hdl.handle.net/10063/1910.

MLA Handbook (7th Edition):

Lee, Joanna. “The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms.” 2011. Web. 05 Apr 2020.

Vancouver:

Lee J. The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/10063/1910.

Council of Science Editors:

Lee J. The Influences of Performers and Composers on Selected Violin Works of Johannes Brahms. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/1910


University of Debrecen

3. Zsarkó, Dénes. A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása .

Degree: DE – TEK – Zeneművészeti Kar – Fafúvós Tanszék, 2013, University of Debrecen

Johannes Brahms művészetében a klarinét, illetve egy kiváló kvalitású klarinétművész óriási szerepet töltött be. Brahms, ugyanis akkor ismerkedett meg egy bizonyos Richard Mühlfeld nevű klarinétossal, amikor már eldöntötte, hogy felhagy a komponálással. Advisors/Committee Members: Szabó, János (advisor), Debreceni Egyetem::Tudományegyetemi Karok::Zenem?vészeti Kar (advisor).

Subjects/Keywords: Johannes Brahms; klarinét

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APA (6th Edition):

Zsarkó, D. (2013). A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/170443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zsarkó, Dénes. “A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása .” 2013. Thesis, University of Debrecen. Accessed April 05, 2020. http://hdl.handle.net/2437/170443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zsarkó, Dénes. “A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása .” 2013. Web. 05 Apr 2020.

Vancouver:

Zsarkó D. A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/2437/170443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zsarkó D. A klarinét szerepe Johannes Brahms művészetében és a hangszer evolúciójára gyakorolt hatása . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/170443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

4. Livshits, Mark Lionel. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.

Degree: 2017, Temple University

Music Performance

D.M.A.

In recent years, Brahms’s music has begun to occupy a larger role in the consciousness of musicologists, and with this surge of… (more)

Subjects/Keywords: Music;

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APA (6th Edition):

Livshits, M. L. (2017). THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,463222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Livshits, Mark Lionel. “THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.” 2017. Thesis, Temple University. Accessed April 05, 2020. http://digital.library.temple.edu/u?/p245801coll10,463222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Livshits, Mark Lionel. “THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.” 2017. Web. 05 Apr 2020.

Vancouver:

Livshits ML. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. [Internet] [Thesis]. Temple University; 2017. [cited 2020 Apr 05]. Available from: http://digital.library.temple.edu/u?/p245801coll10,463222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Livshits ML. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. [Thesis]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,463222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Coelho, Diogo Morais de Almeida Aguiar. A especificidade da escrita para violino na obra de J. Brahms.

Degree: 2012, Instituto Politécnico do Porto

Um conhecimento mais profundo da especificidade da escrita para violino na obra de Brahms reveste-se de particular interesse para quem deseja interpretar alguma das suas… (more)

Subjects/Keywords: Brahms; Violino; Especificidade; Violin; Specificity

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APA (6th Edition):

Coelho, D. M. d. A. A. (2012). A especificidade da escrita para violino na obra de J. Brahms. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coelho, Diogo Morais de Almeida Aguiar. “A especificidade da escrita para violino na obra de J. Brahms.” 2012. Thesis, Instituto Politécnico do Porto. Accessed April 05, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coelho, Diogo Morais de Almeida Aguiar. “A especificidade da escrita para violino na obra de J. Brahms.” 2012. Web. 05 Apr 2020.

Vancouver:

Coelho DMdAA. A especificidade da escrita para violino na obra de J. Brahms. [Internet] [Thesis]. Instituto Politécnico do Porto; 2012. [cited 2020 Apr 05]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coelho DMdAA. A especificidade da escrita para violino na obra de J. Brahms. [Thesis]. Instituto Politécnico do Porto; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Dunn, Evan. MM Recital.

Degree: MM, Music, 2018, Texas Tech University

1. Susannah by Carlisle Floyd 2. MM Recital with works by Respighi, Brahms, Ireland, Ibert, and Ravel Advisors/Committee Members: Dolter, Gerald (advisor), Hays, Rebecca (committee member), Averill, William (committee member), Brookes, Gregory (committee member).

Subjects/Keywords: Respighi Brahms Ireland Ibert Ravel

Page 1 Page 2

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APA (6th Edition):

Dunn, E. (2018). MM Recital. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/82059

Chicago Manual of Style (16th Edition):

Dunn, Evan. “MM Recital.” 2018. Masters Thesis, Texas Tech University. Accessed April 05, 2020. http://hdl.handle.net/2346/82059.

MLA Handbook (7th Edition):

Dunn, Evan. “MM Recital.” 2018. Web. 05 Apr 2020.

Vancouver:

Dunn E. MM Recital. [Internet] [Masters thesis]. Texas Tech University; 2018. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/2346/82059.

Council of Science Editors:

Dunn E. MM Recital. [Masters Thesis]. Texas Tech University; 2018. Available from: http://hdl.handle.net/2346/82059


Louisiana State University

7. Gran, Jacob Joel. Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms.

Degree: PhD, Music Theory, 2019, Louisiana State University

  This dissertation identifies a technique used by Brahms to organize the compositional designs of his piano cycles. The technique is motivic voice-leading. By that… (more)

Subjects/Keywords: Music; Music Theory; Brahms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gran, J. J. (2019). Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4827

Chicago Manual of Style (16th Edition):

Gran, Jacob Joel. “Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms.” 2019. Doctoral Dissertation, Louisiana State University. Accessed April 05, 2020. https://digitalcommons.lsu.edu/gradschool_dissertations/4827.

MLA Handbook (7th Edition):

Gran, Jacob Joel. “Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms.” 2019. Web. 05 Apr 2020.

Vancouver:

Gran JJ. Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms. [Internet] [Doctoral dissertation]. Louisiana State University; 2019. [cited 2020 Apr 05]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4827.

Council of Science Editors:

Gran JJ. Motivic Voice-Leading in Selected Piano Cycles of Johannes Brahms. [Doctoral Dissertation]. Louisiana State University; 2019. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4827


McGill University

8. Govias, Jonathan Andrew. Performing Symphony No. 1 in the Time of Brahms.

Degree: MM, Sculich School of Music, 20, McGill University

Note: Missing front matter & Disc

There's no shortage of material for an interpreter investigating the musical delineation of tempo in Brahms' Symphony No 1.… (more)

Subjects/Keywords: Brahms; Music

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APA (6th Edition):

Govias, J. A. (20). Performing Symphony No. 1 in the Time of Brahms. (Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile164817.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Govias, Jonathan Andrew. “Performing Symphony No. 1 in the Time of Brahms.” 20. Thesis, McGill University. Accessed April 05, 2020. http://digitool.library.mcgill.ca/thesisfile164817.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Govias, Jonathan Andrew. “Performing Symphony No. 1 in the Time of Brahms.” 20. Web. 05 Apr 2020.

Vancouver:

Govias JA. Performing Symphony No. 1 in the Time of Brahms. [Internet] [Thesis]. McGill University; 20. [cited 2020 Apr 05]. Available from: http://digitool.library.mcgill.ca/thesisfile164817.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Govias JA. Performing Symphony No. 1 in the Time of Brahms. [Thesis]. McGill University; 20. Available from: http://digitool.library.mcgill.ca/thesisfile164817.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

9. Phillips, Reuben. Brahms as Reader .

Degree: PhD, 2019, Princeton University

 This dissertation seeks to reframe the scholarly understanding of Brahms’s creativity in the 1850s and ‘60s through a consideration of the composer’s engagement with German… (more)

Subjects/Keywords: Brahms; German literature; Reading; Romanticism

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APA (6th Edition):

Phillips, R. (2019). Brahms as Reader . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01qf85nf099

Chicago Manual of Style (16th Edition):

Phillips, Reuben. “Brahms as Reader .” 2019. Doctoral Dissertation, Princeton University. Accessed April 05, 2020. http://arks.princeton.edu/ark:/88435/dsp01qf85nf099.

MLA Handbook (7th Edition):

Phillips, Reuben. “Brahms as Reader .” 2019. Web. 05 Apr 2020.

Vancouver:

Phillips R. Brahms as Reader . [Internet] [Doctoral dissertation]. Princeton University; 2019. [cited 2020 Apr 05]. Available from: http://arks.princeton.edu/ark:/88435/dsp01qf85nf099.

Council of Science Editors:

Phillips R. Brahms as Reader . [Doctoral Dissertation]. Princeton University; 2019. Available from: http://arks.princeton.edu/ark:/88435/dsp01qf85nf099


University of Georgia

10. Purvee, Edwin Ralph. Optimizing SPARQLeR using short circuit evaluation of filter clauses.

Degree: MS, Computer Science, 2009, University of Georgia

 The discovery of semantic relationships between two entities is an area of interest and study in the Semantic Web. Regarding the data in an RDF… (more)

Subjects/Keywords: SPARQLeR; Semantic Web; BRAHMS; Query Optimization

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APA (6th Edition):

Purvee, E. R. (2009). Optimizing SPARQLeR using short circuit evaluation of filter clauses. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/purvee_edwin_r_200912_ms

Chicago Manual of Style (16th Edition):

Purvee, Edwin Ralph. “Optimizing SPARQLeR using short circuit evaluation of filter clauses.” 2009. Masters Thesis, University of Georgia. Accessed April 05, 2020. http://purl.galileo.usg.edu/uga_etd/purvee_edwin_r_200912_ms.

MLA Handbook (7th Edition):

Purvee, Edwin Ralph. “Optimizing SPARQLeR using short circuit evaluation of filter clauses.” 2009. Web. 05 Apr 2020.

Vancouver:

Purvee ER. Optimizing SPARQLeR using short circuit evaluation of filter clauses. [Internet] [Masters thesis]. University of Georgia; 2009. [cited 2020 Apr 05]. Available from: http://purl.galileo.usg.edu/uga_etd/purvee_edwin_r_200912_ms.

Council of Science Editors:

Purvee ER. Optimizing SPARQLeR using short circuit evaluation of filter clauses. [Masters Thesis]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/purvee_edwin_r_200912_ms


Temple University

11. Woodard, Meghan. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.

Degree: 2017, Temple University

Music Performance

D.M.A.

This monograph analyzes recordings of three orchestral excerpts for the oboe made between 1910 – 2016 and studies trends in interpretation, showing… (more)

Subjects/Keywords: Music;

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APA (6th Edition):

Woodard, M. (2017). ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,469262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodard, Meghan. “ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.” 2017. Thesis, Temple University. Accessed April 05, 2020. http://digital.library.temple.edu/u?/p245801coll10,469262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodard, Meghan. “ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.” 2017. Web. 05 Apr 2020.

Vancouver:

Woodard M. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. [Internet] [Thesis]. Temple University; 2017. [cited 2020 Apr 05]. Available from: http://digital.library.temple.edu/u?/p245801coll10,469262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodard M. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. [Thesis]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,469262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

12. Muldowney, Catherine. Graduate Recital, Collaborative Piano.

Degree: MM, Music Performance, 2011, Duquesne University

 Throughout my graduate work, I focused on studying the music of Brahms and the differences between solo music, chamber music, and vocal music. The art… (more)

Subjects/Keywords: Collaborative piano; Brahms; Art songs; Ravel

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APA (6th Edition):

Muldowney, C. (2011). Graduate Recital, Collaborative Piano. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Muldowney, Catherine. “Graduate Recital, Collaborative Piano.” 2011. Thesis, Duquesne University. Accessed April 05, 2020. https://dsc.duq.edu/etd/960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Muldowney, Catherine. “Graduate Recital, Collaborative Piano.” 2011. Web. 05 Apr 2020.

Vancouver:

Muldowney C. Graduate Recital, Collaborative Piano. [Internet] [Thesis]. Duquesne University; 2011. [cited 2020 Apr 05]. Available from: https://dsc.duq.edu/etd/960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Muldowney C. Graduate Recital, Collaborative Piano. [Thesis]. Duquesne University; 2011. Available from: https://dsc.duq.edu/etd/960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

13. Ciarlariello, Christopher. Graduate Recital, Clarinet, Flute, Bassoon.

Degree: MM, Music Performance, 2012, Duquesne University

 This recital features three members of the woodwind family: clarinet, flute, and bassoon. The primary focus of this recital is on the clarinet repertoire. The… (more)

Subjects/Keywords: Clarinet; Flute; Bassoon; Copland; Brahms; Harvey

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APA (6th Edition):

Ciarlariello, C. (2012). Graduate Recital, Clarinet, Flute, Bassoon. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciarlariello, Christopher. “Graduate Recital, Clarinet, Flute, Bassoon.” 2012. Thesis, Duquesne University. Accessed April 05, 2020. https://dsc.duq.edu/etd/411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciarlariello, Christopher. “Graduate Recital, Clarinet, Flute, Bassoon.” 2012. Web. 05 Apr 2020.

Vancouver:

Ciarlariello C. Graduate Recital, Clarinet, Flute, Bassoon. [Internet] [Thesis]. Duquesne University; 2012. [cited 2020 Apr 05]. Available from: https://dsc.duq.edu/etd/411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciarlariello C. Graduate Recital, Clarinet, Flute, Bassoon. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

14. Gross, Abby. Graduate Recital, Saxophone.

Degree: MM, Music Performance, 2012, Duquesne University

 The young age of the saxophone in the existence of the music world has influenced the instrument's repertoire and programs to be versatile in genres… (more)

Subjects/Keywords: Saxophone; Music; Jazz; Classical; Brahms; Choro

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APA (6th Edition):

Gross, A. (2012). Graduate Recital, Saxophone. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/606

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gross, Abby. “Graduate Recital, Saxophone.” 2012. Thesis, Duquesne University. Accessed April 05, 2020. https://dsc.duq.edu/etd/606.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gross, Abby. “Graduate Recital, Saxophone.” 2012. Web. 05 Apr 2020.

Vancouver:

Gross A. Graduate Recital, Saxophone. [Internet] [Thesis]. Duquesne University; 2012. [cited 2020 Apr 05]. Available from: https://dsc.duq.edu/etd/606.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gross A. Graduate Recital, Saxophone. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/606

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

15. LEE, KYUNGJU. AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS.

Degree: DMA, College-Conservatory of Music : Viola, 2004, University of Cincinnati

 Johannes Brahms was one of the first composers to appreciate fully the viola’s potential, allowing the instrument a chance to shine in his chamber music.… (more)

Subjects/Keywords: Music; Johannes Brahms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LEE, K. (2004). AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100760484

Chicago Manual of Style (16th Edition):

LEE, KYUNGJU. “AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed April 05, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100760484.

MLA Handbook (7th Edition):

LEE, KYUNGJU. “AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS.” 2004. Web. 05 Apr 2020.

Vancouver:

LEE K. AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2020 Apr 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100760484.

Council of Science Editors:

LEE K. AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSIONS OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP 120 BY JOHANNES BRAHMS. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100760484


NSYSU

16. Hsu, Han-Chieh. A Study of Brahms's Cello Sonata in F Major, Opus 99.

Degree: Master, Music, 2006, NSYSU

 Johannes Brahmsï¼1833-1897ï¼composed the âCello Sonata in F Major, Opus 99â in 1886. Brahms composed two sonatas for cello and piano in his lifetime. One of… (more)

Subjects/Keywords: Sonata; Brahms; Cello

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, H. (2006). A Study of Brahms's Cello Sonata in F Major, Opus 99. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117106-140338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Han-Chieh. “A Study of Brahms's Cello Sonata in F Major, Opus 99.” 2006. Thesis, NSYSU. Accessed April 05, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117106-140338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Han-Chieh. “A Study of Brahms's Cello Sonata in F Major, Opus 99.” 2006. Web. 05 Apr 2020.

Vancouver:

Hsu H. A Study of Brahms's Cello Sonata in F Major, Opus 99. [Internet] [Thesis]. NSYSU; 2006. [cited 2020 Apr 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117106-140338.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu H. A Study of Brahms's Cello Sonata in F Major, Opus 99. [Thesis]. NSYSU; 2006. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117106-140338

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

17. Pepple, Joanna. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.

Degree: 2012, East Carolina University

 The variation movements of Johannes Brahms portray a continuous development of his musical discourse. Regarding variation form he advocated for formal unity and the important… (more)

Subjects/Keywords: Brahms; Johannes; 1833-1897 – Analysis; appreciation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pepple, J. (2012). The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730

Chicago Manual of Style (16th Edition):

Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Masters Thesis, East Carolina University. Accessed April 05, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730.

MLA Handbook (7th Edition):

Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Web. 05 Apr 2020.

Vancouver:

Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Internet] [Masters thesis]. East Carolina University; 2012. [cited 2020 Apr 05]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730.

Council of Science Editors:

Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Masters Thesis]. East Carolina University; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14730


University of Cambridge

18. Bosworth, William Thomas. Accentual counterpoint and metrical narrative in the music of Brahms.

Degree: PhD, 2018, University of Cambridge

 This thesis introduces a web of concepts to analyse Brahmsian metre and move toward a more nuanced understanding of metrical expression and narrative in his… (more)

Subjects/Keywords: Brahms; metre; rhythm; metrical dissonance; counterpoint; analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bosworth, W. T. (2018). Accentual counterpoint and metrical narrative in the music of Brahms. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/283616

Chicago Manual of Style (16th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms.” 2018. Doctoral Dissertation, University of Cambridge. Accessed April 05, 2020. https://www.repository.cam.ac.uk/handle/1810/283616.

MLA Handbook (7th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms.” 2018. Web. 05 Apr 2020.

Vancouver:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2020 Apr 05]. Available from: https://www.repository.cam.ac.uk/handle/1810/283616.

Council of Science Editors:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/283616


Cornell University

19. Arnone, Augustus. Textural Ambiguity In The Piano Music Of Johannes Brahms .

Degree: 2007, Cornell University

 This dissertation examines textural ambiguity in the piano music of Johannes Brahms and contextualizes this aspect of his compositional style with discussions of nineteenth-century performance… (more)

Subjects/Keywords: Brahms; Piano Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arnone, A. (2007). Textural Ambiguity In The Piano Music Of Johannes Brahms . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/7518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arnone, Augustus. “Textural Ambiguity In The Piano Music Of Johannes Brahms .” 2007. Thesis, Cornell University. Accessed April 05, 2020. http://hdl.handle.net/1813/7518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arnone, Augustus. “Textural Ambiguity In The Piano Music Of Johannes Brahms .” 2007. Web. 05 Apr 2020.

Vancouver:

Arnone A. Textural Ambiguity In The Piano Music Of Johannes Brahms . [Internet] [Thesis]. Cornell University; 2007. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/1813/7518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arnone A. Textural Ambiguity In The Piano Music Of Johannes Brahms . [Thesis]. Cornell University; 2007. Available from: http://hdl.handle.net/1813/7518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

20. Lau, Wing. The Expressive Motivation of Meter Changes in Brahms's Lieder.

Degree: 2015, University of Oregon

 Metric dissonance in Brahms’s music is not an unfamiliar topic. Hemiola, offbeat accents, and syncopations are Brahms’s common metric strategies. These metric manipulations often facilitate… (more)

Subjects/Keywords: Brahms; Declamataion; Lieder; Poetry; Rhythm and meter

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lau, W. (2015). The Expressive Motivation of Meter Changes in Brahms's Lieder. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/19314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lau, Wing. “The Expressive Motivation of Meter Changes in Brahms's Lieder.” 2015. Thesis, University of Oregon. Accessed April 05, 2020. http://hdl.handle.net/1794/19314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lau, Wing. “The Expressive Motivation of Meter Changes in Brahms's Lieder.” 2015. Web. 05 Apr 2020.

Vancouver:

Lau W. The Expressive Motivation of Meter Changes in Brahms's Lieder. [Internet] [Thesis]. University of Oregon; 2015. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/1794/19314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lau W. The Expressive Motivation of Meter Changes in Brahms's Lieder. [Thesis]. University of Oregon; 2015. Available from: http://hdl.handle.net/1794/19314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

21. Bosworth, William Thomas. Accentual counterpoint and metrical narrative in the music of Brahms.

Degree: PhD, 2018, University of Cambridge

 This thesis introduces a web of concepts to analyse Brahmsian metre and move toward a more nuanced understanding of metrical expression and narrative in his… (more)

Subjects/Keywords: Brahms; metre; rhythm; metrical dissonance; counterpoint; analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bosworth, W. T. (2018). Accentual counterpoint and metrical narrative in the music of Brahms. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/283616 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763625

Chicago Manual of Style (16th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms.” 2018. Doctoral Dissertation, University of Cambridge. Accessed April 05, 2020. https://www.repository.cam.ac.uk/handle/1810/283616 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763625.

MLA Handbook (7th Edition):

Bosworth, William Thomas. “Accentual counterpoint and metrical narrative in the music of Brahms.” 2018. Web. 05 Apr 2020.

Vancouver:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2020 Apr 05]. Available from: https://www.repository.cam.ac.uk/handle/1810/283616 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763625.

Council of Science Editors:

Bosworth WT. Accentual counterpoint and metrical narrative in the music of Brahms. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/283616 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763625


West Virginia University

22. Crutcher, Natilan Casey-Ann. Defining the Late Style of Johannes Brahms: A Study of the Late Songs.

Degree: DMA, Not Listed, 2019, West Virginia University

  Johannes Brahms has long been viewed as a central figure in the Classical tradition during a period when the standards of this tradition were… (more)

Subjects/Keywords: Johannes Brahms; Lieder; Late Style; Musicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crutcher, N. C. (2019). Defining the Late Style of Johannes Brahms: A Study of the Late Songs. (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crutcher, Natilan Casey-Ann. “Defining the Late Style of Johannes Brahms: A Study of the Late Songs.” 2019. Thesis, West Virginia University. Accessed April 05, 2020. https://researchrepository.wvu.edu/etd/3886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crutcher, Natilan Casey-Ann. “Defining the Late Style of Johannes Brahms: A Study of the Late Songs.” 2019. Web. 05 Apr 2020.

Vancouver:

Crutcher NC. Defining the Late Style of Johannes Brahms: A Study of the Late Songs. [Internet] [Thesis]. West Virginia University; 2019. [cited 2020 Apr 05]. Available from: https://researchrepository.wvu.edu/etd/3886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crutcher NC. Defining the Late Style of Johannes Brahms: A Study of the Late Songs. [Thesis]. West Virginia University; 2019. Available from: https://researchrepository.wvu.edu/etd/3886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. NC DOCKS at East Carolina University; Pepple, Joanna. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.

Degree: 2012, NC Docks

 The variation movements of Johannes Brahms portray a continuous development of his musical discourse. Regarding variation form he advocated for formal unity and the important… (more)

Subjects/Keywords: Brahms; Johannes; 1833-1897 – Analysis; appreciation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at East Carolina University; Pepple, J. (2012). The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at East Carolina University; Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Thesis, NC Docks. Accessed April 05, 2020. http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at East Carolina University; Pepple, Joanna. “The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings.” 2012. Web. 05 Apr 2020.

Vancouver:

NC DOCKS at East Carolina University; Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Internet] [Thesis]. NC Docks; 2012. [cited 2020 Apr 05]. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at East Carolina University; Pepple J. The Language of Johannes Brahms's Theme and Variation : A Study of His Chamber Works for Strings. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/ecu/f/0000-embargo-holder.txt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

24. Heike, Alison Maree. Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano.

Degree: 2018, University of Adelaide

 Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano This submission for the degree of Master of Philosophy in musical performance at… (more)

Subjects/Keywords: Johannes Brahms; sonatas for violin; Brahms violin sonatas; violin performance; Joachim; violin expression; expressivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heike, A. M. (2018). Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/118122

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heike, Alison Maree. “Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano.” 2018. Thesis, University of Adelaide. Accessed April 05, 2020. http://hdl.handle.net/2440/118122.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heike, Alison Maree. “Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano.” 2018. Web. 05 Apr 2020.

Vancouver:

Heike AM. Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano. [Internet] [Thesis]. University of Adelaide; 2018. [cited 2020 Apr 05]. Available from: http://hdl.handle.net/2440/118122.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heike AM. Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano. [Thesis]. University of Adelaide; 2018. Available from: http://hdl.handle.net/2440/118122

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

25. Ho, Shao Ying. A Historiography of Musical Historicism: The Case of Johannes Brahms.

Degree: MM, Music, 2013, Texas State University – San Marcos

 Johannes Brahms (1833-1897) lived in an epoch marked by the 1848 revolution that precipitated social, cultural, and economical changes. In the realm of music, the… (more)

Subjects/Keywords: Brahms, Johannes; Brahms; Historicism; Musical historicism; Historicism in music; Historiography; Brahms, Johannes – 1833-1897 – Criticism and interpretation; Historiography – Germany – History – 19th century; Historicism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ho, S. Y. (2013). A Historiography of Musical Historicism: The Case of Johannes Brahms. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4991

Chicago Manual of Style (16th Edition):

Ho, Shao Ying. “A Historiography of Musical Historicism: The Case of Johannes Brahms.” 2013. Masters Thesis, Texas State University – San Marcos. Accessed April 05, 2020. https://digital.library.txstate.edu/handle/10877/4991.

MLA Handbook (7th Edition):

Ho, Shao Ying. “A Historiography of Musical Historicism: The Case of Johannes Brahms.” 2013. Web. 05 Apr 2020.

Vancouver:

Ho SY. A Historiography of Musical Historicism: The Case of Johannes Brahms. [Internet] [Masters thesis]. Texas State University – San Marcos; 2013. [cited 2020 Apr 05]. Available from: https://digital.library.txstate.edu/handle/10877/4991.

Council of Science Editors:

Ho SY. A Historiography of Musical Historicism: The Case of Johannes Brahms. [Masters Thesis]. Texas State University – San Marcos; 2013. Available from: https://digital.library.txstate.edu/handle/10877/4991


University of North Texas

26. Hsu, Yu-Ching. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.

Degree: 2017, University of North Texas

 Although the current, exhaustive studies of Brahms' works have covered many aspects of the composer's art, it is still surprising that his large-scale, five-movement Piano… (more)

Subjects/Keywords: Brahms Piano Sonata No.3; orchestral mentality; Brahms Piano Op.5, Brams Piano Sonata; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, Y. (2017). The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011840/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Yu-Ching. “The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.” 2017. Thesis, University of North Texas. Accessed April 05, 2020. https://digital.library.unt.edu/ark:/67531/metadc1011840/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Yu-Ching. “The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.” 2017. Web. 05 Apr 2020.

Vancouver:

Hsu Y. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Apr 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011840/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu Y. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011840/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

27. Tsai, Chia-yen. The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements.

Degree: Master, Music, 2014, NSYSU

 The piano music in the nineteenth century is close to literature, drama and painting. A large number of piano works are related to literature. J.… (more)

Subjects/Keywords: Piano Sonata; Absolute music; Slow movement; Brahms; Poetic elements

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsai, C. (2014). The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0629114-133941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsai, Chia-yen. “The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements.” 2014. Thesis, NSYSU. Accessed April 05, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0629114-133941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsai, Chia-yen. “The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements.” 2014. Web. 05 Apr 2020.

Vancouver:

Tsai C. The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements. [Internet] [Thesis]. NSYSU; 2014. [cited 2020 Apr 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0629114-133941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsai C. The Poetic Elements of J. Brahms Piano Sonatas' Slow Movements. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0629114-133941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

28. Chen, Mei-ju. The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b.

Degree: Master, Music, 2006, NSYSU

 The European arts in the nineteenth century went through significant changes with the advent of romanticism. In respect to music, more and more composers at… (more)

Subjects/Keywords: Brahms; Variation; Two Pianos

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, M. (2006). The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707106-171120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Mei-ju. “The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b.” 2006. Thesis, NSYSU. Accessed April 05, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707106-171120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Mei-ju. “The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b.” 2006. Web. 05 Apr 2020.

Vancouver:

Chen M. The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b. [Internet] [Thesis]. NSYSU; 2006. [cited 2020 Apr 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707106-171120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen M. The Study of Johannes Brahms' Variations on a Theme by Haydn, op. 56b. [Thesis]. NSYSU; 2006. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707106-171120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

29. Hsu, Yu-cheng. The Study of Johannes Brahmsâ Klavierstücke, op. 118.

Degree: Master, Music, 2007, NSYSU

 Johannes Brahms is an important composer of 19th Century German. His music style inherits from the classical form, symmetric equilibrium, and blend with the romantic… (more)

Subjects/Keywords: op. 118; Klavierstuck; Brahms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, Y. (2007). The Study of Johannes Brahmsâ Klavierstücke, op. 118. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0711107-013134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Yu-cheng. “The Study of Johannes Brahmsâ Klavierstücke, op. 118.” 2007. Thesis, NSYSU. Accessed April 05, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0711107-013134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Yu-cheng. “The Study of Johannes Brahmsâ Klavierstücke, op. 118.” 2007. Web. 05 Apr 2020.

Vancouver:

Hsu Y. The Study of Johannes Brahmsâ Klavierstücke, op. 118. [Internet] [Thesis]. NSYSU; 2007. [cited 2020 Apr 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0711107-013134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu Y. The Study of Johannes Brahmsâ Klavierstücke, op. 118. [Thesis]. NSYSU; 2007. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0711107-013134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

30. Hung, Yu-Pei. A Study of Brahms' Two Piano Sonata, Opus 34b.

Degree: Master, Music, 2011, NSYSU

 âTranscriptionâ was a common compositional technique used by composers during the nineteenth century. Composers arranged pieces in order to obtain various acoustic effects or fulfill… (more)

Subjects/Keywords: Sonata for Two Pianos; J. Brahms; Piano Quintet; Transcription; Op. 34

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hung, Y. (2011). A Study of Brahms' Two Piano Sonata, Opus 34b. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0730111-014701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hung, Yu-Pei. “A Study of Brahms' Two Piano Sonata, Opus 34b.” 2011. Thesis, NSYSU. Accessed April 05, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0730111-014701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hung, Yu-Pei. “A Study of Brahms' Two Piano Sonata, Opus 34b.” 2011. Web. 05 Apr 2020.

Vancouver:

Hung Y. A Study of Brahms' Two Piano Sonata, Opus 34b. [Internet] [Thesis]. NSYSU; 2011. [cited 2020 Apr 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0730111-014701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hung Y. A Study of Brahms' Two Piano Sonata, Opus 34b. [Thesis]. NSYSU; 2011. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0730111-014701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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