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You searched for subject:(Black popular culture). Showing records 1 – 30 of 62 total matches.

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University of Manchester

1. West, James James. Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987.

Degree: 2015, University of Manchester

 This thesis is concerned with the ways in which Ebony magazine sought to recover, popularise and utilise black history between the late 1950s and the… (more)

Subjects/Keywords: Lerone Bennett; Ebony Magazine; Black Press; Black History; Black Popular Culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

West, J. J. (2015). Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:293744

Chicago Manual of Style (16th Edition):

West, James James. “Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987.” 2015. Doctoral Dissertation, University of Manchester. Accessed January 27, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:293744.

MLA Handbook (7th Edition):

West, James James. “Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987.” 2015. Web. 27 Jan 2021.

Vancouver:

West JJ. Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987. [Internet] [Doctoral dissertation]. University of Manchester; 2015. [cited 2021 Jan 27]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:293744.

Council of Science Editors:

West JJ. Ebony Magazine, Lerone Bennett, Jr., and the Making and Selling of Modern Black History, 1958-1987. [Doctoral Dissertation]. University of Manchester; 2015. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:293744


University of Illinois – Urbana-Champaign

2. Randolph, Carolyn A. Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era.

Degree: PhD, Communications, 2016, University of Illinois – Urbana-Champaign

 This study examines the mediated representation of HIV/AIDS and blackness. Using black feminist thought, and its organizing principles— intersectionality and the matrix of domination—this analysis… (more)

Subjects/Keywords: HIV/AIDS; Black women; Media; Popular culture

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APA (6th Edition):

Randolph, C. A. (2016). Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/95629

Chicago Manual of Style (16th Edition):

Randolph, Carolyn A. “Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era.” 2016. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 27, 2021. http://hdl.handle.net/2142/95629.

MLA Handbook (7th Edition):

Randolph, Carolyn A. “Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era.” 2016. Web. 27 Jan 2021.

Vancouver:

Randolph CA. Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2016. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2142/95629.

Council of Science Editors:

Randolph CA. Black women, HIV/AIDS, and the media: communicating an epidemic in the hip hop era. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2016. Available from: http://hdl.handle.net/2142/95629


University of California – Berkeley

3. Layne, Priscilla Dionne. Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture.

Degree: German, 2011, University of California – Berkeley

 This dissertation examines practices of embodying Black popular culture in Germany. My analysis is based on close readings of texts from a variety of media… (more)

Subjects/Keywords: Germanic literature; Film studies; Music; Black popular culture; Germany; masculinity; popular culture; postwar; rebellion

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APA (6th Edition):

Layne, P. D. (2011). Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/4343h6nq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Layne, Priscilla Dionne. “Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture.” 2011. Thesis, University of California – Berkeley. Accessed January 27, 2021. http://www.escholarship.org/uc/item/4343h6nq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Layne, Priscilla Dionne. “Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture.” 2011. Web. 27 Jan 2021.

Vancouver:

Layne PD. Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2021 Jan 27]. Available from: http://www.escholarship.org/uc/item/4343h6nq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Layne PD. Black Voices, German Rebels: Acts of Masculinity in Postwar Popular Culture. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/4343h6nq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

4. West, Edmund. Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987.

Degree: PhD, 2016, University of Manchester

 This thesis is concerned with the ways in which Ebony magazine sought to recover, popularise and utilise black history between the late 1950s and the… (more)

Subjects/Keywords: 305.896; Lerone Bennett; Ebony Magazine; Black Press; Black History; Black Popular Culture

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APA (6th Edition):

West, E. (2016). Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/ebony-magazine-lerone-bennett-jr-and-the-making-and-selling-of-modern-black-history-19581987(398d9db5-507b-44d3-8952-216fd8e03b10).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.734216

Chicago Manual of Style (16th Edition):

West, Edmund. “Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987.” 2016. Doctoral Dissertation, University of Manchester. Accessed January 27, 2021. https://www.research.manchester.ac.uk/portal/en/theses/ebony-magazine-lerone-bennett-jr-and-the-making-and-selling-of-modern-black-history-19581987(398d9db5-507b-44d3-8952-216fd8e03b10).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.734216.

MLA Handbook (7th Edition):

West, Edmund. “Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987.” 2016. Web. 27 Jan 2021.

Vancouver:

West E. Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2021 Jan 27]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/ebony-magazine-lerone-bennett-jr-and-the-making-and-selling-of-modern-black-history-19581987(398d9db5-507b-44d3-8952-216fd8e03b10).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.734216.

Council of Science Editors:

West E. Ebony Magazine, Lerone Bennett, Jr., and the making and selling of modern black history, 1958-1987. [Doctoral Dissertation]. University of Manchester; 2016. Available from: https://www.research.manchester.ac.uk/portal/en/theses/ebony-magazine-lerone-bennett-jr-and-the-making-and-selling-of-modern-black-history-19581987(398d9db5-507b-44d3-8952-216fd8e03b10).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.734216


University of Southern California

5. Thompson, Garrett Evan Bane. The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2011, University of Southern California

 ""The Cultural War Against Black Intellectualism: Fighting for and Dying Over Knowledge, Dope, and Hip Hop in Pursuit of Black Liberation"" examines the political, social,… (more)

Subjects/Keywords: black intellectualism; black power; black scholar; black scholarship; hip hop culture; hip hop music; popular culture; race and ethnicity

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APA (6th Edition):

Thompson, G. E. B. (2011). The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/199200/rec/6545

Chicago Manual of Style (16th Edition):

Thompson, Garrett Evan Bane. “The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation.” 2011. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/199200/rec/6545.

MLA Handbook (7th Edition):

Thompson, Garrett Evan Bane. “The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation.” 2011. Web. 27 Jan 2021.

Vancouver:

Thompson GEB. The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/199200/rec/6545.

Council of Science Editors:

Thompson GEB. The cultural war against black intellectualism: Fighting for and dying over knowledge, dope, and hip hop in pursuit of black liberation. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/199200/rec/6545

6. Silva, Carolinne Mendes da. O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966).

Degree: Mestrado, História Social, 2013, University of São Paulo

Esta dissertação visa discutir a representação do negro em dois filmes brasileiros: Rio, Zona Norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos… (more)

Subjects/Keywords: Black; Brazilian cinema; Cinema brasileiro; Cinema novo; Cinema novo; Cultura popular; Negro; Popular culture

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APA (6th Edition):

Silva, C. M. d. (2013). O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966). (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30102013-112053/ ;

Chicago Manual of Style (16th Edition):

Silva, Carolinne Mendes da. “O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966).” 2013. Masters Thesis, University of São Paulo. Accessed January 27, 2021. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30102013-112053/ ;.

MLA Handbook (7th Edition):

Silva, Carolinne Mendes da. “O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966).” 2013. Web. 27 Jan 2021.

Vancouver:

Silva CMd. O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966). [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2021 Jan 27]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30102013-112053/ ;.

Council of Science Editors:

Silva CMd. O negro no cinema brasileiro: uma análise fílmica de Rio, zona norte (Nelson Pereira dos Santos, 1957) e A Grande Cidade (Carlos Diegues, 1966). [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-30102013-112053/ ;


Temple University

7. Boone, William. The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics.

Degree: PhD, 2008, Temple University

African American Studies

Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is… (more)

Subjects/Keywords: Black Studies; Music; Hip Hop; Popular Culture Icons

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APA (6th Edition):

Boone, W. (2008). The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,21145

Chicago Manual of Style (16th Edition):

Boone, William. “The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics.” 2008. Doctoral Dissertation, Temple University. Accessed January 27, 2021. http://digital.library.temple.edu/u?/p245801coll10,21145.

MLA Handbook (7th Edition):

Boone, William. “The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics.” 2008. Web. 27 Jan 2021.

Vancouver:

Boone W. The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics. [Internet] [Doctoral dissertation]. Temple University; 2008. [cited 2021 Jan 27]. Available from: http://digital.library.temple.edu/u?/p245801coll10,21145.

Council of Science Editors:

Boone W. The Beautiful Struggle: an Analysis of Hip Hop Icons, Archetypes, and Aesthetics. [Doctoral Dissertation]. Temple University; 2008. Available from: http://digital.library.temple.edu/u?/p245801coll10,21145


University of Southern California

8. Williamson, Terrion L. Marks of the fetish: twenty-first century (mis)performances of the black female body.

Degree: PhD, American Studies and Ethnicity, 2011, University of Southern California

 Marks of the Fetish: Twenty-First Century (Mis)Performances of the Black Female Body considers the discursive formulations and cultural histories of contemporary narratives of black women… (more)

Subjects/Keywords: African American women; black feminism; cultural studies; fetishism; popular culture; stereotypes

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APA (6th Edition):

Williamson, T. L. (2011). Marks of the fetish: twenty-first century (mis)performances of the black female body. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966

Chicago Manual of Style (16th Edition):

Williamson, Terrion L. “Marks of the fetish: twenty-first century (mis)performances of the black female body.” 2011. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966.

MLA Handbook (7th Edition):

Williamson, Terrion L. “Marks of the fetish: twenty-first century (mis)performances of the black female body.” 2011. Web. 27 Jan 2021.

Vancouver:

Williamson TL. Marks of the fetish: twenty-first century (mis)performances of the black female body. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966.

Council of Science Editors:

Williamson TL. Marks of the fetish: twenty-first century (mis)performances of the black female body. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/614267/rec/3966


Vanderbilt University

9. Tuttle, Kenya Jonell. “This moment for life”: popular culture’s impact on the moral sphere of young black women.

Degree: MA, Religion, 2012, Vanderbilt University

 Given the increasing influence of popular culture on today’s society, this project will analyze representations of black women to explore how these images influence young… (more)

Subjects/Keywords: Cultural Studies; Black Feminist Discourse; Moral Philosophy; black women; popular culture; image; identity; Womanist Ethics

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APA (6th Edition):

Tuttle, K. J. (2012). “This moment for life”: popular culture’s impact on the moral sphere of young black women. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/11939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tuttle, Kenya Jonell. ““This moment for life”: popular culture’s impact on the moral sphere of young black women.” 2012. Thesis, Vanderbilt University. Accessed January 27, 2021. http://hdl.handle.net/1803/11939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tuttle, Kenya Jonell. ““This moment for life”: popular culture’s impact on the moral sphere of young black women.” 2012. Web. 27 Jan 2021.

Vancouver:

Tuttle KJ. “This moment for life”: popular culture’s impact on the moral sphere of young black women. [Internet] [Thesis]. Vanderbilt University; 2012. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1803/11939.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tuttle KJ. “This moment for life”: popular culture’s impact on the moral sphere of young black women. [Thesis]. Vanderbilt University; 2012. Available from: http://hdl.handle.net/1803/11939

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

10. Fuller, Marthia D. NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE.

Degree: American Studies, 2020, University of New Mexico

  This dissertation explores the deployment of race and gender in comic books and graphic novels, paying close attention to how Black womanhood and girlhood… (more)

Subjects/Keywords: black girls; black girlhood; comic books; graphic novels; afrofuturism; American Popular Culture; American Studies

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APA (6th Edition):

Fuller, M. D. (2020). NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/amst_etds/99

Chicago Manual of Style (16th Edition):

Fuller, Marthia D. “NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE.” 2020. Doctoral Dissertation, University of New Mexico. Accessed January 27, 2021. https://digitalrepository.unm.edu/amst_etds/99.

MLA Handbook (7th Edition):

Fuller, Marthia D. “NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE.” 2020. Web. 27 Jan 2021.

Vancouver:

Fuller MD. NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE. [Internet] [Doctoral dissertation]. University of New Mexico; 2020. [cited 2021 Jan 27]. Available from: https://digitalrepository.unm.edu/amst_etds/99.

Council of Science Editors:

Fuller MD. NUBIANS OF PLUTONIA: BLACK WOMEN IN MODERN POST-APOCALYPTIC AND DYSTOPIAN GRAPHIC LITERATURE. [Doctoral Dissertation]. University of New Mexico; 2020. Available from: https://digitalrepository.unm.edu/amst_etds/99


Bowling Green State University

11. Young, Sade Marie. SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC.

Degree: MA, Popular Culture, 2011, Bowling Green State University

 This thesis explores how southern rap artists Lil Wayne and Andre 3000 use science fiction imagery to challenge narrow stereotypes and negative perceptions of what… (more)

Subjects/Keywords: African American Studies; Southern Hip Hop; Afro-futurism; Black science fiction, Black popular culture

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APA (6th Edition):

Young, S. M. (2011). SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004

Chicago Manual of Style (16th Edition):

Young, Sade Marie. “SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC.” 2011. Masters Thesis, Bowling Green State University. Accessed January 27, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004.

MLA Handbook (7th Edition):

Young, Sade Marie. “SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC.” 2011. Web. 27 Jan 2021.

Vancouver:

Young SM. SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC. [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2021 Jan 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004.

Council of Science Editors:

Young SM. SOUTHERN-PLAYALISTIC-HIPHOP-SPACESHIP-MUSIC. [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1305583004


University of Southern California

12. Piday-Warren, Marika. Color inside the lines: race and representation in the formula dance film.

Degree: PhD, Cinema-Television (Critical Studies), 2015, University of Southern California

 An examination of the recent urban dance genre in regards to cultural appropriation, cinematic representations of race, and the commodification of Black style. Advisors/Committee Members:… (more)

Subjects/Keywords: dance; race; racialized bodies; popular film; hip-hop culture; Black commodity culture

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APA (6th Edition):

Piday-Warren, M. (2015). Color inside the lines: race and representation in the formula dance film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452

Chicago Manual of Style (16th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

MLA Handbook (7th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Web. 27 Jan 2021.

Vancouver:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

Council of Science Editors:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452


University of Illinois – Chicago

13. Henderson, Aneeka A. Love and Marriage: The Politics of Family in Black Popular Fiction.

Degree: 2012, University of Illinois – Chicago

 Through a close reading of Black popular romance of the 1980s and '90s, my dissertation contends that intimacy becomes increasingly politicized after the demise of… (more)

Subjects/Keywords: African American Literature; Women; Popular Fiction; Black Power Movement; Sexual Politics; Gender Politics; Popular Culture; Marriage; Family

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APA (6th Edition):

Henderson, A. A. (2012). Love and Marriage: The Politics of Family in Black Popular Fiction. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/9325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Henderson, Aneeka A. “Love and Marriage: The Politics of Family in Black Popular Fiction.” 2012. Thesis, University of Illinois – Chicago. Accessed January 27, 2021. http://hdl.handle.net/10027/9325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Henderson, Aneeka A. “Love and Marriage: The Politics of Family in Black Popular Fiction.” 2012. Web. 27 Jan 2021.

Vancouver:

Henderson AA. Love and Marriage: The Politics of Family in Black Popular Fiction. [Internet] [Thesis]. University of Illinois – Chicago; 2012. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10027/9325.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Henderson AA. Love and Marriage: The Politics of Family in Black Popular Fiction. [Thesis]. University of Illinois – Chicago; 2012. Available from: http://hdl.handle.net/10027/9325

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

14. Vogel, Joseph (1981 - ). The rising tide of color : race, masculinity and contested histories in the American imaginary.

Degree: PhD, 2014, University of Rochester

 Myths about the racial other have been crucial to the American imaginary, particularly in the construction of white masculinity. In this dissertation, I demonstrate how… (more)

Subjects/Keywords: African American; Black masculinity; James Baldwin; New Pop cinema; Popular culture; White masculinity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vogel, J. (. -. ). (2014). The rising tide of color : race, masculinity and contested histories in the American imaginary. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/28513

Chicago Manual of Style (16th Edition):

Vogel, Joseph (1981 - ). “The rising tide of color : race, masculinity and contested histories in the American imaginary.” 2014. Doctoral Dissertation, University of Rochester. Accessed January 27, 2021. http://hdl.handle.net/1802/28513.

MLA Handbook (7th Edition):

Vogel, Joseph (1981 - ). “The rising tide of color : race, masculinity and contested histories in the American imaginary.” 2014. Web. 27 Jan 2021.

Vancouver:

Vogel J(-). The rising tide of color : race, masculinity and contested histories in the American imaginary. [Internet] [Doctoral dissertation]. University of Rochester; 2014. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1802/28513.

Council of Science Editors:

Vogel J(-). The rising tide of color : race, masculinity and contested histories in the American imaginary. [Doctoral Dissertation]. University of Rochester; 2014. Available from: http://hdl.handle.net/1802/28513


Harvard University

15. McGee, Adam Michael. Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture.

Degree: PhD, African and African American Studies, 2014, Harvard University

I analyze the historical and cultural processes by which American racism is reproduced, approaching the issue through the lens of "imagined voodoo" (as distinct from… (more)

Subjects/Keywords: Black studies; Religion; American history; Imagined religion; Popular culture; Racism; Sexuality; Vodou; Voodoo

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APA (6th Edition):

McGee, A. M. (2014). Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274118

Chicago Manual of Style (16th Edition):

McGee, Adam Michael. “Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture.” 2014. Doctoral Dissertation, Harvard University. Accessed January 27, 2021. http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274118.

MLA Handbook (7th Edition):

McGee, Adam Michael. “Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture.” 2014. Web. 27 Jan 2021.

Vancouver:

McGee AM. Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture. [Internet] [Doctoral dissertation]. Harvard University; 2014. [cited 2021 Jan 27]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274118.

Council of Science Editors:

McGee AM. Imagined Voodoo: Terror, Sex, and Racism in American Popular Culture. [Doctoral Dissertation]. Harvard University; 2014. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274118


University of Toronto

16. Boye, Seika Letitia Ajokor. Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography.

Degree: PhD, 2017, University of Toronto

The documentation of social dance within the lives of African-Canadians at mid-century is largely undocumented. This dissertation asks the question: Where did Toronto’s black population… (more)

Subjects/Keywords: African-Canadian; Black Studies; Canadian History/Historiograpy; Dance Studies; Popular Culture; Social Dance; 0378

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boye, S. L. A. (2017). Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/97290

Chicago Manual of Style (16th Edition):

Boye, Seika Letitia Ajokor. “Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography.” 2017. Doctoral Dissertation, University of Toronto. Accessed January 27, 2021. http://hdl.handle.net/1807/97290.

MLA Handbook (7th Edition):

Boye, Seika Letitia Ajokor. “Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography.” 2017. Web. 27 Jan 2021.

Vancouver:

Boye SLA. Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography. [Internet] [Doctoral dissertation]. University of Toronto; 2017. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1807/97290.

Council of Science Editors:

Boye SLA. Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography. [Doctoral Dissertation]. University of Toronto; 2017. Available from: http://hdl.handle.net/1807/97290


University of Maryland

17. Walker, Jessica. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.

Degree: American Studies, 2016, University of Maryland

 Nervous Kitchens intervenes in the story of soul food by treating the kitchen as a central site of instability. These kitchens reveal and critique their… (more)

Subjects/Keywords: American studies; Women's studies; African American Material Culture; Black Womanhood; Popular Representation; Soul Food

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walker, J. (2016). Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/18772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Jessica. “Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.” 2016. Thesis, University of Maryland. Accessed January 27, 2021. http://hdl.handle.net/1903/18772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Jessica. “Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary.” 2016. Web. 27 Jan 2021.

Vancouver:

Walker J. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. [Internet] [Thesis]. University of Maryland; 2016. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1903/18772.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker J. Nervous Kitchens: Critical Readings of Black Women's Food Practices in The Soul Food Imaginary. [Thesis]. University of Maryland; 2016. Available from: http://hdl.handle.net/1903/18772

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

18. Johnson, Marcus Wayne. “There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship.

Degree: PhD, Curriculum and Instruction, 2018, University of Texas – Austin

 The educational and social condition of many students, in particular that of African American males, continues to be a concern and draws the attention of… (more)

Subjects/Keywords: Role models; Heroes; Citizenship; Popular culture; Elementary education; Black male childhood; Urban education

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnson, M. W. (2018). “There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/63339

Chicago Manual of Style (16th Edition):

Johnson, Marcus Wayne. ““There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship.” 2018. Doctoral Dissertation, University of Texas – Austin. Accessed January 27, 2021. http://hdl.handle.net/2152/63339.

MLA Handbook (7th Edition):

Johnson, Marcus Wayne. ““There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship.” 2018. Web. 27 Jan 2021.

Vancouver:

Johnson MW. “There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2018. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2152/63339.

Council of Science Editors:

Johnson MW. “There’s nothing wrong with doing something good” : a phenomenological study of early elementary black males’ understanding of heroes, role models and citizenship. [Doctoral Dissertation]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/63339


George Mason University

19. Keaney, Matthew P. "I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider .

Degree: 2011, George Mason University

 This thesis uses a comparative framework of historical analysis to investigate four South African literary magazines printed between 1951 and 1983. Drum, The Classic, New… (more)

Subjects/Keywords: Black Consciousness; South Africa Literature and Politics; Nat Nakasa; Black Community Programmers (BCP); South African Popular Culture; The Soweto Uprising, 1976

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keaney, M. P. (2011). "I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/6366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keaney, Matthew P. “"I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider .” 2011. Thesis, George Mason University. Accessed January 27, 2021. http://hdl.handle.net/1920/6366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keaney, Matthew P. “"I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider .” 2011. Web. 27 Jan 2021.

Vancouver:

Keaney MP. "I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider . [Internet] [Thesis]. George Mason University; 2011. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1920/6366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keaney MP. "I Can Feel My Grin Turn to a Grimace": From the Sophiatown Shebeens to the Streets of Soweto on the pages of Drum, The Classic, New Classic, and Staffrider . [Thesis]. George Mason University; 2011. Available from: http://hdl.handle.net/1920/6366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maryland

20. Chae Reddy, Melissa Kim. BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996).

Degree: American Studies, 2012, University of Maryland

 &ldquoBrowngirl Narratives&rdquo seeks to gain a clearer understanding of what we can learn from textual evidence about experiences of browngirls coming of age during the… (more)

Subjects/Keywords: African American studies; Women's studies; Mass communication; Black Female Sexuality and Representation; Black Girlhood; Black Popular Culture; Hip Hop Culture; Narratives and Storytelling; Social Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chae Reddy, M. K. (2012). BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996). (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/14872

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chae Reddy, Melissa Kim. “BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996).” 2012. Thesis, University of Maryland. Accessed January 27, 2021. http://hdl.handle.net/1903/14872.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chae Reddy, Melissa Kim. “BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996).” 2012. Web. 27 Jan 2021.

Vancouver:

Chae Reddy MK. BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996). [Internet] [Thesis]. University of Maryland; 2012. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1903/14872.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chae Reddy MK. BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996). [Thesis]. University of Maryland; 2012. Available from: http://hdl.handle.net/1903/14872

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

21. Stephens, David F. A Family of One's Own: Reconstructing Queer Families of Color in Film.

Degree: MA, English, 2016, University of New Orleans

  I will focus on the resistance to white heteronormative depictions of the American family occurring within two contemporary films directed by gay black men—The… (more)

Subjects/Keywords: Black queer, black queer community, hiv, queer kinship, black queer kinship, black and gay, queer and black, queer black film, black film,; American Film Studies; American Material Culture; American Popular Culture; Lesbian, Gay, Bisexual, and Transgender Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stephens, D. F. (2016). A Family of One's Own: Reconstructing Queer Families of Color in Film. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stephens, David F. “A Family of One's Own: Reconstructing Queer Families of Color in Film.” 2016. Thesis, University of New Orleans. Accessed January 27, 2021. https://scholarworks.uno.edu/td/2187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stephens, David F. “A Family of One's Own: Reconstructing Queer Families of Color in Film.” 2016. Web. 27 Jan 2021.

Vancouver:

Stephens DF. A Family of One's Own: Reconstructing Queer Families of Color in Film. [Internet] [Thesis]. University of New Orleans; 2016. [cited 2021 Jan 27]. Available from: https://scholarworks.uno.edu/td/2187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stephens DF. A Family of One's Own: Reconstructing Queer Families of Color in Film. [Thesis]. University of New Orleans; 2016. Available from: https://scholarworks.uno.edu/td/2187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kennesaw State University

22. Askew, Tamisha Nicole. THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA.

Degree: MAST, Interdisciplinary Studies, 2018, Kennesaw State University

  This project explores how the new FX original series, Atlanta, challenges previous notions of Blackness on American television. The series Atlanta delves into conversations… (more)

Subjects/Keywords: Atlanta; Black Southern Culture; Black Masculinity; Black Womanhood; American Popular Culture; Social and Political History; American Popular Culture; American Studies; Lesbian, Gay, Bisexual, and Transgender Studies; Political History; Social History; United States History; Women's History; Women's Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Askew, T. N. (2018). THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA. (Thesis). Kennesaw State University. Retrieved from https://digitalcommons.kennesaw.edu/mast_etd/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Askew, Tamisha Nicole. “THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA.” 2018. Thesis, Kennesaw State University. Accessed January 27, 2021. https://digitalcommons.kennesaw.edu/mast_etd/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Askew, Tamisha Nicole. “THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA.” 2018. Web. 27 Jan 2021.

Vancouver:

Askew TN. THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA. [Internet] [Thesis]. Kennesaw State University; 2018. [cited 2021 Jan 27]. Available from: https://digitalcommons.kennesaw.edu/mast_etd/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Askew TN. THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA. [Thesis]. Kennesaw State University; 2018. Available from: https://digitalcommons.kennesaw.edu/mast_etd/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

23. Roach, Shoniqua. Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere.

Degree: MA, English, 2013, University of Florida

 Charged with reifying negative stereotypes of black women, black female performers who engage in sexually transgressive performance workare often perceived by black feminists and black(more)

Subjects/Keywords: African American culture; African Americans; Black communities; Bowls; Female animals; Female sexuality; Hoes; Popular culture; Women; Womens studies; black  – feminism  – gender  – performance  – race  – respectability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roach, S. (2013). Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0045659

Chicago Manual of Style (16th Edition):

Roach, Shoniqua. “Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere.” 2013. Masters Thesis, University of Florida. Accessed January 27, 2021. https://ufdc.ufl.edu/UFE0045659.

MLA Handbook (7th Edition):

Roach, Shoniqua. “Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere.” 2013. Web. 27 Jan 2021.

Vancouver:

Roach S. Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere. [Internet] [Masters thesis]. University of Florida; 2013. [cited 2021 Jan 27]. Available from: https://ufdc.ufl.edu/UFE0045659.

Council of Science Editors:

Roach S. Fucking with the Grays Black Female Respectability Politics and Contemporary Black Female Sexual Representation in the Public Sphere. [Masters Thesis]. University of Florida; 2013. Available from: https://ufdc.ufl.edu/UFE0045659


Vanderbilt University

24. Lomax, Tamura A. Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens.

Degree: PhD, Religion, 2011, Vanderbilt University

 This dissertation argues that religious and cultural media are socially organized technologies of power that reproduce, maintain, circulate, and exchange historical myths on black womanhood,… (more)

Subjects/Keywords: History and Critical Theories of Religion; Religion; Black Womanhood; History and Critical Theories of African American Religion; Theology; Televangelism; Race; Gender; Media; Black Popular Culture; Culture; African American; Popular Culture; Representation; Black Cultural Criticism; Womanist Theology; Black Feminism; Mythology; De-mythologization; Black Feminist Religio-Cultural Criticism; Religious Criticism

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APA (6th Edition):

Lomax, T. A. (2011). Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/11590

Chicago Manual of Style (16th Edition):

Lomax, Tamura A. “Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens.” 2011. Doctoral Dissertation, Vanderbilt University. Accessed January 27, 2021. http://hdl.handle.net/1803/11590.

MLA Handbook (7th Edition):

Lomax, Tamura A. “Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens.” 2011. Web. 27 Jan 2021.

Vancouver:

Lomax TA. Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens. [Internet] [Doctoral dissertation]. Vanderbilt University; 2011. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1803/11590.

Council of Science Editors:

Lomax TA. Changing the Letter: Theorizing Race and Gender in Pop Cultural 'Media' Through a Less Pornotropic Lens. [Doctoral Dissertation]. Vanderbilt University; 2011. Available from: http://hdl.handle.net/1803/11590


University of South Florida

25. McFerguson, Marquese Lamont. When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity.

Degree: 2020, University of South Florida

 In this autoethnographic dissertation, I take readers on a narrative journey to three of my storied homeplaces and explore my lived experiences within each site.… (more)

Subjects/Keywords: art-based research; autoethnography; black popular culture; media studies; African American Studies; Communication; Feminist, Gender, and Sexuality Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McFerguson, M. L. (2020). When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/8321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McFerguson, Marquese Lamont. “When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity.” 2020. Thesis, University of South Florida. Accessed January 27, 2021. https://scholarcommons.usf.edu/etd/8321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McFerguson, Marquese Lamont. “When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity.” 2020. Web. 27 Jan 2021.

Vancouver:

McFerguson ML. When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity. [Internet] [Thesis]. University of South Florida; 2020. [cited 2021 Jan 27]. Available from: https://scholarcommons.usf.edu/etd/8321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McFerguson ML. When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity. [Thesis]. University of South Florida; 2020. Available from: https://scholarcommons.usf.edu/etd/8321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

26. Harrison, Dominique Victoria. Girlfriends : the (in)visbility of black women on television.

Degree: MA, Radio-Television-Film, 2010, University of Texas – Austin

 While Black women are more visible in media and popular culture today, the range of their visibility remains narrow and in continuation within the dominant… (more)

Subjects/Keywords: Black women; Television studies; Representation; Popular culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harrison, D. V. (2010). Girlfriends : the (in)visbility of black women on television. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2010-08-1485

Chicago Manual of Style (16th Edition):

Harrison, Dominique Victoria. “Girlfriends : the (in)visbility of black women on television.” 2010. Masters Thesis, University of Texas – Austin. Accessed January 27, 2021. http://hdl.handle.net/2152/ETD-UT-2010-08-1485.

MLA Handbook (7th Edition):

Harrison, Dominique Victoria. “Girlfriends : the (in)visbility of black women on television.” 2010. Web. 27 Jan 2021.

Vancouver:

Harrison DV. Girlfriends : the (in)visbility of black women on television. [Internet] [Masters thesis]. University of Texas – Austin; 2010. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2152/ETD-UT-2010-08-1485.

Council of Science Editors:

Harrison DV. Girlfriends : the (in)visbility of black women on television. [Masters Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/ETD-UT-2010-08-1485

27. Brito, Deise Santos de. Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40.

Degree: Mestrado, Teoria e Prática do Teatro, 2011, University of São Paulo

Essa pesquisa aborda o trabalho do ator Grande Otelo no teatro de revista brasileiro produzido entre as décadas de 20 e 40, analisando suas atuações… (more)

Subjects/Keywords: Artistas negros; Black artists; Brazilian revue theater; Comic; Cômico; Cultura popular; Grande Otelo; Grande Otelo; Popular culture; Samba; Samba; Teatro de revista

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brito, D. S. d. (2011). Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27156/tde-14122011-231051/ ;

Chicago Manual of Style (16th Edition):

Brito, Deise Santos de. “Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40.” 2011. Masters Thesis, University of São Paulo. Accessed January 27, 2021. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-14122011-231051/ ;.

MLA Handbook (7th Edition):

Brito, Deise Santos de. “Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40.” 2011. Web. 27 Jan 2021.

Vancouver:

Brito DSd. Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2021 Jan 27]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27156/tde-14122011-231051/ ;.

Council of Science Editors:

Brito DSd. Um ator de fronteira: uma análise da trajetória do ator Grande Otelo no teatro de revista brasileiro entre as décadas de 20 e 40. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27156/tde-14122011-231051/ ;

28. Gipson, Grace D. "Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine.

Degree: MA, African-American Studies, 2013, Georgia State University

  The study examines how race and gender stereotypes in popular culture shape the perception of the Black superheroine. This study also explores stereotypes and… (more)

Subjects/Keywords: Stereotypes; Popular culture; Black superheroine; Race; Gender; Black/African American

…gender (George, 2004). While 2 Black superheroines in popular culture may seem like… …female heroine within popular culture, these Black female characters are still depicted through… …Black women (gender) in popular culture it should be acknowledged that feminism and… …representation in popular culture. Scholars have studied black female representation in a variety of… …As a result, popular culture provides a domain of analysis for the Black superheroine (… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gipson, G. D. (2013). "Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/aas_theses/19

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gipson, Grace D. “"Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine.” 2013. Thesis, Georgia State University. Accessed January 27, 2021. https://scholarworks.gsu.edu/aas_theses/19.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gipson, Grace D. “"Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine.” 2013. Web. 27 Jan 2021.

Vancouver:

Gipson GD. "Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine. [Internet] [Thesis]. Georgia State University; 2013. [cited 2021 Jan 27]. Available from: https://scholarworks.gsu.edu/aas_theses/19.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gipson GD. "Who Says Storm Is The Only Black Superheroine?": An Interpretative Textual Analysis Of The Black Superheroine. [Thesis]. Georgia State University; 2013. Available from: https://scholarworks.gsu.edu/aas_theses/19

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

29. Rowe, Kristin Denise. "it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty.

Degree: 2019, Michigan State University

Thesis Ph. D. Michigan State University. African American and African Studies 2019.

At the intersection of social media, a trend in organic products, and an… (more)

Subjects/Keywords: African American women – Psychology; Hairdressing of African Americans; Hairdressing of Blacks; Hair – Psychological aspects; Self-perception; Identity (Psychology) – United States; Beauty, Personal; Hair in popular culture – United States; Beauty culture – United States; Identity (Psychology); Hair in popular culture; Beauty culture; Black studies; Women's studies; American studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rowe, K. D. (2019). "it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:47981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rowe, Kristin Denise. “"it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty.” 2019. Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:47981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rowe, Kristin Denise. “"it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty.” 2019. Web. 27 Jan 2021.

Vancouver:

Rowe KD. "it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty. [Internet] [Thesis]. Michigan State University; 2019. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:47981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rowe KD. "it's the feelings i wear" : black women, natural hair, and new media (re)negotiations of beauty. [Thesis]. Michigan State University; 2019. Available from: http://etd.lib.msu.edu/islandora/object/etd:47981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

30. Sparks, Anthony. Image breakers, image makers: producing race, America, and television.

Degree: PhD, American Studies and Ethnicity, 2014, University of Southern California

 Image Breakers, Image Makers: Producing Race, America, and Television foregrounds my positionalities as a scholar and as a creative artist/practitioner to conduct an unprecedented, ethnographic,… (more)

Subjects/Keywords: black representation; critical media industries studies; production studies; new television studies; blackness; performance studies; black performance; African American studies; critical ethnography; television writing; television producing; African American television writers; Herman Gray; Dorinne Kondo; artist-scholarship; scholar-artist; black cultural studies; black popular culture; racial formation and hegemony in popular culture; NAACP 1999 television protest

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sparks, A. (2014). Image breakers, image makers: producing race, America, and television. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351

Chicago Manual of Style (16th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

MLA Handbook (7th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Web. 27 Jan 2021.

Vancouver:

Sparks A. Image breakers, image makers: producing race, America, and television. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

Council of Science Editors:

Sparks A. Image breakers, image makers: producing race, America, and television. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351

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