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You searched for subject:(Berio). Showing records 1 – 30 of 47 total matches.

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University of Miami

1. Velasco, Daniel. Sequenza I by Luciano Berio: A Performer's Guide.

Degree: DMA, Instrumental Performance (Music), 2016, University of Miami

 The purpose of this doctoral essay is to provide a performer’s guide to Sequenza I by Luciano Berio. Despite being considered a standard piece in… (more)

Subjects/Keywords: Berio; Sequenza; Daniel Velasco; Flute

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APA (6th Edition):

Velasco, D. (2016). Sequenza I by Luciano Berio: A Performer's Guide. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1641

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Velasco, Daniel. “Sequenza I by Luciano Berio: A Performer's Guide.” 2016. Thesis, University of Miami. Accessed January 25, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1641.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Velasco, Daniel. “Sequenza I by Luciano Berio: A Performer's Guide.” 2016. Web. 25 Jan 2020.

Vancouver:

Velasco D. Sequenza I by Luciano Berio: A Performer's Guide. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Jan 25]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1641.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Velasco D. Sequenza I by Luciano Berio: A Performer's Guide. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1641

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Sámano Calleja, Francisco Novel. Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find...

Degree: 2018, Universidade de Évora

 El concierto para piano y 22 instrumentos Points on the curve to find…, escrito en 1974, es una de las obras más importantes de la… (more)

Subjects/Keywords: Luciano Berio; Proliferación; Mutación; Transformación; Proceso; Luciano Berio; Proliferação; Mutação; Transformação; Processo; Luciano Berio; Proliferation; Mutation; Transformation; Procedure

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APA (6th Edition):

Sámano Calleja, F. N. (2018). Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find... (Thesis). Universidade de Évora. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/23035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sámano Calleja, Francisco Novel. “Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find...” 2018. Thesis, Universidade de Évora. Accessed January 25, 2020. https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/23035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sámano Calleja, Francisco Novel. “Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find...” 2018. Web. 25 Jan 2020.

Vancouver:

Sámano Calleja FN. Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find... [Internet] [Thesis]. Universidade de Évora; 2018. [cited 2020 Jan 25]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/23035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sámano Calleja FN. Procesos de proliferación y mutación en la música de Luciano Berio: points on the curve to find... [Thesis]. Universidade de Évora; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/23035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

3. OʼSullivan, Alexander. Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo .

Degree: 2012, Australian National University

Berio's musical action Cronaca del Luogo ("Chronicle of the Place") was commissioned for the Salzburg festival, and premiered at the Felsenreitschule on 24 July 1999. The libretto was compiled from a wide variety of sources by Berio's wife, Talia Pecker Berio.

Subjects/Keywords: opera; Deleuze; music; time; Luciano Berio

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APA (6th Edition):

OʼSullivan, A. (2012). Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/9425

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

OʼSullivan, Alexander. “Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo .” 2012. Thesis, Australian National University. Accessed January 25, 2020. http://hdl.handle.net/1885/9425.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

OʼSullivan, Alexander. “Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo .” 2012. Web. 25 Jan 2020.

Vancouver:

OʼSullivan A. Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo . [Internet] [Thesis]. Australian National University; 2012. [cited 2020 Jan 25]. Available from: http://hdl.handle.net/1885/9425.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

OʼSullivan A. Shadows on the wall: memory and premonition in Berioʼs Cronaca del Luogo . [Thesis]. Australian National University; 2012. Available from: http://hdl.handle.net/1885/9425

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Toulouse II – Le Mirail

4. Feuillerac, Martin. Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening.

Degree: Docteur es, Musique, 2016, Université Toulouse II – Le Mirail

En 1955, Luciano Berio obtient de la R.A.I. l’autorisation de créer, dans les locaux milanais de la radio, le Studio di Fonologia, premier studio européen… (more)

Subjects/Keywords: Luciano Berio; Studio di Fonologia; Empirisme; Pragmatisme; Structuralisme; Luciano Berio; Studio di Fonologia; Empirism; Pragmatism; Structuralism

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APA (6th Edition):

Feuillerac, M. (2016). Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2016TOU20100

Chicago Manual of Style (16th Edition):

Feuillerac, Martin. “Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening.” 2016. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed January 25, 2020. http://www.theses.fr/2016TOU20100.

MLA Handbook (7th Edition):

Feuillerac, Martin. “Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening.” 2016. Web. 25 Jan 2020.

Vancouver:

Feuillerac M. Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2016. [cited 2020 Jan 25]. Available from: http://www.theses.fr/2016TOU20100.

Council of Science Editors:

Feuillerac M. Les conséquences du travail empirique de Luciano Berio au Studio di Fonologia : vers une autre écoute : Consequences of Luciano Berio’s empirical work in the Studio di Fonologia : towards a new listening. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2016. Available from: http://www.theses.fr/2016TOU20100


Uniwersytet im. Adama Mickiewicza w Poznaniu

5. Nowak, Weronika. Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej .

Degree: 2019, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Przedmiot badań stanowią dwa ostatnie utwory sceniczne Luciana Beria – Outis i Cronaca del Luogo. Wniknięcie w głąb „polifonicznego labiryntu” będącego istotą przestrzeni teatru muzycznego… (more)

Subjects/Keywords: twórczość sceniczna; Luciano Berio; przestrzeń performatywna; przestrzeń heterotopiczna; stage work; Luciano Berio; performative space; heterotopic space

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APA (6th Edition):

Nowak, W. (2019). Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/24843

Chicago Manual of Style (16th Edition):

Nowak, Weronika. “Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej .” 2019. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed January 25, 2020. http://hdl.handle.net/10593/24843.

MLA Handbook (7th Edition):

Nowak, Weronika. “Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej .” 2019. Web. 25 Jan 2020.

Vancouver:

Nowak W. Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. [cited 2020 Jan 25]. Available from: http://hdl.handle.net/10593/24843.

Council of Science Editors:

Nowak W. Outis i Cronaca del Luogo Luciana Beria w perspektywie kategorii przestrzeni performatywnej i heterotopicznej . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. Available from: http://hdl.handle.net/10593/24843

6. Daniel Lemos Cerqueira. Estudo das ressonâncias na Sequenza IV de Lucio Berio.

Degree: 2009, Universidade Federal de Minas Gerais

A presente dissertação tem como objetivo o estudo das diversas formas de ressonância na Sequenza IV para piano do compositor italiano Luciano Berio (1925-2003), partindo… (more)

Subjects/Keywords: Berio, Luciano, 1925-; Musica Teses.; Piano Instrução e ensino.

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APA (6th Edition):

Cerqueira, D. L. (2009). Estudo das ressonâncias na Sequenza IV de Lucio Berio. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/GMMA-7XMGNU

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cerqueira, Daniel Lemos. “Estudo das ressonâncias na Sequenza IV de Lucio Berio.” 2009. Thesis, Universidade Federal de Minas Gerais. Accessed January 25, 2020. http://hdl.handle.net/1843/GMMA-7XMGNU.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cerqueira, Daniel Lemos. “Estudo das ressonâncias na Sequenza IV de Lucio Berio.” 2009. Web. 25 Jan 2020.

Vancouver:

Cerqueira DL. Estudo das ressonâncias na Sequenza IV de Lucio Berio. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2009. [cited 2020 Jan 25]. Available from: http://hdl.handle.net/1843/GMMA-7XMGNU.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cerqueira DL. Estudo das ressonâncias na Sequenza IV de Lucio Berio. [Thesis]. Universidade Federal de Minas Gerais; 2009. Available from: http://hdl.handle.net/1843/GMMA-7XMGNU

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

7. Calzada, Orlando Manuel. The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble.

Degree: Music, 2015, UCLA

 ABSTRACT OF THE DISSERTATIONThe Caribbean and the Avant-Garde:Luciano Berio’s Rhumba-RamblebyOrlando Manuel CalzadaDoctor of Philosophy in MusicUniversity of California, Los Angeles, 2015Abstract With the establishment of… (more)

Subjects/Keywords: Music; Avant-Garde; Caribbean; Darmstadt; Luciano Berio; Mambo; Rhumba-Ramble

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APA (6th Edition):

Calzada, O. M. (2015). The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6g99b1pf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Calzada, Orlando Manuel. “The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble.” 2015. Thesis, UCLA. Accessed January 25, 2020. http://www.escholarship.org/uc/item/6g99b1pf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Calzada, Orlando Manuel. “The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble.” 2015. Web. 25 Jan 2020.

Vancouver:

Calzada OM. The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble. [Internet] [Thesis]. UCLA; 2015. [cited 2020 Jan 25]. Available from: http://www.escholarship.org/uc/item/6g99b1pf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Calzada OM. The Caribbean and the Avant-Garde: Luciano Berio's Rhumba-Ramble. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/6g99b1pf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

8. Munoz, Joseph Krueger. An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape.

Degree: Music, 2013, UCLA

 Music for trombone and electroacoustic sounds is very underutilized in the mainstream world today. There is a need for musicians to preserve and protect music… (more)

Subjects/Keywords: Music; Avant-garde; Barry Anderson; Luciano Berio; Sequenza V; Tape; Trombone

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APA (6th Edition):

Munoz, J. K. (2013). An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/656748vj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Munoz, Joseph Krueger. “An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape.” 2013. Thesis, UCLA. Accessed January 25, 2020. http://www.escholarship.org/uc/item/656748vj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Munoz, Joseph Krueger. “An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape.” 2013. Web. 25 Jan 2020.

Vancouver:

Munoz JK. An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Jan 25]. Available from: http://www.escholarship.org/uc/item/656748vj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Munoz JK. An Analysis and Performance Guide of Sound the Tucket Sonance and the Note to Mount by Barry Anderson for Trombone and Tape. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/656748vj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

9. Stratford, Charles Hamilton. Aspects of Compositional Process in Luciano Berio's Circles.

Degree: MA, 2012, Brigham Young University

  Luciano Berio (1925-2003) was one of the most innovative composers of vocal music in the European avant-garde. His composition for female voice, Circles (1960),… (more)

Subjects/Keywords: Luciano Berio; Cathy Berberian; Circles; extended vocal technique; Music

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APA (6th Edition):

Stratford, C. H. (2012). Aspects of Compositional Process in Luciano Berio's Circles. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4428&context=etd

Chicago Manual of Style (16th Edition):

Stratford, Charles Hamilton. “Aspects of Compositional Process in Luciano Berio's Circles.” 2012. Masters Thesis, Brigham Young University. Accessed January 25, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4428&context=etd.

MLA Handbook (7th Edition):

Stratford, Charles Hamilton. “Aspects of Compositional Process in Luciano Berio's Circles.” 2012. Web. 25 Jan 2020.

Vancouver:

Stratford CH. Aspects of Compositional Process in Luciano Berio's Circles. [Internet] [Masters thesis]. Brigham Young University; 2012. [cited 2020 Jan 25]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4428&context=etd.

Council of Science Editors:

Stratford CH. Aspects of Compositional Process in Luciano Berio's Circles. [Masters Thesis]. Brigham Young University; 2012. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4428&context=etd

10. Palopoli, Cibele Odete. Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra.

Degree: Mestrado, Processos de Criação Musical, 2013, University of São Paulo

A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compositor italiano Luciano Berio (1925-2003), com foco nas duas edições… (more)

Subjects/Keywords: Flauta solo; Luciano Berio; Luciano Berio; Música do século XX; Notação proporcional; Proportional Notation; Sequenza I; Sequenza I; Solo Flute; Twentieth-Century Music

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APA (6th Edition):

Palopoli, C. O. (2013). Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27022014-163404/ ;

Chicago Manual of Style (16th Edition):

Palopoli, Cibele Odete. “Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra.” 2013. Masters Thesis, University of São Paulo. Accessed January 25, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27022014-163404/ ;.

MLA Handbook (7th Edition):

Palopoli, Cibele Odete. “Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra.” 2013. Web. 25 Jan 2020.

Vancouver:

Palopoli CO. Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2020 Jan 25]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27022014-163404/ ;.

Council of Science Editors:

Palopoli CO. Estudo comparativo entre edições da Sequenza I para flauta solo de Luciano Berio: subsídios para compreensão e interpretação da obra. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27022014-163404/ ;


University of Alberta

11. Knopke, Ian. Form and virtuosity in Luciano Berio's Sequenza I.

Degree: MM, Department of Music, 1997, University of Alberta

Subjects/Keywords: Berio, Luciano, 1925-2003 – Sequenza, no. 1.; Berio, Luciano, 1925-2003 – Nones.

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APA (6th Edition):

Knopke, I. (1997). Form and virtuosity in Luciano Berio's Sequenza I. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/7d278w24k

Chicago Manual of Style (16th Edition):

Knopke, Ian. “Form and virtuosity in Luciano Berio's Sequenza I.” 1997. Masters Thesis, University of Alberta. Accessed January 25, 2020. https://era.library.ualberta.ca/files/7d278w24k.

MLA Handbook (7th Edition):

Knopke, Ian. “Form and virtuosity in Luciano Berio's Sequenza I.” 1997. Web. 25 Jan 2020.

Vancouver:

Knopke I. Form and virtuosity in Luciano Berio's Sequenza I. [Internet] [Masters thesis]. University of Alberta; 1997. [cited 2020 Jan 25]. Available from: https://era.library.ualberta.ca/files/7d278w24k.

Council of Science Editors:

Knopke I. Form and virtuosity in Luciano Berio's Sequenza I. [Masters Thesis]. University of Alberta; 1997. Available from: https://era.library.ualberta.ca/files/7d278w24k

12. Dousson, Lambert. L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001.

Degree: Docteur es, Philosophie, 2011, Université Paris X – Nanterre

Que la réflexion du compositeur sur la technique et l’histoire des règles de l’écriture musicale constitue une pratique de soi, l’exercice d’une subjectivation qui suspend… (more)

Subjects/Keywords: Pierre Boulez; Karlheinz Stockhausen; Richard Wagner; Luciano Berio; Œuvre d’art totale; 11 septembre 2001; Subjectivation; Politique; Pierre Boulez; Karlheinz Stockhausen; Richard Wagner; Luciano Berio

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APA (6th Edition):

Dousson, L. (2011). L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2011PA100170

Chicago Manual of Style (16th Edition):

Dousson, Lambert. “L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001.” 2011. Doctoral Dissertation, Université Paris X – Nanterre. Accessed January 25, 2020. http://www.theses.fr/2011PA100170.

MLA Handbook (7th Edition):

Dousson, Lambert. “L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001.” 2011. Web. 25 Jan 2020.

Vancouver:

Dousson L. L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2011. [cited 2020 Jan 25]. Available from: http://www.theses.fr/2011PA100170.

Council of Science Editors:

Dousson L. L’écran sonore : politiques de l’écriture et de l’écoute musicale, 1950-2001 : The sound screen : politics of musical writing and listening, 1950-2001. [Doctoral Dissertation]. Université Paris X – Nanterre; 2011. Available from: http://www.theses.fr/2011PA100170


University of North Texas

13. Edwards, Patti Yvonne. Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene.

Degree: 2004, University of North Texas

 Sequenza III was written in the mid -1960s and is widely available for study and performance, but how can this work be defined? Is it… (more)

Subjects/Keywords: Berio, Luciano.; Berio; Berberian; Sequenza III; vocal gesture; 20th century; vocal music

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APA (6th Edition):

Edwards, P. Y. (2004). Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Patti Yvonne. “Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene.” 2004. Thesis, University of North Texas. Accessed January 25, 2020. https://digital.library.unt.edu/ark:/67531/metadc4618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Patti Yvonne. “Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene.” 2004. Web. 25 Jan 2020.

Vancouver:

Edwards PY. Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene. [Internet] [Thesis]. University of North Texas; 2004. [cited 2020 Jan 25]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards PY. Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

14. Silva, William Teixeira da, 1990-. Uma nova retórica para a música contemporânea .

Degree: 2014, Universidade Estadual de Campinas

 Resumo: Este trabalho aborda os vínculos que a música contemporânea mantém com a retórica, dispositivo essencial para a compreensão da música antiga, mas que tem… (more)

Subjects/Keywords: Perelman, Chaïm, 1912-1984; Berio, Luciano, 1925-2003; Scelsi, Giacinto, 1905-1988; Retórica

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, William Teixeira da, 1. (2014). Uma nova retórica para a música contemporânea . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/285202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, William Teixeira da, 1990-. “Uma nova retórica para a música contemporânea .” 2014. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, William Teixeira da, 1990-. “Uma nova retórica para a música contemporânea .” 2014. Web. 25 Jan 2020.

Vancouver:

Silva, William Teixeira da 1. Uma nova retórica para a música contemporânea . [Internet] [Thesis]. Universidade Estadual de Campinas; 2014. [cited 2020 Jan 25]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva, William Teixeira da 1. Uma nova retórica para a música contemporânea . [Thesis]. Universidade Estadual de Campinas; 2014. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

15. Castellani, Felipe Merker, 1984-. Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough .

Degree: 2010, Universidade Estadual de Campinas

 Resumo: Abordamos no presente trabalho a noção de gesto musical circunscrita às poéticas dos compositores Luciano Berio e Brian Ferneyhough. O que as liga é… (more)

Subjects/Keywords: Ferneyhough, Brian, 1943-; Berio, Luciano, 1925-2003; Música - Análise, apreciação; Composição (Música); Gestos

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APA (6th Edition):

Castellani, Felipe Merker, 1. (2010). Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Castellani, Felipe Merker, 1984-. “Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough .” 2010. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Castellani, Felipe Merker, 1984-. “Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough .” 2010. Web. 25 Jan 2020.

Vancouver:

Castellani, Felipe Merker 1. Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough . [Internet] [Thesis]. Universidade Estadual de Campinas; 2010. [cited 2020 Jan 25]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Castellani, Felipe Merker 1. Uma abordagem sobre a noção de gesto musical nas poéticas de Luciano Berio e Brian Ferneyhough . [Thesis]. Universidade Estadual de Campinas; 2010. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

16. Packer, Max, 1987-. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio .

Degree: 2013, Universidade Estadual de Campinas

 Resumo: Este trabalho consiste numa etapa de um estudo dedicado ao pensamento composicional de Luciano Berio (1925-2003) e às maneiras pelas quais este pensamento articula… (more)

Subjects/Keywords: Berio, Luciano, 1925-2003; Composição (Música); Música - Análise, apreciação; Música - Séc. XX

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Packer, Max, 1. (2013). Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Packer, Max, 1987-. “Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio .” 2013. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Packer, Max, 1987-. “Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio .” 2013. Web. 25 Jan 2020.

Vancouver:

Packer, Max 1. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio . [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2020 Jan 25]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Packer, Max 1. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio . [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

17. Oliveira, Laiana Lopes de, 1987-. A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio .

Degree: 2014, Universidade Estadual de Campinas

 Resumo: O estudo das possibilidades de interação entre vozes e instrumentos na composição musical através do uso da fonética e fonologia é o principal objetivo… (more)

Subjects/Keywords: Ligeti, Gyorgy, 1923-2006; Berio, Luciano, 1925-2003; Composição (Música); Voz; Fonética

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APA (6th Edition):

Oliveira, Laiana Lopes de, 1. (2014). A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/285297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Laiana Lopes de, 1987-. “A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio .” 2014. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Laiana Lopes de, 1987-. “A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio .” 2014. Web. 25 Jan 2020.

Vancouver:

Oliveira, Laiana Lopes de 1. A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio . [Internet] [Thesis]. Universidade Estadual de Campinas; 2014. [cited 2020 Jan 25]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira, Laiana Lopes de 1. A escrita vocal nas obras Aventures de György Ligeti, Agnus e O King de Luciano Berio . [Thesis]. Universidade Estadual de Campinas; 2014. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/285297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

18. Max Packer. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio.

Degree: Instituto de Artes, 2013, Universidade Estadual de Campinas

Este trabalho consiste numa etapa de um estudo dedicado ao pensamento composicional de Luciano Berio (1925-2003) e às maneiras pelas quais este pensamento articula o… (more)

Subjects/Keywords: Composição (Música); Música - Análise; apreciação; Música; Berio; Luciano; Composition (Music); Music; Music

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APA (6th Edition):

Packer, M. (2013). Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio. (Thesis). Universidade Estadual de Campinas. Retrieved from http://libdigi.unicamp.br/document/?code=000917561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Packer, Max. “Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio.” 2013. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://libdigi.unicamp.br/document/?code=000917561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Packer, Max. “Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio.” 2013. Web. 25 Jan 2020.

Vancouver:

Packer M. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio. [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2020 Jan 25]. Available from: http://libdigi.unicamp.br/document/?code=000917561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Packer M. Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio. [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://libdigi.unicamp.br/document/?code=000917561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Jurkowski, Nicholas W. Berio's Early Use of Serial Techniques: An Analysis of Chamber Music.

Degree: MM, Music Theory, 2009, Bowling Green State University

  In 1952, Luciano Berio studied with Luigi Dallapiccola for six weeks at Tanglewood; it was his first experience studying under a composer of serial… (more)

Subjects/Keywords: Music; Berio; Chamber Music; Joyce

…Luciano Berio stands as a powerful figure in 20th-century music. Influenced by wide-ranging… …In the autumn of 1945 (at the age of twenty), Berio entered the Milan… …most experimental stage, made only limited use of serial techniques, and Berio had little… …1952. In 1946, Berio first heard Pierrot Lunaire, an experience that initially “left him… …that Berio was finally able to 1 2 3 4 5 David Osmond-Smith, Berio (New York: Oxford… 

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APA (6th Edition):

Jurkowski, N. W. (2009). Berio's Early Use of Serial Techniques: An Analysis of Chamber Music. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1251044362

Chicago Manual of Style (16th Edition):

Jurkowski, Nicholas W. “Berio's Early Use of Serial Techniques: An Analysis of Chamber Music.” 2009. Masters Thesis, Bowling Green State University. Accessed January 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1251044362.

MLA Handbook (7th Edition):

Jurkowski, Nicholas W. “Berio's Early Use of Serial Techniques: An Analysis of Chamber Music.” 2009. Web. 25 Jan 2020.

Vancouver:

Jurkowski NW. Berio's Early Use of Serial Techniques: An Analysis of Chamber Music. [Internet] [Masters thesis]. Bowling Green State University; 2009. [cited 2020 Jan 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1251044362.

Council of Science Editors:

Jurkowski NW. Berio's Early Use of Serial Techniques: An Analysis of Chamber Music. [Masters Thesis]. Bowling Green State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1251044362

20. Kim, Jinyoung. A Study and Performance Guide to Luciano Berio's Six Encores pour piano.

Degree: DMA, Music, 2014, The Ohio State University

 Considered one of Italy’s greatest modernist composers, Luciano Berio (1925-2003) brings creativity in Six Encores pour piano that require performing artists to effectively communicate his… (more)

Subjects/Keywords: Music; Luciano; Berio; Six Encores

…1 Chapter 2. Biographical Background of Luciano Berio… …14 Figure 4.1 Berio, Six Encores pour piano, “Luftklavier”, 1st and 2nd system… …22 Figure 4.2 Berio, Cinque Variazioni, IV. Variazione, mm. 3-6… …23 Figure 4.3 Berio, Six Encores pour piano, “Leaf”, mm. 24-28… …24 Figure 4.4 Berio, Sequenza IV, mm. 38-42… 

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APA (6th Edition):

Kim, J. (2014). A Study and Performance Guide to Luciano Berio's Six Encores pour piano. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1397596839

Chicago Manual of Style (16th Edition):

Kim, Jinyoung. “A Study and Performance Guide to Luciano Berio's Six Encores pour piano.” 2014. Doctoral Dissertation, The Ohio State University. Accessed January 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397596839.

MLA Handbook (7th Edition):

Kim, Jinyoung. “A Study and Performance Guide to Luciano Berio's Six Encores pour piano.” 2014. Web. 25 Jan 2020.

Vancouver:

Kim J. A Study and Performance Guide to Luciano Berio's Six Encores pour piano. [Internet] [Doctoral dissertation]. The Ohio State University; 2014. [cited 2020 Jan 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1397596839.

Council of Science Editors:

Kim J. A Study and Performance Guide to Luciano Berio's Six Encores pour piano. [Doctoral Dissertation]. The Ohio State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1397596839


University of Cincinnati

21. Lee, Gui Hwan. The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia.

Degree: MM, College-Conservatory of Music: Music History, 2017, University of Cincinnati

 Luciano Berio’s Sincronie for String Quartet (1964) has been the most frequentlyanalyzed work among the five string quartets of the composer. No study yet examined… (more)

Subjects/Keywords: Music; Berio, Luciano; Sincronie, 1964; Nones, 1954; Tempi concertati, 1959; Epifanie, 1965; Sinfonia, 1968

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APA (6th Edition):

Lee, G. H. (2017). The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386

Chicago Manual of Style (16th Edition):

Lee, Gui Hwan. “The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia.” 2017. Masters Thesis, University of Cincinnati. Accessed January 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386.

MLA Handbook (7th Edition):

Lee, Gui Hwan. “The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia.” 2017. Web. 25 Jan 2020.

Vancouver:

Lee GH. The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia. [Internet] [Masters thesis]. University of Cincinnati; 2017. [cited 2020 Jan 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386.

Council of Science Editors:

Lee GH. The Roots of Texture as a Structural Agent in Luciano Berio’s Sincronie for String Quartet (1964), as Seen in His Early 1960s Orchestral Works, Nones, Tempi Concertati, Allez-hop, and Epifanie as well as Late 1960s Work, Sinfonia. [Masters Thesis]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504801778724386


University of California – San Diego

22. Walters, Ashley M. Six New and Recent Works for Solo Cello in Recording and Discussion.

Degree: Music, 2013, University of California – San Diego

 ABSTRACT OF THE DISSERTATIONSix New and Recent Works for Solo Cello in Recording and Discussionby Ashley Melynda WaltersDoctor of Musical Arts in Contemporary Music PerformanceUniversity… (more)

Subjects/Keywords: Music; Andrew McIntosh; Cello; Luciano Berio; Nicholas Deyoe; Wadada Leo Smith; Wolfgang von Schweinitz

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APA (6th Edition):

Walters, A. M. (2013). Six New and Recent Works for Solo Cello in Recording and Discussion. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/2065w4t0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Ashley M. “Six New and Recent Works for Solo Cello in Recording and Discussion.” 2013. Thesis, University of California – San Diego. Accessed January 25, 2020. http://www.escholarship.org/uc/item/2065w4t0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Ashley M. “Six New and Recent Works for Solo Cello in Recording and Discussion.” 2013. Web. 25 Jan 2020.

Vancouver:

Walters AM. Six New and Recent Works for Solo Cello in Recording and Discussion. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Jan 25]. Available from: http://www.escholarship.org/uc/item/2065w4t0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters AM. Six New and Recent Works for Solo Cello in Recording and Discussion. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/2065w4t0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

23. Hekman, Mark P. Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII.

Degree: 2017, University of North Carolina – Greensboro

 This paper applies macro concepts of athletic endurance training to music performance by adapting a running training plan into a multi-week bassoon practice sequence leading… (more)

Subjects/Keywords: Berio, Luciano, – 1925-2003. – Sequenza, – no. 12; Bassoon – Instruction and study; Endurance sports – Training

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APA (6th Edition):

Hekman, M. P. (2017). Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22059

Chicago Manual of Style (16th Edition):

Hekman, Mark P. “Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII.” 2017. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 25, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22059.

MLA Handbook (7th Edition):

Hekman, Mark P. “Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII.” 2017. Web. 25 Jan 2020.

Vancouver:

Hekman MP. Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2017. [cited 2020 Jan 25]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22059.

Council of Science Editors:

Hekman MP. Cross-disciplinary adaptation: a training plan for Luciano Berio’s Sequenza XII. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2017. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=22059


Royal Holloway, University of London

24. Brady, Clare. The open voice : vocality and listening in three operas by Luciano Berio.

Degree: PhD, 2017, Royal Holloway, University of London

 The human voice has undergone a seismic reappraisal in recent years, within musicology, and across disciplinary boundaries in the humanities, arts and sciences; 'voice studies'… (more)

Subjects/Keywords: Luciano Berio; Voice; Vocality; Aesthetics; Italian avant-garde; Opera; The Open Work; Vocal performance; Listening

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APA (6th Edition):

Brady, C. (2017). The open voice : vocality and listening in three operas by Luciano Berio. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733

Chicago Manual of Style (16th Edition):

Brady, Clare. “The open voice : vocality and listening in three operas by Luciano Berio.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 25, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733.

MLA Handbook (7th Edition):

Brady, Clare. “The open voice : vocality and listening in three operas by Luciano Berio.” 2017. Web. 25 Jan 2020.

Vancouver:

Brady C. The open voice : vocality and listening in three operas by Luciano Berio. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2020 Jan 25]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733.

Council of Science Editors:

Brady C. The open voice : vocality and listening in three operas by Luciano Berio. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733

25. NC DOCKS at The University of North Carolina at Greensboro; Strum, Nicole E. Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form.

Degree: 2012, NC Docks

 Existing analyses of Sequenza VII's form rely on the aggregate-completing pitch of a fixed-register pitch series to outline the climactic area of the piece and… (more)

Subjects/Keywords: Berio; Luciano; $d 1925-2003. $t Sequenza; $n no. 7 $x Criticism and interpretation

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APA (6th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Strum, N. E. (2012). Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Strum_uncg_0154D_11082.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Strum, Nicole E. “Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form.” 2012. Thesis, NC Docks. Accessed January 25, 2020. http://libres.uncg.edu/ir/uncg/f/Strum_uncg_0154D_11082.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Strum, Nicole E. “Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form.” 2012. Web. 25 Jan 2020.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Strum NE. Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form. [Internet] [Thesis]. NC Docks; 2012. [cited 2020 Jan 25]. Available from: http://libres.uncg.edu/ir/uncg/f/Strum_uncg_0154D_11082.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Strum NE. Luciano Berio's Sequenza VII: temporal multiplicity and alternative conceptions of form. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/uncg/f/Strum_uncg_0154D_11082.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

26. Wyber, Leslie Paulette. Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio .

Degree: 1996, University of British Columbia

 This document examines Luciano Berio's Cinque Voriationi for solo piano (1952-3, rev. 1966) from the perspective of a performer seeking to convey something of the… (more)

Subjects/Keywords: Berio; Luciano; 1925-2003. Variazioni; piano

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APA (6th Edition):

Wyber, L. P. (1996). Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/6234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wyber, Leslie Paulette. “Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio .” 1996. Thesis, University of British Columbia. Accessed January 25, 2020. http://hdl.handle.net/2429/6234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wyber, Leslie Paulette. “Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio .” 1996. Web. 25 Jan 2020.

Vancouver:

Wyber LP. Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio . [Internet] [Thesis]. University of British Columbia; 1996. [cited 2020 Jan 25]. Available from: http://hdl.handle.net/2429/6234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyber LP. Graduate recitals and document : pulse, phrasing and pitch organization in Cinque variazioni by Luciano Berio . [Thesis]. University of British Columbia; 1996. Available from: http://hdl.handle.net/2429/6234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

27. Penha, Gustavo Rodrigues, 1983-. Reescrituras na música dos séculos XX e XXI .

Degree: 2010, Universidade Estadual de Campinas

 Resumo: Este trabalho busca compreender o conceito de reescritura e aplicá-lo na análise de peças compostas durante os séculos XX e XXI. Num primeiro momento… (more)

Subjects/Keywords: Mello Filho, Silvio Ferraz, 1959-; Gervasoni, Stefano, 1962-; Stravinsky, Igor, 1882-1971; Berio, Luciano, 1925-2003; Música contemporânea; Intertextualidade

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Penha, Gustavo Rodrigues, 1. (2010). Reescrituras na música dos séculos XX e XXI . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Penha, Gustavo Rodrigues, 1983-. “Reescrituras na música dos séculos XX e XXI .” 2010. Thesis, Universidade Estadual de Campinas. Accessed January 25, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Penha, Gustavo Rodrigues, 1983-. “Reescrituras na música dos séculos XX e XXI .” 2010. Web. 25 Jan 2020.

Vancouver:

Penha, Gustavo Rodrigues 1. Reescrituras na música dos séculos XX e XXI . [Internet] [Thesis]. Universidade Estadual de Campinas; 2010. [cited 2020 Jan 25]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Penha, Gustavo Rodrigues 1. Reescrituras na música dos séculos XX e XXI . [Thesis]. Universidade Estadual de Campinas; 2010. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Reinhart, Andrew. MM Recitals.

Degree: MM, Music, 2018, Texas Tech University

1. MM Recital I: Bonneau, Bassett, Lennon, Dahl 2. MM Recital II: Tomasi, Berio, Grieg, Husa Advisors/Committee Members: Dees, David (advisor).

Subjects/Keywords: Bonneau; Bassett; Lennon; Dahl; Tomasi; Berio; Grieg; Husa

Page 1

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APA (6th Edition):

Reinhart, A. (2018). MM Recitals. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/82124

Chicago Manual of Style (16th Edition):

Reinhart, Andrew. “MM Recitals.” 2018. Masters Thesis, Texas Tech University. Accessed January 25, 2020. http://hdl.handle.net/2346/82124.

MLA Handbook (7th Edition):

Reinhart, Andrew. “MM Recitals.” 2018. Web. 25 Jan 2020.

Vancouver:

Reinhart A. MM Recitals. [Internet] [Masters thesis]. Texas Tech University; 2018. [cited 2020 Jan 25]. Available from: http://hdl.handle.net/2346/82124.

Council of Science Editors:

Reinhart A. MM Recitals. [Masters Thesis]. Texas Tech University; 2018. Available from: http://hdl.handle.net/2346/82124


The Ohio State University

29. Firca, Stefan. Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination.

Degree: PhD, Music, 2011, The Ohio State University

  Circus, fairground, carousel, carnival imagery is everywhere during the late 1960s: in cover art, song lyrics, band names and song titles, music criticism, names… (more)

Subjects/Keywords: Film Studies; History; Music; carnivalesque; rock 'n' roll circus; carousel-waltz; musicircus; Tati; Godard; collage; psychedelia; streetnoise; heteromorphy; Berio; Sinfonia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Firca, S. (2011). Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194

Chicago Manual of Style (16th Edition):

Firca, Stefan. “Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination.” 2011. Doctoral Dissertation, The Ohio State University. Accessed January 25, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194.

MLA Handbook (7th Edition):

Firca, Stefan. “Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination.” 2011. Web. 25 Jan 2020.

Vancouver:

Firca S. Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination. [Internet] [Doctoral dissertation]. The Ohio State University; 2011. [cited 2020 Jan 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194.

Council of Science Editors:

Firca S. Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination. [Doctoral Dissertation]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194


Washington University in St. Louis

30. Meehan, Kate. Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator.

Degree: PhD, Music, 2011, Washington University in St. Louis

  During her relatively brief career, Cathy Berberian: 1925-83) became arguably the best-known singer of avant-garde vocal music in Europe and the United States. After… (more)

Subjects/Keywords: Music; avant-garde music; Luciano Berio; performance studies; twentieth-century music; vocal music; women in music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meehan, K. (2011). Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/etd/239

Chicago Manual of Style (16th Edition):

Meehan, Kate. “Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator.” 2011. Doctoral Dissertation, Washington University in St. Louis. Accessed January 25, 2020. https://openscholarship.wustl.edu/etd/239.

MLA Handbook (7th Edition):

Meehan, Kate. “Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator.” 2011. Web. 25 Jan 2020.

Vancouver:

Meehan K. Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2011. [cited 2020 Jan 25]. Available from: https://openscholarship.wustl.edu/etd/239.

Council of Science Editors:

Meehan K. Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator. [Doctoral Dissertation]. Washington University in St. Louis; 2011. Available from: https://openscholarship.wustl.edu/etd/239

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