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You searched for subject:(Body art). Showing records 1 – 30 of 395 total matches.

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1. Servedio, Danielle Lauren. Cancer Patients' Perception of Body Image: A Visual Exploration.

Degree: MA, Marital and Family Therapy, 2012, Loyola Marymount University

  This study explored the impact and trauma that a cancer diagnosis and cancer treatment can have on a women’s image and experience of her… (more)

Subjects/Keywords: Cancer; Body Image; Art therapy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Servedio, D. L. (2012). Cancer Patients' Perception of Body Image: A Visual Exploration. (Masters Thesis). Loyola Marymount University. Retrieved from http://digitalcommons.lmu.edu/etd/111

Chicago Manual of Style (16th Edition):

Servedio, Danielle Lauren. “Cancer Patients' Perception of Body Image: A Visual Exploration.” 2012. Masters Thesis, Loyola Marymount University. Accessed December 12, 2019. http://digitalcommons.lmu.edu/etd/111.

MLA Handbook (7th Edition):

Servedio, Danielle Lauren. “Cancer Patients' Perception of Body Image: A Visual Exploration.” 2012. Web. 12 Dec 2019.

Vancouver:

Servedio DL. Cancer Patients' Perception of Body Image: A Visual Exploration. [Internet] [Masters thesis]. Loyola Marymount University; 2012. [cited 2019 Dec 12]. Available from: http://digitalcommons.lmu.edu/etd/111.

Council of Science Editors:

Servedio DL. Cancer Patients' Perception of Body Image: A Visual Exploration. [Masters Thesis]. Loyola Marymount University; 2012. Available from: http://digitalcommons.lmu.edu/etd/111


University of Maine

2. Hollows, Sarah. We Think We Are Not: Embodied Knowledge and Queer Practice.

Degree: MFA, Intermedia, 2016, University of Maine

  I hesitate to name it. The kind of work that I do and the shape(s) it takes has never been one thing. It changes… (more)

Subjects/Keywords: Body in art; Fine Arts

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APA (6th Edition):

Hollows, S. (2016). We Think We Are Not: Embodied Knowledge and Queer Practice. (Thesis). University of Maine. Retrieved from https://digitalcommons.library.umaine.edu/etd/2594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hollows, Sarah. “We Think We Are Not: Embodied Knowledge and Queer Practice.” 2016. Thesis, University of Maine. Accessed December 12, 2019. https://digitalcommons.library.umaine.edu/etd/2594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hollows, Sarah. “We Think We Are Not: Embodied Knowledge and Queer Practice.” 2016. Web. 12 Dec 2019.

Vancouver:

Hollows S. We Think We Are Not: Embodied Knowledge and Queer Practice. [Internet] [Thesis]. University of Maine; 2016. [cited 2019 Dec 12]. Available from: https://digitalcommons.library.umaine.edu/etd/2594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hollows S. We Think We Are Not: Embodied Knowledge and Queer Practice. [Thesis]. University of Maine; 2016. Available from: https://digitalcommons.library.umaine.edu/etd/2594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waterloo

3. Martens, Tess. 1,2,3,4.

Degree: 2018, University of Waterloo

 My thesis exhibition, 1,2,3,4, consists of four performances: Announce It!, A Second Hand Emotion, Slow Change and Portrait-Self-Portrait. The performances will take place on scheduled… (more)

Subjects/Keywords: performance art; feminism; body

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martens, T. (2018). 1,2,3,4. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/13337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martens, Tess. “1,2,3,4.” 2018. Thesis, University of Waterloo. Accessed December 12, 2019. http://hdl.handle.net/10012/13337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martens, Tess. “1,2,3,4.” 2018. Web. 12 Dec 2019.

Vancouver:

Martens T. 1,2,3,4. [Internet] [Thesis]. University of Waterloo; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10012/13337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martens T. 1,2,3,4. [Thesis]. University of Waterloo; 2018. Available from: http://hdl.handle.net/10012/13337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cape Peninsula University of Technology

4. Connor, Tenielle. The body as a canvas : a non-permanent form of body art inspired by body adornment practices .

Degree: 2010, Cape Peninsula University of Technology

 Forms of body adornment and scarification practices have been around since the origin of mankind. Many forms of traditional body adornment have evolved overtime and… (more)

Subjects/Keywords: Body art; Human figure in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Connor, T. (2010). The body as a canvas : a non-permanent form of body art inspired by body adornment practices . (Thesis). Cape Peninsula University of Technology. Retrieved from http://etd.cput.ac.za/handle/20.500.11838/1439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Connor, Tenielle. “The body as a canvas : a non-permanent form of body art inspired by body adornment practices .” 2010. Thesis, Cape Peninsula University of Technology. Accessed December 12, 2019. http://etd.cput.ac.za/handle/20.500.11838/1439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Connor, Tenielle. “The body as a canvas : a non-permanent form of body art inspired by body adornment practices .” 2010. Web. 12 Dec 2019.

Vancouver:

Connor T. The body as a canvas : a non-permanent form of body art inspired by body adornment practices . [Internet] [Thesis]. Cape Peninsula University of Technology; 2010. [cited 2019 Dec 12]. Available from: http://etd.cput.ac.za/handle/20.500.11838/1439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Connor T. The body as a canvas : a non-permanent form of body art inspired by body adornment practices . [Thesis]. Cape Peninsula University of Technology; 2010. Available from: http://etd.cput.ac.za/handle/20.500.11838/1439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

5. Cortopassi, Gina. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.

Degree: 2013, Université du Québec à Montréal

 La série performative La Réincarnation de Sainte-ORLAN, réalisée de 1990-1993, trace le devenir-cyborg de l'artiste française ORLAN. À cheval entre le body art et le… (more)

Subjects/Keywords: Orlan 1947-; Art charnel; Body art; Cyborg

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cortopassi, G. (2013). Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/5754/1/M13006.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortopassi, Gina. “Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.” 2013. Thesis, Université du Québec à Montréal. Accessed December 12, 2019. http://www.archipel.uqam.ca/5754/1/M13006.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortopassi, Gina. “Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.” 2013. Web. 12 Dec 2019.

Vancouver:

Cortopassi G. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Dec 12]. Available from: http://www.archipel.uqam.ca/5754/1/M13006.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortopassi G. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://www.archipel.uqam.ca/5754/1/M13006.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

6. Liu, Tongwu. Under the shadow of cross-culture Chinese contemporary body painting .

Degree: 2013, University of Sydney

 This research explores body painting as away of investigating my identity as an international Chinese woman living in Australia. The use of the body has… (more)

Subjects/Keywords: Painting; Chinese contemporary art; Body art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liu, T. (2013). Under the shadow of cross-culture Chinese contemporary body painting . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Tongwu. “Under the shadow of cross-culture Chinese contemporary body painting .” 2013. Thesis, University of Sydney. Accessed December 12, 2019. http://hdl.handle.net/2123/10542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Tongwu. “Under the shadow of cross-culture Chinese contemporary body painting .” 2013. Web. 12 Dec 2019.

Vancouver:

Liu T. Under the shadow of cross-culture Chinese contemporary body painting . [Internet] [Thesis]. University of Sydney; 2013. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2123/10542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu T. Under the shadow of cross-culture Chinese contemporary body painting . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

7. Cortopassi, Gina. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.

Degree: 2013, Université du Québec à Montréal

 La série performative La Réincarnation de Sainte-ORLAN, réalisée de 1990-1993, trace le devenir-cyborg de l'artiste française ORLAN. À cheval entre le body art et le… (more)

Subjects/Keywords: Orlan 1947-; Art charnel; Body art; Cyborg

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cortopassi, G. (2013). Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5754/1/M13006.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortopassi, Gina. “Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.” 2013. Thesis, Université du Québec à Montréal. Accessed December 12, 2019. http://archipel.uqam.ca/5754/1/M13006.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortopassi, Gina. “Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN.” 2013. Web. 12 Dec 2019.

Vancouver:

Cortopassi G. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Dec 12]. Available from: http://archipel.uqam.ca/5754/1/M13006.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortopassi G. Regard critique sur le techno-corps dans la série La réincarnation de Sainte-ORLAN. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://archipel.uqam.ca/5754/1/M13006.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

8. Thieman, Sharon. The Power of Wrapping.

Degree: M.F.A., 2018, Florida Atlantic University

Power of Wrapping explores and communicates the somaesthetically inspired artistic act of wrapping as a generative force for healing. This thesis exhibition is an installation… (more)

Subjects/Keywords: Installations (Art); Exhibit; Body in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thieman, S. (2018). The Power of Wrapping. (Masters Thesis). Florida Atlantic University. Retrieved from http://fau.digital.flvc.org/islandora/object/fau:40865

Chicago Manual of Style (16th Edition):

Thieman, Sharon. “The Power of Wrapping.” 2018. Masters Thesis, Florida Atlantic University. Accessed December 12, 2019. http://fau.digital.flvc.org/islandora/object/fau:40865.

MLA Handbook (7th Edition):

Thieman, Sharon. “The Power of Wrapping.” 2018. Web. 12 Dec 2019.

Vancouver:

Thieman S. The Power of Wrapping. [Internet] [Masters thesis]. Florida Atlantic University; 2018. [cited 2019 Dec 12]. Available from: http://fau.digital.flvc.org/islandora/object/fau:40865.

Council of Science Editors:

Thieman S. The Power of Wrapping. [Masters Thesis]. Florida Atlantic University; 2018. Available from: http://fau.digital.flvc.org/islandora/object/fau:40865

9. Nunes, Gabriel Brito. f l æ s h - corpo e/é imagem.

Degree: Mestrado, Poéticas Visuais, 2012, University of São Paulo

Considerando o corpo o elemento central da performance arte, o texto a seguir procura compreender que tipo de espaço se reserva nesse campo artístico para… (more)

Subjects/Keywords: Arte contemporânea; artes visuais; body art; body art; contemporary art; live art; live art; performance; performance; visual arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nunes, G. B. (2012). f l æ s h - corpo e/é imagem. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;

Chicago Manual of Style (16th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Masters Thesis, University of São Paulo. Accessed December 12, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

MLA Handbook (7th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Web. 12 Dec 2019.

Vancouver:

Nunes GB. f l æ s h - corpo e/é imagem. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Dec 12]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

Council of Science Editors:

Nunes GB. f l æ s h - corpo e/é imagem. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;


University of Western Ontario

10. Teszeri, Quintin. On Coming and Going.

Degree: 2016, University of Western Ontario

 This dossier and the accompanying exhibition On Coming and Going (presented at the Artlab Gallery in January 2017) constitute my MFA in Visual Arts thesis.… (more)

Subjects/Keywords: contemporary art; body; touch; memory; sculpture; poetic art; Art Practice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Teszeri, Q. (2016). On Coming and Going. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Teszeri, Quintin. “On Coming and Going.” 2016. Thesis, University of Western Ontario. Accessed December 12, 2019. https://ir.lib.uwo.ca/etd/4379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Teszeri, Quintin. “On Coming and Going.” 2016. Web. 12 Dec 2019.

Vancouver:

Teszeri Q. On Coming and Going. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Dec 12]. Available from: https://ir.lib.uwo.ca/etd/4379.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teszeri Q. On Coming and Going. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/4379

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

11. Erwin, Jennifer Rachel. A Space to Breathe.

Degree: M.F.A., Visual Art, 2012, University of Kansas

 My Grandfather's experiences inspired a body of work based on ideas of trauma and personal experience. A Space to Breathe focuses on the idea of… (more)

Subjects/Keywords: Fine arts; Art; Body; Memory; Painting; Watercolor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Erwin, J. R. (2012). A Space to Breathe. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10651

Chicago Manual of Style (16th Edition):

Erwin, Jennifer Rachel. “A Space to Breathe.” 2012. Masters Thesis, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/10651.

MLA Handbook (7th Edition):

Erwin, Jennifer Rachel. “A Space to Breathe.” 2012. Web. 12 Dec 2019.

Vancouver:

Erwin JR. A Space to Breathe. [Internet] [Masters thesis]. University of Kansas; 2012. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/10651.

Council of Science Editors:

Erwin JR. A Space to Breathe. [Masters Thesis]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/10651


Montana State University

12. Dorwart, Shawna Drugge. An evidence based policy recommendation addressing body art among nursing personnel.

Degree: College of Nursing, 2009, Montana State University

Body art in the form of tattoos and piercings is becoming more prevalent as a form of self-expression. Body art is found among members of… (more)

Subjects/Keywords: Body art.; Nurses Employment.; Nursing Practice.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dorwart, S. D. (2009). An evidence based policy recommendation addressing body art among nursing personnel. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/1191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorwart, Shawna Drugge. “An evidence based policy recommendation addressing body art among nursing personnel.” 2009. Thesis, Montana State University. Accessed December 12, 2019. https://scholarworks.montana.edu/xmlui/handle/1/1191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorwart, Shawna Drugge. “An evidence based policy recommendation addressing body art among nursing personnel.” 2009. Web. 12 Dec 2019.

Vancouver:

Dorwart SD. An evidence based policy recommendation addressing body art among nursing personnel. [Internet] [Thesis]. Montana State University; 2009. [cited 2019 Dec 12]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorwart SD. An evidence based policy recommendation addressing body art among nursing personnel. [Thesis]. Montana State University; 2009. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Chirakranont, Ada. Tactility and the body experience.

Degree: Textiles, 2010, University College of Arts

The ongoing project discusses how we as a society perceive and communicate through bodily experiences. The primary aim is to apply textile into a… (more)

Subjects/Keywords: textile; body experience; tactility; Art; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chirakranont, A. (2010). Tactility and the body experience. (Thesis). University College of Arts. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chirakranont, Ada. “Tactility and the body experience.” 2010. Thesis, University College of Arts. Accessed December 12, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chirakranont, Ada. “Tactility and the body experience.” 2010. Web. 12 Dec 2019.

Vancouver:

Chirakranont A. Tactility and the body experience. [Internet] [Thesis]. University College of Arts; 2010. [cited 2019 Dec 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chirakranont A. Tactility and the body experience. [Thesis]. University College of Arts; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

14. KRITZER, JESSICA. A little gathering.

Degree: 2010, University of Melbourne

 This project consists of three individual visual works, each with an accompanying essay. The first work titled 'Births Deaths and Marriages' explores a painting experiment… (more)

Subjects/Keywords: human body; material culture; visual art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

KRITZER, J. (2010). A little gathering. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36085

Chicago Manual of Style (16th Edition):

KRITZER, JESSICA. “A little gathering.” 2010. Masters Thesis, University of Melbourne. Accessed December 12, 2019. http://hdl.handle.net/11343/36085.

MLA Handbook (7th Edition):

KRITZER, JESSICA. “A little gathering.” 2010. Web. 12 Dec 2019.

Vancouver:

KRITZER J. A little gathering. [Internet] [Masters thesis]. University of Melbourne; 2010. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/11343/36085.

Council of Science Editors:

KRITZER J. A little gathering. [Masters Thesis]. University of Melbourne; 2010. Available from: http://hdl.handle.net/11343/36085


University of Melbourne

15. Irwin, Melanie. Envelopes and appendages: the body’s response to structure and geometry.

Degree: 2013, University of Melbourne

 ‘Envelopes and Appendages: The Body’s Response to Structure and Geometry’ examines the body’s capacity for agency in its entangled relationship with found objects, regulating structures… (more)

Subjects/Keywords: sculpture; performance art; body; geometric; found objects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Irwin, M. (2013). Envelopes and appendages: the body’s response to structure and geometry. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39611

Chicago Manual of Style (16th Edition):

Irwin, Melanie. “Envelopes and appendages: the body’s response to structure and geometry.” 2013. Masters Thesis, University of Melbourne. Accessed December 12, 2019. http://hdl.handle.net/11343/39611.

MLA Handbook (7th Edition):

Irwin, Melanie. “Envelopes and appendages: the body’s response to structure and geometry.” 2013. Web. 12 Dec 2019.

Vancouver:

Irwin M. Envelopes and appendages: the body’s response to structure and geometry. [Internet] [Masters thesis]. University of Melbourne; 2013. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/11343/39611.

Council of Science Editors:

Irwin M. Envelopes and appendages: the body’s response to structure and geometry. [Masters Thesis]. University of Melbourne; 2013. Available from: http://hdl.handle.net/11343/39611


University of New South Wales

16. Haig, Ian. Dirty bodies and clean technologies: the absent abject body in media arts culture.

Degree: Media Arts, 2013, University of New South Wales

 My research explores why the abject body is not conceptualised within the idiomof media arts culture. Why is it missing and often edited out of… (more)

Subjects/Keywords: Abject; Media Art; Body; Visceral; Technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haig, I. (2013). Dirty bodies and clean technologies: the absent abject body in media arts culture. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Haig, Ian. “Dirty bodies and clean technologies: the absent abject body in media arts culture.” 2013. Doctoral Dissertation, University of New South Wales. Accessed December 12, 2019. http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true.

MLA Handbook (7th Edition):

Haig, Ian. “Dirty bodies and clean technologies: the absent abject body in media arts culture.” 2013. Web. 12 Dec 2019.

Vancouver:

Haig I. Dirty bodies and clean technologies: the absent abject body in media arts culture. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Dec 12]. Available from: http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true.

Council of Science Editors:

Haig I. Dirty bodies and clean technologies: the absent abject body in media arts culture. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true


University of Connecticut

17. Nuireen Habib, Nusrat. Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis.

Degree: MS, Health Promotion, 2017, University of Connecticut

  Importance: Different ART treatments to HIV patients has been shown to be effective in improving a variety of disease outcomes, including CD-4 cell count… (more)

Subjects/Keywords: HIV; ART; Multilevel; Meta-analysis; Body Habitus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nuireen Habib, N. (2017). Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/1045

Chicago Manual of Style (16th Edition):

Nuireen Habib, Nusrat. “Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis.” 2017. Masters Thesis, University of Connecticut. Accessed December 12, 2019. https://opencommons.uconn.edu/gs_theses/1045.

MLA Handbook (7th Edition):

Nuireen Habib, Nusrat. “Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis.” 2017. Web. 12 Dec 2019.

Vancouver:

Nuireen Habib N. Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis. [Internet] [Masters thesis]. University of Connecticut; 2017. [cited 2019 Dec 12]. Available from: https://opencommons.uconn.edu/gs_theses/1045.

Council of Science Editors:

Nuireen Habib N. Effects of ART in HIV Infected Population on Body Habitus Change: A Multilevel Meta-analysis. [Masters Thesis]. University of Connecticut; 2017. Available from: https://opencommons.uconn.edu/gs_theses/1045


University of Newcastle

18. Windon, Emily Louise. Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia.

Degree: PhD, 2012, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

My research is from a visual arts based methodology and in my own artistic practice, which forms an… (more)

Subjects/Keywords: visual art; modernism; technology; gender; female body

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Windon, E. L. (2012). Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/936350

Chicago Manual of Style (16th Edition):

Windon, Emily Louise. “Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia.” 2012. Doctoral Dissertation, University of Newcastle. Accessed December 12, 2019. http://hdl.handle.net/1959.13/936350.

MLA Handbook (7th Edition):

Windon, Emily Louise. “Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia.” 2012. Web. 12 Dec 2019.

Vancouver:

Windon EL. Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia. [Internet] [Doctoral dissertation]. University of Newcastle; 2012. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1959.13/936350.

Council of Science Editors:

Windon EL. Carnivorous science: gendered anatomy in the post human body, an hysteria of the machine in technological utopia. [Doctoral Dissertation]. University of Newcastle; 2012. Available from: http://hdl.handle.net/1959.13/936350

19. Bågander, Linnea. MOViEMENT.

Degree: Swedish School of Textiles, 2013, University of Borås

This work explores the relationship between body and garment in movement. The method for investigation this meeting is through geometrical shapes that are applied… (more)

Subjects/Keywords: fashion; art; body; movement; preformance; Design; Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bågander, L. (2013). MOViEMENT. (Thesis). University of Borås. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17066

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bågander, Linnea. “MOViEMENT.” 2013. Thesis, University of Borås. Accessed December 12, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17066.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bågander, Linnea. “MOViEMENT.” 2013. Web. 12 Dec 2019.

Vancouver:

Bågander L. MOViEMENT. [Internet] [Thesis]. University of Borås; 2013. [cited 2019 Dec 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17066.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bågander L. MOViEMENT. [Thesis]. University of Borås; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17066

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

20. Dreyfus, Ella. Shame and the aesthetics of intimacy : three contemporary artworks.

Degree: Art, 2012, University of New South Wales

 This research project explores contemporary visual arts that are located within a field I identify as the ‘aesthetics of intimacy’. Within this field I explore… (more)

Subjects/Keywords: Shame; Art; Body image; Affect; Intimacy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dreyfus, E. (2012). Shame and the aesthetics of intimacy : three contemporary artworks. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52885 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11563/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Dreyfus, Ella. “Shame and the aesthetics of intimacy : three contemporary artworks.” 2012. Doctoral Dissertation, University of New South Wales. Accessed December 12, 2019. http://handle.unsw.edu.au/1959.4/52885 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11563/SOURCE01?view=true.

MLA Handbook (7th Edition):

Dreyfus, Ella. “Shame and the aesthetics of intimacy : three contemporary artworks.” 2012. Web. 12 Dec 2019.

Vancouver:

Dreyfus E. Shame and the aesthetics of intimacy : three contemporary artworks. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Dec 12]. Available from: http://handle.unsw.edu.au/1959.4/52885 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11563/SOURCE01?view=true.

Council of Science Editors:

Dreyfus E. Shame and the aesthetics of intimacy : three contemporary artworks. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/52885 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11563/SOURCE01?view=true


University of New South Wales

21. Hansby, Lyndal. Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art.

Degree: Art, 2015, University of New South Wales

 This Master of Fine Arts research centres on the idea that the experience of pain – physical or psychological – is invisible and isolated to… (more)

Subjects/Keywords: Art; Body; Pain; Communication; Photography; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hansby, L. (2015). Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55024 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36384/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Hansby, Lyndal. “Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art.” 2015. Masters Thesis, University of New South Wales. Accessed December 12, 2019. http://handle.unsw.edu.au/1959.4/55024 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36384/SOURCE02?view=true.

MLA Handbook (7th Edition):

Hansby, Lyndal. “Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art.” 2015. Web. 12 Dec 2019.

Vancouver:

Hansby L. Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art. [Internet] [Masters thesis]. University of New South Wales; 2015. [cited 2019 Dec 12]. Available from: http://handle.unsw.edu.au/1959.4/55024 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36384/SOURCE02?view=true.

Council of Science Editors:

Hansby L. Imbalanced Bodies: The Representation of Physical and Psychological Pain in Art. [Masters Thesis]. University of New South Wales; 2015. Available from: http://handle.unsw.edu.au/1959.4/55024 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36384/SOURCE02?view=true


University of Texas – Austin

22. -0944-644X. Bear fruit.

Degree: MA, Studio art, 2016, University of Texas – Austin

 This Master’s Report is a discussion of the ideas, research, and methods I have developed over the course of my three years of study at… (more)

Subjects/Keywords: Sculpture; Fountain; Gender; Feminism; Art; Color; Body

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-0944-644X. (2016). Bear fruit. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/43617

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-0944-644X. “Bear fruit.” 2016. Masters Thesis, University of Texas – Austin. Accessed December 12, 2019. http://hdl.handle.net/2152/43617.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-0944-644X. “Bear fruit.” 2016. Web. 12 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0944-644X. Bear fruit. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2152/43617.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-0944-644X. Bear fruit. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/43617

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Saskatchewan

23. Gingras, George Arthur. MAGNIFICENT LORE.

Degree: 2018, University of Saskatchewan

 My art formulations are a window into visual realism from animated movements of imagination including cognizant examination of probabilities. I will articulate concepts within both… (more)

Subjects/Keywords: Imaginative realism; George Gingras; body; physique; body building; imagine; fantasy art; drawing; painting; lore; art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gingras, G. A. (2018). MAGNIFICENT LORE. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/8533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gingras, George Arthur. “MAGNIFICENT LORE.” 2018. Thesis, University of Saskatchewan. Accessed December 12, 2019. http://hdl.handle.net/10388/8533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gingras, George Arthur. “MAGNIFICENT LORE.” 2018. Web. 12 Dec 2019.

Vancouver:

Gingras GA. MAGNIFICENT LORE. [Internet] [Thesis]. University of Saskatchewan; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10388/8533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gingras GA. MAGNIFICENT LORE. [Thesis]. University of Saskatchewan; 2018. Available from: http://hdl.handle.net/10388/8533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Guelph

24. Kenney, Lauren. Tattoo Collecting: Living Art and Artifact .

Degree: 2014, University of Guelph

 This thesis examines the possibilities of the tattoo as a collectible. Specifically, three different modes of collecting and displaying tattoos; as a living museum on… (more)

Subjects/Keywords: Tattoo; Collection; Body Modification; Skin; Body Art; Medical Museum; Tattoo Collector; Body Suit; Souvenir

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kenney, L. (2014). Tattoo Collecting: Living Art and Artifact . (Thesis). University of Guelph. Retrieved from https://atrium.lib.uoguelph.ca/xmlui/handle/10214/7820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kenney, Lauren. “Tattoo Collecting: Living Art and Artifact .” 2014. Thesis, University of Guelph. Accessed December 12, 2019. https://atrium.lib.uoguelph.ca/xmlui/handle/10214/7820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kenney, Lauren. “Tattoo Collecting: Living Art and Artifact .” 2014. Web. 12 Dec 2019.

Vancouver:

Kenney L. Tattoo Collecting: Living Art and Artifact . [Internet] [Thesis]. University of Guelph; 2014. [cited 2019 Dec 12]. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/7820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kenney L. Tattoo Collecting: Living Art and Artifact . [Thesis]. University of Guelph; 2014. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/7820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Rahbar, Nazanin Tabaei. Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing.

Degree: MFA - Master of Fine Arts, Visual Arts, 2019, York University

 How do we extend into our body and into the world? I draw to express, remember, discover, tell, record, understand, make marks, meditate, trace and… (more)

Subjects/Keywords: Gender studies; Drawing; Diaspora; Body; Body politics; Migration; Narrative; Art; Queer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rahbar, N. T. (2019). Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing. (Masters Thesis). York University. Retrieved from https://yorkspace.library.yorku.ca/xmlui/handle/10315/36662

Chicago Manual of Style (16th Edition):

Rahbar, Nazanin Tabaei. “Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing.” 2019. Masters Thesis, York University. Accessed December 12, 2019. https://yorkspace.library.yorku.ca/xmlui/handle/10315/36662.

MLA Handbook (7th Edition):

Rahbar, Nazanin Tabaei. “Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing.” 2019. Web. 12 Dec 2019.

Vancouver:

Rahbar NT. Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing. [Internet] [Masters thesis]. York University; 2019. [cited 2019 Dec 12]. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36662.

Council of Science Editors:

Rahbar NT. Water, Air, Stones and Stains: Examining Interpersonal Aspects of Bodily Dwelling through Drawing. [Masters Thesis]. York University; 2019. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36662

26. Rochaix, Delphine. L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case.

Degree: Docteur es, Psychologie, 2012, Aix Marseille Université

Cette recherche étudie les processus psychopathologiques associés aux comportements se référant au Body Art. Ce travail est centré sur l'approche de pratiques relevant de la… (more)

Subjects/Keywords: Body art; Modification corporelle; Expérimentations cadrées; Facteurs psychopathologiques; Analyse discursive; Body art; Body modification; Framed experiments; Psychopathological factors; Discursive analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rochaix, D. (2012). L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2012AIXM3082

Chicago Manual of Style (16th Edition):

Rochaix, Delphine. “L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case.” 2012. Doctoral Dissertation, Aix Marseille Université. Accessed December 12, 2019. http://www.theses.fr/2012AIXM3082.

MLA Handbook (7th Edition):

Rochaix, Delphine. “L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case.” 2012. Web. 12 Dec 2019.

Vancouver:

Rochaix D. L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case. [Internet] [Doctoral dissertation]. Aix Marseille Université 2012. [cited 2019 Dec 12]. Available from: http://www.theses.fr/2012AIXM3082.

Council of Science Editors:

Rochaix D. L'inscription dans le Body Art ou la pantomime de la pathologie : The aesthetics of ruins in war photography : Beirut as an examplary case. [Doctoral Dissertation]. Aix Marseille Université 2012. Available from: http://www.theses.fr/2012AIXM3082


University of Cincinnati

27. Voss, Kelly. Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine.

Degree: MA, Design, Architecture, Art and Planning: Art History, 2014, University of Cincinnati

 The thesis deals with the work of a number of feminist European performance artists, Valie Export, Gina Pane, and Orlan, who started their careers in… (more)

Subjects/Keywords: Art History; body art; feminism; orlan; gina pane; valie export; pain

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Voss, K. (2014). Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477278

Chicago Manual of Style (16th Edition):

Voss, Kelly. “Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine.” 2014. Masters Thesis, University of Cincinnati. Accessed December 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477278.

MLA Handbook (7th Edition):

Voss, Kelly. “Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine.” 2014. Web. 12 Dec 2019.

Vancouver:

Voss K. Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine. [Internet] [Masters thesis]. University of Cincinnati; 2014. [cited 2019 Dec 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477278.

Council of Science Editors:

Voss K. Valie Export, Gina Pane, and Orlan:Pain, Body Art, and the Question of the Feminine. [Masters Thesis]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477278


University of Melbourne

28. Ishii, Kotoe. Double bind: splitting identity and the body as an object.

Degree: 2009, University of Melbourne

 Double Bind: Splitting identity and the body as an object is a research project consisting of studio-based practice presented mainly in video installation format. This… (more)

Subjects/Keywords: art; identity; double body; moving image; video art; self-portrait

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APA (6th Edition):

Ishii, K. (2009). Double bind: splitting identity and the body as an object. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35308

Chicago Manual of Style (16th Edition):

Ishii, Kotoe. “Double bind: splitting identity and the body as an object.” 2009. Masters Thesis, University of Melbourne. Accessed December 12, 2019. http://hdl.handle.net/11343/35308.

MLA Handbook (7th Edition):

Ishii, Kotoe. “Double bind: splitting identity and the body as an object.” 2009. Web. 12 Dec 2019.

Vancouver:

Ishii K. Double bind: splitting identity and the body as an object. [Internet] [Masters thesis]. University of Melbourne; 2009. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/11343/35308.

Council of Science Editors:

Ishii K. Double bind: splitting identity and the body as an object. [Masters Thesis]. University of Melbourne; 2009. Available from: http://hdl.handle.net/11343/35308


University of New Orleans

29. Hair, Harper D. People Like Ourselves.

Degree: M.F.A., Fine Arts, 2017, University of New Orleans

  The thesis writing here is an effort by the artist to identify his motives in creating, and his aims for the audience, and to… (more)

Subjects/Keywords: Harper Hair; fine art; People Like Ourselves; art; limited body; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hair, H. D. (2017). People Like Ourselves. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hair, Harper D. “People Like Ourselves.” 2017. Thesis, University of New Orleans. Accessed December 12, 2019. https://scholarworks.uno.edu/td/2408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hair, Harper D. “People Like Ourselves.” 2017. Web. 12 Dec 2019.

Vancouver:

Hair HD. People Like Ourselves. [Internet] [Thesis]. University of New Orleans; 2017. [cited 2019 Dec 12]. Available from: https://scholarworks.uno.edu/td/2408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hair HD. People Like Ourselves. [Thesis]. University of New Orleans; 2017. Available from: https://scholarworks.uno.edu/td/2408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Bruce, Katie Marie. Felt Knowledge.

Degree: MFA - Master of Fine Arts, Visual Arts, 2015, York University

 Bodies, inclusive of flesh|bodies and object|bodies, show the wear brought upon them by physical labour; the particularity of their history engrained upon the skin|surface of… (more)

Subjects/Keywords: Art criticism; Printmaking; Touch; Empathy; Art; Sculpture; Bookmaking; The body

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APA (6th Edition):

Bruce, K. M. (2015). Felt Knowledge. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30076

Chicago Manual of Style (16th Edition):

Bruce, Katie Marie. “Felt Knowledge.” 2015. Masters Thesis, York University. Accessed December 12, 2019. http://hdl.handle.net/10315/30076.

MLA Handbook (7th Edition):

Bruce, Katie Marie. “Felt Knowledge.” 2015. Web. 12 Dec 2019.

Vancouver:

Bruce KM. Felt Knowledge. [Internet] [Masters thesis]. York University; 2015. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10315/30076.

Council of Science Editors:

Bruce KM. Felt Knowledge. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30076

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