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You searched for subject:(Beethoven Piano Sonata). Showing records 1 – 17 of 17 total matches.

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University of Cincinnati

1. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

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APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed February 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 19 Feb 2020.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Feb 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of North Texas

2. Treber, Stefan L. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.

Degree: 2010, University of North Texas

 This thesis examines the history and origins of Beethoven's E minor Piano Sonata and examines the possibility of the programmatic conception of the work. Dedicated… (more)

Subjects/Keywords: Schenkerian analysis.; E minor sonata; piano sonata; Beethoven; Beethoven, Ludwig van, 1770-1827. Sonatas, piano no. 27, op. 90, E minor.

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APA (6th Edition):

Treber, S. L. (2010). A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Thesis, University of North Texas. Accessed February 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Web. 19 Feb 2020.

Vancouver:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Feb 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

3. Lin, Cheng-Yin. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.

Degree: DMA, Music, 2013, Louisiana State University

 Ludwig von Beethoven (1770-1827) dedicated the Sonata No. 10, Op. 96 for Piano and Violin in G Major (1812) to Pierre Rode ( 1774-1830), one… (more)

Subjects/Keywords: for Piano and Violin in G major; Beethoven Sonata Op. 96

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APA (6th Edition):

Lin, C. (2013). Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891

Chicago Manual of Style (16th Edition):

Lin, Cheng-Yin. “Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.” 2013. Doctoral Dissertation, Louisiana State University. Accessed February 19, 2020. etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891.

MLA Handbook (7th Edition):

Lin, Cheng-Yin. “Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead.” 2013. Web. 19 Feb 2020.

Vancouver:

Lin C. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2020 Feb 19]. Available from: etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891.

Council of Science Editors:

Lin C. Beethoven Sonata No. 10, Op. 96 for piano and violin in G major (1812) : looking ahead. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-05302013-203418 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2891

4. Costa, Bárbara Sá da. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.

Degree: 2017, Repositório Científico do Instituto Politécnico de Lisboa

Mestrado em Música

Este Relatório de Projeto Artístico diz respeito à Sonata para piano n.º 3 de Hindemith e à Sonata para piano n.º 32,… (more)

Subjects/Keywords: Ludwig van Beethoven; Paul Hindemith; Sonata; Piano; Interpretação; Performance

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APA (6th Edition):

Costa, B. S. d. (2017). A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costa, Bárbara Sá da. “A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.” 2017. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed February 19, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costa, Bárbara Sá da. “A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven.” 2017. Web. 19 Feb 2020.

Vancouver:

Costa BSd. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2017. [cited 2020 Feb 19]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costa BSd. A sonata nº. 3 de Hindemith e a sonata nº. 32, op. 111 de Beethoven. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Utah State University

5. Hammond, Kathryn. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.

Degree: MA, Music, 1965, Utah State University

Beethoven's piano sonatas are possibly the greatest achievement in piano literature, perhaps in all musical literature. It has been said that if the forty-eight… (more)

Subjects/Keywords: sonata; beethoven; seventeen; piano; Music

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APA (6th Edition):

Hammond, K. (1965). The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. (Masters Thesis). Utah State University. Retrieved from https://digitalcommons.usu.edu/etd/2819

Chicago Manual of Style (16th Edition):

Hammond, Kathryn. “The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.” 1965. Masters Thesis, Utah State University. Accessed February 19, 2020. https://digitalcommons.usu.edu/etd/2819.

MLA Handbook (7th Edition):

Hammond, Kathryn. “The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.” 1965. Web. 19 Feb 2020.

Vancouver:

Hammond K. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. [Internet] [Masters thesis]. Utah State University; 1965. [cited 2020 Feb 19]. Available from: https://digitalcommons.usu.edu/etd/2819.

Council of Science Editors:

Hammond K. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. [Masters Thesis]. Utah State University; 1965. Available from: https://digitalcommons.usu.edu/etd/2819


University of Texas – Austin

6. Liu, Peng, M. of Music. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.

Degree: MM, Music, 2016, University of Texas – Austin

 Although Beethoven’s so-called “heroic” style dominates perceptions about the composer, he also composed a number of pieces that have a less heroic, more intimate or… (more)

Subjects/Keywords: Beethoven; Piano sonatas; Singing style; Topic theory; Semiotics; Sonata form; Reception

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APA (6th Edition):

Liu, Peng, M. o. M. (2016). Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/46999

Chicago Manual of Style (16th Edition):

Liu, Peng, M of Music. “Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.” 2016. Masters Thesis, University of Texas – Austin. Accessed February 19, 2020. http://hdl.handle.net/2152/46999.

MLA Handbook (7th Edition):

Liu, Peng, M of Music. “Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.” 2016. Web. 19 Feb 2020.

Vancouver:

Liu, Peng MoM. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2020 Feb 19]. Available from: http://hdl.handle.net/2152/46999.

Council of Science Editors:

Liu, Peng MoM. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/46999


Massey University

7. Oswin, Matthew. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .

Degree: 2013, Massey University

Beethoven's 'Kreutzer' Sonata transgressed the expectations – and likely captivated the minds – of early nineteenth-century musicians and audiences alike. The 'Kreutzer' is stylistically removed… (more)

Subjects/Keywords: Ludwig van Beethoven; Kreutzer sonata; Sonata for violin and piano; Analysis, appreciation; Arrangement (Music); Opus 47; No. 9, op. 47

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APA (6th Edition):

Oswin, M. (2013). Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .” 2013. Thesis, Massey University. Accessed February 19, 2020. http://hdl.handle.net/10179/4736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .” 2013. Web. 19 Feb 2020.

Vancouver:

Oswin M. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . [Internet] [Thesis]. Massey University; 2013. [cited 2020 Feb 19]. Available from: http://hdl.handle.net/10179/4736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oswin M. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Floyd, J. Robert (James Robert), 1929-. Beethoven's Piano Sonata Op. 111 in its Historical Perspective.

Degree: 1950, North Texas State College

This thesis presents a brief history of the sonata form until the time of Beethoven. It also discusses Beethoven's use of the sonata form, and how it applies to his op. 111 piano sonata. Advisors/Committee Members: Hibberd, Lloyd, Hodgson, W. H. (Walter H.).

Subjects/Keywords: piano sonata; Ludwig van Beethoven; music; sonata form; Beethoven, Ludwig van, 1770-1827. Sonatas, piano, no. 32, op. 111, C minor.

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APA (6th Edition):

Floyd, J. Robert (James Robert), 1. (1950). Beethoven's Piano Sonata Op. 111 in its Historical Perspective. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Thesis, North Texas State College. Accessed February 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Web. 19 Feb 2020.

Vancouver:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Internet] [Thesis]. North Texas State College; 1950. [cited 2020 Feb 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

9. Song, Moo Kyoung. The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22.

Degree: PhD, Music, 2002, University of Texas – Austin

 This dissertation is an analytic and stylistic survey of sonata-form movements in Ludwig van Beethoven's early piano sonatas. Schenkerian theory is adopted as the primary… (more)

Subjects/Keywords: Beethoven, Ludwig van, – 1770-1827 – Sonatas, – piano; Sonatas (Piano) – Analysis, appreciation; Sonata form

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APA (6th Edition):

Song, M. K. (2002). The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/951

Chicago Manual of Style (16th Edition):

Song, Moo Kyoung. “The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed February 19, 2020. http://hdl.handle.net/2152/951.

MLA Handbook (7th Edition):

Song, Moo Kyoung. “The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22.” 2002. Web. 19 Feb 2020.

Vancouver:

Song MK. The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2020 Feb 19]. Available from: http://hdl.handle.net/2152/951.

Council of Science Editors:

Song MK. The evolution of sonata-form design in Ludwig van Beethoven's early piano sonatas, WoO 47 to Opus 22. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/951


University of Illinois – Urbana-Champaign

10. Warner, Michael A. What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles.

Degree: M.Mus., 0265, 2011, University of Illinois – Urbana-Champaign

 Donald Francis Tovey’s writings on music continue to have a strong influence on scholarship seventy years after his death. In several of his essays, he… (more)

Subjects/Keywords: Ludwig van Beethoven; Beethoven; Donald Francis Tovey; Tovey; bagatelle; bagatelles; piano; sonata; sonatas; piano sonatas; music; classical music; quartet; quartets; string quartet; string quartets; Op. 119; Op. 131; Op. 111; Op. 90; Op. 78; Op. 54; unity

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APA (6th Edition):

Warner, M. A. (2011). What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warner, Michael A. “What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed February 19, 2020. http://hdl.handle.net/2142/18403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warner, Michael A. “What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles.” 2011. Web. 19 Feb 2020.

Vancouver:

Warner MA. What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Feb 19]. Available from: http://hdl.handle.net/2142/18403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warner MA. What is "Normal?" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

11. Osorio, Loida R. Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven.

Degree: MM, Music, 2017, Texas State University – San Marcos

No abstract prepared. Advisors/Committee Members: Gonzales, Cynthia I. (advisor), Eaton, Rebecca (committee member), Schmidt, John (committee member).

Subjects/Keywords: Beethoven; Piano; Sonatas; Non-tonic; Off-tonic; Caplin; Formal function; Sonata theory; Hepokoski; Darcy; Tonal problem; Problem; Straus; Disability; Beethoven, Ludwig van, – 1770-1827; Sonatas (Piano); Piano music

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APA (6th Edition):

Osorio, L. R. (2017). Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/6749

Chicago Manual of Style (16th Edition):

Osorio, Loida R. “Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven.” 2017. Masters Thesis, Texas State University – San Marcos. Accessed February 19, 2020. https://digital.library.txstate.edu/handle/10877/6749.

MLA Handbook (7th Edition):

Osorio, Loida R. “Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven.” 2017. Web. 19 Feb 2020.

Vancouver:

Osorio LR. Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven. [Internet] [Masters thesis]. Texas State University – San Marcos; 2017. [cited 2020 Feb 19]. Available from: https://digital.library.txstate.edu/handle/10877/6749.

Council of Science Editors:

Osorio LR. Non-Tonic Beginnings: A "Problem" in Selected Piano Sonatas by Ludwig van Beethoven. [Masters Thesis]. Texas State University – San Marcos; 2017. Available from: https://digital.library.txstate.edu/handle/10877/6749


Michigan State University

12. Shantz, Bren. Organic relationships : motivic parallelisms between the first and second themes of sonata form.

Degree: M.Mus., Department of Music Theory, 2008, Michigan State University

Subjects/Keywords: Beethoven, Ludwig van, piano. Selections, 1770-1827; Sonatas; Mozart, Wolfgang Amadeus, piano. Selections, 1756-1791; Sonatas; Schubert, Franz, piano. Selections, 1797-1828; Sonatas; Sonata form; Musical analysis; Music theory; Schenkerian analysis

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APA (6th Edition):

Shantz, B. (2008). Organic relationships : motivic parallelisms between the first and second themes of sonata form. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:16629

Chicago Manual of Style (16th Edition):

Shantz, Bren. “Organic relationships : motivic parallelisms between the first and second themes of sonata form.” 2008. Masters Thesis, Michigan State University. Accessed February 19, 2020. http://etd.lib.msu.edu/islandora/object/etd:16629.

MLA Handbook (7th Edition):

Shantz, Bren. “Organic relationships : motivic parallelisms between the first and second themes of sonata form.” 2008. Web. 19 Feb 2020.

Vancouver:

Shantz B. Organic relationships : motivic parallelisms between the first and second themes of sonata form. [Internet] [Masters thesis]. Michigan State University; 2008. [cited 2020 Feb 19]. Available from: http://etd.lib.msu.edu/islandora/object/etd:16629.

Council of Science Editors:

Shantz B. Organic relationships : motivic parallelisms between the first and second themes of sonata form. [Masters Thesis]. Michigan State University; 2008. Available from: http://etd.lib.msu.edu/islandora/object/etd:16629

13. 林,智草. 2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven.

Degree: 博士(芸術学), 2014, Nihon University / 日本大学

Subjects/Keywords: ピアノソナタ; piano sonata; 2楽章構成; two-movement; L.v.ベートーヴェン; L. v. Beethoven; 古典派音楽; music in the classic period

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APA (6th Edition):

林,智草. (2014). 2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven. (Thesis). Nihon University / 日本大学. Retrieved from http://repository.nihon-u.ac.jp/xmlui/handle/11263/127 ; http://dx.doi.org/10.15006/32665A4732

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

林,智草. “2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven.” 2014. Thesis, Nihon University / 日本大学. Accessed February 19, 2020. http://repository.nihon-u.ac.jp/xmlui/handle/11263/127 ; http://dx.doi.org/10.15006/32665A4732.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

林,智草. “2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven.” 2014. Web. 19 Feb 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

林,智草. 2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven. [Internet] [Thesis]. Nihon University / 日本大学; 2014. [cited 2020 Feb 19]. Available from: http://repository.nihon-u.ac.jp/xmlui/handle/11263/127 ; http://dx.doi.org/10.15006/32665A4732.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

林,智草. 2楽章構成ピアノソナタの変遷 -ルートヴィヒ・ヴァン・ベートーヴェンを中心として- : Changes In Two-Movement Piano Sonatas : Centered on Luwig van Beethoven. [Thesis]. Nihon University / 日本大学; 2014. Available from: http://repository.nihon-u.ac.jp/xmlui/handle/11263/127 ; http://dx.doi.org/10.15006/32665A4732

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

14. Anderson, Dustin. Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment.

Degree: School of Music, 2018, University of Victoria

 This thesis examines Beethoven’s Op. 28 Pastoral Sonata as a musical work that is dominated by the pastoral topic, and, through its use of this… (more)

Subjects/Keywords: Beethoven; Pastoral; Op. 28; Enlightenment; Piano Sonata; Troping; Topic; Signifier; Dance; Aufklärung; Nature; God; Rural; Urban; Rustic

…ad astra — viii Introduction In 1801, Beethoven composed the Piano Sonatas Opp. 26, 27… …even a full two years in duration, Beethoven produced some of his most celebrated piano… …compositions. Today, Op. 26 is recognized as the only Beethoven sonata that uses a theme and… …Sonata and the History of the Pastoral The Op. 28 Piano Sonata was likely composed sometime… …great productivity and success for Beethoven in many areas of composition, not just piano… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, D. (2018). Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment. (Masters Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9974

Chicago Manual of Style (16th Edition):

Anderson, Dustin. “Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment.” 2018. Masters Thesis, University of Victoria. Accessed February 19, 2020. https://dspace.library.uvic.ca//handle/1828/9974.

MLA Handbook (7th Edition):

Anderson, Dustin. “Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment.” 2018. Web. 19 Feb 2020.

Vancouver:

Anderson D. Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment. [Internet] [Masters thesis]. University of Victoria; 2018. [cited 2020 Feb 19]. Available from: https://dspace.library.uvic.ca//handle/1828/9974.

Council of Science Editors:

Anderson D. Beethoven’s Op. 28 piano sonata: the pastoral and the enlightenment. [Masters Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9974


Luleå University of Technology

15. Fabian, Martin. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.

Degree: 2015, Luleå University of Technology

An attempt were made to record the 1st movement of Beethoven’s Op. 57, with the objective of performing it as close to Beethoven’s will… (more)

Subjects/Keywords: Fine Art; Konstnärligt arbete; agogics; Appassionata; authenticity; Beethoven; HIP; historically informed performance; Ludwig van Beethoven; metronome; op. 57; performance study; piano sonata; rubato; source relevance; source reliability; tempi; tempo; tempo aspects; tempo attributes; tempo analysis; tempo flexibility; tempo fluctuation; tempo measurement; trill speed; Agogik; autenticitet; historiskt informerat framförande; metronom; framförandestudie; framförandestudium; pianosonat; källrelevans; källreliabilitet; tempoaspekter; tempoattribut; tempoanalys; tempoflexibilitet; tempofluktuation; tempomätning; drillhastighet; tempo extrapolation; tempoextrapolering

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fabian, M. (2015). ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Thesis, Luleå University of Technology. Accessed February 19, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Web. 19 Feb 2020.

Vancouver:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Internet] [Thesis]. Luleå University of Technology; 2015. [cited 2020 Feb 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Thesis]. Luleå University of Technology; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Kim, Jungsun. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.

Degree: 2004, University of North Texas

 This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints… (more)

Subjects/Keywords: Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 1, op. 5, no. 1, F major.; Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 2, op. 5, no. 2, G minor.; Beethoven; voice; Op. 5; Cello Sonata

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kim, J. (2004). Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Thesis, University of North Texas. Accessed February 19, 2020. https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Web. 19 Feb 2020.

Vancouver:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Internet] [Thesis]. University of North Texas; 2004. [cited 2020 Feb 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Gaona, Brian S. Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works.

Degree: A.Mus.D., 0265, 2010, University of Illinois – Urbana-Champaign

 Scholarship on Ludwig van Beethoven has long addressed the composer’s affiliations with Freemasonry and other secret societies in an attempt to shed new light on… (more)

Subjects/Keywords: Beethoven; Ancient Esoteric; opus 131; opus 111; Bagatelle, Op. 119, No. 7; Piano sonata; string quartet; Freemasonry; Rosicrucian; Illuminati; Plato; Pythagoras

…Introduction Many instances and anecdotes exist in which Beethoven expressed opinions about the… …philosophical view of music attributed to Beethoven is comfortably agreed upon by scholars. The quotes… …reliability of Bettina von Arnim’s reports. See also William Kinderman, Beethoven, (new Oxford… …will be thousands more; there is only one Beethoven! 4 Compare this view to that of the great… …pedagogues and masters of the music world of the eighteenth century to which Beethoven had entered… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gaona, B. S. (2010). Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/16092

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gaona, Brian S. “Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works.” 2010. Thesis, University of Illinois – Urbana-Champaign. Accessed February 19, 2020. http://hdl.handle.net/2142/16092.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gaona, Brian S. “Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works.” 2010. Web. 19 Feb 2020.

Vancouver:

Gaona BS. Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2010. [cited 2020 Feb 19]. Available from: http://hdl.handle.net/2142/16092.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gaona BS. Through the lens of freemasonry: the influence of ancient esoteric thought on Beethoven's late works. [Thesis]. University of Illinois – Urbana-Champaign; 2010. Available from: http://hdl.handle.net/2142/16092

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.