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You searched for subject:(Blues). Showing records 1 – 30 of 187 total matches.

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University of Cincinnati

1. Meyerson-Knox, Saul. "African Blues": The Sound and History of a Transatlantic Discourse.

Degree: M.M., College-Conservatory of Music: Music History, 2013, University of Cincinnati

 This thesis explores the musical style known as "African Blues" in terms of its historical and social implications. Contemporary West African music sold as "African… (more)

Subjects/Keywords: Music; African Blues; blues; African music; Roots of the Blues; Ali Farka Toure; Kulanjan

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meyerson-Knox, S. (2013). "African Blues": The Sound and History of a Transatlantic Discourse. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952

Chicago Manual of Style (16th Edition):

Meyerson-Knox, Saul. “"African Blues": The Sound and History of a Transatlantic Discourse.” 2013. Masters Thesis, University of Cincinnati. Accessed April 10, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952.

MLA Handbook (7th Edition):

Meyerson-Knox, Saul. “"African Blues": The Sound and History of a Transatlantic Discourse.” 2013. Web. 10 Apr 2021.

Vancouver:

Meyerson-Knox S. "African Blues": The Sound and History of a Transatlantic Discourse. [Internet] [Masters thesis]. University of Cincinnati; 2013. [cited 2021 Apr 10]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952.

Council of Science Editors:

Meyerson-Knox S. "African Blues": The Sound and History of a Transatlantic Discourse. [Masters Thesis]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952


North Carolina State University

2. Rutter, Emily. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.

Degree: MA, English, 2008, North Carolina State University

Subjects/Keywords: blues poetry

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APA (6th Edition):

Rutter, E. (2008). Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. (Thesis). North Carolina State University. Retrieved from http://www.lib.ncsu.edu/resolver/1840.16/2048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rutter, Emily. “Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.” 2008. Thesis, North Carolina State University. Accessed April 10, 2021. http://www.lib.ncsu.edu/resolver/1840.16/2048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rutter, Emily. “Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.” 2008. Web. 10 Apr 2021.

Vancouver:

Rutter E. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. [Internet] [Thesis]. North Carolina State University; 2008. [cited 2021 Apr 10]. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rutter E. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. [Thesis]. North Carolina State University; 2008. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

3. Bowers, Detine L. Rhetorical operatives in selected blues lyrics of Bessie Smith.

Degree: MA, Speech and Theatre Arts, 1983, Colorado State University

 A joint study of music and rhetoric allows for the expansion of the function and scope of both disciplines. This study is concerned with the… (more)

Subjects/Keywords: Blues (Music)

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APA (6th Edition):

Bowers, D. L. (1983). Rhetorical operatives in selected blues lyrics of Bessie Smith. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/87201

Chicago Manual of Style (16th Edition):

Bowers, Detine L. “Rhetorical operatives in selected blues lyrics of Bessie Smith.” 1983. Masters Thesis, Colorado State University. Accessed April 10, 2021. http://hdl.handle.net/10217/87201.

MLA Handbook (7th Edition):

Bowers, Detine L. “Rhetorical operatives in selected blues lyrics of Bessie Smith.” 1983. Web. 10 Apr 2021.

Vancouver:

Bowers DL. Rhetorical operatives in selected blues lyrics of Bessie Smith. [Internet] [Masters thesis]. Colorado State University; 1983. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10217/87201.

Council of Science Editors:

Bowers DL. Rhetorical operatives in selected blues lyrics of Bessie Smith. [Masters Thesis]. Colorado State University; 1983. Available from: http://hdl.handle.net/10217/87201


University of Debrecen

4. Berkes, Márta. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 The blues is a typical and indigenous African American genre which is meant to express everyday individual pain and relief. The Negro performance of the… (more)

Subjects/Keywords: blues; Zora Neale Hurston; vernacular

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APA (6th Edition):

Berkes, M. (2013). Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/164443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berkes, Márta. “Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .” 2013. Thesis, University of Debrecen. Accessed April 10, 2021. http://hdl.handle.net/2437/164443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berkes, Márta. “Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .” 2013. Web. 10 Apr 2021.

Vancouver:

Berkes M. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/2437/164443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berkes M. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/164443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

5. Guidry, Justin. Grinning with the devil: the use of humor in race record advertisments.

Degree: MA, History, 2007, Louisiana State University

 The advertisements that appeared in black newspapers for race records in the 1920s were employed to interest the buying public in a new mode of… (more)

Subjects/Keywords: blues music

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APA (6th Edition):

Guidry, J. (2007). Grinning with the devil: the use of humor in race record advertisments. (Masters Thesis). Louisiana State University. Retrieved from etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121

Chicago Manual of Style (16th Edition):

Guidry, Justin. “Grinning with the devil: the use of humor in race record advertisments.” 2007. Masters Thesis, Louisiana State University. Accessed April 10, 2021. etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121.

MLA Handbook (7th Edition):

Guidry, Justin. “Grinning with the devil: the use of humor in race record advertisments.” 2007. Web. 10 Apr 2021.

Vancouver:

Guidry J. Grinning with the devil: the use of humor in race record advertisments. [Internet] [Masters thesis]. Louisiana State University; 2007. [cited 2021 Apr 10]. Available from: etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121.

Council of Science Editors:

Guidry J. Grinning with the devil: the use of humor in race record advertisments. [Masters Thesis]. Louisiana State University; 2007. Available from: etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121

6. Cuenca Rozo, Carlos Eduardo. [Producción musical alligator].

Degree: 2014, Universidad de los Andes

Subjects/Keywords: Blues (Música)

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APA (6th Edition):

Cuenca Rozo, C. E. (2014). [Producción musical alligator]. (Thesis). Universidad de los Andes. Retrieved from http://hdl.handle.net/1992/25399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cuenca Rozo, Carlos Eduardo. “[Producción musical alligator].” 2014. Thesis, Universidad de los Andes. Accessed April 10, 2021. http://hdl.handle.net/1992/25399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cuenca Rozo, Carlos Eduardo. “[Producción musical alligator].” 2014. Web. 10 Apr 2021.

Vancouver:

Cuenca Rozo CE. [Producción musical alligator]. [Internet] [Thesis]. Universidad de los Andes; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1992/25399.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cuenca Rozo CE. [Producción musical alligator]. [Thesis]. Universidad de los Andes; 2014. Available from: http://hdl.handle.net/1992/25399

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Lasseter, Mary Elizabeth. Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha.

Degree: MA, Southern Studies, 2013, University of Mississippi

 This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird's… (more)

Subjects/Keywords: Andrew Bird; Apocrypha; Blues; Blues Mythology; Canon; Charley Patton; American Studies

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APA (6th Edition):

Lasseter, M. E. (2013). Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/1163

Chicago Manual of Style (16th Edition):

Lasseter, Mary Elizabeth. “Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha.” 2013. Masters Thesis, University of Mississippi. Accessed April 10, 2021. https://egrove.olemiss.edu/etd/1163.

MLA Handbook (7th Edition):

Lasseter, Mary Elizabeth. “Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha.” 2013. Web. 10 Apr 2021.

Vancouver:

Lasseter ME. Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha. [Internet] [Masters thesis]. University of Mississippi; 2013. [cited 2021 Apr 10]. Available from: https://egrove.olemiss.edu/etd/1163.

Council of Science Editors:

Lasseter ME. Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird'S Apocrypha. [Masters Thesis]. University of Mississippi; 2013. Available from: https://egrove.olemiss.edu/etd/1163

8. Young, Melanie. A Historical Analysis of Living Blues Magazine.

Degree: MA, Southern Studies, 2012, University of Mississippi

This thesis examines Living Blues magazine and its history through its stated cultural focus on African American music. Advisors/Committee Members: David Wharton, Adam Gussow, Ted Ownby.

Subjects/Keywords: Blues; Cultural Studies; Living Blues; Magazines; Music; Periodicals; Music

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APA (6th Edition):

Young, M. (2012). A Historical Analysis of Living Blues Magazine. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/324

Chicago Manual of Style (16th Edition):

Young, Melanie. “A Historical Analysis of Living Blues Magazine.” 2012. Masters Thesis, University of Mississippi. Accessed April 10, 2021. https://egrove.olemiss.edu/etd/324.

MLA Handbook (7th Edition):

Young, Melanie. “A Historical Analysis of Living Blues Magazine.” 2012. Web. 10 Apr 2021.

Vancouver:

Young M. A Historical Analysis of Living Blues Magazine. [Internet] [Masters thesis]. University of Mississippi; 2012. [cited 2021 Apr 10]. Available from: https://egrove.olemiss.edu/etd/324.

Council of Science Editors:

Young M. A Historical Analysis of Living Blues Magazine. [Masters Thesis]. University of Mississippi; 2012. Available from: https://egrove.olemiss.edu/etd/324


Western Michigan University

9. Berghoef, Michael D. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.

Degree: PhD, Sociology, 2019, Western Michigan University

  This dissertation explores the impact the rapid evolution and implementation of technology has had on blues musicians and the music they created and shared… (more)

Subjects/Keywords: Blues musicians; Blues history and criticism; music and technology; Blues music; digital sociology; music and technology-social aspects; Race and Ethnicity

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APA (6th Edition):

Berghoef, M. D. (2019). At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. (Doctoral Dissertation). Western Michigan University. Retrieved from https://scholarworks.wmich.edu/dissertations/3424

Chicago Manual of Style (16th Edition):

Berghoef, Michael D. “At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.” 2019. Doctoral Dissertation, Western Michigan University. Accessed April 10, 2021. https://scholarworks.wmich.edu/dissertations/3424.

MLA Handbook (7th Edition):

Berghoef, Michael D. “At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.” 2019. Web. 10 Apr 2021.

Vancouver:

Berghoef MD. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. [Internet] [Doctoral dissertation]. Western Michigan University; 2019. [cited 2021 Apr 10]. Available from: https://scholarworks.wmich.edu/dissertations/3424.

Council of Science Editors:

Berghoef MD. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. [Doctoral Dissertation]. Western Michigan University; 2019. Available from: https://scholarworks.wmich.edu/dissertations/3424


University of Miami

10. Johnston, Bruce Hurley. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

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APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed April 10, 2021. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Web. 10 Apr 2021.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2021 Apr 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

11. Cole, Ross. Ballads, blues, and alterity.

Degree: PhD, 2015, University of Cambridge

 Focusing on interactions between Britain and the US in the field of popular song, this thesis explores the constitutive relationship between discourse, performance, and identity… (more)

Subjects/Keywords: twentieth-century cultural history; blues; folksong

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APA (6th Edition):

Cole, R. (2015). Ballads, blues, and alterity. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg

Chicago Manual of Style (16th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Doctoral Dissertation, University of Cambridge. Accessed April 10, 2021. https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg.

MLA Handbook (7th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Web. 10 Apr 2021.

Vancouver:

Cole R. Ballads, blues, and alterity. [Internet] [Doctoral dissertation]. University of Cambridge; 2015. [cited 2021 Apr 10]. Available from: https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg.

Council of Science Editors:

Cole R. Ballads, blues, and alterity. [Doctoral Dissertation]. University of Cambridge; 2015. Available from: https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg


University of Edinburgh

12. McMurchie, Will. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.

Degree: Thesis (D.Clin.Psy.), 2011, University of Edinburgh

 Introduction: With increasing longevity the population of the world is becoming older and there are growing numbers of people over the age of 65 years.… (more)

Subjects/Keywords: 618.97; Beating the blues; Computerised CBT

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APA (6th Edition):

McMurchie, W. (2011). Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9793

Chicago Manual of Style (16th Edition):

McMurchie, Will. “Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.” 2011. Doctoral Dissertation, University of Edinburgh. Accessed April 10, 2021. http://hdl.handle.net/1842/9793.

MLA Handbook (7th Edition):

McMurchie, Will. “Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.” 2011. Web. 10 Apr 2021.

Vancouver:

McMurchie W. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. [Internet] [Doctoral dissertation]. University of Edinburgh; 2011. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1842/9793.

Council of Science Editors:

McMurchie W. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. [Doctoral Dissertation]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/9793

13. Takada, Yaeko. Bluesman, Guitar, And Migration.

Degree: MA, Southern Studies, 2016, University of Mississippi

 This project examines how the bluesman, guitar, and migration have interacted with each other and brought about transformations to American popular music, based upon scholarly… (more)

Subjects/Keywords: Blues; Bluesman; Hobo; Migration; Railroad; Music

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APA (6th Edition):

Takada, Y. (2016). Bluesman, Guitar, And Migration. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/1160

Chicago Manual of Style (16th Edition):

Takada, Yaeko. “Bluesman, Guitar, And Migration.” 2016. Masters Thesis, University of Mississippi. Accessed April 10, 2021. https://egrove.olemiss.edu/etd/1160.

MLA Handbook (7th Edition):

Takada, Yaeko. “Bluesman, Guitar, And Migration.” 2016. Web. 10 Apr 2021.

Vancouver:

Takada Y. Bluesman, Guitar, And Migration. [Internet] [Masters thesis]. University of Mississippi; 2016. [cited 2021 Apr 10]. Available from: https://egrove.olemiss.edu/etd/1160.

Council of Science Editors:

Takada Y. Bluesman, Guitar, And Migration. [Masters Thesis]. University of Mississippi; 2016. Available from: https://egrove.olemiss.edu/etd/1160


University of Toronto

14. Koh, Sang Kyun. Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin.

Degree: 2017, University of Toronto

This dissertation explores issues related to performing art music for the violin that references jazz and blues. Because western notation cannot convey many subtleties of… (more)

Subjects/Keywords: Blues; Groove; Jazz; Performance; Swing; Violin; 0413

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APA (6th Edition):

Koh, S. K. (2017). Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/80911

Chicago Manual of Style (16th Edition):

Koh, Sang Kyun. “Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin.” 2017. Doctoral Dissertation, University of Toronto. Accessed April 10, 2021. http://hdl.handle.net/1807/80911.

MLA Handbook (7th Edition):

Koh, Sang Kyun. “Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin.” 2017. Web. 10 Apr 2021.

Vancouver:

Koh SK. Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin. [Internet] [Doctoral dissertation]. University of Toronto; 2017. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1807/80911.

Council of Science Editors:

Koh SK. Spaces in Between: A Swing-Informed Approach to Performing Jazz- and Blues-Influenced Western Art Music for Violin. [Doctoral Dissertation]. University of Toronto; 2017. Available from: http://hdl.handle.net/1807/80911


University of New Mexico

15. Balagurchik, James. A Comprehensive Approach to Teaching the Blues in the Music Classroom.

Degree: Department of Music, 2012, University of New Mexico

 The purpose of this thesis is to provide music educators with suggestions of how to make the blues a part of their instruction and present… (more)

Subjects/Keywords: Blues (Music) – Instruction and study; Multicultural education

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APA (6th Edition):

Balagurchik, J. (2012). A Comprehensive Approach to Teaching the Blues in the Music Classroom. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/20752

Chicago Manual of Style (16th Edition):

Balagurchik, James. “A Comprehensive Approach to Teaching the Blues in the Music Classroom.” 2012. Masters Thesis, University of New Mexico. Accessed April 10, 2021. http://hdl.handle.net/1928/20752.

MLA Handbook (7th Edition):

Balagurchik, James. “A Comprehensive Approach to Teaching the Blues in the Music Classroom.” 2012. Web. 10 Apr 2021.

Vancouver:

Balagurchik J. A Comprehensive Approach to Teaching the Blues in the Music Classroom. [Internet] [Masters thesis]. University of New Mexico; 2012. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1928/20752.

Council of Science Editors:

Balagurchik J. A Comprehensive Approach to Teaching the Blues in the Music Classroom. [Masters Thesis]. University of New Mexico; 2012. Available from: http://hdl.handle.net/1928/20752


Duquesne University

16. Burnett, Rufus, Jr. Decolonizing Revelation: A Spatial Reading of the Blues.

Degree: PhD, Theology, 2016, Duquesne University

  Decolonizing Revelation: A Spatial Reading of the Blues demonstrates that the cultural phenomenon of the blues is an indigenous way of knowing that offsets… (more)

Subjects/Keywords: Blues; Coloniality; Decolonial Thought; Theology of Revelation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burnett, Rufus, J. (2016). Decolonizing Revelation: A Spatial Reading of the Blues. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/368

Chicago Manual of Style (16th Edition):

Burnett, Rufus, Jr. “Decolonizing Revelation: A Spatial Reading of the Blues.” 2016. Doctoral Dissertation, Duquesne University. Accessed April 10, 2021. https://dsc.duq.edu/etd/368.

MLA Handbook (7th Edition):

Burnett, Rufus, Jr. “Decolonizing Revelation: A Spatial Reading of the Blues.” 2016. Web. 10 Apr 2021.

Vancouver:

Burnett, Rufus J. Decolonizing Revelation: A Spatial Reading of the Blues. [Internet] [Doctoral dissertation]. Duquesne University; 2016. [cited 2021 Apr 10]. Available from: https://dsc.duq.edu/etd/368.

Council of Science Editors:

Burnett, Rufus J. Decolonizing Revelation: A Spatial Reading of the Blues. [Doctoral Dissertation]. Duquesne University; 2016. Available from: https://dsc.duq.edu/etd/368


Louisiana State University

17. Robvais, Raquel M. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.

Degree: MA, Communication, 2013, Louisiana State University

 This thesis examines Cornel West’s description of the human condition and the works of art produced in three particular ways. First, there is being human… (more)

Subjects/Keywords: Cornel West; blues rhetoric; prophetic pragmatism

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APA (6th Edition):

Robvais, R. M. (2013). To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. (Masters Thesis). Louisiana State University. Retrieved from etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731

Chicago Manual of Style (16th Edition):

Robvais, Raquel M. “To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.” 2013. Masters Thesis, Louisiana State University. Accessed April 10, 2021. etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731.

MLA Handbook (7th Edition):

Robvais, Raquel M. “To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.” 2013. Web. 10 Apr 2021.

Vancouver:

Robvais RM. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2021 Apr 10]. Available from: etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731.

Council of Science Editors:

Robvais RM. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731


University of North Texas

18. Vermilyea, Carl P. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.

Degree: 2011, University of North Texas

 This thesis concerns African-American fife and drum band music, a pre-blues genre that was a fixture at summer picnics in the Mississippi hill country from… (more)

Subjects/Keywords: Otha Turner; blues; fife and drum

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APA (6th Edition):

Vermilyea, C. P. (2011). The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68058/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermilyea, Carl P. “The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.” 2011. Thesis, University of North Texas. Accessed April 10, 2021. https://digital.library.unt.edu/ark:/67531/metadc68058/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermilyea, Carl P. “The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.” 2011. Web. 10 Apr 2021.

Vancouver:

Vermilyea CP. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. [Internet] [Thesis]. University of North Texas; 2011. [cited 2021 Apr 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68058/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermilyea CP. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68058/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Cole, Ross. Ballads, blues, and alterity.

Degree: PhD, 2015, University of Cambridge

 Focusing on interactions between Britain and the US in the field of popular song, this thesis explores the constitutive relationship between discourse, performance, and identity… (more)

Subjects/Keywords: 780; twentieth-century cultural history; blues; folksong

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APA (6th Edition):

Cole, R. (2015). Ballads, blues, and alterity. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.15933 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902

Chicago Manual of Style (16th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Doctoral Dissertation, University of Cambridge. Accessed April 10, 2021. https://doi.org/10.17863/CAM.15933 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902.

MLA Handbook (7th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Web. 10 Apr 2021.

Vancouver:

Cole R. Ballads, blues, and alterity. [Internet] [Doctoral dissertation]. University of Cambridge; 2015. [cited 2021 Apr 10]. Available from: https://doi.org/10.17863/CAM.15933 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902.

Council of Science Editors:

Cole R. Ballads, blues, and alterity. [Doctoral Dissertation]. University of Cambridge; 2015. Available from: https://doi.org/10.17863/CAM.15933 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902

20. PINERO, M. R. C. La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones.

Degree: 2014, Universidade Federal do Espírito Santo; Doutorado em Letras; Programa de Pós-Graduação em Letras; UFES; BR

Made available in DSpace on 2016-08-29T14:11:01Z (GMT). No. of bitstreams: 1 tese_7657_Tese Maria Rocío.pdf: 12715149 bytes, checksum: 2d3856ee4faa20a0d1db1d244d645f3b (MD5) Previous issue date: 2014-05-27

La presente… (more)

Subjects/Keywords: literatura negra; blues feminino; jazz; feminismo negro

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APA (6th Edition):

PINERO, M. R. C. (2014). La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones. (Doctoral Dissertation). Universidade Federal do Espírito Santo; Doutorado em Letras; Programa de Pós-Graduação em Letras; UFES; BR. Retrieved from http://repositorio.ufes.br/handle/10/3169

Chicago Manual of Style (16th Edition):

PINERO, M R C. “La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones.” 2014. Doctoral Dissertation, Universidade Federal do Espírito Santo; Doutorado em Letras; Programa de Pós-Graduação em Letras; UFES; BR. Accessed April 10, 2021. http://repositorio.ufes.br/handle/10/3169.

MLA Handbook (7th Edition):

PINERO, M R C. “La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones.” 2014. Web. 10 Apr 2021.

Vancouver:

PINERO MRC. La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones. [Internet] [Doctoral dissertation]. Universidade Federal do Espírito Santo; Doutorado em Letras; Programa de Pós-Graduação em Letras; UFES; BR; 2014. [cited 2021 Apr 10]. Available from: http://repositorio.ufes.br/handle/10/3169.

Council of Science Editors:

PINERO MRC. La influencia del blues y el jazz en tres autoras afro-estadounidenses: Toni Morrison, Alice Walker y Gayl Jones. [Doctoral Dissertation]. Universidade Federal do Espírito Santo; Doutorado em Letras; Programa de Pós-Graduação em Letras; UFES; BR; 2014. Available from: http://repositorio.ufes.br/handle/10/3169

21. Pereira, Eric Hora Fontes. Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais.

Degree: 2014, Universidade Federal da Bahia; Programa de P??s-Gradua????o em M??sica; PPGMUS; brasil

Submitted by Eric Hora Fontes Pereira ([email protected]) on 2016-01-27T04:08:26Z No. of bitstreams: 1 HORA, Eric - Falas e sonoridades do blues em Salvador (DISSERTA????O).pdf: 1461531… (more)

Subjects/Keywords: 8.03.03.00-5; Etnomusicologia; M??sica; Blues; Salvador

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APA (6th Edition):

Pereira, E. H. F. (2014). Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais. (Masters Thesis). Universidade Federal da Bahia; Programa de P??s-Gradua????o em M??sica; PPGMUS; brasil. Retrieved from http://repositorio.ufba.br/ri/handle/ri/18547

Chicago Manual of Style (16th Edition):

Pereira, Eric Hora Fontes. “Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais.” 2014. Masters Thesis, Universidade Federal da Bahia; Programa de P??s-Gradua????o em M??sica; PPGMUS; brasil. Accessed April 10, 2021. http://repositorio.ufba.br/ri/handle/ri/18547.

MLA Handbook (7th Edition):

Pereira, Eric Hora Fontes. “Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais.” 2014. Web. 10 Apr 2021.

Vancouver:

Pereira EHF. Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais. [Internet] [Masters thesis]. Universidade Federal da Bahia; Programa de P??s-Gradua????o em M??sica; PPGMUS; brasil; 2014. [cited 2021 Apr 10]. Available from: http://repositorio.ufba.br/ri/handle/ri/18547.

Council of Science Editors:

Pereira EHF. Falas e sonoridades do blues em Salvador: uma identidade musical dos anos 80 at?? os dias atuais. [Masters Thesis]. Universidade Federal da Bahia; Programa de P??s-Gradua????o em M??sica; PPGMUS; brasil; 2014. Available from: http://repositorio.ufba.br/ri/handle/ri/18547

22. Daniela Tavares Ferreira de Assis. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.

Degree: 2008, Universidade Católica de Goiás

O presente trabalho apresenta dados de uma pesquisa que abordou as vivências de prazer e de sofrimento de cinco componentes de uma banda de blues(more)

Subjects/Keywords: blues e trabalho; blues and work; psychodynamics at workplace; PSICOLOGIA; music; música; psicodinâmica do trabalho

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APA (6th Edition):

Assis, D. T. F. d. (2008). O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. (Thesis). Universidade Católica de Goiás. Retrieved from http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Assis, Daniela Tavares Ferreira de. “O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.” 2008. Thesis, Universidade Católica de Goiás. Accessed April 10, 2021. http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Assis, Daniela Tavares Ferreira de. “O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.” 2008. Web. 10 Apr 2021.

Vancouver:

Assis DTFd. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. [Internet] [Thesis]. Universidade Católica de Goiás; 2008. [cited 2021 Apr 10]. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Assis DTFd. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. [Thesis]. Universidade Católica de Goiás; 2008. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Moore, Tyler DeWayne. "I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi.

Degree: PhD, Arch Dalrymple III Department of History, 2018, University of Mississippi

 This dissertation connects and comments on the historiography of the black freedom struggle as well as studies of the blues and blues tourism. To blues(more)

Subjects/Keywords: black power; blues festival; blues tourism; civil rights; community development; rural culture; History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, T. D. (2018). "I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi. (Doctoral Dissertation). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/1432

Chicago Manual of Style (16th Edition):

Moore, Tyler DeWayne. “"I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi.” 2018. Doctoral Dissertation, University of Mississippi. Accessed April 10, 2021. https://egrove.olemiss.edu/etd/1432.

MLA Handbook (7th Edition):

Moore, Tyler DeWayne. “"I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi.” 2018. Web. 10 Apr 2021.

Vancouver:

Moore TD. "I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi. [Internet] [Doctoral dissertation]. University of Mississippi; 2018. [cited 2021 Apr 10]. Available from: https://egrove.olemiss.edu/etd/1432.

Council of Science Editors:

Moore TD. "I'm Gonna Stay Right Here Until They Tear This Barrelhouse Down": Black Power and the Origins of Blues Tourism in Greenville, Mississippi. [Doctoral Dissertation]. University of Mississippi; 2018. Available from: https://egrove.olemiss.edu/etd/1432

24. Sahagian, Jacqueline. The Same Old Blues Crap: Selling The Blues At Fat Possum Records.

Degree: MA, Southern Studies, 2018, University of Mississippi

 This thesis interrogates the marketing strategies of the Oxford, Mississippi-based record label Fat Possum, which was founded in the early 1990s by Matthew Johnson with… (more)

Subjects/Keywords: Blues; Fat Possum Records; Hill Country Blues; Matthew Johnson; Mississippi Hill Country; R.L. Burnside; Ethnomusicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sahagian, J. (2018). The Same Old Blues Crap: Selling The Blues At Fat Possum Records. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/886

Chicago Manual of Style (16th Edition):

Sahagian, Jacqueline. “The Same Old Blues Crap: Selling The Blues At Fat Possum Records.” 2018. Masters Thesis, University of Mississippi. Accessed April 10, 2021. https://egrove.olemiss.edu/etd/886.

MLA Handbook (7th Edition):

Sahagian, Jacqueline. “The Same Old Blues Crap: Selling The Blues At Fat Possum Records.” 2018. Web. 10 Apr 2021.

Vancouver:

Sahagian J. The Same Old Blues Crap: Selling The Blues At Fat Possum Records. [Internet] [Masters thesis]. University of Mississippi; 2018. [cited 2021 Apr 10]. Available from: https://egrove.olemiss.edu/etd/886.

Council of Science Editors:

Sahagian J. The Same Old Blues Crap: Selling The Blues At Fat Possum Records. [Masters Thesis]. University of Mississippi; 2018. Available from: https://egrove.olemiss.edu/etd/886


Arizona State University

25. Cordeiro, Annemarie Youell. Geechie Wiley: An Exploration of Enigmatic Virtuosity.

Degree: MA, Music, 2011, Arizona State University

 The name of Geechie Wiley has surfaced only rarely since 1931, when she recorded her second session with the Paramount Company in Grafton, WI. A… (more)

Subjects/Keywords: Music; blues; female blues musicians; songsters

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cordeiro, A. Y. (2011). Geechie Wiley: An Exploration of Enigmatic Virtuosity. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/9138

Chicago Manual of Style (16th Edition):

Cordeiro, Annemarie Youell. “Geechie Wiley: An Exploration of Enigmatic Virtuosity.” 2011. Masters Thesis, Arizona State University. Accessed April 10, 2021. http://repository.asu.edu/items/9138.

MLA Handbook (7th Edition):

Cordeiro, Annemarie Youell. “Geechie Wiley: An Exploration of Enigmatic Virtuosity.” 2011. Web. 10 Apr 2021.

Vancouver:

Cordeiro AY. Geechie Wiley: An Exploration of Enigmatic Virtuosity. [Internet] [Masters thesis]. Arizona State University; 2011. [cited 2021 Apr 10]. Available from: http://repository.asu.edu/items/9138.

Council of Science Editors:

Cordeiro AY. Geechie Wiley: An Exploration of Enigmatic Virtuosity. [Masters Thesis]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/9138

26. Santos Júnior, Rui Gonçalves. Blues: a música do gueto como elemento cultural no ensino de história.

Degree: 2019, Universidade Federal de Goiás; Programa de Pós-graduação em História (RC); UFG; Brasil; Regional Catalão (RC)

Submitted by Luciana Ferreira ([email protected]) on 2019-07-08T12:12:57Z No. of bitstreams: 2 Dissertação - Rui Gonçalves Santos Júnior - 2019.pdf: 5323505 bytes, checksum: 15b3ddd565d9c9f8b823bd95c4eeb1ec (MD5) license_rdf:… (more)

Subjects/Keywords: Blues; Cultura; Ensino de História; Culture; History teaching; Blues; CIENCIAS HUMANAS::HISTORIA

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APA (6th Edition):

Santos Júnior, R. G. (2019). Blues: a música do gueto como elemento cultural no ensino de história. (Masters Thesis). Universidade Federal de Goiás; Programa de Pós-graduação em História (RC); UFG; Brasil; Regional Catalão (RC). Retrieved from http://repositorio.bc.ufg.br/tede/handle/tede/9800

Chicago Manual of Style (16th Edition):

Santos Júnior, Rui Gonçalves. “Blues: a música do gueto como elemento cultural no ensino de história.” 2019. Masters Thesis, Universidade Federal de Goiás; Programa de Pós-graduação em História (RC); UFG; Brasil; Regional Catalão (RC). Accessed April 10, 2021. http://repositorio.bc.ufg.br/tede/handle/tede/9800.

MLA Handbook (7th Edition):

Santos Júnior, Rui Gonçalves. “Blues: a música do gueto como elemento cultural no ensino de história.” 2019. Web. 10 Apr 2021.

Vancouver:

Santos Júnior RG. Blues: a música do gueto como elemento cultural no ensino de história. [Internet] [Masters thesis]. Universidade Federal de Goiás; Programa de Pós-graduação em História (RC); UFG; Brasil; Regional Catalão (RC); 2019. [cited 2021 Apr 10]. Available from: http://repositorio.bc.ufg.br/tede/handle/tede/9800.

Council of Science Editors:

Santos Júnior RG. Blues: a música do gueto como elemento cultural no ensino de história. [Masters Thesis]. Universidade Federal de Goiás; Programa de Pós-graduação em História (RC); UFG; Brasil; Regional Catalão (RC); 2019. Available from: http://repositorio.bc.ufg.br/tede/handle/tede/9800


University of Georgia

27. Johnson, Tareva Leselle. Perched in potential.

Degree: 2014, University of Georgia

 James Baldwin’s mobility and appreciation for African American musical traditions play an integral part in the writer’s crossing of genre and subgenre, his unique style,… (more)

Subjects/Keywords: James Baldwin; Transatlantic; Liminal; Mobility; Blues; African American; Go Tell It on the Mountain; The Amen Corner; Sonny’s Blues; The Uses of the Blues; Paris; Turkey; Exile

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APA (6th Edition):

Johnson, T. L. (2014). Perched in potential. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/27998

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Tareva Leselle. “Perched in potential.” 2014. Thesis, University of Georgia. Accessed April 10, 2021. http://hdl.handle.net/10724/27998.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Tareva Leselle. “Perched in potential.” 2014. Web. 10 Apr 2021.

Vancouver:

Johnson TL. Perched in potential. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10724/27998.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson TL. Perched in potential. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/27998

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

28. Pleffer, Andrew James. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.

Degree: 2008, Macquarie University

Bibliography: pages 332-359.

PART I: Canonisation and reinterpretive practices  – 1. Literature review and definitions of blues music  – 2. Canonisation of the bluesman  –… (more)

Subjects/Keywords: Blues (Music); Blues (Music)  – Australia; Blues music; covers; reinterpretation; Australian music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pleffer, A. J. (2008). Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/265153

Chicago Manual of Style (16th Edition):

Pleffer, Andrew James. “Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.” 2008. Doctoral Dissertation, Macquarie University. Accessed April 10, 2021. http://hdl.handle.net/1959.14/265153.

MLA Handbook (7th Edition):

Pleffer, Andrew James. “Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.” 2008. Web. 10 Apr 2021.

Vancouver:

Pleffer AJ. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. [Internet] [Doctoral dissertation]. Macquarie University; 2008. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1959.14/265153.

Council of Science Editors:

Pleffer AJ. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. [Doctoral Dissertation]. Macquarie University; 2008. Available from: http://hdl.handle.net/1959.14/265153


Miami University

29. McLoughlin, Shirley J. A Pedagogy of the Blues.

Degree: PhD, Educational Leadership, 2006, Miami University

 This dissertation presents the conceptualization of a pedagogy of the blues as an alternative to the techno-rational approach to education. The conceptualization is derived from… (more)

Subjects/Keywords: Pedagogy of the blues; Blues; Reconceptualist; Blues metaphor; Curricular theory

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APA (6th Edition):

McLoughlin, S. J. (2006). A Pedagogy of the Blues. (Doctoral Dissertation). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154

Chicago Manual of Style (16th Edition):

McLoughlin, Shirley J. “A Pedagogy of the Blues.” 2006. Doctoral Dissertation, Miami University. Accessed April 10, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154.

MLA Handbook (7th Edition):

McLoughlin, Shirley J. “A Pedagogy of the Blues.” 2006. Web. 10 Apr 2021.

Vancouver:

McLoughlin SJ. A Pedagogy of the Blues. [Internet] [Doctoral dissertation]. Miami University; 2006. [cited 2021 Apr 10]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154.

Council of Science Editors:

McLoughlin SJ. A Pedagogy of the Blues. [Doctoral Dissertation]. Miami University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154


University of Georgia

30. Costigan, Christopher James. The development of the rhythm and blues saxophone style.

Degree: 2014, University of Georgia

 The purpose of this document is to provide an historical and performance based guide for the rhythm and blues saxophone style. Localized technical and stylistic… (more)

Subjects/Keywords: Saxophone; Rhythm and Blues; Rhythm and Blues Saxophone; Rock and Roll; Rock and Roll Saxophone; Saxophone Transcriptions; Annotated Transcriptions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Costigan, C. J. (2014). The development of the rhythm and blues saxophone style. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/24383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costigan, Christopher James. “The development of the rhythm and blues saxophone style.” 2014. Thesis, University of Georgia. Accessed April 10, 2021. http://hdl.handle.net/10724/24383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costigan, Christopher James. “The development of the rhythm and blues saxophone style.” 2014. Web. 10 Apr 2021.

Vancouver:

Costigan CJ. The development of the rhythm and blues saxophone style. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10724/24383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costigan CJ. The development of the rhythm and blues saxophone style. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/24383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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