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You searched for subject:(Biennale). Showing records 1 – 28 of 28 total matches.

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California State University – Northridge

1. Moss, Juliet. Investigating contemporary African art: three artists from Dak'Art 2012.

Degree: MA, Department of Art, 2013, California State University – Northridge

 This study examines the work of Younes Baba-Ali, Victor Mutelekesha, and Wanja Kimani at the 2012 Dakar Biennale. The Biennale itself, marketed as a pan-African… (more)

Subjects/Keywords: Dakar Biennale; Dissertations, Academic  – CSUN  – Art.

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APA (6th Edition):

Moss, J. (2013). Investigating contemporary African art: three artists from Dak'Art 2012. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/2482

Chicago Manual of Style (16th Edition):

Moss, Juliet. “Investigating contemporary African art: three artists from Dak'Art 2012.” 2013. Masters Thesis, California State University – Northridge. Accessed May 19, 2019. http://hdl.handle.net/10211.2/2482.

MLA Handbook (7th Edition):

Moss, Juliet. “Investigating contemporary African art: three artists from Dak'Art 2012.” 2013. Web. 19 May 2019.

Vancouver:

Moss J. Investigating contemporary African art: three artists from Dak'Art 2012. [Internet] [Masters thesis]. California State University – Northridge; 2013. [cited 2019 May 19]. Available from: http://hdl.handle.net/10211.2/2482.

Council of Science Editors:

Moss J. Investigating contemporary African art: three artists from Dak'Art 2012. [Masters Thesis]. California State University – Northridge; 2013. Available from: http://hdl.handle.net/10211.2/2482


Louisiana State University

2. Lennon, Caitlin Elizabeth. The Ghetto Biennale: art and agency in a Haitian context.

Degree: MA, Arts and Humanities, 2012, Louisiana State University

 On January 12, 2010, the world was stunned when a massive earthquake struck Haiti. Following the crisis, author Jeremy Rifkin described the collective spirit that… (more)

Subjects/Keywords: Haiti; Relational Aesthetics; Ghetto Biennale; Atis Rezistans; Agency

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APA (6th Edition):

Lennon, C. E. (2012). The Ghetto Biennale: art and agency in a Haitian context. (Masters Thesis). Louisiana State University. Retrieved from etd-04272012-094024 ; https://digitalcommons.lsu.edu/gradschool_theses/3136

Chicago Manual of Style (16th Edition):

Lennon, Caitlin Elizabeth. “The Ghetto Biennale: art and agency in a Haitian context.” 2012. Masters Thesis, Louisiana State University. Accessed May 19, 2019. etd-04272012-094024 ; https://digitalcommons.lsu.edu/gradschool_theses/3136.

MLA Handbook (7th Edition):

Lennon, Caitlin Elizabeth. “The Ghetto Biennale: art and agency in a Haitian context.” 2012. Web. 19 May 2019.

Vancouver:

Lennon CE. The Ghetto Biennale: art and agency in a Haitian context. [Internet] [Masters thesis]. Louisiana State University; 2012. [cited 2019 May 19]. Available from: etd-04272012-094024 ; https://digitalcommons.lsu.edu/gradschool_theses/3136.

Council of Science Editors:

Lennon CE. The Ghetto Biennale: art and agency in a Haitian context. [Masters Thesis]. Louisiana State University; 2012. Available from: etd-04272012-094024 ; https://digitalcommons.lsu.edu/gradschool_theses/3136


University of Dundee

3. Hunter, Roderick Dundas. Curating 'the eternal network' after globalisation.

Degree: PhD, 2019, University of Dundee

 This practice-based research project investigates the production, distribution and reception of network art practice before and after globalisation. It does so to engage with the… (more)

Subjects/Keywords: art; network; online; Filliou; curatorial; Biennale; performance; new media; globalisation; globalism

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APA (6th Edition):

Hunter, R. D. (2019). Curating 'the eternal network' after globalisation. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/ace49e4a-c7c1-406d-9762-5286c65f7233 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767685

Chicago Manual of Style (16th Edition):

Hunter, Roderick Dundas. “Curating 'the eternal network' after globalisation.” 2019. Doctoral Dissertation, University of Dundee. Accessed May 19, 2019. https://discovery.dundee.ac.uk/en/studentTheses/ace49e4a-c7c1-406d-9762-5286c65f7233 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767685.

MLA Handbook (7th Edition):

Hunter, Roderick Dundas. “Curating 'the eternal network' after globalisation.” 2019. Web. 19 May 2019.

Vancouver:

Hunter RD. Curating 'the eternal network' after globalisation. [Internet] [Doctoral dissertation]. University of Dundee; 2019. [cited 2019 May 19]. Available from: https://discovery.dundee.ac.uk/en/studentTheses/ace49e4a-c7c1-406d-9762-5286c65f7233 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767685.

Council of Science Editors:

Hunter RD. Curating 'the eternal network' after globalisation. [Doctoral Dissertation]. University of Dundee; 2019. Available from: https://discovery.dundee.ac.uk/en/studentTheses/ace49e4a-c7c1-406d-9762-5286c65f7233 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767685


University of Southern California

4. Juarez, Kristin D. Identity crisis: redefining the other in Fred Wilson's Speak of me as I am.

Degree: Master of Public Art Studies, Public Art Studies, 2010, University of Southern California

 At the 50th Venice Biennale in 2003, Fred Wilson produced a series of discrete but interrelated pieces collectively titled Speak of Me as I Am.… (more)

Subjects/Keywords: Venice Biennale; Fred Wilson; identity; psychoanalysis; public art

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APA (6th Edition):

Juarez, K. D. (2010). Identity crisis: redefining the other in Fred Wilson's Speak of me as I am. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330985/rec/3334

Chicago Manual of Style (16th Edition):

Juarez, Kristin D. “Identity crisis: redefining the other in Fred Wilson's Speak of me as I am.” 2010. Masters Thesis, University of Southern California. Accessed May 19, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330985/rec/3334.

MLA Handbook (7th Edition):

Juarez, Kristin D. “Identity crisis: redefining the other in Fred Wilson's Speak of me as I am.” 2010. Web. 19 May 2019.

Vancouver:

Juarez KD. Identity crisis: redefining the other in Fred Wilson's Speak of me as I am. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 May 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330985/rec/3334.

Council of Science Editors:

Juarez KD. Identity crisis: redefining the other in Fred Wilson's Speak of me as I am. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/330985/rec/3334


Universidade Presbiteriana Mackenzie

5. Patrícia Helena Soares Fonseca Rossi de Resende. Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces.

Degree: 2014, Universidade Presbiteriana Mackenzie

This dissertation studies the fashion system development and its relationships with the art field. It analyses how the modern fashion system structure was founded by… (more)

Subjects/Keywords: moda; arte; exposições universais; sistema da moda; interdisciplinaridade; mercado de moda; Arnhem Mode Biennale; MBA; fashion; art; universal exhibitions; fashion system; interdisciplinarity; Arnhem Mode Biennale; MBA; ARTES

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APA (6th Edition):

Resende, P. H. S. F. R. d. (2014). Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Resende, Patrícia Helena Soares Fonseca Rossi de. “Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces.” 2014. Thesis, Universidade Presbiteriana Mackenzie. Accessed May 19, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Resende, Patrícia Helena Soares Fonseca Rossi de. “Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces.” 2014. Web. 19 May 2019.

Vancouver:

Resende PHSFRd. Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2014. [cited 2019 May 19]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Resende PHSFRd. Os caminhos do sistema de moda: os diálogos com a arte e seus disfarces. [Thesis]. Universidade Presbiteriana Mackenzie; 2014. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

6. Madeddu, Silvia. De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery.

Degree: Docteur es, Histoire de l'art, 2015, Université Paris-Sorbonne – Paris IV

Federico Zandomeneghi (1841-1917) a toujours été considéré comme un artiste vénitien ayant émigré en 1874 à Paris avant de devenir un adepte de Degas et… (more)

Subjects/Keywords: Zandomeneghi Federico; Enrico Piceni; Macchiaiolo; Impressionnisme; Réception critique; Vittorio Pica; Ugo Ohetti; Biennale de Venise; Zandomeneghi Federico; Enrico Piceni; Macchiaiolo; Impressionism; Critical reception; Vittorio Pica; Ugo Ohetti; Venice Biennale

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APA (6th Edition):

Madeddu, S. (2015). De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040180

Chicago Manual of Style (16th Edition):

Madeddu, Silvia. “De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed May 19, 2019. http://www.theses.fr/2015PA040180.

MLA Handbook (7th Edition):

Madeddu, Silvia. “De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery.” 2015. Web. 19 May 2019.

Vancouver:

Madeddu S. De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2019 May 19]. Available from: http://www.theses.fr/2015PA040180.

Council of Science Editors:

Madeddu S. De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume : From Venice to Milan : the return of Federico Zandomeneghi (1841-1917) to Italy : from his youth to the posthumous rediscovery. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040180


University of Georgia

7. Petrac, Josip. Milko Kelemen: life and selected works for cello.

Degree: DMA, Music, 2009, University of Georgia

 Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for… (more)

Subjects/Keywords: Milko Kelemen; Zagreb Biennale; cello; avant-garde music; Changeant; Drammatico; Requiem for Sarajevo; Musica Amorosa

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APA (6th Edition):

Petrac, J. (2009). Milko Kelemen: life and selected works for cello. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/petrac_josip_200905_dma

Chicago Manual of Style (16th Edition):

Petrac, Josip. “Milko Kelemen: life and selected works for cello.” 2009. Doctoral Dissertation, University of Georgia. Accessed May 19, 2019. http://purl.galileo.usg.edu/uga_etd/petrac_josip_200905_dma.

MLA Handbook (7th Edition):

Petrac, Josip. “Milko Kelemen: life and selected works for cello.” 2009. Web. 19 May 2019.

Vancouver:

Petrac J. Milko Kelemen: life and selected works for cello. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2019 May 19]. Available from: http://purl.galileo.usg.edu/uga_etd/petrac_josip_200905_dma.

Council of Science Editors:

Petrac J. Milko Kelemen: life and selected works for cello. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/petrac_josip_200905_dma


Université de Montréal

8. Chouinard, Clara. Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain .

Degree: 2017, Université de Montréal

 Depuis les années 1980-1990, au moment où on assiste, dans le monde de l’art contemporain globalisé, à une prolifération des biennales internationales d’art contemporain, le… (more)

Subjects/Keywords: Expositions artistiques internationales; Art contemporain; Biennales; Phénomène; Controverse; Biennale de Montréal; Triennale québécoise; Global Art Exhibitions; Contemporary Art; Biennials; Phenomenon; Controversy

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APA (6th Edition):

Chouinard, C. (2017). Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/18738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chouinard, Clara. “Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain .” 2017. Thesis, Université de Montréal. Accessed May 19, 2019. http://hdl.handle.net/1866/18738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chouinard, Clara. “Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain .” 2017. Web. 19 May 2019.

Vancouver:

Chouinard C. Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain . [Internet] [Thesis]. Université de Montréal; 2017. [cited 2019 May 19]. Available from: http://hdl.handle.net/1866/18738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chouinard C. Un nouveau souffle pour la Biennale de Montréal? Une analyse comparée avec les grandes biennales internationales d'art contemporain . [Thesis]. Université de Montréal; 2017. Available from: http://hdl.handle.net/1866/18738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

9. Battaglia, Giulia. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.

Degree: 2018, Leiden University

 The age of globalisation has determined the shrinking of geographical distances and the emergence of mass mobility. People from diverse cultures now cohabit the same… (more)

Subjects/Keywords: contact zone; modern art museums; contemporary art; Venice Biennale; Habana Bienal; globalisation; multiculturalism; curatorial practice; shared human concerns; empathy; exhibitionary complex

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APA (6th Edition):

Battaglia, G. (2018). The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57837

Chicago Manual of Style (16th Edition):

Battaglia, Giulia. “The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.” 2018. Masters Thesis, Leiden University. Accessed May 19, 2019. http://hdl.handle.net/1887/57837.

MLA Handbook (7th Edition):

Battaglia, Giulia. “The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice.” 2018. Web. 19 May 2019.

Vancouver:

Battaglia G. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 May 19]. Available from: http://hdl.handle.net/1887/57837.

Council of Science Editors:

Battaglia G. The Ultimate Contact Zone: Addressing Shared Human Concerns in Modern Art Museums and Biennials Curatorial Practice. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/57837


Stellenbosch University

10. Mauchan, Fiona. The African Biennale : envisioning ‘authentic’ African contemporaneity.

Degree: Visual Arts, 2009, Stellenbosch University

Thesis (MA (VA)(Visual Arts)) – University of Stellenbosch, 2009.

This thesis aims to assess the extent to which the African curated exhibition, Dak’Art: Biennale de l’art… (more)

Subjects/Keywords: Visual arts; Art, Modern  – 20th century; Art, African  – 20th century  – Appreciation; African diaspora; Dak'Art: Biennale de l'art africain contemporain

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APA (6th Edition):

Mauchan, F. (2009). The African Biennale : envisioning ‘authentic’ African contemporaneity. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2596

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mauchan, Fiona. “The African Biennale : envisioning ‘authentic’ African contemporaneity.” 2009. Thesis, Stellenbosch University. Accessed May 19, 2019. http://hdl.handle.net/10019.1/2596.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mauchan, Fiona. “The African Biennale : envisioning ‘authentic’ African contemporaneity.” 2009. Web. 19 May 2019.

Vancouver:

Mauchan F. The African Biennale : envisioning ‘authentic’ African contemporaneity. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2019 May 19]. Available from: http://hdl.handle.net/10019.1/2596.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mauchan F. The African Biennale : envisioning ‘authentic’ African contemporaneity. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2596

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

11. Bogdanović, Ana, 1984-. Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990).

Degree: Filozofski fakultet, 2019, Univerzitet u Beogradu

Историја уметности - Историја модерне уметности / Art History - History of Modern Art

Званични југословенски наступи на Међународној изложби уметности Бијенале у Венецији одржани… (more)

Subjects/Keywords: Venice Biennale; exhibition history; Yugoslav pavilion; Yugoslav modern art; modernism; postmodernism; cultural politics; cultural diplomacy; Yugoslavia

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APA (6th Edition):

Bogdanović, Ana, 1. (2019). Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990). (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:19281/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bogdanović, Ana, 1984-. “Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990).” 2019. Thesis, Univerzitet u Beogradu. Accessed May 19, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:19281/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bogdanović, Ana, 1984-. “Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990).” 2019. Web. 19 May 2019.

Vancouver:

Bogdanović, Ana 1. Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990). [Internet] [Thesis]. Univerzitet u Beogradu; 2019. [cited 2019 May 19]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:19281/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bogdanović, Ana 1. Изложбе у Југословенском павиљону на Бијеналу у Венецији (1938-1990). [Thesis]. Univerzitet u Beogradu; 2019. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:19281/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Benner, Sophia Michelle. Tactical urbanism : from civil disobedience to civic improvement.

Degree: Community and Regional Planning, 2013, University of Texas – Austin

 For the first time in the history of the Architecture Biennale the American Pavilion earned special recognition in 2012 for Spontaneous Interventions. The exhibition portrays… (more)

Subjects/Keywords: Tactical urbanism; Spontaneous Interventions; Venice Architecture Biennale

…the street scale to international recognition at the 13th Venice Biennale. The surge of… …at the most recent Venice Biennale in 2012. This exhibition, which earned the U.S. its… …first honorary recognition at an Architecture Biennale, is the single-most comprehensive… …Biennale in the case studies section demonstrate the potential of this emerging approach. Out of… …over a century, the Venice Biennale has been one of the most prestigious cultural… 

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APA (6th Edition):

Benner, S. M. (2013). Tactical urbanism : from civil disobedience to civic improvement. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benner, Sophia Michelle. “Tactical urbanism : from civil disobedience to civic improvement.” 2013. Thesis, University of Texas – Austin. Accessed May 19, 2019. http://hdl.handle.net/2152/23995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benner, Sophia Michelle. “Tactical urbanism : from civil disobedience to civic improvement.” 2013. Web. 19 May 2019.

Vancouver:

Benner SM. Tactical urbanism : from civil disobedience to civic improvement. [Internet] [Thesis]. University of Texas – Austin; 2013. [cited 2019 May 19]. Available from: http://hdl.handle.net/2152/23995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benner SM. Tactical urbanism : from civil disobedience to civic improvement. [Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Dundee

13. Ross, Alexandra C. M. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.

Degree: PhD, 2014, University of Dundee

 Continuous Curatorial Conversations is a practice-led exploration of conversation, both as a medium and as a tool for capturing supplementary histories of the curatorial. The… (more)

Subjects/Keywords: 700; Curator; Curatorial; Curators; Conversation; Dialogue; Oral; Orality; Oral History; History; Food; Dining; Alcohol; Hospitality; Conviviality; Biennial; Biennale; Venice Biennale; Glasgow International Festival of Visual Art; Manifesta; Audio Arts; Polyphony; Recording; Audio; Transcription; Translation; Archive; Audio Archive; Online Platform; Tagging; Choreography; Dramaturge; Symposia; Critical Conviviality; Space; Place

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ross, A. C. M. (2014). Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. (Doctoral Dissertation). University of Dundee. Retrieved from http://hdl.handle.net/10588/af610c50-f15e-43f0-8801-2b07defff126

Chicago Manual of Style (16th Edition):

Ross, Alexandra C M. “Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.” 2014. Doctoral Dissertation, University of Dundee. Accessed May 19, 2019. http://hdl.handle.net/10588/af610c50-f15e-43f0-8801-2b07defff126.

MLA Handbook (7th Edition):

Ross, Alexandra C M. “Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.” 2014. Web. 19 May 2019.

Vancouver:

Ross ACM. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. [Internet] [Doctoral dissertation]. University of Dundee; 2014. [cited 2019 May 19]. Available from: http://hdl.handle.net/10588/af610c50-f15e-43f0-8801-2b07defff126.

Council of Science Editors:

Ross ACM. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. [Doctoral Dissertation]. University of Dundee; 2014. Available from: http://hdl.handle.net/10588/af610c50-f15e-43f0-8801-2b07defff126


University of Dundee

14. Ross, Alexandra C. M. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.

Degree: PhD, 2014, University of Dundee

 Continuous Curatorial Conversations is a practice-led exploration of conversation, both as a medium and as a tool for capturing supplementary histories of the curatorial. The… (more)

Subjects/Keywords: 700; Curator; Curatorial; Curators; Conversation; Dialogue; Oral; Orality; Oral History; History; Food; Dining; Alcohol; Hospitality; Conviviality; Biennial; Biennale; Venice Biennale; Glasgow International Festival of Visual Art; Manifesta; Audio Arts; Polyphony; Recording; Audio; Transcription; Translation; Archive; Audio Archive; Online Platform; Tagging; Choreography; Dramaturge; Symposia; Critical Conviviality; Space; Place

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ross, A. C. M. (2014). Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/af610c50-f15e-43f0-8801-2b07defff126 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659336

Chicago Manual of Style (16th Edition):

Ross, Alexandra C M. “Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.” 2014. Doctoral Dissertation, University of Dundee. Accessed May 19, 2019. https://discovery.dundee.ac.uk/en/studentTheses/af610c50-f15e-43f0-8801-2b07defff126 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659336.

MLA Handbook (7th Edition):

Ross, Alexandra C M. “Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial.” 2014. Web. 19 May 2019.

Vancouver:

Ross ACM. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. [Internet] [Doctoral dissertation]. University of Dundee; 2014. [cited 2019 May 19]. Available from: https://discovery.dundee.ac.uk/en/studentTheses/af610c50-f15e-43f0-8801-2b07defff126 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659336.

Council of Science Editors:

Ross ACM. Continuous curatorial conversations : an exploration of the role of conversation within the writing of a supplementary history of the curatorial. [Doctoral Dissertation]. University of Dundee; 2014. Available from: https://discovery.dundee.ac.uk/en/studentTheses/af610c50-f15e-43f0-8801-2b07defff126 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659336

15. Tonetti, Ana Carolina. Interseções entre arte e arquitetura. O caso dos pavilhões.

Degree: Mestrado, Projeto, Espaço e Cultura, 2013, University of São Paulo

Esta dissertação tem como foco central o estudo de edifícios pavilhões e sua relação com a produção tridimensional - entendida como instalação e escultura. Para… (more)

Subjects/Keywords: Architecture; Architecture exhibition; Arquitetura; Arte contemporânea; Bienal de Veneza; Campo ampliado; Contemporary art; Expanded field; Exposições de arquitetura; Inhotim; Pavilhão; Pavilion; Serpentine Gallery; Serpentine Gallery; Venice Biennale

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APA (6th Edition):

Tonetti, A. C. (2013). Interseções entre arte e arquitetura. O caso dos pavilhões. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16136/tde-04072013-115801/ ;

Chicago Manual of Style (16th Edition):

Tonetti, Ana Carolina. “Interseções entre arte e arquitetura. O caso dos pavilhões.” 2013. Masters Thesis, University of São Paulo. Accessed May 19, 2019. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-04072013-115801/ ;.

MLA Handbook (7th Edition):

Tonetti, Ana Carolina. “Interseções entre arte e arquitetura. O caso dos pavilhões.” 2013. Web. 19 May 2019.

Vancouver:

Tonetti AC. Interseções entre arte e arquitetura. O caso dos pavilhões. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 May 19]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-04072013-115801/ ;.

Council of Science Editors:

Tonetti AC. Interseções entre arte e arquitetura. O caso dos pavilhões. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-04072013-115801/ ;


Queens University

16. Diggon, Elizabeth. The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 .

Degree: Art History, 2012, Queens University

 Biennials, both historically and in the present, form a significant part of the contemporary art world. However, beyond simply acting as platforms for contemporary art,… (more)

Subjects/Keywords: National Gallery of Canada.; Cultural nationalism.; Cultural diplomacy.; Canada.; International cultural relations.; Massey Commission.; Biennale di Venezia.; Liberalism.; Bienal de São Paulo.

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APA (6th Edition):

Diggon, E. (2012). The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/7530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Diggon, Elizabeth. “The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 .” 2012. Thesis, Queens University. Accessed May 19, 2019. http://hdl.handle.net/1974/7530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Diggon, Elizabeth. “The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 .” 2012. Web. 19 May 2019.

Vancouver:

Diggon E. The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 . [Internet] [Thesis]. Queens University; 2012. [cited 2019 May 19]. Available from: http://hdl.handle.net/1974/7530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Diggon E. The Politics of Cultural Power: Canadian Participation at the Venice and São Paulo Biennials, 1951-1958 . [Thesis]. Queens University; 2012. Available from: http://hdl.handle.net/1974/7530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Babić Tatjana. Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010.

Degree: 2016, University of Novi Sad

Tema ovog rada je istraživanje savremenih arhitektonskih praksi formiranih u Novom Sadu u periodu od 1980. do 2010. godine. Na osnovu teorijskog polazišta, proučavanja… (more)

Subjects/Keywords: Savremene arhitektonske prakse, arhitekta, procesi, ishodi, događaji, Venecijansko bijenale arhitekture, Novi Sad, 1980-2010.; Contemporary architectural practices, architect, processes, outputs, events,Architecture Biennale Venice, Novi Sad, 1980-2010.

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APA (6th Edition):

Tatjana, B. (2016). Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010. (Thesis). University of Novi Sad. Retrieved from http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija146917731386630.pdf?controlNumber=(BISIS)101543&fileName=146917731386630.pdf&id=6587&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=101543&source=OATD&language=en

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tatjana, Babić. “Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010.” 2016. Thesis, University of Novi Sad. Accessed May 19, 2019. http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija146917731386630.pdf?controlNumber=(BISIS)101543&fileName=146917731386630.pdf&id=6587&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=101543&source=OATD&language=en.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tatjana, Babić. “Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010.” 2016. Web. 19 May 2019.

Vancouver:

Tatjana B. Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010. [Internet] [Thesis]. University of Novi Sad; 2016. [cited 2019 May 19]. Available from: http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija146917731386630.pdf?controlNumber=(BISIS)101543&fileName=146917731386630.pdf&id=6587&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=101543&source=OATD&language=en.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tatjana B. Kreativni procesi i mogući ishodi savremenih arhitektonskih praksi; Studija slučaja: Novi Sad 1980-2010. [Thesis]. University of Novi Sad; 2016. Available from: http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija146917731386630.pdf?controlNumber=(BISIS)101543&fileName=146917731386630.pdf&id=6587&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=101543&source=OATD&language=en

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

18. Flores, Chloë. Performing the collective.

Degree: Master of Public Art Studies /MA, Public Art Studies, 2011, University of Southern California

 The merging of performance into the public sphere has expanded the space for participation into urban and cultural landscapes through modes of activating audiences and… (more)

Subjects/Keywords: Finishing school; 2010 California Biennial; artist collective; Los Angeles-based artist; Los Angeles, 2011 Venice Biennale; performative; social practive; public practice; participatory art

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APA (6th Edition):

Flores, C. (2011). Performing the collective. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/441237/rec/4993

Chicago Manual of Style (16th Edition):

Flores, Chloë. “Performing the collective.” 2011. Masters Thesis, University of Southern California. Accessed May 19, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/441237/rec/4993.

MLA Handbook (7th Edition):

Flores, Chloë. “Performing the collective.” 2011. Web. 19 May 2019.

Vancouver:

Flores C. Performing the collective. [Internet] [Masters thesis]. University of Southern California; 2011. [cited 2019 May 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/441237/rec/4993.

Council of Science Editors:

Flores C. Performing the collective. [Masters Thesis]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/441237/rec/4993


Ryerson University

19. Fung, Jason Wayne. Architecture and Canada : the character of context.

Degree: 2011, Ryerson University

 This Master of Architecture thesis postulates that national values representing Canada can be expressed through architecture. The thesis focuses on the Canada Pavilion, built in… (more)

Subjects/Keywords: Nationalism and architecture  – Canada; Architecture  – Canada  – 20th century; Biennale di Venezia  – Exhibitions; Exhibition buildings  – Italy  – Venice; Canada Pavilion (Italy; Venice); National characteristics; Canadian; in art

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APA (6th Edition):

Fung, J. W. (2011). Architecture and Canada : the character of context. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fung, Jason Wayne. “Architecture and Canada : the character of context.” 2011. Thesis, Ryerson University. Accessed May 19, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A1327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fung, Jason Wayne. “Architecture and Canada : the character of context.” 2011. Web. 19 May 2019.

Vancouver:

Fung JW. Architecture and Canada : the character of context. [Internet] [Thesis]. Ryerson University; 2011. [cited 2019 May 19]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fung JW. Architecture and Canada : the character of context. [Thesis]. Ryerson University; 2011. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Taylor, Dianne. The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland.

Degree: 1983, North Texas State University

Although the Biennales Internationales de la Tapisserie are widely recognized as important fiber art exhibitions, no history of them has been written. This study endeavors to trace the history of the first through the tenth Lausanne Biennales.

Subjects/Keywords: Biennale Internationale de la Tapisserie; Laussane, Switzerland; fiber art exhibitions

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APA (6th Edition):

Taylor, D. (1983). The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Dianne. “The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland.” 1983. Thesis, North Texas State University. Accessed May 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc798443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Dianne. “The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland.” 1983. Web. 19 May 2019.

Vancouver:

Taylor D. The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland. [Internet] [Thesis]. North Texas State University; 1983. [cited 2019 May 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor D. The first through the tenth Biennales Internationale de la Tapisserie, Lausanne, Switzerland. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc798443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

21. Beuzard, Marjolaine. Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art.

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Cette recherche analyse la contribution de l’artiste brésilien Abraham Palatnik (Natal, 1928) au domaine de l’art optico-cinétique. Elle s’intéresse au contexte international de sa présentation… (more)

Subjects/Keywords: Art optique et cinétique; Art et technologie; Musique des couleurs; Mouvement; Palatnik Abraham (1928-....); Groupe Frente (1954-1956); Biennale de São Paulo (1951); Biennale de Venise (1964); Optical and kinetic art; Art and technology; Color music; Movement; Palatnik Abraham (1928-....); Frente group (1954-1956); São Paulo Biennal (1951); Venice Biennal (1964)

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APA (6th Edition):

Beuzard, M. (2016). Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040212

Chicago Manual of Style (16th Edition):

Beuzard, Marjolaine. “Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art.” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed May 19, 2019. http://www.theses.fr/2016PA040212.

MLA Handbook (7th Edition):

Beuzard, Marjolaine. “Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art.” 2016. Web. 19 May 2019.

Vancouver:

Beuzard M. Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2019 May 19]. Available from: http://www.theses.fr/2016PA040212.

Council of Science Editors:

Beuzard M. Abraham Palatnik, pionnier brésilien de l’art cinétique : Abraham Palatnik, Brazilian pioneer of kinetic art. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040212

22. Anic, Vesna. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.

Degree: 2016, Leiden University

 Using three different national representations from the 55th Venice Biennale as case studies, this thesis investigates the complexities of post Yugoslav national identities as articulated… (more)

Subjects/Keywords: post Yugoslavia; national identity; Slovenia; Bosnia and Herzegovina; Kosovo; Venice Biennale; representation

…suggest that by participating in such an international cultural platform as the Venice Biennale… …years, Yugoslavia’s participations at the Venice Biennale fell largely in the domain of… …instance of a Biennale commissioner from Macedonia; there was never one from Bosnia and… …origin – was invited to represent Yugoslavia at the 47th Venice Biennale.16 Abramović… …Biennale, June 1997. local credentials.17 As curator and art historian Bojana Pejić writes… 

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APA (6th Edition):

Anic, V. (2016). REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42486

Chicago Manual of Style (16th Edition):

Anic, Vesna. “REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.” 2016. Masters Thesis, Leiden University. Accessed May 19, 2019. http://hdl.handle.net/1887/42486.

MLA Handbook (7th Edition):

Anic, Vesna. “REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.” 2016. Web. 19 May 2019.

Vancouver:

Anic V. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2019 May 19]. Available from: http://hdl.handle.net/1887/42486.

Council of Science Editors:

Anic V. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42486


University of British Columbia

23. Monahan, Laurie Jean. The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale .

Degree: 1985, University of British Columbia

 The XXXII Venice Biennale, held in 1964, presented an important moment in the history of American art, for it was the first time that an… (more)

Subjects/Keywords: Art, American; Rauschenberg, Robert, 1925-2008; Biennale di Venezia (32nd : 1964); Art, American  – 20th century

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APA (6th Edition):

Monahan, L. J. (1985). The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/25472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monahan, Laurie Jean. “The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale .” 1985. Thesis, University of British Columbia. Accessed May 19, 2019. http://hdl.handle.net/2429/25472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monahan, Laurie Jean. “The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale .” 1985. Web. 19 May 2019.

Vancouver:

Monahan LJ. The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale . [Internet] [Thesis]. University of British Columbia; 1985. [cited 2019 May 19]. Available from: http://hdl.handle.net/2429/25472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monahan LJ. The new frontier goes to Venice : Robert Rauschenberg and the XXXII Venice biennale . [Thesis]. University of British Columbia; 1985. Available from: http://hdl.handle.net/2429/25472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Preuss, Amanda J. Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life.

Degree: 2015, University of South Florida

 In 2013, the 55th Venice Biennale, the world's oldest bi-annual international contemporary art exhibition, opened under the title The Encyclopedic Palace, organized by Italian curator… (more)

Subjects/Keywords: Contemporary Art; embodied perception; installation; Maurice Merleau-Ponty; scientific models; Venice Biennale; Contemporary Art

…rather dismal Biennale. German-born art historian Benjamin Buchloh specifically lauded Triple… …elevated” the Biennale as a whole, and moreover stood out as one of the “strongest” and “most… …328–329. Okwui Enwezor has been named director of the forthcoming 56th Venice Biennale… …Taken from the press release on the office Venice Biennale website, “Board of Directors… …related to Triple Point are even placed outside of the Biennale, in the streets of Venice in a… 

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APA (6th Edition):

Preuss, A. J. (2015). Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5556

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Preuss, Amanda J. “Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life.” 2015. Thesis, University of South Florida. Accessed May 19, 2019. https://scholarcommons.usf.edu/etd/5556.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Preuss, Amanda J. “Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life.” 2015. Web. 19 May 2019.

Vancouver:

Preuss AJ. Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life. [Internet] [Thesis]. University of South Florida; 2015. [cited 2019 May 19]. Available from: https://scholarcommons.usf.edu/etd/5556.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Preuss AJ. Sarah Sze's "Triple Point": Modeling a Phenomenological Experience of Contemporary Life. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5556

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

25. Καραΐσκου, Βαΐα. Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975).

Degree: 2001, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Ανθρώπινη μορφή; Ανθρώπινο σώμα; Γλυπτική; Ελληνική γλυπτική; Μεταπολεμική εποχή; Τέχνες; Κοινωνία; Καλλιτεχνική παραγωγή; Μπιενάλε; Φωτογραφία; Ζωγραφική; Human figure; Human body; Sculpture; Greek sculpture; Post-war period; Art; Society; Artistic production; Biennale; Photography; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Καραΐσκου, . . (2001). Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975). (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/12609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Καραΐσκου, Βαΐα. “Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975).” 2001. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed May 19, 2019. http://hdl.handle.net/10442/hedi/12609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Καραΐσκου, Βαΐα. “Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975).” 2001. Web. 19 May 2019.

Vancouver:

Καραΐσκου . Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975). [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2001. [cited 2019 May 19]. Available from: http://hdl.handle.net/10442/hedi/12609.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Καραΐσκου . Τέχνη και Κοινωνία: η ανθρώπινη μορφή στη μεταπολεμική ελληνική γλυπτική (1945 - 1975). [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2001. Available from: http://hdl.handle.net/10442/hedi/12609

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Bernanke, Judith Lee. Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale.

Degree: PhD, Communication and Journalism, 2013, Massey University

 In June 2004, when Creative New Zealand announced that the artist collective et al. had been selected as New Zealand’s representative at the 2005 Venice… (more)

Subjects/Keywords: Venice Biennale; et al. (artists' collective); Media coverage of art; Television broadcasts; Press coverage of art exhibitions; Journalism and visual arts

…8 1.3 The case study: Mainstream media’s coverage of the 2005 Venice Biennale ...... 13… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Bernanke, J. L. (2013). Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale. (Doctoral Dissertation). Massey University. Retrieved from http://hdl.handle.net/10179/4582

Chicago Manual of Style (16th Edition):

Bernanke, Judith Lee. “Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale.” 2013. Doctoral Dissertation, Massey University. Accessed May 19, 2019. http://hdl.handle.net/10179/4582.

MLA Handbook (7th Edition):

Bernanke, Judith Lee. “Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale.” 2013. Web. 19 May 2019.

Vancouver:

Bernanke JL. Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale. [Internet] [Doctoral dissertation]. Massey University; 2013. [cited 2019 May 19]. Available from: http://hdl.handle.net/10179/4582.

Council of Science Editors:

Bernanke JL. Interfield antagonisms : an examination of the New Zealand journalistic and visual arts fields in the case of the mainstream media coverage of et al. and the 2005 Venice Biennale. [Doctoral Dissertation]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4582


Queens University

27. Diggon, Elizabeth. Exhibiting Diplomacy: Art and International Cultural Relations in Canada .

Degree: Cultural Studies, Queens University

 In this dissertation, I analyze Canadian cultural diplomacy through the international exhibition of art, with particular consideration for the various ways in which state institutions… (more)

Subjects/Keywords: Cultural Diplomacy; Canadian Art; Canadian Cultural History; Venice Biennale; São Paulo Bienal; Canadian Cultural Centre, Paris; Canada House, London; 49th Parallel: Centre for Contemporary Canadian Art; Cultural Relations

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Diggon, E. (n.d.). Exhibiting Diplomacy: Art and International Cultural Relations in Canada . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/24856

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Diggon, Elizabeth. “Exhibiting Diplomacy: Art and International Cultural Relations in Canada .” Thesis, Queens University. Accessed May 19, 2019. http://hdl.handle.net/1974/24856.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Diggon, Elizabeth. “Exhibiting Diplomacy: Art and International Cultural Relations in Canada .” Web. 19 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Diggon E. Exhibiting Diplomacy: Art and International Cultural Relations in Canada . [Internet] [Thesis]. Queens University; [cited 2019 May 19]. Available from: http://hdl.handle.net/1974/24856.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Diggon E. Exhibiting Diplomacy: Art and International Cultural Relations in Canada . [Thesis]. Queens University; Available from: http://hdl.handle.net/1974/24856

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Australian National University

28. Sanders, Anne Elizabeth. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .

Degree: 2011, Australian National University

 The significance of the Mildura Sculpture Triennials from 1961 to 1978 lies in their role as critical nodal points in an expanding and increasingly complex… (more)

Subjects/Keywords: Mildura Sculpture Triennials; Mildara Sculpture Prize; Biennale of Sydney; post-object; conceptual art; contemporary art; Bourdieu; art education; art education policies; art policy; Australia Council; Tom McCullough; John Davis; Eric Westbrook; Henry Bolte; Rupert Hamer; Donald Brook; Bernard Smith; Alan McCulloch; Algeranoff; fluxus; Australian sculpture; experimental art; Centre 5; trans-Tasman; New Zealand artists; Victorian Institute of Colleges; Reginald Etherington; Sculpturscape; 1970s; 1960s; autonomous field of cultural production; habitus; capital; field theory; institutional development of Australian visual arts sector; professional artist

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sanders, A. E. (2011). The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sanders, Anne Elizabeth. “The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .” 2011. Thesis, Australian National University. Accessed May 19, 2019. http://hdl.handle.net/1885/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sanders, Anne Elizabeth. “The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history .” 2011. Web. 19 May 2019.

Vancouver:

Sanders AE. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . [Internet] [Thesis]. Australian National University; 2011. [cited 2019 May 19]. Available from: http://hdl.handle.net/1885/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sanders AE. The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history . [Thesis]. Australian National University; 2011. Available from: http://hdl.handle.net/1885/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.