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You searched for subject:(Beethoven Piano Concerto No 5). Showing records 1 – 30 of 37775 total matches.

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1. Shen, Yan. Narrative Analysis of Beethoven's Piano Concerto No. 5.

Degree: Music, Moores School of, 2015, University of Houston

 The Piano Concerto in E-flat Major, op.73, completed in 1811, represents Beethoven's fifth and final contribution to this genre. This paper investigates the first movement… (more)

Subjects/Keywords: Beethoven Piano Concerto No. 5; Narrative Analysis; Music

…Motive 11, mm.97-99 27 APPENDIX 2: Table 1 Beethoven, Piano Concerto No. 5, mvt. I. Formal… …heroic style in Beethoven’s Piano Concerto No. 5, it is crucial to employ the study of topic… …structural basis for my analysis of the first movement of Beethoven’s Piano Concerto No. 5. In… …Piano Concerto No. 5 generally follows the routine of the Type 5 sonata theory. However… …process of analysis of the first movement of Beethoven’s Piano Concerto No. 5 is based on… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shen, Y. (2015). Narrative Analysis of Beethoven's Piano Concerto No. 5. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Yan. “Narrative Analysis of Beethoven's Piano Concerto No. 5.” 2015. Thesis, University of Houston. Accessed May 23, 2019. http://hdl.handle.net/10657/1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Yan. “Narrative Analysis of Beethoven's Piano Concerto No. 5.” 2015. Web. 23 May 2019.

Vancouver:

Shen Y. Narrative Analysis of Beethoven's Piano Concerto No. 5. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 23]. Available from: http://hdl.handle.net/10657/1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen Y. Narrative Analysis of Beethoven's Piano Concerto No. 5. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

2. Jung, DoHaeng. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.

Degree: DMA, College-Conservatory of Music: Piano, 2014, University of Cincinnati

 Joan Tower (b. 1938) has become one of the most renowned, popular, and sought-after of American composers for her bold and energetic music, which is… (more)

Subjects/Keywords: Music; Joan Tower; Piano Concerto; Homage to Beethoven; Rapids; Still Rapids

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APA (6th Edition):

Jung, D. (2014). Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593

Chicago Manual of Style (16th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

MLA Handbook (7th Edition):

Jung, DoHaeng. “Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study.” 2014. Web. 23 May 2019.

Vancouver:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593.

Council of Science Editors:

Jung D. Joan Tower's Piano Concertos Homage to Beethoven (1985); Rapids (1996); and Still/Rapids (2013): A Style Study. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406900593


University of Miami

3. Zamparas, Grigorios. Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction.

Degree: DMA, Keyboard Performance (Music), 2007, University of Miami

Beethoven wrote his earliest piano concerto, the Piano Concerto in E-Flat Major WoO 4, in 1784-85. The surviving manuscript copy contains the solo part… (more)

Subjects/Keywords: Piano Transcription; Restoration; Unknown Beethoven Piano Concerto

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APA (6th Edition):

Zamparas, G. (2007). Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zamparas, Grigorios. “Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction.” 2007. Thesis, University of Miami. Accessed May 23, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zamparas, Grigorios. “Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction.” 2007. Web. 23 May 2019.

Vancouver:

Zamparas G. Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction. [Internet] [Thesis]. University of Miami; 2007. [cited 2019 May 23]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zamparas G. Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction. [Thesis]. University of Miami; 2007. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Yoo, Seung Won. Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective.

Degree: 2004, University of North Texas

 The majority of books about Saint-Säens cover his life, compositions, contemporaries, and French music in general. Although his life is well documented, most sources present… (more)

Subjects/Keywords: Saint-Saëns, Camille, 1835-1921. Concertos, piano, orchestra, no. 5, op. 103, F major.; Saint-Säens; piano; Concerto No. 5

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APA (6th Edition):

Yoo, S. W. (2004). Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yoo, Seung Won. “Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective.” 2004. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc4674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yoo, Seung Won. “Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective.” 2004. Web. 23 May 2019.

Vancouver:

Yoo SW. Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yoo SW. Camille Saint-Säens' Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Treber, Stefan L. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.

Degree: 2010, University of North Texas

 This thesis examines the history and origins of Beethoven's E minor Piano Sonata and examines the possibility of the programmatic conception of the work. Dedicated… (more)

Subjects/Keywords: Schenkerian analysis.; E minor sonata; piano sonata; Beethoven; Beethoven, Ludwig van, 1770-1827. Sonatas, piano no. 27, op. 90, E minor.

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APA (6th Edition):

Treber, S. L. (2010). A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Web. 23 May 2019.

Vancouver:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

6. Dalgleish, Jodie Sharon. Notes for Sound .

Degree: 2011, AUT University

 The novel Notes for Sound is a literary work of musical fiction, or ‘literary music,’ that explores the material and mythological being of music as… (more)

Subjects/Keywords: Music; Sound; Literature; "Auditory imagination"; Beethoven; "Musica practica"; Piano; Concerto; "Literary music"; "Musical fiction"; Electroacoustic; "Philosophical fiction"; "Novel of ideas"

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APA (6th Edition):

Dalgleish, J. S. (2011). Notes for Sound . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/2053

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalgleish, Jodie Sharon. “Notes for Sound .” 2011. Thesis, AUT University. Accessed May 23, 2019. http://hdl.handle.net/10292/2053.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalgleish, Jodie Sharon. “Notes for Sound .” 2011. Web. 23 May 2019.

Vancouver:

Dalgleish JS. Notes for Sound . [Internet] [Thesis]. AUT University; 2011. [cited 2019 May 23]. Available from: http://hdl.handle.net/10292/2053.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalgleish JS. Notes for Sound . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/2053

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Kim, Jungsun. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.

Degree: 2004, University of North Texas

 This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints… (more)

Subjects/Keywords: Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 1, op. 5, no. 1, F major.; Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 2, op. 5, no. 2, G minor.; Beethoven; voice; Op. 5; Cello Sonata

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APA (6th Edition):

Kim, J. (2004). Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Web. 23 May 2019.

Vancouver:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

8. Yang, Ming-ming. The Historical Significant of Alkanâs Concerti da Camera, Op.10.

Degree: Master, Music, 2012, NSYSU

 Charles-Valentin Alkan ( 1813-1888 ), French composer and pianist at early nineteenth century, devoted himself to write piano music only as Chopin during his entire… (more)

Subjects/Keywords: musical environment in Paris; Concerto da Camera; No. 10.; piano concerto; early nineteenth century; Charles-Valentin Alkan

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APA (6th Edition):

Yang, M. (2012). The Historical Significant of Alkanâs Concerti da Camera, Op.10. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Thesis, NSYSU. Accessed May 23, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Ming-ming. “The Historical Significant of Alkanâs Concerti da Camera, Op.10.” 2012. Web. 23 May 2019.

Vancouver:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Internet] [Thesis]. NSYSU; 2012. [cited 2019 May 23]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang M. The Historical Significant of Alkanâs Concerti da Camera, Op.10. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0206112-211817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. McGorray, Ian. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.

Degree: MM, College-Conservatory of Music: Music History, 2015, University of Cincinnati

 The piano concerto in the late-eighteenth and early-nineteenth centuries was a vehicle for the composer of performer to display his virtuosic skill in a concert… (more)

Subjects/Keywords: Music; Early Romantic Concerto; Ludwig van Beethoven; Ferdinand Ries; Piano Concerto; Virtuoso concerto

…publication date, Beethoven actually completed this work before the Piano Concerto No. 1 in C, Op… …Mozart’s C major concertos K. 415/387b, 467, and 503.18 Beethoven wrote the Piano Concerto No. 3… …octave piano beginning in the Piano Concerto No. 4 in G, Op. 58, Beethoven used a wider range… …is the Piano Concerto No. 5 in E-flat, Op. 73, also called the “Emperor.”20 Although… …early romantics’ concertos,” which I will discuss later.53 The “Emperor” Piano Concerto No. 5… 

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APA (6th Edition):

McGorray, I. (2015). Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816

Chicago Manual of Style (16th Edition):

McGorray, Ian. “Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.” 2015. Masters Thesis, University of Cincinnati. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816.

MLA Handbook (7th Edition):

McGorray, Ian. “Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto.” 2015. Web. 23 May 2019.

Vancouver:

McGorray I. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. [Internet] [Masters thesis]. University of Cincinnati; 2015. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816.

Council of Science Editors:

McGorray I. Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto. [Masters Thesis]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439296816


University of North Texas

10. Chang, Hsiao-Ling. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.

Degree: 2010, University of North Texas

 Lowell Liebermann, born in New York City in 1961, is one of America's most distinguished living composers. In addition, he often conducts and performs as… (more)

Subjects/Keywords: Liebermann; analytical; historical; organic unity; piano; concerto; Liebermann, Lowell. Concertos, piano, orchestra no. 1, op. 12.; Composers  – Interviews.

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APA (6th Edition):

Chang, H. (2010). Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30426/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Hsiao-Ling. “Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.” 2010. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc30426/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Hsiao-Ling. “Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study.” 2010. Web. 23 May 2019.

Vancouver:

Chang H. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30426/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang H. Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30426/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hawaii – Manoa

11. Kurachi, Megumi. The Immortal Hand Piano Concerto for the Right Hand.

Degree: 2017, University of Hawaii – Manoa

Ph.D. University of Hawaii at Manoa 2016.

The Immortal Hand, a concerto for piano right hand and orchestra, is a culmination of my studies at… (more)

Subjects/Keywords: Piano concerto; right hand

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APA (6th Edition):

Kurachi, M. (2017). The Immortal Hand Piano Concerto for the Right Hand. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/51498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kurachi, Megumi. “The Immortal Hand Piano Concerto for the Right Hand.” 2017. Thesis, University of Hawaii – Manoa. Accessed May 23, 2019. http://hdl.handle.net/10125/51498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kurachi, Megumi. “The Immortal Hand Piano Concerto for the Right Hand.” 2017. Web. 23 May 2019.

Vancouver:

Kurachi M. The Immortal Hand Piano Concerto for the Right Hand. [Internet] [Thesis]. University of Hawaii – Manoa; 2017. [cited 2019 May 23]. Available from: http://hdl.handle.net/10125/51498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kurachi M. The Immortal Hand Piano Concerto for the Right Hand. [Thesis]. University of Hawaii – Manoa; 2017. Available from: http://hdl.handle.net/10125/51498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Xu Schott, Grace. Piano concerto number one, Heatmadah : an original work for piano and orchestra.

Degree: Thesis (D.A.), 2013, Ball State University

 The purpose of this study is to create an original composition for piano and orchestra, Piano Concerto Number One, Heatmadah. While numerous compositions of piano(more)

Subjects/Keywords: Concertos (Piano)  – Scores; Concerto

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APA (6th Edition):

Xu Schott, G. (2013). Piano concerto number one, Heatmadah : an original work for piano and orchestra. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/197792

Chicago Manual of Style (16th Edition):

Xu Schott, Grace. “Piano concerto number one, Heatmadah : an original work for piano and orchestra.” 2013. Doctoral Dissertation, Ball State University. Accessed May 23, 2019. http://cardinalscholar.bsu.edu/handle/123456789/197792.

MLA Handbook (7th Edition):

Xu Schott, Grace. “Piano concerto number one, Heatmadah : an original work for piano and orchestra.” 2013. Web. 23 May 2019.

Vancouver:

Xu Schott G. Piano concerto number one, Heatmadah : an original work for piano and orchestra. [Internet] [Doctoral dissertation]. Ball State University; 2013. [cited 2019 May 23]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197792.

Council of Science Editors:

Xu Schott G. Piano concerto number one, Heatmadah : an original work for piano and orchestra. [Doctoral Dissertation]. Ball State University; 2013. Available from: http://cardinalscholar.bsu.edu/handle/123456789/197792


University of Sydney

13. Lim, Jihyeon. UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) .

Degree: 2019, University of Sydney

 Unsuk Chin (b. 1961) is the most internationally recognised living Korean-born composer. She has received numerous awards including the prestigious 2004 Grawemeyer Award for her… (more)

Subjects/Keywords: Unsuk Chin; 6 piano etudes; piano concerto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lim, J. (2019). UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/20403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lim, Jihyeon. “UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) .” 2019. Thesis, University of Sydney. Accessed May 23, 2019. http://hdl.handle.net/2123/20403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lim, Jihyeon. “UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) .” 2019. Web. 23 May 2019.

Vancouver:

Lim J. UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) . [Internet] [Thesis]. University of Sydney; 2019. [cited 2019 May 23]. Available from: http://hdl.handle.net/2123/20403.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lim J. UNSUK CHIN’S PIANO MUSIC: 6 PIANO ETUDES (1995-2003) AND PIANO CONCERTO (1996-97) . [Thesis]. University of Sydney; 2019. Available from: http://hdl.handle.net/2123/20403

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

14. Oswin, Matthew. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .

Degree: 2013, Massey University

Beethoven's 'Kreutzer' Sonata transgressed the expectations – and likely captivated the minds – of early nineteenth-century musicians and audiences alike. The 'Kreutzer' is stylistically removed… (more)

Subjects/Keywords: Ludwig van Beethoven; Kreutzer sonata; Sonata for violin and piano; Analysis, appreciation; Arrangement (Music); Opus 47; No. 9, op. 47

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oswin, M. (2013). Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .” 2013. Thesis, Massey University. Accessed May 23, 2019. http://hdl.handle.net/10179/4736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oswin, Matthew. “Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music .” 2013. Web. 23 May 2019.

Vancouver:

Oswin M. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . [Internet] [Thesis]. Massey University; 2013. [cited 2019 May 23]. Available from: http://hdl.handle.net/10179/4736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oswin M. Beethoven's 'Kreutzer' Sonata : Nineteenth-century Art of Arrangement : One Piece, Three Ways : a thesis submitted to Massey University and Victoria University of Wellington in partial fulfilment of the degree of Master of Music in Musicology, New Zealand School of Music . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

15. Chongvattanakij, Chairat. Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.

Degree: 2016, University of Toronto

Western music scholarship tends to privilege the notion of music as text, rather than music as performance. Furthermore, even in performance research, the focus is… (more)

Subjects/Keywords: Beethoven; embodied cognition; gesture; narrative; Piano Sonata No. 30 in E Major; Op. 109; video analysis; 0413

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chongvattanakij, C. (2016). Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/72931

Chicago Manual of Style (16th Edition):

Chongvattanakij, Chairat. “Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.” 2016. Doctoral Dissertation, University of Toronto. Accessed May 23, 2019. http://hdl.handle.net/1807/72931.

MLA Handbook (7th Edition):

Chongvattanakij, Chairat. “Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109.” 2016. Web. 23 May 2019.

Vancouver:

Chongvattanakij C. Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109. [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2019 May 23]. Available from: http://hdl.handle.net/1807/72931.

Council of Science Editors:

Chongvattanakij C. Music as Gestural Narrative: An Analysis of Video Recordings of Beethoven's Piano Sonata, Op. 109. [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/72931


NSYSU

16. Lin, Yi-ting. An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53.

Degree: Master, Music, 2016, NSYSU

 Alexander Scriabin (1872-1915) is one of the most representative Russian composers, whose early Chopin (1810-1849) influence and late spiritual inspiration from Philosophy, Religion, and Literature… (more)

Subjects/Keywords: Alexander Scriabin; Mystic; Piano Sonata No.5, Op.53

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lin, Y. (2016). An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0419116-094049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Yi-ting. “An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53.” 2016. Thesis, NSYSU. Accessed May 23, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0419116-094049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Yi-ting. “An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53.” 2016. Web. 23 May 2019.

Vancouver:

Lin Y. An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53. [Internet] [Thesis]. NSYSU; 2016. [cited 2019 May 23]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0419116-094049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin Y. An Analytical Study of Scriabin's Piano Sonatas: Focusing on No.5 Sonata, Op.53. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0419116-094049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Hsu, Yu-Ching. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.

Degree: 2017, University of North Texas

 Although the current, exhaustive studies of Brahms' works have covered many aspects of the composer's art, it is still surprising that his large-scale, five-movement Piano(more)

Subjects/Keywords: Brahms Piano Sonata No.3; orchestral mentality; Brahms Piano Op.5, Brams Piano Sonata; Music; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hsu, Y. (2017). The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011840/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Yu-Ching. “The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.” 2017. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011840/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Yu-Ching. “The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3.” 2017. Web. 23 May 2019.

Vancouver:

Hsu Y. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011840/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu Y. The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011840/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

18. Kou, Yan. Chinese piano concertos from 1936 to 2010.

Degree: DMA, Music, 2018, University of Georgia

 The Chinese piano concerto has only existed since 1936. For much of its existence its cultivation was sporadic, but in the last four decades the… (more)

Subjects/Keywords: Chinese piano concerto; Jiang Wenye; Yellow River Piano Concerto; Zhao Xiaosheng

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APA (6th Edition):

Kou, Y. (2018). Chinese piano concertos from 1936 to 2010. (Doctoral Dissertation). University of Georgia. Retrieved from http://hdl.handle.net/10724/38488

Chicago Manual of Style (16th Edition):

Kou, Yan. “Chinese piano concertos from 1936 to 2010.” 2018. Doctoral Dissertation, University of Georgia. Accessed May 23, 2019. http://hdl.handle.net/10724/38488.

MLA Handbook (7th Edition):

Kou, Yan. “Chinese piano concertos from 1936 to 2010.” 2018. Web. 23 May 2019.

Vancouver:

Kou Y. Chinese piano concertos from 1936 to 2010. [Internet] [Doctoral dissertation]. University of Georgia; 2018. [cited 2019 May 23]. Available from: http://hdl.handle.net/10724/38488.

Council of Science Editors:

Kou Y. Chinese piano concertos from 1936 to 2010. [Doctoral Dissertation]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/38488


Temple University

19. Livshits, Mark Lionel. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.

Degree: 2017, Temple University

Music Performance

D.M.A.

In recent years, Brahms’s music has begun to occupy a larger role in the consciousness of musicologists, and with this surge of… (more)

Subjects/Keywords: Music;

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Livshits, M. L. (2017). THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,463222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Livshits, Mark Lionel. “THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.” 2017. Thesis, Temple University. Accessed May 23, 2019. http://digital.library.temple.edu/u?/p245801coll10,463222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Livshits, Mark Lionel. “THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE.” 2017. Web. 23 May 2019.

Vancouver:

Livshits ML. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. [Internet] [Thesis]. Temple University; 2017. [cited 2019 May 23]. Available from: http://digital.library.temple.edu/u?/p245801coll10,463222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Livshits ML. THE FIRST PIANO CONCERTO OF JOHANNES BRAHMS: ITS HISTORY AND PERFORMANCE PRACTICE. [Thesis]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,463222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Malan, Petronel. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.

Degree: 2001, University of North Texas

 In the new generation of artists emerging in South Africa, Alexander Johnson is considered the most prolific young composer of his day. In a recent… (more)

Subjects/Keywords: Johnson, Alexander, 1968- Niš concerto.; Concerto no. 1 for Piano and Orchestra; influences

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APA (6th Edition):

Malan, P. (2001). Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malan, Petronel. “Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.” 2001. Thesis, University of North Texas. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc2839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malan, Petronel. “Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.” 2001. Web. 23 May 2019.

Vancouver:

Malan P. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malan P. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Park, Ji Young. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.

Degree: DMA, Music, 2012, The Ohio State University

 There are several problems facing the pianist who wishes to study and/or perform Carl Vine’s Piano Concerto No. 1. Since the work is not widely… (more)

Subjects/Keywords: Music; Carl; Vine; Piano Concerto; No. 1

…4 3. Carl Vine’s Piano Concerto No. 1 .. …..8 3.1 Brief Survey of Piano… …Piano Concerto No.1 ...35 5.1 First Movement ….. …37 5.2 Second… …Guidelines .....54 6.1 Piano Concerto No.1 ...54 6.2 Solo… …LIST OF TABLES Tables Table 3.1 Carl Vine Piano Concerto No. 1, Overall Style …..9… …Table 3.2 Carl Vine Piano Concerto No. 1, First movement 15 Table 3.3 Sub-Sections of… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Park, J. Y. (2012). Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001

Chicago Manual of Style (16th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Doctoral Dissertation, The Ohio State University. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

MLA Handbook (7th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Web. 23 May 2019.

Vancouver:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

Council of Science Editors:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001


University of Cincinnati

22. KWON, JUN. Beethoven's Two-Movement Piano Sonatas and Their Predecessors.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 In the literature of keyboard solo music, the two-movement sonata has occupied a unique place in both structure and aesthetics. The great flowering of this… (more)

Subjects/Keywords: Music; Beethoven Piano Sonata; Two-movement Sonata

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APA (6th Edition):

KWON, J. (2008). Beethoven's Two-Movement Piano Sonatas and Their Predecessors. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710

Chicago Manual of Style (16th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

MLA Handbook (7th Edition):

KWON, JUN. “Beethoven's Two-Movement Piano Sonatas and Their Predecessors.” 2008. Web. 23 May 2019.

Vancouver:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710.

Council of Science Editors:

KWON J. Beethoven's Two-Movement Piano Sonatas and Their Predecessors. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212077710


University of Cincinnati

23. Lai, Wei-Ya. Beethoven's Late Style in His Last Five Piano Sonatas.

Degree: DMA, College-Conservatory of Music : Piano, 2009, University of Cincinnati

 This document intends to explore Ludwig van Beethoven's last five piano sonatas (Opp. 101, 106, 109, 110, and 111) focusing on their innovative and experimental… (more)

Subjects/Keywords: Music; Beethoven; piano sonatas; late style

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lai, W. (2009). Beethoven's Late Style in His Last Five Piano Sonatas. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360

Chicago Manual of Style (16th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Doctoral Dissertation, University of Cincinnati. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

MLA Handbook (7th Edition):

Lai, Wei-Ya. “Beethoven's Late Style in His Last Five Piano Sonatas.” 2009. Web. 23 May 2019.

Vancouver:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Internet] [Doctoral dissertation]. University of Cincinnati; 2009. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360.

Council of Science Editors:

Lai W. Beethoven's Late Style in His Last Five Piano Sonatas. [Doctoral Dissertation]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243014360


University of Manchester

24. Derry, Sian Rebecca. Beethoven's Experimental Figurations and Exercises for Piano.

Degree: 2012, University of Manchester

 The numerous piano figurations, exercises and experimental ideas that are found throughout the leaves of Beethoven’s sketchbooks remain a largely unexplored area within the field… (more)

Subjects/Keywords: Beethoven; Sketches; Piano; Exercises; Figurations; Student; Pianist

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APA (6th Edition):

Derry, S. R. (2012). Beethoven's Experimental Figurations and Exercises for Piano. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411

Chicago Manual of Style (16th Edition):

Derry, Sian Rebecca. “Beethoven's Experimental Figurations and Exercises for Piano.” 2012. Doctoral Dissertation, University of Manchester. Accessed May 23, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411.

MLA Handbook (7th Edition):

Derry, Sian Rebecca. “Beethoven's Experimental Figurations and Exercises for Piano.” 2012. Web. 23 May 2019.

Vancouver:

Derry SR. Beethoven's Experimental Figurations and Exercises for Piano. [Internet] [Doctoral dissertation]. University of Manchester; 2012. [cited 2019 May 23]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411.

Council of Science Editors:

Derry SR. Beethoven's Experimental Figurations and Exercises for Piano. [Doctoral Dissertation]. University of Manchester; 2012. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:155411

25. Ribeiro, Erika Maria. Aspectos interpretativos da Sonata op. 110 de Beethoven.

Degree: Mestrado, Processos de Criação Musical, 2009, University of São Paulo

Especialmente a partir do século XX, o interesse em entender como de fato se executava a música do período clássico cresceu consideravelmente. Isso porque, intérpretes… (more)

Subjects/Keywords: Beethoven; Beethoven; classicismo; Classicismo; interpretação; Interpretação; piano; Piano; práticas interpretativas; Práticas interpretativas

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APA (6th Edition):

Ribeiro, E. M. (2009). Aspectos interpretativos da Sonata op. 110 de Beethoven. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;

Chicago Manual of Style (16th Edition):

Ribeiro, Erika Maria. “Aspectos interpretativos da Sonata op. 110 de Beethoven.” 2009. Masters Thesis, University of São Paulo. Accessed May 23, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;.

MLA Handbook (7th Edition):

Ribeiro, Erika Maria. “Aspectos interpretativos da Sonata op. 110 de Beethoven.” 2009. Web. 23 May 2019.

Vancouver:

Ribeiro EM. Aspectos interpretativos da Sonata op. 110 de Beethoven. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 May 23]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;.

Council of Science Editors:

Ribeiro EM. Aspectos interpretativos da Sonata op. 110 de Beethoven. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-25102010-170619/ ;


NSYSU

26. Wu, Meng-hua. A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456.

Degree: Master, Music, 2015, NSYSU

 The term â Cadenza â first emerged in the 16th century. It evolved through the Renaissance, Baroque, and the early Classical period. It gradually refined… (more)

Subjects/Keywords: Mozart; Piano Concerto K. 456; Piano Concerto K. 453; Classical period; Piano Concerto K. 414; Cadenza

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APA (6th Edition):

Wu, M. (2015). A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0618115-122237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Meng-hua. “A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456.” 2015. Thesis, NSYSU. Accessed May 23, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0618115-122237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Meng-hua. “A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456.” 2015. Web. 23 May 2019.

Vancouver:

Wu M. A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 May 23]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0618115-122237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu M. A Study on the Cadenzas from the First Movements of the Mozart Piano Concerti, K. 414, K. 453 and K. 456. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0618115-122237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Floyd, J. Robert (James Robert), 1929-. Beethoven's Piano Sonata Op. 111 in its Historical Perspective.

Degree: 1950, North Texas State College

This thesis presents a brief history of the sonata form until the time of Beethoven. It also discusses Beethoven's use of the sonata form, and how it applies to his op. 111 piano sonata. Advisors/Committee Members: Hibberd, Lloyd, Hodgson, W. H. (Walter H.).

Subjects/Keywords: piano sonata; Ludwig van Beethoven; music; sonata form; Beethoven, Ludwig van, 1770-1827. Sonatas, piano, no. 32, op. 111, C minor.

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APA (6th Edition):

Floyd, J. Robert (James Robert), 1. (1950). Beethoven's Piano Sonata Op. 111 in its Historical Perspective. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Thesis, North Texas State College. Accessed May 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Floyd, J. Robert (James Robert), 1929-. “Beethoven's Piano Sonata Op. 111 in its Historical Perspective.” 1950. Web. 23 May 2019.

Vancouver:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Internet] [Thesis]. North Texas State College; 1950. [cited 2019 May 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Floyd, J. Robert (James Robert) 1. Beethoven's Piano Sonata Op. 111 in its Historical Perspective. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc83697/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

28. Gutierrez, Juan C. Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto.

Degree: MM, Music, 2011, Texas State University – San Marcos

 Writing in 1950, Alfred Einstein postulated that the Triple Concerto, Op. 56, of Ludwig van Beethoven is one of those multiple-instrument concertos that have taken… (more)

Subjects/Keywords: Music Theory; Symphonie Concertante; Concerto; Beethoven; Bach, Johann Christian; Triple Concerto; Music Research; Musical form; Composition (Music); Concerto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gutierrez, J. C. (2011). Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/2424

Chicago Manual of Style (16th Edition):

Gutierrez, Juan C. “Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto.” 2011. Masters Thesis, Texas State University – San Marcos. Accessed May 23, 2019. https://digital.library.txstate.edu/handle/10877/2424.

MLA Handbook (7th Edition):

Gutierrez, Juan C. “Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto.” 2011. Web. 23 May 2019.

Vancouver:

Gutierrez JC. Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto. [Internet] [Masters thesis]. Texas State University – San Marcos; 2011. [cited 2019 May 23]. Available from: https://digital.library.txstate.edu/handle/10877/2424.

Council of Science Editors:

Gutierrez JC. Related Genres? The Symphonie Concertante and the Multiple-Instrument Concerto. [Masters Thesis]. Texas State University – San Marcos; 2011. Available from: https://digital.library.txstate.edu/handle/10877/2424


NSYSU

29. Huang, Zih-Han. Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61.

Degree: Master, Music, 2013, NSYSU

 Ludwig van Beethoven was one of the most important composers in the Classical period as well as a crucial figure between the Classical and Romantic… (more)

Subjects/Keywords: Beethoven; Classical period; violin concerto; performance skills; interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huang, Z. (2013). Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0311113-152235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Zih-Han. “Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61.” 2013. Thesis, NSYSU. Accessed May 23, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0311113-152235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Zih-Han. “Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61.” 2013. Web. 23 May 2019.

Vancouver:

Huang Z. Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61. [Internet] [Thesis]. NSYSU; 2013. [cited 2019 May 23]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0311113-152235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang Z. Performance Skills and Interpretation of Beethoven's Violin Concerto in D major, opus 61. [Thesis]. NSYSU; 2013. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0311113-152235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

30. Lee, Jung-Hwa. Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance.

Degree: DMA, Music, 2008, The Ohio State University

 The Russian composer Dmitri Shostakovich completed his Piano Concerto, no. 1 Op. 35 in 1933. The Piano Concerto Op. 35 is manifests diverse features of… (more)

Subjects/Keywords: Music; Shostakovich's Piano Concerto Op. 35

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APA (6th Edition):

Lee, J. (2008). Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1227641553

Chicago Manual of Style (16th Edition):

Lee, Jung-Hwa. “Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance.” 2008. Doctoral Dissertation, The Ohio State University. Accessed May 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1227641553.

MLA Handbook (7th Edition):

Lee, Jung-Hwa. “Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance.” 2008. Web. 23 May 2019.

Vancouver:

Lee J. Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 May 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1227641553.

Council of Science Editors:

Lee J. Dmitri Shostkovich's Piano Concerto Op. 35: A Pianist's Guide For Performance. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1227641553

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