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You searched for subject:(Beethoven). Showing records 1 – 30 of 198 total matches.

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University of Georgia

1. Byrd, Joshua. Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4.

Degree: DMA, Music, 2011, University of Georgia

 While Vienna certainly served as the primary center for Beethoven’s music world, his hometown of Bonn left an indelible mark on the composer’s life. One… (more)

Subjects/Keywords: Beethoven

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APA (6th Edition):

Byrd, J. (2011). Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/byrd_joshua_201105_dma

Chicago Manual of Style (16th Edition):

Byrd, Joshua. “Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4.” 2011. Doctoral Dissertation, University of Georgia. Accessed February 22, 2020. http://purl.galileo.usg.edu/uga_etd/byrd_joshua_201105_dma.

MLA Handbook (7th Edition):

Byrd, Joshua. “Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4.” 2011. Web. 22 Feb 2020.

Vancouver:

Byrd J. Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4. [Internet] [Doctoral dissertation]. University of Georgia; 2011. [cited 2020 Feb 22]. Available from: http://purl.galileo.usg.edu/uga_etd/byrd_joshua_201105_dma.

Council of Science Editors:

Byrd J. Growth and change in Beethoven's compositional style and approach: an analysis and comparison of Opus 103 and Opus 4. [Doctoral Dissertation]. University of Georgia; 2011. Available from: http://purl.galileo.usg.edu/uga_etd/byrd_joshua_201105_dma


Victoria University of Wellington

2. Oswin, Matthew. Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways.

Degree: 2013, Victoria University of Wellington

 Beethoven’s ‘Kreutzer’ Sonata transgressed the expectations – and likely captivated the minds – of early nineteenth-century musicians and audiences alike. The ‘Kreutzer’ is stylistically removed… (more)

Subjects/Keywords: Beethoven; Kreutzer; Arrangement

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APA (6th Edition):

Oswin, M. (2013). Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2917

Chicago Manual of Style (16th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways.” 2013. Masters Thesis, Victoria University of Wellington. Accessed February 22, 2020. http://hdl.handle.net/10063/2917.

MLA Handbook (7th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways.” 2013. Web. 22 Feb 2020.

Vancouver:

Oswin M. Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways. [Internet] [Masters thesis]. Victoria University of Wellington; 2013. [cited 2020 Feb 22]. Available from: http://hdl.handle.net/10063/2917.

Council of Science Editors:

Oswin M. Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of Arrangement - One Piece, Three Ways. [Masters Thesis]. Victoria University of Wellington; 2013. Available from: http://hdl.handle.net/10063/2917


University of North Texas

3. Teng, Kuo-Jen. The Role Of The Piccolo In Beethoven's Orchestration.

Degree: 2011, University of North Texas

 This dissertation discusses the role of the piccolo in Beethoven’s orchestration in his symphonic works. These include the Fifth Symphony, the Sixth Symphony, the Egmont… (more)

Subjects/Keywords: Piccolo; Beethoven; orchestration

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APA (6th Edition):

Teng, K. (2011). The Role Of The Piccolo In Beethoven's Orchestration. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Teng, Kuo-Jen. “The Role Of The Piccolo In Beethoven's Orchestration.” 2011. Thesis, University of North Texas. Accessed February 22, 2020. https://digital.library.unt.edu/ark:/67531/metadc103400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Teng, Kuo-Jen. “The Role Of The Piccolo In Beethoven's Orchestration.” 2011. Web. 22 Feb 2020.

Vancouver:

Teng K. The Role Of The Piccolo In Beethoven's Orchestration. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Feb 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teng K. The Role Of The Piccolo In Beethoven's Orchestration. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

4. Yeh, Gloria Nye-Gin. Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies.

Degree: PhD, Graduate School, 1994, The Ohio State University

Subjects/Keywords: Music; Beethoven

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APA (6th Edition):

Yeh, G. N. (1994). Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487856076414021

Chicago Manual of Style (16th Edition):

Yeh, Gloria Nye-Gin. “Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies.” 1994. Doctoral Dissertation, The Ohio State University. Accessed February 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487856076414021.

MLA Handbook (7th Edition):

Yeh, Gloria Nye-Gin. “Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies.” 1994. Web. 22 Feb 2020.

Vancouver:

Yeh GN. Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies. [Internet] [Doctoral dissertation]. The Ohio State University; 1994. [cited 2020 Feb 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487856076414021.

Council of Science Editors:

Yeh GN. Beethoven's Piano Concerto in C Major, opus 15: structural analysis and performance strategies. [Doctoral Dissertation]. The Ohio State University; 1994. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487856076414021


Victoria University of Wellington

5. Atkins, Andrew Quintin George. Performance-Motivated Analysis: An Approach to Performance Interpretation.

Degree: 2016, Victoria University of Wellington

 Performance interpretation is one of the most challenging yet most important skill sets for a performer to develop. Performers all use different approaches in developing… (more)

Subjects/Keywords: Beethoven; Waldstein; Analysis; Interpretation

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APA (6th Edition):

Atkins, A. Q. G. (2016). Performance-Motivated Analysis: An Approach to Performance Interpretation. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6156

Chicago Manual of Style (16th Edition):

Atkins, Andrew Quintin George. “Performance-Motivated Analysis: An Approach to Performance Interpretation.” 2016. Masters Thesis, Victoria University of Wellington. Accessed February 22, 2020. http://hdl.handle.net/10063/6156.

MLA Handbook (7th Edition):

Atkins, Andrew Quintin George. “Performance-Motivated Analysis: An Approach to Performance Interpretation.” 2016. Web. 22 Feb 2020.

Vancouver:

Atkins AQG. Performance-Motivated Analysis: An Approach to Performance Interpretation. [Internet] [Masters thesis]. Victoria University of Wellington; 2016. [cited 2020 Feb 22]. Available from: http://hdl.handle.net/10063/6156.

Council of Science Editors:

Atkins AQG. Performance-Motivated Analysis: An Approach to Performance Interpretation. [Masters Thesis]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/6156


Duquesne University

6. Shroyer, Caitlin. Graduate Recital, Violin.

Degree: MM, Music Performance, 2012, Duquesne University

 Sonata in C Major for Violin J.S. Bach Bach began composing his six sonatas and partitas for solo violin while in Weimar, but completed the… (more)

Subjects/Keywords: Bach; Bolcom; Beethoven; Kreutzer

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APA (6th Edition):

Shroyer, C. (2012). Graduate Recital, Violin. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shroyer, Caitlin. “Graduate Recital, Violin.” 2012. Thesis, Duquesne University. Accessed February 22, 2020. https://dsc.duq.edu/etd/1193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shroyer, Caitlin. “Graduate Recital, Violin.” 2012. Web. 22 Feb 2020.

Vancouver:

Shroyer C. Graduate Recital, Violin. [Internet] [Thesis]. Duquesne University; 2012. [cited 2020 Feb 22]. Available from: https://dsc.duq.edu/etd/1193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shroyer C. Graduate Recital, Violin. [Thesis]. Duquesne University; 2012. Available from: https://dsc.duq.edu/etd/1193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

7. Fu, Pin-Yun. The Minuet Movements in Beethoven's Piano Sonatas.

Degree: Master, Music, 2003, NSYSU

 Minuet was one of the popular dances in the court during 17th century. It became one of the multi-movement instrumental music during 18th century. In… (more)

Subjects/Keywords: Beethoven; Minuet

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APA (6th Edition):

Fu, P. (2003). The Minuet Movements in Beethoven's Piano Sonatas. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801103-155018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fu, Pin-Yun. “The Minuet Movements in Beethoven's Piano Sonatas.” 2003. Thesis, NSYSU. Accessed February 22, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801103-155018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fu, Pin-Yun. “The Minuet Movements in Beethoven's Piano Sonatas.” 2003. Web. 22 Feb 2020.

Vancouver:

Fu P. The Minuet Movements in Beethoven's Piano Sonatas. [Internet] [Thesis]. NSYSU; 2003. [cited 2020 Feb 22]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801103-155018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fu P. The Minuet Movements in Beethoven's Piano Sonatas. [Thesis]. NSYSU; 2003. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0801103-155018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

8. Garcia Priego, Victor. Music and the crisis of modernity.

Degree: PhD, 2015, Royal Holloway, University of London

 In this dissertation I want to show how the crisis of the project of modernity - apparent in some challenges we face today such as… (more)

Subjects/Keywords: Music; Modernity; Arendt; Adorno; Beethoven

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APA (6th Edition):

Garcia Priego, V. (2015). Music and the crisis of modernity. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/music-and-the-crisis-of-modernity(f64958df-79eb-4513-bc0d-47a82b13bb61).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792325

Chicago Manual of Style (16th Edition):

Garcia Priego, Victor. “Music and the crisis of modernity.” 2015. Doctoral Dissertation, Royal Holloway, University of London. Accessed February 22, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/music-and-the-crisis-of-modernity(f64958df-79eb-4513-bc0d-47a82b13bb61).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792325.

MLA Handbook (7th Edition):

Garcia Priego, Victor. “Music and the crisis of modernity.” 2015. Web. 22 Feb 2020.

Vancouver:

Garcia Priego V. Music and the crisis of modernity. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2015. [cited 2020 Feb 22]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/music-and-the-crisis-of-modernity(f64958df-79eb-4513-bc0d-47a82b13bb61).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792325.

Council of Science Editors:

Garcia Priego V. Music and the crisis of modernity. [Doctoral Dissertation]. Royal Holloway, University of London; 2015. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/music-and-the-crisis-of-modernity(f64958df-79eb-4513-bc0d-47a82b13bb61).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792325


University of Oklahoma

9. Oyenard, Geronimo. ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5.

Degree: DMA, 2019, University of Oklahoma

 Teaching the stylistic aspects of Classical era violin literature in a systematic way is a relatively recent endeavor in drastic need for readily accessible material.… (more)

Subjects/Keywords: Mozart; Beethoven; Violin Concertos; Cadenzas

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APA (6th Edition):

Oyenard, G. (2019). ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319682

Chicago Manual of Style (16th Edition):

Oyenard, Geronimo. “ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5.” 2019. Doctoral Dissertation, University of Oklahoma. Accessed February 22, 2020. http://hdl.handle.net/11244/319682.

MLA Handbook (7th Edition):

Oyenard, Geronimo. “ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5.” 2019. Web. 22 Feb 2020.

Vancouver:

Oyenard G. ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5. [Internet] [Doctoral dissertation]. University of Oklahoma; 2019. [cited 2020 Feb 22]. Available from: http://hdl.handle.net/11244/319682.

Council of Science Editors:

Oyenard G. ISSUES IN LATE CLASSICAL VIOLIN CONCERTO LITERATURE: HISTORICALLY INFORMED CADENZAS, THE CONCERTO IN E-FLAT, K. 268 ATTRIBUTED TO MOZART, AND BEETHOVEN’S UNFINISHED CONCERTO MOVEMENT IN C, WOO5. [Doctoral Dissertation]. University of Oklahoma; 2019. Available from: http://hdl.handle.net/11244/319682


University of North Texas

10. Ding, Yang. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.

Degree: 2015, University of North Texas

 The goal of this dissertation is not only to introduce the unique cadenza by Alkan but also to offer an argument from the performer’s point… (more)

Subjects/Keywords: Alkan; cadenza; Beethoven; music history

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APA (6th Edition):

Ding, Y. (2015). First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799505/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ding, Yang. “First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.” 2015. Thesis, University of North Texas. Accessed February 22, 2020. https://digital.library.unt.edu/ark:/67531/metadc799505/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ding, Yang. “First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza.” 2015. Web. 22 Feb 2020.

Vancouver:

Ding Y. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Feb 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799505/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ding Y. First Movement of the Beethoven Third Piano Concerto: An Argument for the Alkan Cadenza. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799505/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Graf, Benjamin Stewart. An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven.

Degree: 2016, University of North Texas

Beethoven's rich compositional language evokes unique problems that have fueled scholarly dialogue for many years. My analyses focus on two types of paradoxes as central… (more)

Subjects/Keywords: Beethoven; music theory; analysis; Schenker; Schenkerian analysis; Schenkerian theory; Paradox; Structural dualism; Beethoven Op. 90; Beethoven Op. 124; Beethoven Tempest Sonata; Beethoven 8th Symphony; Beethoven 4th Symphony; Beethoven Ninth Symphony; Beethoven Op. 125; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Graf, B. S. (2016). An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Graf, Benjamin Stewart. “An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven.” 2016. Thesis, University of North Texas. Accessed February 22, 2020. https://digital.library.unt.edu/ark:/67531/metadc849697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Graf, Benjamin Stewart. “An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven.” 2016. Web. 22 Feb 2020.

Vancouver:

Graf BS. An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven. [Internet] [Thesis]. University of North Texas; 2016. [cited 2020 Feb 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Graf BS. An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

12. Bakos, Daniel Frank. Recapitulation preparation in selected sonata form movements by Beethoven.

Degree: PhD, Graduate School, 1981, The Ohio State University

Subjects/Keywords: Music; Beethoven; Sonata

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APA (6th Edition):

Bakos, D. F. (1981). Recapitulation preparation in selected sonata form movements by Beethoven. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487156696793314

Chicago Manual of Style (16th Edition):

Bakos, Daniel Frank. “Recapitulation preparation in selected sonata form movements by Beethoven.” 1981. Doctoral Dissertation, The Ohio State University. Accessed February 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487156696793314.

MLA Handbook (7th Edition):

Bakos, Daniel Frank. “Recapitulation preparation in selected sonata form movements by Beethoven.” 1981. Web. 22 Feb 2020.

Vancouver:

Bakos DF. Recapitulation preparation in selected sonata form movements by Beethoven. [Internet] [Doctoral dissertation]. The Ohio State University; 1981. [cited 2020 Feb 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487156696793314.

Council of Science Editors:

Bakos DF. Recapitulation preparation in selected sonata form movements by Beethoven. [Doctoral Dissertation]. The Ohio State University; 1981. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487156696793314


The Ohio State University

13. Ohlsson, Eric Paul. The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven.

Degree: PhD, Graduate School, 1980, The Ohio State University

Subjects/Keywords: Music; Mozart; Beethoven

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APA (6th Edition):

Ohlsson, E. P. (1980). The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487093435463064

Chicago Manual of Style (16th Edition):

Ohlsson, Eric Paul. “The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven.” 1980. Doctoral Dissertation, The Ohio State University. Accessed February 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487093435463064.

MLA Handbook (7th Edition):

Ohlsson, Eric Paul. “The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven.” 1980. Web. 22 Feb 2020.

Vancouver:

Ohlsson EP. The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven. [Internet] [Doctoral dissertation]. The Ohio State University; 1980. [cited 2020 Feb 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487093435463064.

Council of Science Editors:

Ohlsson EP. The quintets for piano, oboe, clarinet, horn and bassoon by Wolfgang Amadeus Mozart and Ludwig van Beethoven. [Doctoral Dissertation]. The Ohio State University; 1980. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487093435463064


Temple University

14. Woodard, Meghan. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.

Degree: 2017, Temple University

Music Performance

D.M.A.

This monograph analyzes recordings of three orchestral excerpts for the oboe made between 1910 – 2016 and studies trends in interpretation, showing… (more)

Subjects/Keywords: Music;

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APA (6th Edition):

Woodard, M. (2017). ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,469262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodard, Meghan. “ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.” 2017. Thesis, Temple University. Accessed February 22, 2020. http://digital.library.temple.edu/u?/p245801coll10,469262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodard, Meghan. “ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016.” 2017. Web. 22 Feb 2020.

Vancouver:

Woodard M. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. [Internet] [Thesis]. Temple University; 2017. [cited 2020 Feb 22]. Available from: http://digital.library.temple.edu/u?/p245801coll10,469262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodard M. ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016. [Thesis]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,469262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

15. Powell, Andrew S. Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53.

Degree: MM, Music Theory, 2010, Duquesne University

 Harmonic expectations in Western tonal music are formed throughout an individual's lifetime, created by the encounter of commonly recurring patterns of relationships of chords within… (more)

Subjects/Keywords: Beethoven; consciousness; Damasio; harmonic expectation; memory; Waldstein

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APA (6th Edition):

Powell, A. S. (2010). Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53. (Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Powell, Andrew S. “Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53.” 2010. Thesis, Duquesne University. Accessed February 22, 2020. https://dsc.duq.edu/etd/1059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Powell, Andrew S. “Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53.” 2010. Web. 22 Feb 2020.

Vancouver:

Powell AS. Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53. [Internet] [Thesis]. Duquesne University; 2010. [cited 2020 Feb 22]. Available from: https://dsc.duq.edu/etd/1059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Powell AS. Harmony in Time: Memory, Consciousness, and Expectation in Beethoven's Waldstein Sonata, Op. 53. [Thesis]. Duquesne University; 2010. Available from: https://dsc.duq.edu/etd/1059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Goolsby, Jeff. DMA Recital.

Degree: DMA, Music, 2018, Texas Tech University

Subjects/Keywords: Beethoven; Haydn; Nickel

Page 1

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APA (6th Edition):

Goolsby, J. (2018). DMA Recital. (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/82110

Chicago Manual of Style (16th Edition):

Goolsby, Jeff. “DMA Recital.” 2018. Doctoral Dissertation, Texas Tech University. Accessed February 22, 2020. http://hdl.handle.net/2346/82110.

MLA Handbook (7th Edition):

Goolsby, Jeff. “DMA Recital.” 2018. Web. 22 Feb 2020.

Vancouver:

Goolsby J. DMA Recital. [Internet] [Doctoral dissertation]. Texas Tech University; 2018. [cited 2020 Feb 22]. Available from: http://hdl.handle.net/2346/82110.

Council of Science Editors:

Goolsby J. DMA Recital. [Doctoral Dissertation]. Texas Tech University; 2018. Available from: http://hdl.handle.net/2346/82110


University of Cincinnati

17. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

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APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed February 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 22 Feb 2020.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Feb 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of Cincinnati

18. Lai, Wei-Ya. Beethoven's Late Style in His Last Five Piano Sonatas.

Degree: DMA, College-Conservatory of Music : Piano, 2009, University of Cincinnati

 This document intends to explore Ludwig van Beethoven's last five piano sonatas (Opp. 101, 106, 109, 110, and 111) focusing on their innovative and experimental… (more)

Subjects/Keywords: Music; Beethoven; piano sonatas; late style

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APA (6th Edition):

Lai, W. (2009). Beethoven's Late Style in His Last Five Piano Sonatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360

Chicago Manual of Style (16th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed February 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

MLA Handbook (7th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Web. 22 Feb 2020.

Vancouver:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2020 Feb 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

Council of Science Editors:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360


NSYSU

19. Wu, Hsin-Yi. A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â.

Degree: Master, Music, 2003, NSYSU

Beethoven composed five sonatas and three variations for cello and piano in his lifetime. His five cello sonatas (including two in his early, one in… (more)

Subjects/Keywords: Cello sonata; Beethoven

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APA (6th Edition):

Wu, H. (2003). A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0617103-142038

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Hsin-Yi. “A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â.” 2003. Thesis, NSYSU. Accessed February 22, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0617103-142038.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Hsin-Yi. “A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â.” 2003. Web. 22 Feb 2020.

Vancouver:

Wu H. A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â. [Internet] [Thesis]. NSYSU; 2003. [cited 2020 Feb 22]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0617103-142038.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu H. A Research about the Promotion of Cello Positions from Beethovenâs âCello Sonatas, Opus 102â. [Thesis]. NSYSU; 2003. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0617103-142038

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

20. Derry, Sian Rebecca. Beethoven's Experimental Figurations and Exercises for Piano.

Degree: 2012, University of Manchester

 The numerous piano figurations, exercises and experimental ideas that are found throughout the leaves of Beethoven’s sketchbooks remain a largely unexplored area within the field… (more)

Subjects/Keywords: Beethoven; Sketches; Piano; Exercises; Figurations; Student; Pianist

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APA (6th Edition):

Derry, S. R. (2012). Beethoven's Experimental Figurations and Exercises for Piano. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411

Chicago Manual of Style (16th Edition):

Derry, Sian Rebecca. “Beethoven's Experimental Figurations and Exercises for Piano.” 2012. Doctoral Dissertation, University of Manchester. Accessed February 22, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411.

MLA Handbook (7th Edition):

Derry, Sian Rebecca. “Beethoven's Experimental Figurations and Exercises for Piano.” 2012. Web. 22 Feb 2020.

Vancouver:

Derry SR. Beethoven's Experimental Figurations and Exercises for Piano. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2020 Feb 22]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411.

Council of Science Editors:

Derry SR. Beethoven's Experimental Figurations and Exercises for Piano. [Doctoral Dissertation]. University of Manchester; 2012. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411


University of Debrecen

21. Benkő, Krisztián. Beethoven Magyarországon .

Degree: DE – Zeneművészeti Kar – Szolfézs-Zeneelmélet, Karvezetés Tanszék, University of Debrecen

Szakdolgozatomban Beethoven életének magyar vonatkozású műveit vetem nagyító alá. Advisors/Committee Members: Kissné Mogyorósi, Pálma (advisor), Debreceni Egyetem::Zeneművészeti Kar (advisor).

Subjects/Keywords: Beethoven; zeneirodalom; zeneelmélet

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APA (6th Edition):

Benkő, K. (n.d.). Beethoven Magyarországon . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/264781

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benkő, Krisztián. “Beethoven Magyarországon .” Thesis, University of Debrecen. Accessed February 22, 2020. http://hdl.handle.net/2437/264781.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benkő, Krisztián. “Beethoven Magyarországon .” Web. 22 Feb 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Benkő K. Beethoven Magyarországon . [Internet] [Thesis]. University of Debrecen; [cited 2020 Feb 22]. Available from: http://hdl.handle.net/2437/264781.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Benkő K. Beethoven Magyarországon . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/264781

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Oklahoma

22. Westover, Christopher. Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance.

Degree: DMA, 2016, University of Oklahoma

 This document suggests a solution to the problem posed by the existence of three competing urtext editions of Beethoven’s Symphony No. 5, op. 67, by… (more)

Subjects/Keywords: Beethoven; Urtext; Fifth Symphony; Variants; op. 67

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APA (6th Edition):

Westover, C. (2016). Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/43874

Chicago Manual of Style (16th Edition):

Westover, Christopher. “Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance.” 2016. Doctoral Dissertation, University of Oklahoma. Accessed February 22, 2020. http://hdl.handle.net/11244/43874.

MLA Handbook (7th Edition):

Westover, Christopher. “Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance.” 2016. Web. 22 Feb 2020.

Vancouver:

Westover C. Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance. [Internet] [Doctoral dissertation]. University of Oklahoma; 2016. [cited 2020 Feb 22]. Available from: http://hdl.handle.net/11244/43874.

Council of Science Editors:

Westover C. Deconstructing Authenticity in Three Urtext Editions of Beethoven's Symphony No. 5, Op. 67: A Conductor's Guide to Variant Readings for Performance. [Doctoral Dissertation]. University of Oklahoma; 2016. Available from: http://hdl.handle.net/11244/43874


University of Manchester

23. Burton, Hannah. Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence.

Degree: 2019, University of Manchester

 There is a significant amount of scholarship debating the relationship between music and theology, primarily concerned either with how music might be used as part… (more)

Subjects/Keywords: music; transcendence; infinite; Schleiermacher; Hoffmann; Beethoven; Schubert

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APA (6th Edition):

Burton, H. (2019). Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319632

Chicago Manual of Style (16th Edition):

Burton, Hannah. “Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence.” 2019. Doctoral Dissertation, University of Manchester. Accessed February 22, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319632.

MLA Handbook (7th Edition):

Burton, Hannah. “Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence.” 2019. Web. 22 Feb 2020.

Vancouver:

Burton H. Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence. [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2020 Feb 22]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319632.

Council of Science Editors:

Burton H. Yearning for the Infinite: A study of the capacity of music to mediate a sense of transcendence. [Doctoral Dissertation]. University of Manchester; 2019. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319632

24. Lundmark, Andreas. Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete.

Degree: Classical Music, 2014, Royal College of Music in Stockholm

Inspelning av Beethovens sonat för horn och piano finns som CD-bilaga. Andreas Lundmark - Horn Katarina Ström Harg - Piano Bilaga: 1 CD

Subjects/Keywords: Beethoven; horn

…pianostämman och hornstämman tyckte även Beethoven om denna kompositionsteknik. Han tvekade inte att… …kort, enbart 36 takter. Därefter är vi tillbaka i återtagningen. Även om Beethoven var en… …Beethoven gör vissa harmoniska utsvävningar, till exempel i och med sidotemat i moll så rör sig… …imponerande. Beethoven tänkte kanske att det var lika bra att bara skriva något kort för att ”få det… …öppna. Men Beethoven hade bra koll på det här och har han skrivit på ett visst sätt så finns… 

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APA (6th Edition):

Lundmark, A. (2014). Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lundmark, Andreas. “Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete.” 2014. Thesis, Royal College of Music in Stockholm. Accessed February 22, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lundmark, Andreas. “Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete.” 2014. Web. 22 Feb 2020.

Vancouver:

Lundmark A. Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete. [Internet] [Thesis]. Royal College of Music in Stockholm; 2014. [cited 2020 Feb 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lundmark A. Beethoven: Sonat för horn och piano, F-dur op. 17 : Skriftlig reflektion inom självständigt, konstnärligt arbete. [Thesis]. Royal College of Music in Stockholm; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Ribeiro, Erika Maria. Aspectos interpretativos da Sonata op. 110 de Beethoven.

Degree: Mestrado, Processos de Criação Musical, 2009, University of São Paulo

Especialmente a partir do século XX, o interesse em entender como de fato se executava a música do período clássico cresceu consideravelmente. Isso porque, intérpretes… (more)

Subjects/Keywords: Beethoven; Beethoven; classicismo; Classicismo; interpretação; Interpretação; piano; Piano; práticas interpretativas; Práticas interpretativas

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APA (6th Edition):

Ribeiro, E. M. (2009). Aspectos interpretativos da Sonata op. 110 de Beethoven. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;

Chicago Manual of Style (16th Edition):

Ribeiro, Erika Maria. “Aspectos interpretativos da Sonata op. 110 de Beethoven.” 2009. Masters Thesis, University of São Paulo. Accessed February 22, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;.

MLA Handbook (7th Edition):

Ribeiro, Erika Maria. “Aspectos interpretativos da Sonata op. 110 de Beethoven.” 2009. Web. 22 Feb 2020.

Vancouver:

Ribeiro EM. Aspectos interpretativos da Sonata op. 110 de Beethoven. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Feb 22]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;.

Council of Science Editors:

Ribeiro EM. Aspectos interpretativos da Sonata op. 110 de Beethoven. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;


Université Paris-Sorbonne – Paris IV

26. Gaboriaud, Marie. « Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic.

Degree: Docteur es, Littérature française, 2015, Université Paris-Sorbonne – Paris IV

La Troisième République a « mystifié » Beethoven. Elle en a fait un personnage de fiction, et l'a intégré au canon républicain français, en le… (more)

Subjects/Keywords: Beethoven; Mythe; Critique musicale; Musicographie; Biographie; Canon; Beethoven; Myth; Music criticism; Musicography; Biography; Canon

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APA (6th Edition):

Gaboriaud, M. (2015). « Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040159

Chicago Manual of Style (16th Edition):

Gaboriaud, Marie. “« Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed February 22, 2020. http://www.theses.fr/2015PA040159.

MLA Handbook (7th Edition):

Gaboriaud, Marie. “« Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic.” 2015. Web. 22 Feb 2020.

Vancouver:

Gaboriaud M. « Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Feb 22]. Available from: http://www.theses.fr/2015PA040159.

Council of Science Editors:

Gaboriaud M. « Ce maître mystérieux » : la construction littéraire du mythe de Beethoven sous la Troisième République : “The mysterious master” : the literary construction of the myth of Beethoven during the Third Republic. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040159


Columbia University

27. Salinas, Edgardo. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary.

Degree: 2011, Columbia University

 This dissertation explores the relationship between the critique of Jena romanticism and Beethoven's "neue Manier" in the context of the material conditions that shaped European… (more)

Subjects/Keywords: Music; Philosophy; Literature; Beethoven, Ludwig van, 1770-1827; Sonatas (Beethoven, Ludwig van)

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APA (6th Edition):

Salinas, E. (2011). "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8BV7PK9

Chicago Manual of Style (16th Edition):

Salinas, Edgardo. “"Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary.” 2011. Doctoral Dissertation, Columbia University. Accessed February 22, 2020. https://doi.org/10.7916/D8BV7PK9.

MLA Handbook (7th Edition):

Salinas, Edgardo. “"Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary.” 2011. Web. 22 Feb 2020.

Vancouver:

Salinas E. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary. [Internet] [Doctoral dissertation]. Columbia University; 2011. [cited 2020 Feb 22]. Available from: https://doi.org/10.7916/D8BV7PK9.

Council of Science Editors:

Salinas E. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary. [Doctoral Dissertation]. Columbia University; 2011. Available from: https://doi.org/10.7916/D8BV7PK9


University of Kentucky

28. Brown, Eric Charles. A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT.

Degree: 2018, University of Kentucky

 This project provides International Phonetic Alphabet (IPA) transcriptions, translations and a vocal pedagogical analysis of “Six Songs of Poetry by Gellert” by Ludwig van Beethoven.… (more)

Subjects/Keywords: Vocal Pedagogy Analysis; Ludwig van Beethoven; Beethoven Songs; Baritone Voice; Vocal Performance Guide; Music Performance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, E. C. (2018). A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/105

Chicago Manual of Style (16th Edition):

Brown, Eric Charles. “A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT.” 2018. Doctoral Dissertation, University of Kentucky. Accessed February 22, 2020. https://uknowledge.uky.edu/music_etds/105.

MLA Handbook (7th Edition):

Brown, Eric Charles. “A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT.” 2018. Web. 22 Feb 2020.

Vancouver:

Brown EC. A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT. [Internet] [Doctoral dissertation]. University of Kentucky; 2018. [cited 2020 Feb 22]. Available from: https://uknowledge.uky.edu/music_etds/105.

Council of Science Editors:

Brown EC. A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT. [Doctoral Dissertation]. University of Kentucky; 2018. Available from: https://uknowledge.uky.edu/music_etds/105

29. Cirne, Luís Fernando Muniz. Scarlatti e Beethoven: proximidades?.

Degree: PhD, Processos de Criação Musical, 2014, University of São Paulo

A observação recorrente que alguns pianistas, professores de piano e compositores fazem sobre a presença da escrita de Domenico Scarlatti em alguns movimentos das Sonatas… (more)

Subjects/Keywords: Análise Comparativa; Beethoven; Beethoven; Comparative Analysis; Computational Processes; Interpretation; music21; music21; Musical Analysis; Piano; Piano; Processos Computacionais, Interpretação; Scarlatti; Scarlatti

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APA (6th Edition):

Cirne, L. F. M. (2014). Scarlatti e Beethoven: proximidades?. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-24102014-104856/ ;

Chicago Manual of Style (16th Edition):

Cirne, Luís Fernando Muniz. “Scarlatti e Beethoven: proximidades?.” 2014. Doctoral Dissertation, University of São Paulo. Accessed February 22, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-24102014-104856/ ;.

MLA Handbook (7th Edition):

Cirne, Luís Fernando Muniz. “Scarlatti e Beethoven: proximidades?.” 2014. Web. 22 Feb 2020.

Vancouver:

Cirne LFM. Scarlatti e Beethoven: proximidades?. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2020 Feb 22]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-24102014-104856/ ;.

Council of Science Editors:

Cirne LFM. Scarlatti e Beethoven: proximidades?. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-24102014-104856/ ;

30. Silva, Flávia Figueira da. Bagatelas op. 119 de Beethoven:  um estudo interpretativo.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

O presente trabalho trata de questões relativas à interpretação musical das Bagatelas op. 119 de Beethoven. São abordados assuntos como: dificuldades técnicas, andamentos, dinâmica, fraseado,… (more)

Subjects/Keywords: Bagatelas op. 119; Bagatelles op. 119; Beethoven; Beethoven; Classicism; Classicismo; Performance Practices; Piano; Piano; Práticas interpretativas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, F. F. d. (2012). Bagatelas op. 119 de Beethoven:  um estudo interpretativo. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-105242/ ;

Chicago Manual of Style (16th Edition):

Silva, Flávia Figueira da. “Bagatelas op. 119 de Beethoven:  um estudo interpretativo.” 2012. Masters Thesis, University of São Paulo. Accessed February 22, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-105242/ ;.

MLA Handbook (7th Edition):

Silva, Flávia Figueira da. “Bagatelas op. 119 de Beethoven:  um estudo interpretativo.” 2012. Web. 22 Feb 2020.

Vancouver:

Silva FFd. Bagatelas op. 119 de Beethoven:  um estudo interpretativo. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Feb 22]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-105242/ ;.

Council of Science Editors:

Silva FFd. Bagatelas op. 119 de Beethoven:  um estudo interpretativo. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-105242/ ;

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